Podcasts about robert capa gold medal

Visual storyteller Kiana Hayeri grew up in Tehran and moved to Toronto while she was still a teenager. Faced with the challenges of adapting to a new environment, she took up photography as a way of bridging the gap in language and culture. In 2014, a short month before NATO forces pulled out, Kiana moved to Kabul and stayed on for 8 years. Her work often explores complex topics such as migration, adolescence, identity and sexuality in conflict-ridden societies.In 2014, Kiana was named as one of the emerging photographers by PDN 30 Under 30. In 2016, she was selected as the recipient of Chris Hondros Award as an emerging photographer. In 2017, she received a grant from European Journalism Center to do a series of reporting on gender equality out of Afghanistan and received Stern Grant in 2018 to continue her work on the state of mental health among afghan women. In 2020, Kiana received Tim Hetherington Visionary award for her proposed project to reveal the dangers of dilettante “hit & run” journalism. Later that year, she was named as the 6th recipient of the James Foley Award for Conflict Reporting. In 2021, Kiana received the prestigious Robert Capa Gold Medal for her photographic series Where Prison is Kind of a Freedom, documenting the lives of Afghan women in Herat Prison. In 2022, Kiana was part of The New York Times reporting team that won The Hal Boyle Award for The Collapse of Afghanistan and was shortlisted under International Reporting for the Pulitzer Prize. In the same year, she was also named as the winner of Leica Oskar Barnack Award for her portfolio, Promises Written On the Ice, Left In the Sun, an intimate look into the lives of Afghan from all walks of life.Kiana, along with her colloaborator, the researcher Mélissa Cornet, is recipient of the 2024 Carmignac Photojournalism Award for the reportage No Woman's Land, an investigation into the plight of women in Afghanistan under the Taliban and the work will be showcased in a double exhibition this Autumn - from October 25th to November 18th - at the Réfectoire des Cordeliers in Paris as part of the Photo Saint Germain festival.Kiana is a Senior TED fellow, a National Geographic Explorer grantee and a regular contributor to The New York Times and National Geographic. She is currently based in Sarajevo, telling stories from Afghanistan, The Balkans and beyond. In episode 239, Kiana discusses, among other things:Her story for the NYT about FGM in GambiaGender apartheidHer take on winning awards as a photojournalistHaving to Google what the Robert Cap Gold Medal was - having won itHer book When Cages FlyMoving to Canada from Iran as a teenagerHow photography helped her bridge the ‘culture and language gap'.Being at a ‘gifted' schoolHer first trip to AfghanistanComparisons with Iran in terms of relative ‘liberalism'.Her first commission from National GeographicHer story on women in Herat prisonThe moment Afghanistan fell to the Taliban and her guilt over leaving friends behindGender apartheid in Afghanistan specificallyThe dangers of ‘dilettante hit and run journalism' Referenced: Eddie Adams workshopsDominic NahrKitra CahanaEd OuGuy MartinStephen MayesMélissa CornetSarah Leen Website | Instagram “I tell people having a camera is like living a thousand different lives, but you have that camera as an excuse to immerse yourself into something, live it for a while and then walk away when you're ready.” VOTE HERE FOR ALETHEIA CASEY TO HAVE A SOLO SHOW AT PARIS PHOTO!!Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Pulitzer Prize winning photographer and documentary film director Anthony Suau is also an Emmy Award winning journalist, not to mention two World Press Photo of the Year awards, the Robert Capa Gold Medal, and the Infinity Award from the International Center of Photography. For thirty-five years he has documented the effects of events on the … Continue reading "Episode 113: Anthony Suau (Photographer & Filmmaker)" The post Episode 113: Anthony Suau (Photographer & Filmmaker) first appeared on A Photojournalism Podcast for Everyone.

Stephen Dupont is an Australian photographer based in New South Wales.Stephen is one of Australia's most acclaimed photojournalists, whose work focuses largely on the human condition, war and climate.In 2007, he was the recipient of the W. Eugene Smith Grant for Humanistic Photography for his work on Afghanistan.He has also won the Robert Capa Gold Medal and several World Press Photo Awards.Follow Stephen:WebsiteInstagram

Steven McCurry is an American photographer who has captured some of the world's most iconic photographs of the 20th and 21st centuries. From the war-ravaged landscapes of Afghanistan to the vibrant, colorful streets of India, his ability to capture the raw emotions and the spirit of humanity over the course of five decades has made his work both timeless and universally revered.His most famous photograph, the  haunting portrait of the 'Afghan Girl,'  first graced the cover of National Geographic Magazine in June of 1985 and is considered one of the most recognized photographs of all time.McCurry has photographed many assignments for National Geographic and has been a member of Magnum Photos since 1986McCurry is the recipient of many prestigious awards, including the Robert Capa Gold Medal, the Magazine Photographer of the Year, awarded by the National Press Photographers Association, the Centenary Medal for Lifetime Achievement from the Royal Photographic Society in London, and induction into the International Photography Hall of Fame.Notable Links:Steve McCurry WebsiteTwitter/XInstagramThis episode is brought to you by Lexar.For more than 25 years, Lexar has  been trusted as a leading global brand of memory solutions so they know first-hand just how quickly content is transforming our world.Their award-winning lineup performs second-to-none and includes professional memory cards, card readers, and solid-state drives for creators of all skill levels.Whether shooting photos, capturing video, or transferring content on the go, Lexar provides the quality and performance you can rely on to get the shot with confidence.I've been using the Lexar Professional CFexpress Type B GOLD memory cards with my Canon mirrorless cameras for years and they deliver the blazing speed and durability for the extreme weather conditions I encounter anywhere in the  world.To learn more about Lexar memory solutions, visit www.lexar.com.

Only days after the U.S. military withdrew from Afghanistan last August, the world watched in awe as the Taliban swiftly retook control. Desperate and visceral images of Afghans clinging to evacuation planes, lifting children over Kabul airport's barbed wire fences, and stories of crisis dominated news coverage for weeks. On February 22, the CJF welcomes a panel of storytellers who were there before and during the takeover, to share their insights into the challenges, safety issues and nuances of covering this humanitarian crisis. Featured speakers are Global News journalists Stewart Bell and Jeff Semple, who captured moments of loss and sacrifice after the Taliban had swept to power; VICE World News journalist Hind Hassan, who spoke with Taliban leaders in advance of the takeover; and visual storyteller Kiana Hayeri, who captured the transition through powerful photographs. Leading this discussion is Nil Köksal, host of CBC's World Report and former foreign correspondent based in Istanbul, Turkey.     Originally aired: Feb. 22, 2022, at 1 P.M. EST ABOUT THE SPEAKERS Stewart Bell, a national online investigative journalist at Global News, is the author of three non-fiction books, most recently Bayou of Pigs about a far-right coup plot in the Caribbean island nation of Dominica. Bell's reporting has received numerous awards, including the Queen's Diamond Jubilee Medal. @StewGlobal Hind Hassan is an award-winning international correspondent for VICE News covering conflicts and humanitarian crises around the world, including the post-ISIS legacy in Syria, massive demonstrations in Lebanon and Iraq's anti-corruption protests where her team witnessed and documented human rights abuses. @HindHassanNews Kiana Hayeri, an Iranian-Canadian photographer based in Kabul, is a Senior TED Fellow and a regular contributor to The New York Times and National Geographic. In 2020, she received the Tim Hetherington Visionary Award and the James Foley Award for Conflict Reporting. Last year, Hayeri received the Robert Capa Gold Medal for her photographic series "Where Prison is Kind of a Freedom," documenting the lives of Afghan women in Herat Prison. @kianahayeri Jeff Semple is a Senior Correspondent and Video Journalist with Global National News based in Toronto. He has reported from more than 30 countries across five continents, covering terrorist attacks in Europe, the refugee crisis in the Middle East and from the frontlines of the fight against ISIS in Iraq and in Taliban-controlled Afghanistan. Semple's reports have been recognized by the Academy of Canadian Cinema & Television, the Radio Television Digital News Association, the Canadian Medical Association, the Canadian Online Publishing Awards and Apple Podcasts. @JeffSempleGN ABOUT THE HOST Nil Köksal is the host of World Report, CBC's flagship national radio news show with more than one million listeners. While working as a foreign correspondent in Istanbul, Köksal covered Syria, the refugee crisis and ISIS. She is a winner and two-time Canadian Screen Award nominee for her reporting. @nilkoksalcbc

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Christopher Anderson discuss his transformative journey from news and conflict photography to becoming the photographer he is today. Christopher and Sasha also talk about some of the books he has made after stepping away from conflict work. https://christopherandersonphoto.com Christopher Anderson was born in Canada and grew up in west Texas. In 1996, he became a contract photographer for U.S. News & World Report. There he began documenting social issues such as the effects of Russia's economic crisis. Also, the situation of Afghan refugees in Pakistan and the election of Evo Morales in Bolivia. He first gained recognition for his pictures in 1999 when he boarded a handmade, wooden boat with Haitian refugees trying to sail to America. The boat, named the Believe In God, sank in the Caribbean. In 2000 the images from that journey would receive the Robert Capa Gold Medal. He is the author of five monographs of photography. Find out more at https://photowork.pinecast.co

Stephen Dupont is an Australian photographer, artist and documentary filmmaker. He  is recognised around the world for his unique vision and concerned photography on the human condition, war and climate. His images have received international acclaim for their artistic integrity and valuable insight into the people, culture and communities that are fast disappearing from our world. Dupont's work has earned him photography's most prestigious prizes such as the Robert Capa Gold Medal citation, Olivier Rebbot Award, A Bayeux War Correspondent's Prize; World Press Photo award, Picture of the Year International and many more. His one man theatrical show "Don't Look Away" world premiered at the Museum of Old & New Art (MONA) as well as the Museum of Contemporary Art. He holds a Masters degree in Philosophy and is regularly invited to give talks nationally and internationally. His work has been featured in some of the world's leading publications The New Yorker, Aperture, Newsweek, Time, Matador, GQ, Esquire,  French and German GEO, The Smithsonian, New York Times Magazine, Vanity Fair to name a few. He's held major exhibitions around the world, published numerous books and his handmade photographic artist books and portfolios are in some of the world's leading collections. Stephen body of work is exhaustive, spanning over 30 years. He has travelled to almost every corner of the Earth, seeking to capture and share with us the unique stories that we would otherwise never see.   

Marcelo Tas recebe o fotógrafo de guerra André Liohn, vencedor do Robert Capa Gold Medal de 2012, um dos mais prestigiados prêmios de fotografia do mundo. Paulista que viaja o mundo desde os 20 anos, Liohn está no Brasil fazendo a cobertura da Covid-19.

Stephen Dupont is an Australian artist, photographer and documentary filmmaker working mostly on long-term personal projects. Born in Sydney in 1967, Stephen grew up in the western suburbs and Southern Highlands under tough social conditions and displacement, with social worker parents, who were full-time carers of state wards. Stephen is recognised around the world for his concerned photography on the human condition, war and climate. His images have received international acclaim for their artistic integrity and valuable insight into the people, culture and communities that are fast disappearing from our world.Stephen’s work has earned him some of photography’s most prestigious prizes, including a 2005 Robert Capa Gold Medal citation and the 2015 Olivier Rebbot Award from the Overseas Press Club of America; a Bayeux War Correspondent’s Prize; and first places in the World Press Photo, Pictures of the Year International, the Australian Walkleys, and Leica/CCP Documentary Award. In 2007 he was the recipient of the W. Eugene Smith Grant for Humanistic Photography for his ongoing project on Afghanistan. In 2010 he received the Gardner Fellowship at Harvard's Peabody Museum of Archaeology & Ethnology.In 2017 Stephen’s one-man theatrical show Don't Look Away world premiered at the Museum of Old & New Art (MONA) in Tasmania as part of  Mona Mofo (MONA's festival of Music and Art). Performances continued at Sydney's Eternity Playhouse Theatre, the Museum of Contemporary Art MCA and at the Melbourne Writers Festival.Stephen has twice been an official war artist for the Australian War Memorial for his photography, with commissions in The Solomon Islands (2013) and Afghanistan (2012). He holds a Masters degree in Philosophy and is regularly invited to give public talks in Australia and around the world about photography, film and his life. His work has been featured in more or less all of the world’s most prestigious magazines and he has held major exhibitions in London, Paris, New York, Sydney, Canberra, Tokyo, and Shanghai, and at Perpignan’s Visa Pour L’Image, China’s Ping Yao and Holland’s Noorderlicht festivals. Stephen’s handmade photographic artist books and portfolios are in some of the world's leading collections, including, the National Gallery of Australia, The New York Public Library, Berlin and Munich National Art Libraries, Stanford University, Yale University, Boston Athenaeum, Minneapolis Institute of Arts, and the Joy of Giving Something Inc. On episode 137, Stephen discusses, among other things:Reassessing his archive during CovidHow and why he first began making artists booksThe question of how one labels and thinks about themselvesStill having the wanderlust for travelHis new environmental project, Are We Dead Yet?His unusual childhood and the impact of his dad’s death when he was 13His desire to escape the suburbs and to travelHis early travels and how India was an influence on him becoming a photographerWhy live music photography was a good training groundThe influence of Don McCullinWhy he came back from his first war in Sri Lanka feeling like he’d failedDealing with the emotional fall out of witnessing conflictHis love of Afghanistan and the close shave he had thereHIs first book, Steam Referenced:Colin JacobsonGerhard SteidlDanny LyonJim GoldbergPeter BeardDon McCullinThe Great GameNick DanzigerRudyard KiplingSusie PriceWebsite | Instagram | Facebook“The photographs are easy. Processing the emotion is the hard thing.”

Recorded remotely on 24th April 2020 during lockdown, Gem chats to renowned photographer Christopher Anderson, who continues to have a fascinating journey through the industry. He’s created world-renowned photojournalism, some of the most disarming magazine covers of the last two decades as well as a series of fascinating photo books about a range of different subjects from his children to documenting the NYPD in the wake of 9/11. He first gained recognition for his pictures in 1999 when he boarded a handmade, wooden boat with Haitian refugees trying to sail to America. The boat named the Believe In God, sank in the Caribbean. In 2000 the images from that journey would receive the Robert Capa Gold Medal.In this conversation, Christopher shares his unexpected and organic journey into photography and his constant search for meaning. We talk about how his career evolved and how he crafts and refines his visual language. We discuss how he approaches portraiture, and it's complex power dynamics. He shares personal insight into sittings with Barack Obama and Donald Trump. We learn about his ethos about picture-making and how he uses photography as a tool to understand the world better. We discuss how he doesn't describe a scene, but instead tries to capture emotional energy exploring what it felt like to be there in that moment. We talk about his new book Pia published by Stanley Barker about his daughter and the process of creating and editing such profoundly personal work. We talk about social media, what it means to him and the highs and lows of the tool itself. We talk about slow photography and the importance of photographers building a body of work. Follow Christopher on Instagram @christopherandersonphoto on Instagram and visit christopherandersonphoto.com to see his work. Christopher is a member of Magnum Photos. Follow Gem @gemfletcher on Instagram and Twitter. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. Thank you for listening to The Messy Truth, we will be back very soon. For all requests, please email hello@gemfletcher.com See acast.com/privacy for privacy and opt-out information.

In episode 84 UNP founder and curator Grant Scott is in his shed considering the impact of technology on creativity, video art, moving image adoption and getting older! Plus this week photographer Stephen Dupont takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which he answer's the question ‘What Does Photography Mean to You?' Stephen Dupont was born in Sydney, Australia, in 1967 and over the past two decades has produced a body of work documenting marginalised peoples. It is a body of work that has earned him a Robert Capa Gold Medal citation in 2005 and the Olivier Rebbot Award from the Overseas Press Club of America in 2015; a Bayeux War Correspondent's Prize; and first places in the World Press Photo, Pictures of the Year International, the Australian Walkleys, and Leica/CCP Documentary Award. In 2007 he was the recipient of the W. Eugene Smith Grant for Humanistic Photography for his ongoing project on Afghanistan and in 2010 he received the Gardner Fellowship at Harvard's Peabody Museum of Archaeology & Ethnology. Dupont has twice been an official war artist for the Australian War Memorial for his photography, with commissions in The Solomon Islands in 2013 and Afghanistan in 2012. His work has been featured in The New Yorker, Aperture, Newsweek, Time, GQ, Esquire,  French and German GEO, Le Figaro, Liberation, The Smithsonian, The Sunday Times Magazine, The Independent, The Guardian, The New York Times Magazine, Stern, Interview and Vanity Fair. Dupont has held major exhibitions in London, Paris, New York, Sydney, Canberra, Tokyo, and Shanghai, and at Perpignan's Visa Pour L'Image, China's Ping Yao and Holland's Noorderlicht festivals. His handmade photographic artist books and portfolios are in some of the world's leading collections, including, National Gallery of Australia, National Library of Australia, The New York Public Library, Stanford University and Yale University. He is a Canon Master and frequently lectures and performs keynotes, masterclasses and workshops in Australia and around the world. He currently resides in Sydney with his family where he works on assignments and long term projects as a photographer, artist and documentary filmmaker. www.stephendupont.com If you have enjoyed this podcast why not check out our A Photographic Life Podcast Plus. Created as a learning resource that places the power of learning into the hands of the learner. To suggest where you can go, what you can read, who you can discover and what you can question to further your own knowledge, experience and enjoyment of photography. It will be inspiring, informative and enjoyable! You can find out here: www.patreon.com/aphotographiclifepodcast You can also access and subscribe to these podcasts at SoundCloud https://soundcloud.com/unofphoto on iTunes https://itunes.apple.com/gb/podcast/a-photographic-life/id1380344701 on Player FM https://player.fm/series/a-photographic-life and Podbean www.podbean.com/podcast-detail/i6uqx-6d9ad/A-Photographic-Life-Podcast Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, and the author of Professional Photography: The New Global Landscape Explained (Focal Press 2014) and The Essential Student Guide to Professional Photography (Focal Press 2015). His next book New Ways of Seeing: The Democratic Language of Photography will be published by Bloomsbury Academic in 2019. His documentary film, Do Not Bend: The Photographic Life of Bill Jay can now be seen at www.youtube.com/watch?v=wd47549knOU&t=3915s. © Grant Scott 2019

[PODCAST] André Liohn, vencedor do Robert Capa Gold Medal de fotografia de guerra, traz suas impressões e relatos sobre a experiência em situações extremo conflito, em uma entrevista exclusiva com José Pedro Goulart no Bipolar.

[PODCAST] André Liohn, vencedor do Robert Capa Gold Medal de fotografia de guerra, traz suas impressões e relatos sobre a experiência em situações extremo conflito, em uma entrevista exclusiva com José Pedro Goulart no Bipolar.

[PODCAST] André Liohn, vencedor do Robert Capa Gold Medal de fotografia de guerra, traz suas impressões e relatos sobre a experiência em situações extremo conflito, em uma entrevista exclusiva com José Pedro Goulart no Bipolar.

In episode 37 UNP founder and curator Grant Scott is in his shed considering the acceptance of photography as a part-time profession, and a new research report titled The State of News Photography 2018, published by the World Press Photo Foundation in Amsterdam. Plus this week Grant re-visits a recorded conversation from 2011 with Magnum photographer Christopher Anderson in which Anderson speaks about discovering photography, the personal connection he has with his images and his intention when creating his iconic Haiti refugee body of work. Christopher Anderson was born in Canada and first gained recognition for his pictures in 1999 when he boarded a small wooden boat with Haitian refugees trying to sail to the United States. The boat, named the Believe In God, sank in the Caribbean. In 2000 the images from that journey received the Robert Capa Gold Medal. Anderson's early work from conflict zones such as Afghanistan, Iraq, Lebanon and Israel/ Palestine earned international acclaim and awards such as two World Press Photo Awards and Magazine Photographer of the Year. In 2004, he began traveling to Venezuela to document the country under the presidency of Hugo Chávez. The resulting book, Capitolio (RM 2009) was named one of the best photographic books of 2010 at the Kassels book Festival in Germany. In 2011, Anderson made Capitolio into an app for iPhone and iPad, the first photographic book to be made into an application for such devices. His current work crosses genres, from documentary to art to portraiture of celebrities such as Lady Gaga. Anderson was one of the early members of the VII Photo Agency but he resigned from the agency in 2004 and joined Magnum Photos in 2005. He has served as a contract photographer for Newsweek and National Geographic magazines and is currently the first 'Photographer in Residence' at New York Magazine. www.christopherandersonphoto.com You can also access and subscribe to these podcasts at SoundCloud https://soundcloud.com/unofphoto on iTunes https://itunes.apple.com/gb/podcast/a-photographic-life/id1380344701 on Player FM https://player.fm/series/a-photographic-life and Podbean www.podbean.com/podcast-detail/i6uqx-6d9ad/A-Photographic-Life-Podcast Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer in Professional Photography at the University of Gloucestershire, a working photographer, and the author of Professional Photography: The New Global Landscape Explained (Focal Press 2014) and The Essential Student Guide to Professional Photography (Focal Press 2015). His next book New Ways of Seeing: The Democratic Language of Photography will be published by Bloomsbury Academic in 2019. He is currently work on his next documentary film project. He is currently work on his next documentary film project Woke Up This Morning: The Rock n' Roll Thunder of Ray Lowry. His documentary film, Do Not Bend: The Photographic Life of Bill Jay has been screened across the UK and the US in 2018 and will be screened in the US and Canada in 2019. © Grant Scott 2019

In episode 25 UNP founder and curator Grant Scott is considering why so much online photographic discussion is filled with absolutes and anger, whilst also commenting on the current state of photography magazines and their relationship with their readers and the photographic industry. Plus this week Grant re-visits a recorded conversation with legendary photographer Susan Meiselas from 2013 in which she addresses the importance of narrative in visual storytelling, the utilisation of multi-media, what photography means to her and her belief in young photographers and what they need to do within the medium. Susan Meiselas was born in Baltimore, in 1948. Her first major photographic essay focused on the lives of women doing striptease at New England country fairs, who she photographed during three consecutive summers while teaching photography in New York public schools. Carnival Strippers was originally published in 1976 and a selection was installed at the Whitney Museum of Art in June 2000. Meiselas joined Magnum Photos in 1976 and has worked as a freelance photographer since then. She is best known for her coverage of the insurrection in Nicaragua and her extensive documentation of human rights issues in Latin America. She published her second monograph, Nicaragua, June 1978–July 1979, in 1981. Meiselas served as an editor and contributor to the book El Salvador: The Work of Thirty Photographers (1983) and edited Chile from Within (1991) featuring work by photographers living under the Pinochet regime, as well as an updated ebook on the 40th anniversary of the Chilean coup (2013). She has co-directed three films, Living at Risk: The Story of a Nicaraguan Family (1986); Pictures from a Revolution (1991) with Richard P. Rogers and Alfred Guzzetti where she searched for the people in her photographs ten years after they were taken and Re-framing History (2004) where she returned to Nicaragua again with 19 murals to place them in the landscape where they were first made to again interrogate the history they represent on the 25th anniversary of the Revolution. In 1997, she completed a six-year project curating a hundred-year photographic history of Kurdistan, integrating her own work into the book Kurdistan: In the Shadow of History (1997) along with the pioneering website akaKURDISTAN (1998), an online archive of collective memory and cultural exchange. Meiselas has had one-woman exhibitions in Paris, Madrid, Amsterdam, London, Los Angeles, Chicago, and New York, and her work is included in collections around the world. She has received the Robert Capa Gold Medal for her work in Nicaragua (1979); the Leica Award for Excellence (1982); the Engelhard Award from the Institute of Contemporary Art (1985); the Hasselblad Foundation Photography prize (1994); the Cornell Capa Infinity Award (2005); the Harvard Arts Medal (2011) and most recently was awarded a Guggenheim Fellowship (2015). www.susanmeiselas.com Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer in Professional Photography at the University of Gloucestershire, a working photographer, and the author of Professional Photography: The New Global Landscape Explained (Focal Press 2014) and The Essential Student Guide to Professional Photography (Focal Press 2015). His next book #New Ways of Seeing: The Democratic Language of Photography will be published by Bloomsbury Academic in January 2019. His documentary film, Do Not Bend: The Photographic Life of Bill Jay will be screened across the UK and the US in 2018. © Grant Scott 2018

John Stanmeyer is an award winning photojournalist, Emmy nominated filmmaker and field recordist who for over 20 years has worked in nearly 100 countries, documenting the social and political issues that define our times. For ten years, between 1998 and 2008, John was a contract photographer for Time magazine, during which time he produced 18 covers for them and photographed hundreds of stories, including the war in Afghanistan, the fight for independence in East Timor, the fall of Suharto in Indonesia, and other significant world news events. Since 2004 he has worked almost exclusively for National Geographic magazine, producing over 15 stories, including 10 covers. John is now an Emeritus member of the VII Photo agency which he co-founded in his living room in 2001 with six other of the world’s leading photojournalists. John is the recipient of numerous honors, including the prestigious Robert Capa Gold Medal, POYi Magazine Photographer of the Year, and numerous World Press Photo, Picture of the Year and NPPA awards. In 2008, his National Geographic cover story on global malaria received the National Magazine Award. In 2012 he was nominated for an Emmy with the documentary film series, Starved for Attention, and in 2014 was the recipient of the World Press Photo award for his photograph taken in Djibouti and titled Signal (above). John has published a number of books includingIsland of the Spirits, a journalistic/anthropological look at Balinese culture documented during the five years he lived on the island. John now lives on a farm in West Stockbridge, Massachusetts, with this wife, three children and two dogs. When not on the road he can be found at his gallery and coffeehouse which he opened in 2013, combining photography and education around his passion for great coffee, wrapping the two around ethically procured, human rights-based direct trade with the social issues represented in his photographs. In episode 085, John discusses, among other things: Social media = publishing Communication Workshops as dialogues Not seeing mistakes as mistakes Early years - art and fashion Discovering the ‘unfathomable power’ of reality The importance of the act of giving The unique ethos of National Geographic magazine  Influences Mentioned: Helmut Newton Peter Lindbergh Albert Watson Arthur Elgort Website | Facebook | Instagram | Twitter “Photography is 99% problem solving and 1% photography wrapped around 100% serendipity and good luck.” THIS EPISODE OF THE PODCAST IS SPONSORED BY THE CHARCOAL BOOK CLUB- THE LATEST AND GREATEST PHOTOBOOKS, EXPERTLY CURATED AND DELIVERED TO YOU DOOR WITH FREE SHIPPING AND NO HASSLES. **VERY SPECIAL LISTENER OFFER** USE CODE 'ASMALLVOICE' TO CLAIM A FREE BOOK OF YOUR CHOICE WHEN YOU JOIN!! INFORM THE MIND, INSPIRE THE SOUL

Christopher Anderson was born in Canada in 1970 and grew up in west Texas, USA. In 2000, on assignment for the New York Times Magazine, he boarded a small wooden boat with 44 Haitians trying to sail to America. The boat sank in the Caribbean. The photographs earned Christopher the Robert Capa Gold Medal and marked the beginning of a 10 period as a contract photographer for Newsweek Magazine and National Geographic Magazine. In 2011 he became New York Magazine’s first ever Photographer in Residence. Christopher joined Magnum Photos in 2005, he is the author of four monographs and is currently based in Barcelona, Spain. THIS EPISODE OF THE PODCAST IS SPONSORED BY THE CHARCOAL BOOK CLUB - THE LATEST AND GREATEST PHOTOBOOKS, EXPERTLY CURATED AND DELIVERED TO YOU DOOR WITH FREE SHIPPING AND NO HASSLES. **VERY SPECIAL LISTENER OFFER** USE CODE 'ASMALLVOICE' TO CLAIM A FREE PHOTOBOOK WHEN YOU JOIN!!! https://charcoalbookclub.com - INFORM THE MIND, INSPIRE THE SOUL

Piksa Niugini by Stephen Dupont, with forward by Robert Gardner and essay by Bob Connolly, is published by the Peabody Press and Radius Books, (2013). Volume 1: 144 pages, 80 duotone, 6 color images. Volume 2: 144 pages, 120 color images. Piksa Niugini records noted Australian photographer Stephen Dupont’s journey through some of Papua New Guinea’s most important cultural and historical zones – the Highlands, Sepik, Bougainville and the capital city Port Moresby. The project is contained in two volumes in a slipcase one of portraits of local people, and the second of personal diaries. This remarkable body of work captures one of the world’s last truly wild and unique frontiers. Stephen’s work for this book was conducted with the support of the Robert Gardner Fellowship of Photography from Harvard’s Peabody Museum of Archaeology and Ethnology. The first volume of portraits reproduced in luscious duotone and 4 color; the second is an eclectic collection of the diaries, drawings, contact sheets and documentary photographs that Dupont created as he produced the project, which add to a broader understanding of the images in volume one. Stephen Dupont has produced a remarkable body of visual work; hauntingly beautiful photographs of fragile cultures and marginalized peoples. He skillfully captures the human dignity of his subjects with great intimacy and often in some of the worlds most dangerous regions. His images have received international acclaim for their artistic integrity and valuable insight into the people, culture and communities that have existed for hundreds of years, yet are fast disappearing from our world. Dupont’s work has earned him photography’s most prestigious prizes, including a Robert Capa Gold Medal citation from the Overseas Press Club of America; a Bayeux War Correspondents Prize; and first places in the World Press Photo, Pictures of the Year International, the Australian Walkleys, and Leica/CCP Documentary Award. In 2007, he was the recipient of the W. Eugene Smith Grant for Humanistic Photography for his ongoing project on Afghanistan, and in 2010 he received the Gardner Fellowship at Harvard’s Peabody Museum of Archaeology and Ethnology. Learn more about your ad choices. Visit megaphone.fm/adchoices

Piksa Niugini by Stephen Dupont, with forward by Robert Gardner and essay by Bob Connolly, is published by the Peabody Press and Radius Books, (2013). Volume 1: 144 pages, 80 duotone, 6 color images. Volume 2: 144 pages, 120 color images. Piksa Niugini records noted Australian photographer Stephen Dupont’s journey through some of Papua New Guinea’s most important cultural and historical zones – the Highlands, Sepik, Bougainville and the capital city Port Moresby. The project is contained in two volumes in a slipcase one of portraits of local people, and the second of personal diaries. This remarkable body of work captures one of the world’s last truly wild and unique frontiers. Stephen’s work for this book was conducted with the support of the Robert Gardner Fellowship of Photography from Harvard’s Peabody Museum of Archaeology and Ethnology. The first volume of portraits reproduced in luscious duotone and 4 color; the second is an eclectic collection of the diaries, drawings, contact sheets and documentary photographs that Dupont created as he produced the project, which add to a broader understanding of the images in volume one. Stephen Dupont has produced a remarkable body of visual work; hauntingly beautiful photographs of fragile cultures and marginalized peoples. He skillfully captures the human dignity of his subjects with great intimacy and often in some of the worlds most dangerous regions. His images have received international acclaim for their artistic integrity and valuable insight into the people, culture and communities that have existed for hundreds of years, yet are fast disappearing from our world. Dupont’s work has earned him photography’s most prestigious prizes, including a Robert Capa Gold Medal citation from the Overseas Press Club of America; a Bayeux War Correspondents Prize; and first places in the World Press Photo, Pictures of the Year International, the Australian Walkleys, and Leica/CCP Documentary Award. In 2007, he was the recipient of the W. Eugene Smith Grant for Humanistic Photography for his ongoing project on Afghanistan, and in 2010 he received the Gardner Fellowship at Harvard’s Peabody Museum of Archaeology and Ethnology. Learn more about your ad choices. Visit megaphone.fm/adchoices

Piksa Niugini by Stephen Dupont, with forward by Robert Gardner and essay by Bob Connolly, is published by the Peabody Press and Radius Books, (2013). Volume 1: 144 pages, 80 duotone, 6 color images. Volume 2: 144 pages, 120 color images. Piksa Niugini records noted Australian photographer Stephen Dupont’s journey through some of Papua New Guinea’s most important cultural and historical zones – the Highlands, Sepik, Bougainville and the capital city Port Moresby. The project is contained in two volumes in a slipcase one of portraits of local people, and the second of personal diaries. This remarkable body of work captures one of the world’s last truly wild and unique frontiers. Stephen’s work for this book was conducted with the support of the Robert Gardner Fellowship of Photography from Harvard’s Peabody Museum of Archaeology and Ethnology. The first volume of portraits reproduced in luscious duotone and 4 color; the second is an eclectic collection of the diaries, drawings, contact sheets and documentary photographs that Dupont created as he produced the project, which add to a broader understanding of the images in volume one. Stephen Dupont has produced a remarkable body of visual work; hauntingly beautiful photographs of fragile cultures and marginalized peoples. He skillfully captures the human dignity of his subjects with great intimacy and often in some of the worlds most dangerous regions. His images have received international acclaim for their artistic integrity and valuable insight into the people, culture and communities that have existed for hundreds of years, yet are fast disappearing from our world. Dupont’s work has earned him photography’s most prestigious prizes, including a Robert Capa Gold Medal citation from the Overseas Press Club of America; a Bayeux War Correspondents Prize; and first places in the World Press Photo, Pictures of the Year International, the Australian Walkleys, and Leica/CCP Documentary Award. In 2007, he was the recipient of the W. Eugene Smith Grant for Humanistic Photography for his ongoing project on Afghanistan, and in 2010 he received the Gardner Fellowship at Harvard’s Peabody Museum of Archaeology and Ethnology. Learn more about your ad choices. Visit megaphone.fm/adchoices

Piksa Niugini by Stephen Dupont, with forward by Robert Gardner and essay by Bob Connolly, is published by the Peabody Press and Radius Books, (2013). Volume 1: 144 pages, 80 duotone, 6 color images. Volume 2: 144 pages, 120 color images. Piksa Niugini records noted Australian photographer Stephen Dupont’s journey through some of Papua New Guinea’s most important cultural and historical zones – the Highlands, Sepik, Bougainville and the capital city Port Moresby. The project is contained in two volumes in a slipcase one of portraits of local people, and the second of personal diaries. This remarkable body of work captures one of the world’s last truly wild and unique frontiers. Stephen’s work for this book was conducted with the support of the Robert Gardner Fellowship of Photography from Harvard’s Peabody Museum of Archaeology and Ethnology. The first volume of portraits reproduced in luscious duotone and 4 color; the second is an eclectic collection of the diaries, drawings, contact sheets and documentary photographs that Dupont created as he produced the project, which add to a broader understanding of the images in volume one. Stephen Dupont has produced a remarkable body of visual work; hauntingly beautiful photographs of fragile cultures and marginalized peoples. He skillfully captures the human dignity of his subjects with great intimacy and often in some of the worlds most dangerous regions. His images have received international acclaim for their artistic integrity and valuable insight into the people, culture and communities that have existed for hundreds of years, yet are fast disappearing from our world. Dupont’s work has earned him photography’s most prestigious prizes, including a Robert Capa Gold Medal citation from the Overseas Press Club of America; a Bayeux War Correspondents Prize; and first places in the World Press Photo, Pictures of the Year International, the Australian Walkleys, and Leica/CCP Documentary Award. In 2007, he was the recipient of the W. Eugene Smith Grant for Humanistic Photography for his ongoing project on Afghanistan, and in 2010 he received the Gardner Fellowship at Harvard’s Peabody Museum of Archaeology and Ethnology. Learn more about your ad choices. Visit megaphone.fm/adchoices

Piksa Niugini by Stephen Dupont, with forward by Robert Gardner and essay by Bob Connolly, is published by the Peabody Press and Radius Books, (2013). Volume 1: 144 pages, 80 duotone, 6 color images. Volume 2: 144 pages, 120 color images. Piksa Niugini records noted Australian photographer Stephen Dupont’s journey through some of Papua New Guinea’s most important cultural and historical zones – the Highlands, Sepik, Bougainville and the capital city Port Moresby. The project is contained in two volumes in a slipcase one of portraits of local people, and the second of personal diaries. This remarkable body of work captures one of the world’s last truly wild and unique frontiers. Stephen’s work for this book was conducted with the support of the Robert Gardner Fellowship of Photography from Harvard’s Peabody Museum of Archaeology and Ethnology. The first volume of portraits reproduced in luscious duotone and 4 color; the second is an eclectic collection of the diaries, drawings, contact sheets and documentary photographs that Dupont created as he produced the project, which add to a broader understanding of the images in volume one. Stephen Dupont has produced a remarkable body of visual work; hauntingly beautiful photographs of fragile cultures and marginalized peoples. He skillfully captures the human dignity of his subjects with great intimacy and often in some of the worlds most dangerous regions. His images have received international acclaim for their artistic integrity and valuable insight into the people, culture and communities that have existed for hundreds of years, yet are fast disappearing from our world. Dupont’s work has earned him photography’s most prestigious prizes, including a Robert Capa Gold Medal citation from the Overseas Press Club of America; a Bayeux War Correspondents Prize; and first places in the World Press Photo, Pictures of the Year International, the Australian Walkleys, and Leica/CCP Documentary Award. In 2007, he was the recipient of the W. Eugene Smith Grant for Humanistic Photography for his ongoing project on Afghanistan, and in 2010 he received the Gardner Fellowship at Harvard’s Peabody Museum of Archaeology and Ethnology. Learn more about your ad choices. Visit megaphone.fm/adchoices

Magnum legend Chris Steele-Perkins was born in Burma in 1947 to a Burmese mother and an English father, who brought him back to England when he was 2 years old. He published his first photobook The Teds in 1979 and shortly after that joined Magnum photos after an invitation to apply from none other than Josef Koudelka. He subsequently travelled all over the world, covering many of the major global conflicts of the 80’s and 90’s in between working extensively in his home country, and producing a number of books of that work, along with those from Afghanistan and later from his wife’s native country of Japan. He has won, to name but a few awards, The Oscar Barnack Prize, The Robert Capa Gold Medal and a number of World Press awards, and all that despite the fact that he doesn’t really consider himself to be a photojournalist.