Podcasts about Jack Lemmon

Ladies and GENTLEMEN who like it hot, we have quite the pick from a disgruntled Snob, Jared. He was NOT happy with the previous picks and even went as far as to say that they made him feel PETTY not PRETTY. But today we have Jared's pick from 1959 and from director Billy Wilder, “Some Like it Hot.” This film stars Jack Lemmon and Tony Curtis and Marilyn Monroe! We have a good time talking about just why this pick is so good and how it makes us feel pretty inside and outside. Join us for the discussion as we delve in!Film Discussed: Some Like it Hot (1959)Letterboxd: Eric Peterson:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/EricLPeterson/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jared Klopfenstein:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/kidchimp/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ethan Jasso:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/e_unit7/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Caleb Zehr:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/cjzehr/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ricky Wickham:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/octopuswizard/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Cody Martin: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/codytmartin/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Here is a COMPLETE LIST of every film that we have done an episode for. Enjoy!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://letterboxd.com/ericlpeterson/list/a-complete-list-of-every-the-film-snobs-episode/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Five star reviews left on the pod get read out loud!

We discuss the work Jack Lemmon and Walter Mathau did together: GRUMPY OLD MEN, THE ODD COUPLE 2, THE FRONT PAGE, BUDDY BUDDY. Send us stuff like zines, movie related books, physical media or memorabilia c/o Justin Decloux, Unit 1010, 3230 Yonge St, Toronto, ON, M4N 3P6, Canada Join the Patreon now for an exclusive episode every week, access to our entire Patreon Episode back catalogue, your name read out on the next episode, and the friendly Discord chat: patreon.com/theimportantcinemaclub Subscribe, Review and Rate Us on Apple Podcasts: podcasts.apple.com/us/podcast/the-…ub/id1067435576 Follow the Podcast: twitter.com/ImprtCinemaClub Follow Will: twitter.com/WillSloanESQ Follow Justin: twitter.com/DeclouxJ Check out Justin's other podcasts, THE BAY STREET VIDEO PODCAST (@thebaystreetvideopodcast), THE VERY FINE COMIC BOOK PODCAST (www.theveryfinecomicbookpodcast.com) and NO SUCH THING AS A BAD MOVIE (@nosuchthingasabadmovie), as Will's MICHAEL AND US (@michael-and-us).

Shakespeare ​famously ​wrote, ​what's ​in ​a ​name? ​ ​But ​let's ​say ​it ​out ​loud. ​ ​Jack ​ ​Lemmon. ​It ​says ​it ​all ​right ​there ​in ​the ​name. ​​Jack. Ordinary, ​​the ​guy ​across ​from ​you ​on ​the ​subway. Lemon. The ​one ​that ​got ​the ​broken ​car. ​ ​The ​bitter ​taste, ​yet ​the ​surprising ​brightly ​colored ​yellow ​sun ​inside ​of ​the ​bad ​luck. ​Jack ​Lemmon, ​arguably ​the ​greatest ​comic ​and ​dramatic ​actor ​to ​ever ​grace ​the ​screen, ​who ​is ​unrivaled ​​as ​the ​everyman ​who ​trips, ​stumbles, ​ ​triumphs ​and ​gets ​the ​girl. ​Or ​in ​the ​case ​of ​Some ​like ​it ​Hot, ​the ​guy. ​ ​Starting ​this ​week ​at ​one ​of ​my ​very ​favorite ​movie ​theaters, ​the ​Film ​Forum ​on ​Houston ​Street, ​Jack ​Lemmon ​turns ​100. ​ Can ​you ​believe ​it? ​And ​the ​Film ​Forum ​is ​opening ​its ​two ​week ​tribute ​on ​Friday, ​May ​16th ​with ​the ​iconic ​story ​of ​opposites, ​the ​Odd ​Couple. ​But ​I'm ​not ​here ​to ​talk ​about ​Mr. ​Lemon's ​legendary ​roles ​in ​Days ​of ​Wine ​and ​Roses, ​Glengarry ​Glen ​Ross ​ ​having ​a ​revival ​on ​Broadway ​now ​with ​Bob ​Odenkirk ​reprising ​Lemon's ​unforgettable ​Shelley ​Levine, ​The ​Front ​Page, ​Mr. ​Roberts, ​Bell, ​Book ​and ​A Candle. ​A ​personal ​favorite ​of ​mine, ​Some ​like ​it ​Hot, ​which ​I ​watched ​on ​VHS ​until ​the ​tape ​broke…I ​am ​here ​to ​talk ​about ​one ​of ​the ​greatest ​comedies, ​if ​you ​can ​call ​a ​film ​about ​a ​mid ​level ​office ​drone ​working ​at ​an ​insurance ​company ​ ​who ​lets ​his ​superiors ​bully ​him ​into ​letting ​them ​have ​his ​apartment ​for ​their ​affairs ​in ​hopes ​of ​him ​getting ​promoted ​and ​the ​suicidal ​elevator ​girl ​who ​whom ​he ​falls ​in ​love ​with. ​A comedy ​​The ​Apartment. ​ Legendary ​director ​Billy ​Wilder, ​coming ​off ​the ​wild ​success ​of ​Some ​like ​it ​Hot ​with ​Marilyn ​Monroe, ​wanted ​to ​keep ​his ​collaboration ​with ​Lemon ​going. ​So ​in ​1960, ​Wilder ​and ​I.A.L ​diamond ​(Come ​on, ​is ​that ​the ​coolest ​name?)​ who ​wrote ​Some ​Like ​It ​Hot ​with ​Wilder ​were ​inspired ​by ​an ​infamous ​Hollywood ​murder ​story ​about ​agent ​Jennings ​Lange ​who ​was ​having ​an ​affair ​with ​actress ​Joan ​Bennett ​in ​an ​underlings ​apartment. ​So ​her ​husband, ​producer ​Walter ​Wanger, ​shot ​and ​killed ​Lange. ​Check ​out ​Karina ​Longworth's ​excellent ​podcast ​Love ​Is A Crime from ​You ​Must ​Remember ​This ​for ​the ​full ​retelling ​to ​you ​and ​I. ​This ​might ​not ​seem ​like ​source ​material ​for ​one ​of ​our ​greatest ​comedies, ​but ​in ​Wilder, ​Lemon ​and ​the ​adorable ​Shirley ​MacLaine's ​Hands, ​it ​was ​a ​box ​office ​smash, ​winning ​five ​Oscars ​out ​of ​ten ​nominations. ​Now ​I ​could ​go ​on ​and ​on ​about ​Billy ​Wilder's ​meticulous ​directorial ​precision, ​Lemon's ​unreal ​​comic ​timing ​and ​turn ​on ​a ​dime ​pathos ​why ​Ving ​Rhames ​spontaneously ​gave ​him ​his ​very ​own ​Golden ​Globe ​in ​1998. ​But I'm actually here to talk about a hat, a haircut, and a mirror. Let's rewind to 1960 - President Kennedy just took office, Roy Orbison's ‘Only The Lonely' was on the radio, and the kids were doing Chubby Checker's ‘The Twist'. The very seriously subversive theme and subject of The Apartment can not be over stated in this climate. The film, shot in gorgeous black & white by Joseph LaShelle of Laura and Marty fame, puts us smack-dab in what I'd call ‘Mad Men' central - a heady swirl of cigarette smoke and ‘Tom & Jerry' cocktail mix, office Christmas parties, wives holding on line 2 while executive husbands scheduled accepted trysts before dinner and kissing the kids goodnight. Lemmon plays ‘C.C. Baxter', a hard-working, well-meaning drone who somehow gets himself turned into a sort of brothel landlord. His neighbors wonder how he can withstand being such a Lothario - the sounds coming through the walls everynight don't match C.C. Baxter's unassuming Brooks Brothers suit with a rumpled white shirt with rounded collars and tie-bar to boot.But Baxter is caught in a hilarious cycle of paying his dues to climb the corporate ladder. This is what you must do. You must get out of bed at midnight to allow your boss to wine and bed his mistress in your Upper Westside apartment even if it involves you sleeping on a park bench in Central Park and catching your death (which Lemmon really did on that particular night shoot on location in the chilly fall of NYC). Lemmon's aspiration is to be ‘the youngest junior executive at Consolidated Insurance' so he MUST climb that corporate ladder to get the accoutrements - the windowed office, the carte blanche phone calls to pass on favors, and the bowler hat!He proudly shows it off to Shirley MacLaine's elevator operator, Fran Kubelik, who regards it as the ultimate symbol of the last ‘nice guy' crossing over the river Styx to the underworld of betrayal. She is happy for Baxter, but her eyes register a cultural sadness - this white male corporate culture is a disease and its got it claws in Baxter, and Baxter is completely oblivious to what he is about to sign on the dotted line for. Fran isn't. Despite her absolutely adorable ‘pixie' hair-cut, she has been groped by the best of them, and seems unreachable by the hordes of executives. Fran is the Snow Leopard, the last big game that hasn't been conquered. You can grab her butt, and she firmly pushes you on your way. There is something modern, forward-leaning in her attitude and appearance, punctuated by that hair-cut representing women's liberation, strength, and independence. ‘I don't need long flowing hair to make you like me, pal.' The pixie cut was popularized by Audrey Hepburn in the late 1950's, followed by the model Twiggy, and reaching its apotheosis with Mia Farrow in Rosemary's Baby in the mid-1960s. But Shirley MacLaine, in my humble opinion, does it best as ‘Fran', the hard-working elevator operator girl who won't fall prey. Fran says in one of the film's most famous lines of dialogue, “When you're alone with a married man, you shouldn't wear mascara.” Shirley MacLaine's tender and deep performance as ‘Fran', lets us - and eventually Baxter - know that all is not well in the corporate system and the culture at large. One of the most ingenious uses of the Hollywood film adage ‘show don't tell' in filmmaking is the use of a simple compact make-up mirror to tell a major plot turn in The Apartment. Baxter's boss, Jeff D. Sheldrake played with brave impunity by silver screen star Fred MacMurray, who was so hated after this performance he would be aaccosted in the street by ladies chasting him for playing such a ‘dirty man'. Sheldrake calls Baxter into his office early in the film for what Baxter thinks is his promotion. Sheldrake says he's heard about Baxter's ‘key' - meaning his revolving brothel. Sheldrake wants in. Baxter obliges as Sheldrake is THE biggest fish. Later, in another summoning to the head honcho's office, Baxter gives him a floral compact he discovered in his couch, assuming it belongs to Sheldrake's mistress. The mirror inside the compact is cracked jagged down the middle splitting the image of whoever opens it in two. Baxter thinks nothing of it until he is modeling his bowler hat - the Junior Executive - for Fran. What do you think? he askes her. “After all, this is a conservative firm. I don't want people to think I'm an entertainer…”. In the midst of this, Fran helpful as ever, opens her compact to show Baxter how the bowler hat looks. To Baxter's deep inner shock, he puts ‘two and two together' and realizes Fran is in fact Sheldrake's mistress. The horror. The one that was ungettable gotten by the biggest fish with a wife and two kids. The shot of Lemmon reacting in the cracked compact is on the of most effective story and visual devices I can think of in cinema. Baxter sees himself split apart - two worlds: the happy go lucky Baxter, and the Baxter that is now privy to some vile stuff involving the one girl he actually likes.Fran sees his reaction and asks ‘what is it? Baxter takes a beat. “The mirror…it's broken.” Then Fran utters one of my favorite lines, “I know. I like it this way…makes me look the way I feel.” WOW. What a subversive revilation! What a profound utterance. Talk about Chekhov. ‘Makes me look the way I feel'. We begin to realize all is not right with Fran. Sheldrake is leading her on. She sets a boundary at the local Chinese restaurant where he apparently takes all his conquests - the back booth. But Sheldrake works her over, and convinces her he WILL leave his wife. After a tryst back at Baxter's apartment on Christmas Eve, Sheldrake must catch his evening train to make dinner with the family. Obviously having forgotten to get Fran anything of real signifigance for Christmas, he opens his wallet and hands her a hudred dollar bill. Even in today's anything goes era, it's a shockingly seedy gesture that is all too real. MacLaine's Fran takes it in stride - just like Baxter leaving his key under the rug for his bosses - and stands to take off her coat and gets ready to disrobe. Fran says something like, ‘well, you already paid for it.' Ugh. My heart broke! For Fran, for Baxter, for the sad inevitablity of it all. Trigger Warning. The last portion of this episode deals with suicide. Listen with care. Fran asks to be left alone. In the bathroom, she finds the hundred dollar bill in her purse, and realizing she will never be able to break this cycle, she sees Baxter's sleeping pills - Seconal - and takes them all. Meanwhile, Baxter is out drowning his sorrows with a hilarious companion, played by actress Hope Holiday. They get drunk and dance, looking for a place to get even closer, they head back to Baxter's apartment - “Might as well go to me. Everybody else does.” Once back at his place, he discovers Fran and races to his jocular doctor neighbor, played by Jack Kruschen (also Oscar nominated for his hilarious supporting role as Dr. Dreyfuss), and Fran narrowly misses checking out. While recovering at Baxter's playing gin rummy (which MacLaine was playing alot of as a peripheral member of the Rat Pack), Fran and him bond, more than bond. They fall into bliss and don't even know it. It's a beautiful chemistry, one that apparently as it evolved dictated the script. Sources say upon commencement of filming, the screenplay was a mere 40 pages, and Wilder liked to work that way and let things evolve. He was also famous for re-shooting after viewing dallies. MacLaine calls him 'sciencentific, brittle and caustic with women but made you better for it'. She tells a story about once such instance during a climactic scene with Fred MacMurray's ‘Sheldrake' where she couldn't get the emotion necessary for their break-up in the Chinese restaurant they frequent. MacLaine's native Canadian accent was coming out literally on the word ‘out.' After viewing the ‘rushes', he concluded they need to re-shoot, even calling MacLaine out in the screening room. MacLaine, much like Fran, didn't buckle under pressure, and they re-shot. On the day, Wilder called ‘Action' and excused himself to give her the privacy to do the scene. She hit it out of the park, uttering the lines from that take that made the final cut, “So you sit there and make yourself a cup of instant coffee while he rushes out to catch the train.”Well, long story short, Baxter and Fran end up together - thank Heavens. I could explain the plot twists to get them there, but I want to leave you with one final remberance of MacLaine's. When asked what it was like to work with Jack Lemmon, she said, “He would say, ‘Magic time!', every time the camera rolled. And then we knew we'd better make some magic.”Check out The Apartment on the big screen at The Film Forum in all its glory this Friday, Saturday and Sunday. And all of Jack Lemmon's ‘Magic time' over the next two weeks. You won't be sorry.More about the series here:JACK LEMMON 100Watch The Apartment here:Look Behind The Look is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Look Behind The Look at lookbehindthelook.substack.com/subscribe

Send us a textIt's just Mark, his overanalysis, and Rudy Vallée as he tries to figure out what makes Some Like It Hot such a timeless comedy, why the idea of syncopation gives it rare thematic harmony, and how Billy Wilder and IAL Diamond were so damn good.https://markoveranalysesfilm.buzzsprout.com/https://www.markoveranalysesstory.com/https://twitter.com/overanalysefilm

Movie recommendations or comments for us? Text us here!****Our 150th episode will be delayed because real life caught up with us. Thank you for your patience!****We're watching our first Marilyn Monroe movie this week with Some Like It Hot! Jerry and Joe are two down-on-their-luck musicians who accidentally witness a mob hit. Their only chance of escaping Spats Colombo and his henchmen is to  disguise themselves as Daphne and Josephine, two members of an all-girl band on its way to sunny Florida. Shenanigans ensue when Joe starts to fall for the lovely band singer Sugar (middle name "Kane").This movie stars Marilyn Monroe, Tony Curtis and Jack Lemmon.  Email us at MadeMePodcast@gmail.comFind us on:Facebook: www.facebook.com/MadeMePodcastInstagram: https://www.instagram.com/myhusbandmademedoit/ Podcast artwork by Anna Eggleton of Treehouse Lettering & Design: https://www.treehouseletteringanddesign.com/

Front Row Classics welcomes Spring with one of the most charming romantic comedies of the 1950s. Brandon and Emmett Stanton are discussing George Cukor's It Should Happen to You from 1954. The film features one of the best film performances from the effervescent Judy Holliday. We also celebrate the 100th birthday of Jack Lemmon by commemorating his movie debut in this film. Brandon and Emmett discuss the many funny & charming scenes as well as reflect on how the film still seems relevant in our current culture of social media influencers. 

We all know of Marilyn Monroe, but WE have never seen her perform in a movie before. We remedy that in this episode, as we return to another Billy Wilder production and see another familiar face with Jack Lemmon (only this time in drag) with the crime comedy caper, Some Like It Hot!Was it a sizzling sensational flick, or did the experience leave us feeling cold? Is there more to Marilyn than beauty, and how did the two male leads fare as females? Listen in to find out!-------------------------------------------------------Don't forget to follow us on social media in the links below, and let us know your thoughts and recommendations for the future!  ⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/sp_filmviewers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠x.com/SP_Filmviewers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/SP_Filmviewers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-------------------------------------------------------Rating and reviewing the show is a great help too! Please feel free to do so with these helpful links below:Goodpods: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://goodpods.app.link/pkE7J2T6ykb⁠⁠⁠⁠⁠⁠⁠⁠⁠Podchaser: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.podchaser.com/users/sp_filmviewers⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/gb/podcast/sp-filmviewers/id1485548644⁠⁠⁠⁠⁠⁠⁠⁠⁠ Lastly, we now have a Patreon you can join, for as little as £1/$1.50. More details in the link below:⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/spfilmviewers⁠⁠⁠⁠⁠⁠⁠⁠⁠ 

Billy Wilder channeled his inner Adam Sandler for 1959's SOME LIKE IT HOT. All he had to do to wow critics and audiences was put Jack Lemmon and Tony Curtis in drag, and sexualize Marilyn Monroe every few scenes. Listen to Alex & Julio take on this 95% Tomatometer score, as they wonder if Wilder realized his movie celebrated a woman embracing the latest in a series of toxic relationships!TIMELINE00:01:24 Some Like It Hot00:14:23 Contrarians Corner- Wanna know how we really feel about SOME LIKE IT HOT? Check out the Real Talk (RT) episode, on your feed RIGHT NOW! (or pretty soon — Spotify can be a pain when it comes to refreshing the feed)- Interested in more Contrarians goodness? Join THE CONTRARIANS SUPPLEMENTS on our Patreon Page! Deleted clips, extended plugs, bonus episodes free from the Tomatometer shackles… It's everything a Contrarians devotee would want!- Our YouTube page is live! Get some visual Contrarians delight with our Contrarians Warm-Ups and other fun videos!- Contrarians Merch is finally here! Check out our RED BUBBLE MERCH PAGE and buy yourself something nice that's emblazoned with one of our four different designs!- THE FESTIVE YEARS have been letting us use their music for years now and they are amazing. You can check out their work on Spotify, on Facebook or on their very own website.- Our buddy Cory Ahre is being kind enough to lend a hand with the editing of some of our videos. If you like his style, wait until you see what he does over on his YouTube Channel.- THE LATE NIGHT GRIN isn't just a show about wrestling: it's a brand, a lifestyle. And they're very supportive of our Contrarian endeavors, so we'd like to return the favor. Check out their YouTube Channel! You might even spot Alex there from time to time.- Hans Rothgiesser, the man behind our logo, can be reached at @mildemonios on Twitter or you can email him at mildemonios@hotmail.com in case you ever need a logo (or comics) produced. And you can listen to him talk about economy on his new TV show, VALOR AGREGADO. Aaaaand you can also check out all the stuff he's written on his own website. He has a new book: a sort of Economics For Dummies called MARGINAL. Ask him about it!

Here is a “Sunny Song”, wherein the fleeting sunlight is a dappled reminder of the evanescence of existence. They're all gone now: Bill Evans (piano), Tony Bennett (vocals), Henry Mancini (Composer), and Johnny Mercer (Lyricist), but their beautiful creation lives on to remind us to gather our rosebuds while we may.Sadness, and gratitude run in equal measure throughout all of the song's manifestations. The title itself derives from an 1896 poem by Ernest Dowson, taken from the Roman poet, Horace, whose latin translates as:“The brief sum of life forbids us the hope of enduring long;” The film for which Mancini and Mercer furnished this deathless song, was so tragic in its portrayal of addiction, that, even as a 10 year old, I mourned for the hopelessness of Jack Lemmon and Lee Remick's doomed romance that should have produced nothing but happiness, but brought only sorrow. In the magician's hands of Bill Evans, the chordal melody seems to waft in the breeze, and Tony Bennett's voice, never more supple, interprets the wistfulness of unfulfilled longing with a seasoned perfection. The results: a collaborative triumph. Tony was quoted as saying that their recordings were “the most prestigious thing I ever did”. Quite a statement from the acknowledged master. 

Why does “Bart Gets Hit by a Car” (S2E10) show the episode title on screen at the beginning, unlike nearly every other episode of The Simpsons? We think we found an answer in The Fortune Cookie (1966), the very first pairing of longtime comedy duo Jack Lemmon and Walter Matthau. They're the original odd couple! This forgotten movie provided the plot for this early episode of The Simpsons, and possibly much more.Also in this episode:• A classic example of “homage, French for theft”• How this movie may have inspired the origins of Lionel Hutz and Dr. Nick Riviera• When does Walter Matthau sound most like season 1 Homer in this movie?• Adam and Nate unwisely try to rewrite Billy Wilder and I.A.L. Diamond, two masters of comedy writingPlus, check out our show notes for a complete list of Simpsons references, double feature suggestions, and further readingNext time, filmmaker and podcaster Devan Scott returns to discuss Jaws (1975) on its 50th anniversary, alongside its culty parody in “The Joy of Sect” (S9E13).For more Simpsons movie parody content, check out SpringfieldGoogolplex.com, or follow us @simpsonsfilmpod on Instagram, Bluesky, TikTok, YouTube, and Letterboxd. Discover more great podcasts on the That Shelf Podcast Network.

This week Emma and Katie dive into the 1960 Romedy Comedy Dramady: The Apartment. Tune in for all things Jack Lemmon, Shirley MacLaine, the ridiculousness of NYC rent and much much more!

Mit Joe, Luke & Ted1,5 Jahre nach der ersten Folge sind wir beim Finale von Directed by Billy Wilder angekommen!In seinem letzten Film arbeitet Wilder nochmal mit seinem besten Odd Couple zusammen: Jack Lemmon & Walter Matthau!Wir besprechen: BUDDY BUDDY!Viel Spaß!PFG Main Feed: https://anchor.fm/planet-film-geekwww.planetfilmgeek.comfacebook.com/PlanetFilmGeektwitter.com/PlanetFilmGeekinstagram.com/planetfilmgeekplanetfilmgeek@gmail.comletterboxd.com/movieschmidtletterboxd.com/tadiciletterboxd.com/lukepfgletterboxd.com/maxmaxmaxletterboxd.com/sniperslothPlakat zu "Buddy Buddy" © 1981 MGMMusic by Kevin MacLeod"Rollin at 5""Rollin at 5 - electronic"www.incompetech.comLicensed under Creative Commons: By Attribution 3.0 creativecommons.org/licenses/by/3.0/

For the final week of the MaxFunDrive we invited Stuart and Dan from The Flop House to take a break from bad movies and watch the Best Picture winner "The Apartment" starring Jack Lemmon and Shirley MacLaine.Tune in next week when our movie will be... Mighty Morphin Power Rangers: The MovieListen to The Flop House, it's very good!Catch Emily Fleming and Jordan Morris at Wondercon!Matt Lieb and Francesca Fiorentini will be in San Francisco at Cobb's Comedy Club on May 7th! Buy tickets here!   MaxFunDrive ends on March 28, 2025! Support our show now and get access to bonus content by becoming a member at maximumfun.org/join.

Podcast Episode Description – My Fellow Americans (1996)In this episode of Retro Life 4 You, we take a hilarious trip down memory lane with My Fellow Americans (1996), the political comedy starring Jack Lemmon and James Garner as two former U.S. Presidents on the run! This 90s comedy classic blends political satire, buddy comedy, and action, as these bickering ex-leaders uncover a scandal tied to the corrupt sitting President (Dan Aykroyd).Join us as we break down the plot, best scenes, trivia, and behind-the-scenes facts, including how Walter Matthau and Clint Eastwood were almost cast, Bill Clinton's reaction to the film, and the real-life political inspirations behind the story.If you love political comedies, 90s movies, and classic Hollywood legends, this episode is for you! Tune in now and let us know—who would you cast in a modern remake?

rWotD Episode 2868: Room Service (play) Welcome to Random Wiki of the Day, your journey through Wikipedia’s vast and varied content, one random article at a time.The random article for Tuesday, 11 March 2025 is Room Service (play).Room Service is a farce written by Allen Boretz and John Murray. It was originally produced by George Abbott and debuted at the Cort Theatre in New York City on May 19, 1937. Its initial production ran for 500 performances, closing on July 16, 1938. The play, starring Jack Lemmon in the role of Leo Davis, was revived on Broadway for a short run of 16 performances in 1953.RKO Pictures purchased the film rights for a then-record $225,000 and used it as the basis for the film of the same title as a vehicle for the Marx Brothers. In 1944, RKO released a musical film adaptation entitled Step Lively starring Frank Sinatra.The original 1937 Broadway production starred Sam Levene as Gordon Miller, Eddie Albert as Leo Davis and Phillip Loeb as Harry Binion.This recording reflects the Wikipedia text as of 00:48 UTC on Tuesday, 11 March 2025.For the full current version of the article, see Room Service (play) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Kimberly.

Welcome back to Everyone is a Critic! This week, we dive into the biggest night in Hollywood—the Oscars! From surprise wins to predictable victories, snubs, and memorable moments, we break down everything that happened at the Academy Awards. Did the right movies take home the gold? Were there any shocking upsets? We've got opinions, and we're not holding back! For our classic movie review, we take a look at The Apartment (1960), directed by Billy Wilder and starring Jack Lemmon, Shirley MacLaine, and Fred MacMurray. This Best Picture-winning romantic dramedy remains one of the sharpest and most heartfelt films of its time. We discuss its impact, performances, and why it still resonates over 60 years later. Join us for a fun and insightful discussion on the Oscars and a timeless classic! Follow Us: Website: I Hate Critics Facebook: Everyone is a Critic Podcast Twitter: @criticspod Instagram: @criticspod Patreon: Support Us Merch: TeePublic Store YouTube: Watch Us Check out Jeff's art at Jeff Lassiter Art and read Sean's reviews at Sean at the Movies. Don't forget to rate, review, and subscribe!

This week, the boys head back to 1962 to discuss Blake Edwards's “Days of Wine and Roses”, starring Jack Lemmon and Lee Remick. We've previously discussed the 1962 films “To Kill a Mockingbird”, “What Ever Happened to Baby Jane?”, and “The Man Who Shot Liberty Valence”. We start the conversation with thoughts on the Oscars, the state of cinema, and more! Grab a beer- or coffee- and join us for a conversation about this excellent film about an alcoholic couple navigating life.  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 7:41 Gripes + Oscars Reflections; 29:37 1962 Year in Review; 51:07 Films of 1962: “Days of Wine and Roses”; 1:25:15 What You Been Watching?; 1:36:36 Next Week's Movie Announcement Additional Cast/Crew: Philip H. Lathrop, J.P. Miller, Tex Frontier, Henry Mancini, Charles Bickford, Jack Klugman, Tom Palmer, Alan Hewitt, Maxine Stuart, Martin Manulis. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: Oscars 2024, Oscars 2025, Alcoholism, Hulu, Marvel, The Hulk, The Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Wicked, All Quiet on the Western Front, Wicked, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir. 

Step into the sharp wit and heartfelt drama of 1960s New York as Movie Mistrial explores Billy Wilder's iconic romantic comedy-drama, The Apartment.The Apartment is a masterclass in storytelling, seamlessly blending humor and melancholy to deliver a poignant exploration of love, ambition, and morality. Jack Lemmon and Shirley MacLaine's magnetic performances, combined with Wilder's razor-sharp direction, make this film an enduring classic that continues to resonate with modern audiences.While The Apartment is universally acclaimed, some critics suggest its themes of infidelity and workplace exploitation might feel dated or overly cynical to contemporary viewers, challenging the film's romantic undertones.Join us as we unpack the charm and complexities of The Apartment and discuss its lasting impact as one of Hollywood's finest works.Connect with us and share your thoughts:Twitter: http://tiny.cc/MistrialTwitterFacebook: http://tiny.cc/MistrialFBInstagram: http://tiny.cc/MistrialInstaVisit our website, www.moviemistrial.com, for more captivating episodes and to stay up-to-date with all things movies.

It's Awards Season yet again. Here on the Holmes Movies Podcast that means, it is time for the Alternative Oscars episodes! AKA the Anders and Adam-emy Awards: Each episode for this series we pick a different year in Oscars history and attempt to correct the record, stripping the undeserving of their garlands while recognizing those who were cruelly overlooked.This time, we will be casting our eye back to… the 30th Academy Awards, the year that honoured the best films of 1957. It was held March 26th 1958 at the RKO Pantages Theatre in Los Angeles, California. It was hosted by Bob Hope, Rosalind Russell, James Stewart, Jack Lemmon, David Niven and Donald Duck.David Lean's The Bridge On The River Kwai won 7 awards that night, with Joshua Logan's Sayonara starring Marlon Brando receiving the most nominations. Listen here and find out who we would've picked that night.Follow us on our Instagram page.Please check out and watch our Monument Valley Travelogue/Short Film. We hope you like it and can check it out on our YouTube Channel.Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic.Also check us out on Letterboxd too!AndersAdam Hosted on Acast. See acast.com/privacy for more information.

CONTENT WARNING: Discussion of alcoholism, child neglect, substance abuse, addiction. Every year at the Oscars there's a movie that stands out as the film that should be the Best Picture, just for the sheer raw power of its storytelling. This is that movie. Jack Lemmon is giving a performance for the ages, the supporting cast is rock solid, and the always contrarian Blake Edwards goes for broke. This could have easily been a melodrama, but you get the sense very quickly that everyone making this movie got the impact of what they were doing here. And that's incredible, considering there's movies that come out in 2025 that can't capture the truth of addiction like this movie. We continue Oscars ‘62 with Days of Wine and Roses onMacintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpts taken from the main title to the film Days of Wine and Roses, composed and conducted by Henry Mancini with lyrics by Johnny Mercer. Copyright 1962 Warner Bros. Entertainment Inc. All Rights Reserved. Excerpt taken from the main title to the film To Kill A Mockingbird, written and composed by Elmer Bernstein. Copyright 1962 Universal Studios. All Rights Reserved.

Peter Gallagher has delivered critically acclaimed performances in film, television and theatre. He has starred in many films, including: sex, lies and videotape, American Beauty (SAG Award), The Player, Short Cuts (Golden Globe), The Idolmaker, Dreamchild, While You Were Sleeping, The Underneath, To Gillian on her 37th Birthday, Center Stage, Mr. Deeds, Palm Springs and the upcoming Humane. Gallagher's recent television work includes: “Truth Be Told,” “Zoey's Extraordinary Playlist” as Mitch, “Grace and Frankie” as Nick, “Grey's Anatomy” as Dr. Hamilton, “Law & Order SVU” as Chief Dodds, “Covert Affairs” as Arthur Campbell and Schmidt's dad on “New Girl,” “Togetherness,” “Californication,” “Rescue Me” and “The OC” as Sandy Cohen. His Broadway credits include: Guys and Dolls (Drama Desk nomination), Long Day's Journey Into Night (with Jack Lemmon, receiving a Tony Award Nomination), The Real Thing (The Clarence Derwent Award), The Corn Is Green (Theatre World Award), A Doll's Life, Noises Off , The Country Girl, Grease (Original production) On The Twentieth Century and Left On Tenth. Gallagher was honored with a Light on the Hill Award and a Jumbo Award from Tufts University, the Steve Chase Humanitarian Award, the Inspire Award from AARP for his Alzheimer's advocacy, a Jewish Image Award for his portrayal of Sandy Cohen and the Elsa Rose Fabares Award from The Alzheimer's Association. He continues to support The Alzheimer's Association, The Entertainment Community Fund and Broadway Cares Equity Fights AIDS. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Halfdan Ullmann nieto de Ingmar Bergman y Liv Ullmann, debuta como director con La tutoría, una cinta basada en un hecho real, dura, que más que dar respuestas busca generar preguntas y despertar reflexiones, una puesta en escena grandiosa que nos crea un ambiente angustioso y claustrofóbico.Capitán América: un nuevo Mundo es otra de las películas más esperadas, se puede decir que la primera película moderna de este famoso Capitán y es que Sam Wilson regresa, en esta ocasión interpretado por Anthony Mackie. La película está dirigida por Julius Onah, quien no solo continúa la historia, añade intriga política, muchasacción y una de las grandes novedades es la incorporación de Harrison Ford como Thaddeus Ross, papel clave en la trama.Esta semana los peques de la casa están de suerte, dos son los títulos que tienen la oportunidad de ver en pantalla grande: Los exploradores de Gonzalo Gutiérrez, una película en la que tres amigos inseparables, Alfonso, Arthur y Victoria ven como una tormenta mágica amenaza su hogar. Una invitación a la aventura para todos los miembros de la familia.El otro título es Mary Superchef un viaje lleno de fantasía y de nostalgia dónde la importancia de la familia, el legado intergeneracional y la superación personal son los ingredientes principales.Bridget Jones regresa a la gran pantalla, en esta ocasión Loca Por Él, dónde nos encontramos a una briget más cómica y emotiva que se enfrenta a una nueva etapa en su vida, la de ser madre.¡Eso sí!, sin negarse al amor.Todo esto además de nuestro resumen de la 39 edición de los premios Goya, el resto de la cartelera, las mejores series con Pedro Calvo, las secciones habituales, con Ana vega toscano tenemos 100 motivos para recordar a Jack Lemmon y muy atentos a de película responde con Carlos Brioso.Escuchar audio

Hoy tenemos versión XS de la primera hora con motivo de la Super Bowl... Pero hemos podido jugar rápidamente al Juego de los Detectives. Con motivo del centenario del nacimiento de Jack Lemmon, Laura Martínez nos recomienda algunas de sus mejores películas. Carol Viciano, en su 'Resulta que', nos dice que poner muchos 'me gusta' en Instagram es de viejos. Además, nuestra enviada especial del oyente, Marta Centella,  nos explica qué hay detrás de la expresión "rasgarse las vestiduras".

Hoy tenemos versión XS de la primera hora con motivo de la Super Bowl... Pero hemos podido jugar rápidamente al Juego de los Detectives. Con motivo del centenario del nacimiento de Jack Lemmon, Laura Martínez nos recomienda algunas de sus mejores películas. Carol Viciano, en su 'Resulta que', nos dice que poner muchos 'me gusta' en Instagram es de viejos. Además, nuestra enviada especial del oyente, Marta Centella,  nos explica qué hay detrás de la expresión "rasgarse las vestiduras".

Tyler talks about the film that introduced the Dramedy as well as the other best pic nominees. The Alamo, Sons and Lovers, Elmer Gantry and the Sundowners

With February being the month of Valentine's Day, your Film Freaks Phoef Sutton and Mark Jordan Legan decided to take a moonlit stroll at the beach and fall madly in love…with the romantic comedy genre! Six wonderful, sexy, witty comedies are discussed, starting with the very first American romantic comedy from 1932 all the way up to now. Everyone from Claudette Colbert to Jack Lemmon to Hugh Grant to Ali Wong to Maya Erskine are part of the cavalcade of cuties that shine in these charming, whimsical rom-coms. Give it a listen and laugh and love and cry and recklessly text old flames! You're welcome, love birds. Warning: a few of the audio clips include adult language. This episode is sponsored by: Libro.fm (FILMFREAKSFOREVER) | 2 audiobooks for the price of 1 when you start your membership The Writer's Bone Podcast Network

En el programa de esta semana recordamos a uno de los grandes, la ejemplificación del hombre normal que dignificó con humanidad y empatía, especialmente, el cine de los 50, 60 y 70. Jack Lemmon hubiera cumplido 100 años y le dedicamos reportaje con Mary Carmen Rodríguez (también editora del podcast). Repasamos las claves de los Goya 2025 en una de las ediciones más abiertas de los últimos años y en Leer cine, la biblioteca sonora de Carlos López-Tapia, abrimos las páginas de "A puerta cerrada" de J.D. Barker. Completan el programa las recomendaciones de Colgados de la plataforma y la crítica de las favoritas "The brutalist" y "Flow, un mundo que salvar". ¡Muchas gracias por escucharnos!

We review Airport 77 (1977) on movie podcast The Collector's Cut. Airport 1977 is directed by Jerry Jameson and stars Jack Lemmon, Lee Grant, Brenda Vaccaro, Joseph Cotten, Olivia de Havilland, Darren McGavin, Christopher Lee, George Kennedy, James Stewart patreon: https://www.patreon.com/mildfuzztv twitter: https://twitter.com/ScreamsMidnight all links: https://linktr.ee/mildfuzz Audio version: https://the-collectors-cut.pinecast.co/

National kite flying day. Entertainment from 2002. Dynamite used for 1st time in mining, banjo clock invented, Dallas Texans become Kansas City Chiefs, 1st banana republic. Todays birhdays - Jules Verne, Lana Turner, Audrey Meadows, Jack Lemmon, Nick Nolte, Dan Seals, Mary Steenburgen, Vince Neil, Gary Coleman, Seth Green. Del Shannon died.Intro - Pour some sugar on me - Def Leppard http://defleppard.com/Lets go fly a kite - Mary PoppinsU got it bad - UsherGood morning beautiful - Steve HolyBirthdays - In da club - 50 Cent http://50cent.com/Honeymooners TV themeBop - Dan SealsYour invited, but your friend can't come - Vince NeilRunaway - Del ShannonExit - Its not love - Dokken http://dokken.net/

El cine, como la novela, me ha permitido estar en territorios a los que nunca iré. Puedo quedarme rodeado de miseria y pobreza en lugares en los que nunca he vivido o estar en lujosos salones que para mí son tan raros como excepcionales. Creo que me sucede como a José Luis Garci, que leo las novelas como películas y puede que vea las películas como novelas. Por eso me decepciono cuando una novela que he leído se lleva al cine, porque la heroína que yo me había imaginado resulta que es una actriz de la vida real. Decía Rafael Alberti: “respetadme, he nacido con el cine”. Y por eso dedicó poemas a Chaplin, Keaton, Lloyd y a Laurel y Hardy. Respetadnos también a los que nacimos con Clint Eastwood, Jack Lemmon, Berlanga, Shirley MacLaine, Paco Raval, Brando, Coppola, Garci, Newman, López Vázquez o la Loren. El cine era una liturgia semanal y, por tanto, extraordinaria. Los lunes, en la escuela, comentábamos la película que habíamos visto el sábado o el domingo y, el martes, ...

Nate and Ryan start their journey through their 5-Star movies by discussing The Apartment, the 1960 classic starring Jack Lemmon and Shirley MacLaine. Winning a swath of Oscars signaled the love people had for The Apartment early on, but over the years, its legend has only grown. Directed by Billy Wilder, it’s… Continue reading

This week we're asking the big questions people need the answers to, such as how many wrestling moves have you seen used in a bar fight? Rich shares stories about the intricacies of hockey fights while Raven breaks down the various types of fights and brawls one could find themselves in; Speaking of fights, Feeney and Raven provide an update on their UFC betting and Feeney is considering using AI to place his bets; It's that time of year again, Feeney is trying to figure out travel plans for Vegas and needs help deciding what to do; Is there an on-screen duo better than Jack Lemmon and Walter Matthau? What's going on with Corey Graves and WWE and the revolving door of commentators in wrestling today; The ideal bathroom schedule, and of course, all the usual perversions. Follow the guys on X!Raven - @theRavenEffectRich - @RichBocchiniFeeney - @jffeeney3rdBuy some of Raven's old comics and other goods. Check out the store by Ask Danna at https://www.ebay.com/str/askdannaHave Raven say things that you want him to say, either for yourself or for someone you want to talk big-game shit to by going to http://www.cameo.com/ravenprime1Sign up for Patreon by going to http://www.patreon.com/TheRavenEffect it's only $5 a month! Get extra content AND watch the show!Become a supporter of this podcast: https://www.spreaker.com/podcast/the-raven-effect--5166640/support.

Neil Berg's latest musical The Sabbath Girl: The Musical, written with book writer/co-lyricist Cary Gitter, just finished an incredible, sold-out run at The Penguin Repertory Theatre (directed by Joe Brancato), before transferring to NYC for a six-week summer run Off-Broadway at 59 East 59th Theaters to rave reviews. The Original Off-Broadway Cast Recording of The Sabbath Girl: The Musical is available on Centerstage Records. Producers are now in the process of moving the show for an open-ended commercial run. Neil is the composer/co-lyricist, along with Pulitzer Prize/TONY-winning playwright Robert Schenkkan, of the award-winning new musical The 12, which just finished a very successful pre-Broadway tryout to critical and audience acclaim at the Goodspeed Opera House, directed by TONY award-winning director John Doyle, produced for Broadway by Cody Lassen & Joe Grano. The 12 previously ran at The Denver Center to unanimous rave reviews and won the 2015 HENRY Award for best new play or musical. Original Cast recording will be available in the winter of '24. Broadway opening anticipated in 2025/2026 season. Neil is currently in development as the composer of the new Broadway-bound musical version of My Cousin Vinny, based on the iconic movie, with book/lyrics by original screenwriter, Dale Launer. Neil has a new commissioned musical, How My Grandparents Fell in Love, opening in July of '25 at The NJ Rep Theater, collaborating again with book writer/co-lyricist Cary Gitter, directed by Artistic Director SuzAnne Baribas. Neil's other new musical, Charlie Hustle, with book/lyrics by Ryan Noggle, is about controversial baseball icon Pete Rose and the story of his gambling addiction that led to his downfall. Charlie Hustle will have its first developmental production in Detroit, Michigan in the fall of '24. Neil is the composer for the popular musical version of Grumpy Old Men: The Musical, based on the Warner Brothers movie classic starring Jack Lemmon and Walter Matthau, which had its official U.S. Premiere at The Ogunquit Playhouse in Maine to rave reviews, and La Mirada Theater in LA, starring Cathy Rigby. Other actors include F. Murray Abraham, TONY Award winner George Hearn, Marilu Henner, and Carole Kane. It is currently produced/licensed at many regional & community theaters across the United States. Licensing rights are with TRW (Theatrical Rights Worldwide). The Original Cast Recording of Grumpy Old Men: The Musical is available on Centerstage Records. Neil Berg is also the composer/lyricist of the hit Off-Broadway musical The Prince and the Pauper, which ran for two years at the Lambs Theater in New York City. The New York Times raved that The Prince and the Pauper "[soars] on wings of theatrical fun." The original cast CD is released internationally on Jay Records, sheet music published by Hal Leonard, and licensing by Samuel French Inc. Songs from this show are also featured with many other classic songs in the official Off-Broadway Songbook, published by Hal Leonard. CARY GITTER is the playwright-in-residence at Penguin Rep Theatre in Stony Point, New York. His plays include THE STEEL MAN (Penguin Rep); GENE & GILDA (George Street Playhouse, Penguin Rep); THE VIRTUOUS LIFE OF JOSEPH ANDREWS (Penguin Rep), adapted from the Henry Fielding novel; and THE SABBATH GIRL (off-Broadway, 59E59 Theaters; Penguin Rep; Invisible Theatre; Theatre Ariel; published by Stage Rights). His musicals include THE SABBATH GIRL (59E59, Penguin Rep) and HOW MY GRANDPARENTS FELL IN LOVE (New Jersey Repertory Company), both written with composer/co-lyricist Neil Berg. His play HOW MY GRANDPARENTS FELL IN LOVE was a New York Times Critic's Pick as part of the Ensemble Studio Theatre's (EST's) 36th Marathon of One-Act Plays. It was later recorded for the acclaimed podcast Playing on Air, as was his one-act THE ARMY DANCE. He has received commissions from the EST/Alfred P. Sloan Foundation Science & Technology Project, Penguin Rep, and West of 10th. He is an alumnus of EST's Obie Award-winning Youngblood playwrights' group. His full-length plays have been developed by the Berkshire Playwrights Lab, the Chameleon Theatre Circle, the Cincinnati Playhouse in the Park, EST, the Jewish Ensemble Theatre, the Jewish Plays Project, the Levine Jewish Community Center, NJ Rep, NYU, Seven Angels Theatre, West of 10th, and Wordsmyth Theater Company. He is a three-time O'Neill semifinalist and a two-time Jewish Playwriting Contest finalist, and he has received NYU's John Golden Playwriting Prize and honorable mentions for the New England Theatre Conference's Aurand Harris Memorial Playwriting Award and the Kennedy Center's Rosa Parks Playwriting Award.

Book Vs. Movie: The Odd CoupleThe 1965 Play Vs. the 1968 FilmThe Margos are feeling very neighborly in Neil Simon's The Odd Couple, which began as a stage play, premiering on Broadway in 1965, and it quickly became one of Simon's most famous works. The 1968 film adaptation, directed by Gene Saks and starring Jack Lemmon and Walter Matthau, brought the story to an even wider audience. Which did the Margos prefer? Listen to find out!In this ep, the Margos discuss:The 1965 play by Neil SimonThe differences between the book & 1968 filmThe Movie Cast: Jack Lemmon (Felix Unger,) Walter Matthau (Oscar Madison,) Herb Edelman (Murray,) John Fielder (Vinnie,) David Sheiner (Roy,) Larry Haines (Speed,) Monica Evans (Cecily Pigeon,)  Carole Shelley (Gwendolyn Pigeon,) Billie Bird (Chambermaid,) and Iris Adrian as the Waitress. Margo's upcoming book on Saturday Night Fever (pre-order!) Clips used:“Throw the Mug”The Odd Couple (1968 trailer)“Poker Game”“The Pigeon Sisters”“Cleaning the Apartment”Music by Neal HeftiFollow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog : coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Book Vs. Movie: The Odd CoupleThe 1965 Play Vs. the 1968 FilmThe Margos are feeling very neighborly in Neil Simon's The Odd Couple, which began as a stage play, premiering on Broadway in 1965, and it quickly became one of Simon's most famous works. The 1968 film adaptation, directed by Gene Saks and starring Jack Lemmon and Walter Matthau, brought the story to an even wider audience. Which did the Margos prefer? Listen to find out!In this ep, the Margos discuss:The 1965 play by Neil SimonThe differences between the book & 1968 filmThe Movie Cast: Jack Lemmon (Felix Unger,) Walter Matthau (Oscar Madison,) Herb Edelman (Murray,) John Fielder (Vinnie,) David Sheiner (Roy,) Larry Haines (Speed,) Monica Evans (Cecily Pigeon,)  Carole Shelley (Gwendolyn Pigeon,) Billie Bird (Chambermaid,) and Iris Adrian as the Waitress. Margo's upcoming book on Saturday Night Fever (pre-order!) Clips used:“Throw the Mug”The Odd Couple (1968 trailer)“Poker Game”“The Pigeon Sisters”“Cleaning the Apartment”Music by Neal HeftiFollow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog : coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

So Walter Matthau made a very successful career playing slightly curmudgeonly but reasonably endearing older (or old) men. Here, directed by his close friend Jack Lemmon, he is cast as a much older man who is a bit curmudgeonly and (eventually) reasonably endearing old man. So really a risky casting decision. But did it pay off? Tune in and find out what we thought.

Welcome to The Nerdy Podcast ran by Northern Nerds!! In this episode of the Nerdy Up North Podcast, we dive into the sizzling world of Billy Wilder's iconic 1959 film, "Some Like It Hot." Join us as we explore the film's groundbreaking themes, unforgettable performances, and its lasting impact on the comedy genre. We'll discuss the brilliant chemistry between Tony Curtis, Jack Lemmon, and the legendary Marilyn Monroe, and how their roles challenged societal norms of the time. From the film's clever use of cross-dressing to its sharp wit and humor, we'll unpack what makes "Some Like It Hot" a timeless classic that continues to resonate with audiences today. Expect lively discussions about the film's production history, behind-the-scenes anecdotes, and its cultural significance in the context of the 1950s. We'll also share our favorite moments and quotes, and hear from special guests who will offer their unique perspectives on why this film remains a beloved staple in cinema history. Whether you're a longtime fan or new to the film, this episode promises to be a delightful exploration of one of Hollywood's most celebrated comedies. So grab your popcorn and tune in for a hot take on "Some Like It Hot!"

The only movie title ever named after a sound! (I think?) A romantic comedy about a recently divorced couple (Jack Lemmon & Judy Holliday) who quickly discover that being single doesn't always lead to a happier life.  Co-starring Jack Carson and Kim Novak.

Happy New Year from Citizen Dame! For our final episode of 2024, we talk about the hilarious and melancholic The Apartment, directed and written by Billy Wilder, starring Jack Lemmon as an office worker who lets executives use his apartment for extramarital affairs, and Shirley Maclaine as the elevator girl he develops feelings for (without knowing she's having an affair of her own). Come for the Billy Wilder dialogue, stay for Fred MacMurray being The Worst. (Available to stream for free on Prime and Tubi. TW for discussion/depiction of attempted suicide.) We hope you have a wonderful New Year and we'll talk to y'all in 2025!  

No episódio #40 do podcast Em Foco, nós analisamos o filme "Se Meu Apartamento Falasse" (The Apartment, 1960), um dos grandes clássicos de Billy Wilder, vencedor do Oscar e estrelado por Jack Lemmon e Shirley MacLaine. - Visite a página do podcast no site e confira material extra sobre o tema do episódio - Junte-se ao Cineclube Cinematório e tenha acesso a conteúdo exclusivo de cinema Confira abaixo a minutagem dos quadros do podcast: 00:00:00 - Introdução 00:08:24 - Grande Angular: conheça a equipe e a história por trás do filme 00:15:01 - Ponto de Vista: os aspectos atemporais de "Se Meu Apartamento Falasse" 01:09:13 - Zoom: nossas cenas favoritas comentadas 01:23:43 - Fora de Quadro: a exposição no MIS-SP e as adaptações do filme para a Broadway e para Bollywood Escrito por Billy Wilder e I.A.L. Diamond, "Se Meu Apartamento Falasse" acompanha C.C. Baxter, funcionário de uma empresa de seguros em Nova York. Ele tem um pequeno apartamento onde mora sozinho, mas decide emprestá-lo a seus chefes para encontros com amantes, com a promessa de que será promovido na firma. Insatisfeito com os abusos de seus superiores, ele tenta parar com os favores, mas se sente cada vez mais pressionado. Tudo muda, no entanto, quando ele descobre que a mulher por quem está apaixonado é amante de um dos principais diretores da empresa. Nosso podcast foi gravado em ocasião da dupla celebração do cinema de Billy Wilder neste ano de 2024, com a exposição imersiva dedicada à obra do cineasta, em cartaz no MIS-SP -- Museu da Imagem e do Som de São Paulo, e com o relançamento do livro "Entretenimento Inteligente: O Cinema de Billy Wilder", escrito por Ana Lúcia Andrade, que também ajudou a realizar a exposição. "Se Meu Apartamento Falasse" foi indicado a 10 estatuetas no Oscar e venceu cinco: Melhor Filme, Melhor Direção, Melhor Roteiro, Melhor Direção de Arte e Melhor Montagem. Ganhou também o Globo de Ouro nas categorias Melhor Filme de Comédia, Melhor Atriz em Comédia ou Musical para Shirley MacLaine, e Melhor Ator em Comédia ou Musical para Jack Lemmon. Os dois também foram indicados ao Oscar e MacLaine ganhou o prêmio de Melhor Atriz no Festival de Veneza. Participam do podcast: -- Renato Silveira e Kel Gomes, editores do cinematório; -- Larissa Vasconcelos, jornalista, crítica e redatora do cinematório; -- Ana Lúcia Andrade, professora de Cinema da Escola de Belas Artes da UFMG, autora dos livros "O Filme Dentro do Filme: a Metalinguagem no Cinema" e "Entretenimento Inteligente: O Cinema de Billy Wilder". No Em Foco, você ouve debates e análises de filmes, sejam eles clássicos, grandes sucessos de bilheteria e de crítica, produções que marcaram época ou que foram redescobertas com o passar dos anos, não importa o país de origem. Além disso, você revisita conosco a filmografia de cineastas que deixaram sua assinatura na história do cinema. Este episódio contém trechos da trilha sonora original de "Se Meu Apartamento Falasse", composta por Adolph Deutsch. Todos os direitos reservados ao artista.

Happy Holidays from The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we discuss the great Jack Lemmon with the great Mitchell Beaupre! Our B-Sides today include Cowboy, The April Fools, Tribute, and Out to Sea. There's also a lengthy appreciation of Save the Tiger, which won Lemmon his second Oscar. The three of us try to define how exactly Lemmon so perfectly encapsulated the average, American male for so many decades, while digging into his long career, that includes both filmmaker Billy Wilder and Walter Matthau. We discuss how Cowboy was ahead of its time, how The April Fools skates by on immense, charming chemistry, and how Tribute falters due to a stunted co-lead (sorry Robby Benson!).  There's a lot in this episode. A true holiday gift! We appreciate the great film critic Janet Maslin. We recount that time when Ving Rhames won a Golden Globe and called Lemmon on stage to gift him the award out of respect. There's a brief reflection on the strange career of Tribute director Bob Clark, a discovery that our greatest living cinematographer lensed 80 for Brady, and an appropriate acknowledgement that Dyan Cannon, co-star of Out to Sea, makes every film better. Be sure to give us a follow on social at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor.

A ragtag group of real estate salesmen are tasked with selling a new land development or they will be fired by the end of the week.  Always remember: Coffee is for closers!!  Starring Al Pacino, Jack Lemmon, Alan Arkin, Ed Harris, Kevin Spacey and Alec Baldwin.

Let's travel back to the 50s, when men cheated on their wives like it was a competition and the one dude who enabled them was considered a hero. Billy Wilder's THE APARTMENT sports a towering 93% score in the Tomatometer, so it clearly needs to be taken down a peg. Listen to Alex & Julio as they discuss the logistics of turning your bachelor pad into a cheap motel, and wonder if Jack Lemmon was ever a teen heartthrob!TIMELINE00:01:24 The Apartment00:10:02 Contrarians Corner- Wanna know how we really feel about THE APARTMENT? Check out the Real Talk (RT) episode, on your feed RIGHT NOW! (or pretty soon — Spotify can be a pain when it comes to refreshing the feed)- Interested in more Contrarians goodness? Join THE CONTRARIANS SUPPLEMENTS on our Patreon Page! Deleted clips, extended plugs, bonus episodes free from the Tomatometer shackles… It's everything a Contrarians devotee would want!- Our YouTube page is live! Get some visual Contrarians delight with our Contrarians Warm-Ups and other fun videos!- Contrarians Merch is finally here! Check out our RED BUBBLE MERCH PAGE and buy yourself something nice that's emblazoned with one of our four different designs!- THE FESTIVE YEARS have been letting us use their music for years now and they are amazing. You can check out their work on Spotify, on Facebook or on their very own website.- Our buddy Cory Ahre is being kind enough to lend a hand with the editing of some of our videos. If you like his style, wait until you see what he does over on his YouTube Channel.- THE LATE NIGHT GRIN isn't just a show about wrestling: it's a brand, a lifestyle. And they're very supportive of our Contrarian endeavors, so we'd like to return the favor. Check out their YouTube Channel! You might even spot Alex there from time to time.- Hans Rothgiesser, the man behind our logo, can be reached at @mildemonios on Twitter or you can email him at mildemonios@hotmail.com in case you ever need a logo (or comics) produced. And you can listen to him talk about economy on his new TV show, VALOR AGREGADO. Aaaaand you can also check out all the stuff he's written on his own website. He has a new book: a sort of Economics For Dummies called MARGINAL. Ask him about it!

In Kuba aß er mit Che Guevara und den Castro-Brüdern zu Abend, in Südafrika traf er Nelson Mandela, in Indien Indira Gandhi. Jack Lemmon zeichnete ihn, dafür zeichnete er Jack Lemmon. Billy Wilder war ein Weggefährte, Kirk Douglas versuchte erfolglos, ihm eine Rolle abzuluchsen, Tom Hanks findet ihn super, Robin Williams schwärmte von ihm als Kollegen und Mensch. Die Aufzählung ließe sich fortsetzen, denn der 1930 im damals ostpreußischen Tilsit geborene Armin Mueller-Stahl traf in mehr als neun Lebensjahrzehnten zahllose interessante Menschen. Bei der Zuordnung seiner Berufsbezeichnung stoßen wir schon auf die nächste Aufzählung: Weltbekannt wurde er als Schauspieler, erst in der DDR, später auch in der Bundesrepublik und noch ein bisschen später dann in den USA, was, wir wissen es, alles andere als selbstverständlich ist. Mueller-Stahl spielte, er schrieb und schon immer liebte er die Musik, neben seiner Frau Gabi die mutmaßlich zweite große Liebe seines Lebens. Auch wenn die Malerei jetzt ein wenig neidisch um die Ecke schaut, denn auch der frönt Armin Mueller-Stahl, lange schon, regelmäßig und mit anhaltendem Erfolg. So scheint es, als würden alle Begegnungen, Situationen und Talente um die Zeit im Leben dieses Menschen konkurrieren und umso schöner, dass wir uns nun auch ein bisschen davon nehmen dürfen. Playlist: Dresdner Kreuzchor - Der Mond ist aufgegangen Louis Armstrong - Wonderful World Buena Vista Social Club - Chan Chan Rundfunk Jugendchor Wernigerode - Es waren zwei Königskinder Yves Montand - A Paris Wolf Biermann - Warte nicht auf bessere Zeiten Barbra Streisand - Somewhere Dmitrij Schostakovitsch - Tea for Two Diese Podcast-Episode steht unter der Creative Commons Lizenz CC BY-NC-ND 4.0.

GGACP celebrates the birthday of Emmy-winning actor Ed Asner (b. November 15, 1929) with this ENCORE presentation of an in-depth interview from 2015. In this episode, Ed talks about his early days in the business, his seven memorable seasons as the irascible Lou Grant on “The Mary Tyler Moore Show” and his roles in hugely popular films like “Elf” and Pixar's “Up.” Also, Ed meets Elvis, co-stars with Edward G. Robinson, beats up Jack Lemmon and lusts after Cloris Leachman. PLUS: Sam Jaffe! Michael Cole! “The Duke” names names! The comic genius of Ted Knight! And Ed dishes dirt on Santa Claus! Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 61 - “FAVORITE CLASSIC FILMS OF THE 1960s” - 11/11/2024 The decade of the 1960s was an exciting time in filmmaking. The stodgy studio contract system was starting to give way to a new crop of independent cinematic auteurs, often associated with the "New Hollywood" era, include: Stanley Kubrick, Robert Altman, Sam Peckinpah, Arthur Penn, John Cassavetes, Francis Ford Coppola, Martin Scorsese, and Peter Bogdanovich. These films were edgier and pushed the creative boundaries and social themes to reflect the changing times. In this episode, Steve and Nan discuss some of their favorite films of the decade and why they had such an impact!  SHOW NOTES:  Sources: Some Like It Cool (2002), by Michael Freehand; Mike Nichols: A Life (2021), by Mark Harris; Jean Simmons: Her Life and Career (2022), by Michelangelo Capua; “Veronica Cartwright talks about ‘The Birds',” February 8, 2008, YouTube; “Here's to You, Mr. Nichols: The Making of ‘The Graduate',” February 25, 2008, by Sam Kashner, Vanity Fair; “Tippi Hedren On Alfred Hitchcock's ‘The Birds',” April 29, 2009, The American FIlm Institute; “The Revenge of Alfred Hitchcock's Muse,” October 5, 2012, New York Magazine; “Tippi Hedren: Hitchcock Ruined My Career,” December 7, 2012, Huffington Post; “Throwback Thursday: Shirley MacLaine Recalls Filming Lesbian Drama ‘Children's Hour' in 1961,” June 4, 2015, Hollywood Reporter;  “The Underappreciated Genius of ‘Planet of the Apes',” May 18, 2024, by Janelle Bouie, New York Times; “The Children's Hour,” October 16, 2024, Episode 257, Feminist Frequency Podcast; TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; Movies Mentioned:  The Graduate (1967), starring Dustin Hoffman, Anne Bancroft, Katharine Ross, William Daniels, Elizabeth Wilson, Murray Hamilton, Buck Henry, Marion Lorne, Alice Ghostly, Brian Avery, William Brooke, and Norman Fell; The Birds (1963), Starring Tippi Hedren, Rod Taylor, Jessica Tandy, Suzanne Pleshette, and Veronica Cartwright, Ethel Griffies, Charles McGraw, Richard Deacon, and Elizabeth Wilson; Days of Wine and Roses (1962), starring Jack Lemmon, Lee Remick, Charles Bickford, Jack Klugman, Alan Hewitt, Maxine Stuart, Debbie Megowan, and Jack Albertson; Planet of the Apes (1968), starring Charlton Heston, Kim Hunter, Roddy McDowell, Maurice Evans, Linda Harrison, James Whitmore, and James Daly; The Happy Ending (1969), starring Jean Simmons, John Forsyth, Shirley Jones, Lloyd Bridges, Teresa Wright, Bobby Darin, Kathy Fields, Dick Shawn, Nanette Fabray, and Tina Louise; The Children's Hour (1961), starring Audrey Hepburn, Shirley MacLaine, James Garner, Miriam Hopkins, Faye Bainter, Karen Balkin, Veronica Cartwright, and Hope Summers; In The Heat Of the Night (1967), starring Rod Steiger, Sidney Poitier, Lee Grant, Warren Oats, Beah Richards, William Schallert, and Larry Gates; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to November, aka Classic Movie Month on That Aged Well! We're kicking it off with another Billy Wilder film, 1959's Some Like It Hot…has this man ever made a bad film? If so, Erika and Paul haven't found it yet. Come listen (and maybe unwind just a bit…it's a stressful week) as the silliness rises to extremely high levels while your hosts sing the praises of Marilyn Monroe, Tony Curtis, Jack Lemmon…and Johnny Paradise?You can follow That Aged Well on Twitter (@ThatAgedWellPod), Instagram (@ThatAgedWell), Threads (@ThatAgedWell)!SUPPORT US ON PATREON FOR BONUS CONTENT!THAT AGED WELL MERCH!Wanna rate and review? HERE YOU GO!Hosts: Paul Caiola & Erika VillalbaProducer & Editor: Paul Caiola

Join us in celebrating Sam's birthday with this special episode on the John Frankenheimer film version of Eugene O'Neill's play The Iceman Cometh. The hosts dig in to the unusual experiment in cinematic stage plays that birthed this project. You might think a four-hour-long play about alcoholism and despair sounds like a weird birthday present to give oneself but this discussion actually turned out to be rather charming and fun. Happy Birthday Sam! Topics include: Jason Robards vs. Lee Marvin, 1950s television, and Alana's thoughts on Jack Lemmon.

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.George Washington University ungergrad and Liberal Currents contributor Sami Gold just informed us that there's an election coming up in the good ol' US of A, so we decided to discuss a foundational text of presidential cinema - Oliver Stone's brilliant, frenetic JFK. Meticulously composed on several different film formats, masterfully edited in a radical, experimental style, and structured as a steady unraveling of institutional footings, the film stands as one of the finest formal evocations of political radicalization ever made for the silver screen.We discuss the film's groundbreaking formalism, how it creates an unmooring effect on behalf of its viewers, and charts the cacophonous frenzy of conspiracy thinking. Then, we talk about where Stone sits in relation to the film's protagonist Jim Garrison, what the film gets very wrong, and why the minutiae doesn't ultimately matter in the borader context of its critique of empire. Finally we look to the upcoming election, share our personal thoughts on the outcomes, and what it means for Palestinian resistance and political movements in our own country.Follow Sami Gold on Twitter.....Our theme song is "Mirror" by Chris Fish. 

Kevin Spacey is a two-time Oscar-winning actor, who starred in Se7en, the Usual Suspects, American Beauty, and House of Cards, creating haunting performances of characters who often embody the dark side of human nature. Please support this podcast by checking out our sponsors: - ExpressVPN: https://expressvpn.com/lexpod to get 3 months free - Eight Sleep: https://eightsleep.com/lex to get $350 off - BetterHelp: https://betterhelp.com/lex to get 10% off - Shopify: https://shopify.com/lex to get $1 per month trial - AG1: https://drinkag1.com/lex to get 1 month supply of fish oil EPISODE LINKS: Kevin's X: https://x.com/KevinSpacey Kevin's Instagram: https://www.instagram.com/kevinspacey Kevin's YouTube: https://youtube.com/kevinspacey Kevin's Website: https://kevinspacey.com/ PODCAST INFO: Podcast website: https://lexfridman.com/podcast Apple Podcasts: https://apple.co/2lwqZIr Spotify: https://spoti.fi/2nEwCF8 RSS: https://lexfridman.com/feed/podcast/ YouTube Full Episodes: https://youtube.com/lexfridman YouTube Clips: https://youtube.com/lexclips SUPPORT & CONNECT: - Check out the sponsors above, it's the best way to support this podcast - Support on Patreon: https://www.patreon.com/lexfridman - Twitter: https://twitter.com/lexfridman - Instagram: https://www.instagram.com/lexfridman - LinkedIn: https://www.linkedin.com/in/lexfridman - Facebook: https://www.facebook.com/lexfridman - Medium: https://medium.com/@lexfridman OUTLINE: Here's the timestamps for the episode. On some podcast players you should be able to click the timestamp to jump to that time. (00:00) - Introduction (10:14) - Seven (13:54) - David Fincher (21:46) - Brad Pitt and Morgan Freeman (27:15) - Acting (35:40) - Improve (44:24) - Al Pacino (48:07) - Jack Lemmon (57:25) - American Beauty (1:17:34) - Mortality (1:20:22) - Allegations (1:38:19) - House of Cards (1:56:55) - Jack Nicholson (1:59:57) - Mike Nichols (2:05:30) - Christopher Walken (2:12:38) - Father (2:21:30) - Future