Podcasts about Miss You Like Hell

DAPHNE RUBIN-VEGA BIO  Daphne Rubin-Vega can currently be seen on Hulu's hit series ONLY MURDERS IN THE BUILDING. She can also be heard voicing the role of 'CARMILLA CARMINE' in the hugely popular A24/Prime Video R-rated animated musical comedy series HAZBIN HOTEL. She can be seen in the David Duchovny-directed feature BUCKY F*CKING DENT. She was seen in the Tony Goldwyn-directed feature EZRA, in the Apple TV+ series THE CHANGELING opposite Lakeith Stanfield, and as a guest lead on FOX's anthology series ACCUSED directed by Marlee Matlin.Rubin-Vega starred in the Jon Chu-directed Warner Brothers feature IN THE HEIGHTS as 'Daniela.' During the pandemic, she shot the Netflix series SOCIAL DISTANCE, produced by Jenji Kohan and Tara Hermann, and SAME STORM, the newest Peter Hedges film. Additional TV credits include THE HORROR OF DOLORES ROACH (Prime Video), which Rubin-Vega developed into both scripted podcast and TV iterations, KATY KEENE (CW) and TALES OF THE CITY (Netflix).  A staple of the New York theatre community, Daphne earned a Tony nomination for her portrayal of 'Mimi' in the original cast of RENT, and another for ANNA IN THE TROPICS. She was most recently seen starring in the Signature Theatre's NIGHT OF THE IGUANA opposite Tim Daly and Lea DeLaria. She starred in the musical MISS YOU LIKE HELL at The Public Theatre and in the one-woman show EMPANADA LOCA, which was written for her. She helped adapt the play into the scripted podcast, THE HORROR OF DOLORES ROACH, which was then adapted into a TV series for Amazon. Additional theater credits include Broadway revivals of A STREETCAR NAMED DESIRE, THE ROCKY HORROR PICTURE SHOW, and LES MIS; TWO SISTERS AND A PIANO and F*CKING A at The Public; ROMEO & JULIET at Classic Stage; and JACK GOES BOATING opposite Philip Seymour Hoffman.  ELIZABETH RODRIGUEZ BIO  An award-winning actress who crosses seamlessly from studio films to independent, from the stage to television, Elizabeth Rodriguez played the emotionally complex Aleida Diaz on the groundbreaking Netflix series "Orange Is the New Black" for which she received three consecutive Screen Actors Guild Awards. Most recently, she was seen as a series regular in the CBS drama "East New York". She was also a series regular in the role of Liza Ortiz on AMC's "Fear the Walking Dead", NBC's "Prime Suspect", and Cinemax's "Blanco". Rodriguez recurred as Paz Valdez on Starz' "Power", in Showtime's "Shameless", Hulu's "Chance', "Devious Maids", "Grimm", "The Shield", "ER", and "Six Feet Under.  Rodriguez's film credits include co-starring in the blockbuster film "LOGAN" opposite Hugh Jackman, Michael Mann's "Miami Vice", "The Drop", "Tio Papi" (for which she garnered an Imagen Award Nomination), "Making Babies", "Skate Kitchen", "11:55", "Return to Paradise", and "Jack Goes Boating." Most recently, she completed a starring role in the feature film "Allswell in New York", which she also co-wrote and co-produced. Rodriguez received an Obie Award, as well as a Drama Desk Award nomination, for her performance in "Halfway Bitches Go Straight to Heaven" at the Atlantic Theater, and a Tony Award nomination, and won the Outer Critics Circle Award and the Theatre World Award, for her performance in the role of "Veronica" on Broadway in Stephen Adly Guirgis' "The Motherfu**er With The Hat". Additional theater includes three world premieres at NYC's acclaimed Public Theater in "The Last Days of Judas Iscariot" (directed by Philip Seymour Hoffman), "Unconditional" and "A View from 151st Street". Other notable plays include "Beauty of the Father" (MTC) and "The Power of Duff" (Geffen). Rodriguez is a native New Yorker and member of Labyrinth Theater Company.  ABOUT ALLSWELL IN NEW YORK, AVAILABLE ON DIGITAL NOVEMBER 15th  Three sisters navigate the daunting life challenges of single motherhood, career, and family, all while finding humor and solace within the bond of sisterhood.  Here's the trailer:   Https://www.youtube.com/watch?v=Wb8CKBdXK70 Become a supporter of this podcast: https://www.spreaker.com/podcast/i-am-refocused-radio--2671113/support.

Dave Reynolds, Associate Professor of Theatre, Department Chair & Production Director, and Jae Kraengel, Sophomore & Theatre Department PR Coordinator, speaking about the musical, "Miss You Like Hell," presented by the King's College Theatre Department November 10-19, 2022, at the George P. Maffei II Theatre, 133 N. River Street in Wilkes-Barre. Shows Nov 10-12 and 17-19 at 7:30 pm. Sunday, November 13 at 2:00 pm. www.kings.edu

Dave Reynolds, Associate Professor of Theatre, Department Chair & Production Director, & Jae Kraengel, Sophomore & Theatre Dept PR Coordinator, speaking about the musical, "Miss You Like Hell," to be presented November 10-19, 2022, by the King's Theatre Department at the George P. Maffei II Theatre, 133 N. River Street, Wilkes-Barre. Shows Nov. 10-12 & 17-19 at 7:30 pm & Sunday, Nov 13 at 2:00 pm www.kings.edu

The 54th episode of JIM ON THE AIR features the director and cast of the NEW musical MISS YOU LIKE HELL! This show will be produced by OUT OF THE BOX THEATER COMPANY and is making its South and Central Coast premiere at Center Stage Theater in Santa Barbara! My guests include Samantha Eve, Executive Director of Out of the Box, and the two leads of the show, Michelle Hernandez, who plays Beatriz, and Lara Mehlig, who plays Olivia. The show runs November 4th thru November 13 at Center Stage. For tickets, visit www.centerstagetheater.org/show-details/miss-you-like-hell. When a whip-smart, deeply imaginative teenager agrees to take a road trip with her free-spirited Latina mother, neither can imagine where it will take them. Chance encounters with a medley of characters along the way brings them closer to understanding what sets them apart—and what connects them forever. At the heart of the story is a mother-daughter relationship complicated and threatened by immigration policies. MISS YOU LIKE HELL reminds us that musicals have the power to explore the exposed territory where the political becomes personal. Featuring compelling original songs that are every bit as diverse and eclectic as America. MISS YOU LIKE HELL is a new musical that exudes the joy, love, and frustration of being a family in a changing country. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/jim-sirianni/support

Joey flies solo this week as they chat with the incomparable Daphne Rubin-Vega about unlocking creativity during the pandemic, finding one's community, and her upcoming film, ALLSWELL, co-written and co-produced with Elizabeth Rodriguez and Liza Colón-Zayas. Daphne recently wrapped the film ALLSWELL and can be seen in the Netflix release, TICK TICK BOOM, directed by Lin Manuel Miranda, as well as the Warner Bros feature IN THE HEIGHTS, directed by Jon Chu, playing ‘Daniela.'  She shot the Netflix series SOCIAL DISTANCE, produced by Jenji Kohan and Tara Hermann, and SAME STORM, the newest Peter Hedges film, during the early months of the COVID-19 pandemic. A staple of the New York theater community, Daphne earned a Tony nomination for her portrayal of ‘Mimi' in the original cast of RENT, and another for ANNA IN THE TROPICS. Daphne was ‘Luisa Lopez' on KATY KEENE, the CW spinoff of RIVERDALE and on the Netflix series, TALES OF THE CITY. She starred in the musical, MISS YOU LIKE HELL at The Public Theater, and in the one-woman show EMPANADA LOCA, which was written for her.  She helped adapt the play into the scripted podcast, THE HORROR OF DOLORES ROACH, which is currently in production for Amazon/Blumhouse TV.    Connect with Daphne (she/her) https://www.instagram.com/daphnerubinvega/?hl=en https://twitter.com/daphnerubinvega?s=20    Connect with David (he/they) http://www.davidmendizabal.com/ https://www.instagram.com/its_daveed/   Connect with Joey (they/them) https://www.instagram.com/mxjoeyreyes/ https://twitter.com/mxjoeyreyes   Follow The Sol Project http://www.solproject.org/about-us.html https://www.facebook.com/solprojectnyc/ https://www.instagram.com/solprojectnyc/ https://twitter.com/solprojectnyc   This episode was mixed and edited by Iris Zacarías (she/they) https://www.iriszdesigns.com/ https://www.instagram.com/irismarcelina/ 

Musician/writer/producer Erin McKeown spoke with us at Wild Goose Festival about the polished gems of the singer-songwriter, her musical Miss You Like Hell, and her chance encounter with Sting. Plus, some of her live performance at the Festival!

WE ARE BACK After a little unexpected summer break- Meg and Harrison are back gabbing with Jyline Carranza (performer, singer) to talk about exotic animals, MISS YOU LIKE HELL, and what heaven might be. Follow Jyline: instagram.com/jyline_elizabeth jylinecarranza.com Follow us: goodtoseeyoupod.com Meg: twitter.com/megbunn instagram.com/megbunn Harrison: twitter.com/hhaarriissoonn instagram.com/hhaarriissoonn hhaarriissoonn.com Stream Harrison's band baseball hat and follow them on Spotify here: tinyurl.com/bhsptfy twitch.tv/mindsugar twitter.com/mindsugaronline instagram.com/mindsugaronline

We took a lovely drive to western ma to sit alongside a flowing river with our new best friend Erin McKeown.  OK, she might not be our best friend, but we certainly wish she was.  Erin is a force of nature.  A persistent welcoming smile immediately put me at ease. So much so that we talked for almost two hours.  Which is why this episode is in two parts. We talk music, musical theater, writing, name dropping, COVID, hope, and other things too numerous to mention.Over the last few decades Erin McKeown’s unique voice and guitar playing has garnered her a loyal fanbase, has grabbed the attention of Pulitzer Prize-winning playwrights, has been awarded several Drama Desk Award nominations for her musical Miss You Like Hell, numerous awards and residencies, a writing fellowship, and is now a Professor of the Practice at Brown University.Her most recent event was a live stream celebrating the 20th anniversary of her first album Distillation, where she ceremoniously burned the dress she wore for the album cover and many promotional photos. The end of an era, but the beginning of another.As we finished the conversation, a huge Blue Heron flew right by us. Erin said it was an omen. We looked it up. The heron symbolizes stillness and tranquility, and how these two things are needed to recognize opportunities. It also signifies determination, because there will be plenty of marshes and ponds that you will wade through in life as well.A great way to end our conversation.

We took a lovely drive to Western MA to sit alongside a flowing river with our new best friend Erin McKeown. OK, she might not be our best friend, but we certainly wish she was.  Erin is a force of nature.  A persistent welcoming smile immediately put me at ease. So much so that we talked for almost two hours.  Which is why this episode is in two parts.  We talk music, Musical theater, writing, name dropping, COVID, hope, and other things too numerous to mention.  Over the last few decades Erin McKeown’s unique voice and guitar playing has garnered her a loyal fanbase, has grabbed the attention of Pulitzer Prize-winning playwrights, has been awarded several Drama Desk Award nominations for her musical Miss You Like Hell, numerous awards and residencies, a writing fellowship, and is now a Professor of the Practice at Brown University.  Her most recent event was a live stream celebrating the 20th anniversary of her first album Distillation, where she ceremoniously burned the dress she wore for the album cover and many promotional photos.   The end of an era, but the beginning of another.  As we finished the conversation, a huge Blue Heron flew right by us.  Erin said it was an omen.  We looked it up. The heron symbolizes stillness and tranquility, and how these two things are needed to recognize opportunities. It also signifies determination, because there will be plenty of marshes and ponds that you will wade through in life as well.  A great way to end our conversation. 

Thank you for taking the time to listen to our chat with Jessica! If you are listening to this on Apple Podcast, we'd love it if you could share your love in a review! About Jessica Paz: Jessica Paz is a Tony Award-winning Sound Designer for theater, film and music. Most recently, she collaborated with Nevin Steinberg on the sound design for Anaïs Mitchell’s acclaimed production of Hadestown, which earned the duo a Tony Award, Drama Desk Award and an Outer Critics Circle nomination. On Broadway, Jessica was an Associate Sound Designer on projects including Dear Evan Hansen, Bandstand, Disaster! The Musical; The Assembled Parties (MCC); and Fela!. Other design credits include Little Shop of Horrors (Westside Theater); Kiss My Aztec (Berkeley Rep); Twelfth Night, Othello, Miss You Like Hell, Julius Caesar, A Midsummer Nights Dream, and As You Like It (The Public Theater); Burn All Night (A.R.T Oberon Stage); Ugly Lies the Bone (Roundabout); A Sucker EmCee, and The Muscles in Our Toes (LAByrinth); The Kings Whore (Starcatcher Productions); Becoming Dr. Ruth (Westside Theater); Looking for the Pony (Vital Theater Co.); Women Beware Women (Red Bull Theater); STRETCH – A Fantasia (New Georges); Welcome to Fear City (KC Rep); Scott & Hem in the Garden of Allah, and See How They Run (Barrington Stage); Legally Blonde, and 9 to 5 The Musical (North Shore Music Theater); Romeo & Juliet, Midsummer Night’s Dream, Othello, and Much Ado About Nothing (Shakespeare on the Sound’s Productions); SCKBSTD (Virginia Stage Co) ; Volcanoes Birthright (Organic Magnetics); TempOdyssey, And Her Hair Went With Her, Bookends, and Minstrel Show (NJ Rep). Jessica has been a Front of House Engineer for musicians including The Preservation Hall Jazz Band, Antibalas, Julia Haltigan, Femi Kuti, Lady Antebellum, Candy Shop Boys, People vs. Larson, Michael Arenetta, Bugaboo, Carte Blanche, King Holiday, The Woes, Stone Cold Fox, The African Children’s Choir and many others. She has also been a Lecturer of Sound Design in addition to student advisor for Princeton Universities production of Next To Normal, and was the Sound Designer of the Actor’s Studio Drama School’s yearly Master’s Thesis productions from 2009 – 2014. Jessica is fascinated by music studio and live concert techniques. She is constantly learning and researching innovative approaches from the traditional music recording world, and bringing them into her theater work. A proud member of IATSE Local 829; Soundgirls.org; Woman’s Audio Mission; USITT; and Co-Chair of the board of the Theatrical Sound Designers and Composers Association. She currently resides in New York. Pizza is her favorite food group.  @jesstothepaz on Instagram @JtothePAZ on Facebook www.jessicapazdesigns.com --- @pagetostagepodcast on Instagram + @pagetostagepodcast on Facebook @themarydina on Instagram + @themarydina on Twitter @briansedita on Instagram + www.briansedita.com @broadwaypodcastnetwork on Instagram + @bwaypodnetwork on Twitter #PageToStagePodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Dionna brings her good friend Noelle Diane Johnson back on the podcast to talk all about Noelle's exciting new business, Warm Weather Noelle. Noelle has been on the podcast previously, on episode 12, and you can go listen to that episode to hear more about her history as a theater artist. They chat about what an intuitive guide/energy healer does, why it's imperative for Noelle to do this work, and why Noelle's important mission statement towards creating liberated spaces for BIPOC, POC, LGBTQ+, disabled, and femme-identifying folx through storytelling and healing practice is present in everything she does. Don't miss this amazing interview!TO LEARN MORE ABOUT WARM WEATHER NOELLE OR TO BOOK A SESSION:VISIT HER WEBSITE WARMWEATHERNOELLE.COM , FIND HER ON IG @WARMWEATHERNOELLE , OR EMAIL HER WARMWEATHERNOELLE@GMAIL.COMShow Shoutouts:Allison Heishman- Is a director and educator based in Philadelphia since 2013. Currently the artistic director for Simpatico Theatre Company. Next big things for Simpatico/Allison are the Jouska Play Works Festival (which she is Stage Managing), and working on some ideas for collaborative and alternative programming for next season.Tamanya M.M.Garza- Is a freelance theater artist and director. Next projects include directing Miss You Like Hell , a musical by Quiara Alegría Hudes and Erin McKeown, at Theatre Horizon. Quiara is from Philadelphia and wrote In the Heights with Lin-Manuel Miranda. Please rate/review on iTunes and subscribe to the podcast if you haven't already!Find Dionna on Instagram @thenourishedactor, at www.dionnaeshleman.com, or on The Nourished Actor Podcast Facebook page. You can find her new courses and coaching opportunities at https://thenourishedactor.podia.comJoin The Nourished Actor Email List for Podcast Updates, Coaching Exclusives, and More.For full show notes, visit the podcast at http://thenourishedactor.buzzsprout.comSpecial thanks to Kevin MacLeod! See details below for more about the music used in today's podcast.Music from https://filmmusic.io"Werq" by Kevin MacLeod (https://incompetech.com)License: CC BY (http://creativecommons.org/licenses/by/4.0/)

Erin McKeown is known as a fabulous songwriter, using guitar and keyboards with an understated production approach that fill out her songs in a particular way. Her guitar playing I find to be extremely stylistic, and she has such an amazing ear (she co-wrote the songs to the musical "Miss You Like Hell"). Erin's compositions and what she surrounds her recordings with are unerringly simple and spare, yet full. Many people have studied her, as I have. Such a pleasure and honor to have Erin as a guest on this show!! Prepare to be a bit surprised ... ~ June Millington --- Support this podcast: https://anchor.fm/june-millington/support

Midday theater J. Wynn Rousuck joins us now with another of her weekly reviews of the Maryland stage. Today, she spotlights Miss You Like Hell, the timely, 2016 musical about immigration now in production at Baltimore Center Stage.With book and lyrics by Pulitzer Prize-winning playwright Quiara Alegria Hudes and music and lyrics by composer Erin McKeown, Miss You Like Hell takes us on the cross-country road trip of Beatriz, an undocumented immigrant (played by Lorraine Velez) and her troubled teenage daughter Olivia (played by Stephanie Gomu233urez), and introduces us to the constellation of characters they meet along the way. Directed by Rebecca Martinez, with music direction by Tiffany Underwood Holmes, the musical explores themes of escaping and belonging, the power of the mother-daughter bond, and the wrenching challenge of the migrant experience.Miss You Like Hell continues at Baltimore Center Stage through Sunday, October 13. For directions and ticket info, click here.

Each week leading up to the October 6th concert premiere of Monkey Trouble Unleashed! at the Duplex Cabaret Theatre, I'm releasing a brand new episode of Something New: A Musical Theatre Podcast, featuring interviews with the cast and songs from the show. Fun!While you're enjoying this episode, get your tickets to the premiere of Monkey Trouble Unleashed! before we sell out! Do it! Do it, I say!Episode 604: Chatting and Singing with MTU cast member Andrew Cristi (A Christmas Story, The Musical on Broadway)!

In this episode, writer/theater critic Jose Solis discusses Latinx characters in musical theater, from Evita to Miss You Like Hell to Manuel vs. the Statue of Liberty (although leaving out West Side Story and In the Heights because they are talked about enough). We also talk about the song "America" from West Side Story.

In this week’s episode of the OnStage Colorado podcast, we catch up with Helen R. Murray, GerRee Hinshaw and Adriane Leigh Robinson with the Aurora Fox’s new production of the road-trip musical Miss You Like Hell. The show just opened, and director Murray talks about what the show says about America in today’s times of immigration crises while the two actors — both Mexican American — discuss what the show means to them and the process of bringing their complex characters to life. Also in this episode, we talk to John Moore with the Denver Actors Fund, an organization that raises money for theatre artists in need in Colorado. The DAF has a big fundraiser, Miscast, coming up Sept. 30. We also have quick review-previews of Miss You Like Hell, Pass Over at Curious Theatre, Tiny Beautiful Things from Boulder Ensemble Theatre Company and A Doll’s House and A Doll’s House 2 at the Denver Center. If you haven’t already, subscribe to the OnStage Colorado podcast wherever you get your podcasts. We’re on Apple Podcast, Stitcher, Google Play, Spotify and others.

Midday theater critic J. Wynn Rousuck joins us today for her annual Preview of the new theater season. From the off-Broadway hit Miss You Like Hell that will be coming soon to both Baltimore Center Stage and Olney Theatre Center, to the touring productions of the multiple Tony and Grammy Award-winning Broadway musicals Dear Evan Hansen and The Band's Visit, which will be making stops at Baltimore's Hippodrome Theatre this coming spring, we'll get a glimpse of the great entertainment in store for the region's theater-goers. Judy also spotlights some changes in local theater venues, including Single Carrot Theatre's new self-imposed itinerant status as a more community-focused company, and Everyman Theatre's new Upstairs Theatre, a 210-seat performance space that will open in March 2020. The new room will offer what the folks at ET describe as ----a more intimate experience, while upholding Everyman’s steadfast commitment to high-quality professional theatre.----Everyman’s Resident Scenic Designer Daniel Ettinger has created an immersive, semi-circular space—pictured at right—complete with a three-quarter thrust stage to help draw the audience into the plays' dynamics. The mini-amphitheater-style space features excellent sightlines, comfortable seats, and no seat farther than 6 rows from the stage.

This week we chatted with Madalena Alberto about the London revival of Andrew Lloyd Webber's Aspects of Love and RENT's original Mimi, Daphne Rubin-Vega about the new musical, Miss You Like Hell. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Matt reads from a piece by a juvenile detention student, after Jimmy Santiago Baca's poem. He and Alvin celebrate the courage of voices from the underground. Matt shares about UW's new non-profit status, thanks board members, and gives an update from our friend Quiara Alegría Hudes' show Miss You Like Hell. Note: We are a creative writing program serving at-risk populations. We do not broadcast names or identifying details of the students we work with. LINKS OF INTEREST: What No One Ever Tells YouWhat's a "kite"?Jimmy Santiago BacaMiss You Like Hell | New York Trip Underground Writing: a literature-based creative writing program serving migrant, incarcerated, recovery, and other at-risk communities in Northern Washington through literary engagement and personal restoration.

Creators Eric Svejcar and David Zellnik introduce this exciting new musical podcast: LOVEVILLE HIGH takes place on prom night in the fictional town of Loveville, Ohio. Each ten-minute episode tells a love story -- new love, old love, romantic love, friend love, gay and straight, cis and genderqueer; each is a self-contained musical while also connecting with the other episodes to form a glimpse into the biggest night in the lives of one high school class. www.lovevillehigh.com Podcast stars Kathyn Allison (Disney’s Aladdin) Harrison Chad (Caroline, or Change (OBC), Troy Iwata (Be More Chill) Gizel Jiménez (Miss You Like Hell), Jay Armstrong Johnson (Phantom of the Opera), Conor Ryan (Desperate Measures), Mason Alexander Park (Hedwig and the Angry Inch), Isaac Powell (Once on This Island), Ryann Redmond (Escape to Margaritaville) and Ali Stroker (Oklahoma!@St Ann's) 

In one of their most inspiring interviews to date, Behind the Curtain sits down with one of Broadway's most respected artists, Daphne Rubin-Vega, to discuss not only her career in such shows as Rent, Miss You Like Hell, A Streetcar Named Desire, Les Miserables, and more, but to spotlight the role of diversity and politics in the creation of art. Daphne pulls back the curtain on her career to discuss how she got cast in Rent and Miss You Like Hell, what it is like being an artist who is classified as "other", and why your authentic self is the best self to present at auditions. Also, Daphne shines the spotlight on Jonathan Larson, Philip Seymour Hoffman, and Quiara Alegria Hudes! Become a sponsor of Behind The Curtain and get early access to interviews, private playlists, and advance knowledge of future guests so you can ask the legends your own questions. Go to: http://bit.ly/2i7nWC4

We really scored in getting the talented Erin McKeown to dyke out with us about Sports! As a musician, Erin loves how sports can provide entertainment for her outside of her industry. From the athlete back stories to the unpredictable nature of games, there’s so much to love. Also, how have we gone so many episodes of a lesbian podcast without “sports” as a topic when it plays such a huge role in the lives of so many queer women? But before we dive into the topic, Erin tells us about her work as the composer and lyricist for the musical Miss You Like Hell, which you can listen to by purchasing the original cast recording here (it rocks, your ears and heart will thank you). We also round the bases on topics like civic duty, trolls, and Rachel Maddow. And as usual, we end with a listener question about her partner’s rude-ass friends. -Keep the podcast a-lez and gay by donating to our Patreon, where you can get some sapphic swag. -For related content, follow us on Twitter, Facebook, Instagram, and Leave Us a Review if you like what you hear! -Like our theme song? You’ll love the duo behind it: There Is No Mountain

I could be your Yoko Ono…we’re part of the GeekBro network, caballero…tremenda calenture nos espera…do what you can, even if you own a hypocritical car…ugh, salad is never anyone’s first choice…our first Tony nominee…tios & tias always help out…you can be a rebel and a good girl…again, she does know the difference between Spanish and Latin…you guys, she loves us like hell…we should all be corny in life…we miss music stores…croquetas, pastelitos, empanadas, damelo TODO…how would a babalao empanada taste…we will find our guest’s delightfully embarrassing moments…freestyle music for life…there’s no wrong way to make art… End Song: “Over & Over” by Pajama Party “The Horror of Dolores Roach” podcast: https://www.gimletmedia.com/dolores-roach “Miss You Like Hell” cast album: http://smarturl.it/missyoulikehll GeekBro Network: http://www.geekbro.net/

Student writing from the Migrant Leaders Club site. Matt and Alvin remember the performance of this piece from their trip to New York earlier this year, read on stage after the musical Miss You Like Hell, written by Quiara Alegría Hudes. UW updates: Matt shares about a recent meeting with the Migrant Leaders Club of the Mount Vernon School District. As the school year starts up again, Note: We are a creative writing program serving at-risk populations. We do not broadcast names or identifying details of the students we work with.

Student writing from the Migrant Leaders Club site. Matt and Alvin remember the performance of this piece from their trip to New York earlier this year, read on stage after the musical Miss You Like Hell, written by Quiara Alegría Hudes. UW updates: Matt shares about a recent meeting with the Migrant Leaders Club of the Mount Vernon School District. As the school year starts up again, Note: We are a creative writing program serving at-risk populations. We do not broadcast names or identifying details of the students we work with.

This is our first bi-weekly update podcast! Director Matt Malyon and Producer Alvin Shim met briefly in the UW admin headquarters to touch base on the many program goings-on. It's a short six-and-a-half minute podcast that features a piece of writing by a UW student and a quick update about our recent trip to New York with the Migrant Leaders Club to see Miss You Like Hell, written by Quiara Alegría Hudes. Note: We are a creative writing program serving at-risk populations. We do not broadcast names or identifying details of the students we work with. Links of Interest:What No One Ever Tells You, the UW anthologyMore information about the New York TripMigrant Leaders Club of Mount Vernon Public SchoolsQuiara Alegría Hudes, Miss You Like Hell, and the Emancipated Stories Project

This week a tribute to the late great New Orleans legend who made The Valley his home. Charles Neville of the Neville Brothers, another local hero making waves, Erin McKeown on her new musical with Tony and Pulitzer winner Quiara Hudes called Miss You Like Hell currently running at The Public in NYC. Congressman Jim McGovern on our non-legislating legislative body. And gloating over the fact that Monte got to go see Cardi B!

Stars Daphne Rubin-Vega and Gizel Jimenez and composer Erin McKeown chat with Rebecca about their timely new musical. See acast.com/privacy for privacy and opt-out information.