Podcasts about post electric play

We are excited to bring you this new podcast series, The Art of Collaboration. This series will focus on directors and choreographers in conversation with some of their collaborators on a specific production. This series will explore the ins and outs of these processes, both the finer details as well as overarching ideas about what goes into a productive collaboration on a show. In this inaugural episode, Director Alex Timbers, Costume Designer Catherine Zuber, and Lighting Designer Justin Townsend are interviewed by Foundation Director Dani Barlow to discuss their experience working together on Moulin Rouge! The Musical. Learn more about this episode's guests below. Bios: Alex Timbers (Director) is the recipient of Tony, Drama Desk, Outer Critics Circle, and London Evening Standard Awards, as well as two Obie and Lortel Awards. Broadway credits include Gutenberg the Musical; Here Lies Love; Moulin Rouge!; Just For Us; Beetlejuice; David Byrne's American Utopia; Oh Hello with Nick Kroll and John Mulaney; The Pee-wee Herman Show; Peter and the Starcatcher; and Bloody Bloody Andrew Jackson (also bookwriter). For television, he co-created Amazon's “Mozart in the Jungle” (Golden Globe Award) and has helmed the Netflix specials “John Mulaney: Kid Gorgeous,” “Ben Platt: Live at Radio City,” and most recently “John Mulaney: Baby J” (2023 Emmy Award nomination). His debut picture book, Broadway Bird, set in an all-animal version of Broadway, is published by Macmillan. @alextimbers   Justin Townsend (Lighting Designer): His professional lighting design work includes such productions as: Moulin Rouge! The Musical (Tony Award, Drama Desk Award, Outer Critics Circle Award); Jagged Little Pill (Tony Nomination); American Psycho (Tony nomination, Drama Desk Award, Outer Critics Circle Award, Henry Hewes Award); The Humans (Tony nomination, Drama Desk Award); Here Lies Love, (Drama Desk Award, Public Theater); Vietgone, (MTC); Pretty Filthy, (Civilians); Mr. Burns, a Post Electric Play, Milk Like Sugar, (Playwrights Horizons); Odyssey, A Winter's Tale, (Public Works at the Delacorte Theater); Venus, (Signature Theater); Unnatural Acts, Mother Courage, and Galileo (Classic Stage Company) Catherine Zuber (Costume Designer) Broadway: Moulin Rouge, (Tony Award, Olivier Award, Drama Desk Award, Outer Critics Circle Award), Mrs. Doubtfire, My Fair Lady, (Tony Award, Drama Desk Award, Outer Critics Circle Award), Oslo, War Paint (Drama Desk Award, Outer Critics Circle Award), King & I, (Olivier Award, Tony Award), Fiddler on the Roof, Golden Boy. South Pacific (Tony Award); The Coast of Utopia (Tony Award); The Light in the Piazza (Tony Award); Awake and Sing! (Tony Award); The Royal Family (Tony Award);  Gigi (Drama Desk Award). Metropolitan Opera: Rigoletto, Porgy & Bess, Il Barbieri di Siviglia, Les Contes d'Hoffman, Comte Ory, L'elisir d'Amore, Otello, Dr. Atomic, Roméo et Juliette. 2016 Induction: Theater Hall of Fame.  Stage Directors and Choreographers Foundation: Founded in 1965, Stage Directors and Choreographers Foundation (SDCF) exists to foster, promote, and develop the creativity and craft of stage directors and choreographers. SDCF's mission is to create access to the field, to connect artists to each other and to the public, and to honor these artists' theatrical legacies. The centrality of directors and choreographers in theatre and the impact they have on other artists' careers—from playwrights to designers to actors—makes SDCF's services essential to the wider theatre industry's continued health and vitality. Through its dynamic educational programming, including Observerships, Fellowships, public panels, and day-long symposia, SDCF serves the needs of directors and choreographers at every stage of career. www.sdcfoundation.org

In this episode READ MORE PLAYS hosts Ricardo Frederick Evans, Jennifer Sassaman, and special guest Frank Britton discuss Mr. Burns: A Post Electric Play By Anne Washburn!  Theme music by Kalyn Harewood, with additional music by Bob Sassaman.Links:Follow us on Twitter, Facebook, and Instagram for updates and discussions you can participate in.  Support us on Patreon to get bloopers, dramaturgy, and other bonus content. Please like and subscribe wherever you get your podcasts.

“Mr. Burns, a Post Electric Play” is on now at the Contemporary Theater Company in Wakefield, Rhode Island. It's a 2012 play written by Anne Washburn with music by Michael Friedman. For Artscape this week, producer James Baumgartner and morning host Luis Hernandez give you their review of the show.

“Mr. Burns, a Post Electric Play” is on now at the Contemporary Theater Company in Wakefield, Rhode Island. It's a 2012 play written by Anne Washburn with music by Michael Friedman. For Artscape this week, producer James Baumgartner and morning host Luis Hernandez give you their review of the show.

Episode 079 of Sonitotum with Matthew Wayne Selznick features an interview with speculative playwright Monica Cross. Monica Cross (also find her on Facebook and Twitter) is a multiple-award winning playwright residing in northwestern Wisconsin. Her one-act play Cyrano on the Moon has been produced at fringe festivals in Tampa and Minneapolis, as well as several virtual productions. Wonder of Our Stage, Monica's first full-length play, was winner of the 2018 Players New Play Festival in Sarasota, FL, and went on to be included in their Summer Sizzler Series in 2019. She is a proud member of the Dramatists Guild and Science Fiction and Fantasy Writers Association. Her plays can be found on the New Play Exchange. Listen for new insights on the creative writing life and creative process from a perspective not usually heard in the world of independent publishing: the world of theater. Monica and I discuss... the niche of speculative theater and how it intersects with "traditional" plays and playwriting. how new playwrights' works are discovered, workshopped, and ultimately produced. commonalities between storytelling on the stage and in other media building a creative practice with dyslexia and ADHD... ... and a bunch of other stuff! It's a great exchange. I learned a lot... you will, too! This episode was recorded on April 11th, 2023. The conversation with Monica Cross was recorded on January 20th, 2023. Links and Topics Mentioned in This Episode My day job? I'm a creative services provider helping authors, podcasters and other creators. How can I help you? You probably know Cyrano de Bergerac by Edmond Rostand, but you've probably never read or seen the play. My first novel, Brave Men Run, comes up in our discussion of characters hobbled by their poor self-image. The 2014 International Science Fiction Theater Conference. Susan Lorie Parks' Fucking A Mister Burnes, A Post-Electric Play by Anne Washurn The book people scene from the François Trauffaut adaptation of Ray Bradbury's Fahrenheit 451. Waiting for Godot by Samuel Beckett. Marjorie Prime by Jordan Harrison (you might also take in the film adaptation, but as we discuss in the episode, it's not the same experience...) She Kills Monsters by Qui Nguyen. The alchemist John Dee. The League of Resident Theaters. Edgar Allen Poe's The Masque of the Red Death adapted for the stage by Monica Cross. Rejection sensitivity is sometimes part of the ADHD experience. What is a dramaturg? Cheers to the comic book legend who never forgets my birthday, Danny Fingeroth. J. Michael Straczynski (find him on Twitter) is a screenwriter, show runner, novelist, and comic book writer. Chances are you've dug, perhaps fanatically, something he's done. The playwright Simon Stephens (find him on Twitter). Maybe you would like to be a future guest on Sonitotum with Matthew Wayne Selznick? Learn more! Big thanks to my Multiversalists patron community, including Amelia Bowen, Ted Leonhardt, Chuck Anderson, and J. C. Hutchins! This episode took nearly twelve hours to record, edit, produce, and publish, so I'm incredibly grateful for the support of my patrons. If Sonitotum with Matthew Wayne Selznick brings you joy, become a patron! The Multiversalists patron member community receives the uncut, unedited version of every episode. For this episode, patrons get almost forty minutes of additional content! Want in on that? Become a patron for at least $5.00 per month (cancel any time) and get a bunch of other perks and special access, too. Every month the member community has at least twenty members, I will donate 10% of net patron revenue to 826 National in support of literacy and creative writing advocacy for children. Let's go! Love Sonitotum with Matthew Wayne Selznick and have the desire and means to make a one-time donation in support of the show? Donate via PayPal or leave a tip via Ko-Fi, with my grateful thanks.

In Episode 183, “Fandom and Religion,” (one year into seminary) Flourish and (goes to church to sing songs) Elizabeth take a look at the way religion and fandom are discussed together: the surfacey comparisons, the more nuanced parallels, and the modes of thinking that shape fandom discourse. Topics discussed include the glut of simplistic articles comparing fannish and religious activities, the Jewish tradition of midrash, the implicit (and sometimes explicit) Christian themes in much of American pop culture, and Anne Washburn's Mr. Burns, a Post-Electric Play.

This summer, the Hudson Valley Shakespeare festival presents a trio of shows in its open-air tent overlooking the Hudson River, including an age-blind production of “Romeo & Juliet,” “Mr. Burns, A Post-Electric Play,” which takes its inspiration from “The Simpsons,” and “Where We Belong” - an intimate solo performance by Mohegan writer-director-actor Madeline Sayet.This season's performances are being performed on the festival's iconic open air tent - but on their new grounds in Garrison, NY.Davis McCallum is the Artistic Director of the Hudson Valley Shakespeare Festival and he joins us now to share more details about these exciting productions.

Steve Smith, WNYC/Gothamist culture and arts editor, rounds up local outdoor theater productions and shares what makes the experience special. Some productions that were mentioned: The Public's Richard III and As You Like It Classical Theatre of Harlem's Twelfth Night The Drilling Company's Shakespeare in the Parking Lot's A Winter's Tale Hip to Hip Theatre Company's The Adventures of Pericles and Much Ado About Nothing Lincoln Center's Sweeney Todd and Inside/Out, Voices From the Disabled Community Hudson Valley Shakespeare Festival's Mr. Burns, A Post-Electric Play

Carrie Wintersteen, Executive Director of Theatre B, gives an update on when to expect the opening of their latest show "Mr. Burns: A Post-Electric Play." Also on the show, Tucker Lucas (director of Mr. Burns) tells us all about this clever play that will bring out some feelings that we've experienced the last two years. See omnystudio.com/listener for privacy information.

Writer and Comedian Jackie Quinn (Speechless) joins Noah on the pod to make him READ for ONCE! This weeks topic? Mr Burns, a Post Electric Play by Anne Washburn! Jackie and Noah also discuss startling jewish reggae rap legend Matisyahu, why the Simpsons continues to endure, and what ingredients make for a tasty adaptation! Read Mr. Burns!: https://canvas.umn.edu/courses/192086/assignments/1522077 Jackie's Twitter: https://twitter.com/llcooljackie Jackie's Instagram: https://www.instagram.com/llcooljackie/ If you're in Chicago you can go Mr. Burns, a Post Electric Play it now through November 14th :) https://www.theaterwit.org/plays/2021/mrburns/ Everything Now Show on Twitch (I'm on it sometimes): https://www.twitch.tv/everythingnowshow My Favorite Podcast Linktree: https://linktr.ee/MyFavoritePodcast Noah's Personal Linktree: linktr.ee/NoahMarger

Jeremy Wechsler, director of “Mr. Burns, a Post-Electric Play” at the Lit Theatre, calls in to discuss the animated sitcom. Together they share Simpsons trivia, talk about the hit show on the near north side, as well as the impact that “The Simpsons” had on pop culture.

Olivia and Jay dive into the nuclear power plant that is Mr. Burns. --- Support this podcast: https://anchor.fm/high-brow-theatre/support

For Carly Prentis Jones, music and artivism are just part of her DNA. Hear what she has to say about the intersection of art and activism, music, colorism, and more. About the Guest Raleigh native, Carly Prentis Jones, is a theatre artist and vocalist performing on stages throughout the Triangle. She is a versatile performer - spanning opera, musical theatre, classic and contemporary theatre. Some of her most favorite performance credits include: Orange Light (Bulldog Productions); Camila in In The Heights (North Carolina Theatre); Justice in Rock of Ages and Nettie in Carousel (Theatre Raleigh);  Lady In Green in For Colored Girls..., and Dorothy in The Wiz (Burning Coal Theatre); Colleen/Marge in Mr. Burns, A Post-Electric Play and Baba Yaga in The Fairytale Live of Russian Girls (Manbites Dog Theatre); Rachel in The How & The Why (Triangle Women’s Theatre Festival); Nettie in The Color Purple, Sarah in Ragtime, and Lily in The Secret Garden (Justice Theatre Project). As a classically trained singer, Carly also enjoys performing as an active recitalist. She received her training at Miami University in Oxford, Ohio where she earned degrees in Vocal Performance and Black Music History, and a minor in arts administration. Carly believes that the arts can be used as a unique tool to cultivate empathy and bridge divisions throughout our diverse country. Stay tuned for her next projects: http://www.carlyprentisjones.com/ (www.carlyprentisjones.com). Connect with RDU on Stage Facebook – @rduonstage Twitter – @rduonstage Instagram – @rduonstage Web http://www.rduonstage.com/ (www.rduonstage.com) Support this podcast

Mr. Burns, A Post-Electric Play-https://www.facebook.com/events/361129884423115/ Valencia Arts & Entertainment-https://www.facebook.com/valenciaartsandentertainment/ Beauregarde Von Hoffman-https://www.thevonhoffman.com/ The Orlando Sisters - Abbey of St. Gertrude de Nivelles-https://www.facebook.com/OrlandoSisters/ SCAD-https://www.scad.edu/

Zach Flock, Alaina Manchester and Michael Haas discuss our production of MR. BURNS, A POST-ELECTRIC PLAY, what influenced the production, the evolution of storytelling, the death of Homer Simpson, the journey of devised theatre, masks and much. much more. Originally Released: March 2018

Hello! It's been too long since our last chat. In this episode the gang envision story telling beyond the apocalypse with Mr. Burns, a post-electric play by Lightning Jar Theatre; and we return to the lofty heights of the Sofitel to experience Joel Bray's immersive and intimate dance piece, Biladurang.

Dakota Arsenault had the opportunity to chat with Mitchell Cushman, director of the play Jerusalem that is currently showing at Crow’s Nest Theatre until March 10th. You may remember Mitchell who previously appeared on Contra Zoom back on episode three when he talked about directing Mr. Burns a Post Electric Play. Special thanks to Mr. Cushman and to Red Eye Media for setting up this chat. Look for Dakota’s review of the play coming soon. --- Send in a voice message: https://anchor.fm/contrazoompod/message

This week Dakota Arsenault and Andreas Babiolakis turn the tables a bit regarding subject matter and discuss a play called Mr. Burns a Post Electric Play (you’ve probably seen the posters all around subway stations). Instead of just talking about the play the guys discuss methods of telling stories and how telling tales is a human ritual. Dakota also interviews co-director Mitchell Cushman and actor Sebastien Heins and plays a bit of trivia with them. – Mr. Burns a Post Electric play is running until June 7th and tickets can be purchased here http://www.ticketfly.com/venue/15345-aztec-theatre/ – Dakota’s review of Mr. Burns http://www.liveinlimbo.com/2015/05/18/film/mr-burns-a-post-electric-play.html – Outside the March has a history of site-specific shows and you should learn more about the group http://www.outsidethemarch.ca/about.php – Sebastien Heins’ Facebook page https://www.facebook.com/WhatsUpSebastien?_rdr Please make sure you subscribe to us on iTunes and give us a rating. Not only does it give us valuable feedback, but also the more subscriptions and ratings we receive the more visibility we get to help other people find our show too. Please follow us on twitter @ContraZoomPod and let us know what you think of this incredibly theatrical experience! Original post date May 30, 2015 --- Send in a voice message: https://anchor.fm/contrazoompod/message

Mr Burns, A Post Electric Play (fortyfive downstairs, Melbourne Australia) (review)In the aftermath of an untold apocalyptic event, a group of strangers huddle around a makeshift campfire, distracting themselves by piecing together a half-forgotten episode of their favourite show, The Simpsons. But will pop culture survive in a world without electricity?Astonishing and disturbing in equal measure, Lightning Jar Theatre is proud to present the Melbourne premiere, directed by John Kachoyan with music direction by Andrew Patterson.Named by The New York Times as one of the 25 best American plays since Angels in America, Anne Washburn’s darkly comic work is a compelling examination of how the stories we tell make us the people we are.For more information visit  https://www.fortyfivedownstairs.com/wp2016/event/mr-burns-a-post-electric-play/   Theatre First RSS feed:   https://feeds.megaphone.fm/ivetheatrereviews Subscribe, rate and review Theatre First at all good podcatcher apps, including Google Podcasts, Apple Podcasts (formerly iTunes), Stitcher, Pocket Casts, CastBox.FM, Podbean, ACast etc.If you're enjoying Theatre First podcast, please share and tell your friends. Your support would be appreciated...thank you.#theatre #stage #reviews #melbourne #australia Learn more about your ad choices. Visit megaphone.fm/adchoices See acast.com/privacy for privacy and opt-out information.

Eddie Izzard on workshopping his new show Wunderbar in French and German, we tour The Australian Ballet Centre's pointe shoe room with dancer Jade Wood and artistic coordinator Robyn Begg, we follow a post-apocalyptic theatre troupe who perform their hazy memories of The Simpsons in Mr Burns, a Post-Electric Play, and Bangarra dancer Beau Dean Riley Smith tells us what's on his Top Shelf.

We see how things change in Vancouver with author, historian, and all-around cool guy Aaron Chapman, and review Take 6 in Concert, talk poetry in Shut up And Say Something, Little Mountain Lion Productions' Mr. Burns, A Post-Electric Play. Hosted by Ashley Park and Jake Clark.

It's time for our weekly conversation with theater critic J. Wynn Rousuck, who joins Tom today with a review of Mr. Burns: A Post-Electric Play, a post-apocalyptic fantasy in three acts by playwright Anne Washburn, being produced by Cohesion Theatre Company at ----The Fallout Shelter---- at Baltimore's United Evangelical ChurchThe play asks a series of questions: What happens to pop culture after the fall of human civilization? What about 7 years after the fall? Or even 75 years?Mr. Burns runs those scenarios out over three time-shifting acts. When nuclear power plants across the country begin to “go up,” a group of survivors gather in the woods and begin to recount an episode of The Simpsons. As Cohesion Theatre Company's program describers it, ----casual storytelling evolves into theater, theater evolves into ritual, and one Simpsons episode evolves into a myth and legend for a post-apocalyptic world.----Cohesion Theatre Company's Mr. Burns: A Post-Electric Play, directed by Lance Bankerd, continues at ----The Fallout Shelter---- at United Evangelical Church , located at 923 S. East Avenue, Baltimore, MD 21224, until December 17th. For ticket and location info, click here.

Interview with Jaime Robledo Director of Mr. Burns, a post-electric play @ Sacred Fools in Hollywood October 13th - December 9th 2017. If you like this podcast please like and share. www.latheatrebites.com http://www.sacredfools.org/

Tonight is the opening performance of "Mr. Burns: A Post-Electric Play" at the Hope Theatre. This show, which depicts a post-apocalyptic world and a group of survivors who share stories from old "Simpsons" episodes as their folklore, comes from playwright Anne Washburn and director Tricia Rodley. In this episode from the Emerald Podcast Network, Sararosa Davies speaks with University of Oregon student-actors involved in the show's production. They discuss the audition process, their various roles in the play, and their favorite episodes of "The Simpsons." This episode was produced by Emerson Malone.

This week, Andrew brings his oddly deep and specific knowledge of The Simpsons to bear on Anne Washburn's Mr. Burns: A Post-Electric Play. In a post-apocalyptic world in which Simpsons quotes were treated as currency, he would pretty much run the place. This week's show brought to you by Penn State World Campus.

This week, Andrew brings his oddly deep and specific knowledge of The Simpsons to bear on Anne Washburn's Mr. Burns: A Post-Electric Play. In a post-apocalyptic world in which Simpsons quotes were treated as currency, he would pretty much run the place. This week's show brought to you by Penn State World Campus.

This week the gang discusses Mr. Burns, A Post Electric Play. Hand Crafted and Personally Curated Show Notes: Extremotolerant tardigrade genome and improved radiotolerance of human cultured cells by tardigrade-unique protein NASA scientists react to 400 ppm carbon milestone 400 ppm CO2: What It Means   You can find us on Facebook, the Twitter, and […]

Deleted scenes & outtakes from WEE #76 & WEE #77 including discussions about missing couch gags and Mr. Burns, a Post-Electric Play. Does the HIPO Scale lie? What are the rules to Buzz? What color is Jack's lightsaber? All that plus flying lawnmowers, Patch Adams 2, and the Olivia Popecast.  www.weepodcast.com

Jesse’s guest is Andrew Lee Creech, who was part of the incredible ensemble cast of ‘Mr. Burns, a Post Electric Play’ at the ACT Theater in downtown Seattle. They discuss the post-cultural world in which the play takes place, and Read more…

This week on Arts Magazine, the director and cast members from the Unicorn Theatre will tell us about their new show, Mr. Burns, A Post-Electric Play, and Michelle T. Johnson […] The post “Mr. Burns” & “6 X 10” Festival appeared first on KKFI.

Generic Theatre "Mr. Burns- a Post -Electric Play"

This week Dakota Arsenault and Andreas Babiolakis turn the tables a bit regarding subject matter and discuss a play called Mr. Burns a Post Electric Play (you’ve probably seen the posters all around subway stations).... The post 3: Mr. Burns a Post Electric Play appeared first on LIVE IN LIMBO.

What has four fingers, a yellow face, and is totally evil?Montgomery Burns, of course.But after twenty-six excellent years as America's most laughably despicable super villain, Mr. Burns' character is facing a big shakeup. Harry Shearer, the voice of Mr. Burns (as well as Ned Flanders, Principal Skinner, and others) announced this week that he's leaving "The Simpsons."It's a sad day for Simpsons' fans – but the ripples go far beyond TV. Shearer's portrayal of Mr. Burns was so iconic that it even played a role in the development of a play. It's called “Mr. Burns, A Post-Electric Play,” and you can find it onstage at Portland Playhouse this spring. Though the play draws its title from "The Simpsons," the show's comedic namesake is outweighed by the attention it gives to darker subject matter. The show starts with a group of friends around a campfire. They're hanging out, drinking beers, and trying to remember the details of a Simpsons episode called Cape Feare. It's utterly pedestrian – until an unexpected noise in the background prompts the cast to draw guns and knives.“The conceit of the play,” says director Brian Weaver, “is that it's a post-electric world.”Post-electric and post-apocalyptic. Somehow, and the playwright leaves it to her audience to fill in the blanks, 99% of the human population has died off. With no one left to man the nuclear power plants, they've all melted down, making electricity a thing of the past. So humanity – or what's left of it anyway – is back to good old-fashioned flint and tinder (and not the ‘swipe right' kind). They make fires, and they do what humans have pretty much always done around the fire: they tell stories.“It's a play about how we use stories,” says playwright Anne Washburn, “how we use stories to divert us, how we use stories to comfort us, how we use stories to explain things to us, how we use stories to talk about things which it's too frightening to speak about directly.”Read our full story: www.opb.org/radio/programs/state-of-wonder/article/portland-playhouse-takes-on-the-simpsons-and-the-apocalypse/

Ready for some new? Here comes an hour of creative horsepower.1:17 - "Grimm" stars Sasha Roiz and Silas Weir Mitchell on their stage turn with PCS's "Three Days of Rain."7:25 - Just when we'd had our fill of post-apocalyptica, here comes Portland Playhouse with "Mr. Burns, a Post-Electric Play." It's an absurd send-up of the form, where "The Simpsons" have become the stuff of myth and legend, written by former Oregonian Anne Washburn.12:33 - Likewise, a fab new bar with bleachers for seating, serves up perhaps the first-ever bartender-in-residency program, inviting local artists to mix cocktails and creativity. Plus, one menu item includes shutting down the bar and driving to the coast for a seafood dinner. 24:45 - 1939 Ensemble expands to a trio and bowls us over with its new record.31:44 - Summer reading recommendations from Paisley's librarian. 34:54 - Celebrated author Kazuo Ishiguro ("The Remains of the Day" and "The Buried Giant," released in March) from the Portland Arts & Lectures Archive Project. 43:22 - KMHD talks with Portland jazz legend Thara Memory about the Pacific Crest Jazz Orchestra, one of the ensembles in his American Music Program, who just took home the grand prize at the Essentially Ellington High School Jazz Band Competition in New York City — not to mention made Wynton Marsalis cry.

MR. BURNS playwright Anne Washburn on the origin of the play, its unique development process, and how "The Simpsons" came to represent the high culture of the future. Music from "Cape Fear" by Bernard Herrmann. (2013/14 season)To view a shorter, video version of this conversation, visit http://www.youtube.com/watch?v=dR01Ez6kFZw

MR. BURNS' Obie Award-winning composer Michael Friedman discusses his role in the play's development and the fascinating intersection of "The Simpsons" theme with Bernard Herrmann. Music: Mr. Herrmann's score from "Cape Fear." (2013/14 season)

MR. BURNS actor Colleen Werthmann discusses playing a Simpson, the process of creating the show, and moonlighting as a comedy writer. Produced by 2013/14 Marketing Resident Nicole Dancel. (2013/14 season)