Podcasts about Taga

durée : 00:09:35 - Les interviews d'Inter - par : Daphné Bürki - De son quotidien à l'usine à la création artistique, FRS Taga se livre sur son parcours atypique. L'artiste explore les thèmes sociaux qui nourrissent son rap et ses écrits, dans une quête constante d'équilibre. Son nouveau clip et single 'La dose' est sorti le 27 mai. - réalisation : Perrine Malinge, Alexandre Gilardi, Mathilde Khlat, Amélie Stadelmann, Alexandra Brouillet, Cléa Journault Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Now on that same day two of them were going to a village called Emmaus, about seven miles from Jerusalem, and talking with each other about all these things that had happened. While they were talking and discussing, Jesus himself came near and went with them, but their eyes were kept from recognizing him. And he said to them, “What are you discussing with each other while you walk along?” They stood still, looking sad. Then one of them, whose name was Cleopas, answered him, “Are you the only stranger in Jerusalem who does not know the things that have taken place there in these days?” He asked them, “What things?” They replied, “The things about Jesus of Nazareth, who was a prophet mighty in deed and word before God and all the people, and how our chief priests and leaders handed him over to be condemned to death and crucified him. But we had hoped that he was the one to redeem Israel. Yes, and besides all this, it is now the third day since these things took place. Moreover, some women of our group astounded us. They were at the tomb early this morning, and when they did not find his body there they came back and told us that they had indeed seen a vision of angels who said that he was alive. Some of those who were with us went to the tomb and found it just as the women had said, but they did not see him.” Then he said to them, “Oh, how foolish you are and how slow of heart to believe all that the prophets have declared! Was it not necessary that the Messiah should suffer these things and then enter into his glory?” Then beginning with Moses and all the prophets, he interpreted to them the things about himself in all the scriptures. As they came near the village to which they were going, he walked ahead as if he were going on. But they urged him strongly, saying, “Stay with us, because it is almost evening and the day is now nearly over.” So he went in to stay with them. When he was at the table with them, he took bread, blessed and broke it, and gave it to them. Then their eyes were opened, and they recognized him, and he vanished from their sight. They said to each other, “Were not our hearts burning within us while he was talking to us on the road, while he was opening the scriptures to us?” That same hour they got up and returned to Jerusalem, and they found the eleven and their companions gathered together. They were saying, “The Lord has risen indeed, and he has appeared to Simon!” Then they told what had happened on the road and how he had been made known to them in the breaking of the bread. Luke 24:13-35 NRSVUE Isang mapayapang araw sa inyong lahat. For today and the next dalawang Linggo, iisang Scripture reading lamang ang ating tatalakayin, ngunit hahatiin natin ang preaching sa tatlong bahagi. For this Sunday, I'd like to talk about being present. Sa ating buhay, madalas tayong nagiging masyadong pokus sa pagtapos ng mga gawain (tasks). Masyado tayong nagmamadali na nakakalimutan na nating maramdaman o ma-appreciate ang proseso—ang “smelling the roses” at ang tunay na pag-enjoy sa journey. Nang una kong mabasa ang tekstong ito mula sa Ebanghelyo ni Lucas (The Road to Emmaus), naisip ko: “Parang ang lakas mang-power trip ni Jesus?” Dahil sa isang kisap-mata, pinigilan niyang makilala siya ng mga alagad, at sa isang kisap-mata rin ay ipinakilala niya ang kanyang sarili. Pero kalaunan, na-realize ko na si Jesus ay kasama na nila sa buong biyahe. Hindi niya ito ginawa para paglaruan sila; sadyang ang dalawang alagad ay masyadong nakapokus sa ibang bagay. Marahil sila ay puno ng kalituhan at emosyon dahil sa balita ng muling pagkabuhay. Unveiling the Characters: Who Was on the Road? Habang binabasa ang kuwento, may mga tanong na lumitaw sa isip ko: Bakit sila papuntang Emmaus? Taga-doon ba sila? At isa pang mahalagang tanong: Sino ang kasama ni Cleopas? Sa kuwento, si Cleopas lamang ang pinangalanan. Sabi ng ilang scholars, maaaring si Simon Peter ito, pero marami ang naniniwala na ang kasama niya ay si Mary of Cleopas—ang kanyang asawa. Ayon sa tradisyon ng Simbahan, si Cleopas ay kapatid ni Jose (na asawa ni Maria, ang ina ni Jesus). Ibig sabihin, sila ay magbilas. Bago natin sagutin ang ibang tanong, nais kong bigyang-diin ang presensya ng mga kababaihan sa buhay at ministeryo ni Jesus. Mula simula hanggang sa krus, at maging sa muling pagkabuhay, laging nandoon ang mga babae. Sila ang may lakas ng loob at pananampalataya na hindi iniwan si Jesus. Minsan, ang pangalawang disipulo ay sadyang hindi pinangalanan sa Bibliya upang makita natin ang ating mga sarili sa kuwento. Tayo ang kasama ni Cleopas sa paglalakad. The Retreat from Hope Bakit nga ba sila papuntang Emmaus? Walang record na taga-doon sila. Maaaring ito ay nagsilbing temporary refuge o “halfway house” para sa kanila. Alam natin ang nangyari: Marami ang umasa na si Jesus ang magpapalaya sa kanila mula sa Imperyong Romano. Nang siya ay mamatay, tila namatay din ang kanilang mga pangarap. Ang pag-alis nila sa Jerusalem patungong Emmaus ay simbolo ng kanilang pag-atras mula sa pag-asa at komunidad. Ngunit narito ang maganda: Ang pagpapakita ni Jesus sa kalsada ay patunay na ang “Divine Presence” ay sumasalamin sa atin kahit sa mga sandaling tayo ay tumatalikod na sa pag-asa. Si Jesus ang nag-adjust para sa kanila. Nakipagtagpo siya sa kanila kung nasaan man sila. Ipinahayag niya ang kanyang sarili sa pamamagitan ng Kasulatan at sa pagpipiraso ng tinapay (Breaking of the Bread). At nang muling mag-alab ang pag-asa sa kanilang puso, bumalik agad sila sa Jerusalem nang gabing iyon upang magbahagi ng mabuting balita. Vulnerability as Strength Sa ating sariling buhay, madalas tayong nahihirapang lumapit sa Diyos kapag tayo ay nasa gitna ng pagsubok. Kadalasan, lumalapit lang tayo para magpasalamat kapag “tapos na” ang problema. Minsan naman, lumalapit lang tayo kapag nasa breaking point na tayo. Hindi ba natin naiisip na sa gitna ng ating mabigat na problema, malumanay na tumatawag si Jesus: “Hello, I am here. You can be vulnerable with me.” Your vulnerability is as beautiful as your strength. Madalas din nating mahalin ang ating “privacy” hanggang sa punto na hindi na tayo nakakapag-open up sa mga kaibigan o mahal sa buhay. Sinasabi lang natin ang kuwento kapag “overcome” na natin ang challenge. Paano naman yung mga struggle na kasalukuyan nating nilalabanan? Nasaan ang diwa ng komunidad? Bilang inyong pastor, nais kong malaman ninyo na maaari kayong maging vulnerable sa akin. Maaaring hindi ko masolusyunan ang lahat ng inyong problema, lalo na kung pinansyal, pero nangangako akong sasamahan ko kayo sa inyong paglalakbay. We are here to journey with you in your “Emmaus moments.” Learning to Pause Sa gitna ng trabaho at buhay, marami tayong bitbit na “baggages”: job security, inflation, midlife crisis, and the search for purpose. Para silang mabibigat na bag na isa-isang pinapasan hanggang sa tayo ay “ma-freeze” o ma-paralyze sa bigat. Minsan, kailangan nating tumigil at mag-assess: Bakit ito mabigat? 2. Alin sa mga ito ang pwede ko nang bitawan? 3. Alin dito ang pwede kong ipagkatiwala sa iba? Huwag nating kalimutang tumingin sa paligid. May mga taong handang tumulong sa pagpasan ng ating dalahin. Matutong huminga, tumigil, at pahalagahan ang mga kasama sa journey. Conclusion: Today is a Gift Bilang isang “frustrated wanderlust,” aminado akong hindi ako magaling sa direksyon o Maps. Umaasa lang ako sa mga landmarks. Sa paggamit ng mapa, mahalagang malaman mo muna kung nasaan ka (orienting yourself) bago mo malaman kung saan ka pupunta. Gayundin sa ating spiritual journey: Minsan kailangan nating mag-reflect kung nasaan na tayo. Gamitin natin si Jesus bilang ating compass at ang ating komunidad bilang sacred space para sa paghilom. Tandaan natin: Yesterday is history, tomorrow is a mystery, and today is a gift. That's why it's called the PRESENT. Pahalagahan natin ang kasalukuyan at magtiwala na ang Kristong nabuhay ay kasama natin sa bawat hakbang ng ating paglalakbay. The post Easter: The Walk To Emmaus appeared first on Open Table Metropolitan Community Church.

In Victoria, trains, trams, and buses will be free for everyone from Tuesday, March 31, throughout April as temporary support for everyday expenses in the state. - Sa Victoria, libre ang tren, tram, at bus para sa lahat simula Martes, 31 Mar at buong Abril bilang pansamantalang tulong sa araw-araw na gastusin sa estado.

Send a textToday we're bringing you three Sundance Film Festival short film narratives that explore the darker side of life.Crisis Actor follows an impulsive actress as she reaches a breaking point in her addiction to drama. We sit down with director/writer Lily Platt and actor Sarah Steele to talk victimhood, privilege, and why everyone could use a little therapy. Congrats to Crisis Actor for winning the Short Film Jury Award for US Fiction!Taga follows a Filipino American as she travels to the Philippines to reconnect to her roots, but encounters a group of eco-volunteers who disturb the village and awaken ancient monsters. Director/writer Jill Marie Sachs and producer Louise Barretto join us to discuss the wealth of monsters and folklore in Filipino culture, why they prepared an offering for the land before filming in a remote village of the Philippines, and how "woke backpackers" can sometimes turn toxic.In Prime, a trauma victim joins a utopian farm and realizes she's bitten off more than she can chew. Director/writer Meagan Coyle joins us to discuss why people are drawn to cults, the art of pacing in a short film, and how she went from make-up artist to director.Follow director Lily Platt on IGFollow actor Sarah Steele on IGFollow Taga on IGFollow director Jill Marie Sachs on IGFollow producer Louise Barretto on IGFollow director Meagan Coyle on IGSupport the showThanks for listening and for your support! We couldn't have won Best of the Bay Best Podcast in 2022 , 2023 , and 2024 without you! -- Fight fascism. Shop small. Use cash. Fuck ice. -- Support Bitch Talk here! Subscribe to our channel on YouTube for behind the scenes footage! Rate and review us wherever you listen to podcasts! Visit our website! www.bitchtalkpodcast.com Follow us on Instagram, Threads, and Substack Listen every Monday at 7 am on BFF.FM

Isang misteryosong lungsod na nagpapakita lamang sa piling tao ang Biringan. Nang makatanggap ng imbitasyon ang bida, pinangakuan siya ng kayamanan at bagong buhay. Ngunit may kapalit ang bawat pangako—at kapag tinanggap mo ang alok, maaaring hindi ka na makabalik sa tunay na mundo.

Sa likod ng madugong kasaysayan ng mga aswang, may isang engkantong itinakdang magbantay at magpanatili ng balanse ng kanilang lahi. Hindi siya kaaway, ngunit hindi rin kakampi ng tao. Sa kuwentong ito, mabubunyag kung paano pinoprotektahan ang mga aswang laban sa tuluyang pagkaubos—at kung bakit may mga pagkakataong mas pinipili ng engkanto na isakripisyo ang tao para sa mas malaking kaayusan ng mundo.

The Good Club #81 mixed by Escribano [16 01 2026] Track List: 1.- Bontan - Forever 2.- Hugel, SOLTO (FR) - Jamaican (Bam Bam Extended Mix) 3.- Iglesias - Latido 4.- llash & Doppe - Luz De La Luna 5.- Emmanuel Jal, Foozak - Casa Bap 6.- Dual Beat, Kieloh, Tito Monako - Canto 7.- AMOG (FR) - What You Need 8.- ADDAM (BE), ODARA (BE) - Something Special 9.- Adam Ten - Alor (feat. Emma El Shir) 10.- Rafal, Mavhungu, RBØR - Takadza 11.- Supanova - PASSO BEM SOLTO (Afro House Mix) 12.- HVMZA - Narcos 13.- Taga, Victoria RAY - Kawaim 14.- XXXTENTACION - Moonlight (Andrea Oliva Remix) 15.- BOg - How I Look #TheGoodClub #Ibiza #OnlyForClubbers #Escribano #DJ #Podcast #AfroHouse #TechHouse #MelodicHouse #TribalHouse #IndieDance #ElectronicMusic

Järgmises meeleolukas episoodis uurime, kuidas on Lennuakadeemia vilistlane jõudnud Brüsseli Eurocontroli tubadesse, kus samal kohal on varem istunud ainult Lennuakadeemia rektor Koit Kaskel.Mikrofoni taga on Enel Rand, kes koordineerib tegevust Eurocontroli ja Transpordiameti, MKM-i, ning teiste Eesti lennundusettevõtjate vahel, et käsitleda küsimusi, mis on Eurocontroli töölaudadel tulnud. Arutame peamisi probleeme hetkel Euroopa lennundus, peatume marsruuditasudel, Euroopa lennukoridori suurendamisest ning kui hästi võetakse Eesti riigi sõna Brüsseli koridorides kuulda.

Ang recipe para sa sikat na Dubai Chocolate ay binuo ng tubong Mindanao na Pinoy Pastry Chef Nouel Catis. Marami na siyang nabuong mga recipe ngunit ang Dubai Chocolate ang kaunaunahang sumikat sa buong mundo.

Poliitilises vestlussaates “Räägime asjast!” on seekord stuudios Martin Helme üksi, kes aga võtab erinevatel teemadel telefoni otsa külalisi.Esimese teemana võetakse jutuks sotsiaalminister Karmen Jolleri umbusaldamine ja põhjused, mis selleni viisid. Selle teemaga seondub rahvusvaheline  tervisekonverents, mis liberaalid tagajalgadele ajas. Sel teemal räägib saates kaasa Riigikogu EKRE fraktsiooni liige Varro Vooglaid.Edasi räägitakse Tallinna asjadest nii nagu need on ja siin ütleb sõna sekka Mustamäe esinumber eelseisvatel valimistel, Tallinna linnavolikogu EKRE fraktsiooni esimees Mart Kallas.Viimane lõik keskendub Amaeerika sündmustele, kus vasakäärmuslaste poolt tapeti Donald Trumpi kaasvõitleja Charlie Kirk. Sel terrorismiaktil on väga kaugele ulatuvad tagajärjed. Eesti otsekohesemaid ja teravamaid poliitilisi vestlussaateid “Räägime asjast” on TRE Raadios ja Ring FM-is eetris pühapäeval kell 11 – 12 ja kordus samal õhtul kell 21 – 22. Samuti saab saadet kuulata Uute Uudiste portaalis ja taskuhäälingu-keskkondades (Spotify, Apple podcasts, Mixcloud). Muidugi!

Concert de l'Orchestra Baobab le 7 juin 2025 au festival Musiques métisses à Angoulême (France). Suite et fin de la semaine concerts de RFI. Après Tiken Jah Fakoly, Luidji, Queen Rima, Kutu, Ballaké Sissoko & Piers Faccini, place à l'Orchestra Baobab ! Avec sa fusion inimitable de rythmes afro-cubains, de sonorités mandingues, et de traditions musicales wolof et sérères, Orchestra Baobab offre une célébration de l'âme sénégalaise et un hommage vibrant à son patrimoine musical. Leur dernier album Made in Sénégal est un voyage musical inoubliable et un retour triomphal après sept ans de silence. Titres interprétés lors du concert : Outro Horas, Wanema Ma Guiss, Sutukoum, Anna Maria, Sénégal, Ndiga Niaw et Sibo Odia. Line Up : Seydou Norou Koite (directeur musical, sax alto), Mamadou Mountaga Koite (batterie), Zaccharia Koite (chant lead), René «Boléro» Sowatche (guitare lead), Yahya Fall (guitare rythmique), Moussa Sissokho (percussions), Malick Sy (basse), Ndeye Korka Dieng (chant) et Wilfrid Ambroise Zinsou (sax ténor). Nos invités : Mamadou Mountaga Koite alias Taga et Abib M'Baye (manager). Biographie Orchestra Baobab Depuis l'indépendance (1960), les nuits dakaroises sont principalement animées par les musiques cubaines. La clientèle, aisée, composée principalement d'élites politiques et économiques qui dirigent l'État présidé par Léopold Sédar Senghor, s'y retrouve pour boire et danser. L'Orchestra Baobab naît en 1970 dans l'effervescence nocturne de Dakar, capitale cosmopolite du Sénégal. Le plus prolifique et le plus durable des orchestres dakarois des années 1970, enregistre plus de vingt disques et cassettes entre 1972 et 2001. À l'image d'un Sénégal indépendant, moderne et ouvert tant aux influences occidentales qu'aux flux migratoires panafricains, l'Orchestra Baobab dévoile une musique métissée qui mêle instruments électriques importés et percussions de facture locale, rythmes et mélodies tirées du folklore et improvisations jazzistiques. L'orchestre a animé l'élégant « Club Baobab », situé dans un complexe du même nom regroupant un bar américain, un restaurant et la boîte de nuit. La musique de l'Orchestra Baobab reprend une formule consacrée par ses prédécesseurs d'Afrique de l'Ouest. Les grands orchestres de danse post-indépendance comme le Bembeya Jazz National et l'Orchestre Paillotte de Guinée Conakry, les Maravillas de Mali de Boncana Maïga ou le Rail Band de Bamako, le Star Band de Dakar, font vibrer les élites des nations nouvelles au rythme de musiques inspirées tant des folklores locaux que des rythmes caraïbes ou noirs américains. Le Sénégal est, avec le Congo Zaïre, le pays qui a le plus consommé les musiques cubaines et latino-américaines.  Ce qui caractérise le « son » du Baobab, c'est qu'il tire son inspiration de plusieurs folklores nationaux. Le wolof est la langue nationale, et la principale influence dans les autres orchestres de la capitale. Mais les inspirations sérère, toucouleur, malinké ou créole font tout autant partie du registre du Baobab. Plusieurs folklores harmonisés par des arrangements orchestraux modernes pour le plaisir d'un public demandeur de distractions nocturnes qui soient autant les réinterprétations des folklores entendus dans l'enfance que les musiques étrangères contemporaines en vogue en Europe et aux États-Unis. Panafricain et enraciné dans les cultures régionales du Sénégal et de ses frontières, moderne, l'orchestra Baobab n'est pas un orchestre national à proprement parler, comme ce fut le cas de certains orchestres maliens ou guinéens. Basé dans la capitale, il reflète à lui seul la diversité ethnoculturelle d'un Sénégal uni par une capitale qui attire des habitants venus de l'ensemble du pays. Pas d'orchestre officiel régional ici. Plus cosmopolite, peut-être aussi plus élitiste, le « son » du Baobab est à l'image d'un Dakar très ouvert à la modernité occidentale. Le succès rapide de l'orchestre Baobab est dû aussi bien au talent des musiciens qu'à celui des entrepreneurs qui ont idéalisé le Club, à leur capacité à attirer certains des meilleurs musiciens et chanteurs du Dakar by night. Mais la vie nocturne dakaroise est le théâtre d'un éternel conflit entre concurrents sur un marché de taille restreinte. Beaucoup de musiciens et quelques orchestres se disputent une place sous les spotlights, alors que la capitale compte en définitive peu de clubs et encore moins de clients. Les membres du Baobab sont recrutés dans les autres formations déjà actives dans les boîtes dakaroises. Le premier chef d'orchestre, Baro N'Diaye, travaillait auparavant au bar-restaurant club « La Plantation ». Saxophoniste ténor, c'est lui qui forme la première mouture de l'orchestre du Baobab, probablement avec le bassiste Sidath Ly. Balla Sidibe, chanteur/batteur, Rudy Gomis et Barthélémy Attisso sont issus du Star Band, qui animait le club « Le Miami » d'Ibrahima Kasse. Le Club Baobab ferme ses portes en 1979. L'Orchestre demeure en activité, et continue d'enregistrer des disques tout aussi géniaux. Mais le « son » n'est plus le même. Au fil des changements techniques et stylistiques, avec l'apparition de la mini-cassette qui ouvre la porte à la piraterie en masse, l'explosion du m'balax, et du simple fait qu'il n'anime plus un club destiné à certaines élites, se perd le cachet si particulier aux enregistrements d'une époque marquée par une vie nocturne intense. Au XXIè siècle, rencontre avec l'Anglais Nick Gold du label World Circuit qui relance la carrière du Baobab avec Specialist in all styles.  Aujourd'hui, l'Orchestra Baobab s'est lancé dans une trilogie avec Made in Dakar (2007), Made in Sénégal (2026) puis Made in Africa (dans le futur avec des invités prestigieux). Son & Mixage en binaural : Mathias Taylor (RFI Labo). Site Orchestra Baobab - Facebook - YouTube.

Concert de l'Orchestra Baobab le 7 juin 2025 au festival Musiques métisses à Angoulême (France). Suite et fin de la semaine concerts de RFI. Après Tiken Jah Fakoly, Luidji, Queen Rima, Kutu, Ballaké Sissoko & Piers Faccini, place à l'Orchestra Baobab ! Avec sa fusion inimitable de rythmes afro-cubains, de sonorités mandingues, et de traditions musicales wolof et sérères, Orchestra Baobab offre une célébration de l'âme sénégalaise et un hommage vibrant à son patrimoine musical. Leur dernier album Made in Sénégal est un voyage musical inoubliable et un retour triomphal après sept ans de silence. Titres interprétés lors du concert : Outro Horas, Wanema Ma Guiss, Sutukoum, Anna Maria, Sénégal, Ndiga Niaw et Sibo Odia. Line Up : Seydou Norou Koite (directeur musical, sax alto), Mamadou Mountaga Koite (batterie), Zaccharia Koite (chant lead), René «Boléro» Sowatche (guitare lead), Yahya Fall (guitare rythmique), Moussa Sissokho (percussions), Malick Sy (basse), Ndeye Korka Dieng (chant) et Wilfrid Ambroise Zinsou (sax ténor). Nos invités : Mamadou Mountaga Koite alias Taga et Abib M'Baye (manager). Biographie Orchestra Baobab Depuis l'indépendance (1960), les nuits dakaroises sont principalement animées par les musiques cubaines. La clientèle, aisée, composée principalement d'élites politiques et économiques qui dirigent l'État présidé par Léopold Sédar Senghor, s'y retrouve pour boire et danser. L'Orchestra Baobab naît en 1970 dans l'effervescence nocturne de Dakar, capitale cosmopolite du Sénégal. Le plus prolifique et le plus durable des orchestres dakarois des années 1970, enregistre plus de vingt disques et cassettes entre 1972 et 2001. À l'image d'un Sénégal indépendant, moderne et ouvert tant aux influences occidentales qu'aux flux migratoires panafricains, l'Orchestra Baobab dévoile une musique métissée qui mêle instruments électriques importés et percussions de facture locale, rythmes et mélodies tirées du folklore et improvisations jazzistiques. L'orchestre a animé l'élégant « Club Baobab », situé dans un complexe du même nom regroupant un bar américain, un restaurant et la boîte de nuit. La musique de l'Orchestra Baobab reprend une formule consacrée par ses prédécesseurs d'Afrique de l'Ouest. Les grands orchestres de danse post-indépendance comme le Bembeya Jazz National et l'Orchestre Paillotte de Guinée Conakry, les Maravillas de Mali de Boncana Maïga ou le Rail Band de Bamako, le Star Band de Dakar, font vibrer les élites des nations nouvelles au rythme de musiques inspirées tant des folklores locaux que des rythmes caraïbes ou noirs américains. Le Sénégal est, avec le Congo Zaïre, le pays qui a le plus consommé les musiques cubaines et latino-américaines.  Ce qui caractérise le « son » du Baobab, c'est qu'il tire son inspiration de plusieurs folklores nationaux. Le wolof est la langue nationale, et la principale influence dans les autres orchestres de la capitale. Mais les inspirations sérère, toucouleur, malinké ou créole font tout autant partie du registre du Baobab. Plusieurs folklores harmonisés par des arrangements orchestraux modernes pour le plaisir d'un public demandeur de distractions nocturnes qui soient autant les réinterprétations des folklores entendus dans l'enfance que les musiques étrangères contemporaines en vogue en Europe et aux États-Unis. Panafricain et enraciné dans les cultures régionales du Sénégal et de ses frontières, moderne, l'orchestra Baobab n'est pas un orchestre national à proprement parler, comme ce fut le cas de certains orchestres maliens ou guinéens. Basé dans la capitale, il reflète à lui seul la diversité ethnoculturelle d'un Sénégal uni par une capitale qui attire des habitants venus de l'ensemble du pays. Pas d'orchestre officiel régional ici. Plus cosmopolite, peut-être aussi plus élitiste, le « son » du Baobab est à l'image d'un Dakar très ouvert à la modernité occidentale. Le succès rapide de l'orchestre Baobab est dû aussi bien au talent des musiciens qu'à celui des entrepreneurs qui ont idéalisé le Club, à leur capacité à attirer certains des meilleurs musiciens et chanteurs du Dakar by night. Mais la vie nocturne dakaroise est le théâtre d'un éternel conflit entre concurrents sur un marché de taille restreinte. Beaucoup de musiciens et quelques orchestres se disputent une place sous les spotlights, alors que la capitale compte en définitive peu de clubs et encore moins de clients. Les membres du Baobab sont recrutés dans les autres formations déjà actives dans les boîtes dakaroises. Le premier chef d'orchestre, Baro N'Diaye, travaillait auparavant au bar-restaurant club « La Plantation ». Saxophoniste ténor, c'est lui qui forme la première mouture de l'orchestre du Baobab, probablement avec le bassiste Sidath Ly. Balla Sidibe, chanteur/batteur, Rudy Gomis et Barthélémy Attisso sont issus du Star Band, qui animait le club « Le Miami » d'Ibrahima Kasse. Le Club Baobab ferme ses portes en 1979. L'Orchestre demeure en activité, et continue d'enregistrer des disques tout aussi géniaux. Mais le « son » n'est plus le même. Au fil des changements techniques et stylistiques, avec l'apparition de la mini-cassette qui ouvre la porte à la piraterie en masse, l'explosion du m'balax, et du simple fait qu'il n'anime plus un club destiné à certaines élites, se perd le cachet si particulier aux enregistrements d'une époque marquée par une vie nocturne intense. Au XXIè siècle, rencontre avec l'Anglais Nick Gold du label World Circuit qui relance la carrière du Baobab avec Specialist in all styles.  Aujourd'hui, l'Orchestra Baobab s'est lancé dans une trilogie avec Made in Dakar (2007), Made in Sénégal (2026) puis Made in Africa (dans le futur avec des invités prestigieux). Son & Mixage en binaural : Mathias Taylor (RFI Labo). Site Orchestra Baobab - Facebook - YouTube.

Enjoy this week's episode with Colombian DJ HANNA LEON. Hanna Leon, a Miami-based DJ born in Medellín, Colombia, is a rising force in the electronic music scene. From an early age, she was drawn to the hypnotic rhythms of electronic music, despite being exposed to a wide range of genres. With over a decade of experience in the industry, both in the U.S. and Colombia, she has played a key role in promoting dance music events while refining her own artistry. Her passion for music naturally led her to step behind the decks, and soon after, into music production. Hanna's signature sound is a dynamic fusion of Afro, Deep, Organic, and Tech House, infused with soulful, melodic elements and the unmistakable influence of her Latin roots—expressed through rich, intricate percussion. As a promoter, she has her brand Mantra. More than just an event, The Mantra Experience is a journey— where music, energy, and community come together to create something deeply transformative. Taga, Victoria RAY - Kawaim (Dave Suntaal Cover) Lazarusman, Da Mike - The Thing (MANQO Remix) Victor Porfidio - EYYA (Extended Mix) Marina Maximilian, Adam Ten, Mita Gami - Million Pieces Augusto Yepes, Jalal Ramdani - Mauri (Daniel Rateuke Remix) DJ Chus, Sabo - Afro Chooz (Novalima's Rafael M La Danza Edit) REDOLENT Manendria - I Like It Alessa Khin, Jerome Sydor, Re Power - Merlion (Extended Mix) REDOLENT Cafe De Anatolia, Tamer ElDerini - Yeke Yeke Luedji Luna - Banho de Folhas (Maz (BR) Remix) Vanco - Ma Tnsani (Yalla Habibi) feat. AYA DJ Koze - Buschtaxi This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Доброго времени суток, дорогие друзья. Сегодня Вас ждёт особенный выпуск, состоящий из хитов российской и зарубежной музыкальной сцены в ремиксах и Blend'ах в стиле #MelodicTechno. Поехали! TRACKLIST: 01. R-Tem - Voiceless (Cheekybitt remix) 02. Мари Краймбрери, Zerb, Sofiya Nzau, Chris Avantgarde & Kevin de Vries - Нравится Mwaki (DJ Shans (ABC) Blend) 03. Екатерина Рогова - Кэтрин Кэт - Я продлеваю лето (Aleksandr Gadzera Remix) 04. City Zen & Katrin Vesna & - Луна (Johnny Astro Blend) 05. Modjo - Lady (Dj Hüseyin Hakan Edit) 06. Mike Mantera x Fairtone - Mirage (Mike Mantera Blend) 07. Slava Skripka - Бобр (DJ Karabas Remix) 08. Cream Soda, Nicholas Vibes - Никаких больше вечеринок (DJ JON Blend) 09. Faithless – Insomnia (Viktor Runx Remix) 10. Narcotic Thrust x Rolbac - I Like It (Mixon Spencer & Kuriev x Gaijin Blend) 11. Artik & Asti - Девочка Танцуй (The Bassdraketh Remix) 12. Anna Asti x Anyma - Топит (DJ Shans (ABC) Blend) 13. Cream Soda & Хлеб - Плачу На Техно (Kolya Funk Blend) 14. VVILL, JONY- Комета (Dj Markin blend) 15. Depeche Mode - Policy Of Truth (Arthur Davidson & Mixon Spencer Remix) 16. Inna - Hot (Anton Oripov Extended Remix) 17. Q.U.A.K.E x NILETTO - Another Dimension x Не вспоминай (Intract Mashup) 18. Subbota - Эта ночь (Smoke 44 remix) 19. Shouse vs Miss Monique - Never Let You Go vs Look At You (Anton Oripov Mashup) 20. Taga & Victoria Ray - Save Me (Morandi cover) 21. The Rasmus - In the Shadows (SKAFELNIKOF Blend) 22. Dabro – Вечерами (DJ Karabas Remix) 23. JONY & Arash & Yves V, Chester Young, .EXA - Уходи Уходи (Boro Boro) & Insanity (DJ Dan Maska Mash Up) 24. Benny Benassi - Satisfaction (Great Lion Remix) 25. David Guetta - The World Is Mine vs. Rooneynasr - Bad Behaviour (Keri Gen Mashup) 26. TEMNIKOVA - Импульсы (Vadim Line Remix) ▶ PromoDJ: promodj.com/aeroritmix ▶ VK: vk.com/public204888851 ▶ Telegram-канал: aeroritmixmuzik t.me/aeroritmixmuzik Подписывайтесь на мой подкаст (Subscribe to My Podcast): ● Apple Podcasts - podcasts.apple.com/ru/podcast/… ● Pocket Casts - pca.st/drpc1gfj Слушайте и наслаждайтесь! Listen & Enjoy! From Russia with Love!

-----Jaga meile enda jaoks olulisimat mõtet episoodist meie Discord kanalis: https://discord.gg/8X5JTkDxccEpisoodi veavad Priit Liivak ja Erik JõgiAlgorütmi toetavad Patchstack https://patchstack.comNortal https://nortal.com/Veriff https://www.veriff.com/

Listen to this incisive discussion with Davao City-based development worker Mags Maglana on the landslide victories of the Duterte political dynasty in the May elections.

Born in Puerto Galera, Cathy Snell was raised by her grandparents, never knowing her father. She first met him at 21, a pivotal moment that eventually brought her to Australia. - Lolo't lola ang nagpalaki kay Cathy Snell na tubong-Puerto Galera, Oriental Mindoro. Una niyang nakita ang ama nang siya'y 21-anyos na, naging daan upang makapunta ito sa Australia.

Episode Description Sign up to receive this Unreached of the Day podcast sent to you:  https://unreachedoftheday.org/resources/podcast/ People Group Summary: https://joshuaproject.net/people_groups/17687     #PrayforZERO is a podcast Sponsor.         https://prayforzero.com/ Take your place in history! We could be the generation to translate God's Word into every language. YOUR prayers can make this happen.  Take your first step and sign the Prayer Wall to receive the weekly Pray For Zero Journal:  https://prayforzero.com/prayer-wall/#join Pray for the largest Frontier People Groups (FPG): Visit JoshuaProject.net/frontier#podcast provides links to podcast recordings of the prayer guide for the 31 largest FPGs.  Go31.org/FREE provides the printed prayer guide for the largest 31 FPGs along with resources to support those wanting to enlist others in prayer for FPGs

Episode Description Sign up to receive this Unreached of the Day podcast sent to you:  https://unreachedoftheday.org/resources/podcast/ People Group Summary: https://joshuaproject.net/people_groups/18202/IN #PrayforZERO is a podcast Sponsor.         https://prayforzero.com/ Take your place in history! We could be the generation to translate God's Word into every language. YOUR prayers can make this happen.  Take your first step and sign the Prayer Wall to receive the weekly Pray For Zero Journal:  https://prayforzero.com/prayer-wall/#join Pray for the largest Frontier People Groups (FPG): Visit JoshuaProject.net/frontier#podcast provides links to podcast recordings of the prayer guide for the 31 largest FPGs.  Go31.org/FREE provides the printed prayer guide for the largest 31 FPGs along with resources to support those wanting to enlist others in prayer for FPGs

Seekord on külas Sander Kuusemets, kes räägib meile, mis imeloom on Eesti Teadusarvutuste Infrastruktuur ja kuidas Tartu Ülikooli HPC Center sellega suhestub. Rääkisime muidugi ka serveritest, tuumadest ja tarkvarast, millega tagatakse jälgitavus läbi erinevate teenuste.Teemaks tuli ka Euroopa võimsaim superarvuti LUMI ja võimalused selle ressursi kasutamiseks.-----Jaga meile enda jaoks olulisimat mõtet episoodist meie Discord kanalis: https://discord.gg/8X5JTkDxccEpisoodi veavad Priit Liivak ja Martin KappAlgorütmi toetavad Patchstack https://patchstack.comNortal https://nortal.com/Veriff https://www.veriff.com/

Llegaron a horas de la noche de este jueves, 10 de octubre, generando pánico entre la población. Estos hombres serían miembros de las disidencias de las Farc.See omnystudio.com/listener for privacy information.

Hadii Aad doonayso Qoys Qurux badan Farxad ku dhisan waa inaad Qorshe u samaysaa ? Sido kale waa inaad la timaado Habdhaqan wanaagsan iyo Tababarid wanaagsan. Halakaan waxaan ku so gudbiyaa Qabka loo Qosheeyo Arimaha Qoyska iyo Farxada Qoyska Dhirigalinta Walidiinta iyo Tarbiyada Caruurta, Afsomaali.

Sa unang pagkakataon ay sinabak ang sport na breaking sa Paris Olympics at isa sa mga tumatak ay ang performance ng Australian break-dancer at university professor na si Rachael Gunn o kilala sa pangalan na Raygun.

Kolm välispoliitilist nägemust Donald Trumpi selja taga. Uus katse USAs Ukrainale sõjaline abi heaks kiitmiseks. Reaalne olukord Ukraina rindel. Saate paneb kokku Neeme Raud.

In this episode I start by sharing about the ancient legend of Taga. Located north of Guam in the remote vastness of the Philippine sea, stretches the Northern Mariana archipelago chain, where two tiny islands are at the center a giant-megalithic-mystery. Next I break down the possibility that strange looking pyramidal structures are hiding deep in the dense jungles of Nicaragua. I will feature the latest photos taken from recent expeditions to this site, talk about the local oral traditions and give you my personal take on what I think these are... buckle your safety belts. Legend of Taga Article & Photos Link https://stargatevoyager.com/2023/08/29/an-ancient-island-mystery-of-giant-proportions/ Hidden Pyramids Article & Photos Link https://stargatevoyager.com/2023/08/29/an-ancient-island-mystery-of-giant-proportions/ JOIN US FOR ONE OF OUR 2024 TOURS & LOCK IN EARLY BIRD PRICING: https://stargatevoyager.com/tours GET ALL YOUR TRAVEL/ VIDEO GEAR DEALS HERE: https://www.amazon.com/shop/ancientex... FOLLOW US HERE: Blog: https://stargatevoyager.com/Youtube: https://www.youtube.com/channel/UCpiPhZVveHua0fcikxo8wmQInstagram: https://www.instagram.com/stargatevoyager/TikTok: https://www.tiktok.com/@stargatevoyagerX/ Twitter: https://twitter.com/derek__olsonFacebook: https://www.facebook.com/ancientexpedition/

E ui i le faatagaina ona faamanuia e se patele poo se faife'au o le Ekalesia Katoliko Roma o faatasiga a ulugalii itupa tutusa, e le o faatagaina ai le faaapa'iaina o se ulugalii itupa tutusa i lalo o tu ma sauniga masani a le Ekalesia.

Taga-MTRCB, puring-puri ang Batang Quiapo kesa sa It's Showtime! Vice Ganda, nagpapasaring sa Gobyerno!