Podcasts about oiwa

Welcome to the Squared Circle Podcast! I am your host Marie Shadows!Episode Title: New Japan Cup 2025 – Night 1 Recap - Shocking Upsets & Bullet Club Civil War?Key Topics:Event Delays & Backstage IssuesThe March 7th postponement due to a broken ring post at Korakuen HallThe Great O-Khan's role in breaking the newsNJPW's professionalism in handling refunds and a free showMatch Breakdowns & AnalysisYuya Uemura vs. SANADA – Technical excellence, Uemura's shocking winEVIL vs. Yota Tsuji – House of Torture's tacticsRyohei Oiwa vs. Chase Owens – The rise of Oiwa in TMDKGabe Kidd vs. Ren Narita – Brutal fight, House of Torture interference, Kidd's victoryBullet Club's Internal ConflictWar Dogs vs. House of Torture – Are we heading toward another Bullet Club Civil War?How this affects NJPW's faction landscapeLooking Ahead to Night 2Preview of upcoming matchesWho has momentum going forward?Discussion: What do you think about Bullet Club's internal war?campsite.bio/marieshadowsyoutube.com/squaredcirclepodcastmarieshadows.subtack.comhttps://marieshadows-shop.fourthwall.com

Join SP3, J-News and Sonal for our NJPW Strong Style Evolved 2024 Preview breaking down this Sunday's PPV ft. Mercedes Mone vs Hazuki for the NJPW STRONG Women's Championship. Leave your thoughts on this preview and give your predictions on the card in the live chat and comments section. Like, share, superchat and subscribe to support! #njSSE #NJPW #MercedesMone #AEW #Hazuki #GabeKidd #RyoheiOiwa #TMDK #GYV #GrizzledYoungVets Welcome to the Tru Heel Heat Wrestling YouTube channel where we cover  the sport of professional wrestling including all WWE TV shows (Raw,  Smackdown, & NXT), AEW Dynamite/Dark, IMPACT Wrestling, NJPW, ROH,  Dark Side of the Ring and more. Our weekly podcast hosted by SP3, Top  Guy JJ & Miss Krssi Luv breaking down the weekly wrestling news and  present unfiltered, honest thoughts and opinions for wrestling fans by  wrestling fans, drops every Saturday. We also include PPV reviews,  countdowns, and exclusive interviews with wrestlers from all promotions  hosted by a wide range of personalities such as Romeo, Chris G, Ness,  StatKing, Drunk Guy JJ, J-News and more. Subscribe and enable ALL  notifications to stay posted for the latest wrestling WWE news,  highlights, commentary, updates and more. Become a member of Tru Heels Facebook community: www.facebook.com/groups/1336177103130224/ Subscribe to Tru Heel Heat on YouTube: www.youtube.com/channel/UC0AmFQmsRyQYPKyRm5hDwNg Follow Tru Heels on Twitter: twitter.com/truheelheat Follow Tru Heels on Instagram: www.instagram.com/truheelheat/ Music composed by JPM

Soccer: Paris Olympic Japan Coach Oiwa to Head Men's Team for 2028 LA Games

Join SP3, J-News and Sonal for our NJPW Destruction in Kobe 2024 Review breaking down the latest New Japan show ft. Tetsuya Naito vs Great O Khan for the IWGP World Heavyweight Championship. Leave your thoughts on this PPV and review in the live chat and comments section. Like, share, superchat and subscribe to support! #njdest #NJPW #TMDK #ZackSabreJr #TetsuyaNaito #GreatOKhan #DavidFinlay #ShingoTakagi #HENARE #LIJ #RyoheiOiwa Welcome to the Tru Heel Heat Wrestling YouTube channel where we cover  the sport of professional wrestling including all WWE TV shows (Raw,  Smackdown, & NXT), AEW Dynamite/Dark, IMPACT Wrestling, NJPW, ROH,  Dark Side of the Ring and more. Our weekly podcast hosted by SP3, Top  Guy JJ & Miss Krssi Luv breaking down the weekly wrestling news and  present unfiltered, honest thoughts and opinions for wrestling fans by  wrestling fans, drops every Saturday. We also include PPV reviews,  countdowns, and exclusive interviews with wrestlers from all promotions  hosted by a wide range of personalities such as Romeo, Chris G, Ness,  StatKing, Drunk Guy JJ, J-News and more. Subscribe and enable ALL  notifications to stay posted for the latest wrestling WWE news,  highlights, commentary, updates and more. Become a member of Tru Heels Facebook community: www.facebook.com/groups/1336177103130224/ Subscribe to Tru Heel Heat on YouTube: www.youtube.com/channel/UC0AmFQmsRyQYPKyRm5hDwNg Follow Tru Heels on Twitter: twitter.com/truheelheat Follow Tru Heels on Instagram: www.instagram.com/truheelheat/ Music composed by JPM

Paul and Gerard preview GLEAT's upcoming ridiculous show in Osaka. They discuss NOAH's recent Korakuen Hall show with Kiyomiya vs. Oiwa, then go through the entirety of All Japan's Royal Road Tournament.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Paul and Gerard preview GLEAT's upcoming ridiculous show in Osaka. They discuss NOAH's recent Korakuen Hall show with Kiyomiya vs. Oiwa, then go through the entirety of All Japan's Royal Road Tournament.Support this podcast at — https://redcircle.com/the-emerald-flowshow/donations

The Flagship is back at full strength in our regular timeslot this week for a loaded show talking about the rumored AEW TV deal, reviewing CMLL's 91st Anniversario show, Janel Grant's press conference ahead of the Mr. McMahon documentary, Kiyomiya vs. Oiwa from NOAH & more!Rumored AEW TV deal detailsJanel Grant press conferenceCMLL 91st Aniversario reviewKiyomiya vs. Oiwa / NOAH Star Navigation review& more!The Overrun!We ran out of time on The Flagship, so if you'd like to hear our detailed review of MLW Fightland PLUS all the upcoming shows and events for MLW, please subscribe to the $5 tier on FlagshipPatreon.com.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Flagship is back at full strength in our regular timeslot this week for a loaded show talking about the rumored AEW TV deal, reviewing CMLL's 91st Anniversario show, Janel Grant's press conference ahead of the Mr. McMahon documentary, Kiyomiya vs. Oiwa from NOAH & more!Rumored AEW TV deal detailsJanel Grant press conferenceCMLL 91st Aniversario reviewKiyomiya vs. Oiwa / NOAH Star Navigation review& more!The Overrun!We ran out of time on The Flagship, so if you'd like to hear our detailed review of MLW Fightland PLUS all the upcoming shows and events for MLW, please subscribe to the $5 tier on FlagshipPatreon.com.Our Sponsors:* Support our sponsor XBET and use promo code VOW for a bonus of up to $1000 on your first deposit! Sign up today at http://www.xbet.agSupport this podcast at — https://redcircle.com/voices-of-wrestling-flagship/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this episode, I welcome Keibo Oiwa, a leading environmental activist in Japan and founder of The Sloth Club – an NGO that promotes slow and sustainable living, encouraging a new appreciation of rural life and a simpler way of living, with community, growing and nature the focus. This episode is part of the recorded series from the International Festival of Ideas, held in May 2024.Keibo is an educator, cultural anthropologist, filmmaker, public speaker and author of over 50 books. In his session during the Festival, he advocated for a localised future, attending to the art of creating a sustainable society and lifestyle with the low-energy, recycling-oriented, symbiotic, and non-violent lifestyle.To see more of Keibo's work, visit his website to learn more about the Sloth Club and the slow living movement.To find the recordings of conversations and events from the International Permaculture Festival of Ideas, visit the Permaculture Education Institute.Support the showThis podcast is an initiative of the Permaculture Education Institute.Our way of sharing our love for this planet and for life, is by teaching permaculture teachers who are locally adapting this around the world - finding ways to apply the planet care ethics of earth care, people care and fair share. We host global conversations and learning communities on 6 continents. We teach permaculture teachers, host permaculture courses, host Our Permaculture Life YouTube, and offer free monthly film club and masterclass. We broadcast from a solar powered studio in the midst of a permaculture ecovillage food forest on beautiful Gubbi Gubbi country. You can also watch Sense-Making in a Changing World on Youtube.SUBSCRIBE for notification of each new episode. Please leave us a 5 star review - it really it does help people find and myceliate this show.

This week, Steven and Jeremy discussed news regarding Yuya Uemura's injury, Jake Lee's contract status and Ryohei Oiwa wrapping up his NOAH run. What would be the best fit for Oiwa's return to New Japan? Should he slide back into a faction or create something brand new? They also talked about Shingo Takagi's 20th Anniversary show and previewed this week's title matches, including DOUKI versus Taiji Ishimori and Jeff Cobb versus Yota Tsuji. Jeremy and Steven looked at each match and its implications, and whether Hiromu Takahashi should take the NEVER Openweight title from HENARE. Should there be big changes in LIJ? And should two members of the company's top faction square off at Wrestle Kingdom? Steven also went back in time to examine Hiroshi Tanahashi's first NJ Cup win, his first G1 victory and his first IWGP title run.    

... Read more... The post Coach Jeff Podcast #1277 – Climbing Mt Oiwa appeared first on Coach Jeff.

It's Ref week on the show so we're interviewing a couple of amazing Referees. This episode we take a look at Layne Rosario https://www.instagram.com/latinareflayne?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw== 80s Mania Wrestling Returns-80s Mania Wrestling Returns - Apps on Google Play   Tap Cancer Out- https://wecan.tapcancerout.org/stevezapf Cole Mind- https://open.spotify.com/show/0JxnuIbqkhs3rIBPrsSWH2?si=18a933c98253406c Warrior Breed Wrestling- warriorbreedwrestling.com Lindsey Jordan and the OIWA-linktr.ee/linzjhost   info@stillalariat.com stevezapf@stillalariat.com showtime@stillalariat.com scarps@stillalariat.com https://www.instagram.com/still.a.lariat/ https://twitter.com/Stillalariatpc https://www.tiktok.com/@still.a.lariat?_t=8kBZPMSeMHu&_r=1 https://linktr.ee/istillcallitalariat

This week the boys talk about Huge NXT action, The Finals of AEW's Owen Hart Tournament, and fall out for Money in the Bank 80s Mania Wrestling Returns-80s Mania Wrestling Returns - Apps on Google Play   Tap Cancer Out- https://wecan.tapcancerout.org/stevezapf Cole Mind- https://open.spotify.com/show/0JxnuIbqkhs3rIBPrsSWH2?si=18a933c98253406c Warrior Breed Wrestling- warriorbreedwrestling.com Lindsey Jordan and the OIWA-linktr.ee/linzjhost   info@stillalariat.com stevezapf@stillalariat.com showtime@stillalariat.com scarps@stillalariat.com https://www.instagram.com/still.a.lariat/ https://twitter.com/Stillalariatpc https://www.tiktok.com/@still.a.lariat?_t=8kBZPMSeMHu&_r=1 https://linktr.ee/istillcallitalariat

The Official Review of Money in the Bank and how the boys' picks worked out 80s Mania Wrestling Returns-⁠80s Mania Wrestling Returns - Apps on Google Play⁠   Tap Cancer Out- https://wecan.tapcancerout.org/stevezapf Cole Mind- https://open.spotify.com/show/0JxnuIbqkhs3rIBPrsSWH2?si=18a933c98253406c Warrior Breed Wrestling- warriorbreedwrestling.com Lindsey Jordan and the OIWA-⁠linktr.ee/linzjhost⁠   ⁠info@stillalariat.com⁠ ⁠stevezapf@stillalariat.com⁠ ⁠showtime@stillalariat.com⁠ ⁠scarps@stillalariat.com⁠ ⁠https://www.instagram.com/still.a.lariat/⁠ ⁠https://twitter.com/Stillalariatpc⁠ ⁠https://www.tiktok.com/@still.a.lariat?_t=8kBZPMSeMHu&_r=1⁠ ⁠https://linktr.ee/istillcallitalariat

15 years in the pro wrestling business, now wrestling under the name of Roosevelt, Victor Andrews comes onto the show. Hear about the OIWA and the AIWF, international wrestling companies growing the sport all over the world. Roosevelt also shares stories of the wrestlers that are coming to him for training. NEW PODCAST EVERY MONDAY & THURSDAY! You can find all of Vinny Berry's book at wrestleville.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Live gravada no dia 3/7/2024. O Hinomaru está disponível em diversos agregadores de podcast: Spotify, Itunes podcast, Googlepodcast, Pocketcasts, Addict podcast, Radiopublic entre outros. Podcast: https://anchor.fm/hinomaru Deixe seu recado para o Hinomaru abaixo do vídeo ou participe pelo nosso e-mail hinomarupodcast@gmail.com Redes sociais: https://linktr.ee/hinomaru?s=08 Recomendações: Pagina doGlauberTanaka https://www.facebook.com/glauber.tiras Pagina do jornalista Tiago Bontempo https://globoesporte.globo.com/blogs/futebol-no-japao/ Livro Samurais Azuis de Tiago Bontempo https://leiacorner.com.br/produto/samurais-azuis/ Radio Mirai https://miraionline.wixsite.com/radio/ Nosso feed RSS: https://anchor.fm/s/4b16eacc/podcast/rss Grupo no Whatsapp https://chat.whatsapp.com/HLL9THlT3Fi5NZ2ZKc3Guv Siga o canal "Hinomaru Podcast" no WhatsApp: https://whatsapp.com/channel/0029VaZPNYsCRs1gwLq92V1O #podcast #olimpiadas

80s Mania Wrestling Returns-80s Mania Wrestling Returns - Apps on Google Play   Tap Cancer Out- https://wecan.tapcancerout.org/stevezapf Cole Mind- https://open.spotify.com/show/0JxnuIbqkhs3rIBPrsSWH2?si=18a933c98253406c Warrior Breed Wrestling- warriorbreedwrestling.com Lindsey Jordan and the OIWA-linktr.ee/linzjhost   info@stillalariat.com stevezapf@stillalariat.com showtime@stillalariat.com scarps@stillalariat.com https://www.instagram.com/still.a.lariat/ https://twitter.com/Stillalariatpc https://www.tiktok.com/@still.a.lariat?_t=8kBZPMSeMHu&_r=1 https://linktr.ee/istillcallitalariat

80s Mania Wrestling Returns-80s Mania Wrestling Returns - Apps on Google Play   Tap Cancer Out- https://wecan.tapcancerout.org/stevezapf Cole Mind- https://open.spotify.com/show/0JxnuIbqkhs3rIBPrsSWH2?si=18a933c98253406c Warrior Breed Wrestling- warriorbreedwrestling.com Lindsey Jordan and the OIWA-linktr.ee/linzjhost   info@stillalariat.com stevezapf@stillalariat.com showtime@stillalariat.com scarps@stillalariat.com https://www.instagram.com/still.a.lariat/ https://twitter.com/Stillalariatpc https://www.tiktok.com/@still.a.lariat?_t=8kBZPMSeMHu&_r=1 https://linktr.ee/istillcallitalariat

This week, the boys review Wrestlers going through the Forbidden Door, Clash at the Castle and probably the best RAW of the Year. 80s Mania Wrestling Returns-80s Mania Wrestling Returns - Apps on Google Play   Tap Cancer Out- https://wecan.tapcancerout.org/stevezapf Cole Mind- https://open.spotify.com/show/0JxnuIbqkhs3rIBPrsSWH2?si=18a933c98253406c Warrior Breed Wrestling- warriorbreedwrestling.com Lindsey Jordan and the OIWA-linktr.ee/linzjhost   info@stillalariat.com stevezapf@stillalariat.com showtime@stillalariat.com scarps@stillalariat.com https://www.instagram.com/still.a.lariat/ https://twitter.com/Stillalariatpc https://www.tiktok.com/@still.a.lariat?_t=8kBZPMSeMHu&_r=1 https://linktr.ee/istillcallitalariat

This week on the show the boys review WWE allowing Wrestlers to cross promote, AEW's storytelling, and preview Clash at the Castle 80s Mania Wrestling Returns-80s Mania Wrestling Returns - Apps on Google Play   Tap Cancer Out- https://wecan.tapcancerout.org/stevezapf Cole Mind- https://open.spotify.com/show/0JxnuIbqkhs3rIBPrsSWH2?si=18a933c98253406c Warrior Breed Wrestling- warriorbreedwrestling.com Lindsey Jordan and the OIWA-linktr.ee/linzjhost   info@stillalariat.com stevezapf@stillalariat.com showtime@stillalariat.com scarps@stillalariat.com https://www.instagram.com/still.a.lariat/ https://twitter.com/Stillalariatpc https://www.tiktok.com/@still.a.lariat?_t=8kBZPMSeMHu&_r=1 https://linktr.ee/istillcallitalariat

This week, the boys talk about the Forbidden Doors being opened, and Steve's rants turn into temper tantrums 80s Mania Wrestling Returns-80s Mania Wrestling Returns - Apps on Google Play   Tap Cancer Out- https://wecan.tapcancerout.org/stevezapf Cole Mind- https://open.spotify.com/show/0JxnuIbqkhs3rIBPrsSWH2?si=18a933c98253406c Warrior Breed Wrestling- warriorbreedwrestling.com Lindsey Jordan and the OIWA-linktr.ee/linzjhost   info@stillalariat.com stevezapf@stillalariat.com showtime@stillalariat.com scarps@stillalariat.com https://www.instagram.com/still.a.lariat/ https://twitter.com/Stillalariatpc https://www.tiktok.com/@still.a.lariat?_t=8kBZPMSeMHu&_r=1 https://linktr.ee/istillcallitalariat

This week, the boys talk about the Forbidden Doors being opened, and Steve's rants turn into temper tantrums 80s Mania Wrestling Returns-⁠80s Mania Wrestling Returns - Apps on Google Play⁠   Tap Cancer Out- https://wecan.tapcancerout.org/stevezapf Cole Mind- https://open.spotify.com/show/0JxnuIbqkhs3rIBPrsSWH2?si=18a933c98253406c Warrior Breed Wrestling- warriorbreedwrestling.com Lindsey Jordan and the OIWA-⁠linktr.ee/linzjhost⁠   ⁠info@stillalariat.com⁠ ⁠stevezapf@stillalariat.com⁠ ⁠showtime@stillalariat.com⁠ ⁠scarps@stillalariat.com⁠ ⁠https://www.instagram.com/still.a.lariat/⁠ ⁠https://twitter.com/Stillalariatpc⁠ ⁠https://www.tiktok.com/@still.a.lariat?_t=8kBZPMSeMHu&_r=1⁠ ⁠https://linktr.ee/istillcallitalariat

In This week's 2-part episode the boys Review Double or Nothing and King and Queen of The Ring! 80s Mania Wrestling Returns-80s Mania Wrestling Returns - Apps on Google Play   Tap Cancer Out- https://wecan.tapcancerout.org/stevezapf Cole Mind- https://open.spotify.com/show/0JxnuIbqkhs3rIBPrsSWH2?si=18a933c98253406c Warrior Breed Wrestling- warriorbreedwrestling.com Lindsey Jordan and the OIWA-linktr.ee/linzjhost   info@stillalariat.com stevezapf@stillalariat.com showtime@stillalariat.com scarps@stillalariat.com https://www.instagram.com/still.a.lariat/ https://twitter.com/Stillalariatpc https://www.tiktok.com/@still.a.lariat?_t=8kBZPMSeMHu&_r=1 https://linktr.ee/istillcallitalariat

In This week's 2-part episode the boys Review Double or Nothing and King and Queen of The Ring! 80s Mania Wrestling Returns-⁠80s Mania Wrestling Returns - Apps on Google Play⁠   Tap Cancer Out- https://wecan.tapcancerout.org/stevezapf Cole Mind- https://open.spotify.com/show/0JxnuIbqkhs3rIBPrsSWH2?si=18a933c98253406c Warrior Breed Wrestling- warriorbreedwrestling.com Lindsey Jordan and the OIWA-⁠linktr.ee/linzjhost⁠   ⁠info@stillalariat.com⁠ ⁠stevezapf@stillalariat.com⁠ ⁠showtime@stillalariat.com⁠ ⁠scarps@stillalariat.com⁠ ⁠https://www.instagram.com/still.a.lariat/⁠ ⁠https://twitter.com/Stillalariatpc⁠ ⁠https://www.tiktok.com/@still.a.lariat?_t=8kBZPMSeMHu&_r=1⁠ ⁠https://linktr.ee/istillcallitalariat⁠

This Week the boys preview Double or Nothing and King and Queen of the Ring. Give thoughts on how they would improve the tournaments.....and of course believe in Joe Hendry 80s Mania Wrestling Returns-80s Mania Wrestling Returns - Apps on Google Play   Tap Cancer Out- https://wecan.tapcancerout.org/stevezapf Cole Mind- https://open.spotify.com/show/0JxnuIbqkhs3rIBPrsSWH2?si=18a933c98253406c Warrior Breed Wrestling- warriorbreedwrestling.com Lindsey Jordan and the OIWA-linktr.ee/linzjhost   info@stillalariat.com stevezapf@stillalariat.com showtime@stillalariat.com scarps@stillalariat.com https://www.instagram.com/still.a.lariat/ https://twitter.com/Stillalariatpc https://www.tiktok.com/@still.a.lariat?_t=8kBZPMSeMHu&_r=1 https://linktr.ee/istillcallitalariat

This week, the boys talk about AEW, King and Queen of the Ring and discuss why moves are named how they are....oh and Showtime and Steve actually agree on a few things Tap Cancer Out- https://wecan.tapcancerout.org/stevezapf Cole Mind- https://open.spotify.com/show/0JxnuIbqkhs3rIBPrsSWH2?si=18a933c98253406c Warrior Breed Wrestling- warriorbreedwrestling.com Lindsey Jordan and the OIWA-linktr.ee/linzjhost   info@stillalariat.com stevezapf@stillalariat.com showtime@stillalariat.com scarps@stillalariat.com https://www.instagram.com/still.a.lariat/ https://twitter.com/Stillalariatpc https://www.tiktok.com/@still.a.lariat?_t=8kBZPMSeMHu&_r=1 https://linktr.ee/istillcallitalariat

Edición #1237 del paraíso del house de la FM mezclado y presentado por Diego Castillo aka 4DELUXE con novedades de Akon bajo el remix de Lahox & Andre Palms, Ce Ce Rogers bajo el remix de Simioli, Deep West & moloko bajo el remix de GUZ, Different Stage, Oiwa, JNBY X GUYZA, Lohrasp Kansara, Maex & Akeem Raphael, MistaJam, MorganJ & Tom Budin, Priceless, Sgt Slick, Tommy Vee & Keller y Wh0.

In this Bonus Episode the boys are joined by UK Comic-Con promoter and OIWA International President Lindsey Jordan to cover each of 5 favorite wrestlers ever Tap Cancer Out- https://wecan.tapcancerout.org/stevezapf Cole Mind- https://open.spotify.com/show/0JxnuIbqkhs3rIBPrsSWH2?si=18a933c98253406c Warrior Breed Wrestling- warriorbreedwrestling.com Lindsey Jordan and the OIWA-⁠linktr.ee/linzjhost⁠   ⁠info@stillalariat.com⁠ ⁠stevezapf@stillalariat.com⁠ ⁠showtime@stillalariat.com⁠ ⁠scarps@stillalariat.com⁠ ⁠https://www.instagram.com/still.a.lariat/⁠ ⁠https://twitter.com/Stillalariatpc⁠ ⁠https://www.tiktok.com/@still.a.lariat?_t=8kBZPMSeMHu&_r=1⁠ ⁠https://linktr.ee/istillcallitalariat⁠

This Week the Boys go over the beginning of the King and Queen of The Ring, AEW's new number one contender, and of course a Backlash review Tap Cancer Out- https://wecan.tapcancerout.org/stevezapf Cole Mind- https://open.spotify.com/show/0JxnuIbqkhs3rIBPrsSWH2?si=18a933c98253406c Warrior Breed Wrestling- warriorbreedwrestling.com Lindsey Jordan and the OIWA-linktr.ee/linzjhost   info@stillalariat.com stevezapf@stillalariat.com showtime@stillalariat.com scarps@stillalariat.com https://www.instagram.com/still.a.lariat/ https://twitter.com/Stillalariatpc https://www.tiktok.com/@still.a.lariat?_t=8kBZPMSeMHu&_r=1 https://linktr.ee/istillcallitalariat

Edición #1235 del paraíso del house de la FM mezclado y presentado por Diego Castillo aka 4DELUXE con novedades de Aaron Smith bajo el remix de Tony Arzadon, Ben Delay, Daho & Two Are, Fabi Hernandez & Mathieu Ruz, Oiwa, Kryder, Lyle M, Martina Budde, Marvin Sykes, Moreno Pezzolato, Pipi Le Oui, Rubber People x Super Disco Club, Santarini bajo el remix de Luca Guerrieri y Truth x Lies.

Were one week away from Mania and boy did it get wild on Raw... Join us as we break it down and we talk to UKs Own Lindsey Jordan owner of OIWA's Contract Pro Wrestling.. --- Send in a voice message: https://podcasters.spotify.com/pod/show/theroundtablepodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/theroundtablepodcast/support

This week the Bois are “wrapped” with Tag League. So much so, they spend an exorbitant amount of time dissecting the first half of the tour by breaking down each team, where they're placed, what elements of character and story progression have been on display, and where this may be leading these personalities towards the end of the league; and the impact this may have on 2024 New Japan Pro Wrestling. If you want to explore the motivations behind many of these team actions and begin to consider some possible reasons for this…well, this is the episode for you! The lads provide some of their most comprehensive deep dives into Shota and Ren, Oiwa and Kiyomiya, War Dogs, United Empire, LIJ, Taichi and Yuya and NJPW's grumpiest old men. It's a Bonza episode filled to the brim with smellness, llave and excitement. To join the Club or buy some merch to support the show. ⁠⁠⁠thestiff.club ⁠⁠⁠⁠ Or ⁠⁠⁠⁠weworkstiff.com⁠⁠⁠ You can find and follow the show: On X / twitter @weworkstiff On Instagram instagram.com/weworkstiff/ On Reddit reddit.com/r/WeWorkStiff/ On Youtube youtube.com/@weworkstiff Email us at weworkstiff@gmail.com Please Listen. Like. Subscribe. Rate. Share. Review. Follow. Watch New Japan Pro Wrestling. #njpw #prowrestling #wrestling #newjapan #njpwworld #njwtl

Japonya, kültürü ve tarihi ile insanları büyüleyen bir ülke. Geçmişten günümüze taşınan inançlar, dini yapılar, kıyafetler ve destanlar bu toprakları dünyanın diğer tüm coğrafyalarından ayırıyor. Japonya'nın diğer ilgi çeken bir yönü de buradan çıkan şehir efsaneleri ve hayalet hikayelerinin dünyaca ünlü olması. Bu ülke coğrafyasından yayılmış birçok ürkütücü öykü dinledik. Bugün de onlardan biriyle tanışıyoruz: Öç ateşi ile yanan Oiwa. Emin olun Japonya'nın en şöhretli hayalet hikayesi Oiwa'nın her satırı içinize işleyecek. Yerinizi alın. Karanlık ve kasvet üzerinize çökmeye hazır. İyi dinlemeler...Cem'den Dinle YouTube: https://www.youtube.com/c/CemdenDinleInstagram: cemdendinleİletişim & İşbirliği: cemdendinle@gmail.comFon Müziği / Music: Myuu https://www.youtube.com/user/myuujiCO.AG Music https://www.youtube.com/channel/UCcavSftXHgxLBWwLDm_bNvA

The ladies' bodies are killing them, much like the wicked women in this week's episode! First, Kelley tells the tragic tale of Oiwa, a young woman who was betrayed by her lemon of a husband, but exacted brutal revenge on him. Then, Emily tells the legend of the Baobhan Sith, a beautiful woman of Scottish lore who will literally eat you up (or at least drink your blood.) Grab some iron and stop talking smack about women's bodies, because we're wining about herstory!Support the show

Dylan is joined by regular EL NOAH contributor Dean to talk about NOAH's N1 Victory Final which saw Go Shiozaki emerge victorious for his first ever NOAH tournament win. We talk about the whole show, the developments with Psycho Clown coming in to face Hijo del Dr. Wagner Jr. for the National Title, the developments of the Jr. Division and a get well soon to Chris Ridgeway. We talk about Kaito Kiyomiya's return to the promotion and the potential of him bringing back Oiwa from NJPW. Finally we go over the entire tournament and break down all 16 competitors. Who shined, who stood out, who disappointed, and who was the MVP? Finally, we talk about the near future of the company and Dean throws out some great predictions and ideas for the big Ariake show on January 2nd.   For more coverage of Japanese wrestling, and wrestling past and present please check out our Patreon for literally 1000s of hours of audio and written content as well PLUS same day reviews of G1 Climax Shows + STARDOM 5 Star GP Reviews: https://www.patreon.com/easternlariat Follow us on Twitter/X: https://www.twitter.com/EasternLariat https://www.twitter.com/STRIGGA https://www.twitter.com/Viva_Zero https://www.twitter.com/dnmt67

This week's Big Audio Nightmare is back to talk about everything happening in the world of Japanese professional wrestling! Topics include: The final word on the G1 Climax and an incredible final Did the Naito vs Okada final wash away the disappointment of the rest of the tournament Kiyomiya taking Oiwa back to NOAH and what it means for both of them Thoughts on a great Stardom PPV and possibly an even better Korakuen Hall show Thoughts on NOAH's N1 Victory, TJPW's Princess Cup, and more!

Dallas based wrestler, Dontae Smiley comes on the show and talks about defending his championship for the OIWA. He also talks about his work with Control Your Narrative and the National Wrestling Alliance. Dontae also reacts to his story being published in a book. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tonight Ryan and J discuss Onryo or Japanese vengeful spirits.  We cover a lot: from the spirit Oiwa as made famous by The Grudge and The Ring, to modern urban legends like Kisaragi Station.  We talk slit mouthed woman, Teke Teke, Jorogumo, and Ubume.  This one is fast paced and we tell you why you should never drink well water or use a public restroom in Japan.  Please like, subscribe, and share on social media.  Email us at cryptiquepodcast@gmail.com Follow us on tiktok @cryptique_podcast Parabox mystery t shirt link https://para-box.cratejoy.com/?afmc=2s 

Hey, it's just a regular night...Why don't you take a look inside this cavern? BOO! Sorry about that classic prank scare, but we had to do it for Halloween! The campfire is lit, the weather is frightful, and the bodies are putrefying. Join us out in the woods for the annual tradition of midnight ghost stories. This year we've got some more Yokai, a spooky radio show, and the story of a soldier who met an alien! Hope you brought some clean chonies...If not, you can just borrow Brian's.---------------------------------------------------------------- Art Bell, Coast to Coast AM, September 11, 1997. Giorgio Moroder, "Chase", Casablanca Records 1978. 

With Redd still off working, Josh and Dave return for an in-depth discussion on one of New Japan's most propulsive shows in recent times. Attempting to answer listener questions, in between random tangents, your friendly neighbourhood loveable lads discuss Jay v Okada for Wrestle Kingdom, launch the first official defence of the NJPW World TV title, break down all the big matches and stories from Declaration of Power, talk about Titian's distinctive gate, Daddy's for tag league and explore HHH's fascination with NJPW talent and gimmicks. Dave also professes his love for Oiwa as Josh pleads with JONAH to stay and help build Tamashii. A near 3-hour conversation that sets the stage for what looks like a fun Dome SZN ahead. Follow us on twitter @weworkstiff or now on Reddit /r/WeWorkStiff/ Listen. Like. Rate. Share. Review. Watch New Japan Pro Wrestling.

Oggi vi racconterò una delle leggende più famose in Giappone, quella di Oiwa. Learn more about your ad choices. Visit megaphone.fm/adchoices

We kick off spooky season with the oldest ghost story in Japan. --- Support this podcast: https://anchor.fm/southern-fried-storytime/support

Episode 10  Release Date: 27th June 2021.  The story of Oiwa is arguably the most famous of the Japanese ghost stories. A tale of murder, betrayal and revenge, listen along as we discuss the story that inspired Japanese horror for years to come.  Don't forget to subscribe to our podcast on your favourite platform and you can follow us on Instagram: https://www.instagram.com/wherethemonstersarepodcast/ on Twitter: https://twitter.com/WhereMonsters and on Facebook: https://www.facebook.com/groups/supersleuthsandspookykids 

Keisuke Kinoshita hat in seiner Verfilmung des Kabuki-Theaterstücks Yotsuya Kaidan die zweiteilige Struktur des Theaterstücks übernommen. Nachdem der verarmte ehemalige Samurai Iemon (Ken Uehara) seine Frau Oiwa (Kinuyo Tanaka) entstellt und ermordet hat, heiratet er in eine reiche Familie ein. Aber im zweiten Film wird klar: Oiwa verfolgt ihn bis in das großartige, feurige Finale hinein. Im Podcast reden Sandra, Michael und Thomas über Kinoshita als Action-Regisseur, über Polizeiermittlungen und die Frage, ob reale Bösewichte einen Geisterfilm aufwerten können. Vor allem ist die weniger starke Trennung zwischen Leben und Tod in der japanischen Kultur ein Thema - sie ziehen Vergleiche unter anderem zu JOURNEY TO THE SHORE von Kiyoshi Kurosawa.THE YOTSUYA GHOST STORY PART TWO (Shinshaku Yotsuya Kaidan: Kohen) aus dem Jahr 1949 ist der dreizehnte Film von Keisuke Kinoshita. Der Film kann bei Mubi angeschaut werden.Die nächste Folge erscheint am 17. Juli 2022 und beschäftigt sich ausnahmsweise nicht mit einem Film von Keisuke Kinoshita sondern mit THE GHOST OF YOTSUYA (Tokaido Yotsuya Kaidan) von Nobuo Nakagawa aus dem Jahr 1959.Michaels sehr empfehlenswerten Blog Schneeland findet Ihr hier. Den Filmpodcast SchönerDenken findet Ihr hier.Vielen Dank an Sandra für das wunderbare Episodenbild! Und vielen Dank an Michael Meier von Kompendium des Unbehagens für die Unterstützung beim Jingle. Grüße nach Osaka!

In Japan ist die Geschichte durch ein Kabuki-Theaterstück bekannt - die gruselige Geistergeschichte des verarmten Iemon (Ken Uehara), der vom Samurai zum Ronin abgestiegen ist. Seine Frau Oiwa (Kinuyo Tanaka) liebt ihn, aber sie ist ihm nur im Weg, als sich eine reiche junge Frau in Iemon verliebt. In einem Streit wird Oiwa grausam verstümmelt, Haare, Gesicht und Auge entstellt, sie leidet furchtbare Schmerzen, bis sie schließlich ermordet wird. Iemon heiratet nun in die reiche Familie ein, aber Oiwa lässt ihn nicht los ...Kinoshita übernimmt in seinem Film die zweiteilige Struktur des Theaterstücks. Im Podcast reden Sandra, Michael und Thomas über den ersten Film, über die Ästhetik der nichtmenschlichen Körperbewegungen und die Bedeutung der Haare. Beides findet sich wieder in J-Horrorfilmen der vergangenen dreißig Jahre. Sie ziehen Parallelen zu Takashi Miikes OVER MY DEAD BODY und klären die soziale Situation der Protagonisten.THE YOTSUYA GHOST STORY PART ONE (Shin'yaku Yotsuya kaidan - sengo hen) aus dem Jahr 1949 ist der zwölfte Film von Keisuke Kinoshita. Der Film kann im Criterion-Channel angeschaut werden.Die nächste Folge erscheint am 3. Juli 2022 und beschäftigt sich mit THE YOTSUYA GHOST STORY PART TWO (1949).Michaels sehr empfehlenswerten Blog Schneeland findet Ihr hier. Den Filmpodcast SchönerDenken findet Ihr hier.Vielen Dank an Sandra für das wunderbare Episodenbild! Und vielen Dank an Michael Meier von Kompendium des Unbehagens für die Unterstützung beim Jingle. Grüße nach Osaka!

有一種夢，是在天地之間 有一種浮游，是在真假虛實中穿梭 2022年的夏天 邀請你來屏東看海美術館和待（呆）·風樓 跟隨作日裔巴西籍藝術家Oscar Oiwa（大岩奧斯卡）的360度沉浸式立體藝術作品，一起做「眠夢」 ⭐子琳開麥⭐同步於以下平台都可以聽得到喔！ 臉書：https://www.facebook.com/h99radio Youtube：https://reurl.cc/qOda8R Podcast平台：https://reurl.cc/4408kV 部落格：https://kslove168.pixnet.net/blog IG：https://www.instagram.com/s7229248/ 留言告訴我你對這一集的想法： https://open.firstory.me/user/ckenz0lomswx20839exhp5qsi/comments 即使明天是世界末日 今天也要在花園裡種滿玫瑰 Powered by Firstory Hosting

Trigger Warning: This episode talks about a play including instances of abuse, murder, suicide, and rape.   Grab your time machines and some PBR, we're gonna get a front stage seat at the play best described as Edō Cops. Also, there's a ghost, spoopy.   Discord: https://discord.me/cryptopediacast Patreon: https://www.patreon.com/user?u=14015340   Youtube (Videos have captions!): https://www.youtube.com/channel/UCRzLzwcqcjvG1WgTASWZ7PA --- The Book of Yokai Japan's Onryō Spirits Inhabit a Purgatory of Revenge and Cosmic Rage - Atlas Obscura Onryō - Wikipedia Tatari Japanese Wikipedia Tatari - Japanese Wiki Corpus Yokai - Oiwa Lady Oiwa: Japan's Most Terrifying Onryō - Association of Paranormal Study Shinrei spot: Oiwa-Inari Tamiya Shrine, Yotsuya | MEAT Yotsuya Kaidan - Wikipedia YOTSUYA KAIDAN  

The disfigured, betrayed bride known as Oiwa is one of Japan's most legendary spirits. Her hideous appearance and thirst for revenge are scary enough, but what's even more terrifying is her ability to warp her victims' entire sense of reality. Learn more about your ad choices. Visit podcastchoices.com/adchoices

From the busy streets of Tokio where she started her Ballet training, she moved to New York City to attend the Juilliard School. She went on to work for Twyla Tharp, Billy T Jones and French choreographer Angelin Preljocaj and always found time to pursue her own projects as well. Today she lives in a small beach town in Brazil, where I had a chance to speak to her. I do apologise for the weak sound quality in the first couple of minutes But these are live talks and it would have been weird to start over. Let's give a warm welcome to our guest Toshiko Oiwa!

Anna Sasaki es una niña solitaria y sin amigos que vive con una familia de acogida. A causa del asma que sufre y de su bajo estado de ánimo, sus padres adoptivos deciden enviarla a Hokkaidō para quedarse con unos familiares lejanos, el matrimonio Oiwa, donde recorre las dunas cerca del mar. En el pantano encuentra una vieja mansión, la cual a Anna le resulta extrañamente familiar. En la casa se encuentra con una niña enigmática llamada Marnie, quien se convierte en la primera amiga de Anna. Después de haber entablado amistad con Marnie, Anna se vuelve más sociable, haciendo que pronto la familia y otras personas del pueblo se vuelvan amigos de la pequeña. Poco a poco, Anna empieza a descubrir cosas sobre Marnie, quien no era todo lo que parecía.¿Quieres ser parte del Podcast en vivo? Siguenos en https://www.twitch.tv/animelmackRecuerda que puedes apoyarnos con donaciones al Podcast / To support our Podcasts: https://bit.ly/BDAPodcastSupportSi deseas publicitar tu marca en nuestros episodios, escríbenos a: info@frikitimes.comSuscribete a nuestra playlist con las canciones favoritas que vamos descubriendo en cada episodio de nuestro podcast: https://bit.ly/BastardosPlaylist

Oiwa, Taka Ona e Jorogumo são três tradicionais lendas japonesas que mostram a realidade da época.Support the Show.

Critics Alice Saville (UK), Amitha Amranand (TH), Matthew Lyon (SG) and Taisuke Shimanuki (JP) discuss OIWA: The Ghost of Yotsuya by The Finger Players, presented at Singapore International Festival of the Arts (SIFA). The performance took place from 28-30 May... The post Podcast 92: Critics Live: OIWA by The Finger Players at SIFA 2021 appeared first on ArtsEquator.

Episode 10Release Date: 27th June 2021.The story of Oiwa is arguably the most famous of the Japanese ghost stories. A tale of murder, betrayal and revenge, listen along as we discuss the story that inspired Japanese horror for years to come.Don't forget to subscribe to our podcast on your favourite platform and you can follow us on Instagram: https://www.instagram.com/wherethemonstersarepodcast/ on Twitter: https://twitter.com/WhereMonsters and on Facebook: https://www.facebook.com/groups/supersleuthsandspookykids 

Iluminados, neste episódio, vocês ouvirão lendas e contos de fantasmas femininos do Japão. Eu, particularmente, sou fã da cultura japonesa, seus animes, mangás, música e folclore. O terror japonês com seus lugares assombrados, yokais e yureis, pra mim, é um dos mais assustadores do mundo. Este episódio foi uma sugestão do Haruo Honji do Podcast, Memorial do Esporte. Lendas e contos do episódio: Yamanba, Jorogumo, Oiwa, Yuki-onna, Okiku, Cabelo Preto e Otsuyu - Lanterna de Peônia. Mandem relatos para: sigaaluzpodcast@gmail.com LINK PODCAST MEMORIAL DO ESPORTE: https://open.spotify.com/show/2kifHGyvlzXn0cG4B2TWA0?si=90bHYMp_SjmdLSDmNwV2Qg

"Legacy Changer." This is one of the many things that describe Dontae Smiley. This man has fought through life's struggle, with great perseverance, on his way to be successful in everything he has been passionate about. Basketball, Rapping, CrossFit, and Pro Wrestling. Dontae is an elite wrestler, and champion of the OIWA. We dive into the process it took to get there, and the mindset necessary to become one of the best.

OIWA International Heavyweight Champion " Primetime" Dontae Smiley takes a seat at The Roundtable to talk about his historic title win --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/theroundtablepodcast/message

OIWA International Heavyweight Champion " Primetime" Dontae Smiley takes a seat at The Roundtable to talk about his historic title win

In our eleventh episode, we talk about the famous Japanese ghost story from the Yotsuya Kaidan! We discuss this yōkai's tragic origins and how she merits respect even from the grave. For more information about today's episode, go to mytholadies.com. Our cover art is by Helena Cailleaux. You can find her and more of her work on Instagram @helena.cailleaux.illustratrice. Our theme song was composed and performed by Icarus Tyree. To hear more of their music, check out icarust.bandcamp.com.

Historia 1852, las fronteras de Japón se abieron a occidente y se tenía un cierto miedo de que pensaran que eran moralmente laxos y dieran mala impresión internacional. Así que empezaron a regular las imagenes relacionadas al sexo. Antes era aceptable los baños mixtos y se empezó a generar verguenza a partes el cuerpo que antes eran vistas como naturales. 1897 Llega el cine a Japon. La primera película del cine japonés es Momijimari, una pieza de teatro kabuki filmada en 1899. En el teatro Kabuki predominan las historias fantasmales, el llamado Kaidan. El teatro Kabuki es una de las formas más tradicionales de teatro japonés. Tenía tres características particulares: la historias basadas en la época feudal, música particularmente con un instrumento de cuerdas y la presencia de un narrador. Las obras teatrales no utilizaban a mujeres actrices - eran represetnados pro hombres llamados Onigama. Las obras estaban basadas en el priodo Edo (1603-1868) y abundaban las obras Kaidan. Éstas obras mostraban vestuarios ostentosos y maquillaje elevado que representaban al personaje interna y externamente - emociones y valores. El rojo significaba juventud y justicia. El azul, negro y café era para monstruos y gente mala. Kaidan: se refiera a cualquier historia de fantasmas. Otro tipo de teatro era el No - similar al Kabuki pero para las clases sociales altas. Combina l amúsica, la poesía y se le conoce en particular por el uso de máscaras. Es central que solo haya un perosnaje que no utiliza máscara, pues es él único humano. Éste se le conoce como Waki. El waki aparece tradicionalmente como aquella persona que advierte a otros sobre la aparición de un fantasma o de una maldición. Generalmente eran dramas donde el fantasma de un guerrero regresaba a la batalla donde había sido asesinado y estaba reviviendo la escena una y otra vez. Aunque eran fantasmas, no eran figuras de horror. Sino, sufrimiento trágico que debe aceptar la derrota o muerte prematura. El cine y el teatro estuvieron fuertemente relacionados porque con la llegada del cine, también se creó el sistema de Estudios (como Hollywood) y los dueños de los teatros, eran también los dueños de los Estudios. La forma en que se presentaban las películas, era similar a la del teatro. Películas que se hacían famosas luego las transformaban en obras y viceversa. Además, la presentación de películas presentaba también esos tres elementos. Las tomas eran de frente al escenario y fijas, simulando el teatro. El sistema de Estudios El sistema de estudios a diferencia de Hollywood que estaba centrado en el productor, estaba centrado en el director. El director era quien elegía a su equipo y no solo eso, este sería su equipo para futuras producciones. Es decir, se mantenía una lealtad que debía respetarse y honrarse. Esto le daba mayor libertad creativa a los directores, pues ellos tenían la última palabra. Los estudios más importantes: Takejiro Otani (Ozu, Akira Kurowawa y Takashi Miike) Shochiku - primero en introducer mujeres actrices Nikkatsu - que se enfocó en dramas sociales en contextos modernos Yurei (Fantasmas) Mitología japonesa, las yurei son fantasmas mujeres que quieren venganza. Vestidas de blanco, de cabello negro y largo No tienen piernas y mueven las muñecas sin sentido Estos fantasmas aparecen por el On - una deuda queno fue pagada o personas que murieron sin poder curbrir sus responsabilidades familiares. Esto crea un desbalance y conecta al mundo de los vivos con el de los muertos. Primeras cintas La primera cinta de horror japonesa es de 1910: Botan Doro. Una historia de fantasmas (Yurei) y es la segunda historia más adaptada al cine, TV y OVA (only video available) después de Yotsuya Kaidan (El Fantasma de Yotsuya) Para 1920, los tres estudios mencionados eran dueños de 3/4 de todos los teatros de Japón. En 1923, muy tarde para la época, introducen el sonido al cine. Ésto porque era demasiado popular el uso de Benshi (narrador). Incluso había narradores estrella que todos querían nescuchar. En 1936, un hombre poderoso y constructor de los trenes en Japón, Ichizo Kobayashi, fundó Toho abandonando el sistema de actores estrella. Antes de la WWII, este estudio era el mayor productor de imagenes de propaganda. Después de la WWII, este estudio es quien daría luz a Godzilla. Toei - fundada en 1956, es unod e los estudios más importantes de Japón, casa de Hayao Miyazaki, director de el viaje de Chihiro y los estudios Ghibli. El sistema de Estudios hoy en día ha decaído, por ejemplo, en 2003, 234 de 287 películas, provenían de estudios independientes. Esta prevalencia se viene dando desde 1960. La razón es que los mismos estudios, promovían a directores independeintes. Epoca de OroCon el triunfo de Rashomon de Akira Kurosawa en el festival de Venecia en 1950, y logra el Oscar a mejor película extranjera; es cuando el mundo voltea a Japón.curiosamente toca la sexualidad desde un ángulo criticado en Japón: l ahistoria de una violación que pasa a segundo plano (e invalidada) en un juicio de muerte a un samurai, donde la palabra del bandido (violador) carita tiene más peso y empatía de la audiencia que el de los demás.Se da la apertura, y comienza a participar en festivales.Sin embargo, existía una gran censura al arte japonés por la ocupación estadounidense al termino de la Segunda Guerra Mundial. Los aliados pidieron una redición incondicional por parte de los japoneses. Lo peor que pudo sucederles como nación, donde su sistema de valores por centenas de años favorecía la muerte honorable sobre la derrota. De 1945 a 1952 - el colonizador se volvió colonia, ocupado por los aliados. Esto dejó un trauma en la sociedad que nunca se ha borrado y se puede ver en el cine a partir de los años 1950 los arquetipos como "the wronged woman" o "a la mujer a quien le hicieron mal" Para asegurar que "Japón nunca volviera a realizar disturbios mundiales" la división Civil de Censura restringió todas las narativas KAbukis, todo lo que involucrara la lealtad feudal, sacrificio. Buscaron otras formas de darle la vuelta a las regulacione spor medio de poner la acción en otro periodo, como el Meiji. Esto era porque las cintas retrataban historias donde los espadachines justicieros japoneses incitaban a la rebelión (genero llamado Jidaigeki). El enemigo a vencer era el invasor.Se incitaba a los valores del sistema "ie" que promovían el honor, la lealtad y alta valoración a la comunidad. Los americanos traían consigo sus propios valores, con modelos más democráticos que perseguían deseos individuales y capitalistas. El sistema ie consistía en 5 clases: el samurai en la cina, seguido por aldeanos, artesanos, mercantes. La quitan clase, y la más baja, era de los exiliados, aquellos que trabajaban en profesiones impirtas. Responsabilidad de la casa recaía en el jefe de la familia que a su vez, tenía responsabilidad de la comunidad en general y al emperador. El hijo mayor es el sucesor, los demás hijos hacen sus vidas. Si no hay heredero, adoptan a uno para que siga el nombre de la familia. El sistema oprimía a la mujer, ya que las reglas de comportamiento eran dictadas por su obediencia a sus padres, esposo e hijos en ese orden. Están los conceptos GIRI y NINJO. Giri es el sentido de obligación y responsabilidades a los superiores, la familia y a los ancetros. Es el tejido social que une a Japón. Ninjo es la compasión a los desprivilegiados y simpatía por otros. ON es el sistema de obligaciones que une a los vivos con los miertos (en terminos de deuda) como Giri. Era natural el sacrificio propio para reponer la reputación de la familia, si era deshonorada. Claro, que mejor forma de promoer tus valores que con la regulación de lo que se puede producir. Agregaron regulaciones de censura en Japón. Declararon obsceno el mostrar los genitales femeninos y escenas sexuales explicitas. Pero esta misma censura, impulso el cine de horror, se ve beneficiado ya que los estadounidenses lo consideraban historias del folklore japonés y no revolucionarias. En el año 1960 es donde se viene lo que se conoce como "La Nueva Ola" que es la que reta los valores tradicionales japoneses, el discurso romántico que se reemplaza por la sexualidad objetivizada y el cuerpo violado. En 1976, resalta una película que se llama Imperio de los sentidos, que está basada en la historia real de Sada Abe, quien tiene una relación sadomasoquista con su esposa, Kichizo Ishida. Esta relación, llega a tal intensidad, con incremento que hacia el final de la película, termina matando y castrando surante el acto sexual a Sada. Luego es arrestada por cargar en su bolsa del Kimono el miembro de Sada. Por esta película, el director Oshima fue acusado por obscenidad, pues mostraba la genitalia. En 1982, le quitaron los cargos y se permitió representar el sexo de manera más explícita en el cine japonés. Después de la WWII se viene un fuerte conflicto de identidad que proviene de la comparasión de uno contra el otro. En este caso, japón como su lenguaje, cultura y gente se sientes únicos pero al estar ocupados por los aliados y traer estos nuevos valores, se vuelve confuso quienes son realmente y nace este deseo de reencontrar su identidad. Especilamente, después de la gran derrota sufrida y el aftermath de la guerra: dos ciudades en ruinas y radioactivas, la modernización de japón con todo el desecho industrial que perjudica al medio ambiente. Las víctimas sobrevivientes que por años sus generaciones tenían deformaciones. La idea de que ya no le deben a sus antepasados, sino esta idea actual del consumismo y materialismo. Reconstruir al país implicaba el estar trabajando largas horas diariamente, absentismo del padre en la familia.todo este escenario con tanta ansiedad social es una receta para crear historias de horror: depresión, recesión, post guerra, inflación, confusión de identidad nacional y personalMundo de vivos y muertosLos japoneses creen que los espíritus habitan en el mismo mundo pero en un plano diferente. Por eso, deben de honrarse las deudas o responsabilidades pasadas de generación en generación. De otra forma, regresan a como espíritus vengativos. Si cumplen con sus obligaciones, se vuelven espíritus positivos y hasta deidades.Taro HiraiSurge el considerado el Edgar Allan Poe japonés, el novelista Taro Hirai quien redefinio con sus escritos el terror japonés respetando sus códigos tradicionales, pero mezclándolos con ciertos esquemas de la literatura anglosajona, la cual conocía a la perfección.20 min - Introducción al cine de horrorNobuo NakagawaEs uno de los principales realizadores de la época de oro del terror japonés. Onna Kyuketsuki (la mujer vampiro, 1959). Tokaido Yotsuya Kaidan (1959). Historia donde al violarse los valores tradicionales termina en tragedia. primero in samurai exiliado Iemon (no siguió el código de honor Bushido) quiere casarse con Oiwa. Como no lo dejan (clases) su padre, termina matando al padre y su acompañante. La hermana de Oiwa, Sode quiere casarse con otro. Matan a su prometido. Cansado de su estado de pobre, corteja Iemon a una noble adinerada. Termina en todos muertos básicamente - tanto Iemon, su cuñado, la hermanas - dando como ejemplo que este camino de deslealtad y "sucio" no llega a nada. Todo porque los fantasmas de los muertos, aparecen y los tormentan. Concepto de MONO-NO-AWARE: la impresión de la nada. Esto es recurrente en el cine de horror japonés, donde la consecuencia es un destino solo, sin nada. Como el dicho, más vale pájaro en mano que ciento volado. El que se va por los del cielo, termina sin nada. Años 60'sAparece lo que se denomina cintas de terror para turistas.Son cintas que se alejan de lo tradicional, abordando lo intelectual, contando con gran producción y que se considera excesivamente artificial.Estas cintas sufren del Efecto Kurosawa, donde en el interior de Japón son rechazadas, pero fuera del país son aceptadas y galardonadas.Trilogía de autor para consumo internacional o terror para turistas: Kaidan (1964). Onibaba (1964) cuenta con una mascara icónica en el cine japonés y porque no del cine de horror en general. Hace referencia al las obras estilo No La máscara es una expresión externa de lo que la mujer tiene de dentro. Kuroneko (1968).Basada en el folkor japonés de el fantasma/vampiro que se transforma en gato. si no les cortan la cola cuando son jóvenes (a los gatos) se pueden convertir en nekomata - gato goblin - que posee el poder de la muerte. Así nace el género bakeneko mono (monster cat tales). Una mujer y su hija son violedas y asesinadas en su casa por soldados. Un gato lame la sangre de los cuerpos lo cual preserva sus espíritus (mitología japonesa). Regresan con look muy elegante, muy hermosas y atraen a los samurai su casa, para después matarlos. Un soldado lo mandan a resolver el conflicto, pues están asesinado soldados y cuando llega, se d acuenta que es su madre y esposa, los fantasmas. Aquí el código dice: lo que dija el jefe militar es lo que debe hacerse y él debe sacrificarse por la comunidad apaciguando la maldad. Por otro lado, la esposa había hecho un pacto con el inframundo para regresar y matar Samurai. Su esposo, era un reconocido samurai y tení que matarlo. Ambos están negando sus responsabilidades... por 7 días de pasión. Se revela contr ala madre, le corta un brazo (pata de gato) y la lleva al jefe como prueba. Se vuelve un héroe y lo mandan purificar. En el proceso, regresa a la casa donde estuvo con la esposa y encuentra la antigua casa donde fueron asesinadas y se ve un gato merodeando. La consecuencia a sus actos fue el mono-no-aware, se quedó sin nada. Aquí inova la película porque comunmente, en las obras obras Kabuki, las mujeres fantasma se vengan de quienes las dañaron. En Kuroneko no, la maldición es un pacto de matar a cualquier Samurai y van y los seducen para matarlos. Pinku eigaEran las cintas roman porno que se les conoce como las que salvaron a la industria del cine japonés.La primera era pink eiga empieza en 1964 y termina en 1972.Se utilizaba el sexo como herramienta política.Años 70'sSe ve muy influenciado por la estetica británica de la compañía Hammer Films.Vampiros y licantropia se incorporan a las cintas japonesas.Ejemplo: Trilogia de mujer vampiroMujer vampiro (1970).Los ojos del vampiro (1971).La rosa vampiro (1974). La segunda ola pink eiga de 1972 al 82 comienzan los estudios Nikkatsu y Toei a realizar películas sexualmente violentas conocidas como pinky violence. Aquí aparecía el subgénero del fantasma erótico. Aquí ya empiezan otras variantes donde se ve el fantasma que se suicidó. Angel Guts: 4 filmes que superficialmente pueden verse como de explotación, pero marcan como va cambiando la sexualidad entorno al abuso y violación: Proviende un un manga y la adaptaron alc ine, con 4 adaptaciones por 4 directores diferentes. Se ve el arco de Nami: primero sobrevive un gang rape, luego la tratan de "ayudar" proponiéndole que le tomen fotos, tiempo después Nami se vuelve prostituta y la degran al máximo (orinan y violan por dinero del mejor postor) y finalmente se vuelve enfermera y no permite que la violen un paciente en diferentes ocasiones. Años 80'sTraería una renovación al cine fantástico de Japón con la presencia del realizador Shinya Tsukamoto. Su trabajo muestra una combinación de terror, cyberpunk.La Aventura del Chico del Poste Eléctrico (1987) donde el protagonista debe de combatir a un grupo de vampiros motorizados.Akira (1988)Pero no es hasta su opera prima con la que revoluciona el horror japonés, la famosa Tetsuo (1989) con su mezcla de gore, sexo y body horror, pero aquí la transformación es hacia una maquina.Gore JaponesEl horror japonés será mundialmente conocido por ser la creadora de una de las etapas mas sangrientas de la historia del cine: el cine gore japonés. Se llevo a niveles demenciales.Guts of a Beauty (1986).Tetsuo (1989)Organ (1996).Naked Blood (1995).El falso mito del snuff japonesSe llevo tanto al limite del gore, que se creyo que eran cintas snuff reales.Surgió a finales de los años 80 cuando de forma clandestina empezó a circular un video donde una chica era brutalmente torturada hasta asesinarla.Se trataba de Akuma no Jikken (1988), primer episodio de la serie Ginea Pig.Pero la mas famosa es Chiniku no hana o Flowers Of Flesh & Blood (1989), que es la que sitúa a Ginea Pig como un mito en el horror japonés y el snuff.Los creadores tuvieron que presentarse a declarar a las autoridades que todo era una película, ficción.El pobre actor que interpreto al asesino, era hasta buscado por las autoridades.El resultado, tuvieron que editar y distribuir las peliculas de forma comercial, incluir créditos y hasta el grado de incluir documentales de como se realizaron estos cortes.90'sRingu, la renovación que sacudió al mundo.El cine japonés se convirtió en la base de las películas por venir, todos empezaron a realizar "cine a la japonesa" gracias a Ringu (1998).Fue un regreso a lo básico, la historia de un fantasma (yurei). utiliza mitos y folklore clásicos, pero de una manera occidental, mezcla perfecta y el secreto del éxito de Ringu.Se convirtió en la película mas importante del cine de horror japonés.Inicia una oleada de cine de horror japonés, algunas muy buenas, otras viles copias de Ringu.Destaca la saga de Ju-On, como segundo pilar del cine de horror japonés.Un dato curioso, es lo que significa el fantasma femenino que data de más de 400 años.Japón es un país donde la mujer esta sometida por el hombre, símbolos de esto son los grandes peinados, la vestimenta, con grandes capas de tela y el maquillaje.Los fantasmas japoneses femeninos le provocan un terror a los hombres, con Sadako, les recordó que la mujer muerta es poderosa, estando muerta es capaz de hacer justicia por propia mano, recuerden que en la religion japonesa, los fantasmas existen y conviven en este plano dimensional, si es posible.Los fantasmas femeninos tienen esta larga cabellera suelta, ya no usan los ropajes, solo el camisón, son libres y ya no están sometidas a las leyes del hombre.2000'sNeo-gore Japones, cintas donde la sangre a borbotones y la ciencia ficción desbordada son poco terroríficas, es 100% visual, ya que carecen de una historia creíble.Battle Royale (2000)Suicide Club (2001)Ichi the Killer (2001)Noroi (2005)Tokyo Gore Police (2008).Vampire Girl VS. Frankenstein Girl (2009).Meatball Machine (2005).Créditos:Radio Horror es producido por Caro Arriaga y Rael Aguilar.Edición por Matías Beltrando desde Destek Soporte.Música Closing Theme Hounds of Love por Dan Luscombe (Intro)Nightlong por FSM Team (Outro)★ Support this podcast on Patreon ★

As Halloween approaches, author, Bram Stoker Award nominee and host of the podcast "Uncanny Japan (https://www.uncannyjapan.com) ," Thersa Matsuura joins us to share her fascination with the Japanese supernatural, and reads us her version of one of Japan's most famous ghost stories, "Okiku and the Nine Plates." Sponsor: This episode is sponsored by Democrats Abroad Japan (http://votefromabroad.org/fwab) , a volunteer organization that helps Americans overseas register to vote. If you're a U.S. voter living abroad and haven't received your absentee ballot, or are afraid the one you've sent won't arrive in time, you're still in luck. An emergency backup ballot is your second chance! Head to VoteFromAbroad.org/fwab (http://votefromabroad.org/fwab) to learn how you can fill out and send in your backup ballot per your state's guidelines. Read/hear more: Yuurei: Japanese Ghosts from Protective to Wrathful (https://www.uncannyjapan.com/yuurei-japanese-ghosts/) (Uncanny Japan) 10 days of J-horror: Films to get your fill of screams and scares (https://www.japantimes.co.jp/culture/2020/10/21/films/top-10-j-horror-movies/) (Mark Schilling, The Japan Times) 'Japanese Ghost Stories': The ghostly ascent of Lafcadio Hearn's tales of the supernatural (https://www.japantimes.co.jp/culture/2019/10/05/books/ghostly-ascent-lafcadio-hearns-tales-supernatural/) (Damian Flanagan, The Japan Times) Unsolved mysteries: Japanese fans of the occult are engaged in a never-ending search for the truth (https://www.japantimes.co.jp/life/2018/08/11/lifestyle/unsolved-mysteries-japanese-fans-occult-engaged-never-ending-search-truth/) (Alex Martin, The Japan Times) The story of Yotsuya Kaidan — The Ghost of Oiwa (https://www.uncannyjapan.com/yotsuya-kaidan-ghost-of-oiwa-story-time/) (Uncanny Japan) On this episode: Thersa Matsuura: Twitter (https://twitter.com/musubirocks) | Podcast & Website (https://www.uncannyjapan.com) Oscar Boyd: Twitter (https://twitter.com/omhboyd) | Articles (https://www.japantimes.co.jp/author/oscar-boyd/) | Instagram (https://www.instagram.com/oscar.boyd/) Announcements: Sign up to the Deep Dive mailing list and be notified every time a new episode comes out. Get in touch with us at deepdive@japantimes.co.jp. Support the show! Rate us, review us and share this episode with a friend if you've enjoyed it. Follow us on Twitter (https://twitter.com/japandeepdive?lang=en) , and give us feedback. This episode of Deep Dive may be supported by advertising based on your location. Advertising is sourced by Audioboom and is not affiliated with The Japan Times. Photo: Utagawa Kuniyoshi's "Haunted Old Palace at Soma" (ca. 1845-46), in which a sorceress draws forth a giant skeleton to attack a warrior. | Private Collection

Yuurei are Japanese ghosts and they come in quite a few varieties, from the protecting shugorei to the vengeful and very dangerous onryou. Kahada Koheiji is an example of a male onryou. You can also find me on: Twitter: https://twitter.com/UncannyJapan Facebook: https://www.facebook.com/uncannyjapan/ Patreon: https://www.patreon.com/thersamatsuura Instagram: https://www.instagram.com/uncannyjapan/ Amazon: https://amzn.to/3mgCVsd YouTube: https://www.youtube.com/channel/UCqAtoUS51HDi2d96_aLv95w Website: https://www.uncannyjapan.com/ Notes: Intro/Outro by Julyan Ray Matsuura. Here and here. And here. Transcript: Do you believe in ghosts? Let’s go one further. Have you ever seen a ghost? Maybe you were sitting alone in a room concentrating on a book or a screen and out of the corner of your eye someone walks by, a shadowy figure. Your heart hitches in your chest. You look up and nobody’s there. You look behind you. No one. Yet you’re absolutely sure someone just passed by. Or perhaps you spent the weekend away, camping with friends. Back in the privacy of your home, you’re looking through all the photos you took, when you come across the selfie of the four of you all gathered inside the tent in the middle of the night, flashlights under your chins for silly effect. Except when you examine the photograph closer you notice there aren’t four people. There are five. There’s another face positioned between you and your best friend. He’s looking up at you, his mouth twisted into a sneer. His hand is on your shoulder. Or it could be that you come home late. It’s almost midnight. Your partner is visiting their parents and you’re all alone. You want to relax a little before head up to bed. So you turn on the TV and, Oh, look there’s an unmarked video sitting there. This has got to be good. You slide it into your VCR and push play. We know what happens next. It’s almost Halloween, so let’s do something a little spooky. In this episode of Uncanny Japan let’s talk about Japanese ghosts. Specifically, the various kinds of ghosts you might just run into while living or visiting Japan. Intro: CM: Sakuna of Rice and Ruin What is a Yuurei/幽霊? In Japanese the word for ghost is yuurei （幽霊）The first character yuu means faint or dim, while the second character rei (霊) means spirit or soul. The idea behind yuurei goes something like this: All people have reikon (霊魂) or souls. And when we die these souls need to be helped to move on to the other side. This is done by proper funeral ceremony and practices. That is an entire episode in and of itself, Japanese funerals. But back to ghosts. If for some reason a person’s reikon doesn’t make it across or otherwise gets stuck, then you get a ghost, a yuurei. Depending on the emotion and the kind of stuck-ness that occurs you get a different kind of ghost. This all sounds at least a little familiar, I guess. Joubutsu/成仏 - Attaining Buddhahood: Now the act of moving to this other side is called joubutsu (成仏). It means to attain Buddhahood. But in this case, it’s not what you think. It doesn’t mean someone has spent years in a temple, meditating, shedding all their desires and attachments, to finally reach satori or enlightenment on their deathbed, so that now they can go hobnob with the other Buddhas. Not exactly. When talking about death and ghosts, joubutsu just means that when someone dies and the proper ceremonies are performed, that person will be released from this world and can pass into a more comfortable place, like a Buddhist paradise. Although I often hear people talking about deceased loved ones saying that they’ve become a Buddha. I believe the feeling is a little different than what we in the west would consider a Buddha. Or the buddha. Identifying a Japanese Ghost/Yuurei: Anyway, I think the first thing I ever heard about ghosts in Japan was from an exchange student studying at my university. He said that the difference between Japanese ghosts and other country’s ghosts is the Japanese ones don’t have legs. Not 100% sure, but I think ghosts all over the world have the legless variety, no? That aside, there’s actually a bunch of other more interesting characteristics Japanese spectres possess. For example, you’ll often find yuurei dressed in an all white kimono. This is because back during the Edo Era the deceased were dressed in an all white before they were buried. Since people didn’t normally go around wearing white kimono, if you saw an image depicted that way, or on stage at a kabuki play, it was a sure bet they were a yuurei. You’ll also find those white-kimono’d ghosts are often wearing a white triangle piece of cloth or paper on their foreheads. This is called a hitaikakushi, “hide the forehead” and is also part of the funeral attire. While it seems that in Japan women yuurei are more common, you do come across male ghosts, too. They both tend to have long black haired that is all mussed up. Okay, let’s talk about the different types of ghosts. There are quite a few. I picked a handful of the more common and colorful ones to go into today. Shugorei/Guardian Ghost: Let’s start off lighthearted with the shugorei（守護霊). These are souls that protect you throughout your life, a guardian spirit, so to speak. It’s said every person has at least one shugorei. But some lucky folk have more. It’s easy to assume that in Japan it’s one’s ancestors who act as the guardian spirits, especially since so much attention is spent remembering and making offerings to these predecessors, but it isn’t always the case. Your guardian spirit or spirits are souls that are similar to yours. They want to help guide you in the right direction, or save you when you’re in a pinch. There. Happy ghosts. Since we started pleasantly, let’s continue while getting more and more disturbing as we go along. Doubutsurei/Animal Spirit: Number two, doubutsurei（動物霊）or animal ghosts. The Shinto religion holds that everything has a spirit. Not only humans and rocks and trees, but animals, too. Also, Buddhism doesn’t differentiate between people souls and animal souls. So both of Japan’s main religious are okay with the belief that animals have reikon, souls, and therefore, there are animal ghosts. Which is nice. Except when they’re not so nice and an animal spirit wants to haunt or posses you. It sounds like foxes and big snakes are often the culprits here. An example of a really bad doubutsurei is kokkuri-san, which is a fox spirit, but when I hear the word kokkuri-san I think Japanese ouji boards and the evil spirits that visit them. I need to do an entire show on kokkurisan, but I have to get my nerve up first. Something interesting I ran across is that because animals don’t understand well the human language, it’s difficult to do a cleansing ritual, an oharai (お祓い), or exorcism to get rid of them. They just don’t what you’re talking about. Sourei/Poltergeist: If you’ve ever wondered what a poltergeist is called in Japanese, that would be sourei, (騒霊). Sou is the character for noisy. Noisy spirit. Fuuyueri/Wandering Ghost: Next, we have a fuyuurei （浮遊霊）the characters for float, play, and spirit, in that order. These are floating or wandering ghosts. They are souls that don’t accept their own death. Either they have died suddenly and don’t realize they’re dead, or they were not psychologically able to accept the fact they were going to die. They do as their name suggests and float and wander around. I read that it’s easy for this type of ghost to attach themselves to a person. So be careful. Jibakurei/Tied to the Land Ghosts: If they don’t wander so much but stick to a certain area they are called jibakurei（地縛霊）ghosts. Literally, tied to the ground spirits. So people who have died suddenly through war, accidents, disasters and cannot accept the fact they’re dead, but also have some attachment to the spot where they died, are these kinds of ghosts. Some suicides fall into this category. Think haunted houses, hospitals, bridges, lakes, tunnels, where if you just happen to be there at a certain time of night you might catch sight of them. It’s said it can take a matter of days to hundreds of years for these ghosts to eventually realize they are dead and move on. Hyouirei/Spirits Who Possess: All right, let’s go a little darker now with the hyouirei（憑依霊) These are ghosts that possess people. Japan, not being a Christian nation, didn’t have the idea of, let’s say the devil possessing a person. The word hyoui, possession, and hyouirei, the spirit that does the possessing wasn’t used until after World War Two. There were other older ways to say someone was possessed or overcome by something other than satan. Let’s say, a fox. That one’s easy. It’s called kitsune-tsuki. There is also kamioroshi, god coming down; kamigakari, god hanging on; and kamiyadori, god taking up residence. Remember that god isn’t necessarily god that is familiar to the west. There is the god of smallpox, which wasn’t a good guy by any stretch. Think more powerful entity, perhaps. Okay, the last two are the doozies. Onryou/Wrathful Ghost: The first one is an onryou（怨霊）or vengeful spirit. These are people who were treated horribly and died a violent death as a result. Overcome with some negative emotion like hate, jealousy, desire, revenge. Anything from spurned lovers, driven to suicide to those who have been tortured and then murdered. Whatever it was, these poor souls contain so much hate and wrath that they are able remain in this world in order to exact their revenge. They are extremely powerful and are capable of killing or causing their still-among-the-living enemy’s death. Needless to say, onryou are extremely dangerous. They might sound familiar. Onryou are very often the antagonists in J-Horror. Have you ever seen the movie The Grudge/Juon in Japanese? How about Ring? Well, both Sadako and Kayako are onryou. Older examples: remember Oiwa from episode 42, Yotsuya Kaidan (The Ghost of Oiwa), and Bancho Sarayashiki: Okiku and the Nine Plates episode 25. These are two very famous Japanese female yuurei and they are also both onryou. The final type of ghost today blew my mind when I first heard about it. Ikiryou/Living Ghosts: First off, this dangerous phenomena is called an ikiryou（生き霊), or living spirit and what makes them special is that they aren’t dead. More specifically, they are the spirits of living people who are extremely envious or resentful of another person. We’re talking festering, all encompassing hate or jealousy that causes their soul or part of it, to leave their body and torment their enemy. Oftentimes, the person who owns the tormenting spirit isn’t even aware this is happening. This idea is nothing knew, it was part of the plot in the Tale of Genji and has been written about, acted out on stage, and depicted in art ever since. In some cases this bundle of emotion appears in some kind of form, for example it could resemble the person to whom it belongs, or a ball of fire, or even a floating head. But other times it’s completely invisible, maybe just turning the tormented person’s luck bad or making them ill. How I learned about the ikiryou? Many years ago, after several years and much difficulty, I was finally able to get pregnant, and when I found out I wanted to tell everyone. A lot of my friends and family were worried and I wanted to share the good news. Of course I told my mother-in-law. But she quickly put the kibosh on me telling anyone else. Her explanation was that until the second trimester started the baby was still in this delicate ethereal state and if I were to go around telling everyone, bragging, someone who didn’t like me, or perhaps who they themselves couldn’t get pregnant, might get jealous and that jealousy could very well mix with resentment and a strong spirit, and present itself as an ikiryou, that would come and hurt the child, or cause me to miscarry. Alrighty then. Another example of ikiryou is ushi no koku mairi, which I talked about back in episode 52, Putting a Curse on Your Enemies. If you haven’t listened to that, it’s nice and spooky. Also, you can see the lengths people go to to curse someone. That’s some serious dark energy there. Oharai/Cleansing Ritual: For all the above mentioned ghosts, except the guardian spirit, you can rid yourself of an akuryou, or bad ghost by getting an oharai. I mentioned it earlier. An oharai is a kind of a cleansing ceremony. The person who performs it actually helps the ghostly spirit to joubutsu suru, detach from this world and find peace on the other side. A final interesting thing about vengeful Japanese ghosts and how to tell if they really are vengeful Japanese ghosts. They have a cool catchphrase. Urameshiya. Basically it means, I curse you. A living person would never say this. There’s a different way to curse someone if you want to do that. So the word urameshiya is only used by angry ghosts out to do no good. So if you ever hear someone spookily calling urameshiya, that’s probably a good time to go get an oharai. Extra Story for Patrons: So that’s all for today. Since it’s October and Halloween is near. I wanted to do something special for my patrons. You see, I’m old enough to have had a lot of weird and scary stuff happen to me throughout the years. There are a couple things though that are straight up terrifying. One of the stories I’ve never really talked about before is a little hair raising. So I’m going to record that and put it up for all my patrons. I don’t particularly like revisiting it. But I love good story and this really is a good story. Okay, that’s all for tonight. It’s time to go to sleep. Go on now. Remember to check your closets and look under your bed. Don’t think too much about that wind outside, that creaky gate. Sweet dreams and remember if you bolt awake in the middle of the night because you think you’ve heard a sound, just close your eyes. Don’t think about the footsteps coming down the hall, or your door slowly opening. Don’t pay attention to the movement of your blankets, or the icy hand sliding up under the sheets Keep your eyes closed tight. Is that a putrid breath in your ear? Something brushing against your cheek? She wants you to see her. Whatever you do don’t open your eyes!

GUESTOBERFEST VOL.3 IS HERE!!! We're happy to have our first guest of the 3rd annual Guestoberfest: Josh Hawkins!! Josh brings us the creepy/scary/nightmare inducing Japanese legend of Oiwa. This ghost story is known as Japans most-famous ghost story, spawning numerous Kabuki and stage shows. It's rumored that if you perform the stage show, you MUST go and pay your respects at the grave site...or else Oiwa will haunt you! We have big things planned for the rest of October so be sure to stay tuned!

Ghost Month continues with Japan's Halloween known as the Obon Festival. Learn of Obon traditions, how Obon is celebrated in Hawaii, some of Kamuela's heritage, and a Pokemon dance. Then hear about Japan's most famous ghost story Yotsuya Kaidan. Sound Effects: Sound Effects Factory Music Coordinator: Matt Duffy AKA DJ TripleBypass Theme Song: "Mystery" by Tavana, courtesy of HI*Sessions Featured Song: "Summer Spur" by Fulare Pad, courtesy of HI*Sessions ***** Please give us a rating, write a review, and share us with your friends and family. Instagram: legendsfromthepacific Twitter: LegendsPacific Link to Oiwa's illustration on our website: https://legendsfromthepacific.com/26-obon Send us your feedback at: https://legendsfromthepacific.com/feedback

Do you believe in curses? Best beware, as this week we're learning about the three progenitors of modern J-horror: Oiwa, Okiku and Otsuyu. Were these ghostly ladies in the right? Yes, absolutely. What was happening in Edo Japan that summoned all these spooky stories? What does hair, blood, and water have to do with monstrous women? And was Slimer a person before he died? Also, who is the mysterious third voice in this recording? (Hint: she's pretty darn cool). Thank you to Hashimoto-Sensei, Katsu-Sensei & Masae-Sensei for their insights and advice this week. Find us at lesfemmesdangereuse@gmail.com and @lesfemmespod on twitter.

I'm back and ready to make more episodes like this one! If you guys want more like this feel free to message me on twitter or my Instagram ~ twitter- @StoryGlory2 ~Instagram- storyy_gloryy Love you all

Esta no ar o Hinomaru Drops, um novo formato rápido para trazer noticias, informações e debates para complementar nossa cobertura do futebol japonês.Recomendamos a utilização de fones de ouvido para melhor aproveitamento e diversão com o podcast.O Hinomaru está disponível em diversos agregadores de podcast:spotify, Itunes podcast, googlepodcast, pocketcasts, addictpodcast, radiopublic e Deezer.Deixe seu recado para o Hinomaru abaixo do vídeo ou participe pelo nosso e-mailhinomarupodcast@gmail.comRedes sociaisPagina do Hinomaru no Facebookhttps://www.facebook.com/hinomarupodcast/Pagina do Hinomaru no Megafonohttps://www.megafono.host/podcast/hinomarupodcastInstagram Hinomaruhttps://www.instagram.com/hinomaru_podcast/?hl=pt-brDownload Pelo Google Drive (Todos os episódios)https://drive.google.com/drive/u/2/folders/1kNtj5I8bpKNXwbg54E4m40wDVmkbzqJ2Links recomendadosPagina do Glauber Tanakahttps://www.facebook.com/glauber.tirasPagina do jornalista Tiago Bontempohttps://globoesporte.globo.com/blogs/futebol-no-japao/

In Episode 9 of the Museum of Femininity, Charlotte Appleyard discusses Yurei, Japanese spirits, which existed in folklore and took on many different forms depending on the way the individual died or their social status in life. What most have in common however is a violent demise, and a drive to complete business which was left unfinished. In this episode we look into the female Yurei's in particular the tragic Ubume, who often died in childbirth, and the tale of Oiwa a wronged woman who went from submissive victim to vengeful spirit. All images referred will be on out social media platformsInstagram @themuseumoffemininity Twitter @Museum_of_Fem SourcesYokai.comhttps://www.artsy.net/article/artsy-editorial-vengeful-female-ghosts-japanese-ukiyo-e-prints-will-hauntWikipedia

It's almost Halloween, so for this episode of Uncanny Japan I'm going to tell you a spooky tale called Yotsuya Kaidan, the story of Oiwa and her sad and vengeful ghost. The last ghost story I told here was in episode 25, Okiku and the Nine Plates (Bancho Sarayashiki). Well, Yotsuya Kaidan's main character, Oiwa, is another one of the biggies, who I'm guessing is even more well known than Okiku. There are so many versions of this story, so here I'm going to tell you mine. I'm going to try and stick to the originals as much as possible without getting too complicated and character heavy. I do encourage you to look into other versions of the story if you're interested. There are so many adaptations out there. So go climb into bed, put on your headphones, turn out the lights, and let me tell you the story of Oiwa's ghost.   You can also find me on: Twitter: https://twitter.com/UncannyJapan Facebook: https://www.facebook.com/uncannyjapan/ Patreon: https://www.patreon.com/thersamatsuura Instagram: https://www.instagram.com/uncannyjapan/ YouTube: https://www.youtube.com/channel/UCqAtoUS51HDi2d96_aLv95w Website: https://www.uncannyjapan.com/ Notes: Intro/Outro and music bed by Julyan Ray Matsuura. Here and here. And here. Transcript Hey hey, everyone, it’s late October, almost Halloween and I’m in a spooky mood, so for this episode of Uncanny Japan, I’m going to tell you a ghost story. This is one of the biggies here. Remember I told you about Okiku and the Nine Plates back in episode 25. Well, today’s ghost, Oiwa, is just as if not more well known than our poor Okiku. Maybe you’ve heard of it, in Japanese it’s called Yotsuya Kaidan. I’ve said this before about other stories, but it holds up here as well. Yotsuya Kaidan is truly one of those tales where the bones of the story are so good you can riff off it endlessly and it still holds up. There have been so many movie, stage, and TV adaptations that I couldn’t even come up with a good number, so let’s settle for a lot. I’ve seen a couple of the old movies and even went to see the latest interpretation by Miike Takashi, called “Over Your Dead Body” the day it came out in theaters years ago. And I can attest, the story really seems to hold up no matter what slant you put on it. Today I’m going to tell you my interpretation, but instead of elaborating or bringing in any new elements (which is what I really want to do), I’m going to, as best as I can, stay close to and honor the originals, while not going to much into the weeds as far as characters and intrigue go. Also a kabuki play, Yotsuya kaidan can become quite complicated at times. So I hope you’re tucked into bed, headphones on, all the lights turned out, one candle lit on your bed stand, oh, and did you lock your doors? The story begins after dark on an empty dusty road with Iemon, an out of work masterless samurai, or ronin, on his knees in front of his father-in-law Yotsuya Samon. Samon is disgusted with Iemon who cannot take care of his daughter, Oiwa, in the manner he feels she deserves. While Iemon begs, Samon demands that they separate so the daughter he loves so much can have a better life. Iemon refuses. Samon then ridicules Iemon, telling him he isn’t a real samurai, not even a real man. He is an embarrassment. Iemon snaps. With one quick move he stands, draws his sword and cuts his father-in-law down in the street. Nobody is around to witness his act. Iemon then returns to Oiwa telling her something horrible has happened. Her father has been ruthlessly murdered. The young woman breaks down sobbing. She is heartbroken. She lost her mother to disease several years ago and now this. Iemon, though, comforts his young wife. He says he has heard rumor that the murderer has fled to a nearby town and that they should follow, so Iemon can avenge her father’s death. They quickly pack and with Oiwa’s faithful servant, Kohei in tow, the three head out on their long journey. Once there, Iemon and Oiwa start a new life. Though Iemon still cannot find work, Oiwa quickly gets a job in a teahouse to support them both and continue retaining the kind Kohei who she has great fondness for and thinks of as a little brother. While she works and Kohei keeps the house in order, her husband goes out daily, making the rounds, telling the story of his father-in-law’s vicious murder and boasting his vow of revenge. After several weeks, Iemon meets a very rich and very old doctor named Ito and his lovely granddaughter Oume. It isn’t long before the entire Ito family are taken in by Iemon’s charms. They believe his front of courage and honor. Soon Oume falls in love with Iemon and wishes to marry him. The old Itoh much like Oiwa’s deceased father, Samon, loves his granddaughter dearly and wants to give her what she desires. Daily he shows Iemon the rich and easy life he can have if Oiwa was out of the picture and he is free to marry his granddaughter, Oume. This goes on, Iemon spending his days with the Itos in their sprawling manor, only to return nightly to his cramped little house where Oiwa is waiting with a modest hot meal and conversation. Iemon is increasingly ill-tempered, imagining a better life with Oume. One night Oiwa pours his hot sake, excited to tell him a secret she’s been keeping. Instead, though, when she asks about his day, Iemon loses his temper and begins blaming her for their living conditions, for not working hard enough, keeping on the retainer Kohei when they barely have enough to eat between the two of them. It is because of her, he has such a wretched life. Oiwa tries to calm her husband, thinking he’s just upset about still being unable to find work and not yet discovering her father’s murderer. He calms down somewhat and she kneels before him, thinking the time is right, and reveals her secret, knowing that he has always wanted a son. She tells him that she is pregnant. At the news, Iemon flies into a rage and storms out of the house and straight to the Ito manor. It’s late, but he consults with the old doctor about his plight. How can he separate from Oiwa now that she’s pregnant? But the two converse long into the night and come up with a plan. Before Iemon returns home, the old doctor goes into his room and returns with a folded piece of washi paper. When Oiwa is feeling ill or tired from her pregnancy, slip this into her tea and have her drink it all, he says. Tell her it’s a tincture to help her regain her strength. After she drinks it, we will have no more worries about Oiwa or her child. Days go by with Oiwa working, offering no complaint, and showing no fatigue at all. Iemon continues his visits to the Ito household to court Oume and enjoy the lavish life they have to offer. However, one day when out on errand Kohei notices Iemon is acting strangely and follows him to the Itoh household where he witnesses the infidelity. He overhears Iemon and the old doctor confiding about past deeds as well. Kohei hurries to Oiwa’s teahouse to inform her of what he’s learned. He encourages her to leave Iemon, the two of them can run away and he will help her raise the child. But Oiwa still loves her husband and doesn’t want to believe what she’s been told. But she must ask. That night again sitting on the straw matted floor, Oiwa pouring cup after cup of sake for her husband, she mentions that she’s heard a rumor at the teahouse. Iemon drunk and indignant asks what that rumor might be. Oiwa tells him, hoping that he will deny it, promise her the affair isn’t true and that he only loves her. But that isn’t what happens. Iemon instead laughs, pushing himself up, unsteady on his feet, why of course he’s having an affair. Oume is young and beautiful and rich. That is the life he deserves. Oiwa collapses, heartbroken once again. She cannot bring herself to believe his betrayal. Iemon stumbles over to Oiwa’s vanity mirror and starts pulling out the drawers and emptying them on the floor. His words slurring from drink, he bellows that he will go to Oume tonight, that she will welcome him, but he must bring her a gift, something lovely. That’s when he finds the beautiful tortoise shell comb. This. He holds it up. Yamete, stop! Oiwa begs. Not that. It’s my mother’s comb. It’s all I have to remember her by. The two struggle. Kohei enters the room after being woken, to find that Iemon has passed out on the floor, Oiwa holds the comb to her breast and sobs. Kohei was right. The next day indeed Oiwa was not feeling well. The knowledge of her husband’s affair, her thought of raising a child alone. She can’t even return to her parents for help. They were both dead. Iemon still hadn’t even found who had murdered her father. So Oiwa stayed in bed all day. In one hand she clutched tight her mother’s tortoise shell comb, while with the other hand she gently rubbed her growing belly. Iemon didn’t leave the house that day. He stayed by her side, contrite and acting kindly.  Nothing was said of the previous night or her husband’s lover. Oiwa seemed to soften to him again. Kohei, however, was still suspicious. Iemon waited until after nightfall to act out his plan. He brewed his wife another cup of tea, but this time he withdrew the folded paper from his long sleeve and sprinkled into the drink. Kohei asked was it was and Iemon recited what the old doctor had told him. It’s a tincture to help her regain her strength, he said. Be sure to drink it all down. Oiwa did as directed and immediately cried out. Kohei rushed to her side. Oiwa writhed in pain, moaning then screaming out when the pain got to much to bear. What did you give her? Kohei demanded. Iemon stood over the two and refused to answer. You! Kohei spat, putting it all together. The whispers he’d heard when leaving their old home, the whispers he’d heard since coming here, even while hiding behind the paper windows of the Itoh house. You haven’t found Oiwa’s father’s murderer because you aren’t looking for him. It was you who killed Yotsuya Samon! Iemon laughed. Oiwa stilled long enough to push herself up from her futon and make eye contact with her husband. He nodded and she understood then, finally, what kind of man he was. “How could you betray me so? How could you. How could you do this? I will never forgive you. I curse you. You will never be free of me.” Oiwa cries out again in pain, this time grabbing at the right side of her face as she thrashes about. Iemon looks on and laughs. Oh, I will be free of you soon enough. Kohei leaps to his feet to attack the man, but Iemon draws his sword and slices him through. Kohei crumbles to the floor. Iemon wipes his blade. “It looks like I caught my wife having relations with another man. No one could possibly find me guilty for this act of passion.” He strides out of the house confident he will now live the life he deserves. Oiwa is utterly broken. She suffers alone, her retainer and friend Kohei dead at her feet, the poison eating her insides, her beloved child fading. I will take revenge on you, Iemon. No, you will never be free of me. Oiwa crawls over to her vanity mirror, the tortoise shell comb still in her hand. She sits down and seeing her reflection screams. Her long hair is wild and tangled about her head. The right side of her face is red and raw, her eye drooping. I will go to the Ito household. I will tell them what kind of man Iemon is, Oiwa says. But I must make myself presentable. I cannot go like this. She takes the tortoise shell comb and combs a long lock of hair, but the hair falls out in a bloody clump. No! Oiwa wimpers. She combs again and again, but every time her once long beautiful hair comes out in handfuls of tangled mess. Oiwa slides to the floor, cursing Iemon, as she takes her last breath. The following morning Iemon arrives back at the house with men in tow. When they see the state of Oiwa all of them gasp in horror. Iemon exclaims that she was having an affair and for them to take one of the wooden shudders from the windows and nail Kohei’s body on one side and Oiwa’s on the other and then toss it into the river. To which the men obey. Iemon believes he is free of his wretched wife and servant. His life takes an upturn and with much ceremony he marries the beautiful and rich Oume. That night they retire to the bedroom chamber, a room more luxurious than Iemon had slept in in a long time. One andon oil lamp is lit by their futon on the floor. Oume yawns and says how tired she is from the long day. She turns her back on her new husband as if to sleep. Iemon begins to stroke her long hair, telling her that they are finally man and wife, this is what they had wanted all along. Would she please turn over. Yes, husband, she says. But when she does, in the dim flickering light of the oil lamp, Iemon sees she is not the beautiful Oume but Oiwa with her hideous face and drooping eye. He pulls away and tangle of her hair in his hand. He yelps in fright, reaches for his sword,  and strikes the cursed face. A woman’s scream. Iemon feels dizzy, possessed. He shakes his head, clearing his vision. It is not Oiwa but Oume now that lies cut and bleeding on the futon. No, no no! Iemon calls out, he hears the laughter of Oiwa nearby, urameshiya, “I curse you. You will never be free of me. Oiwa’s face is reflected in the lamp nearby. He leaps from the bed, sword in hand and runs down the long hall to his father in laws room. He bangs on the door. Something terrible has happened, he says. The door opens only to reveal Oiwa again standing their in her nightclothes, disheveled hair, falling out, her hideous face. You betrayed me again and again and again. You will never be free of me.” The apparition then throws her head back and cackles. Iemon terrified to the bone, again raises his blade and brings it down. Oiwa crumbles. But when Iemon looks upon the fallen body, it is not Oiwa, but his father in law, dead. Iemon spends the rest of his days, short as they were, trying to escape the ghost of his murdered wife. But he finds no respite. Oiwa’s ruined face is everywhere, even the smoke from fire turns into her long main of hair. Iemon flees the town thinking if he is away from people, she cannot appear in their faces. There are several days where he thinks he has finally escaped her. That is until one day when hungry he decides to go fishing. Thinking he has hooked a large fish, Iemon wades out into the river, pulling hard on the line. Only to discover he has hooked the wooden shutter with Kohei and Oiwa’s body’s nailed to either side. Iemon screams falling to his knees. As the corpse of Oiwa turns her head and glares. You will never be free of me. The end If you’re as intrigued in the story as I am, I encourage you to look around for different versions, either written down, or in movie form. It’s fascinating to see the different takes on the tale. I just saw one where Iemon was a bit of a mama’s boy and she was the one who had her hand in making him leave Oiwa for Oume and every bad decision he made. Until he stood up to her, that is, but by then it was too late by then.  But don’t go looking too hard for her history. There’s another thing about her story that is both fascinating and frightening. It’s believed to be cursed. While the real Oiwa is said to have died in 1636, the rumor is her angry spirit or onryou is still around. Throughout the years, there have been many mysterious accidents and even deaths that have occurred to those involved in theater, film, and television adaptations of her story. The superstition is so prevalent that nowadays when anyone wishes to put on a production about Yotsuya Kaidan and Oiwa’s sad, horrible fate, they visit her grave or one of the shrines dedicated to her to pay respects and give some kind of offering. I don’t know how superstitious you are, but it is said that if you visit her grave out of curiosity, your right eye will become swollen and droop like hers. One last piece of trivia is that even recent J-Horror flicks from The Ring to Juon have scenes in the movies to pay homage to Oiwa. If you watch closely you’ll spot them. Today’s background music bed and sound design was brought to you by my son, Julyan. If anyone’s interested in his work for their own podcasts or whatever, shoot me a message. If you like these kinds of stories, I do them monthly for $5 and up Patrons, although not always scary, there are all kinds of tales depending on my mood.  Thank you all for listening, supporting, reviewing, messaging, emailing and spreading the word about Uncanny Japan. I’ve got some I will talk to you again real soon.

Holly Jacks Smither talks about her upcoming trip to Pau, Yoshiaki Oiwa talks about Boekelo and the upcoming Olympics and John Kyle shares some stories and does his best to explain the new Olympic rules for team competition. Hosted by Max Corcoran and Joe Meyer.Support the show (https://www.patreon.com/user?u=87421)

Holly Jacks Smither talks about her upcoming trip to Pau, Yoshiaki Oiwa talks about Boekelo and the upcoming Olympics and John Kyle shares some stories and does his best to explain the new Olympic rules for team competition. Hosted by Max Corcoran and Joe Meyer.Support the show (https://www.patreon.com/user?u=87421)

Red Rumsey AKA Vern Rumsey of Unwound and Long Hind Legs and Kento Oiwa of IQU AKA Malaise each perform solo sets in the second hour of this program. Ricardo Wang was late due to car trouble and Freeform Portland’s … Continue reading →

We're SO close to HWEEN and are getting so excited! Steph goes over some of our favorite creatures ever: witches' familiars. Robin talks about the theatrical curse of Oiwa and her influence on plays, movies, and tv shows over the centuries!

Podcast manga review of Goth. Story by Otsuichi and based on his novel. Art by Kendi Oiwa. Translated by Lori Riser. Adapted by Anthony C. Andora. Originally published in Japan by Kadokawa Shoten. Published in US by Tokyopop, $10.99, Rated Mature 18+. Itsuki Kamiyama is a high school student that has always been a bit weird, if not dangerous, but he's been able to conceal his true nature with a fake smile and a charming personality. It's his inner life that is pretty twisted. Lately, he's been following the infamous wrist-cut case, a tabloidesque series of mutilations in which a psycho has been cutting off the hands of what appear to be random victims. The person is so crazy that even animals are not safe. Itsuki admires the wrist-cut perpetrator and even secretly longs to have some hands himself. Actually, he wants the hands of one girl in particular: Yoru Morino, a girl who is infamous throughout the school for having scar marks on her wrists. Things get even weirder when Itsuki begins to suspect that one of his teachers might be the wrist-cut case perp. This is only the first of four cases that Ituski and Yoru get involved in. My Grade: B-

Manga Review for Welcome to the NHK Volume 4. Story by Tatsuhiko Takimoto. Art by Kendi Oiwa. Translated by Christine Schilling. Adapted by Zachary Rau. Originally published in Japan by Kadokawa Shoten in 2005. Tokyopop, $9.99, Rated Mature 18+. Unlike most otaku, Satou and Yamazaki both find themselves having girl trouble in Volume 4 of Welcome to the NHK. They're both also having parent problems as well. Yamazaki is beginning to make inroads with a classmate named Nanako that he likes but he is being ordered home to take care of the family business. Satou has wants Misaki out of his life and gets another shock when he finds out his old friend from high school, Kashiwa, is getting married, which drags up some feelings that he didn't even know he had for her. Things get even more complicated when Yamazaki invites Nanako to his apartment, the mecca of otakudom. Meanwhile, Satou and Kashiwa are on the cusp of having an affair, which enflames the jealousy of Misaki. Suffice it to say, a lot of hidden feelings come out in this fourth volume. While NHK has always had its share of black comedy tinged with despair, you always felt that the writer was never taking it very seriously, almost as if he were laughing with a trace of a tear on his face. But with this volume we get some very serious relationships right out of slice of life shojo, which just adds another layer to an already virtuoso work. Mostly gone are the uncomfortable underage girl fixations and sexual fantasies of earlier books (that's not to say this one is totally clean), but the two guys are finding it hard to work on their hentai game so a lot of that element is missing. Misaki has gone from guiding light and angel to stalking psycho girl and it seems totally out of the blue, unless that is due to the fact that she didn't know she liked Satou until Kashiwa entered the picture. With its brillant comedy bits of gallows giggling, NHK is one of the best titles out there. My Grade: A