Podcasts about The Hollies

"We were born before the wind Also younger than the sunEre the bonnie boat was won as we sailed into the mysticHark, now hear the sailors cry Smell the sea and feel the skyLet your soul and spirit fly into the mystic"A terrific day to sail or flow into the Mystic with me on this week's Super Sounds Of The 70's. Joining us are Badfinger, Santana, Linda Ronstadt, Roy Orbison, Moody Blues, Jeff Beck, Beatles, Beach Boys, The Band, Yes, The Kinks, Ted Nugent &  The Amboy Dukes, The Allman Brothers Band, Zombies, Hollies, George Harrison, The Move, Joni  Mitchell, Richie Havens, Simon & Garfunkel, Steve Miller Band, Dave Mason, Grateful Dead and Van Morrison... 

National Go for broke day.  Entertainment from 1962.  Pocahontas married, lava lamp invented, Easter Island found, First Dr. to remove a lung.  Todays birhdays - Joseph Lister, Booker T. Washinton, Spencer Tracy, Bette Davis, Gregory Peck, Tony Williams, Allan Clark, Agnetha Falstskog, Troy Gentry, Pharrell Williams.  Kurt Cobain died.Intro - God did good - Dianna Corcoran  https://www.diannacorcoran.com/ Go for broke - Machine Gun KellyDon't break the heart that loves you - Connie FrancisShe's got you - Patsy ClineBirthdays - In da club - 50 CentBette Davis eyes - Kim CarnesThe great pretender - The PlattersCarrie Anne - The HolliesDancing queen - ABBAHell Yea - Montgomery GentryHappy - Pherrell WilliamsSmells like teen spirit - NirvanaExit - Ramblin Woman - Payton Howie   https://paytonhowie.com/countryundergroundradio.com cooolmedia.com

The Romantics, a band synonymous with the vibrant energy of American rock and the catchy hooks of '80s new wave, havea story deeply rooted in the musical landscape of Detroit. At the heart of this narrative is Mike Skill, the band's founding lead guitarist and a principal songwriter, whose journey before and during his time with The Romantics showcases a blend of influences, adaptability, and a passion for music thatcontinues to resonate with audiences today.​ Mike Skill grew up on the east side of Detroit, a city pulsating with musical innovation. The '60s brought the British Invasion,with bands like The Kinks, The Who, The Beatles, The Hollies, and The Rolling Stones capturing the imagination of young musicians worldwide. Skill was no exception; he found himself captivated by the raw energy and melodic sensibilities of these British acts. This fascination wasn't just about the music—it was about the attitude, the style, and the revolutionary spirit that these bands embodied. But Detroit had its own musical heartbeat. The city was a melting pot of sounds, from the soulful rhythms of Motown to the gritty garage rock of local bands. Influences like the MC5, the Stooges, and early Bob Seger were instrumental in shaping Skill's musical outlook. He absorbed the sincerity, irony, spontaneity, and volume that characterised Detroit's late '60s rock scene, blending it with the melodic hooks of theBritish bands he admired.​ By the mid-70s, Skill was ready to channel his influences into something original. In 1977, he joined forces with Wally Palmar, Rich Cole, and Jimmy Marinos to form The Romantics—a name befitting their debut on the day of love. Their mission was clear: to create music that was fresh yet familiar, blending the infectious energy of British pop with the raw power ofAmerican rock.​ Detroit's music scene was both a challenge and aninspiration. The city was teeming with talent, and standing out required not just skill but also a unique identity. The Romantics distinguished themselves with their short hair, tailored suits, and high-energy performances. They favoured concise, punchy songs that got straight to the point—a reflection of both their punk influences and the pop sensibilities of the British Invasion. The Romantics' relentless gigging paid off and they recorded their self-titled debut album with British producer Pete Solley. Released in 1980, this album marked the dawn of a new decade and introduced the world to "What I Like About You."​ With its infectious beat and catchy chorus, the song became a defining track of the era. As the musical landscape shifted in the early '80s, the emergence of new wave brought synthesizers, polished production, and a more commercial sound to the forefront. The Romantics, rooted in garage rock and power pop, faced the challenge of evolving without losing their identity.​ Mike Skill's left the band after the 1980 release of "National Breakout." The lineup change coincided with the band's subtle incorporation of new wave elements into their music. Their 83 album, "In Heat," showcased this evolution, with tracks like "Talking in Your Sleep" blending their signature rock energy with the melodic hooks and production sheen characteristic of new wave. The song became one of their biggest hits. Despite lineup changes and the ebb and flow ofmusical trends, The Romantics have remained a constant presence in the rock scene. Mike Skill's return to the band in 2010 revitalised their live performances. The story of The Romantics, with Mike Skill's journey at its core, is the embodiment of the timeless spirit of rock music—a blend of passion, innovation, and an unwavering commitment to the craft. Mike joins us today to share his story,#theromantics #musichistory #newwavemusic #80smusic  

A savoury snack origin story, allegedly innocent filth, fleeting croc fame, a justified flounce, renewed dramatic relevance, and a chart rules game-changer.Listen to this episode with full tracks embedded.Playlists: YouTube // Spotify // extra tracks & bonus bitsTo join in with the voting, please submit your 1st, 2nd and 3rd favourites, plus your "most bad and hated" selection, to:The Patreon Supporters Club // Bluesky: whichdecadetops // Facebook // whichdecadeistops@gmail.comThe voting deadline for this episode is 6pm UK time, Sunday 6th April 2025. Hosted on Acast. See acast.com/privacy for more information.

"Laughing on the busPlaying games with the facesShe said the man in the gabardine suitWas a spy, I said, "Be carefulHis bow tie is really a camera"Counting the cars on the New Jersey TurnpikeThey've all come To look for America"It's here, please join me this afternoon as we reveal it's existence through a wondrous thing we call music. Joining us on are journey are Red Hot Chili Peppers, Lou Reed, Radiohead. U2, The Hollies, Beatles, Byrds, Los Bravos, RE.M. Velvet Underground, Bob James, Steely Dan, Tom Petty & The Heartbreakers, Harry Chapin, Pat Metheny, The Wallflowers, The Mark-Almond Band, Patti Smith, The Grass Roots, Mamas & Papas and Simon & Garfunkel...

Representing the 1960s and 1970s: a savoury snack origin story, and allegedly innocent filth.Still to come: the 1980s and 1990s in Part 2, and the 2000s and 2010s in Part 3.Listen to all three parts in one go, with full tracks embedded.YouTube // Spotify // extra tracks & bonus bits Hosted on Acast. See acast.com/privacy for more information.

This week on the Rockonteurs podcast, we are delighted to welcome a true legend to the show. Musician, singer and songwriter Graham Nash. It's impossible to understate his impact on the music we love and the influence he has had on us and so many others. We could do a whole episode on his time with The Hollies, let alone Crosby, Stills and Nash and another on Crosby, Stills, Nash and Young. With tales that stretch from Manchester to Laurel Canyon, from Mama Cass to Joni Mitchell, from David Gilmour to Graham Gouldman. This is a special one. Graham is touring the UK in October and you can find out more at: www.grahamnash.com/tourInstagram @rockonteurs @officialgrahamnash @guyprattofficial @garyjkemp @gimmesugarproductionsEmail us at: rockonteurschannel@gmail.comListen to the podcast and watch some of our latest episodes, including the recent Bryan Ferry show on our Rockonteurs YouTube channel.YouTube: https://www.youtube.com/@rockonteursFacebook: https://www.facebook.com/RockonteursTikTok: https://www.tiktok.com/@therockonteursProduced for WMG UK by Ben Jones at Gimme Sugar Productionswww.gimmesugar.co.uk Hosted on Acast. See acast.com/privacy for more information.

This week on the Rockonteurs podcast, we are delighted to welcome a true legend to the show. Musician, singer and songwriter Graham Nash. It's impossible to understate his impact on the music we love and the influence he has had on us and so many others. We could do a whole episode on his time with The Hollies, let alone Crosby, Stills and Nash and another on Crosby, Stills, Nash and Young. With tales that stretch from Manchester to Laurel Canyon, from Mama Cass to Joni Mitchell, from David Gilmour to Graham Gouldman. This is a special one. Graham is touring the UK in October and you can find out more at: www.grahamnash.com/tourInstagram @rockonteurs @officialgrahamnash @guyprattofficial @garyjkemp @gimmesugarproductionsEmail us at: rockonteurschannel@gmail.comListen to the podcast and watch some of our latest episodes, including the recent Bryan Ferry show on our Rockonteurs YouTube channel.YouTube: https://www.youtube.com/@rockonteursFacebook: https://www.facebook.com/RockonteursTikTok: https://www.tiktok.com/@therockonteursProduced for WMG UK by Ben Jones at Gimme Sugar Productionswww.gimmesugar.co.uk Hosted on Acast. See acast.com/privacy for more information.

By the mid-70's the Beach Boys appeared to be a band that had been left behind.  Sales had been only moderate for their previous albums, and the band was struggling to determine their direction musically.  In the summer of 1973 the movie "American Graffiti" featured several Beach Boys songs, creating nostalgia for the earlier surfing music.Between the revived interest sparked by "American Graffiti" and the success of the Beatles "Red" and "Blue" compilation albums, the Beach Boys released a collection of hits from their early 60's catalogue called Endless Summer.  This featured songs from their Capitol Records days, 1962-1965.  It was a near-instant success reaching the top of the charts in the United States four months after its release, and becoming their second number 1 album on the US charts.  After the success of Endless Summer, the Beach Boys would reposition themselves as an oldies act, continuing in this vein for many years.  Brian Wilson would pen one further Beach Boys studio album in 1977 which would meet with meager sales.  Afterwards the band would focus on their classics until seeing a resurgence in the late 80's generated from another popular film, Tom Cruise's "Cocktail" Wayne brings us this surfin' themed compilation for this week's podcast. Catch A WaveA true surfing song, this tune is about being on a surfboard, waiting for the right wave to come along.  This song was originally released on the 1963 album "Surfer Girl," and a rewritten version was recorded by Jan and Dean as "Sidewalk Surfin."Little Deuce CoupeThis track is about a 1932-vintage Ford model 18 hot rod used in drag racing on the streets of California.  "American Graffiti" had featured the deuce coupe prominently, along with the Beach Boys song.  The lyrics were written by local radio DJ Roger Christian.Shut DownAnother song about drag racing, "shut down" means you are about to beat the person in the race.  The phrase "tach it up" may have lost some meaning in the era of automatic transmission, but the tachometer would run high for a drag race.  The song is told from the perspective of the driver of a 1963 Corvette Sting Ray in a race against a 1962 Dodge Dart.Fun, Fun, FunThe inspiration for this song was a story the Beach Boys heard during a radio interview.  The station owner described his daughter "borrowing" his 1963 Thunderbird to go to a drive-in hamburger shop.  The opening riffs were inspired by Chuck Berry's "Johnny B. Goode."   ENTERTAINMENT TRACK:Uptown Saturday Night by Dobie Gray (from the motion picture “Uptown Saturday Night”)Sidney Poitier starred in and directed this action comedy which co-starred Bill Cosby, Harry Belafonte, Richard Pryor, and Flip Wilson. STAFF PICKS:The Joker by the Steve Miller BandLynch leads off the staff picks with a well known song from Steve Miller.  The names in the first line reference several of Miller's previous songs, as well as the made-up word "pompatus."  It barely cracked the top 40 in the US, hitting 40 on the Billboard Hot 100.  Miller borrowed some lyrics from the song "Lovey Dovey" when he talks about wanting to "shake your tree."The Air that I Breathe by the HolliesRob brings us a slow burning but iconic ballad that the Hollies covered.  The original was from Albert Hammond, and previously covered by Phil Everly.  The Hollies version was the most successful, going to number 6 on the Billboard Hot 100.  Alan Parsons was the engineer on this song.Hollywood Swinging by Kool & the GangBruce's staff pick is the first number 1 R&B Single from Kool & the Gang.  It was a crossover hit as well, going to number 6 on the Billboard Hot 100.  Rick Westfield is the keyboardist for it and sings lead.  The song is a true story of the keyboardist wanting to become "a bad piano-playing man" with the group. Rock and Roll Heaven by The Righteous BrothersWayne's features an ode to the rock stars who had died at an early age. This song is another example of a song that was covered, and did better than the original.  Climax performed this song in 1973 but did not chart, while the Righteous Brothers took it to the top 10 in the United States.  Lyric would be added in the years to come as more rock stars passed. INSTRUMENTAL TRACK:Chameleon by Herbie HancockThis jazz funk instrumental track closes out the podcast for the week.  Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Happy Women's History Month from your feminism-supporting pals at ATTT. Here in Top Ten "Woman" Songs we're celebrating the LA Woman, the Evil Woman and even the Long Cool Woman (In A Black Dress). Our good friends Sky Nicholas and Tara Austin are back to help us count down our favorite songs with that magic word in the title. Picks 5-1 are featured here in Part 2.If you missed Part 1 go here:https://podcasts.apple.com/us/podcast/episode-658-top-ten-woman-songs-part-1-w-sky-nicholas/id573735994?i=1000697377197Hear every song heard in Parts 1 & 2 in the official Top Ten "Woman" Songs Spofify playlist:https://open.spotify.com/playlist/5axiLdjK3EviNjD5WmnBKA?si=5d36a0df956e4225Find our humble guests Sky & Tara on the socials!https://www.instagram.com/skyroxxu/https://www.instagram.com/austintatioustunes/We've lowered our prices, but not our standards over at the ATTT Patreon! Those who are kindly contributing $2 a month are receiving an exclusive monthly Emergency Pod episode featuring our favorite guests and utilizing our patent-pending improv format in which we miraculously pull a playlist out of thin air. Our man in Maryland Gabe Scalone joined for an all new episode!Find out more at https://www.patreon.com/c/alltimetopten

"Everybody's a dreamer and everybody's a starAnd everybody's in show biz, it doesn't matter who you areAnd those who are successful, be always on your guardSuccess walks hand in hand with failure along Hollywood Boulevard"Please join me and some of our Vinyl Heroes as we get ready for the Academy Awards and our "Celluloid Heroes" this evening with 2 hours of great tunes on this week's Super Sounds Of The 70's. Stopping by are Peter Green, America, Cream, Little Feat, Jackson Browne, Neil Young, Crabby Appleton, Detroit, Free,  Foghat, Tommy James & The Shondells, The Eagles, Supertramp, George Harrison, Pablo Cruise, Crosby Stills, Nash & Young, Grand Funk Railroad, Savoy Brown, The Hollies, Steve Stills, The J. Geils Band, Jimi Hendrix Experience and The Kinks...

Episode 56 (27/02/25) On this episode - Greg makes a bit of a joke about joining the SAS and does a shout out for a new listener to the podcast. Then we discuss the “spectrum of humour” and how some people (as with music) have more eclectic tastes than others, the suspicious deaths of Gene Hackman and his family, the cancellation of Neighbours, Greg's attempt to play and sing ‘The Air That I Breathe” by the Hollies, Amazon taking over the Bond franchise, the original plot of Ian Fleming's Moonraker, a new agony aunt problem to resolve, Gordon Ramsey's new cooking show, 70's folk rock group ‘Lindisfarne' and their lead singer Alan Hull, Greg pretends to be a Tesco worker and Barry pretends to be his boss and give him an appraisal, the new ‘SNL at 50' documentaries, our weekly improvised soap opera ‘Aylesbury Market', a ‘Dead Celebrity Seance', recommendations, Greg attempts to play and sing the podcast out with Radiohead's Creep and a whole lot more! 

"The highways jammed with broken heroesOn a last chance power driveEverybody's out on the run tonightBut there's no place left to hide"Avoid the jammed highways and join me on this week's Super Sounds Of The 70's. Coming along are David Bowie, 10CC, Sugarloaf, The Stooges, Grass Roots, Doobie Brothers, Guess Who, Hollies, Rolling Stones, Spooky  Tooth, Boz Scaggs, Ten  Years After, The Pretenders, Elvin Bishop, Tom Petty, Elvis Costello, The Eagles and Bruce Springsteen. 

For this months episode we head back to 1971 for a batch of epicly long prog epics, peppered with the occasional bit of folk rock, powerpop, metal, jazz, and afrobeat. Our longest playlist yet, and lots of fun along the way! We've each chosen our 10 favourite songs of the year and sent them over to Colin's wife Helen, who put the playlists together and distributed them so we were each given a playlist of the 20 songs from the other two hosts, along with our own 10. We then ranked the playlists in order of preference and sent them back to Helen, who totalled up the points and worked out the order.She also joined us on the episode to read out the countdown, which we found out as we recorded so all reactions are genuine.Now, admittedly, in parts we're a little bit brutal to some of the songs in the list as we're three separate people with differing music tastes, but please remember that to be in this episode at all the songs have to have been in one of our top 10's of that year.Bands featured in this episode include (In alphabetical order, no spoilers here!) - Badfinger, The Beach Boys, Black Sabbath, David Bowie, Can, Caravan, Neil Diamond, Nick Drake, Emerson, Lake & Palmer, Flower Travelin' Band, The Flying Burrito Brothers, Focus, Hampton Grease Band, Jimi Hendrix, The Hollies, Billy Joel, King Crimson, Mahavishnu Orchestra, Nazz, Harry Nilsson, The Norman Haines Band, Osibisa, Pink FLoyd, The Rolling Stones, Pharoah Sanders, Nancy Sinatra & Lee Hazlewood, Stephen Stills, Traffic, Van Der Graaf Generator & The WhoFind all songs in alphabetical order here - https://open.spotify.com/playlist/36GaQbyuHTepSEAQkXubCN?si=24673026411f4e51Find our We Dig Music Pollwinners Party playlist (featuring all of the winning songs up until now) here - https://open.spotify.com/playlist/45zfDHo8zm6VqrvoEQSt3z?si=Ivt0oMj6SmitimvumYfFrQIf you want to listen to megalength playlists of all the songs we've individually picked since we started doing best of the year episodes (which need updating but I plan on doing them over the next few months or so), you can listen to Colin's here – https://open.spotify.com/playlist/5x3Vy5Jry2IxG9JNOtabRT?si=HhcVKRCtRhWCK1KucyrDdgIan's here - https://open.spotify.com/playlist/2H0hnxe6WX50QNQdlfRH5T?si=XmEjnRqISNqDwi30p1uLqAand Tracey's here - https://open.spotify.com/playlist/2p3K0n8dKhjHb2nKBSYnKi?si=7a-cyDvSSuugdV1m5md9NwThe playlist of 20 songs from the other two hosts was scored as usual, our favourite song got 20 points, counting down incrementally to our least favourite which got 1 point. The scoring of our own list of 10 is now slightly more complicated in order to give a truer level of points to our own favourites. So rather than them only being able to score as many points as our 10th favourite in the other list, the points in our own list were distributed as follows -1st place - 20 points2nd place - 18 points3rd place – 16 points4th place – 14 points5th place – 12 points6th place – 9 points7th place – 7 points8th place – 5 points9th place – 3 points10th place -1 pointHosts - Ian Clarke, Colin Jackson-Brown & Tracey BGuest starring Helen Jackson-Brown.Playlist compiling/distributing – Helen Jackson-BrownRecorded/Edited/Mixed/Original Music by Colin Jackson-Brown for We Dig PodcastsThanks to Peter Latimer for help with the scoring system.Part of the We Dig Podcasts network along with Free With This Months Issue & Pick A Disc.Bluesky - https://bsky.app/profile/wedigmusic.bsky.socialInstagram - https://www.instagram.com/wedigmusicpcast/Facebook - https://www.facebook.com/wedigpusicpcast/Find our other episodes & podcasts at www.wedigpodcasts.com 

They're locking them up todayThey're throwing away the keyI wonder who it will be tomorrow, you or me?We're all normal and we want our freedom Thank goodness for this wondrous thing called Music. Please join me for a 2 hour escape from the noise swirling around us. Joining us are Peter Gabriel, Alan Parsons, Eva Cassidy, The Hollies, Beatles, James gang, Dire Straits, George Benson, Spirit, Pink Floyd, Lenny Kravitz, Phil Collins, John McLaughlin, Dave Brubeck, Talking Heads, Jimi Hendrix, Simon & Garfunkel, The Moody Blues, Eric Dolphy, Jeff Buckley, The Black Keys, Led Zeppelin and Love.

Send us a textCharles and Grham interview 10cc's Graham Gouldman ahead of his latest tour with his band, Heart Full of Songs.The band line-up comprises Graham, 10cc live band members Iain Hornal and Keith Hayman, and Dave Cobby.In 2014 Graham was inducted into the Songwriter's Hall of Fame – an arm of America's National Academy of Music. Fellow inductees include Noel Coward, Burt Bacharach, John Lennon, Paul McCartney, Bob Dylan, Elton John and Sting.Graham's songwriting credits over the last 60 years include The Yardbirds, The Hollies, Herman's Hermits and 10cc. In 2024 Graham released a new solo album called I Have Notes which includes collaborations with Brian May, Ringo Starr, Hank Marvin and Albert Lee.Charles and Graham round off the episode with a quick discussion about the recent BAFTA Awards and the latest news about the planned National Poetry Centre.Keep in touch with Two Big Egos in a Small Car:X@2big_egosFacebook@twobigegos

Love really IS in the air as we approach Valentine's Day.  On today's episode, I'm joined by the love of my life, my bride Ms Margs, and our friends, Lindsey Janes and Will Derasmoto, to celebrate their love and to toast to their recent engagement! The conversation includes the story of how, despite the age gap and despite being in different phases of life during the early days of their relationship, they became the couple that they are today.  Similar to Margs and my story, in VERY short order, Lindsey & Will pulled off “The Trifecta” by adopting their first dog, getting engaged, and buying a house!They share their mutual love of ALL music, including the likes of Bob Segar, Fleetwood Mac, Zach Bryan, and The Hollies.  And we wrap up with a game of “Tried & True Trivia w/ Andy & Margs” and finally Margs and I share our “Top 10 Lessons Learned From 28 Years of Marriage.”Join us, and let's see where this energy takes us!Kentucky Derby Announcers Calling Mage to Win! https://youtu.be/ZH02-Yuw2gE?si=6h4Erygzg2RSVPWvNight Moves / Bob Segar https://youtu.be/ePCiVK5Jjos?si=O5VOBFXWHFMiFOwNLong Cool Woman in a Black Dress (REMIX) / Moonlight https://youtu.be/F0GbfUyjyKE?si=hpN8asELZT_lEnK2Silver Springs / Fleetwood Mac https://youtu.be/eDwi-8n054s?si=dYfQYycxU9cehJcR

"Well gonna write a little letter gonna mail it to my local D.J.It's a rocking little record I want my jockey to playRoll over Beethoven gotta hear it again today"Well Boys & Girls, you don't have to write a letter just tune in and join me this afternoon for Super  Sounds Of The Seventies. Joining us are Laura Nyro, Van Morrison, Dire Straits, Steely Dan, Al Stewart,   Fleetwood Mac, Alice Cooper, Blues Image, Joe Walsh, The Moody Blues, Hollies, Doobie Brothers, Kinks, Friends Of Distinction, War, Three Dog Night, Crosby Stills & Nash, The Rascals, Monkees, Thunderclap Newman, Aerosmith, Kansas and Electric Light Orchestra.

All aboard the ... bus! This week we feature several songs about the poor man's chariot, the loser cruiser, etc - and the songs are comin' like London busses. Our first stop is "Midnight Bus" by Betty McQuade. From 1961, this one is an atmospheric tale of tragic young love, but more importantly, it sets up a crucial discussion of the "buzzer cord" ... where did the buzz go? Second on our route is "Bus Stop" by The Hollies. This one is also about young love but it has a happier ending, though the baroque arrangement carries an undercurrent of melancholy. While you wait at the stop, listen to "Red Box" by I Jog & the Tracksuits. Very suppressed rage and shy vocals meet the riff from "Love Rollercoaster"! Nobody walks in LA, except for the people Weird Al is stuck with on "Another One Rides The Bus." Legendary! The terminus is reached after we listen to "You're Crazy for Taking the Bus" by our favourite, Jonathan Richman. What a positive view of a long coach ride ... just like this episode!

Con The Drifters , the Hitters, Rita Coolidge, Azucar Moreno, Jackie Wilson, Elvis Presley, Ricky Nelson, The Hollies, Shocking Blue, Status Quo, Tito Ramirez, Vieja Trova Santiaguera, Ismael Rivera, Pablo Milanés, Pedro Guerra ft. Marta Gómez, Valeria Castro y Fangoria.

We both first heard Graham Nash just over 60 years ago when the Hollies' Just One Look was on the BBC's swinging Light Programme and we've followed him ever since, not least his transformational shift in the late-‘60s from suburban Salford to the wood cabins of Laurel Canyon. He's touring the UK in October, An Evening of Songs and Stories with Peter Asher in support, and looks back here at the first shows he ever saw and played, which involves … … Bill Haley in 1958 – “he opened the curtains and said ‘See yer later, alligator!', and I've never been the same since.” … meeting his heroes the Everly Brothers when he was 18. … the talent contest he won with Allan Clarke in 1959 beating Freddie Garrity, the future Billy Fury and Johnny And the Moondogs. ... the early days of the Hollies – “my acoustic was never plugged in”. … supporting Little Richard the night he screamed at his soon-to-be-famous guitarist, “never play the guitar behind the back of your head again!” …. making ‘Two Yanks in England' with the Everlys, Reg Dwight, Jimmy Page and John Paul Jones. … playing Woodstock – “it's hard to reach the back row when it's raining and two miles away.” … the songs he always plays and talks about onstage, Marrakesh Express, Our House and Teach Your Children among them. Order Graham Nash tickets here:https://grahamnash.com/tour-dates/page/2/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

We both first heard Graham Nash just over 60 years ago when the Hollies' Just One Look was on the BBC's swinging Light Programme and we've followed him ever since, not least his transformational shift in the late-‘60s from suburban Salford to the wood cabins of Laurel Canyon. He's touring the UK in October, An Evening of Songs and Stories with Peter Asher in support, and looks back here at the first shows he ever saw and played, which involves … … Bill Haley in 1958 – “he opened the curtains and said ‘See yer later, alligator!', and I've never been the same since.” … meeting his heroes the Everly Brothers when he was 18. … the talent contest he won with Allan Clarke in 1959 beating Freddie Garrity, the future Billy Fury and Johnny And the Moondogs. ... the early days of the Hollies – “my acoustic was never plugged in”. … supporting Little Richard the night he screamed at his soon-to-be-famous guitarist, “never play the guitar behind the back of your head again!” …. making ‘Two Yanks in England' with the Everlys, Reg Dwight, Jimmy Page and John Paul Jones. … playing Woodstock – “it's hard to reach the back row when it's raining and two miles away.” … the songs he always plays and talks about onstage, Marrakesh Express, Our House and Teach Your Children among them. Order Graham Nash tickets here:https://grahamnash.com/tour-dates/page/2/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

We both first heard Graham Nash just over 60 years ago when the Hollies' Just One Look was on the BBC's swinging Light Programme and we've followed him ever since, not least his transformational shift in the late-‘60s from suburban Salford to the wood cabins of Laurel Canyon. He's touring the UK in October, An Evening of Songs and Stories with Peter Asher in support, and looks back here at the first shows he ever saw and played, which involves … … Bill Haley in 1958 – “he opened the curtains and said ‘See yer later, alligator!', and I've never been the same since.” … meeting his heroes the Everly Brothers when he was 18. … the talent contest he won with Allan Clarke in 1959 beating Freddie Garrity, the future Billy Fury and Johnny And the Moondogs. ... the early days of the Hollies – “my acoustic was never plugged in”. … supporting Little Richard the night he screamed at his soon-to-be-famous guitarist, “never play the guitar behind the back of your head again!” …. making ‘Two Yanks in England' with the Everlys, Reg Dwight, Jimmy Page and John Paul Jones. … playing Woodstock – “it's hard to reach the back row when it's raining and two miles away.” … the songs he always plays and talks about onstage, Marrakesh Express, Our House and Teach Your Children among them. Order Graham Nash tickets here:https://grahamnash.com/tour-dates/page/2/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Rick reconnects with an improv friend he hasn't spoken to in a long time. He & Bridget Randolph spending the episode talking about Heretic. we keep things mostly spoiler free while marveling at performances by Chloe East, Sophie Thatcher & Hugh Grant. We address The Hollies, Radiohead, Monopoly & take part in discourse similar to that from the film. We also get into Bridget's participation on Don't Mind If I Don't, our religious upbringings, getting morality from Spider-Man comics, invisible sky daddies, Rick trying not to be a dick with his atheism & failing as well as where Cain's wife came from. Please subscribe, review & give us that 5 star boop!

This afternoon's program features musical commentary of the week that was from Jefferson Airplane, The Doors, Bob Dylan, T Bone Burnett, Love, Grateful Dead, Talking Heads, Beatles & Rolling Stones. Additional tuneage from The Hollies, Who, Byrds, Monkees, Rascals, Brian Auger, Return To Forever, Al Di Meola, Creedence Clearwater Revival, Chicago, Deep Purple, GGrand Funk Railroad and Humble Pie.

Join us for a live panel at the first Regenerate MKE Street Fair in Milwaukee, Wisconsin. The panelists are: Virginia Small Advocate for The Commons & The Public Good Grian Hollies-Maxwell Owner of Maxwell Farms Laura Michele Urban Agriculture Nonprofit-Beyond Organic 777 - University of Wisconsin-Parkside Brandice Kirchner Food Justice Director Tikkun Ha Ir of Milwaukee Karen Lemke Founder of Regenerate MKE & Climate Storyteller Solana Patterson-Ramos Executive Director Milwaukee Food Council Maison Vang Plastic free MKE The Person & Planet theme song is an original song by singer/songwriter Barbara Stephan. Click here to listen to “Gonna Be There.” --- Support this podcast: https://podcasters.spotify.com/pod/show/personandplanet/support

It is easier to build strong children than to repair broken men. – Frederick Douglass    Clips Played:    The Greenbaum Speech of Dr. Corydon Hammond. (youtube.com)    Music: He Ain’t Heavy He’s My Brother – The Hollies lyrics (youtube.com)    suzi creamcheez SHOW about Epstein     Epstein Island (youtube.com)     Damas de Madrid (youtube.com)  also […] The post 3/3**GRAPHIC CONTENT: Where are black children in cages coming from? Cages and Electroshock. Is it multi-generational? The Greenbaum Speech. appeared first on Psychopath In Your Life.

Please join me as I paint my musical watercolor on a late afternoon in late November on this weeks Whole 'Nuther Thing on KXFM 104.7. Joining us are Pat Metheny, Talking Heads, Christopher Cross, The BoDeans, Linda Ronstadt, Spirit, King Crimson, John Hammond Jr, Sarah McLachlan, Taj Mahal, John Mayall, Chicago, XTC, The Everly Brothers, Sweet, Steve Miller Band, Procol Harum, The Knack, Bonnie Raitt, J. Geils Band, Grass Roots, Big Brother & The Holding Company, Blood Sweat & Tears, The Motels, Electric Flag, Hollies and Simon & Garfunkel...

Graham Gouldman already had written classic ‘60s hits—including the Yardbirds' “For Your Love” and “Heart Full of Soul,” the Hollies' “Bus Stop” and “Look Through Any Window” and Herman's Hermits' “No Milk Today”—by the time he and Manchester schoolmates Lol Creme and Kevin Godley plus ex-Mindbender Eric Stewart formed one of the '70s' most tuneful, innovative bands, 10cc. These four singer-songwriters made four distinct, head-spinning albums, with Stewart and Gouldman's hypnotic “I'm Not in Love” providing the commercial breakthrough. After Godley and Creme split off, Gouldman and Stewart continued on as 10cc, scoring hits with the ebullient earworm “The Things We Do for Love” and the island misadventure “Dreadlock Holiday,” on which Gouldman sings lead. Now Gouldman is the only original member touring under the 10cc banner, and he reflects here on songwriting, collaborating and relationships among ex-bandmates.

Anexos al abecé de la música popular de Brasil en forma de compilaciones. Intervienen: Helene Dixon, The Hollies, Elvis Presley, Syndicate of Sound, John Hammond, The Count Bishops, Carlos Santana, MC5, Sleepy LaBeef, John Prine, Dwight Yoakam, Dave Edmunds, Celio Balona, Loyce e Os Gnomos, The Youngsters, Serguei, Fábio y Tony e Som Colorido.Escuchar audio

In the latest episode of Rewind of the Living Dead, we're going to study theology and remember why the Hollies sued Radiohead as we review the new A24 horror film HERETIC starring Hugh Grant, Sophie Thatcher and Chloe East Music courtesy of Andrew Scott Bell and Karl Casey @ White Bat Audio For more Rewind of the Living Dead, visit our website or follow on social media:https://www.rewindofthelivingdead.com/Twitter: https://twitter.com/rewindofdeadFacebook: https://www.facebook.com/rewindoflivingdeadInstagram: https://www.instagram.com/rewindoflivingdead/

In 1968, singer and songwriter Graham Nash joined David Crosby and Stephen Stills to form the supergroup Crosby, Stills & Nash. All of them had already been in successful bands: Graham Nash had been in The Hollies; David Crosby was in The Byrds; and Stephen Stills was in Buffalo Springfield. The next year, Neil Young joined them, to make Crosby, Stills, Nash & Young. The four of them released Deja Vu in 1970, and that album was a huge success. It sold over 8 million copies. It includes the song “Our House,” and for this episode, I spoke to Graham Nash about the making of that song, and the relationship that led to the song.For more, visit songexploder.net/crosby-stills-nash-and-young.

This week's show, after a 1985 John Fogerty jam: brand new The Cure, Chime School, Nada Surf, Stalwart Lovers, Ducks Ltd., Outer World, and The Feeders, plus The Hollies, Johnny Horton, Don Covay, Wanda Jackson, Marianne Faithful, Ruddy Thomas/Trinity,...

"From Steel Pulse to Wu-Tang: A Festival of Musical Diversity"Larry Mishkin discusses a review of various experiences and performances, starting with a cannabis event called "Miracle in Mundelein," which took place over the past weekend. The main focus of the review is a discussion of a Grateful Dead show from September 9, 1987, at the Providence Civic Center in Rhode Island. The show was notable for being the second night of a three-show run, marking the opening of the Grateful Dead's 1987 East Coast fall tour.Key highlights include:"Hey Pocky Way" Performance: This was the first time the Grateful Dead performed the song "Hey Pocky Way," which is originally by the Meters, a New Orleans funk band. The song became a fan favorite, primarily due to the influence of Brent Mydland, the band's keyboardist. However, the song fell out of rotation after Brent's death in 1990."Jack Straw" Performance: Another song featured was "Jack Straw," a Grateful Dead classic written by Bob Weir and Robert Hunter. It was originally performed in 1971 and became a staple in the band's setlists. The song was performed in the second spot of the setlist during the 1987 show, indicating the band's tendency to feature it early in their concerts.Music News Segment: The transcript also includes a segment on music news, which starts with a brief history of the band Cheap Trick, particularly their song "I Want You to Want Me."Review of the Miracle in Mundelein Festival: The review shifts to discussing the recent "Miracle in Mundelein" festival, where several acts performed:Steel Pulse: A roots reggae band from Birmingham, England, who delivered a lively and energetic performance.The Soul Rebels: A New Orleans brass band known for their energetic live shows and collaborations with major artists. Their set featured Raekwon and GZA from the Wu-Tang Clan, adding a strong hip-hop element to the performance.Wiz Khalifa: The headliner of the event, Wiz Khalifa, is praised for his stage presence and connection with the audience. The review notes his strong advocacy for cannabis and how his music resonated well with the crowd.Overall, the review captures the blend of nostalgia with the Grateful Dead's classic performances and the fresh, dynamic energy of the Miracle in Mundelein festival, highlighting both the music and the culture of cannabis.https://www.cheaptrick.com/ Grateful DeadSeptember 9, 1987 (37 years ago)Providence Civic CenterProvidence, Rhode IslandGrateful Dead Live at Providence Civic Center on 1987-09-09 : Free Borrow & Streaming : Internet Archive Second night of a three show run, the opening shows of 1987 East Cost fall tour.  INTRO:                                 Hey Pocky Way                                                Track #1                                                :35 – 2:03 First time ever played Hey Pocky Way was written by George Porter Jr., Leo Nocentelli, Art Neville & Joseph Modeliste, founding members of The Meters, an American funk band formed in 1965 in New Orleans by Modeliste (drums), Porter Jr. (bass), Nocentelli (guitar) and Neville (keyboards). The band performed and recorded their own music from the late 1960s until 1977 and played an influential role as backing musicians for other artists, including Lee Dorsey, Robert Palmer, Dr. John, and Allen Toussaint. Song was released on Rejuvenation the band's fifth studio album in 1974. In 2003, the album was ranked number 138 on Rolling Stone magazine's list of the 500 greatest albums of all time,[6] and 139 in a 2012 revised list. Beginning with this show, the Dead began to feature Hey Pocky Way, usually as a show opener.  Sung by Brent who really got into it with both his keyboard playing and strong singing, it  became a fan favorite.  But as a Brent influenced tune, it died when he did. Played:  25 timesFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast: July 22, 1990 at World Music Theatre, Tinley Park, IL, USA (Brent's second to last show)  SHOW No. 1:                    Jack Straw                                                Track #2                                                4:00 – 5:50 "Jack Straw"  written by Bob Weir and Robert Hunter. The track first appeared on the album Europe '72. The song was first performed in concert on October 19, 1971, in Minneapolis, Minnesota at new keyboardist Keith Godchaux's first appearance with the band. In the song's earliest performances (c. 1971–72), Weir sang all of the vocals. By the time the 'Europe 72' version was recorded, (at the Olympia Theater in Paris on 5-03-72), Weir and Jerry Garcia were switching up the vocals - as they had on April 26th when 'Hundred Year Hall' was recorded. The song appeared in both the first and second sets until the band's short hiatus in 1974-1975. After re-forming, the song almost exclusively appeared in the first set. After Brent Mydland joined the band in 1979, the song almost exclusively opened the band's first set. The band also often extended the jam after the second verse after Mydland's joining, often extending the song to over six minutes. Dead and Company have also further extended the song, often adding an abstract opening jam prior to the song's first verse.[1] Bob Weir stated in a 2004 interview that the song's lyrics were partly based on John Steinbeck's novel Of Mice and Men.[2] The song's themes include riding the rails, the Great Depression, and hobo (homeless) camps of the era. Jack Straw is also—perhaps coincidentally—the name of the original plantation owner, who lived controversially with his gay lover, Peter Ochello, in Tennessee Williams's play Cat on a Hot Tin Roof.[3] Always a great song to hear in concert, the fans loved it and it was always an omen of good things to come in the show. Played:  477 timesFirst:  October 19, 1971 at Northrop Auditorium, Minneapolis, MN, USALast:  July 8, 1995 at Soldier Field in Chicago MUSIC NEWS Miracle In Mundelein – second year of the festival in Mundelein a suburb northwest of Chicago.  Missed last year with JRAD but made it this year on Saturday with my sons Jonathan and Daniel, Jonathan's fiancé, Bella and Daniel's buddy AJ.  Different theme to this year's music focusing on hip hop and rap, not part of my regular music, but certainly a key genre for Daniel and AJ who filled me on details during the show. Acts:Steel Pulse - Steel Pulse are a roots reggae band from the Handsworth area of Birmingham, England. They originally formed at Handsworth Wood Boys School, and were composed of David Hinds (lead vocals, guitar), Basil Gabbidon (lead guitar, vocals), and Ronald McQueen (bass); along with Basil's brother Colin briefly on drums and Mykaell Riley (vocals, percussion). Steel Pulse were the first non-Jamaican act to win the Grammy Award for Best Reggae Album. They were initially refused live dates in Caribbean venues in Birmingham due to their Rastafarian beliefs. During the popularization of punk rock in the mid-1970's, Steel Pulse began to play punk venues such as the Hope and Anchor in London and The Electric Circus in Manchester in 1976.[1] Aligning themselves closely with the Rock Against Racism organization and featuring in its first music festival in early 1978, they chose to tour with sympathetic elements of the punk movement,[1] including the Stranglers and XTC. Eventually they found a more natural home in support slots for Burning Spear, which brought them to the attention of Island Records. Fun set that was in progress when we arrived, great sound and lots of energy that kept the crowd moving. The Soul Rebels - The Soul Rebels (also Soul Rebels Brass Band, Soul Rebels or The Rebels) are an eight-piece New Orleans based brass ensemble that incorporate elements of soul, jazz, funk, hip-hop, rock and pop music within a contemporary brass band framework.  Starting out as a local New Orleans favorite, The Soul Rebels have evolved into collaborating live with major artists in all worlds of music including:Katy PerryNasMetallicaGreen DayTrombone ShortyProdigyString Cheese IncidentUmphrey's McGeeGalacticSuzanne VegaEurythmicsLettuceGov't Mule                                               And many more The band has built its career around an eclectic live show that harnesses the power of horns and percussion in a funky party-like atmosphere. The band routinely plays over 250 shows a year. They have been described by the Village Voice as "the missing link between Public Enemy and Louis Armstrong.  The Soul Rebels consist of percussionists and founding members Lumar LeBlanc and Derrick Moss, trumpet players Julian Gosin and Marcus Hubbard, trombonists Corey Peyton and Paul Robertson, saxophonist Erion Williams, and sousaphonist Manuel Perkins Jr.                                                 On Saturday, they featured Raekwon and GZA from Wu Tang Clan.                                      RAEKWON - Corey Woods[2] (born January 12, 1970),[3][4] better known by his stage name Raekwon (/reɪˈkwɒn/, ray-KWON), is an American rapper. He rose to prominence as a founding member of the hip-hop group Wu-Tang Clan, which achieved mainstream success following the release of their debut album, Enter the Wu-Tang (36 Chambers), in 1993. Raekwon would subsequently pursue a solo career, releasing his first solo album, entitled Only Built 4 Cuban Linx..., in 1995. The album received critical acclaim, and is regarded by many critics as one of the greatest hip-hop albums of all time, as well as a staple of 1990s rap.                                     Raekwon attributes the name Raekwon to the Five-Percent Nation, an offshoot of the Nation of Islam, when he was a "young kid."[11] He converted to Islam in 2009.                                     Growing up, he witnessed his mother being hit and abused by different men, an experience which he said "affected [him] a lot."[10] As a young man, his mother kicked him out of their Park Hill home when Raekwon got into an argument with her boyfriend and his mother sided with the boyfriend. During this time, he spiraled into a pattern of hopelessness and violent behavior.[8] He became addicted to cocaine and crack cocaine until he became aware of how the crack epidemic was affecting those around him, at which point "it was an automatic stop."[10]Raekwon and rap partner Ghostface Killah attended junior high school together on Staten Island.[14] Raekwon attended New Dorp High School, where he befriended rappers Remedy, Method Man and Inspectah Deck.[15]             Woods first rapped as Sha Raider. In 1992, he joined the Wu-Tang Clan, an originally nine-member rap group drawing mainly from the Staten Island but also from the Brooklyn boroughs of New York City. He rapped as Raekwon The Chef, and also used the aliases Lex Diamonds, Shallah Raekwon, and Louis Rich. After being caught in a crossfire and accidentally shot four times, Raekwon began rapping in earnest. He later described being shot as an "important eye opener." In September 2009, MTV ranked Raekwon tenth among "hottest" rappers. In December, HipHopDx's 2009 awards named Only Built For Cuban Linx... Pt. II album of the year, calling it "the Hip Hop equivalent to The Godfather 2, with Rae as revitalized as Marlon was". Raekwon won Emcee of the Year—the prior year, Nas won—while HipHopDX staff explained, Raekwon brought it back to lyrical, dope rap. He released an album that spoke to teens, twenty-somethings, thirty-somethings, and beyond. Without compromising, the Chef made an edgy Hip Hop record that refused to bastardize the catalog he laid down 15 years ago. On top of that, Rae (along with Ghostface) was a go-to for numerous rappers making albums, ranging from the Playaz Circle to Jadakiss to BK One. That's beyond real, as was a year filled with performing in arenas, clubs and even churches. When it came to mastering the ceremony, Rae had 'em all following the leader.[28]— HipHopDX GZA - Gary Eldridge Grice[2] (born August 22, 1966), better known by his stage names GZA (/ˈdʒɪzə/JIZ-ə) and The Genius,[3] is an American rapper. A founding member of the hip hop group Wu-Tang Clan, GZA is the group's "spiritual head", being both the first member in the group to receive a record deal and being the oldest member.[4] He has appeared on his fellow Wu-Tang members' solo projects, and has maintained a successful solo career starting with his second album Liquid Swords (1995). His lyrical style often dismisses typical rap story lines in favor of science and wide-ranging philosophies and has been characterized as "armed with sharp metaphors and a smooth flow".[5][6][7][8] An analysis of GZA's lyrics found that he has the second largest vocabulary in popular hip hop music.[9][10] He teamed up with an education group to promote science education in New York City through hip hop. In 1992, GZA joined the Wu-Tang Clan, a group of nine, formed by his cousin RZA. GZA had some high-profile appearances on the group's debut album, Enter the Wu-Tang (36 Chambers) (1993), including a solo track, "Clan in da Front".[22] This, combined with appearances on other Clan members' albums such as Return to the 36 Chambers: The Dirty Version (1995) and Only Built 4 Cuban Linx... (1995) brought him much recognition. According to Method Man, "we form like Voltron and GZA happens to be the head".                         The combination of the Soul Rebels beat and Raekwon's and GZA's rapping made for an exceptional set of music that caught me off guard but was worth the price of admission.  With lots of cannabis references scattered throughout their lyrics and stage talk, they were a perfect match for this festival. Wiz Khalifa - Cameron Jibril Thomaz (born September 8, 1987),[2] better known by his stage name Wiz Khalifa, is an American rapper from Pittsburgh, Pennsylvania. He signed with the local independent label Rostrum Records to release his debut studio album, Show and Prove (2006). His contract entered a short-lived joint venture with Warner Bros. Records the following year. His Eurodance-influenced 2008 single, "Say Yeah" received urban radio airplay and entered both the Rhythmic Top 40 and Hot Rap Songs charts, becoming his first minor hit.[3] Outside of music, Thomaz has delved into acting with television roles in Dickinson and The Eric Andre Show, the lead role alongside Snoop Dogg in the 2012 stoner comedy film Mac & Devin Go to High School, and voice roles in the animated series American Dad!, Duncanville, and Big City Greens. Thomaz founded the record label Taylor Gang Entertainment in 2008, through which he has signed artists including Juicy J, Ty Dolla Sign, and Berner. Known for his abundant usage of cannabis, Thomaz launched his own cannabis brand, Khalifa Kush, in 2016, which expanded for release in nationwide dispensaries in 2022. His stage name is derived from Khalifa, an Arabic word meaning "successor", and wisdom, which was shortened to Wiz when Khalifa was a young boy.[10] Khalifa stated to Spinner.com that the name also came from being called "young Wiz 'cause I was good at everything I did, and my granddad is Muslim, so he gave me that name; he felt like that's what I was doing with my music." He got a tattoo of his stage name on his 17th birthday.[11][12] By the age of 15, he was regularly recording his music at a local studio called I.D. Labs.[13] Impressed by the young teen's talent, E. Dan, the owner of the studio offered Khalifa an intern job at the studio in exchange for free recording time. Dan, being a veteran of the Pittsburgh hip-hop scene, would help develop and mentor the young artist early on in his career. He was the headliner and lived up to the billing.  Great tunes, great stage presence, great spokesperson for cannabis.  My first experience with his music and it was very positive. A great musical education for me with my tutors, Daniel and AJ. More in MJ News  Herbie Flowers  RIPJerry Miller  RIPGoose this week at the Salt Shed, Thursday and Friday   SHOW No. 2:                    Greatest Story Ever Told                                                Track #9                                                3:25 – end                                                 INTO                                                 Devil With a Blue Dress                                                Track #10                                                0:00 – 1:33 Greatest Story – written by Hunter/Bobby/Mickey, originally called “The Pump Song” on Mickey Hart's 1972 album Rolling Thunder.  As the opening tune of Ace, it is called Greatest Story Ever Told.  But this isn't about that song.  Here, it is the lead-in to a first set couple of “extras” thrown in for some fun. "Devil with a Blue Dress On" (also known as "Devil with the Blue Dress") is a song written by Shorty Long and William "Mickey" Stevenson, first performed by Long and released as a single in 1964. A later version recorded by Mitch Ryder and The Detroit Wheels in 1966 peaked at No. 4 on the U.S. Billboard Hot 100.  "Devil with the Blue Dress" was originally released as Shorty Long's debut single on Motown in 1964, but the single failed to chart. The song describes a femme fatale in a blue dress and not an actual devil.[2] Two years later, Mitch Ryder and The Detroit Wheels recorded the song at Bell Sound Studios in New York City[3] as a medley with an original arrangement of Little Richard's "Good Golly, Miss Molly". Their version, released on their album, “Breakout . . . . !”,  was notably more up-tempo than Long's more blues-influenced rendition.[2] Reaching No. 4 on the Hot 100, their version of the track would end up becoming their most well-known and highest charting hit in the United States. Rolling Stone Magazine ranked it No. 428 on their list of Top 500 Songs of All Time. Basically, another great cover to showcase Brent's singing and keyboard skills.  This was the first of 3 times the Dead covered the song.  Another fun diversion by the band that kept the Deadheads guessing and not wanting to ever miss a show. The transition out of Greatest Story is seamless and makes it so you can't hear the end of Greatest Story without hearing the signature beat of Devil making it a “natural” fit. Played – 3 timesFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast:  October 4, 1987 at Shoreline Amphitheatre, Mountain View, CA, USA  SHOW No. 3:                    Good Golly Miss Molly                                                Track #11                                                0:00 – end                                                 INTO                                                 Devil With a Blue Dress                                                Track #12                                                0:00 – 0:51"Good Golly, Miss Molly" is a rock 'n' roll song first recorded in 1956 by American musician Little Richard and released in January 1958 as single on the Specialty label, and later on the album, Little Richard in July 1958.[1] The song, a jump blues, was written by John Marascalco and producer Robert "Bumps" Blackwell. Although it was first recorded by Little Richard, Blackwell produced another version by the Valiants, who imitated the fast first version recorded by Little Richard, not released at that time. Although the Valiants' version was released first (in 1957), Little Richard had the hit, reaching No. 4.[2] Like all his early hits, it quickly became a rock 'n' roll standard and has subsequently been recorded by hundreds of artists. The song is ranked No. 92 on the Rolling Stone magazine's list of the 500 Greatest Songs of All Time. Little Richard first heard the phrase "Good golly, Miss Molly" from a Southern DJ named Jimmy Pennick.[4] He modified the lyrics into the more suggestive "Good golly, Miss Molly/You sure like to ball." Little Richard himself later claimed that he took Ike Turner's piano intro from his influential 1951 rock and roll song "Rocket 88", and used it for "Good Golly, Miss Molly".[5] "I always liked that record," Richard recalled, "and I used to use the riff in my act, so when we were looking for a lead-in to 'Good Golly, Miss Molly', I did that and it fit." In 1966, Mitch Ryder and the Detroit Wheels incorporated "Good Golly Miss Molly" into their version of "Devil with a Blue Dress On". Their version scored a major hit, not only in Ryder's native Detroit, but nationwide, placing at No. 4 on the Billboard Top 100. As with Devil, a Brent thing.  Unfortunately, it was only around for a month.  Then vanished from the Dead's playlist thereafter.  Played:  3 times, makes senseFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast:  October 4, 1987 at Shoreline Amphitheatre, Mountain View, CA, USA  MJ NEWS:             Miracle in Mudelein – a great event sponsored by Rise Dispensaries and Rhythm cultivators.  Second year, featuring great music, excellent food and drink and too many booths for dabbing from various types of rigs including a Studenglass Gravity Bong – my first time using one and it is not your father's four foot Graffix bong!  Daniel and AJ were all over it and as it turned out, the wait in line was well worth the experience.  Rather than try to explain it to you, just Google Gravity Bong and see for yourself!  Great high.             Miracle is that Lake County, a more conservative leaning county, and Mundelein permitted the event.  Attendees can bring in their own flower or extracts (supposedly only if purchased at an Illinois dispensary), smoking accessories, etc.  Rise also was selling products at the show.             A wonderful thing to attend an event and not have to hide and smuggle in your cannabis.  People lighting up everywhere, offering to share, talking strains, etc.  Police were there to keep order and otherwise let it all go on.  Very professional.             Excellent mellow crowd (what else would you expect?).  Well run.  Shot joints out of a canon.  A wonderful day and experience for those who enjoy cannabis, especially not having to hide it or pretend you don't have any when everyone knows attendees are smuggling it in anyway.             A great way to promote cannabis and help normalize it within the community.  And a fun event to be able to share with my boys, Bella and AJ.  Fun had by all.  SHOW No. 4:                    Not Fade Away                                                Track #24 (NOTE – this song is listed as Track #23 AND #24, be sure to use #24)                                                0:00 – end "Not Fade Away" is a song credited to Buddy Holly (originally under his first and middle names, Charles Hardin) and Norman Petty (although Petty's co-writing credit is likely to have been a formality[3]) and first recorded by Holly and his band, the Crickets. Holly and the Crickets recorded the song in Clovis, New Mexico, on May 27, 1957, the same day the song "Everyday" was recorded.[1] The rhythmic pattern of "Not Fade Away" is a variant of the Bo Diddley beat, "Not Fade Away" was originally released as the B-side of the hit single "Oh, Boy!" on 10.27.1957 and was included on the album The "Chirping" Crickets (1957). The Crickets' recording never charted as a single. In 2004, this song was ranked number 107 on Rolling Stone's list of "The 500 Greatest Songs of All Time". The song is closely associated with the Grateful Dead as one of their signature tunes—one which the band transformed from Holly's 1950s boy/girl romanticism to one reflecting the 1960s' more spiritual universal love. Their 1971 recording of the song is included on their second live album, Skull and Roses, paired with Going Down The Road Feeling Bad, a regular happening in the early ‘70's. Primarily a second set tune that used to show up in the second half of the second set after Drums-Space.  Beginning in 1983, the Dead began to play it as the second set closer, trailing off with “Love is real will not fade away” as they exited the stage.  A few years later, the Deadheads starting chanting the line as the Dead left the stage and in some cases, kept it up until the band reappeared for their encore, when the band would pick back up on the beat and play it for another minute or so before their encore tune, such as with this show.    Great example of the Deadheads making their mark on the show and the band being tuned in enough to play along with it.  Although sometimes if the Dead took too long to come out for the encore, the chanting would start to fade off.  And sometimes even when the chant made it all the way to the band's return on stage, the band would ignore it and just dive straight into their encore.  Fun when it all came together like this show. Played:  561 timesFirst:  February 19, 1969 at Fillmore West, San Francisco, CA, USALast:  July 5, 1995 at Riverport Amphitheatre in Maryland Heights, MO (St. Louis) OUTRO:                               The Mighty Quinn                                                Track #25                                                2:11 – 3:48 Bob Dylan wrote and first recorded the song in 1967 during the Basement Tapes sessions, but did not release a version for another three years.  The song's first release was in January 1968 as "Mighty Quinn" in a version by the British band Manfred Mann, from their album Mighty Garvey, and became a great success. A demo of 14 of the 1967 Basement Tapes recordings, including the first of two takes of "Quinn the Eskimo (The Mighty Quinn)", was produced in 1968, but was not intended for release. Recordings taken from the demos began appearing on bootlegs, starting with Great White Wonder,[7] a double-album bootleg that came out in July 1969. The first official release of the song was in 1970 on Dylan's Self Portrait album,[14] a live recording from 1969's Isle of Wight Festival. The live version (titled "The Mighty Quinn (Quinn the Eskimo)") was also selected in 1971 for the second compilation of Dylan's career, Bob Dylan's Greatest Hits Vol. II. Covered by:  the Hollies, Leon Russell and Phish, among others. Although they never played the song with Bob Dylan, the Grateful Dead started playing "The Mighty Quinn" in concert in 1985. It became a favorite encore among the Grateful Dead's fans, and remained so to the end of their career. Last verses, end with, “when Quinn the Eskimo gets here, everybody's gonna want to doze” but the Deadheads heard it as “dose” and always gave it a big cheer. Played:  59 timesFirst:  December 30, 1985 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA  Shoutouts: Lary Vinocur – birthdayElena Mishkin – birthday .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Today we're joined by Kathleen Murphy-Hollies who was, until very recently, a PhD candidate at the University of Birmingham. We'll be talking about her experiences finishing the PhD while beginning her postdoc, her research on confabulation and her project the Philosophy Garden. If you'd like to get in touch with Kathleen, you can reach her at k.l.murphy-hollies@bham.ac.uk, or get in touch through twitter or bluesky at @kmurphyhollies on both. Music credit: @progressivaudio

SUMMER TIME !  Sure, it's almost over, but we sure wanna talk about the songs that make us remember good fun summers - listen in and see if some of these tunes take you to a fun summer event in your life's history. Join us for a fun, silly and barely informative show about SUMMER TUNES !  (or at least what we could come up with after a long weekend of sun and fun.) We talked about and listened to bands like:  The Surfaris, Bananarama, Tom Tom club, Fun Boy Three, Link Wray, Eddie Cochran, The Kinks, Booker T and the MG's, the Beach Boys (of course), Katrina and the Waves, Smash Mouth, The Hollies, the Stray Cats, Oingo Boingo, and more and more Link Wray... we love them tunes.   Yes, another award winning show in the can and archived in the Library of Congress.  We know we left out about 396 other amazing summertime classics... but we only have so much time... hopefully we touched on some that you might like and say "holy wow, I forgot about that one" and give them another listen or seven. Thanks for joining in, and remember - to join our super schitty committee - all ya gotta to is call in, or message us during the show... "Pour Me Another Brother" - and you are part of our crew !

Alan Parsons, recording engineer and producer joins Chris...and Dave Slavin...talking about The Alan Parsons Project, his work with the Beatles, Hollies, Pink Floyd, and his current tour, which includes a stop here in Tucson on August 20th at the Rialto.

One Artist Wednesday turns the spotlight on The Hollies. We will see you at 5pm for One Artist Wednesday. The Capital Hitline is brought to by iFearless Panic Button: ON-DEMAND SECURITY OR MEDICAL ASSISTANCE ANYTIME, ANYWHERE. Download the app from the Play Store or App Store and check out their website for information - https://ifearless.co.za/

For this month's episode we're deep in the mid 70s to explore the finest glam, country, reggae, funk, rock, folk, afrobeat, prog, pop, avant garde noise, and whatever category you'd chuck Sparks in to. We've each chosen our 10 favourite songs of the year and sent them over to Colin's wife Helen, who put the playlists together and distributed them so we were each given a playlist of the 20 songs from the other two hosts, along with our own 10. We then ranked the playlists in order of preference and sent them back to Helen, who totalled up the points and worked out the order.She also joined us on the episode to read out the countdown, which we found out as we recorded so all reactions are genuine.Now, admittedly, in parts we're a little bit brutal to some of the songs in the list as we're three separate people with differing music tastes, but please remember that to be in this episode at all the songs have to have been in one of our top 10's of that year.Bands featured in this episode include (In alphabetical order, no spoilers here!) - Aerosmith, Banbarra, Black Sabbath, Burning Spear, Glen Campbell, Bob Dylan, Fleetwood Mac, Foghat, Steve Harley & Cockney Rebel, Emmylou Harris, The Hollies, KC & The Sunshine Band, Kiss, Fela Kuti & Afrika 70, Willie Nelson, The Outlaws, Pink FLoyd, Lou Reed, Roxy Music, Paul SImon, Patti Smith, Sparks, Bruce Springsteen & The E Street Band, Television, The Tubes, Van Der Graaf Generator, The Walker Brothers, War, Neil Young & Crazy Horse, and Frank Zappa & The Mothers Of Invention featuring Captain Beefheart. Find all songs in alphabetical order here - https://open.spotify.com/playlist/2juBbBjb0YxzF6VMAvNIEi?si=4334ba0599c44034Find our We Dig Music Pollwinners Party playlist (featuring all of the winning songs up until now) here - https://open.spotify.com/playlist/45zfDHo8zm6VqrvoEQSt3z?si=Ivt0oMj6SmitimvumYfFrQIf you want to listen to megalength playlists of all the songs we've individually picked since we started doing best of the year episodes (which need updating but I plan on doing them over the next month or so), you can listen to Colin's here – https://open.spotify.com/playlist/5x3Vy5Jry2IxG9JNOtabRT?si=HhcVKRCtRhWCK1KucyrDdgIan's here - https://open.spotify.com/playlist/2H0hnxe6WX50QNQdlfRH5T?si=XmEjnRqISNqDwi30p1uLqAand Tracey's here - https://open.spotify.com/playlist/2p3K0n8dKhjHb2nKBSYnKi?si=7a-cyDvSSuugdV1m5md9NwThe playlist of 20 songs from the other two hosts was scored as usual, our favourite song got 20 points, counting down incrementally to our least favourite which got 1 point. The scoring of our own list of 10 is now slightly more complicated in order to give a truer level of points to our own favourites. So rather than them only being able to score as many points as our 10th favourite in the other list, the points in our own list were distributed as follows -1st place - 20 points2nd place - 18 points3rd place – 16 points4th place – 14 points5th place – 12 points6th place – 9 points7th place – 7 points8th place – 5 points9th place – 3 points10th place -1 pointHosts - Ian Clarke, Colin Jackson-Brown & Tracey BGuest starring Helen Jackson-Brown.Playlist compiling/distributing – Helen Jackson-BrownRecorded/Edited/Mixed/Original Music by Colin Jackson-Brown for We Dig PodcastsThanks to Peter Latimer for help with the scoring system.Part of the We Dig Podcasts network along with Free With This Months Issue & Pick A Disc.Twitter – https://twitter.com/wedigmusicpcast/Instagram - https://www.instagram.com/wedigmusicpcast/Facebook - https://www.facebook.com/wedigpusicpcast/Find our other episodes & podcasts at www.wedigpodcasts.com 

This week's show, after a 1951 Frankie Laine freakout: brand new Linda Lindas, +/-, Seablite, Mercury Rev, Beachwood Sparks, Ducks Ltd., and Susanna, plus Culture, Ringo Starr, Sandy Denny, Hollies, Orioles, Marvin Gaye, and Tony Bennett; and R.I.P. Th...

The Hollies have been an active band for 61 years and, liie The Rolling Stones, have never broken up. These are select tracks from their vast catalog of music, representing a wonderful legacy of music. Please have a look at these special interest sites.If you would, please make a donation of love and hope to St. Jude Children's HospitalMake an impact on the lives of St. Jude kids - St. Jude Children's Research Hospital (stjude.org)Get your Vegan Collagen Gummies from Earth & Elle, available thru Amazon at this link.Amazon.com: Earth & Elle Vegan Collagen Gummies - Non-GMO Biotin Gummies, Vitamin A, E, C - Plant Based Collagen Supplements for Healthier Hair, Skin, Nails - 60 Chews of Orange Flavored Gummies, Made in USA : Health & HouseholdKathy Bushnell Website for Emily Muff bandHome | Kathy Bushnell | Em & MooListen to previous shows at the main webpage at:https://www.buzzsprout.com/1329053Pamela Des Barres Home page for books, autographs, clothing and online writing classes.Pamela Des Barres | The Official Website of the Legendary Groupie and Author (pameladesbarresofficial.com)Listen to more music by Laurie Larson at:Home | Shashké Music and Art (laurielarson.net)View the most amazing paintings by Marijke Koger-Dunham (Formally of the 1960's artists collective, "The Fool").Psychedelic, Visionary and Fantasy Art by Marijke Koger (marijkekogerart.com)For unique Candles have a look at Stardust Lady's Etsy shopWhere art and armor become one where gods are by TwistedByStardust (etsy.com)For your astrological chart reading, contact Astrologer Tisch Aitken at:https://www.facebook.com/AstrologerTisch/Tarot card readings by Kalinda available atThe Mythical Muse | FacebookEmma Bonner-Morgan Facebook music pageThe Music Of Emma Bonner-Morgan | FacebookFor booking Children's parties and character parties in the Los Angeles area contact Kalinda Gray at:https://www.facebook.com/wishingwellparties/I'm listed in Feedspot's "Top 10 Psychedelic Podcasts You Must Follow". https://blog.feedspot.com/psychedelic_podcasts/Please feel free to donate or Tip Jar the show at my Venmo account@jessie-DelgadoII

Barry and Abigail discuss Drag by k.d. lang and sample Theoretical Jam, Maduro Brown Ale, and Fancy Papers™ from Cigar City Brewing in Tampa, Florida. Listen to the original versions of the songs that k.d. lang covered on this album! Barry compared the ominous-sounding outro of Don't Smoke In Bed to Goldfinger by Shirley Bassey. We played a bit of The Hollies' version (in Barry's eyes, the definitive version) of The Air That I Breathe. We discussed in depth the lyrics of Steve Miller Band's The Joker, eventually going on a tangent that led to Clap For the Wolfman by The Guess Who and The Letter by The Medallions. Abigail compared k.d. lang's vocal performance in Your Smoke Screen to Shana Cleveland's performance on Manzanita. Barry compared the song to Comfortably Numb by Pink Floyd. Congratulations to Jeff “Jafo” Shettler! At time of episode release, his bonus episode, Bonus: Pink Floyd Leftovers (Pink Floyd and brewLAB Leftovers) is our most listened-to episode of all time. We discussed the incredible backstory of Till the Heart Caves In, which is a “cover” of a Roy Orbison song that was never recorded. lang and Orbison had a previous connection as lang performed in Roy Orbison & Friends - A Black and White Night in 1988. Read more about the special! We believe that Jane Siberry wrote Hain't It Funny specifically for k.d. lang. On Siberry's album, “Hain't It Funny” is preceded by k.d. lang, a series of recorded voicemails between Siberry and lang. Up next… Professional Rapper by Lil Dicky, submitted to our Virtual Jukebox by Dinos Korominas Jingles are by our friend Pete Coe. Visit Anosmia Awareness for more information on Barry's condition. Follow Barry or Abigail on Untappd to see what we're drinking when we're not on mic! Leave us a rating or a review on Apple Podcasts or Spotify! Facebook | Instagram | X | YouTube | Website | Email us | Virtual Jukebox

In this episode of the LEGENDS: Podcast by All Day Vinyl, host Scott Dudelson sits down with Rock and Roll Hall of Fame inductee, co-founder and lead singer of The Hollies, Allan Clarke. This in-depth interview takes us through the early days of Allan's musical journey with Graham Nash in the late 1950's, the formation of The Hollies, his experiences with legendary artists including The Rolling Stones (who he recorded with), The Beatles, Crosby, Stills, Nash and the incredible evolution of The Hollies during the 1960's and 1970's. We discuss the creation of iconic hits like "Long Cool Woman in a Black Dress," "Bus Stop," "The Air That I Breathe," and "He Ain't Heavy, He's My Brother," the impact of Graham Nash leaving the band in the late 60's and Allan's return to music in 2019 after nearly 30 years away from the scene.  And there is so much more in-between that we discuss. Allan is one of the early innovators of rock and roll history and his story is amazing and so important to music history.  His music has brought me so much joy over the years and I loved chatting with him and I hope you also love the stories he shares, i was in awe listening to them. If you like the podcast episode please rate, subscribe and share.  I appreciate the support!  

Former WWE head writer Tommy Blacha looks back at the first pay-per-view that he was the head writer of, WWF No Mercy 1999. The main event was Steve Austin vs. Hunter Hearst Helmsley for the world title in a street fight. Other notable matches include the first ladder match between The Hardy Boyz and Edge & Christian. Plus, the infamous Good Housekeeping Match between Chyna and Jeff Jarrett. Plus, the Hollies vs. The New Age Outlaws, The Rock vs. British Bulldog, and Mankind vs. Val Venis. The show is hosted by former head writer Tommy Blacha and co-host Rob Pasbani.Watch this episode on Youtube.NEXT WEEK: Special guest ANDY RICHTER sits in and talks about his favorite wrestling memories.Follow Tales from The Attitude Era on all social media http://youtube.com/@TFTAttitudeEra http://twitter.com/TFTAttitudeErahttp://instagram.com/TFTAttitudeErahttp://tiktok.com/@TFTAttitudeEraTommy Blacha made his name in Hollywood as a writer on Conan O'Brien, co-creator of Metalocalypse on Adult Swim, and a writer on shows like The Eric Andre Show and Da Ali G Show. But, a little-known fact about Tommy's career is that he was the head writer of WWE (WWF at the time)) during their most successful period, starting in 1999, taking over for Vince Russo, who left for the competition. This podcast, Tales from the Attitude Era will be a retrospective of Tommy's time in the head writer position and the roller coaster ride that is pro wrestling, co-hosted by Rob Pasbani. Hosted on Acast. See acast.com/privacy for more information.

Hello Friends! We're moving into the land down under this month on the show, with a look at the fantastic 2nd LP from Australia's own The Twilight, Once Upon a Twilight. Issued in 1968 in mono and stereo exclusively in Oz, the album has since been reissued on CD, including a Mono/Stereo issue by Aztec. Sadly, this uses a fold-down of the stereo for the mono presentation, while the original LP is wonderfully a dedicated mono affair, complete with drier vocals, and some wildly different use of effects throughout this very 'studio' production. This is a wonderful piece of late 60s Pop-Psych, and if you're a fan of The Beatles' 1967 efforts, or The Hollies' Butterfly, you'll love this album. Not convinced? What a silly thing to do! Be Mr. Nice and Take Action - the Blue Roundabout is waiting! Happy Listening, Frederick Patreon Email Instagram - @hypnoticfred  

This week the conversational Super-Trouper of Enquiry lights up the following …... why care when "rock critics get it wrong"? ... the dreadful death of the Allman brothers' dad. ... is there any other branch of entertainment where you can be two hours late onstage?... has any show got worse reviews than Eddie Izzard's one-woman Hamlet?... the unlikely tale of how Iron Butterfly changed the course of Atlantic Records. ... three, the magic number: the accidental album trilogies of Scott Walker, Steely Dan, Blur, the Beatles, Dylan, Joni Mitchell, Nick Lowe ...... the Deadhead who saw them 1,000 times.... U2, Coldplay, Radiohead, the Kings of Leon ... bands who've never changed their line-up.... Yes, Thin Lizzy, the Hollies ... bands with no original members. ... why it's less demanding seeing bands than solo acts. ... and Madonna being sued for lateness, lip-syncing and a "pornographic stage-act that was emotionally triggering".Find out more about how you can keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

This week the conversational Super-Trouper of Enquiry lights up the following …... why care when "rock critics get it wrong"? ... the dreadful death of the Allman brothers' dad. ... is there any other branch of entertainment where you can be two hours late onstage?... has any show got worse reviews than Eddie Izzard's one-woman Hamlet?... the unlikely tale of how Iron Butterfly changed the course of Atlantic Records. ... three, the magic number: the accidental album trilogies of Scott Walker, Steely Dan, Blur, the Beatles, Dylan, Joni Mitchell, Nick Lowe ...... the Deadhead who saw them 1,000 times.... U2, Coldplay, Radiohead, the Kings of Leon ... bands who've never changed their line-up.... Yes, Thin Lizzy, the Hollies ... bands with no original members. ... why it's less demanding seeing bands than solo acts. ... and Madonna being sued for lateness, lip-syncing and a "pornographic stage-act that was emotionally triggering".Find out more about how you can keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

10cc is touring the U.S. this summer for the first time in decades. We discuss not only that band, we go deep into Graham's songwriting for the Yardbirds and Hollies and...See omnystudio.com/listener for privacy information.

Today, we bring you part 2 of the Big Sur Folk Festival, 1969. The BSFF occurred at Esalen Institute on September 13th and 14th of 1969, just about a month after Woodstock. As related in part one of this two part series, the festival was captured in a documentary called "Celebration at Big Sur," directed by Baird Bryant and Johanna Demetrakas - available on YouTube, a great watch. Set list for part 2: -John Sebastian, formerly of the Lovin Spoonful, with “Rainbows All Over Yours Blues" -"Woodstock" by Joni Mitchell, who accompanies herself on piano. -Some audio of an audience member, a school teacher who identifies as "a freak." - ”Red-Eye Express" performed by John Sebastian with Stephen Stills - “Malagueña Salerosa" by Carol Ann Cisneros - an extended ”Down By the River" by Crosby Stills Nash and Young. -“Sweet Sir Galahad" by Joan Baez - to end the show, "Oh Happy Day" by Dorothy Combs Morrison and the Combs Sisters, accompanied by Joan Baez. Some trivia about some of the musicians: -Joni Mitchell was dating a member of Crosby Stills Nash and Young at the time, Graham Nash. -Joni's song “Woodstock” was in fact inspired by the famous music festival, but she did not attend. Instead she opted to stay in New York City and appear on the Dick Cavett show. -John Sebastian: He was a founding member of the Lovin' Spoonful, known for hits like "Do You Believe in Magic?" and “Summer in the City." The Spoonful imploded after a 1967 marijuana bust. In the 80's Sebastian began writing and recording music for children's TV, including 1983's "Strawberry Shortcake: Housewarming Surprise" and 1985's "Strawberry Shortcake Meets the Berrykins." -Stephen Stills: a founding member of Buffalo Springfield who wrote one of the most recognizable songs of the 1960s, "For What It's Worth." Buffalo Springfield broke up in 1968, and Stills joined with David Crosby of the Byrds and Graham Nash of the Hollies to form early supergroup Crosby Stills and Nash. Neil Young wouldn't join them until August 1969, just a few short weeks before the performance that you're about to listen to. -Dorothy Combs Morrison won a Grammy in 1969 for her song "Oh Happy Day," which ends this episode - it reached #4 in the US and #1 in France that year. It was recorded in a church in Berkeley, California, a couple hours away from Big Sur. George Harrison stated that "Oh Happy Day" was a primary influence for his 1970 hit “My Sweet Lord.” -Joan Baez dated Steve Jobs in the 1980s. He was in his mid twenties and she was in her 40's. DIdn't matter. She was Joan Baez. At the time that Big Sur Folk Festival occurred she was married to an activist named David Harris, who was in prison in 1969 for refusing to serve in the armed forces. (In part one, we hear “Song for David,” written to her man behind bars.) During this performance, Baez is actually seven months pregnant; her son, Gabriel, was born in December 1969. Baez's performance of Pete Seeger's We Shall Overcome during the 1963 March on Washington is one of the most enduring images of the 1960s. In 1964, she publicly endorsed resisting taxes by withholding 60 % of her income. In 1972, Baez traveled to North Vietnam, to address human rights in the region, and was caught in a bombing of Hanoi, North Vietnam, during which the city was bombed for eleven straight days. Al Capp, the cartoonist for the strip Li'l Abner, created a character called "Joanie Phoanie" based on Baez - a communist radical who sang songs about class warfare but also rode in a limousine and charged outrageous performance fees to impoverished orphans. Beyond all of this, Baez is a genius songwriter and performer with a magical voice. She performed at each of the Big Sur Folk Festivals, beginning in 1964 and going until 1971. She still can occasionally be seen in the Carmel and Big Sur area. Ms. Baez, if you're listening now - come on back. There's a space at the Esalen baths with your name on it.

Graham William Nash is a musician, singer, songwriter and photographer. He had his first musical success as a member of the UK band The Hollies before his move to America when he sang as part of Crosby, Stills and Nash.Graham was born in 1942 and grew up in Salford. He found his singing voice at the age of six when he realised that not only could he sing, but he had the ability to harmonise any melody. He is a two-time Rock and Roll Hall of Fame inductee. Over the years, Graham has written many hit songs for The Hollies and Crosby, Stills and Nash including Our House and Marrakesh Express. Alongside his critically acclaimed musical career, Graham is also a successful photographer. His photos have been on show in galleries and museums around the world. He lives in New York with his third wife.DISC ONE: Be-bop-a-Lula - Gene Vincent DISC TWO: Great Balls of Fire - Jerry Lee Lewis DISC THREE: Maybe Baby - Buddy Holly and the Crickets DISC FOUR: Bye Bye Love - The Everly Brothers DISC FIVE: God Only Knows - The Beach Boys DISC SIX: Adagio for Strings, composed by Samuel Barber and performed by City of London Sinfonia conducted, by Richard Hickox DISC SEVEN: Don't Give Up - Peter Gabriel and Kate Bush DISC EIGHT: A Day In The Life - The BeatlesBOOK CHOICE: The Island at the Center of the World by Russell Shorto LUXURY ITEM: A sleeping bag CASTAWAY'S FAVOURITE: A Day In The Life - The BeatlesPresenter Lauren Laverne Producer Sarah Taylor