Podcasts about Wasteland

Welcome to the Wasteland—and farewell, for now! Ben Lindbergh and Van Lathan reunite, hug, and hold hands as they discuss the eighth and last episode of 'Fallout' Season 2, "The Strip." First, they share their thoughts on what a season finale should accomplish and whether they found "The Strip" satisfying. Then they catch up with the core characters one more time, break down the hardest-hitting emotional moments, and discuss several loose ends before speculating on the direction of the series in Season 3. After that, Ben chats with 'Fallout' cocreator and co-showrunner Geneva Robertson-Dworet about the finale and the future of the show. Finally, Ben brings on the lead creative designer of 'Fallout: New Vegas,' Obsidian Entertainment creative director John Gonzalez, to talk about how the show handled its source material, the potential and peril of game adaptations, and the finer points of storytelling in open-world games. Email us at ringerversegaming@gmail.com! Intro (0:00)Review of the finale (2:14)The Ghoul and House (15:20)Coop and Barb (23:27)Maximus (26:58)Lucy and Hank (35:20)The Vaulties (56:13)Post-credits scene (1:02:37)Interview with Geneva Robertson-Dworet (1:11:19)Interview with John Gonzalez (1:21:20)Outro (1:54:11) Host: Ben LindberghGuests: Van Lathan, Geneva Robertson-Dworet, and John GonzalezProducer: Devon RenaldoAdditional Production Support: Arjuna Ramgopowell Learn more about your ad choices. Visit podcastchoices.com/adchoices

In which we're totally talking about the weather, that's it. GET TO ZANIES FEB 3RD GET TO CLASS! BUY SOME STUFF Recorded LIVE at Paper Machete at the Green Mill Cocktail Lounge 1/24/26 in Chicago courtesy of WKQX (Q101.1 FM) and Jeppson’s Malört: The Official Drink of the Apocalypse Come find me in all your favorite places including my Discord, be gay, do drugs, flock ice. Featuring “Promises” by the Barrerracudas, a snippy of “The Wasteland” courtesy of Ross Bugden Twitter: Instagram For commissions/scores: bugdenross@gmail.com See omnystudio.com/listener for privacy information.

The story of Appalachia has come to a close, but a new story has just become. The Smoky Mountains of Tennessee are calling and Trader Red is going home...what will follow is an epic tale of revenge and remembrance.The Wasteland is a treacherous place, full of dangers both human and monster. On an old Kentucky road, a waylaid family, a group of Raiders, and Trader Red are on a collision course.In the middle of a suffocating dust storm...the Ballad Begins.

Info on the Star-Con Starfield ConventionBeware the Swarms of Danger Kitties! Fallout New Vegas Honest Hearts Feedback from Dustin, Suliore, Nicky + Calm Horizons, Wil, the Shoveler and Van.Join our Discord:https://discord.gg/cVSN65jJoin in the Roundtable Fun with our Character Generators!Fallout 76: https://tinyurl.com/F76GeneratorFallout 4: https://tinyurl.com/Fallout4GeneratorFallout New Vegas: https://tinyurl.com/NewVegasGeneratorFallout 3: https://tinyurl.com/F3GeneratorThe NEW New Vegas Character Generator! DONATE:  https://fightcf.cff.org/site/TR/?fr_id=7889&pg=team&team_id=90760Shop:  optimistic.threadless.com/Patreon:  https://www.patreon.com/asapodcastingEmail: thefalloutfeed@gmail.comWeb: http://www.asapodcasting.com/#/the-fallout-feed/Twitter: https://twitter.com/TheFalloutFeedFB: facebook.com/groups/askyrimaddictpodcastSupport the show

You always end up back where you started … and this week Van Lathan ends up back on Button Mash as he and Ben Lindbergh break down the penultimate episode of ‘Fallout' Season 2, “The Handoff.” After sharing their overall review, they consider Steph's backstory, catch up with the core characters, and assess how several storylines could come together in the finale. Along the way, they contemplate Canadian heritage, the Ghoul's accent, and whom they would want with them on a Wasteland journey. Intro (0:00)Reactions to “The Handoff” (6:00)The Ghoul's Accent (14:47)Steph's Backstory (18:06)Betty and Other Wild Cards (26:48)Lucy and Hank (37:46)Coop, Maximus and Thaddeus (52:43)Outro (1:20:02) Host: Ben LindberghGuest: Van LathanProducer: Devon RenaldoAdditional Production Support: Arjuna Ramgopowell Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome to Dev Game Club, where this week we begin a series on 1985's Ultima IV. After talking about the recent Defeating Games for Charity, we set the game in its time, talk about our encounters in the past with the series, and then dive into the manuals and the start of the game. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: The first couple of hours and the manuals  Issues covered: Defeating Games for Charity, the first pancake, our experiences with this series, an opaque franchise, mainlining a game, opacity being part of the point, performance characteristics of the PCs of the time, the importance of the manuals, entering the world as yourself, using the manual to reinforce the role-play, not requiring graphics, priming the player, describing the geography of different areas, imposing importance on a handful of pixels, the quest of the game, sublimating the quest of the game, a less traditional RPG experience, after reading the manual, the deep questions/dilemmas, tournament structure, choosing your most important virtue, getting the bard, series characters who can join your party, reflecting your beliefs, getting different dilemmas, the Venn diagram of virtues, the Tinker profession, symmetry in design, Buddhism and the Eightfold Path, countering the cultural zeitgeist, the Avatar and Hinduism, a deity's manifestation on Earth, finding your way into swamps, both hosts being poisoned and dying, death and rebirth, being unable to recruit early. Games, people, and influences mentioned or discussed: Dwarf Fortress, BioStats, KyleAndError13, Silksong, GreyFiery, Hollow Knight, Untitled Goose Game, Kaeon, Hitman, N0isses, Hades, Phil Salvador, MYST, RobotSpacer, Shadowgate, Unpacking, Kendrama, CalamityNolan, Splatoon 2, Typing of the Dead, Dark Souls 2, Nitro, Metal Gear Solid, Resident Evil, LostLake, Minecraft, Super Mario Bros Shuffler, Devil May Cry, MegaMan X, Belmont, NES, Atari 2600, Ultima Underworld, A Bard's Tale, Eye of the Beholder, Magic: The Gathering, LucasArts, Super Mario 64, Space Harrier, Gauntlet, Ghosts n' Goblins, Gradius, Super Mario Bros, Tetris, Where in the World Is Carmen Sandiego, Spy vs Spy (series), Oregon Trail, King's Quest II, The Goonies, Gremlins, A View to a Kill, Rambo, Temple of Doom, The Empire Strikes Back, SEGA Master System, Sonic (series), Wizardry, Apple ][, Commodore 64, Civilization III, The Sims, Bill Roper, Warcraft, The Elder Scrolls: Morrowind, Reed Knight, Pool of Radiance, Dungeons & Dragons, Warren Spector, Ultima Adventures, Outcast, Fallout, Wasteland, A Connecticut Yankee in King Arthur's Court, Harley Baldwin, Richard Garriott, the Ramayana, Ed Fries, Benimanjaro, Kirk Hamilton, Aaron Evers, Mark Garcia.  Note: Because Ultima IV has very little music to speak of, I will be substituting music from later in the series in the openings to these episodes TTDS: 06:25 Next time: More Ultima IV Twitch: timlongojr and twinsunscorp YouTube Discord DevGameClub@gmail.com

In which we acknowledge the 25th anniversary of the launch of Wikipedia during the one-year anniversary of CLASS! in January of 2026, which has already been a decade. CHECK ME AT 1:37:00 at THE BANCHETS GET TO ZANIES FEB 3RD GET TO CLASS! BUY SOME STUFF Recorded LIVE January 19th 2026 from CLASS! at The Lincoln Lodge in Chicago courtesy of WKQX (Q101.1 FM) and Jeppson’s Malört: The Official Drink of the Apocalypse Come find me in all your favorite places including my Discord, be gay, do drugs, flock ice. Featuring “Promises” by the Barrerracudas, a snippy of “The Wasteland” courtesy of Ross Bugden Twitter: Instagram For commissions/scores: bugdenross@gmail.com See omnystudio.com/listener for privacy information.

The Pacific Rejects are a Wasteland tribe from the old San Diego region. They were placed in the theme zone for the first time last year (2025) bringing what we think is Wasteland Valley's first Baja Bar. They're serving up custo coctails and debaucherie and are here to tell you a little about themselves. Plus, they're this month's Patch of the Month sponsor so check it out and be sure to sign up so you get yours! Patch Design by the Pacific Rejects and Winks Join the Patch of the Month club at Patreon.com/theapocalyspepost

After being sidetracked in the Wasteland for the last few weeks, Matt & J Scotty play all little catch up on Fallout Season 2's first 5 episodes. 

Just got back to Chicago and boy is my thermostat tired. What the flock? I'm gone for three days and it feels like the entire city left the window open, it's 4 degrees whilst I'm typing this. So yeah, California Dreamin over here missing San Francisco but we gotta get back to diggin ditches and this last story was a ditch indeed. The annual Consumer Electronics Show is back and with it comes the Worst in Show awards, which I think is just the best. GET TO CLASS! BUY SOME STUFF Recorded LIVE at Paper Machete at the Green Mill Cocktail Lounge 1/10/25 in Chicago courtesy of WKQX (Q101.1 FM) and Jeppson’s Malört: The Official Drink of the Apocalypse Come find me in all your favorite places including my Discord Featuring “Promises” by the Barrerracudas, "Baltimore!" by Chris Riehl © 2019 and a snippy of “The Wasteland” courtesy of Ross Bugden Twitter: Instagram For commissions/scores: bugdenross@gmail.com See omnystudio.com/listener for privacy information.

On this week's Arcade, Uno finishes off Hades II and checks out the point-and-click horror mystery, Slender Threads. Chugs is wrapping up the final stretch of Pokémon Legends Z-A, cleaning up the post-game challenges in Expedition 33 and spends some more time with Crash Bandicoot and the Retro Dimension.In gaming news, the boys discuss Rockstar launching a paid mod marketplace for GTA V, Nintendo's recent stock slide and the unexpected return of Ecco the Dolphin. They also get into Fallout Season 2, react to Hytale's Early Access launch and recap their favorite runs from Awesome Games Done Quick 2026.Get the AEW SP Game Used from Upper Deck: https://bit.ly/3XpHOmx Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode, we dive into the world of Fallout, talking about the games that built the franchise and the new TV series that brings the wasteland to life. We share our thoughts on the story, characters, and how the show compares to the games—keeping spoilers light and clearly marked. Whether you're a longtime Vault Dweller or brand new to Fallout, this episode is a fun discussion about what works, what surprised us, and why Fallout continues to be such a massive fan favorite.

Welcome to Day 2778 of Wisdom-Trek. Thank you for joining me. This is Guthrie Chamberlain, Your Guide to Wisdom. Day 2778 – Wisdom Nuggets – Psalm 107:1-16 – Daily Wisdom Wisdom-Trek Podcast Script - Day 2778 Welcome to Wisdom-Trek with Gramps! I am Guthrie Chamberlain, and we are on Day two thousand seven hundred seventy-eight of our Trek. The Purpose of Wisdom-Trek is to create a legacy of wisdom, to seek out discernment and insights, and to boldly grow where few have chosen to grow before. The title for today's Wisdom-Trek is: The Great Gathering – From the Wasteland to the Broken Gates.   Today, we cross a major threshold in our expedition through the Psalms. We are stepping into Book Five of the Psalter, the final collection of these ancient songs. We begin this new leg of the journey with Psalm One Hundred Seven, covering the first two stanzas, verses one through sixteen, in the New Living Translation. To understand the power of this moment, we must remember where we left off. In our previous trek, we stood at the end of Psalm One Hundred Six, which was the conclusion of Book Four. That psalm ended with a desperate, heartbreaking prayer from the exile: "Save us, O Lord our God! Gather us back from among the nations." It was a cry from the diaspora, a plea from a people scattered to the four winds because of their rebellion. They were asking God to reverse the judgment of the exile. Psalm One Hundred Seven is the thunderous answer to that prayer. If Psalm One Hundred Six ended with a plea to be gathered, Psalm One Hundred Seven begins with the celebration of the gathered. The tone shifts from petition to proclamation. It is a panoramic view of God's Redemption. It describes specific scenarios of human desperation—being lost in the desert, locked in a dungeon, sick unto death, or tossed in a storm—and shows how Yahweh intervenes to rescue. It is a psalm that celebrates the Hesed—the Unfailing Love—of God, which pursues us into the wildest wastelands and the darkest prisons. So, let us join the procession of the redeemed and listen to their stories. The first segment is: The Prologue: The Song of the Redeemed. Psalm One Hundred Seven: verses one through three. Give thanks to the Lord, for he is good! His faithful love endures forever.  Has the Lord redeemed you? Then speak out! Tell others he has redeemed you from your enemies.  For he has gathered the exiles from many lands, from east and west, from north and south. The psalm opens with the classic liturgical call to worship, identifying the core motivation for all praise: God is Good, and His Faithful Love (Hesed) is eternal. But then, the psalmist turns to the congregation and issues a challenge: "Has the Lord redeemed you? Then speak out!" The Hebrew word for "Redeemed" is Geulim. It comes from the word Ga'al, which refers to the Kinsman-Redeemer. This was the nearest male relative who had the legal responsibility to buy back a family member who had been sold into...

Ray, Jess and Andrew enjoy community feedback from the Shoveler, Technomancer, Randowasteland, Suliore, Pip-Boy Steve, Wil, Lee, Calm Horizons + Nicky and Van. This week we head under the Legion to upgrade some robots.Info on the Star-Con Starfield ConventionJoin our Discord:https://discord.gg/cVSN65jJoin in the Roundtable Fun with our Character Generators!Fallout 76: https://tinyurl.com/F76GeneratorFallout 4: https://tinyurl.com/Fallout4GeneratorFallout New Vegas: https://tinyurl.com/NewVegasGeneratorFallout 3: https://tinyurl.com/F3GeneratorThe NEW New Vegas Character Generator! DONATE:  https://fightcf.cff.org/site/TR/?fr_id=7889&pg=team&team_id=90760Shop:  optimistic.threadless.com/Patreon:  https://www.patreon.com/asapodcastingEmail: thefalloutfeed@gmail.comWeb: http://www.asapodcasting.com/#/the-fallout-feed/Twitter: https://twitter.com/TheFalloutFeedFB: facebook.com/groups/askyrimaddictpodcastSupport the show

Chat over calamari with Megaton Man creator Don Simpson as we discuss why he splurged on a special issue of Captain Marvel at the Baltimore Comic-Con, how the business practices of comics affect the artistic side, the way two early visits with artist Keith Pollard taught him he didn't want to be a Marvel Comics penciller after all, where he feels the Silver Age ended and the Bronze Age truly began, how classic cinema and the auteur theory influenced his creative choices, the lessons he learned from the first few issues of Love & Rockets vs. the unfortunate expectations set up by the first few issues of Megaton Man, how working on DC's anthology title Wasteland caused him to reinvent himself, what path his publishing life would have taken had Megaton Man been only a one-shot as originally planned, the career differences between Basil Wolverton and Will Eisner, why he's able to let others play with his characters without feeling proprietary, the alternate universe in which he would have been a Crusty Bunker or one of Romita's Raiders, how 9/11 caused him to head back to school for a PhD, why he wrote a Ms. Megaton Man prose novel, whether he already knows the final chapter to his comics universe, and much more.

Episode #406 of BGMania: A Video Game Music Podcast. Today on the show, Bryan and Bedroth delve into the emotional power of ballads throughout gaming history. From satirical power ballads to heartbreaking laments, and interactive folk songs to sweeping orchestral endings, we're covering the full spectrum of vocal storytelling. Whether it's karaoke confessions, ending credit tearjerkers, or sirens serenading you during boss fights, ballads give composers space to explore melody and lyrics in ways that humanize virtual worlds and create those intimate moments we never forget. Email the show at bgmaniapodcast@gmail.com with requests for upcoming episodes, questions, feedback, comments, concerns, or any other thoughts you'd like to share! Special thanks to our Executive Producers: Jexak, Xancu, Jeff & Mike. EPISODE PLAYLIST AND CREDITS This is a Power Ballad from Grand Theft Auto: Vice City [Lex Horton feat. Darren Ritchie, 2002] Lament of Orpheus from Hades [Darren Korb, 2020] Without You from Sonic X Shadow Generations [Jun Senoue feat. Casey Lee Williams, 2024] We Are As One from Bayonetta 3 [Hiroshi Yamaguchi feat. Rachael Hawnt, 2022] Amidst a Dream from Judgment [Kiyo feat. Nao Toyama, 2018] Theme Song from Love And Deepspace [Sarah Brightman, 2024] Why from Crisis Core: Final Fantasy VII Reunion [Yoshihiko Nishio feat. ayaka, 2022] What We Did in Colorado from Wasteland 3 [Nathan Long feat. William Whitmore, 2020] Fear Not This Night from Guild Wars 2 [Jeremy Soule feat. Asja Kadric, 2012] Baka Mitai from Yakuza 0 [Mitsuharu Fukuyama feat. Takaya Kuroda, 2015] Wherever You Are from Digimon Story: Time Stranger [Yuichi Ohno & Atsushi Masuda feat. reche, 2025] Maybe Tomorrow from Xenosaga Episode III: Also sprach Zarathustra [Yuki Kajiura feat. Emily Curtis and the Tokyo Philharmonic Chorus, 2006] Bewitching Eyes from Hades II [Darren Korb feat. Erin Yvette, Ashley Barrett & Judy Alice Lee, 2025] Girl In The Tower from King's Quest VI: Heir Today, Gone Tomorrow [Mark Seibert feat. Bob Bergthold & Debbie Seibert, 1992] LINKS Patreon: https://patreon.com/bgmania Website: https://bgmania.podbean.com/ Discord: https://discord.gg/cC73Heu Facebook: BGManiaPodcast X: BGManiaPodcast Instagram: BGManiaPodcast TikTok: BGManiaPodcast YouTube: BGManiaPodcast Twitch: BGManiaPodcast PODCAST NETWORK Very Good Music: A VGM Podcast Listening Religiously

On This Episode:-Review of three films directed by Jean Pierre Melville and starring Alain Delon. Must watch films for crime/drama enthusiasts. -Remake pitch ideas for Cold Feet (1989) and Adventures of Mutilator: Hero of the Wasteland (1991)Follow at... Instagram: skeleton_factoryTwitter: sfpodcastatxPatreon: patreon.com/skeletonfactory

In which I remember one last thing from 2025 and get on the Zoom with my ol pal, Baltimore's own ambassador du Poe, Chris Riehl and we talk eats, drinks and what's comin up for Big Ed's Birthday! GET TO BALTIMORE! GET TO CLASS! GET TO CLASS IN SAN FRANCISCO! BUY SOME STUFF Recorded LIVE at Paper Machete at the Green Mill Cocktail Lounge 12/20/25 in Chicago courtesy of WKQX (Q101.1 FM) and Jeppson’s Malört: The Official Drink of the Apocalypse Come find me in all your favorite places including my Discord Featuring “Promises” by the Barrerracudas, "Baltimore!" by Chris Riehl © 2019 and a snippy of “The Wasteland” courtesy of Ross Bugden Twitter: Instagram For commissions/scores: bugdenross@gmail.com See omnystudio.com/listener for privacy information.

What do you do when life feels dry, desolate, and unproductive? In this message from Isaiah 43, we're reminded that God specializes in making streams in the wasteland. When nothing seems to be happening yet, God is already doing a new thing—often in places of prayer, isolation, and trust. There's nothing here yet… but there will be. ____ Partner with New Tribe: Give | https://newtribe.church/give/ ____ Connect with New Tribe: Website | https://newtribe.church/comeexperience/ Instagram | / newtribechurch Facebook | / newtribechurch YouTube | / newtribechurch

It's a new year and it's already been a decade but somehow you're doin Dry January? Respect. GET TO CLASS! GET TO CLASS IN SAN FRANCISCO! BUY SOME STUFF Recorded LIVE at Paper Machete at the Green Mill Cocktail Lounge 12/27/25 in Chicago courtesy of WKQX (Q101.1 FM) and Jeppson’s Malört: The Official Drink of the Apocalypse Come find me in all your favorite places including my Discord Featuring “Promises” by the Barrerracudas, a snippy of “The Wasteland” courtesy of Ross Bugden Twitter: Instagram For commissions/scores: bugdenross@gmail.com See omnystudio.com/listener for privacy information.

Join Dave and Wayne for genre television show news, a glimpse into what the hosts are watching, listener feedback, and analysis of the Prime Video series Fallout. This week on the SciFi TV Rewatch podcast we discuss what level of goodness still resides in The Ghoul, and whether Maximus can achieve some level of redemption after the incident w/his knight. How long can Lucy hold onto her cheery attitude as she traverses the Wasteland in search of her father? In our What We're Watching segment, Dave finds another quality historical drama in the Austrian production of Maximilian and Mary of Burgundy, and Wayne has high praise for the Stranger Things series' finale. In Listener Feedback, Alan in England and Fred from the Netherlands provide audio feedback, and Cincinnati Joe checks in via email.  Remember to join the genre television and film discussion on the SciFi TV Rewatch Facebook group for the latest genre television show news and podcast releases. Episode Grade: Dave 9.0  Wayne 9.1

Support us on Patreon: https://www.patreon.com/EternalDurdlesTCGPLAYER AFFILIATE LINK:https://partner.tcgplayer.com/OexAAnIn this Eternal Durdles episode, we take a deep dive into the current Legacy MTG metagame by asking a simple but powerful question:What are the actual threats in Legacy right now?Using data from recent tournament results, we break down the most played threats in the format and introduce a new concept — the Threat Number — a way to quantify how much a card truly impacts Legacy by combining play rate and copies per deck. From format-defining creatures to lands and artifacts that quietly warp games around them, this episode becomes a real-time exploration of how Legacy is actually played today.We discuss major Legacy pillars like Tamiyo, Inquisitive Student, Murktide Regent, Orcish Bowmasters, Urza's Saga, Wasteland, and the Reanimate package, and explore why many of these cards function as secondary win conditions or “B-plans” that demand respect even when they aren't the primary strategy of a deck.Along the way, we examine:How Threat Density shapes deckbuilding and sideboard choicesWhy some cards feel oppressive while others fly under the radarHow homogenization happens in Legacy — and when it becomes a problemWhat historical ban data can teach us about today's metagameWhy certain “answers” like graveyard hate often aren't good enough anymoreThis episode is also meant to be a time capsule — something Legacy players can revisit each quarter to track how the format evolves, what's changed, and what threats you should be preparing for if you're picking up the format or tuning a control deck.If you play Legacy MTG, love metagame analysis, or want to understand why certain cards dominate tournaments, this one's for you.JOIN US ON DISCORD: https://discord.gg/hrC7PxQZTEProudly supported by Three For One Trading: shop.threeforonetrading.comCardmillhttps://cardmill.com/EternalDurdlesMOXFIELDEternal Durdles Moxfield: https://www.moxfield.com/users/EternalDurdleshttps://www.moxfield.com/users/Durdlemagushttps://www.moxfield.com/users/ForceofPhil

In this episode of Americana Podcast: The 51st State, host Robert Earl Keen sits down with one of the most quietly influential voices in American songwriting: James McMurtry.For decades, McMurtry has carved out a singular space where songs are more than melodies. His writing is built on gritty character studies, moral landscapes, and moments of hard-won clarity—stories that feel lived in, observed, and unafraid to sit with complexity. From the early days of his debut album Too Long in the Wasteland to the lived-in wisdom of his most recent work, his catalog reads like a map of roads traveled and lives encountered along the way.Born in Fort Worth, Texas, McMurtry spent much of his youth in Northern Virginia before finding his footing as a songwriter in Tucson, Arizona, studying English and Spanish while cutting his teeth in small rooms and local venues. After time spent traveling—including a period living in Alaska—he returned to Texas, working odd jobs, playing bars and open mics, and gradually forging a life as a working songwriter. For much of his adult life, he's been based in Lockhart, just south of Austin, though his music has carried far beyond those borders.In this conversation, Robert and James reflect on the long arc of a songwriting life—from early guitar lessons and teenage gigs to his first record, Too Long in the Wasteland, and through to his latest album, The Black Dog and the Wandering Boy. Along the way, they talk about craft, observation, patience, and what it means to tell the truth in song without flinching.It's an intimate, thoughtful look at an artist whose work doesn't chase trends or spotlight—but endures, quietly and honestly, exactly where it belongs.Listen to the full episode on all streaming platforms or at AmericanaPodcast.com.Like, share, and subscribe to Americana Podcast. Episodes and Bonus content available on YOUTUBE!https://www.youtube.com/@robertearlkeenofficial Donate to the show!https://tiptopjar.com/americanapodcastInstagram@robertearlkeen1Have questions or suggestions? Emailcreatedirector@robertearlkeen.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Roundtable Feedback from: Jeff, John, Rando, Sassy Lady Dawn, Suliore, Vanessa, Nicky + Calm Horizons, Lee and Wil.Join our Discord:https://discord.gg/cVSN65jJoin in the Roundtable Fun with our Character Generators!Fallout 76: https://tinyurl.com/F76GeneratorFallout 4: https://tinyurl.com/Fallout4GeneratorFallout New Vegas: https://tinyurl.com/NewVegasGeneratorFallout 3: https://tinyurl.com/F3GeneratorThe NEW New Vegas Character Generator! DONATE:  https://fightcf.cff.org/site/TR/?fr_id=7889&pg=team&team_id=90760Shop:  optimistic.threadless.com/Patreon:  https://www.patreon.com/asapodcastingEmail: thefalloutfeed@gmail.comWeb: http://www.asapodcasting.com/#/the-fallout-feed/Twitter: https://twitter.com/TheFalloutFeedFB: facebook.com/groups/askyrimaddictpodcastSupport the show

Joe (Hindsightless) joins me for the final episode of Season 2, Season 3 starts on Valentine's Day 2026. On this episode we field calls from NPC (The Glitterbois), Karl (The GMologist), Dark Fluid (The Silver Key), Anthony aka Runeslinger (Casting Shadows), Arlen (Live from Pellam's Wasteland), and Riley (Diegetic Advancement) with a little help from Jason Hobbs (Bite the Bullet). Ways to contact me: Speakpipe for international callers: ⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.speakpipe.com/NerdsRPGVarietyCast ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The podcast's email at nerdsrpgvarietycast 'at' gmail 'dot' com Find me on a variety of discords including the Audio Dungeon Discord. Invite for the Audio Dungeon Discord ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/j5H8hGr⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow my blog ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://nerdsrpgvarietycastblog.blogspot.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join The Anchorite APA ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://sites.google.com/view/anchorite/home⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Proud member of the Grog-talk Empire ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.grogcon.com/podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ray Otus did the coffee cup  art for this showTJ provides music for my show.Spikepit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@spikepit1 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠provided the "Have no fear" sound clip.Any comments made by me are mine alone and do not represent the opinion of anyone else and comments by callers and guests do not represent my opinion.

Guests Include: Center for American's Rights Daniel Suhr, RNC's Kiersten Pels, Star News Networks's Michael Patrick Leahy and WILL's Dan Lennington, Freedom 250's Rachel Reisner Matt Takes A Caller

AN APOCALYPTIC WASTELAND AND THE PATH TO VICTORY Colleague James M. Scott. LeMay was relieved when reports indicated light opposition, validating his gamble. By dawn, 16 square miles of Tokyo were reduced to ash, and 105,000 people were dead—four times the toll of Dresden. The firebombing campaign continued against other major cities like Nagoya and Kobe, eventually running out of major targets and moving to smaller towns. By the time the atomic bomb was ready in July, LeMay had already destroyed much of Japan's industrial capacity. The atomic bomb was viewed by LeMay as merely a "big bang" that overshadowed his conventional success. NUMBER 7 1945 OKINAWA 

On a very special Holiday Episode of the Birdcast: I go in deep up the tale end of the story of the Fabregé Christmas Egg of Auckland! HAPPY HOLIDAYS, HUMANS! GET TO MADISON! GET TO CLASS! GET TO CLASS IN SAN FRANCISCO! BUY SOME STUFF Recorded LIVE at Paper Machete at the Green Mill Cocktail Lounge 12/13/25 in Chicago courtesy of WKQX (Q101.1 FM) and Jeppson’s Malört: The Official Drink of the Apocalypse Come find me in all your favorite places including my Discord Featuring “Promises” by the Barrerracudas, a snippy of “The Wasteland” courtesy of Ross Bugden Twitter: Instagram For commissions/scores: bugdenross@gmail.com See omnystudio.com/listener for privacy information.

Spencer and Lee head back into The Wasteland armed with Pip Boys and pockets full of bottle caps to battle Ghouls, rival factions, societal apathy, and corporate greed. Amazon Prime's "Fallout" is back for Season 2 and Spencer and Lee go long-form in reviewing episode 1. Let us know what you think! facebook.com/mangumtalks or mangumtalkspodcasts@gmail.com

Jason (The Dungeon Plunger) joins me to discuss the entries and pick two random winners for the contest that asked, "If you could only play games from one company for the rest of your life what company would it be and why?"Entries from Age of Adventure, Arlen (Live from Pellam's Wasteland), Spencer aka Free Thrall (Keep Off the Borderlands), Matt (Pint of Cthulhu), Ben (Coldlight Press), Daniel (Bandit's Keep), Joe (Hindsightless), James (Sub Class Act), Peter aka Spezbaby, Karl (The GMologist Presents), Mirke (Mirke the Meek), Riley (Diegetic Advancement), Darkfluid (The Silver Key), and NPC (The Glitterbois).Ways to contact me: Speakpipe for international callers: ⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.speakpipe.com/NerdsRPGVarietyCast ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The podcast's email at nerdsrpgvarietycast 'at' gmail 'dot' com Find me on a variety of discords including the Audio Dungeon Discord. Invite for the Audio Dungeon Discord ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/j5H8hGr⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow my blog ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://nerdsrpgvarietycastblog.blogspot.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join The Anchorite APA ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://sites.google.com/view/anchorite/home⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Proud member of the Grog-talk Empire ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.grogcon.com/podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ray Otus did the coffee cup  art for this showTJ provides music for my show.Spikepit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@spikepit1 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠provided the "Have no fear" sound clip.Any comments made by me are mine alone and do not represent the opinion of anyone else and comments by callers and guests do not represent my opinion.

Episode 87 Dover Beach by Matthew Arnold Mark McGuinness reads and discusses ‘Dover Beach' by Matthew Arnold. https://media.blubrry.com/amouthfulofair/media.blubrry.com/amouthfulofair/content.blubrry.com/amouthfulofair/87_Dover_Beach_by_Matthew_Arnold.mp3 Poet Matthew Arnold Reading and commentary by Mark McGuinness Dover Beach By Matthew Arnold The sea is calm tonight.The tide is full, the moon lies fairUpon the straits; on the French coast the lightGleams and is gone; the cliffs of England stand,Glimmering and vast, out in the tranquil bay.Come to the window, sweet is the night-air!Only, from the long line of sprayWhere the sea meets the moon-blanched land,Listen! you hear the grating roarOf pebbles which the waves draw back, and fling,At their return, up the high strand,Begin, and cease, and then again begin,With tremulous cadence slow, and bringThe eternal note of sadness in. Sophocles long agoHeard it on the Aegean, and it broughtInto his mind the turbid ebb and flowOf human misery; weFind also in the sound a thought,Hearing it by this distant northern sea. The Sea of FaithWas once, too, at the full, and round earth's shoreLay like the folds of a bright girdle furled.But now I only hearIts melancholy, long, withdrawing roar,Retreating, to the breathOf the night-wind, down the vast edges drearAnd naked shingles of the world. Ah, love, let us be trueTo one another! for the world, which seemsTo lie before us like a land of dreams,So various, so beautiful, so new,Hath really neither joy, nor love, nor light,Nor certitude, nor peace, nor help for pain;And we are here as on a darkling plainSwept with confused alarms of struggle and flight,Where ignorant armies clash by night. Podcast Transcript This is a magnificent and haunting poem by Matthew Arnold, an eminent Victorian poet. Written and published at the mid-point of the nineteenth century – it was probably written around 1851 and published in 1867 – it is not only a shining example of Victorian poetry at its best, but it also, and not coincidentally, embodies some of the central preoccupations of the Victorian age. The basic scenario is very simple: a man is looking out at the sea at night and thinking deep thoughts. It's something that we've all done, isn't it? The two tend to go hand-in-hand. When you're looking out into the darkness, listening to the sound of the sea, it's hard not to be thinking deep thoughts. If you've been a long time listener to this podcast, it may remind you of another poet who wrote about standing on the shore thinking deep thoughts, looking at the sea, Shakespeare, in his Sonnet 60: Like as the waves make towards the pebbled shore,So do our minutes hasten to their end; Arnold's poem is not a sonnet but a poem in four verse paragraphs. They're not stanzas, because they're not regular, but if you look at the text on the website, you can clearly see it's divided into four sections. The first part is a description of the sea, as seen from Dover Beach, which is on the shore of the narrowest part of the English channel, making it the closest part of England to France: The sea is calm tonight.The tide is full, the moon lies fairUpon the straits; – on the French coast the lightGleams and is gone; the cliffs of England stand,Glimmering and vast, out in the tranquil bay. And as you can hear, the poem has a pretty regular and conventional rhythm, based on iambic metre, ti TUM, with the second syllable taking the stress in every metrical unit. But what's slightly unusual is that the lines have varying lengths. By the time we get to the third line: Upon the straits; – on the French coast the light There are five beats. There's a bit of variation in the middle of the line, but it's very recognisable as classic iambic pentameter, which has a baseline pattern going ti TUM, ti TUM, ti TUM, ti TUM, ti TUM. But before we get to the pentameter, we get two short lines: The sea is calm tonight.Only three beats; andThe tide is full, the moon lies fair – four beats. We also start to notice the rhymes: ‘tonight' and ‘light'. And we have an absolutely delightful enjambment, where a phrase spills over the end of one line into the next one: On the French coast the light,Gleams and is gone. Isn't that just fantastic? The light flashes out like a little surprise at the start of the line, just as it's a little surprise for the speaker looking out to sea. OK, once he's set the scene, he makes an invitation: Come to the window, sweet is the night-air! So if there's a window, he must be in a room. There's somebody in the room with him, and given that it's night it could well be a bedroom. So this person could be a lover. It's quite likely that this poem was written on Arnold's honeymoon, which would obviously fit this scenario. But anyway, he's inviting this person to come to the window and listen. And what does this person hear? Well, helpfully, the speaker tells us: Listen! you hear the grating roarOf pebbles which the waves draw back, and fling,At their return, up the high strand,Begin, and cease, and then again begin,With tremulous cadence slow, and bringThe eternal note of sadness in. Isn't that just great? The iambic metre is continuing with some more variations, which we needn't go into. And the rhyme is coming more and more to the fore. Just about every line in this section rhymes with another line, but it doesn't have a regular pattern. Some of the rhymes are close together, some are further apart. There's only one line in this paragraph that doesn't rhyme, and that's ‘Listen! You hear the grating roar'. If this kind of shifting rhyme pattern reminds you of something you've heard before, you may be thinking all the way back to Episode 34 where we looked at Coleridge's use of floating rhymes in his magical poem ‘Kubla Khan'. And it's pretty evident that Arnold is also casting a spell, in this case to mimic the rhythm of the waves coming in and going out, as they ‘Begin, and cease, and then again begin,'. And then the wonderful last line of the paragraph, as the waves ‘bring / The eternal note of sadness in'. You know, in the heart of the Victorian Age, when the Romantics were still within living memory, poets were still allowed to do that kind of thing. Try it nowadays of course, and the Poetry Police will be round to kick your front door in at 5am and arrest you. Anyway. The next paragraph is a bit of a jump cut: Sophocles long agoHeard it on the Aegean, and it broughtInto his mind the turbid ebb and flowOf human misery; So Arnold, a classical scholar, is letting us know he knows who Sophocles, the ancient Greek playwright was. And he's establishing a continuity across time of people looking out at the sea and thinking these deep thoughts. At this point, Arnold explicitly links the sea and the thinking:                                     weFind also in the sound a thought,Hearing it by this distant northern sea. And the thought that we hear when we listen to the waves is what Arnold announces in the next verse paragraph, and he announces it with capital letters: The Sea of FaithWas once, too, at the full, and round earth's shoreLay like the folds of a bright girdle furled. And for a modern reader, I think this is the point of greatest peril for Arnold, where he's most at risk of losing us. We may be okay with ‘the eternal note of sadness', but as soon as he starts giving us the Sea of Faith, we start to brace ourselves. Is this going to turn into a horrible religious allegory, like The Pilgrim's Progress? I mean, it's a short step from the Sea of Faith to the Slough of Despond and the City of Destruction. And it doesn't help that Arnold uses the awkwardly rhyming phrase ‘a bright girdle furled' – that's not going to get past the Poetry Police, is it? But fear not; Arnold doesn't go there. What comes next is, I think, the best bit of the poem. So he says the Sea of Faith ‘was once, too, at the full', and then: But now I only hearIts melancholy, long, withdrawing roar,Retreating, to the breathOf the night-wind, down the vast edges drearAnd naked shingles of the world. Well, if you thought the eternal note of sadness was great, this tops it! It's absolutely fantastic. That line, ‘Its melancholy, long, withdrawing roar,' where the ‘it' is faith, the Sea of Faith. And the significance of the line is underlined by the fact that the word ‘roar' is a repetition – remember, that one line in the first section that didn't rhyme? Listen! you hear the grating roar See what Arnold did there? He left that sound hovering at the back of the mind, without a rhyme, until it came back in this section, a subtle but unmistakeable link between the ‘grating roar' of the actual sea at Dover Beach, and the ‘withdrawing roar' of the Sea of Faith: Its melancholy, long, withdrawing roar, Isn't that the most Victorian line ever? It encapsulates the despair that accompanied the crisis of faith in 19th century England. This crisis was triggered by the advance of modern science – including the discoveries of fossils, evidence of mass extinction of previous species, and the theory of evolution, with Darwin's Origin of Species published in 1859, in between the writing and publication of ‘Dover Beach'. Richard Holmes, in his wonderful new biography of the young Tennyson, compares this growing awareness of the nature of life on Earth to the modern anxiety over climate change. For the Victorians, he writes, it created a ‘deep and existential terror'. One thing that makes this passage so effective is that Arnold has already cast the spell in the first verse paragraph, hypnotising us with the rhythm and rhyme, and linking it to the movement of the waves. In the second paragraph, he says, ‘we find also in the sound a thought'. And then in the third paragraph, he tells us the thought. And the thought that he attaches to this movement, which we are by now emotionally invested in, is a thought of such horror and profundity – certainly for his Victorian readers – that the retreat of the sea of faith really does feel devastating. It leaves us gazing down at the naked shingles of the world. The speaker is now imaginatively out of the bedroom and down on the beach. This is very relatable; we've all stood on the beach and watched the waves withdrawing beneath our feet and the shingle being left there. It's an incredibly vivid evocation of a pretty abstract concept. Then, in the fourth and final verse paragraph, comes a bit of a surprise: Ah, love, let us be trueTo one another! Well, I for one was not expecting that! From existential despair to an appeal to his beloved. What a delightful, romantic (with a small ‘r') response to the big-picture, existential catastrophe. And for me, it's another little echo of Shakespeare's Sonnet 60, which opens with a poet contemplating the sea and the passing of time and feeling the temptation to despair, yet also ends with an appeal to the consolation of love: And yet to times in hope my verse shall stand,blockquotePraising thy worth, despite his cruel hand. Turning back to Arnold. He says ‘let us be true / To one another'. And then he links their situation to the existential catastrophe, and says this is precisely why they should be true to each other: for the world, which seemsTo lie before us like a land of dreams,So various, so beautiful, so new,Hath really neither joy, nor love, nor light,Nor certitude, nor peace, nor help for pain; It sounds, on the face of it, a pretty unlikely justification for being true to one another in a romantic sense. But actually, this is a very modern stance towards romantic love. It's like the gleam of light that just flashed across the Channel from France – the idea of you and me against an unfeeling world, of love as redemption, or at least consolation, in a meaningless universe. In a world with ‘neither joy, nor love, nor light,' our love becomes all the more poignant and important. Of course, we could easily object that, regardless of religious faith, the world does have joy and love and light. His very declaration of love is evidence of this. But let's face it, we don't always come to poets for logical consistency, do we? And we don't have to agree with Matthew Arnold to find this passage moving; most of us have felt like this at some time when we've looked at the world in what feels like the cold light of reality. He evokes it so vividly and dramatically that I, for one, am quite prepared to go with him on this. Then we get the final three lines of the poem:We are here as on a darkling plainSwept with confused alarms of struggle and flight,Where ignorant armies clash by night. I don't know about you, but I find this a little jarring in the light of what we've just heard. We've had the magnificent description of the sea and its effect on human thought, extending that into the idea of faith receding into illusion, and settling on human love as some kind of consolation for the loss of faith. So why do we need to be transported to a windswept plain where armies are clashing and struggling? It turns out to be another classical reference, to the Greek historian Thucydides' account of the night battle of Epipolae, where the two armies were running around in the dark and some of them ended up fighting their own side in the confusion. I mean, fine, he's a classical scholar. And obviously, it's deeply meaningful to him. But to me, this feels a little bit bolted on. A lot of people love that ending, but to me, it's is not as good as some of the earlier bits, or at least it doesn't quite feel all of a piece with the imagery of the sea. But overall, it is a magnificent poem, and this is a small quibble. Stepping back, I want to have another look at the poem's form, specifically the meter, and even more specifically, the irregularity of the meter, which is quite unusual and actually quite innovative for its time. As I've said, it's in iambic meter, but it's not strictly iambic pentameter. You may recall I did a mini series on the podcast a while ago looking at the evolution of blank verse, unrhymed iambic pentameter, from Christopher Marlowe and Shakespeare's dramatic verse, then Milton's Paradise Lost and finally Wordsworth's Tintern Abbey. ‘Dover Beach' is rhymed, so it's not blank verse, but most of the techniques Arnold uses here are familiar from those other poets, with variations on the basic rhythm, sometimes switching the beats around, and using enjambment and caesura (a break or pause in the middle of the line). But, and – this is quite a big but – not every line has five beats. The lines get longer and shorter in an irregular pattern, apparently according to Arnold's instinct. And this is pretty unusual, certainly for 1851. It's not unique, we could point to bits of Tennyson or Arthur Hugh Clough for metrical experiments in a similar vein, but it's certainly not common practice. And I looked into this, to see what the critics have said about it. And it turns out the scholars are divided. In one camp, the critics say that what Arnold is doing is firmly in the iambic pentameter tradition – it's just one more variation on the pattern. But in the other camp are people who say, ‘No, this is something new; this is freer verse,' and it is anticipating free verse, the non-metrical poetry with no set line lengths that came to be the dominant verse form of the 20th century. Personally, I think you can look back to Wordsworth and see a continuity with his poetic practice. But you could equally look forward, to a link with T. S. Eliot's innovations in ‘The Love Song of J. Alfred Prufrock' and The Waste Land. Eliot is often described as an innovator in free verse, which is true up to a point, but a lot of his writing in that early period isn't strictly free verse; it's a kind of broken up metrical verse, where he often uses an iambic metre with long and short lines, which he varies with great intuitive skill – in a similar manner to Arnold's ‘Dover Beach'. Interestingly, when ‘Dover Beach' was first published, the reviews didn't really talk about the metre, which is ammunition for the people who say, ‘Well, this is just a kind of iambic pentameter'. Personally, I think what we have here is something like the well-known Duck-Rabbit illusion, where you can look at the same drawing and either see a duck or a rabbit, depending how you look at it. So from one angle, ‘Dover Beach' is clearly continuing the iambic pentameter tradition; from another angle, it anticipates the innovations of free verse. We can draw a line from the regular iambic pentameter of Wordsworth (writing at the turn of the 18th and 19th century) to the fractured iambic verse of Eliot at the start of the 20th century. ‘Dover Beach' is pretty well halfway between them, historically and poetically. And I don't think this is just a dry technical development. There is something going on here in terms of the poet's sense of order and disorder, faith and doubt. Wordsworth, in the regular unfolding of his blank verse, conveys his basic trust in an ordered and meaningful universe. Matthew Arnold is writing very explicitly about the breakup of faith, and we can start to see it in the breakup of the ordered iambic pentameter. By the time we get to the existential despair of Eliot's Waste Land, the meter is really falling apart, like the Waste Land Eliot describes. So overall, I think we can appreciate what a finely balanced poem Arnold has written. It's hard to categorise. You read it the first time and think, ‘Oh, right, another conventional Victorian melancholy lament'. But just when we think he's about to go overboard with the Sea of Faith, he surprises us and with that magnificent central passage. And just as he's about to give in to despair, we get that glimmering spark of love lighting up, and we think, ‘Well, maybe this is a romantic poem after all'. And maybe Arnold might look at me over his spectacles and patiently explain that actually, this is why that final metaphor of the clashing armies is exactly right. Friend and foe are running in first one direction, then another, inadvertently killing the people on the wrong side. So the simile gives us that sense of being caught in the cross-currents of a larger sweep of history. With all of that hovering in our mind, let's go over to the window once more and heed his call to listen to the sound of the Victorian sea at Dover Beach. Dover Beach By Matthew Arnold The sea is calm tonight.The tide is full, the moon lies fairUpon the straits; on the French coast the lightGleams and is gone; the cliffs of England stand,Glimmering and vast, out in the tranquil bay.Come to the window, sweet is the night-air!Only, from the long line of sprayWhere the sea meets the moon-blanched land,Listen! you hear the grating roarOf pebbles which the waves draw back, and fling,At their return, up the high strand,Begin, and cease, and then again begin,With tremulous cadence slow, and bringThe eternal note of sadness in. Sophocles long agoHeard it on the Aegean, and it broughtInto his mind the turbid ebb and flowOf human misery; weFind also in the sound a thought,Hearing it by this distant northern sea. The Sea of FaithWas once, too, at the full, and round earth's shoreLay like the folds of a bright girdle furled.But now I only hearIts melancholy, long, withdrawing roar,Retreating, to the breathOf the night-wind, down the vast edges drearAnd naked shingles of the world. Ah, love, let us be trueTo one another! for the world, which seemsTo lie before us like a land of dreams,So various, so beautiful, so new,Hath really neither joy, nor love, nor light,Nor certitude, nor peace, nor help for pain;And we are here as on a darkling plainSwept with confused alarms of struggle and flight,Where ignorant armies clash by night. Matthew Arnold Matthew Arnold was a British poet, critic, and public intellectual who was born in 1822 and died in 1888. His father was Thomas Arnold, the famed headmaster of Rugby School. Arnold studied Classics at Oxford and first became known for lyrical, melancholic poems such as ‘Dover Beach', ‘The Scholar-Gipsy', and ‘Thyrsis', that explore the loss of faith in the modern world. Appointed an inspector of schools, he travelled widely and developed strong views on culture, education, and society. His critical essays, especially Culture and Anarchy, shaped debates about the role of culture in public life. Arnold remains a central figure bridging Romanticism and early modern thought. A Mouthful of Air – the podcast This is a transcript of an episode of A Mouthful of Air – a poetry podcast hosted by Mark McGuinness. New episodes are released every other Tuesday. You can hear every episode of the podcast via Apple, Spotify, Google Podcasts or your favourite app. You can have a full transcript of every new episode sent to you via email. The music and soundscapes for the show are created by Javier Weyler. Sound production is by Breaking Waves and visual identity by Irene Hoffman. A Mouthful of Air is produced by The 21st Century Creative, with support from Arts Council England via a National Lottery Project Grant. Listen to the show You can listen and subscribe to A Mouthful of Air on all the main podcast platforms Related Episodes Dover Beach by Matthew Arnold Episode 87 Dover Beach by Matthew Arnold Mark McGuinness reads and discusses ‘Dover Beach' by Matthew Arnold.Poet Matthew ArnoldReading and commentary by Mark McGuinnessDover Beach By Matthew Arnold The sea is calm tonight.The tide is full, the moon lies... Recalling Brigid by Orna Ross Orna Ross reads and discusses ‘Recalling Brigid’ from Poet Town. 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No Jong Lee on the podcast today but that's ok because Michael is joined by Bryan Guanajuato of the Bry-Fy Podcast! Michael catches up with Bryan since his last appearance on the podcast to find out what's happening over at the Bry-Fy podcast, their takes on gaming remakes, ripping packs, and wait... did they just open a pack on the podcast? The guys then dive into the season 2 premiere of Fallout, how the show continues to reflect gamers, Lucy approach to the Wasteland vs The Ghoul's approach, what's up with Mr. House, whether there's multiple versions of Mr. House, the over the top action, the chaos of Vault 31, why the flashbacks are just as harrowing as the present timeline, what's Hank planning exactly, why Hank decided to go to Vault 24, the shows ties to Fallout: New Vegas, and much more! Stay up to date on what's happening with Bryan and what packs his ripping on Instagram, Threads, and BlueSky, @Bryfypodcast. Listen to the Bry-Fy Podcast wherever you get your podcasts or subscribe on YouTube. Also, maybe give the Bry-Fy Podcast a listen on PodBean.   2026 is almost here and here at Comicast a new year usually means a new predictions issue of the podcast but this year we want to know what questions you may have for Jong and Michael. What prompts/questions would you give to the duo? For instance, which film will be the biggest box office draw? What character will make an appearance in Spider-Man Brand New Day? What video game property will be adapted next? Submit your prediction questions/prompts to them via social media or you can email them at comicastpod@gmail.com. Follow Jong and Michael on social media.  Bluesky: @one-punch.bsky.social & @producermike975.bsky.socialThreads: @producermike975Instagram: @onepunch______ & @producermike975Rate, review, like, and/or subscribe to Comicast on Apple Podcasts, Spotify, Castbox, Goodpods, Podcast Addicts, or wherever you get your podcasts!  

Welcome back to Camp Half-Blood and The Wasteland! Join Hoody and Kevin as we break down the latest episodes of both "Percy Jackson And The Olympians" and 'Fallout Season 2!' Plus what big movie celebrated its ten-year anniversary today and did we FINALLY get a trailer for Avengers: Doomsday? All that and more with the Crisis Crew! ***Percy Jackson Spoilers at 30:13*** ***Fallout Spoilers at 40:23*** Buy Your Own Crisis Crew Shirt!: https://bit.ly/3I5Lv8G New Episodes of Crisis on Infinite Podcasts come out every Monday and Thursday! Make sure to rate us and subscribe to us on your platform of choice and send us a secret message and we'll read it out loud on next week's show!!See omnystudio.com/listener for privacy information.

BACK TO THE WASTELAND!! Fallout Full Episode Reaction Watch Along: ⁠  / thereelrejects  ⁠ Rula patients typically pay $15 per session when using insurance. Connect with quality therapists and mental health experts who specialize in you at ⁠https://www.rula.com/REJECTS⁠ ⁠#rulapod⁠ FALLOUT Season 1 Reactions: ⁠   • Fallout Reaction  ⁠ Gift Someone (Or Yourself) A Stranger Things RR Tee! ⁠https://shorturl.at/hekk2⁠ Vecna: The Mind Slayer tee by @G9DESIGN & Dr. Stranger Things tee by @SASAMIIKU — perfect for hardcore fans & collectors alike! Greg Alba & Michael Tessler RETURN to give their Fallout Season 2 Reaction, Recap, Analysis, Breakdown, & Spoiler Review!! The Season 2 premiere of Prime Video's Fallout (Season 2, Episode 1), kicks off the next chapter of the hit post-apocalyptic series inspired by Bethesda's Fallout video games. Picking up after the explosive fallout (literally and emotionally) of Season 1, the premiere sets the tone for a darker, more expansive journey across the Wasteland as long-buried truths come to light and new factions begin to move into position. Follow Michael Tesslerr:⁠https://www.instagram.com/mjtessler/⁠ Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/...⁠ Support The Channel By Getting Some REEL REJECTS Apparel! ⁠https://www.rejectnationshop.com/⁠ Follow Us On Socials:  Instagram: ⁠https://www.instagram.com/reelrejects/⁠  Tik-Tok: ⁠https://www.tiktok.com/@reelrejects?lang=en⁠ Twitter: ⁠https://x.com/reelrejects⁠ Facebook: ⁠https://www.facebook.com/TheReelRejects/⁠ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/by/4.0/⁠ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/...⁠ POWERED BY @GFUEL Visit⁠ https://gfuel.ly/3wD5Ygo⁠ and use code REJECTNATION for 20% off select tubs!! Head Editor:⁠ https://www.instagram.com/praperhq/?hl=en⁠ Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license.⁠ https://creativecommons.org/licenses/by/4.0/⁠ Ask Us A QUESTION On CAMEO:⁠ https://www.cameo.com/thereelrejects⁠ Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  ⁠https://www.facebook.com/TheReelRejects/⁠ INSTAGRAM: ⁠ https://www.instagram.com/reelrejects/⁠ TWITTER:  ⁠https://twitter.com/thereelrejects⁠ Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  ⁠https://www.instagram.com/thegregalba/⁠ TWITTER:  ⁠https://twitter.com/thegregalba⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Ben Lindbergh and Van Lathan return to the Wasteland for the first weekly Button Mash breakdown of ‘Fallout' Season 2. First, they recap the premiere and discuss how it sets up the season. Then, Ben talks to Justin Theroux about joining the show in the role of Robert House. Finally, Ben brings on Polygon senior editor Chris Hayner for a primer on the game that inspired much of this season, ‘Fallout: New Vegas.' Intro (0:00)'Fallout' Season 2 premiere recap (11:56)Interview with Justin Theroux (52:13)Inside 'Fallout: New Vegas'—the game behind the season (1:00:33) Host: Ben LindberghGuests: Van Lathan, Justin Theroux, and Chris HaynerProducer: Devon RenaldoAdditional Production Support: Arjuna Ramgopowell Learn more about your ad choices. Visit podcastchoices.com/adchoices

On 23 April 1925, T.S. Eliot was officially invited by Geoffrey Faber to join the newly founded publishing house of Faber & Gwyer. It was to prove the most momentous appointment in the history of 20th-century poetry in English. Among Faber & Gwyer's first books was Eliot's Poems 1909-1925, which included ‘The Love Song of J. Alfred Prufrock', The Waste Land, and ‘The Hollow Men'. As pioneering talent scout for Faber & Gwyer (which would become Faber & Faber in 1928) Eliot launched the careers of such as W.H. Auden, Louis MacNeice, David Jones and Stephen Spender, and oversaw the publication of the work of the poet who had discovered him, Ezra Pound. Exactly a hundred years on, poet and critic Mark Ford, Emeritus Professor of English at Sheffield John Haffenden, former Faber managing director Toby Faber and Senior Lecturer at the University of Brighton Aakanksha Virkar visited the Bookshop to discuss the events leading up to Eliot's appointment, and his early years with the firm that would become virtually synonymous with his name. More from the Bookshop: Discover our author of the month, book of the week and more: ⁠https://lrb.me/bkshppod⁠ From the LRB: Subscribe to the LRB: ⁠⁠⁠https://lrb.me/subsbkshppod Close Readings podcast: ⁠⁠https://lrb.me/crbkshppod LRB Audiobooks: ⁠⁠https://lrb.me/audiobooksbkshppod Bags, binders and more at the LRB Store: ⁠⁠https://lrb.me/storebkshppod Get in touch: podcasts@lrb.co.uk

The Wasteland doesn't care who you are. It burns everyone the same. "Fallout" returns for Season 2 with a broader canvas and more confidence, expanding its ensemble-driven apocalypse while keeping its eye on the emotional wreckage left behind. Set in a future, post-apocalyptic Los Angeles brought about by nuclear decimation, the series follows citizens forced to survive in underground bunkers while the surface world fills with radiation, mutants, bandits, and moral rot. The show stars Walton Goggins, Ella Purnell, Aaron Moten, Moisas Arias, and more.Joining Bingeworthy for this episode is Walton Goggins, who returns as Cooper Howard / "The Ghoul," and he's quick to frame Season 2 as an evolution rather than a victory lap. Having lived through shows that found new depth after their first year, he knows the difference between simply getting louder and genuinely digging in. “If you can get a Season 1 right, if you tell a story that moves you or makes you feel something, then with the second one, if you care about it as much as the people on this show care, you can really dig deeper,” Goggins said. “That's what these writers did. That's what these directors did. Everybody showed up and gave their best every single day.”

BACK TO THE WASTELAND!! Fallout Full Episode Reaction Watch Along:   / thereelrejects   Rula patients typically pay $15 per session when using insurance. Connect with quality therapists and mental health experts who specialize in you at https://www.rula.com/REJECTS #rulapod FALLOUT Season 1 Reactions:    • Fallout Reaction   Gift Someone (Or Yourself) A Stranger Things RR Tee! https://shorturl.at/hekk2 Vecna: The Mind Slayer tee by @G9DESIGN & Dr. Stranger Things tee by @SASAMIIKU — perfect for hardcore fans & collectors alike! Greg Alba & Michael Tessler RETURN to give their Fallout Season 2 Reaction, Recap, Analysis, Breakdown, & Spoiler Review!! The Season 2 premiere of Prime Video's Fallout (Season 2, Episode 1), kicks off the next chapter of the hit post-apocalyptic series inspired by Bethesda's Fallout video games. Picking up after the explosive fallout (literally and emotionally) of Season 1, the premiere sets the tone for a darker, more expansive journey across the Wasteland as long-buried truths come to light and new factions begin to move into position. Follow Michael Tesslerr:https://www.instagram.com/mjtessler/ Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

In which I was asked by The Climate Pod to comment on the current state of the vibe here on planet Earth and I went off on some party etiquette. GET TO CLASS! GET TO CLASS IN SAN FRANCISCO! BUY SOME STUFF Recorded LIVE at The Climate Pod LIVE at the Lincoln Lodge in Chicago courtesy of WKQX (Q101.1 FM) and Jeppson’s Malört: The Official Drink of the Apocalypse Come find me in all your favorite places including my Discord Featuring “Promises” by the Barrerracudas, a snippy of “The Wasteland” courtesy of Ross Bugden Twitter: Instagram For commissions/scores: bugdenross@gmail.com See omnystudio.com/listener for privacy information.

From the pages of Radon Journal - https://www.radonjournal.com/ -Stories featured in this episode:Instructions for Self-reflection by Parker M. O'Neill - https://linktr.ee/parkermoneill -music by Phog Masheeen - https://phogmasheeen.com/ -read by the Jean-Paul Garnier - Instructions for Rewilding the Wasteland by Emma Burnett - https://emmaburnett.uk/ -music by TSG - https://tsgmusic.bandcamp.com/ -read by Jenna Hanchey -Dad Jokes by David Lee Zweifler - https://davidleezweifler.com/ -music by Doctor Auxiliary - https://doctorauxiliary.bandcamp.com -read by the author -theme music by Dain Luscombe -Simultaneous Times is a monthly science fiction podcast produced by Space Cowboy Books in Joshua Tree, CA. -https://www.spacecowboybooks.com -https://ko-fi.com/spacecowboybooks7054

In this episode of Behind The Geeks, we go inside Fallout Season 2 with a pair of exclusive interviews featuring both cast and creators.We begin with Aaron Moten, who plays Maximus, as he reflects on where we find the character at the start of Season 2, how the events of Season 1 have hardened him, and how his performance shifts when Maximus is behind the iconic power armor versus fully exposed.We're then joined by Jonathan Nolan (Executive Producer, Director) and Todd Howard (Executive Producer, Bethesda Game Studios) to discuss how Fallout continues to evolve for television. They talk about expanding the Wasteland, the balance between game DNA and episodic storytelling, standout characters like Cooper Howard / The Ghoul, and the thematic ideas shaping Season 2.Fallout Season 2 premieres Tuesday, December 16, at 6:00 p.m. PT / 9:00 p.m. ET Check out Geekcentric onYouTube | Instagram | Twitter | TikTokJoin the Geekcentric Discord HEREFollow Eatcentric - Same geeks. New Eats

Ray, Jess and Andrew dig into the 2nd batch of New Vegas feedback from Wil, Suliore, Rando, Jeff, Calm Horizons, Mr Sullivan, Vanessa, Lee and Kos1moModus Files Series Retrospectivehttps://www.youtube.com/watch?v=mR9it4BgguQJoin our Discord:https://discord.gg/cVSN65jJoin in the Roundtable Fun with our Character Generators!Fallout 76: https://tinyurl.com/F76GeneratorFallout 4: https://tinyurl.com/Fallout4GeneratorFallout New Vegas: https://tinyurl.com/NewVegasGeneratorFallout 3: https://tinyurl.com/F3GeneratorThe NEW New Vegas Character Generator! DONATE:  https://fightcf.cff.org/site/TR/?fr_id=7889&pg=team&team_id=90760Shop:  optimistic.threadless.com/Patreon:  https://www.patreon.com/asapodcastingEmail: thefalloutfeed@gmail.comWeb: http://www.asapodcasting.com/#/the-fallout-feed/Twitter: https://twitter.com/TheFalloutFeedFB: facebook.com/groups/askyrimaddictpodcastSupport the show

In this episode of Chronicles, Luca discusses The Waste Land by T. S. Eliot. He explores Eliot's mental state during its composition, and the poem's themes of modernity, tradition and fragmentation.

Dr. LasagnaHipster & The Nerd & Larry returns to Wasteland Video with a look at Garfield: A Tail of Two Kitties and Dr. Zhivago! Join Callie, Brian, and Austin as they discuss the hack storytelling and groan-worthy humor that make Garfield: A Tail of Two Kitties a terrible, if slightly improved, sequel. Then, stick around for a debate on the themes, characters, pacing, and everything in between of Dr. Zhivago that's almost as long as the movie itself. Get comfortable and give it a listen!

Ray, Jess, and Andrew tackle Come Fly with Me and Boulder City Showdown, plus some juicy Iguana Bits, gameplay, and lots of Fallout: New Vegas talkModus Files Series Retrospectivehttps://www.youtube.com/watch?v=mR9it4BgguQJoin our Discord:https://discord.gg/cVSN65jJoin in the Roundtable Fun with our Character Generators!Fallout 76: https://tinyurl.com/F76GeneratorFallout 4: https://tinyurl.com/Fallout4GeneratorFallout New Vegas: https://tinyurl.com/NewVegasGeneratorFallout 3: https://tinyurl.com/F3GeneratorThe NEW New Vegas Character Generator! DONATE:  https://fightcf.cff.org/site/TR/?fr_id=7889&pg=team&team_id=90760Shop:  optimistic.threadless.com/Patreon:  https://www.patreon.com/asapodcastingEmail: thefalloutfeed@gmail.comWeb: http://www.asapodcasting.com/#/the-fallout-feed/Twitter: https://twitter.com/TheFalloutFeedFB: facebook.com/groups/askyrimaddictpodcastSupport the show

In which I get after the reason for the season: Unlimited Breadsticks! GET TO CLASS! GET TO CLASS IN SAN FRANCISCO! BUY SOME STUFF Recorded LIVE Nov 20th 2025 from CLASS! at The Lincoln Lodge in Chicago courtesy of WKQX (Q101.1 FM) and Jeppson’s Malört: The Official Drink of the Apocalypse Come find me in all your favorite places including my Discord Featuring “Promises” by the Barrerracudas, a snippy of “The Wasteland” courtesy of Ross Bugden Twitter: Instagram For commissions/scores: bugdenross@gmail.com See omnystudio.com/listener for privacy information.

In which I emerge from the bunker to a holiday wonderland and try to understand Pete Hegseth and his problem with names. GET TO CLASS! GET TO CLASS IN SAN FRANCISCO! BUY SOME STUFF Recorded LIVE at Paper Machete at the Green Mill Cocktail Lounge 11/22/25 in Chicago courtesy of WKQX (Q101.1 FM) and Jeppson’s Malört: The Official Drink of the Apocalypse Come find me in all your favorite places including my Discord Featuring “Promises” by the Barrerracudas, a snippy of “The Wasteland” courtesy of Ross Bugden Twitter: Instagram For commissions/scores: bugdenross@gmail.com See omnystudio.com/listener for privacy information.

This morning, we continue our Advent journey by listening to Isaiah's promise that God is “about to do a new thing,” and to Jesus' words in Matthew 11 that reveal how God's renewal springs up in surprising places. Together, these scriptures invite us to consider how peace takes root—not only in grand gestures, but in the quiet, steady work of God that heals, restores, and makes a way where none seemed possible. We'll reflect on the signs of God's kingdom already unfolding around us, even in wilderness seasons, and how Christ meets our questions with compassion and hope. As we gather at the Lord's Table to celebrate communion, we will remember that God's peace is not just proclaimed to us but shared with us, nourishing us for the journey ahead. Sermon on Isaiah 43:19-21 and Matthew 11:1-11, delivered by the Reverend David J. Powers on December 7th, 2025.

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠Analytic Dreamz breaks down the highly anticipated official trailer for Fallout Season 2 on Prime Video in this new segment of Notorious Mass Effect. Dropping December 17, the trailer teases an even bigger, weirder, and more explosive return to the Wasteland with Ella Purnell reprising Lucy, Aaron Moten as Maximus, Walton Goggins stealing scenes as The Ghoul, and the post-apocalyptic chaos fans crave. Analytic Dreamz analyzes key moments, hidden Easter eggs from the Bethesda games, character arcs, potential Vault-Tec twists, and how Season 2 builds on the massive success of the first season. If you're counting down the days to re-enter the Fallout universe, this segment delivers in-depth reactions, lore connections, and honest takes on what Prime Video's adaptation has in store next.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsPrivacy & Opt-Out: https://redcircle.com/privacy

Two words: Gay barbarian death cult featuring Fred Williamson. Dirk Marshall's origin story is 1983's "Warriors of the Wasteland," quite possibly the most beautiful story of car-based anal revenge drilling ever put to VHS by a drunk Italian. ----------------------------------------------------------------------------------- Robert will go to jail if you don't buy his book. I know what you're thinking... This is NOT the time to be a wise guy. BUY HIS BOOK. https://linktr.ee/killyourimaginaryfriend