Podcast appearances and mentions of rudy vall

Send us a textIt's just Mark, his overanalysis, and Rudy Vallée as he tries to figure out what makes Some Like It Hot such a timeless comedy, why the idea of syncopation gives it rare thematic harmony, and how Billy Wilder and IAL Diamond were so damn good.https://markoveranalysesfilm.buzzsprout.com/https://www.markoveranalysesstory.com/https://twitter.com/overanalysefilm

On les écoute aujourd'hui toute l'année mais c'est à la Noël qu'ils sont les plus présents : les crooners sont de retour, en plus de Mariah Carey, évidemment, pour le plus grand plaisir de toutes les générations. La raison, on la connaît : le ton et la tessiture de leur voix chaleureuse et rassurante. Une façon de chanter qui, à la fin des années 20 était une vraie révolution. Car jusque-là, les chanteurs dans les théâtres et les salles de bal, accompagnés par un orchestre, devaient, comme à l'opéra, donner de la voix pour que tout le monde les entende. Mais l'arrivée du microphone, de la radio et surtout son succès fulgurant, des millions de ménages s'en équipent, change la donne. Plus besoin d'envoyer pour se faire entendre. On peut chanter sans s'époumoner, et donc, être plus intime, plus proche. Et ça, c'est un des tours de magie de la radio. Imaginez ces jeunes devant le grand poste, se rapprocher du haut-parleur, pour écouter une voix grave chanter des mots d'amour, avec émotion. Oui, l'émotion toute en nuance, c'est ça la grande différence avec l'opéra et le jazz grand orchestre. Quand on chantait une histoire d'amour ou un truc triste, il fallait toujours envoyer pour être compris par le deuxième balcon et le dernier rang du parterre.Et là, apparaissent des gars qui, avec leur voix suave, entrent dans votre intimité et votre imaginaire. Quand ils disent je t'aime, on y croit. Vous ne vous étonnerez donc pas d'apprendre que les apparitions d'un Rudy Vallée, considéré comme le premier crooner, provoquaient des scènes de bousculades de jeunes fans. Oui, on peut dire que Rudy Vallée est la première pop star de l'histoire. Il est, bien vite, rejoint puis dépassé par Bing Crosby qui est, sans conteste, la plus grande star des années 30. Et bien entendu tout ce petit monde est sous contrat avec une grande chaîne de radio où il chante en direct et en exclusivité dans des émissions quotidiennes ou hebdomadaires à grands renforts de publicité dans la presse. De là, à presser les disques de leurs poulains, il n'y a qu'un pas. Ainsi Rudy Vallée, est sous contrat avec NBC et Bing Crosby, avec CBS. Mais si les crooners sont devenus un bizness incroyable, ils font l'objet de toutes les critiques. Certains disent, comme ce journaliste du New York Times, que le temps de ces chanteurs est compté : ça ne durera pas. De toute façon, continue-t-il, s'ils chantent comme ça, c'est parce qu'ils sont incapables de faire autrement. Mais ce n'est pas tout, un cardinal de Boston s'exprimant au nom de sa communauté qualifie le style crooner de dégénéré, souillant, indigne, sans principes, imbécile et immoral. Oui, exactement la même diatribe qu'on entendra bien plus tard à l'égard d'Elvis Presley, les Beatles ou les Stones. Mais est-ce si étonnant quand on sait qu'Elvis Presley était un grand fan de Bing Crosby …

Support Breaking Walls at https://www.patreon.com/thewallbreakers By 1944 Rudy Vallée was one of the most famous American entertainers in history. Vallée spent much of early 1944 conducting the 11th Naval District Coast Guard Band, known as one of the best military units in the nation. He returned to civilian life, and to radio over NBC, on September 9th, 1944 with the launch of a new show, called Villa Vallée, and sponsored by Drene shampoo. It co-starred Monte Woolley. This 10:30PM eastern time episode pulled a rating of 12.3.

Support Breaking Walls at https://www.patreon.com/thewallbreakers This program, originally airing on KPO San Francisco, was in conjunction with the 5th War Loan Drive. Thanksgiving 1944 was also called “War Bond Day.” It featured the likes of Rudy Vallée and others.

Support Breaking Walls at https://www.patreon.com/thewallbreakers This program, originally airing on KPO San Francisco, was in conjunction with the 5th War Loan Drive. Thanksgiving 1944 was also called “War Bond Day.” It featured the likes of Rudy Vallée and others.

Avalon Time is an American old-time radio comedy/variety program that ran from 1938 to 1940 on NBC's Red Network. The program was named after its sponsor, Avalon cigarettes. Over the course of its run, Avalon Time was also sponsored by Sir Walter Raleigh Pipe Tobacco and the Bulova Watch Company. The program is often regarded as comedian Red Skelton's first big break in show business and on radio. Show history Tobacco company Brown & Williamson, former makers of Kool cigarettes, began producing Avalon in 1932. Avalon was Brown & Williamson's 'economy' brand, while never actually mentioning that term. Instead, they were promoted as either the cigarettes that "cost you less" or the cigarettes that "give you change back". Avalon Time was the first Avalon-sponsored radio program with Show Boat premiering in 1939. The 'Reds' 'Red' was an ongoing theme and joke on Avalon Time. Coincidentally, all four hosts of the program had "red" hair. Two of the four hosts went by the name "Red". Also, the program was produced and broadcast over NBC's "Red" Network. Red Foley Avalon Time premiered as The Avalon Variety Show on October 1, 1938 with host Red Foley (1910–1968). Foley began his career in broadcasting in 1930 while still attending school at Georgetown College to perform with the house band on WLS-AM's National Barn Dance. In 1937, Foley, with producer John Lair, created the radio program Renfro Valley Barn Dance for WHAS in Louisville, Kentucky. With the premiere of The Avalon Variety Show in 1938, Foley became the first country artist to host a network radio program. Foley was the longest serving host of the program with frequent co-star Kitty O'Neill. Foley left Avalon in July 1939 and was replaced as host by up-and-coming comedian Red Skelton. Foley's replacement as singer was Curt Massey.[6] After Avalon Time, Foley returned to National Barn Dance and also became a lifelong member of the Grand Ole Opry. He also hosted Ozark Jubilee, the first popular country music television series, in the 1950s. Red Skelton Red Skelton (1913–1997) was the second host of Avalon Time. Skelton became well known for his "Doughnut Dunkers" routine[3] which led to Skelton's first appearance on Rudy Vallée's The Fleischmann's Yeast Hour on August 12, 1937. Vallée's program had a talent show segment and those who were searching for stardom were eager to be heard on it. Vallée also booked veteran comic Joe Cook to appear as a guest with Skelton. The two proceeded to trade jokes about their home towns, with Skelton contending to Cook, an Evansville native, that the city was a suburb of Vincennes, Skelton's hometown. The show received enough fan mail after the performance to invite both comedians back two weeks after Skelton's initial appearance and again in November of that year. On October 1, 1938, Skelton replaced Red Foley as the host of Avalon Time. Skelton's first wife Edna also joined the show's cast, under her maiden name of Stillwell. The Skeltons worked on Avalon Time until late 1939. Skelton went on to do his own radio show, The Raleigh Cigarette Program, on October 7, 1941. The bandleader for the show was Ozzie Nelson; his wife, Harriet, who worked under her maiden name of Hilliard, was the show's vocalist and also worked with Skelton in skits. Skelton went on to have his own successful television series named after him that ran on CBS and NBC for 20 years. Cliff Arquette Comedian Cliff Arquette (1905–1974) replaced Skelton as host of Red Skelton Time in January 1940. Arquette made a guest appearance on the show just a week earlier in December 1939. The title of the program was officially changed to Avalon Time when Arquette came aboard as host. Arquette began his career as a pianist in the early 1920s soon joining the Henry Halstead orchestra in 1923. Arquette had made a few appearances on radio including an appearance on The Jack Benny Program in 1938. Arquette left Avalon Time in May 1940 and went on to establish his most memorable --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

Support Breaking Walls at https://www.patreon.com/thewallbreakers Edgar Bergen came to the attention of American audiences on Rudy Vallée's NBC Royal Gelatin Hour on December 17th, 1936. Five months later NBC gave Bergen his own show Sundays at 8PM. He was an instant smash hit. Don Ameche worked with Bergen in those years. He was emcee on December 12th, 1937 when Mae West was the guest for an innuendo heavy skit called “Adam and Eve.” Over the next six seasons his show was never rated lower than fourth. Twice it was the country's top program. In October of 1944 Bergen's rating was 22.5. Roughly eighteen million people tuned in on October 29th when the guest was Orson Welles for the first of back-to-back appearances on the show.

Support Breaking Walls at https://www.patreon.com/thewallbreakers Edgar Bergen came to the attention of American audiences on Rudy Vallée's NBC Royal Gelatin Hour on December 17th, 1936. How could ventriloquism work on radio? Perhaps Rudy Vallée himself put it best the night Bergen debuted. Five months later NBC gave Bergen his own show Sundays at 8PM. He was an instant smash hit. Don Ameche worked with Bergen in those years. He was emcee on December 12th, 1937 when Mae West was the guest for an innuendo heavy skit called “Adam and Eve.” Over the next six seasons his show was never rated lower than fourth. Twice it was the country's top program. In November of 1944 Bergen's rating was 22.7. Roughly eighteen million people tuned in on November 5th when the guest was Orson Welles for the second of back-to-back appearances on the show.

Edgar Bergen first came to the attention of American audiences on Rudy Vallée's NBC Royal Gelatin Hour on December 17th, 1936. How could ventriloquism work on radio? Perhaps Rudy Vallée himself put it best the night Bergen debuted. Five months later NBC gave Bergen his own show on Sundays at 8PM. He was an instant smash hit. Don Ameche worked with Bergen in those years. He was emcee on December 12th, 1937 when Mae West was the guest for an innuendo heavy skit called “Adam and Eve.” Over the next six seasons his show was never rated lower than fourth. Twice it was the country's top program. On April 9th, 1944 Bergen's rating was 27.1. Roughly twenty million people were tuned in live, coast-to-coast from WEAF in New York at 8PM eastern and 5PM pacific over KFI. This is that entire Easter Sunday broadcast.

On February 15th, 1944 Bob Hope broadcast his program from Santa Ana's Classification Center. His guest of honor was none other than good friend Bing Crosby. In February of 1944 Frances Langford was twenty-eight years old. She grew up in Florida, and originally trained as an opera singer. A tonsillectomy changed her range and she instead shifted her vocal approach to a more contemporary big band, popular music style. As a teenager, cigar manufacturer Eli Witt heard her sing at an American Legion party and hired her to sing on a local radio show he sponsored. In 1931 Langford moved to Hollywood, appearing on Louella Parsons' radio show. She was soon heard by Rudy Vallée, and in 1935 she made her film debut in Every Night at Eight. That year she became a regular performer on Dick Powell's radio show, which Bob Hope joined in 1937. When The Pepsodent Program launched in 1938 she began a long term engagement with Hope. In February of 1944 Hope, Crosby, and Dorothy Lamour were wrapping filming of Road To Utopia, the fourth in their series of Road To films. Written by Melvin Frank and Norman Panama, the film is about two vaudeville performers at the turn of the twentieth century who go to Alaska to make their fortune. Along the way they find a map to a secret gold mine. While shooting wrapped in 1944, the film wasn't released until February 27th, 1946. Its screenplay was nominated for an Academy Award the next year.

Fast facts about Bing Crosby and fellow crooner Rudy Vallée.

Humphrey Bogart's film success led to more radio appearances on comedy programs, giving Bogie the chance to show off his comedic timing. On June 3rd, 1941 Bogart appeared on The Bob Hope Show. The program had a rating of 25.3. The next February, Bogart appeared on The Jack Benny Program. Benny and Bogart had tremendous natural chemistry. Years later, Bogart was talking to friend and columnist George Fisher about the top ten characters he'd met through the years. John Barrymore was one Bogart mentioned. That one time Bogart met Barrymore was on the February 19th, 1942 episode of The Rudy Vallée Show. John Barrymore passed away three months later.

A very fun screwball comedy starring Claudette Colbert as a creative-minded wife who decides the only way to save her marriage and allow her inventor husband (Joel McCrea) to succeed is to divorce him and find another husband who's rich to finance her ex-husband's inventions!  Co-starring Rudy Vallée and Mary Astor. Written and directed by Preston Sturges.

The jazz standard “Makin' Whoopee” — introduced in a 1928 stage musical with a performance by legendary song-and-dance man Eddie Cantor — is built around the sassiest words ever penned by one of the great lyricists of the Roarin' Twenties.Gus Kahn was born in 1886 in Bruschied, Germany, son of a cattle farmer who emigrated to the United States four years later and moved his family to Chicago.After graduating from high school, Gus worked as a clerk in a mail order business before launching one of the most successful and prolific careers on Tin Pan Alley.In the next 30 years, Kahn contributed to an extraordinary number of Great American Songbook numbers. Like what? you say. Like “Pretty Baby,” “Ain't We Got Fun?,” “Carolina in the Morning,” “Toot, Toot, Tootsie *Goo' Bye!),” “Yes Sir, That's My Baby,” “My Baby Just Cares for Me,” “Dream a Little Dream of Me.”No wonder that in 1951 — 10 years after his death — Gus was featured in a popular movie about his life. “I'll See You in My Dreams” starred Danny Thomas as Kahn opposite Doris Day as Gus's wife, Grace LeBoy. The film was a serious hit, Warner Brothers' second-highest-grossing film of the entire year.Walter DonaldsonGus had a life-long friendship with his main collaborator, composer Walter Donaldson (who you may remember from our earlier post about their “My Blue Heaven.”) Their first collaboration was “My Buddy” in 1922. They went on to compose over one hundred songs together.In 1928, the pair composed all the tunes for a show called “Whoopee!” based on Owen Davis's play, “The Nervous Wreck.” Included in the score was “Makin' Whoopee,” the winking-est and nodding-est number of the season. The title refers to love and marriage. Quickly, though, "making whoopee" becoming a euphemism for recreational love making. Gus's lyrics begin with a sardonic celebration of a wedding (“another bride, another June … a lot of shoes, a lot of rice”), then moves on to the love nest and babies and responsibilities (‘washing dishes and baby clothes, he's so ambitious he even sews…) but then to affairs and confrontations, possible divorce, a visit to a judge…The 1928 show was successful enough, but oh, that song! In the same year that it debuted on Broadway, it also was recorded Bing Crosby and Paul Whiteman and the next year by Rudy Vallée. Then in the 1950s, after that Danny Thomas / Doris Day movie, the song was back in a big way, with versions by Nat King Cole, Gerry Mulligan and Chet Baker, Frank Sinatra, Dinah Washington, Louis Armstrong, Ella Fitzgerald. And that isn't the end. More recently, it has been recorded Dr. John and Rickie Lee Jones, by Cyndi Lauper and Tony Bennett, by Rod Stewart and Elton John.Our Take on the TuneHonestly, we don't know how a band that's been around for nearly half a century — one that has a special love for novelty and good-time tunes of the 1920s and ‘30s — could have missed this one.But the fact is it's only now that The Flood started playing around with this classic. Guess it took our newest members — Veezy Coffman and Danny Cox — to open our ears to it. We're sure glad they did. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

When people hear the term “Crooner,” they often think of Frank Sinatra, Nat King Cole, or Bing Crosby. Although these singers could be categorized as the crooning type, their music was largely influenced by the works of an even earlier set of singers who popularized “Crooning” as a genre. In this episode, Mike focuses on these earlier Crooners, from Gene Austin, to Russ Columbo, to Rudy Vallée to Whispering Jack Smith.

Hello Backstory listeners! Our latest episode is with our guest, actor and writer Michael DeVorzon, who co-stars in the new movie "Deadlock", which arrives in theaters on Fri, Decemeber 3rd. Bruce Willis stars.  Michael talks with us about growing up in California, the son of well known parents, and recounts a funny story meeting Sylvester Stallone after seeing Rocky. He reveals what is was like to work on the hit show "Melrose Place" first behind the scenes, and later in front of the camera, and his choice between working on a movie, or a tv show. We also chat about a variety of topics including Michael's current run of 8 movie roles in the past 2 years, how he approaches a role, and prepares for it, given the time he has. All in all its an interesting and candid interview, and Michael the gracious guest for spending time with us. We thank him for this, and look forward updating you on future projects he is involved in.  Michael's IMDB Bio: Michael DeVorzon was born in Los Angeles. He's the son of Grammy winning and Academy Award nominated songwriter, composer Barry DeVorzon and Jelinda DeVorzon, a model and philanthropist. His paternal grandfather, Jules DeVorzon was a singer, violinist best known as a member of Rudy Vallée and the Connecticut Yankees. Michael's father is of Russian descent and his mother of English descent. Michael started acting on the stage as a youngster and later on got a job working in production on the television show "Melrose Place." After three years in production, he started working in front of the camera. Michael's experience covers a wide range of roles in Films, TV and Commercials. His film credits include "Fast and Fierce: Death Race", "Her Deadly Groom", "Producer Sam", "Any Day" and the NBC movie "Submerged" which was filmed at Cinecittà studios in Rome and on location on the island of Malta. TV credits include "Charmed", "Beverly Hills 90210", "Passions", "Son Of A Beach" and "Melrose Place" He's also well known as the actor in the long running national commercial for "ZipRecruiter" which on YouTube alone garnered 16 million views. DeVorzon is hard at work on the development of three feature films he co-wrote and will produce as well as a television series he co-wrote.

In Breaking Walls episode 118 we hit the road with part one of an Americana mini-series. We'll gas up with some of radio's best and examine shows taking place at America's filling stations. —————————— Highlights: • Al Hodge and The Green Hornet • Getting a Checkup at Doctor Christian's • Lux Presents: They Drive By Night with Lana Turner and Lucille Ball • Orson Welles and The Hitchhiker • ABC competes with NBC and CBS • Dragnet leads to The Lineup • Stacey Keach and The Last Tales of the Texas Rangers • The Gas Crisis and the CBS Radio Mystery Theater —————————— The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers —————————— The reading material used in today's episode was: • On the Air - By John Dunning • Network Radio Ratings — by Jim Ramsburg As well as articles from • The Association For Convenience and Fuel Retailing • Family Tree Magazine • NationalParkService.Org • Newsweek • The Smithsonian Magazine —————————— On the interview front: • Virginia Gregg and Lurene Tuttle spoke to Chuck Schaden. Hear their full chats at SpeakingOfRadio.com. • Himan Brown, Larry Haines, Vincent Price, and Rudy Vallée spoke with Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. Hear these full interviews at Goldenage-WTIC.org. • Herb Ellis, Byron Kane, Stacy Keach Sr, and Herb Vigran were with SPERDVAC. For more information, go to SPERDVAC.com. • Bing Crosby and John Scott Trotter spoke with Same Time, Same Station. • Lucille Ball was with both Dick Cavett and Joan Rivers. • Orson Welles with Johnny Carson. • Al Hodge with Richard Lamparski. • Vic Perrin with Neill Ross for KMPC. • Joel McCrae was interviewed by Al Greenberg for Orco Development. —————————— Selected music featured in today's episode was: • Route 66 — By Nat King Cole • Deep Night — By Rudy Vallée • The Klezmer's Wedding — By Andre Moisan • Living Without You — By George Winston • Fly Me To The Moon — By Julie London —————————— Special thanks to: The Mysterious Old Radio Listening Society https://www.ghoulishdelights.com/ The Fireside Mystery Theatre https://www.firesidemysterytheatre.com/ Twelve Chimes, It's Midnight https://www.twelvechimesradio.com/ —————————— Subscribe to Burning Gotham—the new audio drama set in 1835 New York City. It's available everywhere you get your podcasts and at BurningGotham.com. —————————— A special thank you to Ted Davenport, Jerry Haendiges, and Gordon Skene. For Ted go to RadioMemories.com, for Jerry, visit OTRSite.com, and for Gordon, please go to PastDaily.com. —————————— Thank you to: Tony Adams Steven Allmon Orson Orsen Chandler Phil Erickson Briana Isaac Thomas M. Joyce Ryan Kramer Gary Mollica Barry Nadler Christian Neuhaus Aimee Pavy Chris Pilkington —————————— WallBreakers Links: Patreon - patreon.com/thewallbreakers Social Media - @TheWallBreakers

Two short sketches about Henry Aldrich and his family.   Advertisement for Jello, the sponsor of The Aldrich Family   "Crowded Bathroom" originally aired on July 28, 1938. This was a sketch from the Rudy Vallée Show. The "Cancer Awareness Special" probably aired sometime in 1947.   Please email questions and comments to host@classiccomedyotr.com. Like us on Facebook at facebook.com/classiccomedyotr.   Please support our show at patron.podbean.com/classiccomedyotr or at paypal.com/donate.   Please share this podcast with your friends and family. You can also subscribe to our podcast on Spotify, iTunes, Stitcher, TuneIn, iHeartRadio, and Google podcasts.

The Phil Harris-Alice Faye Show, was a comedy radio program which ran on NBC from 1948 to 1954 starring Alice Faye and Phil Harris. Harris had previously become known to radio audiences as the band-leader-turned-cast-member of the same name on The Jack Benny Program while Faye had been a frequent guest on programs such as Rudy Vallée's variety shows. After becoming the breakout stars of the music and comedy variety program The Fitch Bandwagon, the show was retooled into a full situation comedy, with Harris and Faye playing fictionalized versions of themselves as a working show business couple raising two daughters in a madcap home.

Lee and Leah get into the mind of the criminal element when they cover the Anatole Litvak-directed, and John Huston-written crime & comedy film, "The Amazing Dr. Clitterhouse" (1938). Is this film a bit deeper than it lets on? Is Edward G. Robinson really all that great a guy in this? Is this just the Stanford Experiment? Are they talking about what one might think they are talking about with the Clitterhouse name? What did Humphrey Bogart think of this film? All of this and more, including what the hosts have watched as of late. "The Amazing Dr. Clitterhouse" IMDB  Check out our friend Thomas' YouTube channel here.  Featured Music: "Eine Klein Enacht Musik (1st Movement)" by Wolfgang Amadeus Mozart, performed by S. Soundiva Orchestra & "I Wanna Go Back to Bali" by Rudy Vallée, performed by The Connecticut Yankees.

Michael DeVorzon:Michael DeVorzon was born in Los Angeles. He's the son of Grammy winning and Academy Award nominated songwriter, composer Barry DeVorzon and Jelinda DeVorzon, a model and philanthropist. His paternal grandfather, Jules DeVorzon was a singer, violinist best known as a member of Rudy Vallée and the Connecticut Yankees. Michael's father is of Russian descent and his mother of English descent.Michael started acting on the stage as a youngster and later on got a job working in production on the television show "Melrose Place." After three years in production, he started working in front of the camera. Michael's experience covers a wide range of roles in Films, TV and Commercials.His film credits include "Fast and Fierce: Death Race", "Her Deadly Groom", "Producer Sam", "Any Day" and the NBC movie "Submerged" which was filmed at Cinecittà studios in Rome and on location on the island of Malta. TV credits include "Charmed", "Beverly Hills 90210", "Passions", "Son Of A Beach" and "Melrose Place" He's also well known as the actor in the long running national commercial for "ZipRecruiter" which on YouTube alone garnered 16 million views. DeVorzon is hard at work on the development of three feature films he co-wrote and will produce as well as a television series he co-wrote.Actor Michael DeVorzon, star of A+E's “Her Deadly Groom (premiering 7/26 on Lifetime), is available for press interviews ahead of the film's premiere.Her Deadly Groom – Premieres July 26th, 2020 at 8pm ET/PT on LifetimeRecent divorcee Alison (Kate Watson) is nervous about jumping back into the dating pool. When her best friend sets her up on a dating site, Alison is matched with Vincent (Michael DeVorzon), a mysterious man who appears to be too good to be true...because he is. Will Alison uncover the truth about Vincent's motives before it's too late?Special Music Feature Playlist:COME ON AND HOLD ONWords/music/production: Robert MarinoLead vocals: Kitty DandridgeBackground vocals: Sam HunterKeyboards: Jimmy NicholsElectric guitar: Jayson ChanceAcoustic Guitar: Steven SheehanBass: Sam HunterDrums: Paul ScholtenRecorded at County Q [Nashville, TN] by Nick "Ace" Lutz Mixed at Westwood Studios [Nashville, TN] by Billy DeckerOutro: All the Way on Love by Douglas Coleman Available on Itunes, Apple music and spotify.Complete Radio Promotional Package: The Douglas Coleman Show is now offering a complete radio promotional package for music artists. 1. Your track aired for 4 weeks over ALL of our online platforms. 2. Your track will always be played at the very beginning of the show before commercials or interviews. 3. A 15 minute interview to promote your album, single, upcoming gigs or anything you wish to talk about. 4. Your photo, bio and links to your website and music on our website featured music artists section. 5. Permanent archive of your interview and track play on Spreaker, Tune in, Stitcher, Itunes, Spotify, and other online platforms.This is a great opportunity for up and coming music artists to get exposure and airplay without any subscription or long term commitments. You get all of this for a one-time fee of $49.99 https://douglascolemanmusic.com/crpp/ for complete details. Complete Video Promotional Package: The Douglas Coleman Show VE (Video Edition) is now offering a complete music video promotional package for music artists. This package includes the following; 1. We will play and promote your music video on our new VE (Video Edition) of The Douglas Coleman Show. 2. A 10 minute video interview via Skype to promote your album, single, upcoming gigs or anything you wish to talk about. 3. Your photo, bio and links to your website, video and music on our website featured music artists section. 4. Permanent archive of your video interview and music video on our Youtube channel and Website. This is a great opportunity for up and coming music artists to get exposure for your band and music video without any subscription or long term commitments. You get all of this for a one-time fee of $49.99 http://www.douglascolemanmusic.com/cvpp/ for complete details. Sponsorship: If you're interested in being a sponsor on The Douglas Coleman Show, please contact us directly. douglascolemanshow@gmail.com

Michael DeVorzon:Michael DeVorzon was born in Los Angeles. He's the son of Grammy winning and Academy Award nominated songwriter, composer Barry DeVorzon and Jelinda DeVorzon, a model and philanthropist. His paternal grandfather, Jules DeVorzon was a singer, violinist best known as a member of Rudy Vallée and the Connecticut Yankees. Michael's father is of Russian descent and his mother of English descent.Michael started acting on the stage as a youngster and later on got a job working in production on the television show "Melrose Place." After three years in production, he started working in front of the camera. Michael's experience covers a wide range of roles in Films, TV and Commercials.His film credits include "Fast and Fierce: Death Race", "Her Deadly Groom", "Producer Sam", "Any Day" and the NBC movie "Submerged" which was filmed at Cinecittà studios in Rome and on location on the island of Malta. TV credits include "Charmed", "Beverly Hills 90210", "Passions", "Son Of A Beach" and "Melrose Place" He's also well known as the actor in the long running national commercial for "ZipRecruiter" which on YouTube alone garnered 16 million views. DeVorzon is hard at work on the development of three feature films he co-wrote and will produce as well as a television series he co-wrote.Actor Michael DeVorzon, star of A+E's “Her Deadly Groom (premiering 7/26 on Lifetime), is available for press interviews ahead of the film's premiere.Her Deadly Groom – Premieres July 26th, 2020 at 8pm ET/PT on LifetimeRecent divorcee Alison (Kate Watson) is nervous about jumping back into the dating pool. When her best friend sets her up on a dating site, Alison is matched with Vincent (Michael DeVorzon), a mysterious man who appears to be too good to be true...because he is. Will Alison uncover the truth about Vincent's motives before it's too late?Special Music Feature Playlist:COME ON AND HOLD ONWords/music/production: Robert MarinoLead vocals: Kitty DandridgeBackground vocals: Sam HunterKeyboards: Jimmy NicholsElectric guitar: Jayson ChanceAcoustic Guitar: Steven SheehanBass: Sam HunterDrums: Paul ScholtenRecorded at County Q [Nashville, TN] by Nick "Ace" Lutz Mixed at Westwood Studios [Nashville, TN] by Billy DeckerOutro: All the Way on Love by Douglas Coleman Available on Itunes, Apple music and spotify.Complete Radio Promotional Package: The Douglas Coleman Show is now offering a complete radio promotional package for music artists. 1. Your track aired for 4 weeks over ALL of our online platforms. 2. Your track will always be played at the very beginning of the show before commercials or interviews. 3. A 15 minute interview to promote your album, single, upcoming gigs or anything you wish to talk about. 4. Your photo, bio and links to your website and music on our website featured music artists section. 5. Permanent archive of your interview and track play on Spreaker, Tune in, Stitcher, Itunes, Spotify, and other online platforms.This is a great opportunity for up and coming music artists to get exposure and airplay without any subscription or long term commitments. You get all of this for a one-time fee of $49.99 https://douglascolemanmusic.com/crpp/ for complete details. Complete Video Promotional Package: The Douglas Coleman Show VE (Video Edition) is now offering a complete music video promotional package for music artists. This package includes the following; 1. We will play and promote your music video on our new VE (Video Edition) of The Douglas Coleman Show. 2. A 10 minute video interview via Skype to promote your album, single, upcoming gigs or anything you wish to talk about. 3. Your photo, bio and links to your website, video and music on our website featured music artists section. 4. Permanent archive of your video interview and music video on our Youtube channel and Website. This is a great opportunity for up and coming music artists to get exposure for your band and music video without any subscription or long term commitments. You get all of this for a one-time fee of $49.99 http://www.douglascolemanmusic.com/cvpp/ for complete details. Sponsorship: If you're interested in being a sponsor on The Douglas Coleman Show, please contact us directly. douglascolemanshow@gmail.com

Michael DeVorzon was born in Los Angeles. He's the son of Grammy winning and Academy Award nominated songwriter, composer Barry DeVorzon and Jelinda DeVorzon, a model and philanthropist. His paternal grandfather, Jules DeVorzon was a singer, violinist best known as a member of Rudy Vallée and the Connecticut Yankees. Michael's father is of Russian descent and his mother of English descent.Michael started acting on the stage as a youngster and later on got a job working in production on the television show "Melrose Place." After three years in production, he started working in front of the camera.Michael's experience covers a wide range of roles in Films, TV and Commercials.You can learn more about Michael and connect with him below!www.instagram.com/michaeldvz www.facebook.com/michaeldevorzon www.twitter.com/michaeldvz Our sponsor this month is HostGator.A ton of website hosting options, 99.9% uptime guarantee, free SSL certificate, easy WordPress installs, and a free domain for a year. Starting at only  $2.75 a month for basic plans!Use this promo code brettsopenmic2020  to get up to 60% percent off for new customers. CLICK BELOW! partners.hostgator.com/brettsopenmicHave a question? Email us below!openmicguest@gmail.comLove the show and want to help support us? Click the link below and consider joining our Patreon for exclusive content and a shout out on the show!https://www.patreon.com/theopenmicpodcast?fan_landing=trueBe sure to follow us on social media for all the latest podcast updates!Twittertwitter.com/@brettsopenmicIGinstagram.com/brettsopenmicFacebookFacebook.com/openmicpodcast

How are we feeling about No Time To Die's marketing campaign? This week we round up the latest ‘No Time To Die’ news, and Bill reports from Toronto where he and a large group of Bond fans assembled for ‘Skyfall’ in Concert. We discuss the experience of seeing the film live with an orchestra and what other scores are ripe for the ‘in concert’ treatment before segueing to Billie Eilish’s UK chart success and the behind-the-scenes video narrated by Cary Fukunaga. We end on the long running time and whether this will be conducive to a satisfying close to the Craig era. Along the way we discover the O’Connell proximity effect, unfortunate honeymoons, unrecorded Bond themes by Rudy Vallée and Hoagy Carmichael, underground clubs pumping out Adele remixes, Cary Fukunaga’s outtakes, the cable guy on ‘No Time To Die’, a gun barrel intermission, an industrial dispute at MI6, a missed marketing opportunity for Dr. No, how best to wear your 007 trainers, how many Oscars the B-roll will win, redacted reminisces, and Hans Zimmer’s MasterCard. The recording took place on February 26th, 2020 in the UK, USA, and New Zealand. Paul Atkinson and James Page are co-founders of MI6-HQ.com and the magazine MI6 Confidential Bill Koenig runs the Spy Command at hmssweblog.wordpress.com Ben Williams writes for MI6-HQ.com and MI6 Confidential Mark O'Connell's home base is markoconnell.co.uk This podcast is copyright Pretitles LLC © 2020 Music credit 'Spy & Die' by Jay Man

In Breaking Walls episode 99 we wrap up our trilogy on the most popular season in radio history with a look at the major network programming surrounding New Year’s 1948. —————————— Highlights: • Scenes from the Post-Christmas Blizzard Aftermath • Breakfast in Hollywood • Checking in on Lora Lawton • Lois Lane Has Been Framed • Staats Cotsworth’s Other Gig, and Dennis Day’s Old One • Ringing in the New Year with The Mayor and Duffy • Mr. District Attorney and The Big Story • Bing Crosby’s Feeling Festive • Jimmy Durante is Sick • Happy New Year, 1948 • Truman’s Lack of Popularity and a Severe Labor Strike Issue • The First Rose Bowl Telecast in Los Angeles • Mel Allen • Jack Benny, George Burns, Gracie Allen • Al Jolson and Casey • Radio Reader’s Digest, Mr. President, and Family Theater • CBS Takes on Eddie Cantor with The First Nighter • Wrapping Up The Holiday Season and Looking Ahead —————————— The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers —————————— The reading material used in today’s episode was: • On the Air — By John Dunning • Network Radio Ratings, 1932-53 — by Jim Ramsburg As well as articles from: • Radio Daily — December 1947 and January 1948. • Broadcasting Magazine — May 31st, 1948 —————————— On the interview front: • Mel Allen, Jackson Beck, John Gibson, Jackie Kelk, Tony Marvin, Jan Miner, Rosa Rio, and William N. Robson were with Dick Bertel and Ed Corcoran for WTIC’s The Golden Age of Radio. These interviews can be heard at GoldenAge-WTIC.org. • Chuck Schaden spoke to Barbara Luddy, Gloria McMillan, Olan Soule, Rudy Vallée, and Harry Von Zell. Hear their full chats at SpeakingofRadio.com. • William Paley gave a speech while receiving an award on November 20th, 1958. • Arthur Godrey and Andy Rooney spoke for CBS’ 50th anniversary. • George Burns and Jack Benny were interviewed for Great Radio Comedians. • Bing Crosby was interviewed for Same Time, Same Station in 1972, while SPERDVAC was with Betty Lou Gerson in 1979 and Dennis Day was with John Dunning for 71KNUS on Easter Sunday, April 11th, 1982. —————————— Selected Music featured in today’s episode was: • What Are You Doing New Year’s Eve? - By Margaret Whiting • Campana Sobre Campana - By J.P. Torres • Auld Lang Syne - By The Manhattan Strings and by Guy Lombardo • Someone to Watch Over Me - By Rosemary Squires & The Ken Thorne Orchestra • I’ll Be Seeing You - By The Harry James Band —————————— Special thanks to our sponsors! Twelve Chimes, It’s Midnight https://www.twelvechimesradio.com/ The Mysterious Old Radio Listening Society https://www.ghoulishdelights.com/series/themorls/ Hey It’s Jali Entertainment https://www.heyitsjali.com/ —————————— A special thank you to Ted Davenport and Jerry Haendiges: two radio show collectors who helped supply material for this episode. They’re who the large retailers go to. Ted’s got a Facebook group - https://www.facebook.com/otrteddavenport/ For Jerry, please visit http://otrsite.com/ I’d also like to thank Walden Hughes and John and Larry Gassman of SPERDVAC - http://sperdvac.com/ —————————— A Special Thank you to: Tony Adams Ryan Kramer Barry Nadler Christian Neuhaus Aimee Pavy Terry Wallace —————————— WallBreakers Links: Patreon - patreon.com/thewallbreakers Social Media - @TheWallBreakers URL - thewallbreakers.com

In Breaking Walls episode 89, we explore the birth of the dramatic radio western show, specifically targeted to adult audiences. This is the first of a three-part mini-series on adult western radio shows. Highlights: • Back to the Very Beginning • What is a Western Show? • The Birth of Western Dramatic Radio Shows • Empire Builders • Death Valley Days • The Western show on local stations • ...And in syndication • Lux Presents Hollywood • The Triumph and Tragedy of Buck Jones • Americana and the Cavalcade of America • Howard McNear and Romance of the Ranchos • The First Western Soap Opera • The War Ends and the Western show grows up • What’s Next? The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers The reading material used in today’s episode was: • On The Air: The Encyclopedia of Old-Time Radio - by John Dunning • Radio Rides The Range: A Reference Guide to Western Drama on the Air, 1929 - 1967 by Jack French and David S. Siegel • Network Radio Ratings, 1932-1953 - by Jim Ramsburg • Hello Everybody! The Dawn of American Radio by Anthony Rudel & • The Network by Scott Woolley On the interview front: • Don Ameche, Joan Fontaine, Hans Conried, Rudy Vallée were with Dick Bertel and Ed Corcoran for WTIC’s The Golden Age of Radio. The full interviews can be heard at GoldenAge-WTIC.org • Agnes Moorehead and Anne Seymour were with Chuck Schaden. Chuck’s interviews from an over 39-year career can be listened to for free at SpeakingofRadio.com • John Dunkel and William N. Robson were with John Hickman for his WAMU program “Recollections.” A modern version of this program is heard each Sunday evening as “The Big Broadcast.” For more information, please go to WAMU.org • Ruth Woodman was with Ida Blackburn in 1961 for KOCO. The full video clip can be seen on the Oklahoma Historical Society's Youtube page - https://www.youtube.com/channel/UCOnsye8K4SEsY9Ssi8EzzHg • and journalist Robert Bendiner was with Westinghouse for their 1970 50th Anniversary program. Special thanks to our Sponsors: • The Fireside Mystery Theatre https://www.firesidemysterytheatre.com • The Mutual Audio Network http://mutualaudionetwork.com Selected music featured in today’s episode was: • The Colorado Trail Opus 28 by Elizabeth Hainen - http://www.elizabethhainen.com • The Last Rose of Summer by Tom Waits • Morning Prayer by Kenneth Little Hawk • All Mortal Flesh Be Silent by Deirdre Fay • Across the Wide Missouri, by Mathias Gohl, Molly Mason, Jay Unger, and Andy Stein • Jefferson and Liberty by John Owen Lardinois • Amazing Grace by Leta Rector • Across the Alley from the Alamo by the Mills Brothers I’d also like to thank Walden Hughes and John and Larry Gassman. Listen to their shows on the Yesterday USA radio network. A Special Thank you to: Ryan Kramer Christian Neuhaus Aimee Pavy Terry Wallace WallBreakers Links: Patreon - patreon.com/thewallbreakers Social Media - @TheWallBreakers URL - thewallbreakers.com Online Store - jamesthewallbreaker.com/shop/

Rudy Vallée a été la première grande vedette crooner de l'histoire. Il a ouvert la voie aux autres grands chanteurs de charme qui vont suivre. Entre 1927 et 1941, Rudy Vallée va enregistrer plus de 200 chansons à succès, les émissions qu'il va animer à la radio vont rejoindre des dizaines de millions d'auditeurs, et il va se transformer très rapidement en véritable idole de la jeunesse. Invité : Pierre Lavoie

Alright you goons, beware! Here's this season's brand new set of spooked-up tunes! The moon's out, so let's get howlin'! ☠ I Eat Your Skin/I Drink Your Blood radio spot ☠ Kenny & The Fiends- The House on Haunted Hill ☠ Buster Doss & His Arkansas Playboys- Graveyard Boogie ☠ Mack Allen Smith- The Skeleton Fight ☠ Orville Stoebner & Walter Sear- Excerpt from “Let’s Scare Jessica to Death” OST ☠ Ron Haydock & The Boppers- Halloween ☠ ”Dr. Satan” spookshow promo ☠ James Duhon- Graveyard Creep ☠ Peerless Quartet- At the Devil’s Ball ☠ John Sowell- Nightmares ☠ The Ghouls- Dracula’s Deuce ☠ Basil Kirchin, The Abominable Dr. Phibes OST- Dr. Phibes’ Theme ☠ Pieces radio spot ☠ Wobblin’ Goblin’, Lawrence Welk Hallowe’en Show 1958 ☠ Merv Griffin- House of Horrors ☠ Jimmy Dee- The Monster Hop ☠ Carlos Casal, Jr.- Don’t Meet Frankenstein ☠ François de Roubaix, Daughters of Darkness OST- Daughters of Darkness Opening Theme ☠ Vault of Horror radio spot ☠ Milton DeLugg- The Creep ☠ Ben Colder- Shudders and Screams ☠ Rudy Vallée and His Connecticut Yankees- With Her Head Tucked Underneath Her Arm ☠ Evans Carol- The Monster ☠ The Nightmares- Headless Ghost ☠ John Debney, “The Halloween Tree” OST- Main Titles

Actress/author Illeana Douglas joins DJ Andrew Sandoval for a discussion of her incredible first book, I Blame Dennis Hopper, and the role music has played in her movies and life. This edition of Come to the Sunshine was first broadcast November 30, 2015 and features music by The Byrds, Henry Mancini, Harry Nilsson, Donovan, The Sandpipers, Rudy Vallée, Gary Lewis, Jerry Lewis, The Hollies & Peter Sellers, Sparhusen and many more. The book is available HERE: http://amzn.to/1lUPcm4