Podcasts about Tama

OPEN HEAVENSMATALA LE LAGI MO LE ASO TOFI 1 IANUARI 2026(tusia e Pastor EA Adeboye) Manatu Autu:  Tatalo mo le 2026 (Prayers for 2026)Tauloto Tusi Paia: Salamo 65:9 “Ua e asiasi i le lau‘ele‘ele ma e fa‘asūsūina lava; ‘ua e fa‘alafulemūteleina ai; o le vaitafe o le Atua ‘ua tumu i le vai; ‘ua e saunia a latou saito ‘ina ‘ua fa‘apea ‘ona e sauni i ai.”‭‭Faitauga - Tusi Paia: Kenese 41:47-49TataloTamā, ou te faafetai ia te oe, i lou aumaia o a'u i le 2026. Ou te faafetai i mea uma ua e faia mo a'u, ma lo'u aiga, o a'u uo i lenei tausaga atoa 2025. Tamā, faamolemole fesoasoani mai ia te a'u ia ou alofa ia te oe e sili atu muamua i lenei tausaga fou. Faamolemole fesoasoani mai ia te a'u ia avatu le faamuamua ia te oe i so'o se vaega o lo'u olaga ma ia liaina ese soo se mea e te lei totoina ia te a'u, i le suafa o Iesu. Le Alii e, faamolemole fesoasoani mai ia te a'u ia ou faamaoni ia te oe i lenei tausaga. Fesoasoani mai ia te au ia ou auauna ia te oe ma lo'u loto atoa ma lo'u agaga atoa ma lo'u malosi atoa i le suafa o Iesu. Tamā, faamolemole ia faatonu lenei tausaga e alofaina a'u i soo se vaega o lou olaga. Faamolemole asiasi mai ia te au ma ē pele ia te a'u ma foai mai uaga ia faigofie mea uma, ia vave ma ia faulai i le suafa o Iesu. Le Alii e, faamolemole ia tatala le laueleele e aumaia fua lelei ia faulai mo a'u i lenei tausaga. Ia e faia ia ou fiafia i le taumasuasua i faamanuiaga i lenei tausaga atoa, i le suafa o Iesu. Le Alii e, faamolemole foai mai ia te au ma lou aiga le olioli e lē mafaitaulia i le tausaga toa. Faamolemole aua le faatagaina so'o se mea e oo mai ai le faanoanoa e latalata mai iai matou i le suafa o Iesu. Le alii e, faamolemole ia faateleina lau Ekalesia ma ia malosi i lenei tausaga. Faamolemole foai atu iai le manumalo i so'o se osofaiga a ona fili i lenei tausaga, i le suafa o Iesu. Tamā, faamolemole faatumu ia te a'u i le alofa mo le au matitiva ma e sauaina. Fai a'u ma auupega o le filemu, alofa tunoa ma faamafanafana iai latou i lenei tausaga, i le suafa o Iesu. Tamā, faamolemole fesoasoani mai ia te au e manumaloina agaga ia sili atu i lenei tausaga. E pei ona e folafola i lau upu, faamolemole faaaoga a'u e faatino ai meat etele i lenei tausaga, i le suafa o Iesu.Tamā, faamolemole ia faataga folafolaga uma ua e faia mo a'u ia taunuu. Ia e faia ma faataunuu uma au folafolaga mo au i le suafa o Iesu. Tamā, fesoasoani mai ia te a'u ia ou savali i le poto i lenei tausaga. Faamolemole aumai ia te au le malamalama i lou finagalo ma saunia a'u ia ou savali ai i lona atoaga, i le suafa o Iesu. Tama ia atagia pea lou viiga i lo'u olaga, i le suafa o Iesu e tatalo atu ai nei, Amene. 

Saeimas vēlēšanu gads tūlīt sāksies, bet priekšvēlēšanu gaisotne ir jūtama jau labu laiku. Koalīcijas partneri jau mēnešiem viens pret otru vērš skarbus vārdus un ne tikai vārdus, bet valdība turas. Kāda ir situācija "uz politiskās starta līnijas" un kādi faktori un lēmumi ietekmēs finišu nākamgad oktobrī, par to diskutējam raidījumā Krustpunktā. Analizē Rīgas Stradiņa universitātes docente, politoloģe Lelde Metla-Rozentāle, domnīcas "PROVIDUS" direktore Sanda Liepiņa, politologs Juris Rozenvalds un pētījumu centra SKDS Sociāli politisko pētījumu nodaļas vadītāja, projektu direktore Ieva Strode.  

Saeimas vēlēšanu gads tūlīt sāksies, bet priekšvēlēšanu gaisotne ir jūtama jau labu laiku. Koalīcijas partneri jau mēnešiem viens pret otru vērš skarbus vārdus un ne tikai vārdus, bet valdība turas. Kāda ir situācija "uz politiskās starta līnijas" un kādi faktori un lēmumi ietekmēs finišu nākamgad oktobrī, par to diskutējam raidījumā Krustpunktā. Analizē Rīgas Stradiņa universitātes docente, politoloģe Lelde Metla-Rozentāle, domnīcas "PROVIDUS" direktore Sanda Liepiņa, politologs Juris Rozenvalds un pētījumu centra SKDS Sociāli politisko pētījumu nodaļas vadītāja, projektu direktore Ieva Strode.  

Zack Tabudlo," Dapat next time..."Loisa Andalio at Ronnie, magiging mom at dad na!Movie sa Filmfest, eto ang reco namin!

OPEN HEAVENSMATALA LE LAGI MO LE ASO FARAILE 26 TESEMA 2025(tusia e Pastor EA Adeboye) Manatu Autu:  Ia faia oe e le Atua 1 (Let God make you 1)Tauloto Tusi Paia: Mareko 1:17 “Ona fetalai atu lea o Iesu ‘iā te i lā‘ua, “‘Inā mulimuli mai ia ‘iā te a‘u, ‘ou te faia ‘oulua ma fai faiva i tagata.”‭‭Faitauga - Tusi Paia: Luka 15:11-24O loo faamatala mai iai tatou i le faitauga mai le Tusi Paia o le asō se tama talavou o loo fiafia ma mafanafana i le fale o lona tamā ma e leai se mea e popole iai seia oo ina amata faalogo i leo lē lelei. Ona amata lea ona lē fiafia ma ua manao i lona tofi o le oa mai lona tamā. A amata loa ona faalogo tagata i leo sese, e amata loa latou faia faaiuga sesē. Ia e mautinoa o loo e faalogo i leo sa'o, le siufofoga o le Atua. O le iloa pe faapefea ona fetalai mai le Atua ma iloa vaega o fetalai mai ai, e tatau ona e faitau ma malamalama i lana Upu. Na o i latou e faitau i taimi uma ma manatunatu i le Upu a le Atua e sosola ese mai mea taufaasese i nei aso mulimuli. Ao alu ese le atalii faamaumau oa mai le fale o lona tamā, na ia faapea atu, ‘Tama, tuu mai ia te a'u'. O lenei manaoga na alu ese mamao ai o ia mai lona tamā, ma e ui o loo fiafia ai mo sina vaitau, peitai ina ua maea sina taimi, e lei umi lona fiafia. Na sosoo ai ma le oo i le mativa, ma ona sa iai o ia i nuu ese, na matuā puapuaga ai. Faafetai, na vave ona toe oo le malamalama ia te ia, ma ia iloa, e lē mafai ona ia faia o ia, o lona uiga e na te manaomia lona tamā ina ia faia o ia e manuia ai. Sa vavevave lona taumafai atu ia manuia, peitai na manaomia lona tamā e faia ia ma taitaia i le auala tonu. O le Atua o le Atua o auala fuafua ma laasaga, ma e naunau e faia ma saunia ai lana fanau. O soo se taimi e faia ai ese tagata kuka se meaai, o le auala ma ona laasaga e lē matagofie pe a faatusa i le faaiuga, pe a maea saunia le meaai. Mo se faataitaiga, o le ogaumu vevela e kukaina ai meaai e lē matagofie. Peitai o mea faamanogi meaai pe a ui i le ogaumu vevela, e matagofie tele e agavaa mo le laulauai a se tupu. O mea uma e lē ui i le afi e masani ona iu i le lapisi poo meaai a manu. Ao faia e le Atua Mose, na ia faataga o ia e nofo i le toafa mo le 40 tausaga, e vaaia le lafu mamoe a le tamā o lona toalua (Esoto 3:1). E lē o se tulaga faigofie ia Mose, o se tagata na tupu ma ola ae i le maota o le tupu i lona olaga atoa, peitai o auala ma laasaga na ui ai, na fesoasoani e a'oa'oina o ia e avea ma taitai malosi e feagai ma Farao, o se taitai e pito sili ona tautaua i le lalolagi i lea vaitaimi. Na valaau Iesu i lona au soo e faia i latou (Mareko 1:17). Ina ua maea ona ia faia i latou, na matua ofo ai le au faresaio ma taitai o le Ekalesia aua e ui e lei aoaoina i ni aoga e pei ona masani ai i latou, ae na latou faia mea ofoofogia ( Galuega 4:13). Le au pele e, ia lafoai ma le atoatoa lou ola i le Atua ma tuu o ia e na te faia oe. A ia faia oe, e avea oe ma tagata e faia mea ofoofogia i lou aiga, i au uo ma le lalolagi atoa, i le suafa o Iesu, Amene.  

OPEN HEAVENSMATALA LE LAGI MO LE ASO LULU 24 TESEMA 2025(tusia e Pastor EA Adeboye) Manatu Autu: Avea le Atua ma ou Tamā (Let God be your Father)Tauloto Tusi Paia: 2 Korinito 6:18 “E fai fo‘i a‘u mo ‘outou Tamā, e fai fo‘i ‘outou mo‘u atali‘i ma o‘u afafine, ‘ua fetalai mai ai le Ali‘i e ona le malosi uma lava.”‭‭Faitauga - Tusi Paia: Kalatia 4:4-7I le Mataio 15:21-28, na fetalai Iesu, ‘e lē lafoina meaai a tamaiti i ulī'. O lona uiga o le tagata, a lē o ia o se atalii poo le afafine o le Atua, o ia o se ulī. O fanau e iai o latou tamā, a'o ulī e iai o latou matai. E mafai e fanau ona o atu i o latou tamā i soo se taimi e fesili iai i se mea pe talosaga atu foi i se mea e manao ai, ae e lē mafai e ulī ona faia lea tulaga. O le tamaitiiti e mafai ona aai faatasi ma lona tamā i luga o le laulau, a'o le ulī e masani ona nofo i lalo o le laulau e ‘ai ini momoi mea e pauu mai le laulau. O nei ulī, e fiaaai pe afai e leai ni momoi mea e pauū mai le laulau. Afai e lei tuuina atu lou ola ia Iesu, e lē o oe o se atalii poo se afafine o le Atua, ma o le taimi tonu lelei lenei e te liliu ai ia te ia ma faataga o ia e avea ma ou tamā. E tele naua suafa o le Atua, o Ia o le Tupu o Tupu ma le Alii o Alii ( Faaaliga 19:16)  o Le e ona le malosi uma lava (Iopu 23:16), o le amataga ma le gata‘aga, o le muamua ma le mulimuli (Fa‘aaliga‬ ‭22‬:‭13‬). E ui i ona suafa uma, ina ua a'oa'o Iesu i le ala e tatou te tatalo ai i le Luka 11:1-2, na ia fetalai e tatau ona tatou amata, ‘Lo matou Tamā'. O le suafa e fiafia le Atua e tatou te valaau ai ia te ia o le Tamā. I lona tulaga Tamā, o le Atua o lo tatou punaoa, e na te saunia mea uma, o Ia o lo tatou fesoasoani sili. E leai se tamā alofa e vaai atu i lana fanau o puapuaga, ae tuu lava i latou e puapuaga pea. Ao ou tamaitiiti, e masani ona ou mulimuli i lo'u tamā i lana faatoaga. E ma te sopoia lava le vaitafe pe a ma foi mai, ma e iai taimi e pa ai le vai. A tupu lea tulaga, e masani ona tafiesea ai le tamai auala laupapa e matou te savavali ai i leisi itu. E iai se taimi na tupu ai lea tulaga, ona tago lea o lou tamā sii au ma amo i luga o ona tauau i leisi itu o le vai aua o loo ou laitiiti lava ou te ono malemo i le tafe o le vai. Ao ma savavali i le isi itu o le vaitafe, sa ou taaloalo i le vai aua sa ou nofo i ona tauau. Afai e mafai e se tamā i lalo nei ona faia mea uma e puipuia ai lana fanau, e lē sili ea mea e faia e lo tatou Tamā oi le lagi?Le au pele e, afai o oe o se atalii poo se afafine o le Atua ae o loo e ui ini luitau o tofotofoina ai lou faatuatua, taofi mau pea i le Atua, o ia o le Tama alofa, e mautinoa e na te foa‘iina atu ‘iā te ‘outou le i‘uga e i ai le fa‘amoemoe (Ieremia 29:11). Peitai afai e te lei tuuina atu lou ola ia te Ia ae o loo e fia iloa lona alofa faapitoa ma lana tausiga, talia loa lana valaau mai e avea oe ma sona afafine poo sona atalii i le asō, ona e fiafia lea i lona filemu i vaega uma o lou olaga, i le suafa o Iesu, Amene. ‭‭

TJ and KZ, hirap sundan ng ginawa!Heart, wa pakels sa bashers!Zsa Zsa, tama lang ang ginawa!

Let's learn several new abstract nouns in Spanish, including the words for "color", "size", "position", and "example". We'll get lots of spoken practice with these common nouns in real sentence contexts. Practice all of today's Spanish for free at LCSPodcast.com/214

The Abel Tasman walk has been returned to its original owners - but the Conservation Minister's unsure how it'll affect the iconic tramp's price-tag. The Government's today signed an agreement to restore thousands of hectares of land in the upper South Island to descendants of original owners, Te Tauihu. It includes a 25-year agreement to continue the Great Walk. Minister Tama Potaka says walk management remains with the Department of Conservation, public access guaranteed. "There are arrangements in place around a number of issues - those arrangements remain confidential." LISTEN ABOVESee omnystudio.com/listener for privacy information.

Esto es lo que dice Joseph Sugarman cuando le preguntan por cómo crear la página de ventas PERFECTA.Pero antes, recuerda que, si todavía no te has apuntado, puedes unirte ahora mismo a la lista de correo Press Start y recibir cada día un nuevo consejo de ventas

OPEN HEAVENSMATALA LE LAGI MO LE ASO FARAILE 5 TESEMA 2025(tusia e Pastor EA Adeboye) Manatu Autu:  O lou Tama e ona uma (Your Father owns it all)Tauloto Tusi Paia: Hakai 2:8 'O lo‘o ‘iā te a‘u le ario, o lo‘o ‘iā te a‘u fo‘i le auro, ‘ua fetalai mai ai le ALI‘I o ‘au ' a‘e ai i mea e aogā, e tupu ai le lelei i ē fa‘alogologo i ai.”‭‭Faitauga - Tusi Paia:  Salamo 24:1-2O le faitauga mai le Tusi Paia o le asō o loo faaalia ai iai tatou o le Alii e ona le lalolagi ma mea uma o tumu ai. O le upu tauloto mai le Tusi Paia o le asō o loo faapea mai o loo ia  te ia le auro ma le ario. O loo faaalia iai tatou I le Salamo 50:10 o manu e tataa I mauga e afe o loo ia te ia. O le avea o le Atua e fai ma ou Tama, e le tatau ona e popole I ni faafitauli tau tupe. Ou te mautinoa e te manumalo I soo se faafitauli tau tupe o loo e feagai ma oe, I le taimi nei aua o lou Tama e na te saunia mea uma e matitiva ai outou e tusa ma le faulai o lona viiga ia Iesu Keriso (Filipi 4:19).  E tatau ona maitau mai o Aperaamo, Isaako, Iakopo ma Iopu ma isi tagata maoae o le Tusi Paia, e tele ina mauoa uma I latou. Na latou savavali ma le Atua, ma na ia matua faamanuia iai latou. Aua o I latou e savavali ma le au popoto e popoto ai ma latou (Faataoto 13:20), a lua savavali foi la ma le Atua Matautia, le Atua e ia te ia mea uma, e na te saunia mea uma e te manaomia. Le au pele e, fai sau faaiuga I le aso e te lua savavali ma le Atua ma lou loto atoa.  I le Luka 15:16-19, o le atalii faamaumau oa e mauoloa lona tama, peitai na ia oo i le tulaga ua aai ma puaa ma ua leai seisi e foai atu se mea ia te ia. E faapea le tulaga o iai nisi o kerisiano I le asō, o loo aisi ma ole atu I tagata mo mea, ae e matua faigofie ona latou maua mai le Atua Matautia, lo latou Tama. Ia maitau mai, o le alu ese ai o le atalii faamaumau oa mai le fale o lona tama I le amataga, sa lelei mea uma. Peitai, na vave ona suia mea uma ma ua tulaga leaga, ona ia iloa lea e sese lana mea ua faia. E faafetaia na ia faia se faaiuga e toe foi i le tulaga na sau ai, ma o le taimi na ia faia ai le faaiuga ma toe foi I le mafanafana o aao o lona tama, na amata loa ona toe ola I le mauoloa. Le au pele, afai ua e toe foi I tua ma ua mamao mai le Atua, ma o loo e ola I le mativa ma le faanoanoa, toe vaai ou laasaga e toe alu atu I lou tama I le asō. ‘Aua  e te tilotilo I mea e faia e tagata amiolega o loo maumea ai, ae ia toe alu atu i Lē e ona mea uma I le lalolagi na foafoaina, e na te avatu ia te oe le malosi e  maua ai le oloa moni (Teuteronome 8:18).  Le au pele, fai sau faaiuga ia e pipii pea i le Atua ma le atoatoa i lou olaga atoa ina ia amata ona e fiafia I faamanuiaga e maua ona o oe o le atalii poo le afafine o le Atua. E na o le Atua e foai atu le oloa e aunoa ma le tigā e pei ona tatou iloa I le Faataoto 10:22 'O le fa‘amanuia a le ALI‘I, o lea e fa‘atamao‘āiga ai; na te lē fa‘aopoopo i ai se tigā. ' Ou te tatalo e te savali ma le Atua ma lou loto atoa ma aua nei e fiafia I le agasala ina ia e matua faamanuiaina. O lou Tama i le lagi o le puna o le oloa moni, i le suafa o Iesu, Amene.

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What if the most valuable performance upgrade isn't more effort, but more honesty with yourself? We sit down with Tama Barry — former principal dancer turned sport and exercise psychologist — to map the messy terrain between certainty and growth, and how language, values, and attention shape every outcome you care about.Tama opens up about the intensity of professional ballet, the abrupt end through knee injury, and the long stretch of highly functional depression that followed. From there, we dig into adjustment disorder, identity beyond a job title, and the often invisible work of rebuilding a purpose-led life. Along the way we challenge sloppy mental health language, separate “conflict” from “a hard conversation,” and show how precise words can calm the nervous system and unlock better behaviour. If you lead teams, coach athletes, parent, or just want to get unstuck, you'll find practical tools: emotion check-ins, values clarification, and the ACT framework for psychological flexibility.We also zoom out to the system: why teams need shared language for buy-in, how coaches can cue “hold it lighter” instead of “do it perfectly,” and why friendships deserve the same repair as romantic relationships. Tama speaks candidly about dehumanisation, queer rights, and how policy shapes wellbeing, urging critical thinking as a health skill. The pattern is consistent across sport and everyday life: notice what's real, align actions to who you want to be, and carry difficult feelings without letting them drive.If you're ready to move from coping to flourishing, this conversation gives you a map and the first steps. Subscribe, share this with someone who needs it, and leave a review with one value you'll act on this week.

Yo me enteré del joven Andrade, aún no tiene 30 años, en estos días. Tiene unos 12 mil seguidores en X y, como yo, dudo muchísimo que alguien en la esfera del poder, el de verdad, supiera quién es.

Para precio y disponibilidad, vaya a este vínculo: https://www.plaud.ai/pages/plaud-note-pro El Plaud Note Pro es un pequeño dispositivo, del tamaño de una tarjeta, que graba lo que dices y luego lo convierte en texto claro y ordenado. Es muy útil para quienes toman muchas notas, hacen reuniones o entrevistas, porque te permite concentrarte en la conversación mientras él guarda y organiza todo por ti. Una herramienta práctica, sencilla y sorprendentemente útil para el día a día.

OA sa emote 'yung ilang PBB housemate!Sa pag-amin ni Aj Raval na may lima na siyang anak, tama pala kami!Pokwang, may inamin tungkol sa tictoclock!

A new MP3 sermon from Reformed Baptist Church of Tama is now available on SermonAudio with the following details: Title: Giving Thanks for God's Mercy Subtitle: Thanksgiving Devotional Speaker: Paul Rendall Broadcaster: Reformed Baptist Church of Tama Event: Devotional Date: 11/15/2025 Bible: Psalm 105:1-3 Length: 17 min.

Busquemos siempre la cercanía con Hashem. Entre más cerca estemos, más grande lo vamos a sentir. Nunca demos por hecho que somos Sus hijos… esto es un gran regalo, que no cualquier persona mereció.Recuerda que puedes ver los Maasim también en YouTube.

What if the voice telling you to be practical is actually blocking you from your greatest life? Tami Simon speaks with Tama Kieves, who walked away from Harvard Law School success to follow an inner calling she couldn't ignore. Together they explore why self-doubt can fuel spiritual seeking, how kindness unlocks genius, and what happened when Tama chose to be “the one who loves” with her difficult parents. This episode is sponsored by BetterHelp. Listeners of Insights At The Edge get 10% off their first month at www.betterhelp.com/soundstrue. Note: This interview originally aired on Sounds True One, where these special episodes of Insights at the Edge are available to watch live on video and with exclusive access to Q&As with our guests. Learn more at join.soundstrue.com.

What if the voice telling you to be practical is actually blocking you from your greatest life? Tami Simon speaks with Tama Kieves, who walked away from Harvard Law School success to follow an inner calling she couldn't ignore. Together they explore why self-doubt can fuel spiritual seeking, how kindness unlocks genius, and what happened when Tama chose to be “the one who loves” with her difficult parents. This episode is sponsored by BetterHelp. Listeners of Insights At The Edge get 10% off their first month at www.betterhelp.com/soundstrue. Note: This interview originally aired on Sounds True One, where these special episodes of Insights at the Edge are available to watch live on video and with exclusive access to Q&As with our guests. Learn more at join.soundstrue.com.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The distraction rule strikes again

Muchas aves juegan solas, balanceándose, deslizándose o rodando. Algunas especies interactúan con objetos, como dejar caer una piedra y recogerla nuevamente. Pero unas pocas aves juegan con otros miembros de su especie. Los científicos lo llaman juego social. Este tipo de interacción parece tener implicaciones en la evolución del tamaño cerebral tanto en las aves como en nuestra propia especie.Listen to this episode in English here. Más información y transcripción en BirdNote.org.¿Quieres más BirdNote? Suscríbete a nuestro boletín semanal. Regístrese en BirdNote+ para escuchar música sin publicidad y otras ventajas.BirdNote es una organización sin fines de lucro. Su donación deducible de impuestos hace posible estos espectáculos. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

En este episodio se revela cómo la búsqueda visual está redefiniendo la forma en que los usuarios encuentran productos en 2025. La clave no es solo aparecer, sino mostrar en la imagen lo que el cerebro quiere ver: tamaño, uso y compatibilidad. Te proponen un plan práctico para empezar hoy: una imagen principal clara y amplia, una segunda foto con las medidas visibles, una imagen de uso real, etiquetas de compatibilidad en la imagen, un texto breve que describa lo que se ve y un vídeo corto que explique el punto clave. Todo ello ayuda a que el usuario sepa, sin esfuerzo, qué es y si le sirve.Para ilustrarlo, cuentan una historia real de una ferretería en Zaragoza que dio un giro resolviendo la duda visual: tres imágenes claras (una en fondo blanco, otra con una moneda para medir, otra mostrando el tornillo ya instalado) y un vídeo operativo, manteniendo consistentes nombres y medidas en todas las fichas. El mensaje clave es simple: pregunta cada día si tu producto podría decidirse solo mirando la imagen; si la respuesta es no, añade medidas, contexto y compatibilidad y prueba un cambio a la vez. Si te pica la curiosidad, escucha el episodio completo y aplica estas ideas para empezar a aparecer en búsquedas visuales mañana.Conviértete en un seguidor de este podcast: https://www.spreaker.com/podcast/seo-para-google--1693061/support.Newsletter Marketing Radical: https://marketingradical.substack.com/welcomeNewsletter Negocios con IA: https://negociosconia.substack.com/welcomeMis Libros: https://borjagiron.com/librosSysteme Gratis: https://borjagiron.com/systemeSysteme 30% dto: https://borjagiron.com/systeme30Manychat Gratis: https://borjagiron.com/manychatMetricool 30 días Gratis Plan Premium (Usa cupón BORJA30): https://borjagiron.com/metricoolNoticias Redes Sociales: https://redessocialeshoy.comNoticias IA: https://inteligenciaartificialhoy.comClub: https://triunfers.com

No los queremos ni por grandes ni pequeños, ni jóvenes ni viejos. El vínculo con tus seres queridos no depende de tamaños ni de tiempo, sino de la fuerza de esa conexión. Gracias por acompañarnos en el episodio de la semana.

Luffy and Zoro's “low-profile” plan collapses spectacularly as Luffy enters a sumo match against Urashima, launching him straight into Holdem's base and freeing Tama, briefly. With Kiku's help, the trio brawls through Bakura Town, rescues Tama again, steals the Beast Pirates' hoarded food, and celebrates with the starving villagers. And also Law is there.⁠⁠PandaSightings.com⁠⁠⁠ Audio Engineer -  ⁠⁠⁠⁠ @mixed.by.neal⁠⁠⁠⁠Production Assistant - @GabrielExecutive Producer - @PabloShoeI wish to become a podcasting Red-bull athlete~

En esta entrevista Abelito nos comparte su historia con una mezcla de humor, sinceridad y emoción. Habla sobre los momentos más intensos del reality, su vida antes y después del programa, cómo ha enfrentado las críticas, y el cariño que ha recibido del público. Detrás de su carisma, Abelito revela los desafíos personales que ha vivido y cómo ha aprendido a ver su diferencia física como una fortaleza.   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Vivimos en un mundo pensado para mirar hacia arriba: líderes altos, presidentes altos, estrellas en las alturas… Lo grande es fuerte, lo pequeño, invisible. Por eso, hablamos de cuerpos que gritan más alto que su tamaño y de escenarios que se convierten en trampolín para dinamitar complejos ajenos. Con Abraham Boba, líder de León Benavente, que acaba de publicar “163 cms”. Y hablamos de mujeres grandes y fuertes que se plantan contra el odio a los cuerpos que no cumplen el canon con Paula Leitón, doble medallista olímpica con la Selección Española de Waterpolo, que lo cuenta su libro “XXL”. Y entrevista musical con Dame Area en el estreno de "Toma y Daca", la nueva sección de Señor Tropical y Señor Sanabria donde la cultura se poliniza. Más información aquí: https://bit.ly/tamaño1564 Haz posible Carne Cruda: http://bit.ly/ProduceCC

In today's show Riley continues his discussion with Iowa Congressman Randy Feenstra, Andy speaks with Tama county farmer Tim Murty in a clip from our Beck's Hybrids Harvest Tour video series, and we discuss harvest progress.

In this episode we talk about the Tama rescue, Kiku's samurai reveal, and an explosive sumo showdown between Luffy and Urashima.⁠PandaSightings.com⁠⁠ Audio Engineer -  ⁠⁠⁠ @mixed.by.neal⁠⁠⁠Production Assistant - @GabrielExecutive Producer - @PabloShoeIcky Skimpy was here~

Collecting mokuhanga has never been easier. You no longer need to visit galleries as often; you can purchase prints online from anywhere in the world, all from the comfort of your own home. But you'd be doing yourself a disservice to stop there. Seeing prints in person at galleries is a wonderful experience — it allows you to get up close to the work, to see what your potential investment looks like under the lights, and to speak with the people who work in the galleries and collections, who can help guide you toward the right decision. One such gallery is in Tokyo and New York and has a long history of showcasing wonderful contemporary prints — from mokuhanga and aquatint to lithography and other mediums. The Tolman Collection Tokyo, located in the Shibadaimon district of Minato, Tokyo, has been operating for over 50 years and enjoys a strong reputation both in Japan and around the world. In this episode of The Unfinished Print: A Mokuhanga Podcast, I speak with Allison Tolman of The Tolman Collection Tokyo. We discuss how the gallery began — from the hope and a dream of Allison's parents, Mary and Norman Tolman, who built a life and a    business in a new country, to their friendships with many of the most important printmakers of their time. Allison shares why prints remain so vital today, emphasizing their democratic nature. She also discusses the differences between contemporary printmakers in Japan and those in the West, as well as the unique experiences of selling prints in Tokyo versus at The Tolman Collection in New York. Please follow The Unfinished Print: A Mokuhanga Podcast and my own mokuhanga work on Instagram @andrezadoroznyprints or email me theunfinishedprint@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known.  The Tolman Collection - Tokyo, New York Machida City of Graphic Arts - is a print gallery located in Machida City, Tokyo, Japan. More info can be found, here.  Kitaoka Fumio (1918-2007) - was a painter who moved onto mokuhanga later in life. Kitaoka was a sōsaku hanga printmaker whose works touched on anti-war themes and Japanese society, emigres and the working class.  Tsukiji Fish Market (1988)  Tadashige Ono (1909-1990) - was a socially conscience printmaker of Post-War Japan. Tadashige's early works were influenced by the west with German Expressionism and later in his career, as his personal politics began to change, Tadashige;'s prints began to focus on an industrial Japan.  House (Hiroshima) (1957) Tōkō Shinoda (1913-2021) - was a calligrapher and painter in Japan. Shinoda saw herself as an artist who combined painting and calligraphy together defying categorization. More information can be found, here from The Royal Ontario Museum, Toronto.  Sound (ca 1990) lithograph on paper 17 5/8" h x 23 3/8" w Clifton Karhu (1927-2007) -  was a mokuhanga printmaker based in Japan. Karhu lived in Japan for most of his life after studying with Tetsuo Yamada and Stanton Macdonald-Wright. HIs themes were of his home city of Kyoto, Japan. More information can be found, here.  Black Robe (1976)  shin hanga - is a style of Japanese woodblock printmaking that emerged in the early 20th century, marking the end of the nishiki-e period. Originating around 1915 under the direction of Watanabe Shōzaburō (1885-1962), the art form responded to the foreign demand for "traditional" Japanese imagery. Shin hanga artists focused on motifs like castles, bridges, famous landscapes, and bamboo forests. The style was initiated when Watanabe discovered Austrian artist Fritz Capelari (1884-1950) and commissioned him to design prints for Watanabe's budding printing house. This collaboration led to the evolution of shin hanga into a distinctive new style of Japanese woodblock printing. The shin hanga movement thrived until its inevitable decline after the Second World War (1939-1945). Shōzaburō Watanabe (1885-1962) - was one of the most important print publishers in Japan in the early 20th Century. His business acumen and desire to preserve the ukiyo-e tradition were incredibly influential for the artists and collectors in Japan and those around the world. Watanabe influenced other publishers, but his work in the genre is unparalleled. The shin-hanga (new print) movement is Watanabe's, collecting some of the best printers, carvers and designers to work for him. A great article by The Japan Times in 2022 discusses a touring exhibition of Watanabe's work called Shin Hanga: New Prints of Japan, which can be found here.  Kawamura Sayaka - is a mokuhanga printmaker based in Japan. Her work has an ethereal quality of mystery and fantasy. More information can be found on her Instagram.  Bon Voyage IV (2019) 27.56 " × 27.56 " AP - stands for Artist's Proof. When a printmaker is almost ready to print an edition, they will create a few prints that serve as proofs of the final image before the edition is printed. Gotō Hidehiko (b.1953) - is a mokuhanga printmaker and tool maker based in Japan. He makes and teaches seminars about the construction of the mokuhanga tool, the baren.  Sound Of The Waves (2016) 15" × 12" Zōjōji Daimon - is a Buddhist temple in Minato, Tokyo of the Jōdo-shū (Pure Land) sect of Buddhism David Rockefeller (1915-2017) - was an American economist and investment banker who led Chase Manhattan Corporation as its chairman and CEO. From 2004 until his passing in 2017, he was the oldest living member of the Rockefeller family. The youngest of five sons, he was the child of John D. Rockefeller Jr. and Abby Aldrich Rockefeller, and the grandson of John D. Rockefeller and Laura Spelman Rockefeller.  Hasegawa Yuichi (1945-2025) - was a woodblock printmaker from Aizu in Fukushima Prefecture. He was from a family of lacquerware makers. Hasegawa incorporated lacquer resin and metallic paints into his reduction woodblocks, giving them a distinctive texture and gleam. Deeply influenced by Zen and the natural world, he aimed to capture the power and splendor of nature in his prints.  Night Sky No. 5 (2000) Seiko Kawachi - is a mokuhanga printmaker and painter based in Japan. His work is known for its rich use of color and dynamic energy. A longtime printmaking instructor at Tama Art University, he experienced a turning point in his middle age when he began exploring the influence of Hokusai. Using contemporary materials, his large, powerful prints capture the movement and vitality of the natural world. Object: The Flying: Ki (The Flying: Introduction) (1985) mokuhanga and intaglio, 65" × 36" Tama Art University - located in Tokyo, Japan, is one of the country's leading institutions for art and design education. Founded in 1935, it offers programs in fine arts, design, architecture, and media arts, fostering both traditional and contemporary approaches to creativity. Known for its strong emphasis on experimentation and individual expression, Tama has produced many influential artists, designers, and educators who have shaped Japan's modern art scene. More info, here.  © Popular Wheat Productions logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :)    

O le a lē toe loka fa'atasia le itupā o tama'ita'i ma tama'ita'i transgender i falepuipui i le Northern Territory.

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MMFf selection, fair or unfair?So wala na talaga sina Derek at Ellen?Arron Vilaflor, di man lang naging sensitive!

We're so back! In this episode, we cover One Piece 894–899, diving into Wano's themes of loss, hope, and gusto!! From Luffy's bond with Tama, an emotional reunion with Zoro and a tense battle with Hawkins.⁠PandaSightings.com⁠ Audio Engineer -  ⁠⁠ @mixed.by.neal⁠⁠Production Assistant - @GabrielExecutive Producer - @PabloShoeThe Spy Music used for the Fan Mail bit is an Acoustic Guitar cover of the Pink Panther Theme by Guido Mancino https://youtu.be/0gAY4lGhb6I?si=5rwImWMYKVEwOWD-The Hip Hop Beat used for the theme to Gabe's Fun Facts is a loop made by Archiebald S or JAMNHOP Production https://www.youtube.com/watch?v=HEUtYA6Zhxk&list=PL_kpdC0RmodGExytRSRHjoQdbPqsRAnNa&index=3Thank you for listening!Dave really cooked on this one~

We spoke to Tua Manase-Ale about her amazing journey from Sale'aula and Safune in Savai'i, to a community leader and organiser in Melbourne.

A new bill has passed, creating New Zealand's largest network of coastal marine reserves, but with some commercial fishing allowed. Conservation Minister Tama Potaka spoke to Ingrid Hipkiss.

www.facebook.com/EdieliciousCakes www.instagram.com/edieliciouscakes Visitanos en Las Piedras, detras del correo -Venta de materiales de reposteria -Bizcochos para tu ocasion -Talleres de reposteria -Vitrina con cupcakes

Proud champions of community and inclusivity, Lakuti and Tama Sumo are long-time Dekmantel favourites and true underground bastions. Deep diggers and lifelong collectors, the iconic Panorama Bar dup built a reputation for sets where pretty much anything goes, as long as it has soul. And the way they mix it, with a rare instinct that pull their crowds in deep is what makes them one of the most revered back-to-back duos in the scene. This week's mix is yet more evidence of that: over 80 minutes, they blend old and new. Rooted in house but shaped by global travels, it moves through soul-soaked broken beat, classic US depths and Afro rhythms – always carried by an emotional rawness that resonates. A masterclass in both selection and flow from two of the best.

“The Philippines isn't the president, it isn't the government. The Philippines is the people. Our role as Filipino Americans living in the diaspora is to stand with them. Tama na. Enough.” Politics is divided, institutions are fragile, and truth feels up for sale. Sounds familiar? Here's the twist — we're not talking about America, we're talking about the Philippines. With over 110 million people, it's one of the largest democracies on Earth — a nation with deep ties to the U.S. that most of us are not taught in school. If recent decades have taught us anything - it mirrors the challenges we face at home in the U.S. today: corruption, disinformation, and the erosion of trust in power. One might say it's a canary in the coal mine, which many Filipinos, and Filipino-Americans have been calling attention to those who will listen.  And since October is Filipino American History Month, FrieMMd of the Pod Lisa Angulo Reid, co-founder of Dear Flor stopped by for a chat. Lisa recently penned a Substack post “Fighting for a Home That Isn't Mine” - we continued a longer conversation we've been having - ranging from her essay, corruption, diaspora identity, her calling, the economic potential on both sides of the ocean. and what it means to fight for a home you no longer live in but still carry inside... ABOUT LISA: dearflor.com // dearflor.substack.com MENTIONS Maria Ressa (Nobel Prize winning journalist): wikipedia.org/wiki/Maria_Ressa Maria Ressa on the Daily Show (9/18/2025) :  youtube.com/watch?v=Tsb1I7hqaJ4 HISTORY  First landing of Filipinos in the USA (1587): wikipedia.org/wiki/First_landing_of_Filipinos_in_the_United_States Philippine-American War - wikipedia.org/wiki/Philippine%E2%80%93American_War Independence Seaport Museum (Philadelphia) / USS Olympia exhibit newyorkpcg.org/pcgny/2024/10/11/philippine-american-war-1899-1902-complex-symbols-conflicting-relationships-exhibit-unveiled-aboard-olympia/ India: British business / colonial rule (~1600 - 1757 - 1947): wikipedia.org/wiki/Colonial_India British East India Company - wikipedia.org/wiki/East_India_Company Duterte drug killings (WARNING - graphic) - nytimes.com/interactive/2016/12/07/world/asia/rodrigo-duterte-philippines-drugs-killings.html BOOK:  Patron Saints of Nothing (Randy Ribay): goodreads.com/book/show/41941681-patron-saints-of-nothing BOOK (Poems): Antiemetic for Homesickness (Romalyn Ante): goodreads.com/book/show/53095607-antiemetic-for-homesickness FOOD: Ginataang Tilapia  panlasangpinoy.com/ginataang-tilapia/ PLACES Visayas: Southern island region, rich in beaches and culture. Ilocos: Northern coastal region known for heritage towns. Baguio: Mountain city with cool climate and tribal roots. Batangas: Cultural heart of the Tagalog people. Taal: Volcano within a lake within a crater. Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“The Philippines isn't the president, it isn't the government. The Philippines is the people. Our role as Filipino Americans living in the diaspora is to stand with them. Tama na. Enough.” Politics is divided, institutions are fragile, and truth feels up for sale. Sounds familiar? Here's the twist — we're not talking about America, we're talking about the Philippines. With over 110 million people, it's one of the largest democracies on Earth — a nation with deep ties to the U.S. that most of us are not taught in school. If recent decades have taught us anything - it mirrors the challenges we face at home in the U.S. today: corruption, disinformation, and the erosion of trust in power. One might say it's a canary in the coal mine, which many Filipinos, and Filipino-Americans have been calling attention to those who will listen.  And since October is Filipino American History Month, FrieMMd of the Pod Lisa Angulo Reid, co-founder of Dear Flor stopped by for a chat. Lisa recently penned a Substack post “Fighting for a Home That Isn't Mine” - we continued a longer conversation we've been having - ranging from her essay, corruption, diaspora identity, her calling, the economic potential on both sides of the ocean. and what it means to fight for a home you no longer live in but still carry inside... ABOUT LISA: dearflor.com // dearflor.substack.com MENTIONS Maria Ressa (Nobel Prize winning journalist): wikipedia.org/wiki/Maria_Ressa Maria Ressa on the Daily Show (9/18/2025) :  youtube.com/watch?v=Tsb1I7hqaJ4 HISTORY  First landing of Filipinos in the USA (1587): wikipedia.org/wiki/First_landing_of_Filipinos_in_the_United_States Philippine-American War - wikipedia.org/wiki/Philippine%E2%80%93American_War Independence Seaport Museum (Philadelphia) / USS Olympia exhibit newyorkpcg.org/pcgny/2024/10/11/philippine-american-war-1899-1902-complex-symbols-conflicting-relationships-exhibit-unveiled-aboard-olympia/ India: British business / colonial rule (~1600 - 1757 - 1947): wikipedia.org/wiki/Colonial_India British East India Company - wikipedia.org/wiki/East_India_Company Duterte drug killings (WARNING - graphic) - nytimes.com/interactive/2016/12/07/world/asia/rodrigo-duterte-philippines-drugs-killings.html BOOK:  Patron Saints of Nothing (Randy Ribay): goodreads.com/book/show/41941681-patron-saints-of-nothing BOOK (Poems): Antiemetic for Homesickness (Romalyn Ante): goodreads.com/book/show/53095607-antiemetic-for-homesickness FOOD: Ginataang Tilapia  panlasangpinoy.com/ginataang-tilapia/ PLACES Visayas: Southern island region, rich in beaches and culture. Ilocos: Northern coastal region known for heritage towns. Baguio: Mountain city with cool climate and tribal roots. Batangas: Cultural heart of the Tagalog people. Taal: Volcano within a lake within a crater. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of 'Ina'ilau a Tama'ita'i' we are featuring the ina'ilau of Dr Agapetos Ana Aia-Fa'aleava, a Samoan lecturer and documentary film maker in Queensland.

OPEN HEAVENSMATALA LE LAGI MO LE ASO LULU 1 OKETOPA 2025(tusia e Pastor EA Adeboye) Manatu Autu:  Tatalo mo lou atunuu (Prayers for your nation) Tauloto Tusi Paia –  Salamo 122:6 “Ai‘oi atu ‘outou ‘ina ‘ia manuia Ierusalema: “‘Ia manuia i latou o ē alolofa ‘iā te oe.”‭‭Faitauga - Tusi Paia: 1 Timoteo 2:1-2Tatalo mo lou atunuuTama, ou te faafetai ia te oe mo lo'u atunuu. Faafetai mo le tele o afā ma matagi na e tauave mai ai I matou ma le mamao ua e aumai ai I matou I lou fesoasoani mai pea. Tama, faafetai mo punaoa ua e faamanuia ai I lo matou atunuu. Faamolemole fesoasoani mai iai matou ina ia matou faaaogaina ma le poto i le suafa o Iesu. Tama, faamolemole fesoasoani mai ina ia o gatasi matou tapulaa faale malo ma lou finagalo e atoatoa ona lelei. Ia faamamao ese ma matou le amioleaga I le suafa o Iesu. Tama, faamolemole ia iai le loto gatasi o tagatanuu uma o lo matou atunuu. Ia aumaia vaega uma o le atunuu ia tutu faatasi o se tino e tasi,  e faavae ai le tuputupu pea i vaega uma faapea le atinae o le tamaoaiga. Tama, faamolemole ia iai le filemu i lenei atunuu. Ia aua nei iai ni taua ma ni misa poo ni vevesi e pei ona vaaia i isi atunuu, i le suafa o Iesu. Tama, ou te tuuina atu vaega uma o lou atunuu o loo lutia i faigata e sosoo atu ma isi faalavelave. Faamolemole le Alii e, ia e faamalolo ma faaola i lo matou atunuu, i le suafa o Iesu. Tama, ou te tuuina atu lo matou tamaoaiga i ou aao. Faamolemole ia e faatulagaleleia lo matou tamaoaiga ma ia tuputupu pea ina ia maua e tagata nuu uma mea latou te manaomia. Tama, ou te  tuuina atu ia te oe matagaluega uma ma soo se ofisa o le malo i ou aao, faamolemole, ia e pulea i latou, i le suafa o Iesu. Tama, faamolemole fesoasoani i taitai i soo se vaega o lo matou atunuu ina ia pulea lelei tupe ma punaoa ua io latou lima ma ia ripoti ma faamanino i le atunuu le faaaogaina o tupe ma punaoa. Avatu iai latou le poto e taitaia lenei atunuu i ala e tonu ma lelei, i le suafa o Iesu. Tama, faamolemole, ia iai se faaolaolaga tele e oo mai i lo'u atunuu. Ia e liligi lou afi i luga o talavou ma toeaina ina ia latou naunau e faia lou finagalo. Ia latou talai atu le talalelei i soo se vaega o le lalolagi. Tama, ia avea kerisiano uma i lo'u atunuu e saoloto e vivii ma tapuai ia te oe. Ia avea so'o se fuafuaga a le tiapolo e faasagatau i kerisiano, ia faaleaogaina ma faaumatia i le suafa o Iesu, Amene. Tamā, ia e faamanuia ia Samoa ma ona taitai totofi. Ia liligi faaua lou poto ma le atamai i o matou taitai ina ia fai ma le amiotonu faaiuga uma aua le manuia lautele o tagata uma. Ia e siomia i latou ini faufautua atamamai ma matatau ia te oe aua e saogalemu ai le atunuu. O le tatalo lea i le suafa o Iesu Keriso, Amene. 

Llevo mes y medio con la Fujifilm X-E5 y hoy te cuento la verdad desde el uso real: por qué me tiene loco, qué pros y contras le he encontrado y el combo minimalista con el que estoy disfrutando la fotografía como hacía tiempo: X-E5 + 23mm f2.8 (kit), un 56mm TTArtisan 1.8, mini impresora Canon Zoemini y dos flashes retro compactos (Godox IT30 Pro y un Viltrox transparente muy cuco).También te explico qué está pasando con el stock: el kit con el 23mm está agotadísimo y el cuerpo suelto se ve más disponible. ¿Fracaso? Todo lo contrario: exitazo… y quizá por eso casi no hay vídeos en español con la cámara en mano.Lo que más me flipaColor science de Fuji y simulaciones de película (los JPG salen que enamoran).Tamaño y look retro: no pasa desapercibida, y con los flashes queda brutal.Versatilidad con el 23mm (eq. 35mm) + el 56mm (eq. 90mm) y el recorte digital.Lo que no me gustaJoystick diminuto e incómodo.Botones de Play/Disp muy arriba: el sensor del visor apaga la pantalla al tocar.El dial de simulaciones es bonito pero poco práctico; tiro de atajo de botón.Con recetas custom (F1–F3) me aparece “memorización” y me corta el ritmo entre foto y foto (en ráfaga se mitiga).Uso personal y toques proMe la llevo siempre en una bandolerita Manfrotto y, en trabajos con Sony, la uso para retratos espontáneos con flash y simulaciones. A los clientes les flipa el look directo de cámara.Si te mola este contenido, dímelo en comentarios: se vienen más vídeos de esta delicia, incluyendo review del 23mm f2.8, TTArtisan 56 1.8, y comparativa de los flashes compactos para Fuji.**COMPRA EN FOTOK desde este enlace y pon el cupón GABELLIFTK en tu carrito de la compra para llevarte un regalo.WEB FOTOK: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://fotok.es/?aff=y206⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠___________________WEBS: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.rubengabelli.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://fotografodecomida.es⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YOUTUBE: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://cutt.ly/ft3QEHF ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠PATREON: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/RubenGabelli ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠INSTAGRAM: @rubengabelli

1662 - Sobre el tamaño de 3I ATLAS, Avi Loeb y comentarios irrespetuosos hacia Loeb Universo de Misterios tiene reservado el derecho de admisión y publicación de comentarios. Generalmente, los comentarios anónimos no serán publicados. No envíe comentarios que contengan falacias lógicas. Si hace comentarios con afirmaciones dudosas, arguméntelas aportando enlaces a fuentes fiables (este muro NO es una red social). En caso de no respaldar su comentario como se indica en la caja de descripción del episodio, su comentario podrá ser no publicado. Contacto con Universo de Misterios: universodemisteriospodcast@gmail.com La imagen de la miniatura que ilustra este episodio ha sido creada con la ayuda de una Inteligencia Artificial. Puedes hacerte Fan de Universo de Misterios y apoyarlo económicamente obteniendo acceso a todos los episodios cerrados, sin publicidad, desde 1,99 €. Aunque a algunas personas, a veces, puede proporcionar una falsa sensación de alivio, la ignorancia nunca es deseable. Pero eso, tú ya lo sabes... Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

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Comenzamos temporada 11 y segundo episodio. Nueva semana y cerca del “Apple event” donde veremos el próximo iPhone 17, Apple Watch, AirPods y quizá un Apple TV quien sabe. En este episodio hablaremos de una funda transparente donde se puede apreciar fácilmente el Tamaño de la nueva cámara trasera del iPhone 17, y más temas que hablaremos sobre la marcha. Gracias por escucharnos y gracias a nuestro patrocinador seoxan.es NUESTRO PATROCINADOR https://seoxan.es //Enlaces https://seoxan.es https://uptime.urtix.es/login.php //Donde encontrarnos Canal Youtube https://www.youtube.com/c/ApplelianosApplelianos/featured Correo electrónico applelianos@gmail.com Grupo Telegram https://t.me/ApplelianosOficial Amazon https://amzn.to/30sYcbB X https://x.com/ApplelianosPod Apple Podcasts https://podcasts.apple.com/es/podcast/applelianos-podcast/id993909563