Podcasts about Turtle soup

Black Cake, Turtle Soup, and Other Dilemmas (Dundurn Press, 2025) by Gloria Blizzard is a diasporic collection of essays on music, memory, and motion. In this powerful and deeply personal essay collection, Gloria Blizzard, in an international diasporic quest, moves up and down an urban subway line; between Canada and Trinidad; to and from a hospital emergency room; back and forth in time — and as a descendent of Africa living in the Americas, negotiates the complexities of culture, geography, race, and language. Through food, music, dance, and family history, Blizzard explores the art of belonging — to a family, a neighbourhood, a group, or a country. Using traditional narrative and the tools of poetry, Blizzard's essays hover at the crossroads, in the spaces where art, science, and spirit collide. The intimate becomes universal, the questions are all relevant, and the answers of our times require a sleight of hand — the holding of simultaneous and overlapping worlds. About Gloria Blizzard: Gloria Blizzard is an award-winning writer and poet, and a Black Canadian woman of multiple heritages. Her work explores spaces where music, dance, spirit, and culture collide. She lives in Toronto. About Hollay Ghadery: Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children's book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League's BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Black Cake, Turtle Soup, and Other Dilemmas (Dundurn Press, 2025) by Gloria Blizzard is a diasporic collection of essays on music, memory, and motion. In this powerful and deeply personal essay collection, Gloria Blizzard, in an international diasporic quest, moves up and down an urban subway line; between Canada and Trinidad; to and from a hospital emergency room; back and forth in time — and as a descendent of Africa living in the Americas, negotiates the complexities of culture, geography, race, and language. Through food, music, dance, and family history, Blizzard explores the art of belonging — to a family, a neighbourhood, a group, or a country. Using traditional narrative and the tools of poetry, Blizzard's essays hover at the crossroads, in the spaces where art, science, and spirit collide. The intimate becomes universal, the questions are all relevant, and the answers of our times require a sleight of hand — the holding of simultaneous and overlapping worlds. About Gloria Blizzard: Gloria Blizzard is an award-winning writer and poet, and a Black Canadian woman of multiple heritages. Her work explores spaces where music, dance, spirit, and culture collide. She lives in Toronto. About Hollay Ghadery: Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children's book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League's BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Black Cake, Turtle Soup, and Other Dilemmas (Dundurn Press, 2025) by Gloria Blizzard is a diasporic collection of essays on music, memory, and motion. In this powerful and deeply personal essay collection, Gloria Blizzard, in an international diasporic quest, moves up and down an urban subway line; between Canada and Trinidad; to and from a hospital emergency room; back and forth in time — and as a descendent of Africa living in the Americas, negotiates the complexities of culture, geography, race, and language. Through food, music, dance, and family history, Blizzard explores the art of belonging — to a family, a neighbourhood, a group, or a country. Using traditional narrative and the tools of poetry, Blizzard's essays hover at the crossroads, in the spaces where art, science, and spirit collide. The intimate becomes universal, the questions are all relevant, and the answers of our times require a sleight of hand — the holding of simultaneous and overlapping worlds. About Gloria Blizzard: Gloria Blizzard is an award-winning writer and poet, and a Black Canadian woman of multiple heritages. Her work explores spaces where music, dance, spirit, and culture collide. She lives in Toronto. About Hollay Ghadery: Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children's book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League's BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

2024 was a special year for Carnival and the Japan-New Orleans connection! Lafcadio Hearn's life & works inspired the theme for Rex Parade 2024: "The Two Worlds of Lafcadio Hearn - New Orleans & Japan". But why Hearn? What went into the float design? What other ways has Hearn left a lasting impact on both New Orleans & Japan? Find out today with a super-sized special Mardi Gras bonus episode, featuring insights from Rex historian/archivist Will French & historian/archivist emeritus Dr. Stephen Hales, Royal Artists float designer/artistic director Caroline Thomas, Lafcadio Hearn's great grandson Bon Koizumi,  legendary chef John Folse, Captain of the Krewe of Lafcadio John Kelly, JSNO's resident Lafcadio Hearn expert Matthew Smith, and even the Mayor of Matsue Akihito Uesada! Get ready for Mardi Gras 2025 by reflecting on this unique connection between New Orleans & Japan!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Music Credits ------Background music provided by: Royalty Free Music by Giorgio Di Campo for Free Sound Music http://freesoundmusic.eu FreeSoundMusic on Youtube  Link to Original Sound Clip------ Audio Clip Credits ------Thanks to Dominic Massa & everyone at WYES for allowing us to use some of the audio from the below Rex Clips:Segment about Royal Artist & Float DesignFull 2024 Rex Ball Coverage (Krewe of Lafcadio/Nicholls State segment)Thanks to Matsue City Hall & Mayor Akihito Uesada for their video message below:Message from Matsue Mayor Akihito Uesada------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Past KOJ Hearn/Matsue/History Episodes ------Foreign-Born Samurai: William Adams ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E17)Foreign-Born Samurai: Yasuke ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E16)Explore Matsue ft. Nicholas McCullough (S4E19)Jokichi Takamine: The Earliest Bridge Between New Orleans & Japan ft. Stephen Lyman (S4E13)The Life & Legacy of Lafcadio Hearn ft. Bon & Shoko Koizumi (S1E9)Matsue & New Orleans: Sister Cities ft. Dr. Samantha Perez (S1E2)------ Links about Rex ------2024 Rex Parade/Float PDF with Full DesignsCaroline Thomas's Website------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

Jacob and Drew celebrate the 40th anniversary of TMNT during Christmas Month with... a pretty bad special... Plus the Batman The Animated Series Episodes "P.O.V." and "The Underdwellers" Red Bubble Merch Store - https://www.redbubble.com/people/thecelcast/shop?artistUserName=thecelcast&asc=u&iaCode=u-clothing Facebook - https://www.facebook.com/TheCelCast  Twitch - https://www.twitch.tv/thecelcastgaming YouTube - https://www.youtube.com/channel/UCQcGNpWEc5qP7oKkxPWQEsw  Twitter - https://twitter.com/cast_cel Instagram - https://www.instagram.com/thecelcast/ Apple Podcasts - https://podcasts.apple.com/us/podcast/id1452118040  Google Play - https://podcasts.google.com/feed/aHR0cHM6Ly90aGVjZWxjYXN0LnBvZGJlYW4uY29tL2ZlZWQueG1s  Stitcher - https://www.stitcher.com/show/the-cel-cast  Spotify - https://open.spotify.com/show/4ETrW9WhJ44uLhr4bU03uK   This Podcast is apart of Pop Americana, For more great shows like this one visit  https://popamericana.wixsite.com/popamericana and This Podcast is apart of the Culture Box, For more great shows like this one visit  https://culturebox.media

Take a trip back to the vibrant St. Louis of the 1960s with Johnny Rabbit, where Alfred Hitchcock's Psycho ruled the theaters and local watering holes buzzed with life. From classic cinemas like Rio High Point to the era's famous eateries and live music venues, this episode dives deep into a time of transition. Hear about wrestling at the Chase, pizza spots like Melrose and Cusimano's, and iconic cultural landmarks that defined St. Louis. Hosted by Scott Jagow with Johnny Rabbit sharing his rich tales of the past.

Turtle Soup

AMERICA, AMERICA, GOD SHED HIS MUSTARD TOPPED HOTDOG ON ME! Grab your potato salad and speedo morons, it's the Good Guys Fourth of July special! Josh and Ben discuss zippy Independence Day facts, the Kook of the Day, viral Hauk Tuah girl, answer your burning questions and MORE! What are ya nuts?!Leave us a voicemail here!Sponsors:Buyraycon.com/goodguys to get 15% off your order + free shippingHead to Dentek.com to find your local retailer and shop all of Dentek's products, sold at Target, Walgreens, Amazon and WalmartPlease note that this episode may contain paid endorsements and advertisements for products and services. Individuals on the show may have a direct or indirect financial interest in products or services referred to in this episode.Produced by Dear Media.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In which the great gourmet food of 19th-century "frolics" suddenly disappears from American menus, and John thinks humankind often looks to weasels. Certificate #32793.

Today, this is what's important: Boating, witches, attempting to pronouce penguins, Teen Witch, Kendrick/Drake diss tracks, South Park, sliced hot dogs, burger & fries, sauces, sandwiches, eating different animals, & more.See omnystudio.com/listener for privacy information.

On this week's show, Pastors Neal, Mark and Chad open with chit chat about which bible stories would make it in the top three, the other Russell Crowe (Gerard Butler), and Mark catching and eating a turtle. Midway through, Neal recaps the latest Sunday sermons in the Romans series. Lastly, they put a bow tie on the episode by answering listener questions on the messages of angels and how the Lord knows how and when you die.

News: Avian Influenza update In Australia Saving Golden-shouldered parrots Main Topic: Oedema/coelomic effusion in freshwater turtles It's time to talk about puffy turtles. What causes oedema or coelomic effusion in chelonians, how do we treat it and what causes it? Listen in to find the answers! VetGurus Merchandise - VetGurus Etsy Store VetGurus Shop Checkout the VetGurus range of quirky, distinctive branded items. All purchases help support our podcast , helping pay for our production costs. So the bonus for you is that you get some great merchandise and you feel good inside for supporting us - win:win. So click on this link and get shopping. Order now: VetGurus Shop. Say Hi! Send us an email: VetGurus@Gmail.com. We love hearing from our listeners - give us a yell now! Become a Patron Become a Patron of VetGurus: Support us by 'throwing a bone' to the VetGurus - a small regular donation to help pay for our production costs. It's easy; just go to our Patreon site. You can be a rabbit.. or an echidna.. one day we are hoping for a Guru level patron! https://www.patreon.com/VetGurus Support our Sponsors Microchips Australia: Microchips Australia is the Australian distributor for: Trovan microchips, readers and reading systems; Lone Star Veterinary Retractor systems and Petrek GPS tracking products. Microchips Australia is run by veterinarians experienced in small and large animal as well as avian and exotic practice, they know exactly what is needed for your practice. Specialised Animal Nutrition. Specialised Animal Nutrition is the Australian distributor of Oxbow Animal Health products. Used and recommended by top exotic animal veterinarians around the globe,  the Oxbow range comprises premium life-staged feeds and supportive care products for small herbivores. Chemical Essentials. Cleaning and disinfection products and solutions for a wide variety of industries throughout Australia, as well as specific markets in New Zealand, Singapore and Papua New Guinea. The sole importer of the internationally acclaimed F10SC Disinfectant and its related range of advanced cleaning, personal hygiene and animal skin care products. About Our Podcast The veterinary podcast about veterinary medicine and surgery, current news items of interest, case reports and anecdotes. Wait: It's not all about veterinary matters! We also discuss other areas we are passionate about, including photography and wildlife. Thanks for joining us - Brendan and Mark. Our podcast is for veterinarians, veterinary students and veterinary nurses/technicians. If you are at pet owner please search elsewhere - there are lots of great podcasts aimed specifically at pet owners. Disclaimer Any discussion of medical or veterinary matters is of a general nature. Consult a veterinarian with experience in the appropriate field for specific information relating to topics mentioned in our podcast or on our website.

World News in 7 minutes. Thursday 2nd May 2024.Today: Colombia Israel relations. Brazil tax policy. Panama presidential election. Chile "turtle soup". US Trump fine. India heatwave. Indonesia volcano evacuation. Scotland no confidence. Britain migrants detained. Greece protests. Portugal suspected slavery. Kenya floods landslides. Nigeria gasoline shortages. International Workers' Day.With Juliet MartinIf you enjoy the podcast please help to support us at send7.org/supportSupporters can read the transcripts at send7.org/transcriptsSupporters can try our weekly news quiz at send7.org/quizContact us at podcast@send7.org or send an audio message at speakpipe.com/send7Please leave a rating on Apple podcasts or Spotify.SEND7 (Simple English News Daily in 7 minutes) tells the most important world news stories in intermediate English. Every day, listen to the most important stories from every part of the world in slow, clear English. Whether you are an intermediate learner trying to improve your advanced, technical and business English, or if you are a native speaker who just wants to hear a summary of world news as fast as possible, join Stephen Devincenzi, Ben Mallett  and Juliet Martin every morning. Transcripts can be found at send7.org/transcripts. Simple English News Daily is the perfect way to start your day, by practising your listening skills and understanding complicated stories in a simple way. It is also highly valuable for IELTS and TOEFL students. Students, teachers, and people with English as a second language, tell us that they listen to SEND7 because they can learn English through hard topics, but simple grammar. We believe that the best way to improve your spoken English is to immerse yourself in real-life content, such as what our podcast provides. SEND7 covers all news including politics, business, natural events and human rights. Whether it is happening in Europe, Africa, Asia, the Americas or Oceania, you will hear it on SEND7, and you will understand it.For more information visit send7.org/contact

Join this channel to get access to perks: https://www.youtube.com/channel/UCCuRS4Ujb-PV1Msz_ZwLt5A/join In an estate sale, a movie prop collector stumbles upon and purchases a screen-used Teenage Mutant Ninja Turtle costume, which begins exhibiting eerie behaviors that send the collector down a rabbit hole of madness from which he may never return. Written & Narrated by ► Mr. Freaky Mr.Freaky Discord server ► https://discord.gg/5SyDc2DFDJ Background Video By ► ludvighaakonson69 Music By ► Mitch Malloy This Creepypasta is fictional and for entertainment purposes only © 2024 Freaky Attractions. All rights reserved.

Greetings Turtletarians! On this thrilling episode of Turtle Soup podcast, we will be discussing Ninja Turtles: Next Mutation Episodes 25 and 26!

Greetings Turtletarians! On this thrilling episode of Turtle Soup podcast, we will be discussing Ninja Turtles: Next Mutation Episodes 23 and 24!

Greetings Turtletarians! On this thrilling episode of Turtle Soup podcast, we will be discussing Ninja Turtles: Next Mutation Episodes 21 and 22!

Greetings Turtletarians! On this thrilling episode of Turtle Soup podcast, we will be discussing Ninja Turtles: Next Mutation Episodes 19 and 20!

We asked and you delivered on morbid and disturbing facts; from baby shark cannibalism, to a Latin hymn for the dead, to Canada's regulations around self-euthanasia, and more. Leave us a voicemail with your morbid facts, or a creepy story that happened to you at: www.speakpipe.com/30MorbidMinutes Go to http://shadyrays.com and use code 30MM for 35% off polarized sunglasses and snow goggles. Go to http://microdose.com and use code 30MM for 30% off and free shipping Follow us on Social: https://twitter.com/elysewillems https://twitter.com/JessicaVasami Click here for the audio version: https://link.chtbl.com/30morbidminutes Learn more about your ad choices. Visit megaphone.fm/adchoices

Greetings Turtletarians! On this thrilling episode of Turtle Soup podcast, we will be discussing Ninja Turtles: Next Mutation Episodes 17 and 18!

Greetings Turtletarians! On this thrilling episode of Turtle Soup podcast, we will be discussing Ninja Turtles: Next Mutation Episodes 15 and 16!

Heath and Candace took a quick weekend trip down to New Orleans for their first-ever NFL game and came across some new favorite restaurants. Get their thoughts on trying Turtle Soup for the first time, the Chicken Sandwich that Heath swears is the best he's ever had, and some Thanksgiving Day Turkey Tips on how to get the best flavor possible!

Greetings Turtletarians! On this thrilling episode of Turtle Soup podcast, we will be discussing Ninja Turtles: Next Mutation Episodes 13 and 14!

Welcome to another episode of Know Your Wrestling! Join me your host Mark Silvester as I talk you through a particular wrestler or PPV. Please enjoy this playthrough of me playing through the DLC for Shredder's Revenge Dimensional Shellshock. I play as my favourite character Leonardo in the survival mode! Join me, in this next episode as I carry on with the Dimensional Shellshock survival mode, as I unlock a way to play as the Shredder! Tonight I dine on Turtle Soup. PLAY THIS GAME! COWABUNGA! #tmnt #shreddersrevenge #leonardo Game was: Teenage Mutant Ninja Turtles Shredder's Revenge: Dimensional Shellshock (2023). Please buy our shirt: https://www.teepublic.com/en-gb/t-shirt/13668606-know-your-wrestling-nwo-logo?store_id=486178  Subscribe to our podcast: https://soundcloud.com/know-your-wrestling https://shows.acast.com/650a0212d26fbc001125114c https://knowyourwrestling.podbean.com/ Please subscribe to our YouTube: youtube.com/channel/UCCokEpBKmKGvUAKCjWw5XZQ Please like and follow: www.facebook.com/knowyourwrestling/ twitter.com/KYourWrestling  Subscribe to Tony: www.youtube.com/user/LoserQuestShow www.youtube.com/channel/UCj8-aurGivxuW6HM_u94V2A www.youtube.com/channel/UCie84qi0lY0o-CMNzj4frbQ https://www.youtube.com/@WhatAreMovie Follow Richy: www.twitter.com/RichardFilmer1

 How We Seeez It! Episode 202 The Thing (John Carpenter)   “You gotta be f'in' kidding”! It took me this long to watch this movie. John Carpenter made a special movie that was not appreciated at the time of release. But 40 years later still is a great movie. Kurt Russell leading a great cast of actors only to be out done by the dog Jed and the incredible special effects. We bring in a special guest Ryan Guy from the Turtle Soup podcast to help discuss this one and as always, we have some great cocktails for this one as well. We would also love to hear what cocktails you might pair with it. So come up with one and hit us up and let us know what it is.                    Hopefully you have watched the show and will join us for this episode of “How We Seeez It! Where you can hear the discussion on our takes. So, mix a drink, have a listen, and let us know what you think. Or if there is something you watched that we might enjoy or a can't miss series.    Show links. https://linktr.ee/HWSI https://www.facebook.com/HWSI.podcast  https://www.instagram.com/hwsi.podcast/  You can also email the Podcast at the.HWSI.podcast@gmail.com

Our guest, award-winning author and U.S. Naval Academy professor, Dr. Sharika Crawford,  takes us on a historical journey to the heart of the Cayman Islands, unearthing the complex relationship between the environmental landscape and the Islands; inhabitants through turtle soup. Together, we traverse the Cayman's fascinating evolution, from the aftermath of slave emancipation to the rise and subsequent fall of the turtle hunting industry. Venture with us as we uncover the dynamics between the Caymanian sea turtle hunters and the British government, the Islands' two-tier racial hierarchy and its lasting implications on labor even today, and the repercussions of the environmental movement in the 20th century, focusing on conservation policies and their significant impact on Caymanian communities. Join us as we illuminate the often-overlooked role of the Cayman Islands' turtle hunters in the broader Caribbean narrative and global food consumption.Sharika Crawford is Professor of History at the United States naval Academy in Annapolis. In spring 2023, she was named the inaugural Speedwell Professor of International Studies, an honor she will hold until 2028. Crawford's primary research focuses on modern Latin America, specifically, Colombia and the interstitial places in the circum-Caribbean like the Archipelago of San Andrés and Providencia and the Cayman Islands. Her first monograph The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making published by the University of North Carolina Press received an Honorable Mention from the Elsa Goveia Prize in Caribbean History Committee of the Association of Caribbean Historians in 2021. It has been widely reviewed in national and international venues. Additionally, Crawford has published articles and essays in the Global South, Historia Critica, International Journal of Maritime History, Middle Atlantic Review of Latin American Studies, Latin American Research Review, and the New West Indian Guide/Nieuwe West-Indische Gids. Dr. Crawford has also received several prestigious grants and fellowships from the American Philosophical Society, the Fulbright U.S. Program, the National Endowment for the Humanities, the University of Florida Center for Latin American Studies, the UNC-Duke Consortium for Latin American and Caribbean Studies, and most recently, the Digital Library of the Caribbean (dLOC) OER in Caribbean Studies stipend. Support the showConnect with Strictly Facts - Instagram | Facebook | TwitterLooking to read more about the topics covered in this episode? Subscribe to the newsletter at www.strictlyfactspod.com to get the Strictly Facts Syllabus to your email!Want to Support Strictly Facts? Rate the Show Leave a review on your favorite podcast platform Share this episode with someone who loves Caribbean history and culture Send us a DM or voice note to have your thoughts featured on an upcoming episode Share the episode on social media and tag us Donate to help us continue empowering listeners with Caribbean history and education Produced by Breadfruit Media

Recorded LIVE with an electrifying discussion on Talking Sith! We're diving deep into the Star Wars universe to dissect the latest Ahsoka episode, following the mind-blowing return of Anakin Skywalker in an otherworldly encounter. Tune in as we unravel the mysteries, analyze character dynamics, and speculate on what's next for Ahsoka. May the Force be with you during this epic live stream! #TalkingSith #AhsokaReturns #AnakinGuides #StarWars #Ahsoka #Thrawn #TanoTuesday Talking Sith Live Reaction to this Episode : https://youtu.be/PgDMzRji0yE

August 31, 2023The Daily Mojo is 2 hours of news, commentary, comedy, and auditory deliciousness.Learn how to become an Insider and be a part of the solution!"Frozen Turtle Soup"The FBI killed another guy in his own home and told his mom it was none of her business, according to reports. WTH? Mitch McConnell's brain keeps rebooting in the middle of public appearances. Did you know they used a decoy hearse for Tim McVeigh's death motorcade? And some other weird stuff from the past. The drone strikes on one of Russia's airports may have come from a NATO country. The government is still lying in Maui while staying in $1000 a night hotel rooms. The Daily Mojo Official Shirt is HERE!Jeff Fisher - aka Jeffy - host of Chewing The Fat Podcast, has the bubonic plague and sounds like crap, so he didn't call...and he never writes! Links: https://podcasts.apple.com/us/podcast/chewing-the-fat-with-jeff-fisher/id904652321https://linktr.ee/JeffFisherRadiohttps://twitter.com/JeffyJFRhttps://www.facebook.com/JeffFisherRadioBrandon Morse - host of Brandon Morse Is A Brand Risk on the Rumble - made it in! He's becoming more of a conspiracy observer, too. https://twitter.com/thebrandonmorsehttps://redstate.com/author/brandon_morsehttps://rumble.com/TheBrandonMorseAll things in one place: https://linktr.ee/realbradstaggs All things in one place: https://linktr.ee/realronphillips Our affiliate partners:We've partnered with The Wellness Company – a based, dedicated group of medical pros – including Dr. Peter McCullough – to bring you a single trustworthy source for your health.www.GetWellMojo.comPromo Code: Mojo50Dave and his crew were roasting historically great coffee before some of these newcomers even thought about creating a coffee brand. He's still the best, in our eyes! www.AmericanPrideRoasters.comNothing says “I appreciate you” like an engraved gift or award. Ron and Misty (mostly Misty) have the perfect solution for you if you need a gift idea for family or your employees!www.MoJoLaserPros.comWe love to support Mike Lindell and his company. He's a real patriot and an American success story!https://www.mypillow.com/radiospecials Promo code: Mojo50Be ready for anything from a hurricane to man-created stupidity (toilet paper shortage, anyone?). The tools and food storage you need to weather the storm.www.PrepareWithMojo50.com Stay ConnectedWATCH The Daily Mojo LIVE 7-9a CT: www.TheDailyMojo.com (RECOMMEDED)Rumble: HEREFacebook: HEREMojo 5-0 TV: HEREFreedomsquare: HEREOr just LISTEN:www.Mojo50.com

On this weeks edition of R2D, Oliver Marcionetti joins the crew to talk industry.  Oliver talks his days dishwashing and prepping clamcakes at local seafood shack Monahans and how he was able to transition over to FOH once he was hired at the legendary Turtle Soup in Narragansett. Bouncing around during college in Vermont he also bartended, served, and worked catering for weddings during his tenure in the industry. The crew talks Ice cream limitations as well as how to get butts in seats in a downtown beach community.  From meeting Maggie Gyllenhaal working the airport bartending shift, to dealing with the difficulties of managing a restaurant, Oli has a handful of experience in the world of food and drinks

Cincinnati Bengals owner Mike Brown, along with director of player personnel Duke Tobin and Bengals coaches, held court with the media on Monday for the team's annual mock turtle soup luncheon. We break down his comments about Joe Burrow's contract extension, other contract extensions that may follow, Joe Mixon's reworked deal, and the coaches' comments on offseason narratives we've discussed all summer. Zac Taylor and Brian Callahan discussed their confidence in the scheme on offense and the offensive line, the interesting battle for the 3rd down running back job, and Lou Anarumo commented on the new safety group and added depth up front.Find and follow Locked On Bengals on your favorite podcast platforms:Apple Podcasts: https://podcasts.apple.com/us/podcast/locked-on-bengals-daily-podcast-on-the-cincinnati-bengals/id1159723162Spotify: https://open.spotify.com/show/7AObc0lh0WmQl5fJVgtajsStitcher: https://www.stitcher.com/show/locked-on-bengalsGoogle Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vbG9ja2Vkb25iZW5nYWxz?sa=X&ved=0CAYQrrcFahcKEwio_sXtj8nuAhUAAAAAHQAAAAAQAgJames Rapien and Jake Liscow take you inside the Bengals with the latest news, unique analysis, and insight on your favorite team, every day on Locked On Bengals. Part of the Locked On Podcast Network. Your team. Every Day.And follow Jake and James on Twitter, where they'll be sharing the latest news about the Cincinnati Bengals and talking with fans.Jake Liscow: https://twitter.com/JakeLiscowJames Rapien: https://twitter.com/JamesRapien Podcast: https://twitter.com/lockedonbengalsSupport Us By Supporting Our Sponsors!BetterHelpThis episode is brought to you by BetterHelp. If you're thinking of starting therapy, give BetterHelp a try. Visit BetterHelp.com/Lockedon today to get 10% off your first month.eBay MotorsFor parts that fit, head to eBay Motors and look for the green check. Stay in the game with eBay Guaranteed Fit. eBay Motors dot com. Let's ride. eBay Guaranteed Fit only available to US customers. Eligible items only. Exclusions apply.LinkedInLinkedIn Jobs helps you find the qualified candidates you want to talk to, faster. Post your job for free at LinkedIn.com/LOCKEDONNFL. Terms and conditions apply.FanDuelMake Every Moment More. Don't miss the chance to get your No Sweat First Bet up to TWO HUNDRED DOLLARS in Bonus Bets when you go FanDuel.com/LOCKEDON.FANDUEL DISCLAIMER: 21+ in select states. First online real money wager only. Bonus issued as nonwithdrawable free bets that expires in 14 days. Restrictions apply. See terms at sportsbook.fanduel.com. Gambling Problem? Call 1-800-GAMBLER or visit FanDuel.com/RG (CO, IA, MD, MI, NJ, PA, IL, VA, WV), 1-800-NEXT-STEP or text NEXTSTEP to 53342 (AZ), 1-888-789-7777 or visit ccpg.org/chat (CT), 1-800-9-WITH-IT (IN), 1-800-522-4700 (WY, KS) or visit ksgamblinghelp.com (KS), 1-877-770-STOP (LA), 1-877-8-HOPENY or text HOPENY (467369) (NY), TN REDLINE 1-800-889-9789 (TN) Learn more about your ad choices. Visit podcastchoices.com/adchoices

Cincinnati Bengals owner Mike Brown, along with director of player personnel Duke Tobin and Bengals coaches, held court with the media on Monday for the team's annual mock turtle soup luncheon. We break down his comments about Joe Burrow's contract extension, other contract extensions that may follow, Joe Mixon's reworked deal, and the coaches' comments on offseason narratives we've discussed all summer. Zac Taylor and Brian Callahan discussed their confidence in the scheme on offense and the offensive line, the interesting battle for the 3rd down running back job, and Lou Anarumo commented on the new safety group and added depth up front. Find and follow Locked On Bengals on your favorite podcast platforms: Apple Podcasts: https://podcasts.apple.com/us/podcast/locked-on-bengals-daily-podcast-on-the-cincinnati-bengals/id1159723162 Spotify: https://open.spotify.com/show/7AObc0lh0WmQl5fJVgtajs Stitcher: https://www.stitcher.com/show/locked-on-bengals Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vbG9ja2Vkb25iZW5nYWxz?sa=X&ved=0CAYQrrcFahcKEwio_sXtj8nuAhUAAAAAHQAAAAAQAg James Rapien and Jake Liscow take you inside the Bengals with the latest news, unique analysis, and insight on your favorite team, every day on Locked On Bengals. Part of the Locked On Podcast Network. Your team. Every Day. And follow Jake and James on Twitter, where they'll be sharing the latest news about the Cincinnati Bengals and talking with fans. Jake Liscow: https://twitter.com/JakeLiscow James Rapien: https://twitter.com/JamesRapien Podcast: https://twitter.com/lockedonbengals Support Us By Supporting Our Sponsors! BetterHelp This episode is brought to you by BetterHelp. If you're thinking of starting therapy, give BetterHelp a try. Visit BetterHelp.com/Lockedon today to get 10% off your first month. eBay Motors For parts that fit, head to eBay Motors and look for the green check. Stay in the game with eBay Guaranteed Fit. eBay Motors dot com. Let's ride. eBay Guaranteed Fit only available to US customers. Eligible items only. Exclusions apply. LinkedIn LinkedIn Jobs helps you find the qualified candidates you want to talk to, faster. Post your job for free at LinkedIn.com/LOCKEDONNFL. Terms and conditions apply. FanDuel Make Every Moment More. Don't miss the chance to get your No Sweat First Bet up to TWO HUNDRED DOLLARS in Bonus Bets when you go FanDuel.com/LOCKEDON. FANDUEL DISCLAIMER: 21+ in select states. First online real money wager only. Bonus issued as nonwithdrawable free bets that expires in 14 days. Restrictions apply. See terms at sportsbook.fanduel.com. Gambling Problem? Call 1-800-GAMBLER or visit FanDuel.com/RG (CO, IA, MD, MI, NJ, PA, IL, VA, WV), 1-800-NEXT-STEP or text NEXTSTEP to 53342 (AZ), 1-888-789-7777 or visit ccpg.org/chat (CT), 1-800-9-WITH-IT (IN), 1-800-522-4700 (WY, KS) or visit ksgamblinghelp.com (KS), 1-877-770-STOP (LA), 1-877-8-HOPENY or text HOPENY (467369) (NY), TN REDLINE 1-800-889-9789 (TN) Learn more about your ad choices. Visit podcastchoices.com/adchoices

"Making turtle soup," is how today's guest, Douglas Spale from Kansas City describes a round-about conversation of topics like the one we enjoy in today's episode. Though he grew up hunting along Nebraska's Platte River, a move to Chicago gave him the bug for travel hunting throughout the United States with a couple retriever and bird dog sidekicks, mixing it up on public land, and sharing his stories.      Podcast Sponsors: BOSS Shotshells https://bossshotshells.com/ Benelli Shotguns https://www.benelliusa.com/shotguns/waterfowl-shotguns Tetra Hearing https://tetrahearing.com/ Ducks Unlimited https://www.ducks.org Mojo Outdoors https://www.mojooutdoors.com/p Tom Beckbe https://tombeckbe.com/ Flash Back Decoys https://www.duckcreekdecoys.com/ Voormi https://voormi.com/ GetDucks.com USHuntList.com     It really is duck season somewhere for 365 days per year. Follow Ramsey Russell's worldwide duck hunting adventures as he chases real duck hunting experiences year-round: Instagram @ramseyrussellgetducks YouTube @GetDucks Facebook @GetDucks.com     Please subscribe, rate and review Duck Season Somewhere podcast. Share your favorite episodes with friends! Business inquiries and comments contact Ramsey Russell ramsey@getducks.com  

The raging popularity of this soup in centuries past nearly drove three separate species of turtles to extinction, and it can still be (more sustainably) enjoyed today. Anney and Lauren just keep swimming through the history and culture of turtle soup – and mock-turtle soup, too.See omnystudio.com/listener for privacy information.

New year..new episode..and a new topic for discussion on Chasin' Birdies: Food. On today's episode, we bring on Starvin Marvin Jr to chat it up about his food obsession. Since COVID hit, his Instagram handle has grown, and he posts some pretty amazing creations that he makes in the kitchen. We open up the show and talk about who is Starvin Marvin Jr and how in the world did this happen? His real name is Pat, and he actually has a REAL job. Like us and Chasin' Birdies, ‘Starvin Marvin Jr' is his side gig. We get into some discussions on how he decided to start this venture and what he likes to cook.By mid-episode, you'll be starving. We turn the episode over and discuss how golf clubs across the country are all known for their ‘one' thing they serve. Whether it's the Milkshakes at Muirfield Village or Turtle Soup at Pine Valley, golf and food really do go hand in hand. We also learn firsthand that Starvin Marvin does NOT have a brother. You have to listen to the episode to understand this one.We end the episode with our standard Tap-In segment presented by Bettinardi Golf, where Starvin is asked four questions that demand his quick answers. Tune in now to this fun-filled episode! We guarantee you'll catch a few good laughs! Key Links:Visit hbgolf.com for great golf apparel now repped by Chasin' Birdies. Stay tuned for more info on winning custom headcovers from WinstonCollection.comOur Tap-in segment is sponsored by Bettinardi GolfPartners with Nemacolin Resort.This episode is presented by LinksBrewing-----Follow Chasin' Birdies on Instagram @chasin_birdies.Chasin' Birdies is hosted by Ryan Bashour and Jonathan Pepe and is proudly recorded in West Virginia. Produced by Simpler Media.

With Penn State coming off a dominating win against Maryland, Tom & Andy are feeling pretty good about the team. After recapping the game, they look forward to a strong outing for their final road game of the season against bottom-feeding Rutgers.

Happy Halloween ladies and ghouls! We've got a terrifying episode for you. (spOOky sCARy) Welcome to Episode 4 of Season 2, Violent Acts & Violent Delights: The Language of Men. The dishes explore how the suffragettes used violence and fear to communicate with those who would not listen. Spoiler alert: it involves bombs. Kate almost refuses to discuss this episode's recipe. We wanted to call this episode “Certain Caliber of Cooter Eater”, but we aren't doing funny titles this season, so here we are.   Apologies for some audio issues at the beginning. We were able to fix some initially, but not all.   TW: Animal cruelty (in terms of killing and using an animal for food)      The featured drink this episode is The Brain Duster. Find the recipe on our Patreon or Instagram.    This episode's recipe is Turtle Soup. Find the recipe in “The Woman Suffrage Cook Book”.   Show Music by Andrew Huang. Don't forget to rate and subscribe! iTunes/Apple Google Spotify   Patreon and Blog: www.patreon.com/DrunkDishPod Merch Store: https://drunk-dish.creator-spring.com/ Twitch: Twitch.tv/DrunkDish  Twitter: @drunkdishpod Instagram: @drunkdish Facebook: Drunk Dish Podcast Email: drunkdishpod@gmail.com

Tanner Lee and Arik Lee recap Purdue's 31-29 win over Maryland and preview Saturday's upcoming matchup under the lights in Ross-Ade Stadium vs Nebraska Podcast brought to you by Mad Mushroom and The Shop - Use coupon code BREAK5 for $5 off any order over $20 at https://madmushroom.com - Use promo code: BREAKDOWN for 25% off any order online at https://theshopindy.com/

Jason Wise sits down to talk to one of the culinary world's busiest chefs to discuss New Orleans cuisine, the back of the house and a passion for turtle soup.

Episode one hundred and fifty-four of A History of Rock Music in Five Hundred Songs is the last of our four-part mini-series on LA sunshine pop and folk-rock in summer 1967. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a fifteen-minute bonus episode available, on "Baby, Now That I've Found You" by the Foundations. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources There is no Mixcloud this week, because there were too many Turtles songs in the episode. There's relatively little information available about the Turtles compared to other bands of their era, and so apart from the sources on the general LA scene referenced in all these podcasts, the information here comes from a small number of sources. This DVD is a decent short documentary on the band's career. Howard Kaylan's autobiography, Shell Shocked: My Life with the Turtles, Flo and Eddie, and Frank Zappa, Etc.,  is a fun read, if inevitably biased towards his own viewpoint. Jim Pons' Hard Core Love: Sex, Football, and Rock and Roll in the Kingdom of God is much less fun, being as it is largely organised around how his life led up to his latter-day religious beliefs, but is the only other book I'm aware of with a substantial amount of coverage of the Turtles. There are many compilations of the Turtles' material available, of which All The Singles is by far and away the best. The box set of all their albums with bonus tracks is now out of print on CD, but can still be bought as MP3s. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript We've spent a lot of time recently in the LA of summer 1967, at the point where the sunshine pop sound that was created when the surf harmonies of the Beach Boys collided with folk rock was at its apex, right before fashions changed and tight sunny pop songs with harmonies from LA became yesterday's news, and extended blues-rock improvisations from San Francisco became the latest in thing. This episode is the last part of this four-episode sequence, and is going to be shorter than those others. In many ways this one is a bridge between this sequence and next episode, where we travel back to London, because we're saying goodbye for a while to the LA scene, and when we do return to LA it will be, for the most part, to look at music that's a lot less sunshine and a lot more shadow. So this is a brief fade-out while we sing ba-ba-ba, a three-minute pop-song of an episode, a last bit of sunshine pop before we return to longer, more complicated, stories  in two weeks' time, at which point the sun will firmly set. Like many musicians associated with LA, Howard Kaylan was born elsewhere and migrated there as a child, and he seems to have regarded his move from upstate New York to LA as essentially a move to Disneyland itself. That impression can only have been made stronger by the fact that soon after his family moved there he got his first childhood girlfriend -- who happened to be a Mouseketeer on the TV. And TV was how young Howard filtered most of his perceptions -- particularly TV comedy. By the age of fourteen he was the president of the Soupy Sales Fan Club, and he was also obsessed with the works of Ernie Kovacs, Sid Caesar, and the great satirist and parodist Stan Freberg: [Excerpt: Stan Freberg, "St. George and the Dragonet"] Second only to his love of comedy, though, was his love of music, and it was on the trip from New York to LA that he saw a show that would eventually change his life. Along the way, his family had gone to Las Vegas, and while there they had seen Louis Prima and Keeley Smith do their nightclub act. Prima is someone I would have liked to do a full podcast episode on when I was covering the fifties, and who I did do a Patreon bonus episode on. He's now probably best known for doing the voice of King Louis in the Jungle Book: [Excerpt: Louis Prima, "I Wanna Be Like You (the Monkey Song)"] But he was also a jump blues musician who made some very good records in a similar style to Louis Jordan, like "Jump, Jive, an' Wail" [Excerpt: Louis Prima, "Jump, Jive, an' Wail"] But like Jordan, Prima dealt at least as much in comedy as in music -- usually comedy involving stereotypes about his Italian-American ethnic origins. At the time young Howard Kaylan saw him, he was working a double act with his then-wife Keeley Smith. The act would consist of Smith trying to sing a song straight, while Prima would clown around, interject, and act like a fool, as Smith grew more and more exasperated, and would eventually start contemptuously mocking Prima. [Excerpt: Louis Prima and Keeley Smith, "Embraceable You/I've Got It Bad and That Ain't Good"] This is of course a fairly standard double-act format, as anyone who has suffered through an episode of The Little and Large Show will be all too painfully aware, but Prima and Smith did it better than most, and to young Howard Kaylan, this was the greatest entertainment imaginable. But while comedy was the closest thing to Kaylan's heart, music was a close second. He was a regular listener to Art Laboe's radio show, and in a brief period as a teenage shoplifter he obtained records like Ray Charles' album Genius + Soul = Jazz: [Excerpt: Ray Charles, "One Mint Julep"] and the single "Tossin' and Turnin'" by Bobby Lewis: [Excerpt: Bobby Lewis, "Tossin' and Turnin'"] "Tossin' and Turnin'" made a deep impression on Kaylan, because of the saxophone solo, which was actually a saxophone duet. On the record, baritone sax player Frank Henry played a solo, and it was doubled by the great tenor sax player King Curtis, who was just playing a mouthpiece rather than a full instrument, making a high-pitched squeaking sound: [Excerpt: Bobby Lewis, "Tossin' and Turnin'"] Curtis was of course also responsible for another great saxophone part a couple of years earlier, on a record that Kaylan loved because it combined comedy and rock and roll, "Yakety Yak": [Excerpt: The Coasters, "Yakety Yak"] Those two saxophone parts inspired Kaylan to become a rock and roller. He was already learning the clarinet and playing part time in an amateur Dixieland band, and it was easy enough to switch to saxophone, which has the same fingering. Within a matter of weeks of starting to play sax, he was invited to join a band called the Nightriders, who consisted of Chuck Portz on bass, Al Nichol on guitar, and Glen Wilson on drums. The Nightriders became locally popular, and would perform sets largely made up of Johnny and the Hurricanes and Ventures material. While he was becoming a budding King Curtis, Kaylan was still a schoolkid, and one of the classes he found most enjoyable was choir class. There was another kid in choir who Kaylan got on with, and one day that kid, Mark Volman came up to him, and had a conversation that Kaylan would recollect decades later in his autobiography: “So I hear you're in a rock 'n' roll band.” “Yep.” “Um, do you think I could join it?” “Well, what do you do?” “Nothing.” “Nothing?” “Nope.” “Sounds good to me. I'll ask Al.” Volman initially became the group's roadie and occasional tambourine player, and would also get on stage to sing a bit during their very occasional vocal numbers, but was mostly "in the band" in name only at first -- he didn't get a share of the group's money, but he was allowed to say he was in the group because that meant that his friends would come to the Nightriders' shows, and he was popular among the surfing crowd. Eventually, Volman's father started to complain that his son wasn't getting any money from being in the band, while the rest of the group were, and they explained to him that Volman was just carrying the instruments while they were all playing them. Volman's father said "if Mark plays an instrument, will you give him equal shares?" and they said that that was fair, so Volman got an alto sax to play along with Kaylan's tenor. Volman had also been taking clarinet lessons, and the two soon became a tight horn section for the group, which went through a few lineup changes and soon settled on a lineup of Volman and Kaylan on saxes, Nichol on lead guitar, Jim Tucker on rhythm guitar, Portz on bass, and Don Murray on drums. That new lineup became known as the Crossfires, presumably after the Johnny and the Hurricanes song of the same name: [Excerpt: Johnny and the Hurricanes, "Crossfire"] Volman and Kaylan worked out choreographed dance steps to do while playing their saxes, and the group even developed a group of obsessive fans who called themselves the Chunky Club, named after one of the group's originals: [Excerpt: The Crossfires, "Chunky"] At this point the group were pretty much only playing instrumentals, though they would do occasional vocals on R&B songs like "Money" or their version of Don and Dewey's "Justine", songs which required more enthusiasm than vocal ability. But their first single, released on a tiny label, was another surf instrumental, a song called "Dr. Jekyll and Mr. Hyde": [Excerpt: The Crossfires, "Dr. Jekyll and Mr Hyde"] The group became popular enough locally that they became the house band at the Revelaire Club in Redondo Beach. There as well as playing their own sets, they would also be the backing band for any touring acts that came through without their own band, quickly gaining the kind of performing ability that comes from having to learn a new artist's entire repertoire in a few days and be able to perform it with them live with little or no rehearsal. They backed artists like the Coasters, the Drifters, Bobby Vee, the Rivingtons, and dozens of other major acts, and as part of that Volman and Kaylan would, on songs that required backing vocals, sing harmonies rather than playing saxophone. And that harmony-singing ability became important when the British Invasion happened, and suddenly people didn't want to hear surf instrumentals, but vocals along the lines of the new British groups. The Crossfires' next attempt at a single was another original, this one an attempt at sounding like one of their favourite new British groups, the Kinks: [Excerpt: The Crossfires, "One Potato, Two Potato"] This change to vocals necessitated a change in the group dynamic. Volman and Kaylan ditched the saxophones, and discovered that between them they made one great frontman. The two have never been excessively close on a personal level, but both have always known that the other has qualities they needed. Frank Zappa would later rather dismissively say "I regard Howard as a fine singer, and Mark as a great tambourine player and fat person", and it's definitely true that Kaylan is one of the truly great vocalists to come out of the LA scene in this period, while Volman is merely a good harmony singer, not anything particularly special -- though he *is* a good harmony singer -- but it undersells Volman's contribution. There's a reason the two men performed together for nearly sixty years. Kaylan is a great singer, but also by nature rather reserved, and he always looked uncomfortable on stage, as well as, frankly, not exactly looking like a rock star (Kaylan describes himself not inaccurately as looking like a potato several times in his autobiography). Volman, on the other hand, is a merely good singer, but he has a naturally outgoing personality, and while he's also not the most conventionally good-looking of people he has a *memorable* appearance in a way that Kaylan doesn't. Volman could do all the normal frontman stuff, the stuff that makes a show an actual show -- the jokes, the dancing, the between-song patter, the getting the crowd going, while Kaylan could concentrate on the singing. They started doing a variation on the routine that had so enthralled Howard Kaylan when he'd seen Louis Prima and Keeley Smith do it as a child. Kaylan would stand more or less stock still, looking rather awkward, but singing like an angel, while Volman would dance around, clown, act the fool, and generally do everything he could to disrupt the performance -- short of actually disrupting it in reality. It worked, and Volman became one of that small but illustrious group of people -- the band member who makes the least contribution to the sound of the music but the biggest contribution to the feel of the band itself, and without whom they wouldn't be the same. After "One Potato, Two Potato" was a flop, the Crossfires were signed to their third label. This label, White Whale, was just starting out, and the Crossfires were to become their only real hit act. Or rather, the Turtles were. The owners of White Whale knew that they didn't have much promotional budget and that their label was not a known quantity -- it was a tiny label with no track record. But they thought of a way they could turn that to their advantage. Everyone knew that the Beatles, before Capitol had picked up their contracts, had had their records released on a bunch of obscure labels like Swan and Tollie. People *might* look for records on tiny independent labels if they thought it might be another British act who were unknown in the US but could be as good as the Beatles. So they chose a name for the group that they thought sounded as English as possible -- an animal name that started with "the", and ended in "les", just like the Beatles. The group, all teenagers at the time, were desperate enough that they agreed to change their name, and from that point on they became the Turtles. In order to try and jump on as many bandwagons as possible, the label wanted to position them as a folk-rock band, so their first single under the Turtles name was a cover of a Bob Dylan song, from Another Side of Bob Dylan: [Excerpt: Bob Dylan, "It Ain't Me Babe"] That song's hit potential had already been seen by Johnny Cash, who'd had a country hit with it a few months before. But the Turtles took the song in a different direction, inspired by Kaylan's *other* great influence, along with Prima and Smith. Kaylan was a big fan of the Zombies, one of the more interesting of the British Invasion groups, and particularly of their singer Colin Blunstone. Kaylan imitated Blunstone on the group's hit single, "She's Not There", on which Blunstone sang in a breathy, hushed, voice on the verses: [Excerpt: The Zombies, "She's Not There"] before the song went into a more stomping chorus on which Blunstone sang in a fuller voice: [Excerpt: The Zombies, "She's Not There"] Kaylan did this on the Turtles' version of "It Ain't Me Babe", starting off with a quiet verse: [Excerpt: The Turtles, "It Ain't Me Babe"] Before, like the Zombies, going into a foursquare, more uptempo, louder chorus: [Excerpt: The Turtles, "It Ain't Me Babe"] The single became a national top ten hit, and even sort of got the approval of Bob Dylan. On the group's first national tour, Dylan was at one club show, which they ended with "It Ain't Me Babe", and after the show the group were introduced to the great songwriter, who was somewhat the worse for wear. Dylan said “Hey, that was a great song you just played, man. That should be your single", and then passed out into his food. With the group's first single becoming a top ten hit, Volman and Kaylan got themselves a house in Laurel Canyon, which was not yet the rock star Mecca it was soon to become, but which was starting to get a few interesting residents. They would soon count Henry Diltz of the Modern Folk Quartet, Danny Hutton, and Frank Zappa among their neighbours. Soon Richie Furay would move in with them, and the house would be used by the future members of the Buffalo Springfield as their rehearsal space. The Turtles were rapidly becoming part of the in crowd. But they needed a follow-up single, and so Bones Howe, who was producing their records, brought in P.F. Sloan to play them a few of his new songs. They liked "Eve of Destruction" enough to earmark it as a possible album track, but they didn't think they would do it justice, and so it was passed on to Barry McGuire. But Sloan did have something for them -- a pseudo-protest song called "Let Me Be" that was very clearly patterned after their version of "It Ain't Me Babe", and which was just rebellious enough to make them seem a little bit daring, but which was far more teenage angst than political manifesto: [Excerpt: The Turtles, "Let Me Be"] That did relatively well, making the top thirty -- well enough for the group to rush out an album which was padded out with some sloppy cover versions of other Dylan songs, a version of "Eve of Destruction", and a few originals written by Kaylan. But the group weren't happy with the idea of being protest singers. They were a bunch of young men who were more motivated by having a good time than by politics, and they didn't think that it made sense for them to be posing as angry politicised rebels. Not only that, but there was a significant drop-off between "It Ain't Me Babe" and "Let Me Be". They needed to do better. They got the clue for their new direction while they were in New York. There they saw their friends in the Mothers of Invention playing their legendary residency at the Garrick Theatre, but they also saw a new band, the Lovin' Spoonful, who were playing music that was clearly related to the music the Turtles were doing -- full of harmonies and melody, and inspired by folk music -- but with no sense of rebelliousness at all. They called it "Good Time Music": [Excerpt: The Lovin' Spoonful, "Good Time Music"] As soon as they got back to LA, they told Bones Howe and the executives at White Whale that they weren't going to be a folk-rock group any more, they were going to be "good time music", just like the Lovin' Spoonful. They were expecting some resistance, but they were told that that was fine, and that PF Sloan had some good time music songs too. "You Baby" made the top twenty: [Excerpt: The Turtles, "You Baby"] The Turtles were important enough in the hierarchy of LA stars that Kaylan and Tucker were even invited by David Crosby to meet the Beatles at Derek Taylor's house when they were in LA on their last tour -- this may be the same day that the Beatles met Brian and Carl Wilson, as I talked about in the episode on "All You Need is Love", though Howard Kaylan describes this as being a party and that sounded like more of an intimate gathering. If it was that day, there was nearly a third Beach Boy there. The Turtles knew David Marks, the Beach Boys' former rhythm guitarist, because they'd played a lot in Inglewood where he'd grown up, and Marks asked if he could tag along with Kaylan and Tucker to meet the Beatles. They agreed, and drove up to the house, and actually saw George Harrison through the window, but that was as close as they got to the Beatles that day. There was a heavy police presence around the house because it was known that the Beatles were there, and one of the police officers asked them to drive back and park somewhere else and walk up, because there had been complaints from neighbours about the number of cars around. They were about to do just that, when Marks started yelling obscenities and making pig noises at the police, so they were all arrested, and the police claimed to find a single cannabis seed in the car. Charges were dropped, but now Kaylan was on the police's radar, and so he moved out of the Laurel Canyon home to avoid bringing police attention to Buffalo Springfield, so that Neil Young and Bruce Palmer wouldn't get deported. But generally the group were doing well. But there was a problem. And that problem was their record label. They rushed out another album to cash in on the success of "You Baby", one that was done so quickly that it had "Let Me Be" on it again, just as the previous album had, and which included a version of the old standard "All My Trials", with the songwriting credited to the two owners of White Whale records. And they pumped out a lot of singles. A LOT of singles, ranging from a song written for them by new songwriter Warren Zevon, to cover versions of Frank Sinatra's "It Was a Very Good Year" and the old standard "We'll Meet Again". Of the five singles after "You Baby", the one that charted highest was a song actually written by a couple of the band members. But for some reason a song with verses in 5/4 time and choruses in 6/4 with lyrics like "killing the living and living to kill, the grim reaper of love thrives on pain" didn't appeal to the group's good-time music pop audience and only reached number eighty-one: [Excerpt: The Turtles, "Grim Reaper of Love"] The group started falling apart. Don Murray became convinced that  the rest of the band were conspiring against him and wanted him out, so he walked out of the group in the middle of a rehearsal for a TV show. They got Joel Larson of the Grass Roots -- the group who had a number of hits with Sloan and Barri songs -- to sub for a few gigs before getting in a permanent replacement, Johnny Barbata, who came to them on the recommendation of Gene Clark, and who was one of the best drummers on the scene -- someone who was not only a great drummer but a great showman, who would twirl his drumsticks between his fingers with every beat, and who would regularly engage in drum battles with Buddy Rich. By the time they hit their fifth flop single in a row, they lost their bass player as well -- Chuck Portz decided he was going to quit music and become a fisherman instead. They replaced him with Chip Douglas of the Modern Folk Quartet. Then they very nearly lost their singers. Volman and Kaylan both got their draft notices at the same time, and it seemed likely they would end up having to go and fight in the Vietnam war. Kaylan was distraught, but his mother told him "Speak to your cousin Herb". Cousin Herb was Herb Cohen, the manager of the Mothers of Invention and numerous other LA acts, including the Modern Folk Quartet, and Kaylan only vaguely knew him at this time, but he agreed to meet up with them, and told them “Stop worrying! I got Zappa out, I got Tim Buckley out, and I'll get you out.” Cohen told Volman and Kaylan to not wash for a week before their induction, to take every drug of every different kind they could find right before going in, to deliberately disobey every order, to fail the logic tests, and to sexually proposition the male officers dealing with the induction. They followed his orders to the letter, and got marked as 4-F, unfit for service. They still needed a hit though, and eventually they found something by going back to their good-time music idea. It was a song from the Koppelman-Rubin publishing company -- the same company that did the Lovin Spoonful's management and production. The song in question was by Alan Gordon and Gary Bonner, two former members of a group called the Magicians, who had had a minor success with a single called "An Invitation to Cry": [Excerpt: The Magicians, "An Invitation to Cry"] The Magicians had split up, and Bonner and Gordon were trying to make a go of things as professional songwriters, but had had little success to this point. The song on the demo had been passed over by everyone, and the demo was not at all impressive, just a scratchy acetate with Bonner singing off-key and playing acoustic rhythm guitar and Gordon slapping his knees to provide rhythm, but the group heard something in it. They played the song live for months, refining the arrangement, before taking it into the studio. There are arguments to this day as to who deserves the credit for the sound on "Happy Together" -- Chip Douglas apparently did the bulk of the arrangement work while they were on tour, but the group's new producer, Joe Wissert, a former staff engineer for Cameo-Parkway, also claimed credit for much of it. Either way, "Happy Together" is a small masterpiece of dynamics. The song is structured much like the songs that had made the Turtles' name, with the old Zombies idea of the soft verse and much louder chorus: [Excerpt: The Turtles, "Happy Together"] But the track is really made by the tiny details of the arrangement, the way instruments and vocal parts come in and out as the track builds up, dies down, and builds again. If you listen to the isolated tracks, there are fantastic touches like the juxtaposition of the bassoon and oboe (which I think is played on a mellotron): [Excerpt: The Turtles, "Happy Together", isolated tracks] And a similar level of care and attention was put into the vocal arrangement by Douglas, with some parts just Kaylan singing solo, other parts having Volman double him, and of course the famous "bah bah bah" massed vocals: [Excerpt: The Turtles, "Happy Together", isolated vocals] At the end of the track, thinking he was probably going to do another take, Kaylan decided to fool around and sing "How is the weather?", which Bonner and Gordon had jokingly done on the demo. But the group loved it, and insisted that was the take they were going to use: [Excerpt: The Turtles, "Happy Together"] "Happy Together" knocked "Penny Lane" by the Beatles off the number one spot in the US, but by that point the group had already had another lineup change. The Monkees had decided they wanted to make records without the hit factory that had been overseeing them, and had asked Chip Douglas if he wanted to produce their first recordings as a self-contained band. Given that the Monkees were the biggest thing in the American music industry at the time, Douglas had agreed, and so the group needed their third bass player in a year. The one they went for was Jim Pons. Pons had seen the Beatles play at the Hollywood Bowl in 1964, and decided he wanted to become a pop star. The next day he'd been in a car crash, which had paid out enough insurance money that he was able to buy two guitars, a bass, drums, and amps, and use them to start his own band. That band was originally called The Rockwells, but quickly changed their name to the Leaves, and became a regular fixture at Ciro's on Sunset Strip, first as customers, then after beating Love in the auditions, as the new resident band when the Byrds left. For a while the Leaves had occasionally had guest vocals from a singer called Richard Marin, but Pons eventually decided to get rid of him, because, as he put it "I wanted us to look like The Beatles. There were no Mexicans in The Beatles". He is at pains in his autobiography to assure us that he's not a bigot, and that Marin understood. I'm sure he did. Marin went on to be better known as Cheech Marin of Cheech and Chong. The Leaves were signed by Pat Boone to his production company, and through that company they got signed to Mira Records. Their first single, produced by Nik Venet, had been a version of "Love Minus Zero (No Limit)", a song by Bob Dylan: [Excerpt: The Leaves, "Love Minus Zero (No Limit)"] That had become a local hit, though not a national one, and the Leaves had become one of the biggest bands on the Sunset Strip scene, hanging out with all the other bands. They had become friendly with the Doors before the Doors got a record deal, and Pat Boone had even asked for an introduction, as he was thinking of signing them, but unfortunately when he met Jim Morrison, Morrison had drunk a lot of vodka, and given that Morrison was an obnoxious drunk Boone had second thoughts, and so the world missed out on the chance of a collaboration between the Doors and Pat Boone. Their second single was "Hey Joe" -- as was their third and fourth, as we discussed in that episode: [Excerpt: The Leaves, "Hey Joe"] Their third version of "Hey Joe" had become a top forty hit, but they didn't have a follow-up, and their second album, All The Good That's Happening, while it's a good album, sold poorly. Various band members quit or fell out, and when Johnny Barbata knocked on Jim Pons' door it was an easy decision to quit and join a band that had a current number one hit. When Pons joined, the group had already recorded the Happy Together album. That album included the follow-up to "Happy Together", another Bonner and Gordon song, "She'd Rather Be With Me": [Excerpt: The Turtles, "She'd Rather Be With Me"] None of the group were tremendously impressed with that song, but it did very well, becoming the group's second-biggest hit in the US, reaching number three, and actually becoming a bigger hit than "Happy Together" in parts of Europe. Before "Happy Together" the group hadn't really made much impact outside the US. In the UK, their early singles had been released by Pye, the smallish label that had the Kinks and Donovan, but which didn't have much promotional budget, and they'd sunk without trace. For "You Baby" they'd switched to Immediate, the indie label that Andrew Oldham had set up, and it had done a little better but still not charted. But from "Happy Together" they were on Decca, a much bigger label, and "Happy Together" had made number twelve in the charts in the UK, and "She'd Rather Be With Me" reached number four. So the new lineup of the group went on a UK tour. As soon as they got to the hotel, they found they had a message from Graham Nash of the Hollies, saying he would like to meet up with them. They all went round to Nash's house, and found Donovan was also there, and Nash played them a tape he'd just been given of Sgt Pepper, which wouldn't come out for a few more days. At this point they were living every dream a bunch of Anglophile American musicians could possibly have. Jim Tucker mentioned that he would love to meet the Beatles, and Nash suggested they do just that. On their way out the door, Donovan said to them, "beware of Lennon". It was when they got to the Speakeasy club that the first faux-pas of the evening happened. Nash introduced them to Justin Hayward and John Lodge of the Moody Blues, and Volman said how much he loved their record "Go Now": [Excerpt: The Moody Blues, "Go Now"] The problem was that Hayward and Lodge had joined the group after that record had come out, to replace its lead singer Denny Laine. Oh well, they were still going to meet the Beatles, right? They got to the table where John, Paul, and Ringo were sat, at a tense moment -- Paul was having a row with Jane Asher, who stormed out just as the Turtles were getting there. But at first, everything seemed to go well. The Beatles all expressed their admiration for "Happy Together" and sang the "ba ba ba" parts at them, and Paul and Kaylan bonded over their shared love for "Justine" by Don and Dewey, a song which the Crossfires had performed in their club sets, and started singing it together: [Excerpt: Don and Dewey, "Justine"] But John Lennon was often a mean drunk, and he noticed that Jim Tucker seemed to be the weak link in the group, and soon started bullying him, mocking his clothes, his name, and everything he said. This devastated Tucker, who had idolised Lennon up to that point, and blurted out "I'm sorry I ever met you", to which Lennon just responded "You never did, son, you never did". The group walked out, hurt and confused -- and according to Kaylan in his autobiography, Tucker was so demoralised by Lennon's abuse that he quit music forever shortly afterwards, though Tucker says that this wasn't the reason he quit. From their return to LA on, the Turtles would be down to just a five-piece band. After leaving the club, the group went off in different directions, but then Kaylan (and this is according to Kaylan's autobiography, there are no other sources for this) was approached by Brian Jones, asking for his autograph because he loved the Turtles so much. Jones introduced Kaylan to the friend he was with, Jimi Hendrix, and they went out for dinner, but Jones soon disappeared with a girl he'd met. and left Kaylan and Hendrix alone. They were drinking a lot -- more than Kaylan was used to -- and he was tired, and the omelette that Hendrix had ordered for Kaylan was creamier than he was expecting... and Kaylan capped what had been a night full of unimaginable highs and lows by vomiting all over Jimi Hendrix's expensive red velvet suit. Rather amazingly after all this, the Moody Blues, the Beatles, and Hendrix, all showed up to the Turtles' London gig and apparently enjoyed it. After "She'd Rather Be With Me", the next single to be released wasn't really a proper single, it was a theme song they'd been asked to record for a dire sex comedy titled "Guide for the Married Man", and is mostly notable for being composed by John Williams, the man who would later go on to compose the music for Star Wars. That didn't chart, but the group followed it with two more top twenty hits written by Bonner and Gordon, "You Know What I Mean" and "She's My Girl". But then the group decided that Bonner and Gordon weren't giving them their best material, and started turning down their submissions, like a song called "Celebrity Ball" which they thought had no commercial potential, at least until the song was picked up by their friends Three Dog Night, retitled "Celebrate", and made the top twenty: [Excerpt: Three Dog Night, "Celebrate"] Instead, the group decided to start recording more of their own material. They were worried that in the fast-changing rock world bands that did other songwriters' material were losing credibility. But "Sound Asleep", their first effort in this new plan, only made number forty-seven on the charts. Clearly they needed a different plan. They called in their old bass player Chip Douglas, who was now an experienced hitmaker as a producer. He called in *his* friend Harry Nilsson, who wrote "The Story of Rock & Roll" for the group, but that didn't do much better, only making number forty-eight. But the group persevered, starting work on a new album produced by Douglas, The Turtles Present The Battle of the Bands, the conceit of which was that every track would be presented as being by a different band. So there were tracks by  Chief Kamanawanalea and his Royal Macadamia Nuts,  Fats Mallard and the Bluegrass Fireball, The Atomic Enchilada, and so on, all done in the styles suggested by those band names. There was even a track by "The Cross Fires": [Excerpt: The Cross Fires, "Surfer Dan"] It was the first time the group had conceived of an album as a piece, and nine of the twelve tracks were originals by the band -- there was a track written by their friend Bill Martin, and the opening track, by "The US Teens Featuring Raoul", was co-written by Chip Douglas and Harry Nilsson. But for the most part the songs were written by the band members themselves, and jointly credited to all of them. This was the democratic decision, but one that Howard Kaylan would later regret, because of the song for which the band name was just "Howie, Mark, Johnny, Jim & Al". Where all the other songs were parodies of other types of music, that one was, as the name suggests, a parody of the Turtles themselves. It was written by Kaylan in disgust at the record label, who kept pestering the group to "give us another 'Happy Together'". Kaylan got more and more angry at this badgering, and eventually thought "OK, you want another 'Happy Together'? I'll give you another 'Happy Together'" and in a few minutes wrote a song that was intended as an utterly vicious parody of that kind of song, with lyrics that nobody could possibly take seriously, and with music that was just mocking the whole structure of "Happy Together" specifically. He played it to the rest of the group, expecting them to fall about laughing, but instead they all insisted it was the group's next single. "Elenore" went to number six on the charts, becoming their biggest hit since "She'd Rather Be With Me": [Excerpt: The Turtles, "Elenore"] And because everything was credited to the group, Kaylan's songwriting royalties were split five ways. For the follow-up, they chose the one actual cover version on the album. "You Showed Me" is a song that Roger McGuinn and Gene Clark had written together in the very early days of the Byrds, and they'd recorded it as a jangly folk-rock tune in 1964: [Excerpt: The Byrds, "You Showed Me"] They'd never released that track, but Gene Clark had performed it solo after leaving the Byrds, and Douglas had been in Clark's band at the time, and liked the song. He played it for the Turtles, but when he played it for them the only instrument he had to hand was a pump organ with one of its bellows broken. Because of this, he had to play it slowly, and while he kept insisting that the song needed to be faster, the group were equally insistent that what he was playing them was the big ballad hit they wanted, and they recorded it at that tempo. "You Showed Me" became the Turtles' final top ten hit: [Excerpt: The Turtles, "You Showed Me"] But once again there were problems in the group. Johnny Barbata was the greatest drummer any of them had ever played with, but he didn't fit as a personality -- he didn't like hanging round with the rest of them when not on stage, and while there were no hard feelings, it was clear he could get a gig with pretty much anyone and didn't need to play with a group he wasn't entirely happy in. By mutual agreement, he left to go and play with Crosby, Stills, Nash, and Young, and was replaced by John Seiter from Spanky and Our Gang -- a good drummer, but not the best of the best like Barbata had been. On top of this, there were a whole host of legal problems to deal with. The Turtles were the only big act on White Whale records, though White Whale did put out some other records. For example, they'd released the single "Desdemona" by John's Children in the US: [Excerpt: John's Children, "Desdemona"] The group, being the Anglophiles they were, had loved that record, and were also among the very small number of Americans to like the music made by John's Children's guitarist's new folk duo, Tyrannosaurus Rex: [Excerpt: Tyrannosaurus Rex, "Debora"] When Tyrannosaurus Rex supported the Turtles, indeed, Volman and Kaylan became very close to Marc Bolan, and told him that the next time they were in England they'd have to get together, maybe even record together. That would happen not that many years later, with results we'll be getting to in... episode 201, by my current calculations. But John's Children hadn't had a hit, and indeed nobody on White Whale other than the Turtles had. So White Whale desperately wanted to stop the Turtles having any independence, and to make sure they continued to be their hit factory. They worked with the group's roadie, Dave Krambeck, to undermine the group's faith in their manager, Bill Utley, who supported the group in their desire for independence. Soon, Krambeck and White Whale had ousted Utley, and Krambeck had paid Utley fifty thousand dollars for their management contract, with the promise of another two hundred thousand later. That fifty thousand dollars had been taken by Krambeck as an advance against the Turtles' royalties, so they were really buying themselves out. Except that Krambeck then sold the management contract on to a New York management firm, without telling the group. He then embezzled as much of the group's ready cash as he could and ran off to Mexico, without paying Utley his two hundred thousand dollars. The Turtles were out of money, and they were being sued by Utley because he hadn't had the money he should have had, and by the big New York firm, because  since the Turtles hadn't known they were now legally their managers they were in breach of contract. They needed money quickly, and so they signed with another big management company, this one co-owned by Bill Cosby, in the belief that Cosby's star power might be able to get them some better bookings. It did -- one of the group's first gigs after signing with the new company was at the White House. It turned out they were Tricia Nixon's favourite group, and so they and the Temptations were booked at her request for a White House party. The group at first refused to play for a President they rightly thought of as a monster, but their managers insisted. That destroyed their reputation among the cool antiestablishment youth, of course, but it did start getting them well-paid corporate gigs. Right up until the point where Kaylan became sick at his own hypocrisy at playing these events, drank too much of the complimentary champagne at an event for the president of US Steel, went into a drunken rant about how sick the audience made him, and then about how his bandmates were a bunch of sellouts, threw his mic into a swimming pool, and quit while still on stage. He was out of the band for two months, during which time they worked on new material without him, before they made up and decided to work on a new album. This new album, though, was going to be more democratic. As well as being all original material, they weren't having any of this nonsense about the lead singer singing lead. This time, whoever wrote the song was going to sing lead, so Kaylan only ended up singing lead on six of the twelve songs on what turned out to be their final album, Turtle Soup. They wanted a truly great producer for the new album, and they all made lists of who they might call. The lists included a few big names like George Martin and Phil Spector, but one name kept turning up -- Ray Davies. As we'll hear in the next episode, the Kinks had been making some astonishing music since "You Really Got Me", but most of it had not been heard in the US. But the Turtles all loved the Kinks' 1968 album The Kinks Are The Village Green Preservation Society, which they considered the best album ever made: [Excerpt: The Kinks, "Animal Farm"] They got in touch with Davies, and he agreed to produce the album -- the first time he did any serious outside production work -- and eventually they were able to persuade White Whale, who had no idea who he was, to allow him to produce it. The resulting album is by far the group's strongest album-length work, though there were problems -- Davies' original mix of the album was dominated by the orchestral parts written by Wrecking Crew musician Ray Pohlman, while the group thought that their own instruments should be more audible, since they were trying to prove that they were a proper band. They remixed it themselves, annoying Davies, though reissues since the eighties have reverted to a mix closer to Davies' intentions. Some of the music, like Pons' "Dance This Dance With Me", perhaps has the group trying a little *too* hard to sound like the Kinks: [Excerpt: The Turtles, "Dance This Dance With Me"] But on the other hand, Kaylan's "You Don't Have to Walk in the Rain" is the group's last great pop single, and has one of the best lines of any single from the sixties -- "I look at your face, I love you anyway": [Excerpt: The Turtles, "You Don't Have to Walk in the Rain"] But the album produced no hits, and the group were getting more and more problems from their label. White Whale tried to get Volman and Kaylan to go to Memphis without the other band members to record with Chips Moman, but they refused -- the Turtles were a band, and they were proud of not having session players play their parts on the records. Instead, they started work with Jerry Yester producing on a new album, to be called Shell Shock. They did, though bow to pressure and record a terrible country track called "Who Would Ever Think That I Would Marry Margaret" backed by session players, at White Whale's insistence, but managed to persuade the label not to release it. They audited White Whale and discovered that in the first six months of 1969 alone -- a period where they hadn't sold that many records -- they'd been underpaid by a staggering six hundred and fifty thousand dollars. They sued the label for several million, and in retaliation, the label locked them out of the recording studio, locking their equipment in there. They basically begged White Whale to let them record one last great single, one last throw of the dice. Jim Pons had, for years, known a keyboard player named Bob Harris, and had recently got to know Harris' wife, Judee Sill. Sill had a troubled life -- she was a heroin addict, and had at times turned to streetwalking to earn money, and had spent time in prison for armed robbery -- but she was also an astonishing songwriter, whose music was as inspired by Bach as by any pop or folk composer. Sill had been signed to Blimp, the Turtles' new production and publishing company, and Pons was co-producing some tracks on her first album, with Graham Nash producing others. Pons thought one song from that album, "Lady-O", would be perfect for the Turtles: [Excerpt: Judee Sill, "Lady-O"] (music continues under) The Turtles stuck closely to Sill's vision of the song. So closely that you haven't noticed that before I started talking, we'd already switched from Sill's record to the Turtles' version. [Excerpt: The Turtles, "Lady-O"] That track, with Sill on guitar backing Kaylan, Volman, and Nichol's vocals, was the last Turtles single to be released while the band were together. Despite “Lady O” being as gorgeous a melody as has ever been produced in the rock world, it sank without trace, as did a single from the Shell Shock sessions released under a pseudonym, The Dedications. White Whale followed that up, to the group's disgust, with "Who Would Ever Think That I Would Marry Margaret?", and then started putting out whatever they had in the vaults, trying to get the last few pennies, even releasing their 1965 album track version of "Eve of Destruction" as if it were a new single. The band were even more disgusted when they discovered that, thanks to the flurry of suits and countersuits, they not only could no longer perform as the Turtles, but White Whale were laying legal claim to their own names. They couldn't perform under those names -- Howard Kaylan, Mark Volman, and the rest were the intellectual property of White Whale, according to the lawyers. The group split up, and Kaylan and Volman did some session work, including singing on a demo for a couple of new songwriters: [Excerpt: Steely Dan, "Everyone's Gone to the Movies"] When that demo got the songwriters a contract, one of them actually phoned up to see if Kaylan wanted a permanent job in their new band, but they didn't want Volman as well, so Kaylan refused, and Steely Dan had to do without him. Volman and Kaylan were despondent, washed-up, has-been ex-rock stars. But when they went to see a gig by their old friend Frank Zappa, it turned out that he was looking for exactly that. Of course, they couldn't use their own names, but the story of the Phlorescent Leech and Eddie is a story for another time...

Breaking down Mike Brown's Monday comments about selling naming rights for the stadium, injury updates on La'el Collins and Alex Cappa, and indicators that Jessie Bates is going to show up, it's just a question of when.Find and follow Locked On Bengals on your favorite podcast platforms:Apple Podcasts: https://podcasts.apple.com/us/podcast/locked-on-bengals-daily-podcast-on-the-cincinnati-bengals/id1159723162Spotify: https://open.spotify.com/show/7AObc0lh0WmQl5fJVgtajsStitcher: https://www.stitcher.com/show/locked-on-bengalsGoogle Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vbG9ja2Vkb25iZW5nYWxz?sa=X&ved=0CAYQrrcFahcKEwio_sXtj8nuAhUAAAAAHQAAAAAQAgJames Rapien and Jake Liscow take you inside the Bengals with the latest news, unique analysis, and insight on your favorite team, every day on Locked On Bengals. Part of the Locked On Podcast Network. Your team. Every Day.And follow Jake and James on Twitter, where they'll be sharing the latest news about the Cincinnati Bengals and talking with fans.Jake Liscow: https://twitter.com/JakeLiscowJames Rapien: https://twitter.com/JamesRapienPodcast: https://twitter.com/lockedonbengalsSupport Us By Supporting Our Sponsors!DaveDownload the Dave app from the App store right now for an Extra Cash account and get up to 500 dollars instantly. For terms and conditions go to dave.com/legal. Instant transfer fees apply. Banking provided by Evolve. Member FDIC.Built BarBuilt Bar is a protein bar that tastes like a candy bar. Go to builtbar.com and use promo code “LOCKED15,” and you'll get 15% off your next order.BetOnlineBetOnline.net has you covered this season with more props, odds and lines than ever before. BetOnline – Where The Game Starts!Rock AutoAmazing selection. Reliably low prices. All the parts your car will ever need. Visit RockAuto.com and tell them Locked On sent you. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Breaking down Mike Brown's Monday comments about selling naming rights for the stadium, injury updates on La'el Collins and Alex Cappa, and indicators that Jessie Bates is going to show up, it's just a question of when. Find and follow Locked On Bengals on your favorite podcast platforms: Apple Podcasts: https://podcasts.apple.com/us/podcast/locked-on-bengals-daily-podcast-on-the-cincinnati-bengals/id1159723162 Spotify: https://open.spotify.com/show/7AObc0lh0WmQl5fJVgtajs Stitcher: https://www.stitcher.com/show/locked-on-bengals Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vbG9ja2Vkb25iZW5nYWxz?sa=X&ved=0CAYQrrcFahcKEwio_sXtj8nuAhUAAAAAHQAAAAAQAg James Rapien and Jake Liscow take you inside the Bengals with the latest news, unique analysis, and insight on your favorite team, every day on Locked On Bengals. Part of the Locked On Podcast Network. Your team. Every Day. And follow Jake and James on Twitter, where they'll be sharing the latest news about the Cincinnati Bengals and talking with fans. Jake Liscow: https://twitter.com/JakeLiscow James Rapien: https://twitter.com/JamesRapien Podcast: https://twitter.com/lockedonbengals Support Us By Supporting Our Sponsors! Dave Download the Dave app from the App store right now for an Extra Cash account and get up to 500 dollars instantly. For terms and conditions go to dave.com/legal. Instant transfer fees apply. Banking provided by Evolve. Member FDIC. Built Bar Built Bar is a protein bar that tastes like a candy bar. Go to builtbar.com and use promo code “LOCKED15,” and you'll get 15% off your next order. BetOnline BetOnline.net has you covered this season with more props, odds and lines than ever before. BetOnline – Where The Game Starts! Rock Auto Amazing selection. Reliably low prices. All the parts your car will ever need. Visit RockAuto.com and tell them Locked On sent you. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Croesus decides to play Bachelor with some Greek oracles to figure out which is the True One, and so we take a long look at the Delphic Oracle. Plus, the voice of Apollo!

All Bones Considered: Laurel Hill Stories #038:  Through the Looking Glass – Some Lewis Carrol Connections, part 4 Charles Soulas has one of the more striking grave memorials - a woman who looks like she's ready to take your meal order.  Soulas ran a restaurant near city hall where local movers and shakers met over mock turtle soup.

Oscar is going to Charlestown! Plus: Robb's new medicine regimen, news, and Oscar's hacking story!

Greetings Turtletarians! On this thrilling live streamed recording of Turtle Soup episode 282, we review Image Comics Teenage Mutant Ninja Turtles Vol 3, Issue 8 as well as discuss the new Netflix Samurai Rabbit: The Usagi Chronicles trailer and Neca's Turtle Van! Before all that we get into an email from our friend Noah thanking … Continue reading Episode 282 – Pub and Grind! →

Episode Description: On the border of Providence and Pawtucket, there's a strange intersection. One single road changes its name from Ridge Street to Pidge Avenue. With Ridge and Pidge being just one letter apart, it always seemed like a mistake. With the help of Providence Journal reporter Paul Parker, we get to the bottom of the mystery. And uncover another one along the way. To Visit: Intersection of Pidge Avenue and East Avenue, Pawtucket, RIPidge Tavern was at 586 Pawtucket AvenueEpisode Source MaterialIt's No Typo | Paul Parker | January 19, 2020 (Search “Pidge” in the Journal Archive)Not gone after all - The Providence Journal, 3/8/2020A Toll, A Tavern, and A Farm: A History of Pidge AvenueNew York Times | Granville Standish Jr. ObituaryHistoric Taverns of Rhode Island | Robert A GeakeRhode Island · George Washington's Mount VernonTo George Washington from Nicholas Cooke, 4 April 1776Rochambeau | American Battlefield TrustMarquis de Lafayette | American Battlefield TrustDexter House | preserveriHistory & Culture - Washington-Rochambeau Revolutionary Route National Historic Trail (US National Park Service)

Carousels are playful and whimsical, bright and colorful. They evoke memories of childhood and innocence. Here, in Rhode Island, they're not only time capsules of happy summer moments, but museums of folk art from the golden age of the American carousel. To Visit: Looff Carousel | Crescent Park | 700 Bullocks Point Ave, Riverside, RI 02915Looff Carousel | Slater Park | 825 Armistice Blvd, Pawtucket, RI 02861Flying Horse Carousel | Westerly, RI 02891Episode Source Material: Rhode Island: Looff Carousel (Local LegaciesHistory | Crescent Park CarouselCrescent Park Looff Carousel - WikipediaFlying Horse Carousel - WikipediaCharles ID Looff - WikipediaTHE CAROUSELS OF CONEY ISLANDCharles ID Looff Historical MarkerCharles ID Looff - A Level Above - Pier RatsWhen the Hippodrome Was Hip: The Looff Carousel and the Era of Seaside Amusement | KCETCarousel of HappinessThe Dizzy History of Carousels Begins With Knights | Smart News| Smithsonian MagazineCarousel - WikipediaCrescent Park Carousel | Preservation RICrescent Park | ArtInRuinsA Horse is a Horse: FWMoA's Looff Carousel Horse"Life's just a merry-go-round": Exploring carousel animals in the museum's collection | National Museum of American HistoryThe History of the Carousel | Origins of the CarouselCarousel AKA Merry Go Round – The Vintage LensCarousels, Roundabouts and Merry-Go-Rounds in Art | DailyArt MagazineCarousel CarversAround the World of Carousel Art.Crescent Park (defunct amusement park) - WikipediaCrescent ParkThe Coney Island of the East Coast - Reporter TodayBrass RingFlying Horses Carousel - WikipediaThe Watch Hill Flying Horse Carousel - WESTERLY RIAndrew Christian and Charles W.F. Dare - Part 1Brooklyn Daily Eagle | July 31, 1899Trolley park - Wikipediahttps://npgallery.nps.gov/GetAsset/6974427c-b4f4-49ae-8ca2-05d79c1f90b8Pawtucket Slater Park Looff Carousel 

People began eating turtle soup in the 1700s, and they kept eating it through the early 1900s. Companies like Campbell's and Heinz made canned turtle soup (and something called mock turtle soup). And it wasn't just available. It was a real culinary obsession. In the early days, there would be these big, elaborate parties, called Turtle Frolics, where people would get together to enjoy it. Including a notable Turtle Frolic in Newport, prepared and served by a talented chef named Cuffy Cockroach. Episode Source Material: Reminiscences of Newport - George Champlin Mason - Google Books 1884 A Newport Rhode Island Turtle Feast, 1767 – AfroculinariaTurtle Soup: From Class to Mass to Aghast - JSTOR DailyThe Turtles of Philadelphia's Culinary PastEarly Recollections of Newport, R.I. From the Year 1793 to 1811 | George Gibbs ChanningOne of New York's Queer Institutions | New York TimesFoodways to Freedom: African Heritage Entrepreneurs in 18th- and 19th-Century Rhode Island – The Rhode Island Historical SocietyAfrican Americans in Rhode Island Who Used Food to Achieve Independence - Online Review of Rhode Island HistoryEncyclopedia of African American BusinessRhode Island History | Volume 73Black Southern Caterers: A History of Enterprise and Culinary Good TasteThe History of Catering in the United States | by KC Rippy | Made From Scratch Fine Catering | MediumA Shining Thread of Hope: The History of Black Women in AmericaDark Work: The Business of Slavery in Rhode IslandThe Negro in Rhode Island: His Past, Present, and FutureSeparate and Sometimes Equal: African Burials in Colonial NewportNewport's Turtle Party Slows Hectic Yule Pace - Los Angeles Times1776 Season 1 Episode 4Colonial Dames and Good Wives | Alice Morse Earle | 189550 Years of Christmas in NewportAn Archaeology of Manners: The Polite World of the Merchant Elite of Colonial Massachusetts | Lorinda B. R. GoodwinWhat Ever Happened to Turtle Soup?Turtle soup - WikipediaWhy Don't People Eat Turtle Soup Anymore?The End of Turtle Soup | History TodayOur Taste For Turtle Soup Nearly Wiped Out Terrapins. Then Prohibition Saved Them : The Salt : NPRA ban on trapping the diamondback terrapin passes after advocates stick their necks out – Baltimore SunHow America Fell Into—and Out of—Love With Mock Turtle Soup.From Delicacy to Decline: A Tale of the Diamond-Backed Terrapin | Virginia DWRHoboken Turtle Club | New York TimesJournal of A Residence in America | Frances Anne ButlerPrimer 0013: So Rich and So Green: The History of Turtle Soup