Podcast appearances and mentions of sharika crawford

Links:The Creole Archipelago: Race and Borders in the Colonial Caribbean, by Tessa Murphy, University of Pennsylvania Press, 2021.Sea Control 227 – Last Turtlemen of the Caribbean with Dr. Sharika Crawford, CIMSEC, February 15, 2021.Sea Control 505 - Pirates of the Slave Trade with Dr. Angela Sutton, CIMSEC, March 28, 2024.Captives of Conquest - Slavery in the Early Modern Spanish Caribbean, by Erin Woodruff Stone, University of Pennsylvania Press, 2021.Soldiers, Sugar and Seapower - The British Expeditions to the West Indies and the War Against Revolutionary France, by Michael Duffy, Oxford University Press, 1987. 

Our guest, award-winning author and U.S. Naval Academy professor, Dr. Sharika Crawford,  takes us on a historical journey to the heart of the Cayman Islands, unearthing the complex relationship between the environmental landscape and the Islands; inhabitants through turtle soup. Together, we traverse the Cayman's fascinating evolution, from the aftermath of slave emancipation to the rise and subsequent fall of the turtle hunting industry. Venture with us as we uncover the dynamics between the Caymanian sea turtle hunters and the British government, the Islands' two-tier racial hierarchy and its lasting implications on labor even today, and the repercussions of the environmental movement in the 20th century, focusing on conservation policies and their significant impact on Caymanian communities. Join us as we illuminate the often-overlooked role of the Cayman Islands' turtle hunters in the broader Caribbean narrative and global food consumption.Sharika Crawford is Professor of History at the United States naval Academy in Annapolis. In spring 2023, she was named the inaugural Speedwell Professor of International Studies, an honor she will hold until 2028. Crawford's primary research focuses on modern Latin America, specifically, Colombia and the interstitial places in the circum-Caribbean like the Archipelago of San Andrés and Providencia and the Cayman Islands. Her first monograph The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making published by the University of North Carolina Press received an Honorable Mention from the Elsa Goveia Prize in Caribbean History Committee of the Association of Caribbean Historians in 2021. It has been widely reviewed in national and international venues. Additionally, Crawford has published articles and essays in the Global South, Historia Critica, International Journal of Maritime History, Middle Atlantic Review of Latin American Studies, Latin American Research Review, and the New West Indian Guide/Nieuwe West-Indische Gids. Dr. Crawford has also received several prestigious grants and fellowships from the American Philosophical Society, the Fulbright U.S. Program, the National Endowment for the Humanities, the University of Florida Center for Latin American Studies, the UNC-Duke Consortium for Latin American and Caribbean Studies, and most recently, the Digital Library of the Caribbean (dLOC) OER in Caribbean Studies stipend. Support the showConnect with Strictly Facts - Instagram | Facebook | TwitterLooking to read more about the topics covered in this episode? Subscribe to the newsletter at www.strictlyfactspod.com to get the Strictly Facts Syllabus to your email!Want to Support Strictly Facts? Rate the Show Leave a review on your favorite podcast platform Share this episode with someone who loves Caribbean history and culture Send us a DM or voice note to have your thoughts featured on an upcoming episode Share the episode on social media and tag us Donate to help us continue empowering listeners with Caribbean history and education Produced by Breadfruit Media

An interview of Dr. Sharika Crawford, of the Naval Academy's History Department, who discusses her recent book, The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making.Follow us on Instagram and Twitter: @usnahistoryFor more information about NAHP and the Naval Academy's History Department, please visit https://usna.edu/History/NAHP/

On today's episode we introduce our fabulous student production interns, Jefferson Rivas and Sophia Possidente! These intrepid students bring us a rebroadcast of the 2021 UMBC Low Lecture, which features remarks from three important historians of slave rebellions in the Caribbean. Dr. Marjoleine Kars of UMBC Dr. Vincent Brown of Harvard University Dr. Sharika Crawford of the U.S. Naval Academy The 2021 Low Lecture at UMBC Check out the following links for more information on UMBC, CS3, and our host: The UMBC Center for Social Science Scholarship The University of Maryland, Baltimore County Ian G. Anson, Ph.D. See the links below for more information about today's Campus Connection: Dr. Camee Maddox-Wingfield Retrieving the Social Sciences is a production of the UMBC Center for Social Science Scholarship.  Our podcast host is Dr. Ian Anson, our director is Dr. Christine Mallinson, our associate director is Dr. Felipe Filomeno and our production interns are Sophia Possidente and Jefferson Rivas. Our theme music was composed and recorded by D'Juan Moreland.  Special thanks to Amy Barnes and Myriam Ralston for production assistance.  Make sure to follow us on Twitter, Facebook, Instagram, and YouTube, where you can find full video recordings of recent UMBC events.

Dr. Sharika Crawford of the US Naval Academy joins Steven to discuss her book *The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making*. https://www.usna.edu/History/Faculty/Crawford.php https://uncpress.org/book/9781469660219/the-last-turtlemen-of-the-caribbean/ Intro: https://youtu.be/fDrJPM9m_Ss

Dr. Sharika Crawford of the US Naval Academy joins Steven to discuss her book *The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making*. https://www.usna.edu/History/Faculty/Crawford.php https://uncpress.org/book/9781469660219/the-last-turtlemen-of-the-caribbean/ Intro: https://youtu.be/fDrJPM9m_Ss

This ambitious work explores the literary and cultural production about Russian peasants and African Americans in the post-emancipation period. Brickell Bellows draws on visual images from advertisements to oil paintings as well as novellas, novels, pamphlets, and reports in English and Russian.  The abolition of Russian serfdom in 1861 and American slavery in 1865 transformed both nations as Russian peasants and African Americans gained new rights as subjects and citizens. During the second half of the long nineteenth century, Americans and Russians responded to these societal transformations through a fascinating array of new cultural productions. Analyzing portrayals of African Americans and Russian serfs in oil paintings, advertisements, fiction, poetry, and ephemera housed in American and Russian archives, Amanda Brickell Bellows argues that these widely circulated depictions shaped collective memory of slavery and serfdom, affected the development of national consciousness, and influenced public opinion as peasants and freedpeople strove to exercise their newfound rights. While acknowledging the core differences between chattel slavery and serfdom, as well as the distinctions between each nation's post-emancipation era, Bellows highlights striking similarities between representations of slaves and serfs that were produced by elites in both nations as they sought to uphold a patriarchal vision of society. Russian peasants and African American freedpeople countered simplistic, paternalistic, and racist depictions by producing dignified self-representations of their traditions, communities, and accomplishments. American Slavery and Russian Serfdom in the Post-Emancipation Imagination (UNC Press, 2020) provides an important reconsideration of post-emancipation assimilation, race, class, and political power. Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020).

This ambitious work explores the literary and cultural production about Russian peasants and African Americans in the post-emancipation period. Brickell Bellows draws on visual images from advertisements to oil paintings as well as novellas, novels, pamphlets, and reports in English and Russian.  The abolition of Russian serfdom in 1861 and American slavery in 1865 transformed both nations as Russian peasants and African Americans gained new rights as subjects and citizens. During the second half of the long nineteenth century, Americans and Russians responded to these societal transformations through a fascinating array of new cultural productions. Analyzing portrayals of African Americans and Russian serfs in oil paintings, advertisements, fiction, poetry, and ephemera housed in American and Russian archives, Amanda Brickell Bellows argues that these widely circulated depictions shaped collective memory of slavery and serfdom, affected the development of national consciousness, and influenced public opinion as peasants and freedpeople strove to exercise their newfound rights. While acknowledging the core differences between chattel slavery and serfdom, as well as the distinctions between each nation's post-emancipation era, Bellows highlights striking similarities between representations of slaves and serfs that were produced by elites in both nations as they sought to uphold a patriarchal vision of society. Russian peasants and African American freedpeople countered simplistic, paternalistic, and racist depictions by producing dignified self-representations of their traditions, communities, and accomplishments. American Slavery and Russian Serfdom in the Post-Emancipation Imagination (UNC Press, 2020) provides an important reconsideration of post-emancipation assimilation, race, class, and political power. Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

This ambitious work explores the literary and cultural production about Russian peasants and African Americans in the post-emancipation period. Brickell Bellows draws on visual images from advertisements to oil paintings as well as novellas, novels, pamphlets, and reports in English and Russian.  The abolition of Russian serfdom in 1861 and American slavery in 1865 transformed both nations as Russian peasants and African Americans gained new rights as subjects and citizens. During the second half of the long nineteenth century, Americans and Russians responded to these societal transformations through a fascinating array of new cultural productions. Analyzing portrayals of African Americans and Russian serfs in oil paintings, advertisements, fiction, poetry, and ephemera housed in American and Russian archives, Amanda Brickell Bellows argues that these widely circulated depictions shaped collective memory of slavery and serfdom, affected the development of national consciousness, and influenced public opinion as peasants and freedpeople strove to exercise their newfound rights. While acknowledging the core differences between chattel slavery and serfdom, as well as the distinctions between each nation's post-emancipation era, Bellows highlights striking similarities between representations of slaves and serfs that were produced by elites in both nations as they sought to uphold a patriarchal vision of society. Russian peasants and African American freedpeople countered simplistic, paternalistic, and racist depictions by producing dignified self-representations of their traditions, communities, and accomplishments. American Slavery and Russian Serfdom in the Post-Emancipation Imagination (UNC Press, 2020) provides an important reconsideration of post-emancipation assimilation, race, class, and political power. Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This ambitious work explores the literary and cultural production about Russian peasants and African Americans in the post-emancipation period. Brickell Bellows draws on visual images from advertisements to oil paintings as well as novellas, novels, pamphlets, and reports in English and Russian.  The abolition of Russian serfdom in 1861 and American slavery in 1865 transformed both nations as Russian peasants and African Americans gained new rights as subjects and citizens. During the second half of the long nineteenth century, Americans and Russians responded to these societal transformations through a fascinating array of new cultural productions. Analyzing portrayals of African Americans and Russian serfs in oil paintings, advertisements, fiction, poetry, and ephemera housed in American and Russian archives, Amanda Brickell Bellows argues that these widely circulated depictions shaped collective memory of slavery and serfdom, affected the development of national consciousness, and influenced public opinion as peasants and freedpeople strove to exercise their newfound rights. While acknowledging the core differences between chattel slavery and serfdom, as well as the distinctions between each nation's post-emancipation era, Bellows highlights striking similarities between representations of slaves and serfs that were produced by elites in both nations as they sought to uphold a patriarchal vision of society. Russian peasants and African American freedpeople countered simplistic, paternalistic, and racist depictions by producing dignified self-representations of their traditions, communities, and accomplishments. American Slavery and Russian Serfdom in the Post-Emancipation Imagination (UNC Press, 2020) provides an important reconsideration of post-emancipation assimilation, race, class, and political power. Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This ambitious work explores the literary and cultural production about Russian peasants and African Americans in the post-emancipation period. Brickell Bellows draws on visual images from advertisements to oil paintings as well as novellas, novels, pamphlets, and reports in English and Russian.  The abolition of Russian serfdom in 1861 and American slavery in 1865 transformed both nations as Russian peasants and African Americans gained new rights as subjects and citizens. During the second half of the long nineteenth century, Americans and Russians responded to these societal transformations through a fascinating array of new cultural productions. Analyzing portrayals of African Americans and Russian serfs in oil paintings, advertisements, fiction, poetry, and ephemera housed in American and Russian archives, Amanda Brickell Bellows argues that these widely circulated depictions shaped collective memory of slavery and serfdom, affected the development of national consciousness, and influenced public opinion as peasants and freedpeople strove to exercise their newfound rights. While acknowledging the core differences between chattel slavery and serfdom, as well as the distinctions between each nation's post-emancipation era, Bellows highlights striking similarities between representations of slaves and serfs that were produced by elites in both nations as they sought to uphold a patriarchal vision of society. Russian peasants and African American freedpeople countered simplistic, paternalistic, and racist depictions by producing dignified self-representations of their traditions, communities, and accomplishments. American Slavery and Russian Serfdom in the Post-Emancipation Imagination (UNC Press, 2020) provides an important reconsideration of post-emancipation assimilation, race, class, and political power. Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

This ambitious work explores the literary and cultural production about Russian peasants and African Americans in the post-emancipation period. Brickell Bellows draws on visual images from advertisements to oil paintings as well as novellas, novels, pamphlets, and reports in English and Russian.  The abolition of Russian serfdom in 1861 and American slavery in 1865 transformed both nations as Russian peasants and African Americans gained new rights as subjects and citizens. During the second half of the long nineteenth century, Americans and Russians responded to these societal transformations through a fascinating array of new cultural productions. Analyzing portrayals of African Americans and Russian serfs in oil paintings, advertisements, fiction, poetry, and ephemera housed in American and Russian archives, Amanda Brickell Bellows argues that these widely circulated depictions shaped collective memory of slavery and serfdom, affected the development of national consciousness, and influenced public opinion as peasants and freedpeople strove to exercise their newfound rights. While acknowledging the core differences between chattel slavery and serfdom, as well as the distinctions between each nation's post-emancipation era, Bellows highlights striking similarities between representations of slaves and serfs that were produced by elites in both nations as they sought to uphold a patriarchal vision of society. Russian peasants and African American freedpeople countered simplistic, paternalistic, and racist depictions by producing dignified self-representations of their traditions, communities, and accomplishments. American Slavery and Russian Serfdom in the Post-Emancipation Imagination (UNC Press, 2020) provides an important reconsideration of post-emancipation assimilation, race, class, and political power. Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

This ambitious work explores the literary and cultural production about Russian peasants and African Americans in the post-emancipation period. Brickell Bellows draws on visual images from advertisements to oil paintings as well as novellas, novels, pamphlets, and reports in English and Russian.  The abolition of Russian serfdom in 1861 and American slavery in 1865 transformed both nations as Russian peasants and African Americans gained new rights as subjects and citizens. During the second half of the long nineteenth century, Americans and Russians responded to these societal transformations through a fascinating array of new cultural productions. Analyzing portrayals of African Americans and Russian serfs in oil paintings, advertisements, fiction, poetry, and ephemera housed in American and Russian archives, Amanda Brickell Bellows argues that these widely circulated depictions shaped collective memory of slavery and serfdom, affected the development of national consciousness, and influenced public opinion as peasants and freedpeople strove to exercise their newfound rights. While acknowledging the core differences between chattel slavery and serfdom, as well as the distinctions between each nation's post-emancipation era, Bellows highlights striking similarities between representations of slaves and serfs that were produced by elites in both nations as they sought to uphold a patriarchal vision of society. Russian peasants and African American freedpeople countered simplistic, paternalistic, and racist depictions by producing dignified self-representations of their traditions, communities, and accomplishments. American Slavery and Russian Serfdom in the Post-Emancipation Imagination (UNC Press, 2020) provides an important reconsideration of post-emancipation assimilation, race, class, and political power. Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

This ambitious work explores the literary and cultural production about Russian peasants and African Americans in the post-emancipation period. Brickell Bellows draws on visual images from advertisements to oil paintings as well as novellas, novels, pamphlets, and reports in English and Russian.  The abolition of Russian serfdom in 1861 and American slavery in 1865 transformed both nations as Russian peasants and African Americans gained new rights as subjects and citizens. During the second half of the long nineteenth century, Americans and Russians responded to these societal transformations through a fascinating array of new cultural productions. Analyzing portrayals of African Americans and Russian serfs in oil paintings, advertisements, fiction, poetry, and ephemera housed in American and Russian archives, Amanda Brickell Bellows argues that these widely circulated depictions shaped collective memory of slavery and serfdom, affected the development of national consciousness, and influenced public opinion as peasants and freedpeople strove to exercise their newfound rights. While acknowledging the core differences between chattel slavery and serfdom, as well as the distinctions between each nation's post-emancipation era, Bellows highlights striking similarities between representations of slaves and serfs that were produced by elites in both nations as they sought to uphold a patriarchal vision of society. Russian peasants and African American freedpeople countered simplistic, paternalistic, and racist depictions by producing dignified self-representations of their traditions, communities, and accomplishments. American Slavery and Russian Serfdom in the Post-Emancipation Imagination (UNC Press, 2020) provides an important reconsideration of post-emancipation assimilation, race, class, and political power. Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

This ambitious work explores the literary and cultural production about Russian peasants and African Americans in the post-emancipation period. Brickell Bellows draws on visual images from advertisements to oil paintings as well as novellas, novels, pamphlets, and reports in English and Russian.  The abolition of Russian serfdom in 1861 and American slavery in 1865 transformed both nations as Russian peasants and African Americans gained new rights as subjects and citizens. During the second half of the long nineteenth century, Americans and Russians responded to these societal transformations through a fascinating array of new cultural productions. Analyzing portrayals of African Americans and Russian serfs in oil paintings, advertisements, fiction, poetry, and ephemera housed in American and Russian archives, Amanda Brickell Bellows argues that these widely circulated depictions shaped collective memory of slavery and serfdom, affected the development of national consciousness, and influenced public opinion as peasants and freedpeople strove to exercise their newfound rights. While acknowledging the core differences between chattel slavery and serfdom, as well as the distinctions between each nation's post-emancipation era, Bellows highlights striking similarities between representations of slaves and serfs that were produced by elites in both nations as they sought to uphold a patriarchal vision of society. Russian peasants and African American freedpeople countered simplistic, paternalistic, and racist depictions by producing dignified self-representations of their traditions, communities, and accomplishments. American Slavery and Russian Serfdom in the Post-Emancipation Imagination (UNC Press, 2020) provides an important reconsideration of post-emancipation assimilation, race, class, and political power. Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

This ambitious work explores the literary and cultural production about Russian peasants and African Americans in the post-emancipation period. Brickell Bellows draws on visual images from advertisements to oil paintings as well as novellas, novels, pamphlets, and reports in English and Russian.  The abolition of Russian serfdom in 1861 and American slavery in 1865 transformed both nations as Russian peasants and African Americans gained new rights as subjects and citizens. During the second half of the long nineteenth century, Americans and Russians responded to these societal transformations through a fascinating array of new cultural productions. Analyzing portrayals of African Americans and Russian serfs in oil paintings, advertisements, fiction, poetry, and ephemera housed in American and Russian archives, Amanda Brickell Bellows argues that these widely circulated depictions shaped collective memory of slavery and serfdom, affected the development of national consciousness, and influenced public opinion as peasants and freedpeople strove to exercise their newfound rights. While acknowledging the core differences between chattel slavery and serfdom, as well as the distinctions between each nation's post-emancipation era, Bellows highlights striking similarities between representations of slaves and serfs that were produced by elites in both nations as they sought to uphold a patriarchal vision of society. Russian peasants and African American freedpeople countered simplistic, paternalistic, and racist depictions by producing dignified self-representations of their traditions, communities, and accomplishments. American Slavery and Russian Serfdom in the Post-Emancipation Imagination (UNC Press, 2020) provides an important reconsideration of post-emancipation assimilation, race, class, and political power. Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

By Walker Mills Walker Mills talks with Dr. Sharika Crawford from the United States Naval Academy about her new book, The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation and Boundary Making. The conversation covers the Caribbean, turtle fishing, rum running, maritime disputes, and how borders at sea get made. Sea Control 227 – … Continue reading Sea Control 227 – Last Turtlemen of the Caribbean with Dr. Sharika Crawford →

The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation and Boundary Making, by Sharika Crawford, University of North Carolina Press (2020). Sea Control 206: The Cod Wars with Will Reynolds and Walker Mills, CIMSEC (October 11, 2020) “The Cod Wars Today: Lessons from an Almost War,” by Walker Mills, CIMSEC (July 28, 2020). Sea Control 219: USCG Commandant Admiral Karl Schultz, CIMSEC (December 27, 2020). A Thousand Thirsty Beaches: Smuggling Alcohol from Cuba to the South During Prohibition, Lisa Lindquist Dorr, University of North Carolina Press (2021). To Master the Boundless Sea: The U.S. Navy, the Marine Environment, and the Cartography of Empire, by Jason Smith, University of North Carolina Press (2018). Home Squadron: The U.S. Navy and the North Atlantic, by James Rentfrow, Naval Institute Press (2014). Rogue Revolutionaries: The Fight for Legitimacy in the Greater Caribbean, by Vanessa Mongey, University of Pennsylvania Press (2020).Tides of Revolution: Information, Insurgencies, and the Crisis of Colonial Rule in Venezuela, by Cristina Soriano, University of New Mexico Press (2019). The Smuggler’s World: Illicit Trade and Atlantic Communities in Eighteenth Century Venezuela, by Jesse Cromwell, University of North Carolina Press (2018).

In the course of the Cold War, architects, planners, and construction companies from socialist Eastern Europe engaged in a vibrant collaboration with those in West Africa and the Middle East in order to bring modernization to the developing world. Architecture in Global Socialism: Eastern Europe, West Africa, and the Middle East in the Cold War (Princeton UP, 2020) shows how their collaboration reshaped five cities in the Global South: Accra, Lagos, Baghdad, Abu Dhabi, and Kuwait City. Łukasz Stanek describes how local authorities and professionals in these cities drew on Soviet prefabrication systems, Hungarian and Polish planning methods, Yugoslav and Bulgarian construction materials, Romanian and East German standard designs, and manual laborers from across Eastern Europe. He explores how the socialist development path was adapted to tropical conditions in Ghana in the 1960s, and how Eastern European architectural traditions were given new life in 1970s Nigeria. He looks at how the differences between socialist foreign trade and the emerging global construction market were exploited in the Middle East in the closing decades of the Cold War. Stanek demonstrates how these and other practices of global cooperation by socialist countries—what he calls socialist worldmaking—left their enduring mark on urban landscapes in the postcolonial world. Featuring an extensive collection of previously unpublished images, Architecture in Global Socialism draws on original archival research on four continents and a wealth of in-depth interviews. This incisive book presents a new understanding of global urbanization and its architecture through the lens of socialist internationalism, challenging long-held notions about modernization and development in the Global South. If you are curious to see some of the architectural projects discussed in Stanek's award-winning book, please review some images here.  Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices

In the course of the Cold War, architects, planners, and construction companies from socialist Eastern Europe engaged in a vibrant collaboration with those in West Africa and the Middle East in order to bring modernization to the developing world. Architecture in Global Socialism: Eastern Europe, West Africa, and the Middle East in the Cold War (Princeton UP, 2020) shows how their collaboration reshaped five cities in the Global South: Accra, Lagos, Baghdad, Abu Dhabi, and Kuwait City. Łukasz Stanek describes how local authorities and professionals in these cities drew on Soviet prefabrication systems, Hungarian and Polish planning methods, Yugoslav and Bulgarian construction materials, Romanian and East German standard designs, and manual laborers from across Eastern Europe. He explores how the socialist development path was adapted to tropical conditions in Ghana in the 1960s, and how Eastern European architectural traditions were given new life in 1970s Nigeria. He looks at how the differences between socialist foreign trade and the emerging global construction market were exploited in the Middle East in the closing decades of the Cold War. Stanek demonstrates how these and other practices of global cooperation by socialist countries—what he calls socialist worldmaking—left their enduring mark on urban landscapes in the postcolonial world. Featuring an extensive collection of previously unpublished images, Architecture in Global Socialism draws on original archival research on four continents and a wealth of in-depth interviews. This incisive book presents a new understanding of global urbanization and its architecture through the lens of socialist internationalism, challenging long-held notions about modernization and development in the Global South. If you are curious to see some of the architectural projects discussed in Stanek's award-winning book, please review some images here.  Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices

In the course of the Cold War, architects, planners, and construction companies from socialist Eastern Europe engaged in a vibrant collaboration with those in West Africa and the Middle East in order to bring modernization to the developing world. Architecture in Global Socialism: Eastern Europe, West Africa, and the Middle East in the Cold War (Princeton UP, 2020) shows how their collaboration reshaped five cities in the Global South: Accra, Lagos, Baghdad, Abu Dhabi, and Kuwait City. Łukasz Stanek describes how local authorities and professionals in these cities drew on Soviet prefabrication systems, Hungarian and Polish planning methods, Yugoslav and Bulgarian construction materials, Romanian and East German standard designs, and manual laborers from across Eastern Europe. He explores how the socialist development path was adapted to tropical conditions in Ghana in the 1960s, and how Eastern European architectural traditions were given new life in 1970s Nigeria. He looks at how the differences between socialist foreign trade and the emerging global construction market were exploited in the Middle East in the closing decades of the Cold War. Stanek demonstrates how these and other practices of global cooperation by socialist countries—what he calls socialist worldmaking—left their enduring mark on urban landscapes in the postcolonial world. Featuring an extensive collection of previously unpublished images, Architecture in Global Socialism draws on original archival research on four continents and a wealth of in-depth interviews. This incisive book presents a new understanding of global urbanization and its architecture through the lens of socialist internationalism, challenging long-held notions about modernization and development in the Global South. If you are curious to see some of the architectural projects discussed in Stanek's award-winning book, please review some images here.  Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm

In the course of the Cold War, architects, planners, and construction companies from socialist Eastern Europe engaged in a vibrant collaboration with those in West Africa and the Middle East in order to bring modernization to the developing world. Architecture in Global Socialism: Eastern Europe, West Africa, and the Middle East in the Cold War (Princeton UP, 2020) shows how their collaboration reshaped five cities in the Global South: Accra, Lagos, Baghdad, Abu Dhabi, and Kuwait City. Łukasz Stanek describes how local authorities and professionals in these cities drew on Soviet prefabrication systems, Hungarian and Polish planning methods, Yugoslav and Bulgarian construction materials, Romanian and East German standard designs, and manual laborers from across Eastern Europe. He explores how the socialist development path was adapted to tropical conditions in Ghana in the 1960s, and how Eastern European architectural traditions were given new life in 1970s Nigeria. He looks at how the differences between socialist foreign trade and the emerging global construction market were exploited in the Middle East in the closing decades of the Cold War. Stanek demonstrates how these and other practices of global cooperation by socialist countries—what he calls socialist worldmaking—left their enduring mark on urban landscapes in the postcolonial world. Featuring an extensive collection of previously unpublished images, Architecture in Global Socialism draws on original archival research on four continents and a wealth of in-depth interviews. This incisive book presents a new understanding of global urbanization and its architecture through the lens of socialist internationalism, challenging long-held notions about modernization and development in the Global South. If you are curious to see some of the architectural projects discussed in Stanek's award-winning book, please review some images here.  Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices

In the course of the Cold War, architects, planners, and construction companies from socialist Eastern Europe engaged in a vibrant collaboration with those in West Africa and the Middle East in order to bring modernization to the developing world. Architecture in Global Socialism: Eastern Europe, West Africa, and the Middle East in the Cold War (Princeton UP, 2020) shows how their collaboration reshaped five cities in the Global South: Accra, Lagos, Baghdad, Abu Dhabi, and Kuwait City. Łukasz Stanek describes how local authorities and professionals in these cities drew on Soviet prefabrication systems, Hungarian and Polish planning methods, Yugoslav and Bulgarian construction materials, Romanian and East German standard designs, and manual laborers from across Eastern Europe. He explores how the socialist development path was adapted to tropical conditions in Ghana in the 1960s, and how Eastern European architectural traditions were given new life in 1970s Nigeria. He looks at how the differences between socialist foreign trade and the emerging global construction market were exploited in the Middle East in the closing decades of the Cold War. Stanek demonstrates how these and other practices of global cooperation by socialist countries—what he calls socialist worldmaking—left their enduring mark on urban landscapes in the postcolonial world. Featuring an extensive collection of previously unpublished images, Architecture in Global Socialism draws on original archival research on four continents and a wealth of in-depth interviews. This incisive book presents a new understanding of global urbanization and its architecture through the lens of socialist internationalism, challenging long-held notions about modernization and development in the Global South. If you are curious to see some of the architectural projects discussed in Stanek's award-winning book, please review some images here.  Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices

In the course of the Cold War, architects, planners, and construction companies from socialist Eastern Europe engaged in a vibrant collaboration with those in West Africa and the Middle East in order to bring modernization to the developing world. Architecture in Global Socialism: Eastern Europe, West Africa, and the Middle East in the Cold War (Princeton UP, 2020) shows how their collaboration reshaped five cities in the Global South: Accra, Lagos, Baghdad, Abu Dhabi, and Kuwait City. Łukasz Stanek describes how local authorities and professionals in these cities drew on Soviet prefabrication systems, Hungarian and Polish planning methods, Yugoslav and Bulgarian construction materials, Romanian and East German standard designs, and manual laborers from across Eastern Europe. He explores how the socialist development path was adapted to tropical conditions in Ghana in the 1960s, and how Eastern European architectural traditions were given new life in 1970s Nigeria. He looks at how the differences between socialist foreign trade and the emerging global construction market were exploited in the Middle East in the closing decades of the Cold War. Stanek demonstrates how these and other practices of global cooperation by socialist countries—what he calls socialist worldmaking—left their enduring mark on urban landscapes in the postcolonial world. Featuring an extensive collection of previously unpublished images, Architecture in Global Socialism draws on original archival research on four continents and a wealth of in-depth interviews. This incisive book presents a new understanding of global urbanization and its architecture through the lens of socialist internationalism, challenging long-held notions about modernization and development in the Global South. If you are curious to see some of the architectural projects discussed in Stanek's award-winning book, please review some images here.  Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020).

In the course of the Cold War, architects, planners, and construction companies from socialist Eastern Europe engaged in a vibrant collaboration with those in West Africa and the Middle East in order to bring modernization to the developing world. Architecture in Global Socialism: Eastern Europe, West Africa, and the Middle East in the Cold War (Princeton UP, 2020) shows how their collaboration reshaped five cities in the Global South: Accra, Lagos, Baghdad, Abu Dhabi, and Kuwait City. Łukasz Stanek describes how local authorities and professionals in these cities drew on Soviet prefabrication systems, Hungarian and Polish planning methods, Yugoslav and Bulgarian construction materials, Romanian and East German standard designs, and manual laborers from across Eastern Europe. He explores how the socialist development path was adapted to tropical conditions in Ghana in the 1960s, and how Eastern European architectural traditions were given new life in 1970s Nigeria. He looks at how the differences between socialist foreign trade and the emerging global construction market were exploited in the Middle East in the closing decades of the Cold War. Stanek demonstrates how these and other practices of global cooperation by socialist countries—what he calls socialist worldmaking—left their enduring mark on urban landscapes in the postcolonial world. Featuring an extensive collection of previously unpublished images, Architecture in Global Socialism draws on original archival research on four continents and a wealth of in-depth interviews. This incisive book presents a new understanding of global urbanization and its architecture through the lens of socialist internationalism, challenging long-held notions about modernization and development in the Global South. If you are curious to see some of the architectural projects discussed in Stanek's award-winning book, please review some images here.  Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices

In the course of the Cold War, architects, planners, and construction companies from socialist Eastern Europe engaged in a vibrant collaboration with those in West Africa and the Middle East in order to bring modernization to the developing world. Architecture in Global Socialism: Eastern Europe, West Africa, and the Middle East in the Cold War (Princeton UP, 2020) shows how their collaboration reshaped five cities in the Global South: Accra, Lagos, Baghdad, Abu Dhabi, and Kuwait City. Łukasz Stanek describes how local authorities and professionals in these cities drew on Soviet prefabrication systems, Hungarian and Polish planning methods, Yugoslav and Bulgarian construction materials, Romanian and East German standard designs, and manual laborers from across Eastern Europe. He explores how the socialist development path was adapted to tropical conditions in Ghana in the 1960s, and how Eastern European architectural traditions were given new life in 1970s Nigeria. He looks at how the differences between socialist foreign trade and the emerging global construction market were exploited in the Middle East in the closing decades of the Cold War. Stanek demonstrates how these and other practices of global cooperation by socialist countries—what he calls socialist worldmaking—left their enduring mark on urban landscapes in the postcolonial world. Featuring an extensive collection of previously unpublished images, Architecture in Global Socialism draws on original archival research on four continents and a wealth of in-depth interviews. This incisive book presents a new understanding of global urbanization and its architecture through the lens of socialist internationalism, challenging long-held notions about modernization and development in the Global South. If you are curious to see some of the architectural projects discussed in Stanek's award-winning book, please review some images here.  Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm

In the course of the Cold War, architects, planners, and construction companies from socialist Eastern Europe engaged in a vibrant collaboration with those in West Africa and the Middle East in order to bring modernization to the developing world. Architecture in Global Socialism: Eastern Europe, West Africa, and the Middle East in the Cold War (Princeton UP, 2020) shows how their collaboration reshaped five cities in the Global South: Accra, Lagos, Baghdad, Abu Dhabi, and Kuwait City. Łukasz Stanek describes how local authorities and professionals in these cities drew on Soviet prefabrication systems, Hungarian and Polish planning methods, Yugoslav and Bulgarian construction materials, Romanian and East German standard designs, and manual laborers from across Eastern Europe. He explores how the socialist development path was adapted to tropical conditions in Ghana in the 1960s, and how Eastern European architectural traditions were given new life in 1970s Nigeria. He looks at how the differences between socialist foreign trade and the emerging global construction market were exploited in the Middle East in the closing decades of the Cold War. Stanek demonstrates how these and other practices of global cooperation by socialist countries—what he calls socialist worldmaking—left their enduring mark on urban landscapes in the postcolonial world. Featuring an extensive collection of previously unpublished images, Architecture in Global Socialism draws on original archival research on four continents and a wealth of in-depth interviews. This incisive book presents a new understanding of global urbanization and its architecture through the lens of socialist internationalism, challenging long-held notions about modernization and development in the Global South. If you are curious to see some of the architectural projects discussed in Stanek's award-winning book, please review some images here.  Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm

The University of Pennsylvania describes Mongey's work as follows. "When we think of the Age of Revolutions, George Washington, Robespierre, Toussaint Louverture, or Simon Bolivar might come to mind. But Rogue Revolutionaries: The Fight for Legitimacy in the Greater Caribbean (U Pennsylvania Press, 2020) recovers the interconnected stories of now forgotten "foreigners of desperate fortune" who dreamed of overthrowing colonial monarchy and creating their own countries. They were not members of the political and economic elite; rather, they were ship captains, military veterans, and enslaved soldiers. As a history of ideas and geopolitics grounded in narratives of extraordinary lives, Rogue Revolutionaries shows how these men of different nationalities and ethnicities claimed revolution as a universal right and reimagined notions of sovereignty, liberty, and decolonization."  This book is an innovative transnational history drawn on multilingual sources. Review the digital companion that includes the cast of characters, original sources, maps, and an archive research guide available at https://mongey.fr/. Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices

The University of Pennsylvania describes Mongey's work as follows. "When we think of the Age of Revolutions, George Washington, Robespierre, Toussaint Louverture, or Simon Bolivar might come to mind. But Rogue Revolutionaries: The Fight for Legitimacy in the Greater Caribbean (U Pennsylvania Press, 2020) recovers the interconnected stories of now forgotten "foreigners of desperate fortune" who dreamed of overthrowing colonial monarchy and creating their own countries. They were not members of the political and economic elite; rather, they were ship captains, military veterans, and enslaved soldiers. As a history of ideas and geopolitics grounded in narratives of extraordinary lives, Rogue Revolutionaries shows how these men of different nationalities and ethnicities claimed revolution as a universal right and reimagined notions of sovereignty, liberty, and decolonization."  This book is an innovative transnational history drawn on multilingual sources. Review the digital companion that includes the cast of characters, original sources, maps, and an archive research guide available at https://mongey.fr/. Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/digital-humanities

The University of Pennsylvania describes Mongey's work as follows. "When we think of the Age of Revolutions, George Washington, Robespierre, Toussaint Louverture, or Simon Bolivar might come to mind. But Rogue Revolutionaries: The Fight for Legitimacy in the Greater Caribbean (U Pennsylvania Press, 2020) recovers the interconnected stories of now forgotten "foreigners of desperate fortune" who dreamed of overthrowing colonial monarchy and creating their own countries. They were not members of the political and economic elite; rather, they were ship captains, military veterans, and enslaved soldiers. As a history of ideas and geopolitics grounded in narratives of extraordinary lives, Rogue Revolutionaries shows how these men of different nationalities and ethnicities claimed revolution as a universal right and reimagined notions of sovereignty, liberty, and decolonization."  This book is an innovative transnational history drawn on multilingual sources. Review the digital companion that includes the cast of characters, original sources, maps, and an archive research guide available at https://mongey.fr/. Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices

The University of Pennsylvania describes Mongey's work as follows. "When we think of the Age of Revolutions, George Washington, Robespierre, Toussaint Louverture, or Simon Bolivar might come to mind. But Rogue Revolutionaries: The Fight for Legitimacy in the Greater Caribbean (U Pennsylvania Press, 2020) recovers the interconnected stories of now forgotten "foreigners of desperate fortune" who dreamed of overthrowing colonial monarchy and creating their own countries. They were not members of the political and economic elite; rather, they were ship captains, military veterans, and enslaved soldiers. As a history of ideas and geopolitics grounded in narratives of extraordinary lives, Rogue Revolutionaries shows how these men of different nationalities and ethnicities claimed revolution as a universal right and reimagined notions of sovereignty, liberty, and decolonization."  This book is an innovative transnational history drawn on multilingual sources. Review the digital companion that includes the cast of characters, original sources, maps, and an archive research guide available at https://mongey.fr/. Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices

The University of Pennsylvania describes Mongey's work as follows. "When we think of the Age of Revolutions, George Washington, Robespierre, Toussaint Louverture, or Simon Bolivar might come to mind. But Rogue Revolutionaries: The Fight for Legitimacy in the Greater Caribbean (U Pennsylvania Press, 2020) recovers the interconnected stories of now forgotten "foreigners of desperate fortune" who dreamed of overthrowing colonial monarchy and creating their own countries. They were not members of the political and economic elite; rather, they were ship captains, military veterans, and enslaved soldiers. As a history of ideas and geopolitics grounded in narratives of extraordinary lives, Rogue Revolutionaries shows how these men of different nationalities and ethnicities claimed revolution as a universal right and reimagined notions of sovereignty, liberty, and decolonization."  This book is an innovative transnational history drawn on multilingual sources. Review the digital companion that includes the cast of characters, original sources, maps, and an archive research guide available at https://mongey.fr/. Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices

The University of Pennsylvania describes Mongey's work as follows. "When we think of the Age of Revolutions, George Washington, Robespierre, Toussaint Louverture, or Simon Bolivar might come to mind. But Rogue Revolutionaries: The Fight for Legitimacy in the Greater Caribbean (U Pennsylvania Press, 2020) recovers the interconnected stories of now forgotten "foreigners of desperate fortune" who dreamed of overthrowing colonial monarchy and creating their own countries. They were not members of the political and economic elite; rather, they were ship captains, military veterans, and enslaved soldiers. As a history of ideas and geopolitics grounded in narratives of extraordinary lives, Rogue Revolutionaries shows how these men of different nationalities and ethnicities claimed revolution as a universal right and reimagined notions of sovereignty, liberty, and decolonization."  This book is an innovative transnational history drawn on multilingual sources. Review the digital companion that includes the cast of characters, original sources, maps, and an archive research guide available at https://mongey.fr/. Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Makin (University of North Carolina Press 2020), Dr. Sharika Crawford tells the story of Caymanian turtle hunters, men that plied the sea in search of the green and the hawksbill turtles. Using the personal stories of turtlemen collected by the Oral History Programme at the Cayman Islands National Archive, and governmental and diplomatic documents collected in archives of Nicaragua, Costa Rica, Colombia, and the United States, Crawford presents the circum-Caribbean as a waterscape, a region where imperial polities (mostly the British but increasingly the United States) and national governments (Colombia, Costa Rica, Nicaragua) sought to control maritime frontiers.  By focusing on turtle hunting, this book challenges the monolithic portrait of the Caribbean as rural and plantation-based and argues that turtlemen helped to redraw the boundaries of the region. By the late 19th century, these maritime harvesters had depleted local supplies of turtles and turned to hunt them across national waters. In doing so, they drew the ire of nation-builders in Nicaragua, Costa Rica, and Colombia, for they endangered the limits of sovereignty and outright refused to comply with the increasing legal restrictions imposed by these Latin American nations. This book resonates with broader stories about labor, conservation, kinship, and processes of nation-building. A transnational story in which local actors are at the center and that the NBN listeners will surely love to hear more about! Lisette Varón-Carvajal is a PhD Candidate at Rutgers University-New Brunswick. You can tweet her and suggest books at @LisetteVaron

In The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Makin (University of North Carolina Press 2020), Dr. Sharika Crawford tells the story of Caymanian turtle hunters, men that plied the sea in search of the green and the hawksbill turtles. Using the personal stories of turtlemen collected by the Oral History Programme at the Cayman Islands National Archive, and governmental and diplomatic documents collected in archives of Nicaragua, Costa Rica, Colombia, and the United States, Crawford presents the circum-Caribbean as a waterscape, a region where imperial polities (mostly the British but increasingly the United States) and national governments (Colombia, Costa Rica, Nicaragua) sought to control maritime frontiers.  By focusing on turtle hunting, this book challenges the monolithic portrait of the Caribbean as rural and plantation-based and argues that turtlemen helped to redraw the boundaries of the region. By the late 19th century, these maritime harvesters had depleted local supplies of turtles and turned to hunt them across national waters. In doing so, they drew the ire of nation-builders in Nicaragua, Costa Rica, and Colombia, for they endangered the limits of sovereignty and outright refused to comply with the increasing legal restrictions imposed by these Latin American nations. This book resonates with broader stories about labor, conservation, kinship, and processes of nation-building. A transnational story in which local actors are at the center and that the NBN listeners will surely love to hear more about! Lisette Varón-Carvajal is a PhD Candidate at Rutgers University-New Brunswick. You can tweet her and suggest books at @LisetteVaron Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Makin (University of North Carolina Press 2020), Dr. Sharika Crawford tells the story of Caymanian turtle hunters, men that plied the sea in search of the green and the hawksbill turtles. Using the personal stories of turtlemen collected by the Oral History Programme at the Cayman Islands National Archive, and governmental and diplomatic documents collected in archives of Nicaragua, Costa Rica, Colombia, and the United States, Crawford presents the circum-Caribbean as a waterscape, a region where imperial polities (mostly the British but increasingly the United States) and national governments (Colombia, Costa Rica, Nicaragua) sought to control maritime frontiers.  By focusing on turtle hunting, this book challenges the monolithic portrait of the Caribbean as rural and plantation-based and argues that turtlemen helped to redraw the boundaries of the region. By the late 19th century, these maritime harvesters had depleted local supplies of turtles and turned to hunt them across national waters. In doing so, they drew the ire of nation-builders in Nicaragua, Costa Rica, and Colombia, for they endangered the limits of sovereignty and outright refused to comply with the increasing legal restrictions imposed by these Latin American nations. This book resonates with broader stories about labor, conservation, kinship, and processes of nation-building. A transnational story in which local actors are at the center and that the NBN listeners will surely love to hear more about! Lisette Varón-Carvajal is a PhD Candidate at Rutgers University-New Brunswick. You can tweet her and suggest books at @LisetteVaron Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Makin (University of North Carolina Press 2020), Dr. Sharika Crawford tells the story of Caymanian turtle hunters, men that plied the sea in search of the green and the hawksbill turtles. Using the personal stories of turtlemen collected by the Oral History Programme at the Cayman Islands National Archive, and governmental and diplomatic documents collected in archives of Nicaragua, Costa Rica, Colombia, and the United States, Crawford presents the circum-Caribbean as a waterscape, a region where imperial polities (mostly the British but increasingly the United States) and national governments (Colombia, Costa Rica, Nicaragua) sought to control maritime frontiers.  By focusing on turtle hunting, this book challenges the monolithic portrait of the Caribbean as rural and plantation-based and argues that turtlemen helped to redraw the boundaries of the region. By the late 19th century, these maritime harvesters had depleted local supplies of turtles and turned to hunt them across national waters. In doing so, they drew the ire of nation-builders in Nicaragua, Costa Rica, and Colombia, for they endangered the limits of sovereignty and outright refused to comply with the increasing legal restrictions imposed by these Latin American nations. This book resonates with broader stories about labor, conservation, kinship, and processes of nation-building. A transnational story in which local actors are at the center and that the NBN listeners will surely love to hear more about! Lisette Varón-Carvajal is a PhD Candidate at Rutgers University-New Brunswick. You can tweet her and suggest books at @LisetteVaron Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Makin (University of North Carolina Press 2020), Dr. Sharika Crawford tells the story of Caymanian turtle hunters, men that plied the sea in search of the green and the hawksbill turtles. Using the personal stories of turtlemen collected by the Oral History Programme at the Cayman Islands National Archive, and governmental and diplomatic documents collected in archives of Nicaragua, Costa Rica, Colombia, and the United States, Crawford presents the circum-Caribbean as a waterscape, a region where imperial polities (mostly the British but increasingly the United States) and national governments (Colombia, Costa Rica, Nicaragua) sought to control maritime frontiers.  By focusing on turtle hunting, this book challenges the monolithic portrait of the Caribbean as rural and plantation-based and argues that turtlemen helped to redraw the boundaries of the region. By the late 19th century, these maritime harvesters had depleted local supplies of turtles and turned to hunt them across national waters. In doing so, they drew the ire of nation-builders in Nicaragua, Costa Rica, and Colombia, for they endangered the limits of sovereignty and outright refused to comply with the increasing legal restrictions imposed by these Latin American nations. This book resonates with broader stories about labor, conservation, kinship, and processes of nation-building. A transnational story in which local actors are at the center and that the NBN listeners will surely love to hear more about! Lisette Varón-Carvajal is a PhD Candidate at Rutgers University-New Brunswick. You can tweet her and suggest books at @LisetteVaron Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Makin (University of North Carolina Press 2020), Dr. Sharika Crawford tells the story of Caymanian turtle hunters, men that plied the sea in search of the green and the hawksbill turtles. Using the personal stories of turtlemen collected by the Oral History Programme at the Cayman Islands National Archive, and governmental and diplomatic documents collected in archives of Nicaragua, Costa Rica, Colombia, and the United States, Crawford presents the circum-Caribbean as a waterscape, a region where imperial polities (mostly the British but increasingly the United States) and national governments (Colombia, Costa Rica, Nicaragua) sought to control maritime frontiers.  By focusing on turtle hunting, this book challenges the monolithic portrait of the Caribbean as rural and plantation-based and argues that turtlemen helped to redraw the boundaries of the region. By the late 19th century, these maritime harvesters had depleted local supplies of turtles and turned to hunt them across national waters. In doing so, they drew the ire of nation-builders in Nicaragua, Costa Rica, and Colombia, for they endangered the limits of sovereignty and outright refused to comply with the increasing legal restrictions imposed by these Latin American nations. This book resonates with broader stories about labor, conservation, kinship, and processes of nation-building. A transnational story in which local actors are at the center and that the NBN listeners will surely love to hear more about! Lisette Varón-Carvajal is a PhD Candidate at Rutgers University-New Brunswick. You can tweet her and suggest books at @LisetteVaron Learn more about your ad choices. Visit megaphone.fm/adchoices

In From the Tricontinental to the Global South: Race, Radicalism, and Transnational Solidarity (Duke UP, 2018), Anne Garland Mahler traces the history and intellectual legacy of the understudied global justice movement called the Tricontinental—an alliance of liberation struggles from eighty-two countries, founded in Havana in 1966. Focusing on racial violence and inequality, the Tricontinental's critique of global capitalist exploitation has influenced historical radical thought, contemporary social movements such as the World Social Forum and Black Lives Matter, and a Global South political imaginary. The movement's discourse, which circulated in four languages, also found its way into radical artistic practices, like Cuban revolutionary film and Nuyorican literature. While recent social movements have revived Tricontinentalism's ideologies and aesthetics, they have largely abandoned its roots in black internationalism and its contribution to a global struggle for racial justice. In response to this fractured appropriation of Tricontinentalism, Mahler ultimately argues that a renewed engagement with black internationalist thought could be vital to the future of transnational political resistance. Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices

In From the Tricontinental to the Global South: Race, Radicalism, and Transnational Solidarity (Duke UP, 2018), Anne Garland Mahler traces the history and intellectual legacy of the understudied global justice movement called the Tricontinental—an alliance of liberation struggles from eighty-two countries, founded in Havana in 1966. Focusing on racial violence and inequality, the Tricontinental's critique of global capitalist exploitation has influenced historical radical thought, contemporary social movements such as the World Social Forum and Black Lives Matter, and a Global South political imaginary. The movement's discourse, which circulated in four languages, also found its way into radical artistic practices, like Cuban revolutionary film and Nuyorican literature. While recent social movements have revived Tricontinentalism's ideologies and aesthetics, they have largely abandoned its roots in black internationalism and its contribution to a global struggle for racial justice. In response to this fractured appropriation of Tricontinentalism, Mahler ultimately argues that a renewed engagement with black internationalist thought could be vital to the future of transnational political resistance. Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices

In From the Tricontinental to the Global South: Race, Radicalism, and Transnational Solidarity (Duke UP, 2018), Anne Garland Mahler traces the history and intellectual legacy of the understudied global justice movement called the Tricontinental—an alliance of liberation struggles from eighty-two countries, founded in Havana in 1966. Focusing on racial violence and inequality, the Tricontinental's critique of global capitalist exploitation has influenced historical radical thought, contemporary social movements such as the World Social Forum and Black Lives Matter, and a Global South political imaginary. The movement's discourse, which circulated in four languages, also found its way into radical artistic practices, like Cuban revolutionary film and Nuyorican literature. While recent social movements have revived Tricontinentalism's ideologies and aesthetics, they have largely abandoned its roots in black internationalism and its contribution to a global struggle for racial justice. In response to this fractured appropriation of Tricontinentalism, Mahler ultimately argues that a renewed engagement with black internationalist thought could be vital to the future of transnational political resistance. Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices

In From the Tricontinental to the Global South: Race, Radicalism, and Transnational Solidarity (Duke UP, 2018), Anne Garland Mahler traces the history and intellectual legacy of the understudied global justice movement called the Tricontinental—an alliance of liberation struggles from eighty-two countries, founded in Havana in 1966. Focusing on racial violence and inequality, the Tricontinental's critique of global capitalist exploitation has influenced historical radical thought, contemporary social movements such as the World Social Forum and Black Lives Matter, and a Global South political imaginary. The movement's discourse, which circulated in four languages, also found its way into radical artistic practices, like Cuban revolutionary film and Nuyorican literature. While recent social movements have revived Tricontinentalism's ideologies and aesthetics, they have largely abandoned its roots in black internationalism and its contribution to a global struggle for racial justice. In response to this fractured appropriation of Tricontinentalism, Mahler ultimately argues that a renewed engagement with black internationalist thought could be vital to the future of transnational political resistance. Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices

In From the Tricontinental to the Global South: Race, Radicalism, and Transnational Solidarity (Duke UP, 2018), Anne Garland Mahler traces the history and intellectual legacy of the understudied global justice movement called the Tricontinental—an alliance of liberation struggles from eighty-two countries, founded in Havana in 1966. Focusing on racial violence and inequality, the Tricontinental's critique of global capitalist exploitation has influenced historical radical thought, contemporary social movements such as the World Social Forum and Black Lives Matter, and a Global South political imaginary. The movement's discourse, which circulated in four languages, also found its way into radical artistic practices, like Cuban revolutionary film and Nuyorican literature. While recent social movements have revived Tricontinentalism's ideologies and aesthetics, they have largely abandoned its roots in black internationalism and its contribution to a global struggle for racial justice. In response to this fractured appropriation of Tricontinentalism, Mahler ultimately argues that a renewed engagement with black internationalist thought could be vital to the future of transnational political resistance. Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices

In From the Tricontinental to the Global South: Race, Radicalism, and Transnational Solidarity (Duke UP, 2018), Anne Garland Mahler traces the history and intellectual legacy of the understudied global justice movement called the Tricontinental—an alliance of liberation struggles from eighty-two countries, founded in Havana in 1966. Focusing on racial violence and inequality, the Tricontinental's critique of global capitalist exploitation has influenced historical radical thought, contemporary social movements such as the World Social Forum and Black Lives Matter, and a Global South political imaginary. The movement's discourse, which circulated in four languages, also found its way into radical artistic practices, like Cuban revolutionary film and Nuyorican literature. While recent social movements have revived Tricontinentalism's ideologies and aesthetics, they have largely abandoned its roots in black internationalism and its contribution to a global struggle for racial justice. In response to this fractured appropriation of Tricontinentalism, Mahler ultimately argues that a renewed engagement with black internationalist thought could be vital to the future of transnational political resistance. Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices

Sharika Crawford explains how turtle fishing shaped the Caribbean lifestyle and culture. Sam Payne describes the unusual animals his father gave him as pets.

What is the significance to immigration to the United States? Is immigration today any different than it was 100 years ago? Is America Full? As we "pivot" to Asia, might we see great powers competition in Latin America? Dr. Sharika Crawford is an expert on Latin America, and its interrelationship with the United States.

In Black Land: Imperial Ethiopianism and African America (Princeton University Press, 2019), Nadia Nurhussein explores late nineteenth and twentieth century African American cultural engagement with and literary depictions of imperial Ethiopia. Widely celebrated as one of two African nations to resist European colonization in the age of modern imperialism, Ethiopia captured the attention of a host of African American journalists, artists, writers, adventurers, and even financiers. Drawing on an array of images, plays, and texts from well-known figures such as Paul Laurence Dunbar, Langston Hughes, Claude McKay, and George Schuler to lesser known figures such as Harry Foster Dean and William Henry Ellis, Nurhussein shows how some African Americans came to embrace and others later critiqued an imperial Ethiopia. This work provides an innovative approach to the study of Ethiopianism as more than a concept but a concrete place. Sharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In Black Land: Imperial Ethiopianism and African America (Princeton University Press, 2019), Nadia Nurhussein explores late nineteenth and twentieth century African American cultural engagement with and literary depictions of imperial Ethiopia. Widely celebrated as one of two African nations to resist European colonization in the age of modern imperialism, Ethiopia captured the attention of a host of African American journalists, artists, writers, adventurers, and even financiers. Drawing on an array of images, plays, and texts from well-known figures such as Paul Laurence Dunbar, Langston Hughes, Claude McKay, and George Schuler to lesser known figures such as Harry Foster Dean and William Henry Ellis, Nurhussein shows how some African Americans came to embrace and others later critiqued an imperial Ethiopia. This work provides an innovative approach to the study of Ethiopianism as more than a concept but a concrete place. Sharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In Black Land: Imperial Ethiopianism and African America (Princeton University Press, 2019), Nadia Nurhussein explores late nineteenth and twentieth century African American cultural engagement with and literary depictions of imperial Ethiopia. Widely celebrated as one of two African nations to resist European colonization in the age of modern imperialism, Ethiopia captured the attention of a host of African American journalists, artists, writers, adventurers, and even financiers. Drawing on an array of images, plays, and texts from well-known figures such as Paul Laurence Dunbar, Langston Hughes, Claude McKay, and George Schuler to lesser known figures such as Harry Foster Dean and William Henry Ellis, Nurhussein shows how some African Americans came to embrace and others later critiqued an imperial Ethiopia. This work provides an innovative approach to the study of Ethiopianism as more than a concept but a concrete place. Sharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Black Land: Imperial Ethiopianism and African America (Princeton University Press, 2019), Nadia Nurhussein explores late nineteenth and twentieth century African American cultural engagement with and literary depictions of imperial Ethiopia. Widely celebrated as one of two African nations to resist European colonization in the age of modern imperialism, Ethiopia captured the attention of a host of African American journalists, artists, writers, adventurers, and even financiers. Drawing on an array of images, plays, and texts from well-known figures such as Paul Laurence Dunbar, Langston Hughes, Claude McKay, and George Schuler to lesser known figures such as Harry Foster Dean and William Henry Ellis, Nurhussein shows how some African Americans came to embrace and others later critiqued an imperial Ethiopia. This work provides an innovative approach to the study of Ethiopianism as more than a concept but a concrete place. Sharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In Black Land: Imperial Ethiopianism and African America (Princeton University Press, 2019), Nadia Nurhussein explores late nineteenth and twentieth century African American cultural engagement with and literary depictions of imperial Ethiopia. Widely celebrated as one of two African nations to resist European colonization in the age of modern imperialism, Ethiopia captured the attention of a host of African American journalists, artists, writers, adventurers, and even financiers. Drawing on an array of images, plays, and texts from well-known figures such as Paul Laurence Dunbar, Langston Hughes, Claude McKay, and George Schuler to lesser known figures such as Harry Foster Dean and William Henry Ellis, Nurhussein shows how some African Americans came to embrace and others later critiqued an imperial Ethiopia. This work provides an innovative approach to the study of Ethiopianism as more than a concept but a concrete place. Sharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In Black Land: Imperial Ethiopianism and African America (Princeton University Press, 2019), Nadia Nurhussein explores late nineteenth and twentieth century African American cultural engagement with and literary depictions of imperial Ethiopia. Widely celebrated as one of two African nations to resist European colonization in the age of modern imperialism, Ethiopia captured the attention of a host of African American journalists, artists, writers, adventurers, and even financiers. Drawing on an array of images, plays, and texts from well-known figures such as Paul Laurence Dunbar, Langston Hughes, Claude McKay, and George Schuler to lesser known figures such as Harry Foster Dean and William Henry Ellis, Nurhussein shows how some African Americans came to embrace and others later critiqued an imperial Ethiopia. This work provides an innovative approach to the study of Ethiopianism as more than a concept but a concrete place. Sharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In Black Land: Imperial Ethiopianism and African America (Princeton University Press, 2019), Nadia Nurhussein explores late nineteenth and twentieth century African American cultural engagement with and literary depictions of imperial Ethiopia. Widely celebrated as one of two African nations to resist European colonization in the age of modern imperialism, Ethiopia captured the attention of a host of African American journalists, artists, writers, adventurers, and even financiers. Drawing on an array of images, plays, and texts from well-known figures such as Paul Laurence Dunbar, Langston Hughes, Claude McKay, and George Schuler to lesser known figures such as Harry Foster Dean and William Henry Ellis, Nurhussein shows how some African Americans came to embrace and others later critiqued an imperial Ethiopia. This work provides an innovative approach to the study of Ethiopianism as more than a concept but a concrete place. Sharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoices

What is the significance to immigration to the United States? Is immigration today any different than it was 100 years ago? Is America Full? As we "pivot" to Asia, might we see great powers competition in Latin America? Dr. Sharika Crawford is an expert on Latin America, and its interrelationship with the United States.

In No Limits to Their Sway: Cartagena's Privateers and the Masterless Caribbean in the Age of Revolutions (Vanderbilt UP, 2018), Edgardo Pérez Morales investigates the hemispheric connections between the Spanish American colony of New Granada (or Colombia) and the greater Caribbean in the wake of the Haitian Revolution. Residents in the port city of Cartagena enjoyed independence from Spain creating a radically egalitarian revolutionary state in the years 1812 to 1815. Seeking to maintain their tenuous liberty while building diplomatic contact with the Republic of Haiti, the port attracted hundreds of Haitians, men of full or partial African ancestry, where they enlisted as privateers and obtained citizenship. Joined by other masterless crew from ports throughout the Atlantic world, these privateers traversed the Caribbean, attacking Spanish ships outside of Cuba to weaken Spanish power. In doing so, these men helped to construct a radical vision of the revolutionary Atlantic where mostly Afro-Caribbean privateers established supranational networks and communities, which supported and disrupted elite political visions. This work offers a perspective of the maritime dimensions of Latin American sovereignty in the age of revolutions. Sharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In No Limits to Their Sway: Cartagena’s Privateers and the Masterless Caribbean in the Age of Revolutions (Vanderbilt UP, 2018), Edgardo Pérez Morales investigates the hemispheric connections between the Spanish American colony of New Granada (or Colombia) and the greater Caribbean in the wake of the Haitian Revolution. Residents in the port city of Cartagena enjoyed independence from Spain creating a radically egalitarian revolutionary state in the years 1812 to 1815. Seeking to maintain their tenuous liberty while building diplomatic contact with the Republic of Haiti, the port attracted hundreds of Haitians, men of full or partial African ancestry, where they enlisted as privateers and obtained citizenship. Joined by other masterless crew from ports throughout the Atlantic world, these privateers traversed the Caribbean, attacking Spanish ships outside of Cuba to weaken Spanish power. In doing so, these men helped to construct a radical vision of the revolutionary Atlantic where mostly Afro-Caribbean privateers established supranational networks and communities, which supported and disrupted elite political visions. This work offers a perspective of the maritime dimensions of Latin American sovereignty in the age of revolutions. Sharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In No Limits to Their Sway: Cartagena’s Privateers and the Masterless Caribbean in the Age of Revolutions (Vanderbilt UP, 2018), Edgardo Pérez Morales investigates the hemispheric connections between the Spanish American colony of New Granada (or Colombia) and the greater Caribbean in the wake of the Haitian Revolution. Residents in the port city of Cartagena enjoyed independence from Spain creating a radically egalitarian revolutionary state in the years 1812 to 1815. Seeking to maintain their tenuous liberty while building diplomatic contact with the Republic of Haiti, the port attracted hundreds of Haitians, men of full or partial African ancestry, where they enlisted as privateers and obtained citizenship. Joined by other masterless crew from ports throughout the Atlantic world, these privateers traversed the Caribbean, attacking Spanish ships outside of Cuba to weaken Spanish power. In doing so, these men helped to construct a radical vision of the revolutionary Atlantic where mostly Afro-Caribbean privateers established supranational networks and communities, which supported and disrupted elite political visions. This work offers a perspective of the maritime dimensions of Latin American sovereignty in the age of revolutions. Sharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In No Limits to Their Sway: Cartagena’s Privateers and the Masterless Caribbean in the Age of Revolutions (Vanderbilt UP, 2018), Edgardo Pérez Morales investigates the hemispheric connections between the Spanish American colony of New Granada (or Colombia) and the greater Caribbean in the wake of the Haitian Revolution. Residents in the port city of Cartagena enjoyed independence from Spain creating a radically egalitarian revolutionary state in the years 1812 to 1815. Seeking to maintain their tenuous liberty while building diplomatic contact with the Republic of Haiti, the port attracted hundreds of Haitians, men of full or partial African ancestry, where they enlisted as privateers and obtained citizenship. Joined by other masterless crew from ports throughout the Atlantic world, these privateers traversed the Caribbean, attacking Spanish ships outside of Cuba to weaken Spanish power. In doing so, these men helped to construct a radical vision of the revolutionary Atlantic where mostly Afro-Caribbean privateers established supranational networks and communities, which supported and disrupted elite political visions. This work offers a perspective of the maritime dimensions of Latin American sovereignty in the age of revolutions. Sharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In No Limits to Their Sway: Cartagena’s Privateers and the Masterless Caribbean in the Age of Revolutions (Vanderbilt UP, 2018), Edgardo Pérez Morales investigates the hemispheric connections between the Spanish American colony of New Granada (or Colombia) and the greater Caribbean in the wake of the Haitian Revolution. Residents in the port city of Cartagena enjoyed independence from Spain creating a radically egalitarian revolutionary state in the years 1812 to 1815. Seeking to maintain their tenuous liberty while building diplomatic contact with the Republic of Haiti, the port attracted hundreds of Haitians, men of full or partial African ancestry, where they enlisted as privateers and obtained citizenship. Joined by other masterless crew from ports throughout the Atlantic world, these privateers traversed the Caribbean, attacking Spanish ships outside of Cuba to weaken Spanish power. In doing so, these men helped to construct a radical vision of the revolutionary Atlantic where mostly Afro-Caribbean privateers established supranational networks and communities, which supported and disrupted elite political visions. This work offers a perspective of the maritime dimensions of Latin American sovereignty in the age of revolutions. Sharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In No Limits to Their Sway: Cartagena’s Privateers and the Masterless Caribbean in the Age of Revolutions (Vanderbilt UP, 2018), Edgardo Pérez Morales investigates the hemispheric connections between the Spanish American colony of New Granada (or Colombia) and the greater Caribbean in the wake of the Haitian Revolution. Residents in the port city of Cartagena enjoyed independence from Spain creating a radically egalitarian revolutionary state in the years 1812 to 1815. Seeking to maintain their tenuous liberty while building diplomatic contact with the Republic of Haiti, the port attracted hundreds of Haitians, men of full or partial African ancestry, where they enlisted as privateers and obtained citizenship. Joined by other masterless crew from ports throughout the Atlantic world, these privateers traversed the Caribbean, attacking Spanish ships outside of Cuba to weaken Spanish power. In doing so, these men helped to construct a radical vision of the revolutionary Atlantic where mostly Afro-Caribbean privateers established supranational networks and communities, which supported and disrupted elite political visions. This work offers a perspective of the maritime dimensions of Latin American sovereignty in the age of revolutions. Sharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In Sovereign Acts: Performing Race, Space, and Belonging in Panama and the Canal Zone (Rutgers University Press, 2017), Katherine Zien examines the ways politicians, activists, artists, and residents performed and interpreted sovereignty in the Canal Zone from U.S. control over the zone in 1903 to its withdrawal in 1999. Moving beyond the big ditch and construction of the interoceanic canal, Zien explores how white Zonians, West Indian laborers and their descendants, and Panamanians wrestled with the issue of sovereignty over the Canal Zone in the area of popular entertainment. From clubhouses to the national theatre, Zien notes the performative nature of sovereignty as various historical actors challenged or upheld the performance of U.S. new imperialism. Enjoy this refreshing take on the history of the Canal Zone. Sharika Crawford is associate professor of history at the United States Naval Academy. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Sovereign Acts: Performing Race, Space, and Belonging in Panama and the Canal Zone (Rutgers University Press, 2017), Katherine Zien examines the ways politicians, activists, artists, and residents performed and interpreted sovereignty in the Canal Zone from U.S. control over the zone in 1903 to its withdrawal in 1999. Moving beyond the big ditch and construction of the interoceanic canal, Zien explores how white Zonians, West Indian laborers and their descendants, and Panamanians wrestled with the issue of sovereignty over the Canal Zone in the area of popular entertainment. From clubhouses to the national theatre, Zien notes the performative nature of sovereignty as various historical actors challenged or upheld the performance of U.S. new imperialism. Enjoy this refreshing take on the history of the Canal Zone. Sharika Crawford is associate professor of history at the United States Naval Academy. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Sovereign Acts: Performing Race, Space, and Belonging in Panama and the Canal Zone (Rutgers University Press, 2017), Katherine Zien examines the ways politicians, activists, artists, and residents performed and interpreted sovereignty in the Canal Zone from U.S. control over the zone in 1903 to its withdrawal in 1999. Moving beyond the big ditch and construction of the interoceanic canal, Zien explores how white Zonians, West Indian laborers and their descendants, and Panamanians wrestled with the issue of sovereignty over the Canal Zone in the area of popular entertainment. From clubhouses to the national theatre, Zien notes the performative nature of sovereignty as various historical actors challenged or upheld the performance of U.S. new imperialism. Enjoy this refreshing take on the history of the Canal Zone. Sharika Crawford is associate professor of history at the United States Naval Academy. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Sovereign Acts: Performing Race, Space, and Belonging in Panama and the Canal Zone (Rutgers University Press, 2017), Katherine Zien examines the ways politicians, activists, artists, and residents performed and interpreted sovereignty in the Canal Zone from U.S. control over the zone in 1903 to its withdrawal in 1999. Moving beyond the big ditch and construction of the interoceanic canal, Zien explores how white Zonians, West Indian laborers and their descendants, and Panamanians wrestled with the issue of sovereignty over the Canal Zone in the area of popular entertainment. From clubhouses to the national theatre, Zien notes the performative nature of sovereignty as various historical actors challenged or upheld the performance of U.S. new imperialism. Enjoy this refreshing take on the history of the Canal Zone. Sharika Crawford is associate professor of history at the United States Naval Academy. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Sovereign Acts: Performing Race, Space, and Belonging in Panama and the Canal Zone (Rutgers University Press, 2017), Katherine Zien examines the ways politicians, activists, artists, and residents performed and interpreted sovereignty in the Canal Zone from U.S. control over the zone in 1903 to its withdrawal in 1999. Moving beyond the big ditch and construction of the interoceanic canal, Zien explores how white Zonians, West Indian laborers and their descendants, and Panamanians wrestled with the issue of sovereignty over the Canal Zone in the area of popular entertainment. From clubhouses to the national theatre, Zien notes the performative nature of sovereignty as various historical actors challenged or upheld the performance of U.S. new imperialism. Enjoy this refreshing take on the history of the Canal Zone. Sharika Crawford is associate professor of history at the United States Naval Academy. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Sovereign Acts: Performing Race, Space, and Belonging in Panama and the Canal Zone (Rutgers University Press, 2017), Katherine Zien examines the ways politicians, activists, artists, and residents performed and interpreted sovereignty in the Canal Zone from U.S. control over the zone in 1903 to its withdrawal in 1999. Moving beyond the big ditch and construction of the interoceanic canal, Zien explores how white Zonians, West Indian laborers and their descendants, and Panamanians wrestled with the issue of sovereignty over the Canal Zone in the area of popular entertainment. From clubhouses to the national theatre, Zien notes the performative nature of sovereignty as various historical actors challenged or upheld the performance of U.S. new imperialism. Enjoy this refreshing take on the history of the Canal Zone. Sharika Crawford is associate professor of history at the United States Naval Academy. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Caribbean has figuratively and literally been entangled in processes of global integration earlier than other parts of the Americas. In Isles of Noise: Sonic Media in the Caribbean (UNC Press, 2016), Alejandra Bronfman offers a refreshing perspective to this well-trodden story. In this book, she traces the emergence and growth of telecommunications technologies in Haiti, Jamaica, and Cuba during the first half of the twentieth century. Bronfman examines the ways these new communication technologies often undermined rather than served as tools of domination for imperial forces—American or British. Most importantly, this book has us reconsider the role of sound and, specifically, radio broadcasting as central to political mobilization in ridding the region from empire. Alejandra Bronfman is Chair and Associate Professor, Latin American, Caribbean & U.S. Latino Studies, University of Albany. Sharika Crawford is an associate professor of history at the United States Naval Academy. 

The Caribbean has figuratively and literally been entangled in processes of global integration earlier than other parts of the Americas. In Isles of Noise: Sonic Media in the Caribbean (UNC Press, 2016), Alejandra Bronfman offers a refreshing perspective to this well-trodden story. In this book, she traces the emergence and growth of telecommunications technologies in Haiti, Jamaica, and Cuba during the first half of the twentieth century. Bronfman examines the ways these new communication technologies often undermined rather than served as tools of domination for imperial forces—American or British. Most importantly, this book has us reconsider the role of sound and, specifically, radio broadcasting as central to political mobilization in ridding the region from empire. Alejandra Bronfman is Chair and Associate Professor, Latin American, Caribbean & U.S. Latino Studies, University of Albany. Sharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoices

The Caribbean has figuratively and literally been entangled in processes of global integration earlier than other parts of the Americas. In Isles of Noise: Sonic Media in the Caribbean (UNC Press, 2016), Alejandra Bronfman offers a refreshing perspective to this well-trodden story. In this book, she traces the emergence and growth of telecommunications technologies in Haiti, Jamaica, and Cuba during the first half of the twentieth century. Bronfman examines the ways these new communication technologies often undermined rather than served as tools of domination for imperial forces—American or British. Most importantly, this book has us reconsider the role of sound and, specifically, radio broadcasting as central to political mobilization in ridding the region from empire. Alejandra Bronfman is Chair and Associate Professor, Latin American, Caribbean & U.S. Latino Studies, University of Albany. Sharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoices

The Caribbean has figuratively and literally been entangled in processes of global integration earlier than other parts of the Americas. In Isles of Noise: Sonic Media in the Caribbean (UNC Press, 2016), Alejandra Bronfman offers a refreshing perspective to this well-trodden story. In this book, she traces the emergence and growth of telecommunications technologies in Haiti, Jamaica, and Cuba during the first half of the twentieth century. Bronfman examines the ways these new communication technologies often undermined rather than served as tools of domination for imperial forces—American or British. Most importantly, this book has us reconsider the role of sound and, specifically, radio broadcasting as central to political mobilization in ridding the region from empire. Alejandra Bronfman is Chair and Associate Professor, Latin American, Caribbean & U.S. Latino Studies, University of Albany. Sharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoices

The Caribbean has figuratively and literally been entangled in processes of global integration earlier than other parts of the Americas. In Isles of Noise: Sonic Media in the Caribbean (UNC Press, 2016), Alejandra Bronfman offers a refreshing perspective to this well-trodden story. In this book, she traces the emergence and growth of telecommunications technologies in Haiti, Jamaica, and Cuba during the first half of the twentieth century. Bronfman examines the ways these new communication technologies often undermined rather than served as tools of domination for imperial forces—American or British. Most importantly, this book has us reconsider the role of sound and, specifically, radio broadcasting as central to political mobilization in ridding the region from empire. Alejandra Bronfman is Chair and Associate Professor, Latin American, Caribbean & U.S. Latino Studies, University of Albany. Sharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoices

The Caribbean has figuratively and literally been entangled in processes of global integration earlier than other parts of the Americas. In Isles of Noise: Sonic Media in the Caribbean (UNC Press, 2016), Alejandra Bronfman offers a refreshing perspective to this well-trodden story. In this book, she traces the emergence and growth of telecommunications technologies in Haiti, Jamaica, and Cuba during the first half of the twentieth century. Bronfman examines the ways these new communication technologies often undermined rather than served as tools of domination for imperial forces—American or British. Most importantly, this book has us reconsider the role of sound and, specifically, radio broadcasting as central to political mobilization in ridding the region from empire. Alejandra Bronfman is Chair and Associate Professor, Latin American, Caribbean & U.S. Latino Studies, University of Albany. Sharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoices

The Caribbean has figuratively and literally been entangled in processes of global integration earlier than other parts of the Americas. In Isles of Noise: Sonic Media in the Caribbean (UNC Press, 2016), Alejandra Bronfman offers a refreshing perspective to this well-trodden story. In this book, she traces the emergence and growth of telecommunications technologies in Haiti, Jamaica, and Cuba during the first half of the twentieth century. Bronfman examines the ways these new communication technologies often undermined rather than served as tools of domination for imperial forces—American or British. Most importantly, this book has us reconsider the role of sound and, specifically, radio broadcasting as central to political mobilization in ridding the region from empire. Alejandra Bronfman is Chair and Associate Professor, Latin American, Caribbean & U.S. Latino Studies, University of Albany. Sharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In Tides of Revolution: Information, Insurgencies, and the Crisis of Colonial Rule in Venezuela (University of New Mexico Press, 2018), Cristina Soriano examines the links between the spread of radical ideas, literacy, and the circulation of information in a society without a printing press. In doing so, Soriano shows the ways Caribbean revolutionary ideas flowed into the ports and coastal communities across colonial Venezuela. The Haitian Revolution was front and centre of these revolutionary ideas, which inspired many and terrified others. Through these information networks, creole, pardo, and even enslaved people engaged in ideas about republicanism, abolitionism, and racial egalitarianism. This book offers insight into the later chaotic and multidirectional process of the anti-colonial movement in early nineteenth-century Venezuela. Sharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In Tides of Revolution: Information, Insurgencies, and the Crisis of Colonial Rule in Venezuela (University of New Mexico Press, 2018), Cristina Soriano examines the links between the spread of radical ideas, literacy, and the circulation of information in a society without a printing press. In doing so, Soriano shows the ways Caribbean revolutionary ideas flowed into the ports and coastal communities across colonial Venezuela. The Haitian Revolution was front and centre of these revolutionary ideas, which inspired many and terrified others. Through these information networks, creole, pardo, and even enslaved people engaged in ideas about republicanism, abolitionism, and racial egalitarianism. This book offers insight into the later chaotic and multidirectional process of the anti-colonial movement in early nineteenth-century Venezuela. Sharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In Tides of Revolution: Information, Insurgencies, and the Crisis of Colonial Rule in Venezuela (University of New Mexico Press, 2018), Cristina Soriano examines the links between the spread of radical ideas, literacy, and the circulation of information in a society without a printing press. In doing so, Soriano shows the ways Caribbean revolutionary ideas flowed into the ports and coastal communities across colonial Venezuela. The Haitian Revolution was front and centre of these revolutionary ideas, which inspired many and terrified others. Through these information networks, creole, pardo, and even enslaved people engaged in ideas about republicanism, abolitionism, and racial egalitarianism. This book offers insight into the later chaotic and multidirectional process of the anti-colonial movement in early nineteenth-century Venezuela. Sharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In Tides of Revolution: Information, Insurgencies, and the Crisis of Colonial Rule in Venezuela (University of New Mexico Press, 2018), Cristina Soriano examines the links between the spread of radical ideas, literacy, and the circulation of information in a society without a printing press. In doing so, Soriano shows the ways Caribbean revolutionary ideas flowed into the ports and coastal communities across colonial Venezuela. The Haitian Revolution was front and centre of these revolutionary ideas, which inspired many and terrified others. Through these information networks, creole, pardo, and even enslaved people engaged in ideas about republicanism, abolitionism, and racial egalitarianism. This book offers insight into the later chaotic and multidirectional process of the anti-colonial movement in early nineteenth-century Venezuela. Sharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In Tides of Revolution: Information, Insurgencies, and the Crisis of Colonial Rule in Venezuela (University of New Mexico Press, 2018), Cristina Soriano examines the links between the spread of radical ideas, literacy, and the circulation of information in a society without a printing press. In doing so, Soriano shows the ways Caribbean revolutionary ideas flowed into the ports and coastal communities across colonial Venezuela. The Haitian Revolution was front and centre of these revolutionary ideas, which inspired many and terrified others. Through these information networks, creole, pardo, and even enslaved people engaged in ideas about republicanism, abolitionism, and racial egalitarianism. This book offers insight into the later chaotic and multidirectional process of the anti-colonial movement in early nineteenth-century Venezuela. Sharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Politics of Taste: Beatriz González and Cold War Aesthetics (Duke University Press, 2019), Ana María Reyes examines the ways Colombian artist Beatriz González and Argentine-born art critic Marta Traba railed against international forms of modernism and promoted low brow or even provincial forms of art in the period of the Colombian National Front's coalition government (1958-1974). In doing so, Reyes situates art in a pivotal moment in Colombian history where efforts to end political violence through compromise and power-sharing also led to the ushering of modernizing projects promoted initially under President Alberto Lleras Camargo. Reyes shows that art became under the purview of elites seeking to project Colombia as a modern, internationalist nation. González, on the other hand, increasingly questioned and challenged elite efforts to present modernism as the epitome of high art and culture in Colombia. In doing so, Reyes wholeheartedly adopted her role as a provocateur as a way to resist U.S. cultural interference and to preserve the marginal voices so often derided by urban elites in Bogotá. Through an examination of art, Reyes offers a refreshing perspective on the ways taste became politicized in mid-twentieth century Colombia. Sharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Politics of Taste: Beatriz González and Cold War Aesthetics (Duke University Press, 2019), Ana María Reyes examines the ways Colombian artist Beatriz González and Argentine-born art critic Marta Traba railed against international forms of modernism and promoted low brow or even provincial forms of art in the period of the Colombian National Front's coalition government (1958-1974). In doing so, Reyes situates art in a pivotal moment in Colombian history where efforts to end political violence through compromise and power-sharing also led to the ushering of modernizing projects promoted initially under President Alberto Lleras Camargo. Reyes shows that art became under the purview of elites seeking to project Colombia as a modern, internationalist nation. González, on the other hand, increasingly questioned and challenged elite efforts to present modernism as the epitome of high art and culture in Colombia. In doing so, Reyes wholeheartedly adopted her role as a provocateur as a way to resist U.S. cultural interference and to preserve the marginal voices so often derided by urban elites in Bogotá. Through an examination of art, Reyes offers a refreshing perspective on the ways taste became politicized in mid-twentieth century Colombia. Sharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Politics of Taste: Beatriz González and Cold War Aesthetics (Duke University Press, 2019), Ana María Reyes examines the ways Colombian artist Beatriz González and Argentine-born art critic Marta Traba railed against international forms of modernism and promoted low brow or even provincial forms of art in the period of the Colombian National Front’s coalition government (1958-1974). In doing so, Reyes situates art in a pivotal moment in Colombian history where efforts to end political violence through compromise and power-sharing also led to the ushering of modernizing projects promoted initially under President Alberto Lleras Camargo. Reyes shows that art became under the purview of elites seeking to project Colombia as a modern, internationalist nation. González, on the other hand, increasingly questioned and challenged elite efforts to present modernism as the epitome of high art and culture in Colombia. In doing so, Reyes wholeheartedly adopted her role as a provocateur as a way to resist U.S. cultural interference and to preserve the marginal voices so often derided by urban elites in Bogotá. Through an examination of art, Reyes offers a refreshing perspective on the ways taste became politicized in mid-twentieth century Colombia. Sharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Politics of Taste: Beatriz González and Cold War Aesthetics (Duke University Press, 2019), Ana María Reyes examines the ways Colombian artist Beatriz González and Argentine-born art critic Marta Traba railed against international forms of modernism and promoted low brow or even provincial forms of art in the period of the Colombian National Front’s coalition government (1958-1974). In doing so, Reyes situates art in a pivotal moment in Colombian history where efforts to end political violence through compromise and power-sharing also led to the ushering of modernizing projects promoted initially under President Alberto Lleras Camargo. Reyes shows that art became under the purview of elites seeking to project Colombia as a modern, internationalist nation. González, on the other hand, increasingly questioned and challenged elite efforts to present modernism as the epitome of high art and culture in Colombia. In doing so, Reyes wholeheartedly adopted her role as a provocateur as a way to resist U.S. cultural interference and to preserve the marginal voices so often derided by urban elites in Bogotá. Through an examination of art, Reyes offers a refreshing perspective on the ways taste became politicized in mid-twentieth century Colombia. Sharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Politics of Taste: Beatriz González and Cold War Aesthetics (Duke University Press, 2019), Ana María Reyes examines the ways Colombian artist Beatriz González and Argentine-born art critic Marta Traba railed against international forms of modernism and promoted low brow or even provincial forms of art in the period of the Colombian National Front’s coalition government (1958-1974). In doing so, Reyes situates art in a pivotal moment in Colombian history where efforts to end political violence through compromise and power-sharing also led to the ushering of modernizing projects promoted initially under President Alberto Lleras Camargo. Reyes shows that art became under the purview of elites seeking to project Colombia as a modern, internationalist nation. González, on the other hand, increasingly questioned and challenged elite efforts to present modernism as the epitome of high art and culture in Colombia. In doing so, Reyes wholeheartedly adopted her role as a provocateur as a way to resist U.S. cultural interference and to preserve the marginal voices so often derided by urban elites in Bogotá. Through an examination of art, Reyes offers a refreshing perspective on the ways taste became politicized in mid-twentieth century Colombia. Sharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Politics of Taste: Beatriz González and Cold War Aesthetics (Duke University Press, 2019), Ana María Reyes examines the ways Colombian artist Beatriz González and Argentine-born art critic Marta Traba railed against international forms of modernism and promoted low brow or even provincial forms of art in the period of the Colombian National Front’s coalition government (1958-1974). In doing so, Reyes situates art in a pivotal moment in Colombian history where efforts to end political violence through compromise and power-sharing also led to the ushering of modernizing projects promoted initially under President Alberto Lleras Camargo. Reyes shows that art became under the purview of elites seeking to project Colombia as a modern, internationalist nation. González, on the other hand, increasingly questioned and challenged elite efforts to present modernism as the epitome of high art and culture in Colombia. In doing so, Reyes wholeheartedly adopted her role as a provocateur as a way to resist U.S. cultural interference and to preserve the marginal voices so often derided by urban elites in Bogotá. Through an examination of art, Reyes offers a refreshing perspective on the ways taste became politicized in mid-twentieth century Colombia. Sharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Politics of Taste: Beatriz González and Cold War Aesthetics (Duke University Press, 2019), Ana María Reyes examines the ways Colombian artist Beatriz González and Argentine-born art critic Marta Traba railed against international forms of modernism and promoted low brow or even provincial forms of art in the period of the Colombian National Front’s coalition government (1958-1974). In doing so, Reyes situates art in a pivotal moment in Colombian history where efforts to end political violence through compromise and power-sharing also led to the ushering of modernizing projects promoted initially under President Alberto Lleras Camargo. Reyes shows that art became under the purview of elites seeking to project Colombia as a modern, internationalist nation. González, on the other hand, increasingly questioned and challenged elite efforts to present modernism as the epitome of high art and culture in Colombia. In doing so, Reyes wholeheartedly adopted her role as a provocateur as a way to resist U.S. cultural interference and to preserve the marginal voices so often derided by urban elites in Bogotá. Through an examination of art, Reyes offers a refreshing perspective on the ways taste became politicized in mid-twentieth century Colombia. Sharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In Troubling Freedom: Antigua and the Aftermath of British Emancipation (Duke University Press, 2015), Natasha J. Lightfoot traces the ways Antiguans and Barbudans experienced freedom in the immediate years before and decades after British emancipation in 1834. With the exception of a handful of places, slavery ended immediately without a period of apprenticeship. However, Lightfoot deftly shows how immediate emancipation did not translate into complete freedom as Antiguan elites enacted new forms control to restrict the time, mobility, wages, and housing availability of freedpeople. They also continued to experience violence in their everyday lives. Despite these constraints, emancipated Antiguans and Barbudans managed to earn livelihoods, obtain land, secure housing, and build independent communities in accordance to and opposition against elites' attitudes about them. Lightfoot's study asks us to reconsider how freedom was lived in everyday life and how landlessness was not the primary obstacle for emancipated slaves in the Caribbean. Sharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Troubling Freedom: Antigua and the Aftermath of British Emancipation (Duke University Press, 2015), Natasha J. Lightfoot traces the ways Antiguans and Barbudans experienced freedom in the immediate years before and decades after British emancipation in 1834. With the exception of a handful of places, slavery ended immediately without a period of apprenticeship. However, Lightfoot deftly shows how immediate emancipation did not translate into complete freedom as Antiguan elites enacted new forms control to restrict the time, mobility, wages, and housing availability of freedpeople. They also continued to experience violence in their everyday lives. Despite these constraints, emancipated Antiguans and Barbudans managed to earn livelihoods, obtain land, secure housing, and build independent communities in accordance to and opposition against elites’ attitudes about them. Lightfoot’s study asks us to reconsider how freedom was lived in everyday life and how landlessness was not the primary obstacle for emancipated slaves in the Caribbean. Sharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In Troubling Freedom: Antigua and the Aftermath of British Emancipation (Duke University Press, 2015), Natasha J. Lightfoot traces the ways Antiguans and Barbudans experienced freedom in the immediate years before and decades after British emancipation in 1834. With the exception of a handful of places, slavery ended immediately without a period of apprenticeship. However, Lightfoot deftly shows how immediate emancipation did not translate into complete freedom as Antiguan elites enacted new forms control to restrict the time, mobility, wages, and housing availability of freedpeople. They also continued to experience violence in their everyday lives. Despite these constraints, emancipated Antiguans and Barbudans managed to earn livelihoods, obtain land, secure housing, and build independent communities in accordance to and opposition against elites’ attitudes about them. Lightfoot’s study asks us to reconsider how freedom was lived in everyday life and how landlessness was not the primary obstacle for emancipated slaves in the Caribbean. Sharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In Troubling Freedom: Antigua and the Aftermath of British Emancipation (Duke University Press, 2015), Natasha J. Lightfoot traces the ways Antiguans and Barbudans experienced freedom in the immediate years before and decades after British emancipation in 1834. With the exception of a handful of places, slavery ended immediately without a period of apprenticeship. However, Lightfoot deftly shows how immediate emancipation did not translate into complete freedom as Antiguan elites enacted new forms control to restrict the time, mobility, wages, and housing availability of freedpeople. They also continued to experience violence in their everyday lives. Despite these constraints, emancipated Antiguans and Barbudans managed to earn livelihoods, obtain land, secure housing, and build independent communities in accordance to and opposition against elites’ attitudes about them. Lightfoot’s study asks us to reconsider how freedom was lived in everyday life and how landlessness was not the primary obstacle for emancipated slaves in the Caribbean. Sharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In Troubling Freedom: Antigua and the Aftermath of British Emancipation (Duke University Press, 2015), Natasha J. Lightfoot traces the ways Antiguans and Barbudans experienced freedom in the immediate years before and decades after British emancipation in 1834. With the exception of a handful of places, slavery ended immediately without a period of apprenticeship. However, Lightfoot deftly shows how immediate emancipation did not translate into complete freedom as Antiguan elites enacted new forms control to restrict the time, mobility, wages, and housing availability of freedpeople. They also continued to experience violence in their everyday lives. Despite these constraints, emancipated Antiguans and Barbudans managed to earn livelihoods, obtain land, secure housing, and build independent communities in accordance to and opposition against elites’ attitudes about them. Lightfoot’s study asks us to reconsider how freedom was lived in everyday life and how landlessness was not the primary obstacle for emancipated slaves in the Caribbean. Sharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoices