Podcasts about Vltava

Na dotazy posluchačů odpovídá Lucie Míková z Veterinární kliniky Vltava v Českých Budějovicích. Moderuje Jitka Cibulová Vokatá.Všechny díly podcastu Máme rádi zvířata můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Saša Michailidis se ptá vedoucí Katedry produkce na FAMU a filmové historičky Terezy Czesany Dvořákové, která působí i na Katedře filmových studií FF UK, a dramaturgyně České televize Jany Čížkovské. Vltava rozjíždí projekt s názvem Zakázané léto. Zaměříme se v něm na různé podoby cenzury a zákazů v umění napříč časem a prostorem. Co nového víme o trezorových filmech? Jaké byly poměry na Barrandově a v Československé televizi před a v období normalizace?Všechny díly podcastu Akcent můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Saša Michailidis se ptá vedoucí Katedry produkce na FAMU a filmové historičky Terezy Czesany Dvořákové, která působí i na Katedře filmových studií FF UK, a dramaturgyně České televize Jany Čížkovské. Vltava rozjíždí projekt s názvem Zakázané léto. Zaměříme se v něm na různé podoby cenzury a zákazů v umění napříč časem a prostorem. Co nového víme o trezorových filmech? Jaké byly poměry na Barrandově a v Československé televizi před a v období normalizace?

Na dotazy posluchačů odpovídá Lucie Míková z Veterinární kliniky Vltava v Českých Budějovicích. Moderuje Jitka Cibulová Vokatá.Všechny díly podcastu Máme rádi zvířata můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Na dotazy posluchačů odpovídá Lucie Míková z Veterinární kliniky Vltava v Českých Budějovicích. Moderuje Jitka Cibulová Vokatá.Všechny díly podcastu Máme rádi zvířata můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

„Dostal jsem v Českém rozhlase Vltava otázku, jak se pozná dobrý zvuk – a odpověděl jsem, že nevím. Za to jsem ale dostal doma vynadáno, takže teď to můžu opravit: ,Zvukař má na starosti jednu ze základních věcí, tedy to, aby tomu bylo rozumět‘,“ říká trojnásobný držitel ceny Český lev za nejlepší zvuk Viktor Ekrt. Naposledy cenu získal za snímek Vlny.

„Dostal jsem v Českém rozhlase Vltava otázku, jak se pozná dobrý zvuk – a odpověděl jsem, že nevím. Za to jsem ale dostal doma vynadáno, takže teď to můžu opravit: ,Zvukař má na starosti jednu ze základních věcí, tedy to, aby tomu bylo rozumět‘,“ říká trojnásobný držitel ceny Český lev za nejlepší zvuk Viktor Ekrt. Naposledy cenu získal za snímek Vlny.Všechny díly podcastu Hovory můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Na dotazy posluchačů odpovídá Lucie Míková z Veterinární kliniky Vltava v Českých Budějovicích. Moderuje Jitka Cibulová Vokatá.Všechny díly podcastu Máme rádi zvířata můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

This Day in Legal History: Plaut v. Spendthrift Farm, Inc.On April 18, 1995, the U.S. Supreme Court delivered its opinion in Plaut v. Spendthrift Farm, Inc., a significant decision reinforcing the constitutional principle of separation of powers. The case arose after Congress enacted legislation requiring federal courts to reopen certain final judgments in securities fraud cases that had been dismissed under an earlier statute of limitations ruling. The plaintiffs, whose claims had already been dismissed with finality, sought to revive their lawsuits under this new provision.In a 7–2 decision, the Court struck down the law, holding that Congress cannot force Article III courts to reopen final judgments. Writing for the majority, Justice Antonin Scalia stressed the importance of finality in judicial decisions and warned against legislative interference with core judicial functions. He argued that once a case is decided, it becomes law of the case and should not be revisited at Congress's whim.The ruling underscored the judiciary's independence from political pressure and reaffirmed that each branch of government must respect the constitutional boundaries of the others. Scalia noted that permitting Congress to override final court decisions would blur the lines between legislative and judicial authority, threatening the rule of law.This decision was not just a technical interpretation of procedural law; it was a firm statement about institutional integrity. Plaut became a cornerstone case for understanding the limits of congressional power over the courts. It continues to be cited in debates over judicial independence and the sanctity of final judgments.A federal appeals court rejected an emergency attempt by the Trump administration to block a judge's order requiring the government to aid in the return of Kilmar Abrego Garcia, a Maryland man deported to El Salvador despite a 2019 court ruling barring his removal. The court condemned the Justice Department's actions, with Judge Harvie Wilkinson calling them a violation of fundamental liberties and due process. He criticized the administration for acting as though it could abandon individuals in foreign prisons without legal recourse.The Supreme Court previously upheld a similar directive from District Judge Paula Xinis, requiring the administration to work toward bringing Abrego Garcia back from Salvadoran custody. The government claims Garcia is affiliated with the MS-13 gang and lacks the right to remain in the U.S., arguing that Xinis overstepped by involving herself in foreign affairs. However, Wilkinson stressed that due process rights apply regardless of alleged affiliations and warned that ignoring court orders could lead to broader abuses of power, including the potential deportation of U.S. citizens.Abrego Garcia, who has no criminal record in either country, was deported alongside 250 alleged gang members to El Salvador's high-security prison. His 2019 immigration court ruling protected him from deportation due to threats of gang-based extortion.Trump Loses Emergency Appeal to Halt Maryland Deportation CaseThe U.S. Supreme Court will hear arguments on May 15 regarding President Donald Trump's attempt to limit birthright citizenship, a constitutional principle rooted in the 14th Amendment. Although the case won't directly determine the legality of Trump's executive order, it will address whether lower court rulings that blocked the policy nationwide should be scaled back to apply only to specific plaintiffs or jurisdictions.Trump's order, signed in January, seeks to deny citizenship to babies born in the U.S. unless at least one parent is a citizen or permanent resident. It directs federal agencies to withhold documents like Social Security cards and passports from newborns who don't meet that criterion. Critics argue this violates well-established legal interpretations of the 14th Amendment, which affirms citizenship for nearly everyone born on U.S. soil.The Justice Department argues that nationwide injunctions—orders that block policies across the country—exceed judicial authority and should be narrowed. The administration also questions whether the states and groups suing have legal standing. Despite these claims, lower courts have uniformly refused to allow the executive order to take effect.Opponents, including 22 Democratic-led states and immigration advocacy groups, argue that Trump's effort seeks to strip citizenship from thousands of children and overturn long-standing legal precedent. Trump maintains that birthright citizenship was originally intended only for formerly enslaved people, not for the children of non-citizens.US Birthright Citizenship: Supreme Court to Hear Arguments in Case - BloombergUS Supreme Court to hear Trump bid to enforce birthright citizenship order | ReutersFifth Circuit Judge James Ho sharply criticized the power of trial-level judges in a recent opinion, focusing on what he sees as overreach in politically sensitive cases. Ho issued a writ of mandamus instructing a district judge in Louisiana to vacate her order reopening a death penalty case years after it had been dismissed. He was joined by fellow Trump appointee Judge Andrew Oldham, while Judge Catharina Haynes dissented, arguing the appellate process should proceed normally.In his concurring opinion, Ho warned against what he called the misuse of judicial power to obstruct democratic outcomes. He connected the Louisiana case to a recent U.S. Supreme Court decision that reversed a nationwide order from Chief Judge James Boasberg in Washington, D.C., which had blocked the deportation of alleged Venezuelan gang members under the Alien Enemies Act. The Supreme Court said the Venezuelan plaintiffs should have filed their suit in Texas, where they were detained, effectively transferring jurisdiction and narrowing Boasberg's reach.Ho used that ruling to reinforce his argument that appellate courts must intervene swiftly when district judges exceed their authority. He accused some judges of rushing to block policies they oppose politically, calling it a threat to the electorate's choices and governmental efficiency. He argued that deferring to the standard appeals timeline enables what he called “district judge supremacy.”Judge Haynes pushed back in dissent, criticizing the majority's allegation that the district court manipulated legal processes, especially since neither party in the case had challenged the judge's integrity. She maintained the threshold for a mandamus was not met and objected to the majority's tone and assumptions.James Ho Knocks Trial Judge Who Blocked Venezuelan DeportationsThis week's closing theme is The Moldau by Bedřich Smetana, a defining work in Czech Romantic nationalism and one of the most evocative tone poems in classical music. Smetana, born in 1824 in what is now the Czech Republic, was a pioneering composer who sought to express the identity, history, and natural beauty of his homeland through music. A contemporary of Liszt and Wagner, he was deeply influenced by the idea of programmatic music—compositions that tell a story or paint a picture without the use of words.The Moldau (or Vltava, in Czech) is the second and most famous piece from Smetana's larger symphonic cycle Má vlast(My Homeland), composed between 1874 and 1879. The piece traces the course of the Vltava River from its source in the Bohemian forest, through the countryside, past villages and castles, and ultimately to its merger with the Elbe River. Through rich orchestration and shifting textures, Smetana portrays everything from bubbling springs and flowing currents to a peasant wedding and moonlit night dances by water nymphs.Composed while Smetana was going completely deaf, The Moldau is as much a feat of imagination as it is of musical skill. The main theme, introduced by the flutes and then carried through the orchestra, is one of the most recognizable and emotionally stirring in classical music. It serves not just as a musical depiction of a river but as a symbol of Czech identity, resilience, and natural beauty.Closing with The Moldau offers a moment to reflect on continuity, movement, and national spirit—fitting themes for a week shaped by legal currents and constitutional debate.Without further ado, The Moldau, by Bedřich Smetana – enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Na dotazy posluchačů odpovídá Lucie Míková z Veterinární kliniky Vltava v Českých Budějovicích. Moderuje Jitka Cibulová Vokatá.Všechny díly podcastu Máme rádi zvířata můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

In the show: News; What do the USA's new tariffs mean for Czechia?; Czech counterintelligence uncovers Belarusian agent working for Russia's GRU in Prague; Satellite images reveal 'the heart of the Vltava' beneath melting ice; Žižkov Tower on Prague Off The Beaten Track.

In the show: News; What do the USA's new tariffs mean for Czechia?; Czech counterintelligence uncovers Belarusian agent working for Russia's GRU in Prague; Satellite images reveal 'the heart of the Vltava' beneath melting ice; Žižkov Tower on Prague Off The Beaten Track.

Na dotazy posluchačů odpovídá Lucie Míková z Veterinární kliniky Vltava v Českých Budějovicích. Moderuje Jitka Cibulová Vokatá.Všechny díly podcastu Máme rádi zvířata můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Letos si připomínáme 135 let od narození spisovatele Karla Čapka. Právě jemu je věnována nová rozhlasová adaptace vědecko-fantastického románu Krakatit. Jejím režisérem je Lukáš Hlavica, který do role experta na výbušniny (inženýra Prokopa) obsadil Petra Lněničku. První díl čtyřdílného radioseriálu o nebezpečných následcích vědeckého výzkumu odvysíláme už tuto neděli 30. března v 11 hodin.

Letos si připomínáme 135 let od narození spisovatele Karla Čapka. Právě jemu je věnována nová rozhlasová adaptace vědecko-fantastického románu Krakatit. Jejím režisérem je Lukáš Hlavica, který do role experta na výbušniny (inženýra Prokopa) obsadil Petra Lněničku. První díl čtyřdílného radioseriálu o nebezpečných následcích vědeckého výzkumu odvysíláme už tuto neděli 30. března v 11 hodin.Všechny díly podcastu Mozaika můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Na dotazy posluchačů odpovídá Lucie Míková z Veterinární kliniky Vltava v Českých Budějovicích. Moderuje Jitka Cibulová Vokatá.Všechny díly podcastu Máme rádi zvířata můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Rozhlasové bohoslužby ČRo Vltava - Jiří Chodura (2.3.2025) by SCEAV Oldřichovice

In today's episode: news; Czech farmers protest over the country; designs revealed and construction date set for Vltava Philharmonic Hall; a trip around Vyšehrad Cemetery, Prague's national pantheon.

In today's episode: news; Czech farmers protest over the country; designs revealed and construction date set for Vltava Philharmonic Hall; a trip around Vyšehrad Cemetery, Prague's national pantheon.

Na dotazy posluchačů odpovídá Lucie Míková z Veterinární kliniky Vltava v Českých Budějovicích. Moderuje Jitka Cibulová Vokatá.Všechny díly podcastu Máme rádi zvířata můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Saša Michailidis se ptá hostů, co obnáší provozování menší soukromé galerie či kulturního centra. Vltava uvedla rozhlasové zpracování příběhu politického uměleckého kolektivu Pussy Riot pod názvem Matko Boží, vyžeň Putina. Asociace majitelů hradů a zámků se rozrostla o šestnáct nových objektů. Jak se pečuje o soukromé ale i státní památky, které spravuje Národní památkový ústav?Všechny díly podcastu Akcent můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Na dotazy posluchačů odpovídá Lucie Míková z Veterinární kliniky Vltava v Českých Budějovicích. Moderuje Jitka Cibulová Vokatá.Všechny díly podcastu Máme rádi zvířata můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Nhà soạn nhạc người Ý Antonio Vivaldi không phải là kẻ si tình duy nhất trao trọn trái tin cho Nàng Xuân. Bản Symphonie số 1 của nhạc sĩ người Đức Robert Schumann cũng mang tên Xuân. Trong sự nghiệp ngắn ngủi, nhạc sĩ dương cầm Mendelssohn đã để lại cho hậu thế khúc Xuân Ca. Vũ điệu mùa Xuân của tác giả người Pháp Debussy là sự vui tươi trong một ngày mới. Nhịp điệu dồn dập, thôi thúc trong Lễ Đăng Quang Mùa Xuân của Stravinsky hừng hực nhựa sống. Ý xuân trong những khúc xuân caNhưng đâu cần phải mang tên Xuân mới là là hơi thở mùa xuân. Nhạc phẩm Die Moldau mang tên con sông Vltava chảy qua thành phố Praha, Tiệp Khắc đã trở một trong những biểu tượng lớn nhất của Mùa Xuân nhờ nhà soạn nhạc Bedrich Smetana (1824-1881).Vlatava là con sông dài nhất, hơn 430 km, của Tiệp Khắc và dưới thời kỳ còn bị vương quốc Áo đô hộ, con sông được biết đến nhiều hơn dưới tên gọi là dòng Die Moldau. Nhạc sĩ Smetana năm 1874, trên đỉnh cao danh vọng, đã mang hết bầu nhiệt huyết để soạn một tuyển tập nhạc gồm 6 bản, mà trong đó Die Moldau được biết đến nhiều hơn cả. Khúc nhạc này nổi tiếng nhờ giai điệu du dương, bay bổng nhẹ nhàng với một vài nốt nhạc dễ nghe, dễ nhớ. Dường như giai điệu ấy bắt nguồn từ một bài hát dân gian, đậm tình dân tộc của người dân sứ Tiệp. Nhưng không chỉ có thế. Trong tác phẩm này Smetana thả bước theo hai dòng suối nhỏ ở thượng nguồn sâu thẳm trong vùng Bohemia : hai mạch nước quấn vào nhau thành một con sông nấp mình trong rừng sâu, đem nước sống tưới mát đồng cỏ, làng quê, vươn ra đến thành phố trước khi hòa nhập vào với con sông lớn Elbe … Trong suốt hành trình đó, có tiếng suối reo, có đám cưới đồng quê, có ánh trăng vàng… Nước có lúc hiền hoà, khi thì cuồng nhiệt siết chảy như như thác đổ …Khát vọng tự doNhạc sĩ Bedrich Smetana sinh ra trong một gia đình đông con tại thị trấn Litomysl vùng Bohemia Tiệp Khắc. Là một người có tinh thần yêu nước cao, ông sớm sáng tác những khúc quân ca, hòa mình với cuộc nổi dậy năm 1848 bùng lên tại Praha. … Smetana cũng đã trải qua một thời gian dài ở Thụy Điển trước khi về điều hành trường nhạc và một nhà hát ở thủ đô Tiệp Khắc… Từ thập niên 1860 ông ấp ủ dự án sáng tác một tập nhạc với những bài ca yêu nước. Năm 1874 ông bắt đầu soạn tuyển tập lấy tên là Ma Vlast, Tổ Quốc Tôi. Trong nhạc phẩm Die Moldau Smetana mượn hình ảnh con sông hiền hòa để nói lên khát vọng tự do của cả một dân tộc. Cũng chính vì thế mà bản nhạc này luôn đồng hành với người dân Tiệp Khắc trong mỗi cuộc đấu tranh : Thập niên 1940, Die Moldau là biểu tượng kháng chiến của người dân Tiệp chống Đức Quốc Xã. Nhạc phẩm này hành với phong trào nổi dậy Mùa Xuân Praha năm 1968 chống lại bàn tay sắt của Liên Xô. Cũng ca khúc này trở thành biểu tượng của cuộc Cánh Mạng Nhung 1989 lật đổ chế độ Cộng Sản.Từ năm 1946 bản Die Moldau luôn là tác phẩm đầu tiên trỗi lên vào mỗi lễ hội âm nhạc Festival Mùa Xuân Praha, được tổ chức đúng ngày giỗ nhạc sĩ Bedrich Smetana 12 tháng 5 hàng năm. Tháng 5 ở Tiệp vẫn còn là mùa xuân…Vỗ cánh chim bayChim hót trên cành hay con chim rời tổ cũng là biểu tượng của mùa xuân. Phải chăng vì thế mà nhạc phẩm ít được biết đến The Lark Ascending của nhà soạn nhạc người Anh Raph Vaughan Williams (1872-1958) được xem là một trong những khúc xuân ca độc đáo nhất. Đến với tác phẩm này, ta không khỏi nghĩ đến bài thơ của Huy Cận được sáng tác năm 1964 : « Con chim chiền chiệnBay vút, vút caoLòng đầy yêu mếnKhúc hát ngọt ngào  (…)Con chim chiền chiện,Hồn xanh quê nhàSáng nay lại hót,Tưng bừng lòng ta » Được xem là một trong những nhà soạn nhạc có ảnh hưởng lớn nhất của Anh Quốc ở nửa đầu thế kỷ XX, Raph Vaughan Williams lấy nguồn cảm hứng từ hình cảnh con chim rời tổ, tự do bay lượn, ca hát trên trời cao khi ông sáng tác bản concerto The Lark Ascending. Tiếng vĩ cầm ở đây thánh thót như tiếng chim, « vút, vút cao » để một ngày nào nó « tung cánh chim tìm về tổ ấm »  …Bảo Giao hưởng Đồng quê Bức họa đồng quê, cảnh sông nước hữu tình, tiếng chim hót… cũng gợi lên hình ảnh mùa xuân trong lòng nhạc sĩ Beethoven (1770-1827) khi ông soạn bản Giao Hưởng Đồng Quê -La Symphonie Pastorale. Đây là bản giao hưởng số 6, được soạn cùng lúc với bản Symphonie số 5 mà chính tác giả đã gọi là bản Giao Hưởng của Định Mệnh. Beethoven trong vai nhạc trưởng đã điều khiển dàn nhạc suốt hơn 4 giờ đồng hồ trong đêm 22/12/1808. Một chương trình quá dài khiến cả hai bản giao hưởng rất nổi tiếng của ông đã bị nhiều tiếng chê bai. Khán giả thành Vienne khi đó hoàn toàn lạnh nhạt với hai trong số 9 bản symphonie mang tên Beethoven.Trở lại với bản Giao Hưởng Đồng Quê : khác với thường lệ đây là một bản Symphonie gồm đến 5 phần, ngay từ khuông nhạc đầu teien, tác giả đã đưa người nghe bước vào một khung trời bình yên, nơi có nắng ấm. nhạc phẩm này như một bức họa đồng quê : ta trông thấy Beethoven thả bước trên những cánh đồng, hương cỏ và những nụ hoa chớm nở chào đón khách bộ hành.Những con lạch tưới mát ruộng đồng, những bầy sơn ca, họa mi, chim sáo hòa vang tiếng hót.. Những đôi trai gái cười vui dưới bóng hàng cây ...  Rồi những hạt mưa xuân, giông tố, chim muông thu mình vào tổ.. .. những hạt mưa nhẹ dần, những mầm cây đâm trồi nẩy lộc … 

Nhà soạn nhạc người Ý Antonio Vivaldi không phải là kẻ si tình duy nhất trao trọn trái tin cho Nàng Xuân. Bản Symphonie số 1 của nhạc sĩ người Đức Robert Schumann cũng mang tên Xuân. Trong sự nghiệp ngắn ngủi, nhạc sĩ dương cầm Mendelssohn đã để lại cho hậu thế khúc Xuân Ca. Vũ điệu mùa Xuân của tác giả người Pháp Debussy là sự vui tươi trong một ngày mới. Nhịp điệu dồn dập, thôi thúc trong Lễ Đăng Quang Mùa Xuân của Stravinsky hừng hực nhựa sống. Ý xuân trong những khúc xuân caNhưng đâu cần phải mang tên Xuân mới là là hơi thở mùa xuân. Nhạc phẩm Die Moldau mang tên con sông Vltava chảy qua thành phố Praha, Tiệp Khắc đã trở một trong những biểu tượng lớn nhất của Mùa Xuân nhờ nhà soạn nhạc Bedrich Smetana (1824-1881).Vlatava là con sông dài nhất, hơn 430 km, của Tiệp Khắc và dưới thời kỳ còn bị vương quốc Áo đô hộ, con sông được biết đến nhiều hơn dưới tên gọi là dòng Die Moldau. Nhạc sĩ Smetana năm 1874, trên đỉnh cao danh vọng, đã mang hết bầu nhiệt huyết để soạn một tuyển tập nhạc gồm 6 bản, mà trong đó Die Moldau được biết đến nhiều hơn cả. Khúc nhạc này nổi tiếng nhờ giai điệu du dương, bay bổng nhẹ nhàng với một vài nốt nhạc dễ nghe, dễ nhớ. Dường như giai điệu ấy bắt nguồn từ một bài hát dân gian, đậm tình dân tộc của người dân sứ Tiệp. Nhưng không chỉ có thế. Trong tác phẩm này Smetana thả bước theo hai dòng suối nhỏ ở thượng nguồn sâu thẳm trong vùng Bohemia : hai mạch nước quấn vào nhau thành một con sông nấp mình trong rừng sâu, đem nước sống tưới mát đồng cỏ, làng quê, vươn ra đến thành phố trước khi hòa nhập vào với con sông lớn Elbe … Trong suốt hành trình đó, có tiếng suối reo, có đám cưới đồng quê, có ánh trăng vàng… Nước có lúc hiền hoà, khi thì cuồng nhiệt siết chảy như như thác đổ …Khát vọng tự doNhạc sĩ Bedrich Smetana sinh ra trong một gia đình đông con tại thị trấn Litomysl vùng Bohemia Tiệp Khắc. Là một người có tinh thần yêu nước cao, ông sớm sáng tác những khúc quân ca, hòa mình với cuộc nổi dậy năm 1848 bùng lên tại Praha. … Smetana cũng đã trải qua một thời gian dài ở Thụy Điển trước khi về điều hành trường nhạc và một nhà hát ở thủ đô Tiệp Khắc… Từ thập niên 1860 ông ấp ủ dự án sáng tác một tập nhạc với những bài ca yêu nước. Năm 1874 ông bắt đầu soạn tuyển tập lấy tên là Ma Vlast, Tổ Quốc Tôi. Trong nhạc phẩm Die Moldau Smetana mượn hình ảnh con sông hiền hòa để nói lên khát vọng tự do của cả một dân tộc. Cũng chính vì thế mà bản nhạc này luôn đồng hành với người dân Tiệp Khắc trong mỗi cuộc đấu tranh : Thập niên 1940, Die Moldau là biểu tượng kháng chiến của người dân Tiệp chống Đức Quốc Xã. Nhạc phẩm này hành với phong trào nổi dậy Mùa Xuân Praha năm 1968 chống lại bàn tay sắt của Liên Xô. Cũng ca khúc này trở thành biểu tượng của cuộc Cánh Mạng Nhung 1989 lật đổ chế độ Cộng Sản.Từ năm 1946 bản Die Moldau luôn là tác phẩm đầu tiên trỗi lên vào mỗi lễ hội âm nhạc Festival Mùa Xuân Praha, được tổ chức đúng ngày giỗ nhạc sĩ Bedrich Smetana 12 tháng 5 hàng năm. Tháng 5 ở Tiệp vẫn còn là mùa xuân…Vỗ cánh chim bayChim hót trên cành hay con chim rời tổ cũng là biểu tượng của mùa xuân. Phải chăng vì thế mà nhạc phẩm ít được biết đến The Lark Ascending của nhà soạn nhạc người Anh Raph Vaughan Williams (1872-1958) được xem là một trong những khúc xuân ca độc đáo nhất. Đến với tác phẩm này, ta không khỏi nghĩ đến bài thơ của Huy Cận được sáng tác năm 1964 : « Con chim chiền chiệnBay vút, vút caoLòng đầy yêu mếnKhúc hát ngọt ngào  (…)Con chim chiền chiện,Hồn xanh quê nhàSáng nay lại hót,Tưng bừng lòng ta » Được xem là một trong những nhà soạn nhạc có ảnh hưởng lớn nhất của Anh Quốc ở nửa đầu thế kỷ XX, Raph Vaughan Williams lấy nguồn cảm hứng từ hình cảnh con chim rời tổ, tự do bay lượn, ca hát trên trời cao khi ông sáng tác bản concerto The Lark Ascending. Tiếng vĩ cầm ở đây thánh thót như tiếng chim, « vút, vút cao » để một ngày nào nó « tung cánh chim tìm về tổ ấm »  …Bảo Giao hưởng Đồng quê Bức họa đồng quê, cảnh sông nước hữu tình, tiếng chim hót… cũng gợi lên hình ảnh mùa xuân trong lòng nhạc sĩ Beethoven (1770-1827) khi ông soạn bản Giao Hưởng Đồng Quê -La Symphonie Pastorale. Đây là bản giao hưởng số 6, được soạn cùng lúc với bản Symphonie số 5 mà chính tác giả đã gọi là bản Giao Hưởng của Định Mệnh. Beethoven trong vai nhạc trưởng đã điều khiển dàn nhạc suốt hơn 4 giờ đồng hồ trong đêm 22/12/1808. Một chương trình quá dài khiến cả hai bản giao hưởng rất nổi tiếng của ông đã bị nhiều tiếng chê bai. Khán giả thành Vienne khi đó hoàn toàn lạnh nhạt với hai trong số 9 bản symphonie mang tên Beethoven.Trở lại với bản Giao Hưởng Đồng Quê : khác với thường lệ đây là một bản Symphonie gồm đến 5 phần, ngay từ khuông nhạc đầu teien, tác giả đã đưa người nghe bước vào một khung trời bình yên, nơi có nắng ấm. nhạc phẩm này như một bức họa đồng quê : ta trông thấy Beethoven thả bước trên những cánh đồng, hương cỏ và những nụ hoa chớm nở chào đón khách bộ hành.Những con lạch tưới mát ruộng đồng, những bầy sơn ca, họa mi, chim sáo hòa vang tiếng hót.. Những đôi trai gái cười vui dưới bóng hàng cây ...  Rồi những hạt mưa xuân, giông tố, chim muông thu mình vào tổ.. .. những hạt mưa nhẹ dần, những mầm cây đâm trồi nẩy lộc … 

Na dotazy posluchačů odpovídá Lucie Míková z Veterinární kliniky Vltava v Českých Budějovicích. Moderuje Jitka Cibulová Vokatá.Všechny díly podcastu Máme rádi zvířata můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Vltava dnes večer uvede premiéru nové rozhlasové hry, ve které hraje hlavní roli spásonosné i zhoubné radium. Autorka hry Zářivé dítě Eva Blechová v ní pojednala příběh vzestupu a pádu chemického prvku radium. Téma ale nechtěla uchopit jako tradiční životopisné drama o jeho objevitelce Marii Curie. Jak dilema řeší?Všechny díly podcastu Mozaika můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Na Rok hudby oslavující mimo jiné i dvousté narození Bedřicha Smetany symbolicky navázal projekt Národního památkového úřadu Vltava slavná & splavná. Cílem je nejen upozornit na 150 let od jejího uvedení, ale hlavně vyzdvihnout význam řeky jako národního symbolu a kulturní cesty v přírodních, kulturních, společenských a hospodářských souvislostech. Co všechno pro nás Vltava znamená? Hudebník Jiří Hlaváč se zamyslí i nad novou verzí slovenské hymny a nad sílou fotografie.

Na Rok hudby oslavující mimo jiné i dvousté narození Bedřicha Smetany symbolicky navázal projekt Národního památkového úřadu Vltava slavná & splavná. Cílem je nejen upozornit na 150 let od jejího uvedení, ale hlavně vyzdvihnout význam řeky jako národního symbolu a kulturní cesty v přírodních, kulturních, společenských a hospodářských souvislostech. Co všechno pro nás Vltava znamená? Hudebník Jiří Hlaváč se zamyslí i nad novou verzí slovenské hymny a nad sílou fotografie.Všechny díly podcastu Jak to vidí... můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Brněnský patriot Jiří Hlavenka je byznysovým průkopníkem hned v několika úrovních: jeho internetový obchod Vltava.cz byl jedním z prvních velkých e-shopů v Česku, stál s Oliverem Dlouhým u vzniku Kiwi.com a na jeho prodeji vydělal přes 1,5 miliardy korun, patří k vyhledávaným startupovým investorům a drží – buď sám, nebo přes spřízněné fondy – podíly ve firmách jako Fabini, Retino či Grizly. A patří také k výrazným tvářím Pirátů nejen na jižní Moravě. V podcastu Money Maker hovořil o Donaldu Trumpovi a věku sobectví, který přichází, o inspiraci Taiwanem, o svých podnikatelských začátcích, o rozjezdu e-commerce v Česku, o Kiwi.com či o malých modulárních reaktorech. Poslechněte si celý podcast! 0:00:00 Začínáme 0:01:22 Éra nacionalismu a protekcionismu 0:04:25 Draghiho zpráva 00:09:03 Příklon ke konzervatismu a cesta pro EU 00:11:40 „Tchajwanci jsou extrémní sobci“ 00:18:10 Jaderná energetika: Proč Hlavenka nevěří v modulární reaktory? 00:26:16 AI a její dopad na byznys, práci, limity AI 00:36:45 Politické spektrum Jiřího Hlavenky 00:49:51 „Lepší být Dánsko než Turecko.” Hlavenkovo pojetí kapitalismu 00:56:08 Jak se Jiří Hlavenka angažuje na startupové scéně? 00:59:25 Vltava.cz jako český Amazon 1:04:57 Kiwi.com 1:08:30 Proč neplánuje koupit fotbalový klub 1:10:00 Další plány – hardware? 1:14:23 Největší hobby? Motýli

Na dotazy posluchačů odpovídá Lucie Míková z Veterinární kliniky Vltava v Českých Budějovicích. Moderuje Jitka Cibulová Vokatá.Všechny díly podcastu Máme rádi zvířata můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Začal nový rok a Český rozhlas Vltava chystá celou řadu novinek. Historické povídky, premiéry rozhlasových her a četeb, publicistické série, hudební pořady a přenosy, ale třeba i oslavy různých výročí. Jaké konkrétní tituly můžeme očekávat a co je třeba už nyní možné ladit na vltavských vlnách přibližuje šéfredaktorka Vltavy Jaroslava Haladová.Všechny díly podcastu Mozaika můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Vltava připravuje adaptaci Čapkova románu Krakatit. Není ale sama, kdo právě tímto dílem hodlá uctít odkaz tohoto meziválečného autora. U příležitosti 135. výročí Čapkových narozenin má dnes ve Vršovickém divadle MANA premiéru stejnojmenná inscenace, jejíž scénář napsala dramaturgyně Věra Mašková. Všechny díly podcastu Mozaika můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Začal nový rok a Český rozhlas Vltava chystá celou řadu novinek. Historické povídky, premiéry rozhlasových her a četeb, publicistické série, hudební pořady a přenosy, ale třeba i oslavy různých výročí. Jaké konkrétní tituly můžeme očekávat a co je třeba už nyní možné ladit na vltavských vlnách přibližuje šéfredaktorka Vltavy Jaroslava Haladová.

Vltava připravuje adaptaci Čapkova románu Krakatit. Není ale sama, kdo právě tímto dílem hodlá uctít odkaz tohoto meziválečného autora. U příležitosti 135. výročí Čapkových narozenin má dnes ve Vršovickém divadle MANA premiéru stejnojmenná inscenace, jejíž scénář napsala dramaturgyně Věra Mašková.

Novinář a komentátor Českého rozhlasu Luboš Palata je také autorem románu Elbe: Velká řeka. Když přemýšlí o Bedřichovi Smetanovi a symfonické básni Vltava, říká, že se vlastně diví, proč si skladatel nevybral Labe. „Polabí je srdce Čech, oblast, kde čeština zněla vždy, kde byla nejméně namíchaná s Němčinou, a to i v těch pro nás nejtěžších obdobích,“ říká.Všechny díly podcastu Hovory můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Bedrich Smetana - Ma Vlast (My Country): Vltava (The Moldau)Polish National Radio Symphony Orchestra Antoni Wit, conductorMore info about today's track: Naxos 8.550931Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Petr Borkovec (1970) je český básník, publicista a překladatel. Absolvoval Gymnázium Jana Keplera v Praze a poté studoval bohemistiku na Filozofické fakultě UK (1989–95), kterou nedokončil. Dlouho pracoval jako dramaturg Café Fra, dnes ještě stále rediguje knihy pro stejnojmenné nakladatelství. Pravidelně píše do řady periodik (Fraktál, A2, Host, Full Moon, iLiteratura…) a přispívá také na rozhlasovou stanici Vltava. Na Literární Akademii v Praze vede dílnu poezie.

Petr Borkovec (1970) je český básník, publicista a překladatel. Absolvoval Gymnázium Jana Keplera v Praze a poté studoval bohemistiku na Filozofické fakultě UK (1989–95), kterou nedokončil. Dlouho pracoval jako dramaturg Café Fra, dnes ještě stále rediguje knihy pro stejnojmenné nakladatelství. Pravidelně píše do řady periodik (Fraktál, A2, Host, Full Moon, iLiteratura…) a přispívá také na rozhlasovou stanici Vltava. Na Literární Akademii v Praze vede dílnu poezie.Všechny díly podcastu Mozaika můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

V Česku jsou povodně, nejhorší je situace v Moravskoslezském a kraji a na severu Olomouckého, problémy hlásí také jižní Čechy. „Povodňová situace bude skoro na všech tocích kromě západních Čech. Přehrady ale mají kapacitu. Vltava to zvládá dobře, stejně jako Labe. Řešíme ochranu soutoku Svratky a Svitavy a jihu Brna, upouštíme z Vranovské přehrady,“ popisuje ve Speciálu Plusu a Radiožurnálu ministr životního prostředí a šéf Ústřední povodňové komise Petr Hladík (KDU-ČSL).

Vltava in Prague safe for swimming, says expert; Jiří Bubeníček's ballet masterclasses in Český Krumlov attract young dancers from around the world; Red tape: Rosamund Johnston digs into Czechoslovak Radio under communism

Podobně jako Vltava má americká řeka Shenandoah dvě větve, které se po čase spojí v jeden tok a vyústí do řeky Potomac protékající Washingtonem. Shenandoah je také oblíbeným cílem milovníků vodáctví. Pravidelně se ji vydávají sjíždět i čeští a slovenští sokolové.

Podobně jako Vltava má americká řeka Shenandoah dvě větve, které se po čase spojí v jeden tok a vyústí do řeky Potomac protékající Washingtonem. Shenandoah je také oblíbeným cílem milovníků vodáctví. Pravidelně se ji vydávají sjíždět i čeští a slovenští sokolové.Všechny díly podcastu Zápisník zahraničních zpravodajů můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Vltava Run is a 377 kilometer running race between Zadov and Prague. It's probably the most beautiful race I ever ran but on the other hand also the hardest one. Not only will I give you my thoughts on the 3 of the 36 sections I ran, but you will get some advice if you intend to run the race in future.

This Day in Legal History: Corporations Are “Persons” Under 14th AmendmentOn May 10, 1886, the U.S. Supreme Court delivered a landmark decision in the case of Santa Clara County v. Southern Pacific Railroad Company, fundamentally altering the legal landscape for corporations in the United States. This ruling established that corporations were to be considered "persons" under the Fourteenth Amendment and were thus entitled to equal protection rights under state law. The decision arose from a dispute involving Santa Clara County and the Southern Pacific Railroad, which contested certain tax assessments on the grounds that they were discriminatory against the corporation.The Supreme Court, without directly addressing the issue in the oral argument or written opinion, allowed the notion that corporations were persons for the purpose of the Fourteenth Amendment to stand, based on a headnote by the court reporter, which was not part of the official opinion. This headnote indicated that the Chief Justice had acknowledged corporate personhood in relation to the amendment during the proceedings. Although it did not form part of the decision, this assertion guided future interpretations of corporate rights in the U.S.As a result, the ruling provided corporations with expanded protections that had originally been intended to protect the rights of former slaves. Over time, this interpretation has been used to defend corporations in various legal battles, granting them rights comparable to those of individual citizens in many respects. This includes the right to a trial by jury, the right to protection from unreasonable searches and seizures, and the right to free speech.The implications of the Santa Clara decision have been far-reaching and controversial. Critics argue that it has led to an excessive amount of power being held by corporations, influencing political processes and public policy disproportionately. Supporters, however, see the ruling as essential for ensuring that businesses can operate on a level playing field, free from unfair government interference.The Santa Clara case remains a pivotal point in legal history, frequently cited in discussions about the balance between corporate power and public control. It opened the door to subsequent legal challenges and rulings that continue to shape the interaction between corporations, individuals, and the government in the United States. The ongoing debates surrounding corporate influence in politics and society trace back to this seminal Supreme Court decision, underscoring its significance in American legal history.The Biden administration is considering a proposal by Knowledge Ecology International (KEI) and other groups to use U.S. Code § 1498 to seize patents for the cancer drug Xtandi, manufactured by Astellas Pharma, without paying royalties. This move, aimed at reducing the drug's cost, represents a more aggressive stance toward pharmaceutical pricing, leveraging the government's legal abilities to override private patents under specific conditions. Xtandi, costing over $14,000 monthly for uninsured patients, has been a focal point in debates over drug prices. The proposal suggests that because Xtandi was developed with government grants, existing laws provide a mechanism for the government to authorize generic production without compensating the patent holder. Critics, including former US Patent and Trademark Office head Andrei Iancu, argue that this interpretation distorts patent laws and undermines the Hatch-Waxman Act, which regulates drug patent exclusivities and generic entry. Despite skepticism about the administration adopting this aggressive approach, proponents see it as a viable strategy to control drug prices and alter pharmaceutical company behaviors without the need for compensation, sparking a significant legal and ethical debate on the extent of government intervention in private industry.Cancer Drug Price-Cutting Pitch Mulled by HHS as Industry WaitsThe Biden administration and several civil rights groups, including the ACLU, have filed lawsuits against the state of Iowa to challenge a new law, S.F. 2340, which authorizes the arrest and prosecution of individuals who re-enter the U.S. after deportation. The law, signed by Iowa Governor Kim Reynolds, makes "illegal reentry" into Iowa a criminal offense punishable by up to two years in prison and permits state judges to order deported individuals to return to their home countries. Both the federal government and civil rights organizations argue that this state law unlawfully conflicts with federal immigration law and its established procedures for handling illegal entries and deportations. This Iowa law also fails to exempt individuals with legal status in the U.S., such as asylum seekers and visa holders. This move by Iowa reflects a broader trend among Republican-led states, influenced by similar laws in Texas and recently Oklahoma, aiming to enforce immigration laws due to perceived inaction by the federal government on illegal border crossings. A U.S. appeals court recently blocked a similar law in Texas, citing its inconsistency with federal jurisdiction over immigration matters.Biden administration, civil groups sue Iowa over immigrant arrest law | ReutersElon Musk may be required to provide additional testimony in the SEC's investigation into his $44 billion acquisition of Twitter. During a court hearing in San Francisco, U.S. District Judge Jacqueline Scott Corley considered the SEC's request to compel Musk to testify, following another judge's earlier ruling in favor of the agency. The SEC is investigating whether Musk violated federal securities laws during his 2022 purchase of Twitter, now renamed X, particularly concerning his stock purchases and related public statements and filings. Musk had previously participated in the investigation via two videoconference sessions and had provided documents. His legal representation argued that further testimony would impose an undue burden on him, given his responsibilities to multiple companies. The judge questioned the argument that Musk's busy schedule should exempt him from compliance with securities laws. This legal battle is part of an ongoing feud between Musk and the SEC that dates back to a 2018 incident where Musk tweeted about having funding secured to take Tesla private.Elon Musk may be compelled to testify again in SEC's Twitter takeover probe | ReutersThe American Bar Association (ABA) is considering endorsing alternative pathways to lawyer licensing that do not involve passing the traditional bar exam, signaling a significant shift from its longstanding pro-exam stance. This reconsideration is spurred by a task force formed to evaluate the ABA's existing policies, which since 1921 have primarily supported the bar exam as a requisite for legal practice. The draft policy, set for discussion on May 17, encourages states to develop diverse licensing methods. This change comes in response to actions by states like Oregon and Washington, which have already implemented alternatives such as apprenticeships and skills coursework to bypass the bar exam. The ABA's move aligns with efforts to address racial and socioeconomic disparities in bar exam pass rates, which show significantly lower success rates among minority test takers. The National Conference of Bar Examiners acknowledges the ABA's new direction as it prepares to launch a revised bar exam in 2026, highlighting the ongoing evolution in standards for entering the legal profession.Bar exam alternatives, long out of favor with ABA, make inroads | ReutersThe U.S. Federal Energy Regulatory Commission (FERC) is set to finalize two significant rules aimed at enhancing the planning and funding mechanisms for long-distance electric transmission lines. These rules are designed to facilitate the development of a more robust national power grid and address the increasing demand driven by renewable energy sources and electric vehicles. The first rule mandates regional grid planners to develop at least 20-year plans that consider a broad range of benefits, updating the less effective 2011 guidelines. The second rule potentially allows FERC to issue permits for transmission lines even if they are denied by states, focusing on national interest corridors identified by the Department of Energy.The proposed rules have sparked concerns regarding the traditional role of state regulators in siting and permitting transmission lines and the potential sidelining of competitive bidding processes, which some argue could increase costs and project delays. However, proponents argue that the new rules will facilitate much-needed investment in the transmission infrastructure necessary to meet future energy demands and reduce longstanding disparities in regional transmission capabilities. The discussion is also heavily centered around equitable cost allocation, aiming to distribute costs in alignment with the derived benefits, a topic that has historically been contentious and frequently litigated. These regulatory changes are occurring amidst broader administrative efforts to modernize and expand the U.S. electric grid to support a clean energy future.Transmission Rules to Back Planning of Long-Range Power LinesThis week's closing theme is by Bedřich Smetana.Bedřich Smetana, a towering figure in Czech music, stands as one of the pioneering composers of the 19th century, especially noted for his development of a distinctly Czech musical style. Born on March 2, 1824, in Litomyšl, now part of the Czech Republic, Smetana was a child prodigy in both violin and piano. He grew up immersed in a rich cultural atmosphere that fueled his passion for music, leading him to compose from an early age.His early career was marked by the struggle for recognition, balancing a desire to compose with the need to earn a living as a teacher and conductor. Despite these challenges, Smetana's nationalist spirit found expression in his music, which often incorporated Czech folk themes and stories. By the 1860s, he had established himself as a central figure in Prague's musical life, becoming the principal conductor of the Provisional Theatre, where he championed the cause of Czech music.Smetana's personal life, however, was fraught with tragedy. He suffered the loss of his beloved wife and some of his daughters, and later, he was struck with deafness. Yet, these personal hardships only deepened the emotional depth of his compositions. One of his most famous works, "Má vlast" ("My Country"), is a cycle of six symphonic poems that celebrates the Czech landscape, history, and legends.Among these poems, "Vltava" (known in German as "Die Moldau") is perhaps the most internationally celebrated. It beautifully captures the course of the Vltava River as it flows through the Bohemian countryside, underlining Smetana's mastery of orchestral color and melodic contour. This piece serves as a vivid sonic portrait of the Czech landscape, intertwining folk music with the river's thematic journey through the countryside.Today, as we conclude our week, we turn to this poignant piece from Bedřich Smetana's "Má vlast." Without further ado, "Vltava," or "The Moldau," from Bedřich Smetana's symphonic poems "Má vlast" or "My Country." Get full access to Minimum Competence - Daily Legal News Podcast at www.minimumcomp.com/subscribe

Esta semana en La Luz del misterio hemos viajado de la mano de Juan José Revenga al ancestral mito de la tierra hueca y las civilizaciones subterráneas. Son innumerables las historias, los mitos y las leyendas que se cuentan sobre ciudades subterráneas y civilizaciones intraterrestres, extendidas por todo el mundo gracias a una inmensa red de túneles interconectados en distintos puntos del planeta. Las evidencias sobre dichas ciudades subterráneas parecen ser muchas. No tenemos más que recordar los misteriosos relatos que giran en torno a la Cueva de los Tayos en Ecuador y sus galerías de túneles, o las historias sobre entradas a mundos subterráneos, supuestamente ubicadas en los Andes, el Himalaya, el Tíbet, el desierto de Gobi, Siberia o, incluso, bajo la propia Esfinge de Guiza. Más tarde el propio periodista Luis del Val nos habla de su encuentro con los fantasmas y el particular el fantasma de su abuela. Luego con la voz del programa narramos una de las leyendas más populares que nos trajimos de Praga, el Golem: un hombre de barro para salvar a los judíos. Según una leyenda, en el siglo XVI un rabino de Praga creó un hombre de barro, el gólem, para salvar a la comunidad judía de la ciudad. Rabbí Löw pidió ayuda a dos rabinos amigos y los tres hombres se dirigieron a la orilla del río Moldava (en checo, Vltava). Allí trazaron en el barro la forma de un hombre tumbado y dibujaron su rostro, piernas y brazos. Los dos rabinos amigos de Löw rodearon al gólem siete veces cada uno mientras recitaban ciertos encantamientos, tras lo cual la figura adquirió un tono rojizo, como si estuviera ardiendo. Cuando se enfrió, el mismo Löw lo rodeó siete veces mientras sostenía una Torá en sus manos. 30 años de emisión cumple La Luz del Misterio. Gracias por estar al otro lado del receptor y ayudarnos a dar luz al misterio. Vive el Misterio... En directo... Pasa, ponte cómodo y disfruta... From London Programa especial 30 aniversario de La Luz del Misterio Síguenos a través de: edenex.es ZTR Radio.online London Radio World En Ivoox Itunes Spotify YouTube Amazon Music Si deseas apoyarnos: https://www.ivoox.com/ajx-apoyar_i1_support_29070_1.html SI DESEAS SALUDARNOS DESDE CUALQUIER PUNTO DEL PLANETA PUEDES HACERLO A TRAVÉS DE NUESTRO WHATSAPP 00 44 7378 880037 Más información: laluzdelmisterioradio.blogspot.com laluzdelmisterio@gmail.com

In the story of Purim, Haman sent out proclamations across the world, sealed with the royal signet ring, ordering everyone to rise up against the Jewish people and kill them, men, women and children. The Jews gathered together, fasted, made teshuva and cried out to Hashem. One moment they were wearing sackcloth and crying bitter tears, facing complete annihilation. And then, suddenly, the king ordered Haman to be hanged. Mordechai was appointed into his position. And in an instant, everything turned around. The Jews went from mourning to celebrating. The salvations of Hashem are wondrous. One second it could look like a person is stuck with no way out and, a second later, Hashem opens His eyes and He finds the path. How fortunate we are to have Hashem who loves us so much and is ready and available to help us all the time. Amazing salvations take place every single day to thousands of people, we just don't hear about all of them. But when we do hear of how Hashem saves a person that seemingly was in a situation that seemed hopeless, it always gives us a lot of chizuk. Rabbi Elimelech Biderman told a story that was told to him directly by the man it happened to. Last year, this man leased a 50 suite, five-story hotel in Prague along the Vltava river for Pesach. He borrowed money to pay the rent which he planned to repay as he rented out the rooms in the hotel. As the hotel was getting booked up, a major problem was discovered. The person who leased him the hotel was a crook. He was not the owner, he was an imposter, and he took off with the money and there was no way of getting it back. The man called all the people who rented rooms and paid already, apologizing that he was scammed, and there was no hotel or trip. Naturally, they all demanded their money back. He explained he used it all to pay the rent and was left without any of it. He assured them that he would pay them back as soon as he could. The renters, thinking he kept the money for himself, were furious, calling him a thief. And they threatened to publicly humiliate and ruin his name. The word eventually got out and the humiliation was unbearable. A friend of this man wanted to help him, and so he arranged for him and his wife to go to South Africa for Pesach. No one would know him there, and he would be able to celebrate Pesach with peace and quiet. At that hotel, they met another Jewish couple from Israel and they both wondered why each of them had traveled so far for the holiday. On Chol HaMoed, the man was talking to the other man from Israel and they discussed what brought each of them there. The other man said he had been married for nine years without children. Every Yom Tov was a painful reminder of their situation. Pesach, in particular, was a time of heightened difficulty and humiliation for them. So that year they decided to spend Yom Tov somewhere where no one would know them. The first man then shared his troubles and revealed that he came there to escape the humiliation that he had been suffering. He added the following words, “Due to my shame, I understand that I have a power to give beracha. I give you my heartfelt wishes and blessings that you merit to have a child this year.” In response, the other man said, “I'm wealthy. If your blessing comes true, I will clear your debts.” Ten months later, this couple had a baby. And true to his word, he provided the necessary funds to clear the man's debts. Both of these individuals needed major salvations. Hashem brought them together on the other side of the world to make it happen. The yeshuot of Hashem are truly amazing.

Looming over the landscape and perched atop a steep promontory above the confluence of the Vltava and Otava rivers in the Czech Republic, is the magnificent castle called Zvíkov. Originally started as a rather small structure, over the centuries it was expanded to become the massive heavily fortified behemoth it is is now, and it is often called the “King of Czech Castles.”Surrounded by a sweeping vista as it is, and often listed as among the most beautiful castles in Europe, Zvikov is renowned as being an important early-gothic structure, as well as for its soaring towers and elaborate, extensive mural decorations in the Chapel of St. Wenceslaus, a structure which itself is a masterpieces of early-gothic Czech architecture.It is a popular tourist attraction in its native land, and it also has a long, often tumultuous history, as well as supernatural tales of a demonic imp.In this episode of the True Hauntings podcast we explore the corridors of this haunted Castle to find all types of spirits and even an imp that has been experienced within Zvikov. We had the chance to explore this place when we visited Germany and Czech Republic with Dave Schrader and Mysterious Adventures last year and this place is unreal.So much beauty and bloodshed in one place!ANNOUNCING OUR NEW ENGLAND AND SALEM TOUR THIS OCTOBERWould you like to go to Salem and New England this Halloween on a fully escorted tour with Anne and Renata - Frightfully Good and Neil Storey Historian and Storyteller to enjoy Halloween, Ghosts, Witches and Vampires!Check out our upcoming 10 DAY tour with Mysterious Adventures - your links for further details are in the event.https://fb.me/e/4gyeq4CziLOVE OUR WORK?Consider supporting our work by buying us a "cup of coffee" https://www.buymeacoffee.com/anneandrenataORbecome a Grand Poobah Patreon supporter, and join our inner circle of craziness!https://www.patreon.com/anneandrenataJoin us on our Facebook page - https://www.facebook.com/TrueHauntingsPodcastP.S. If you want more Anne and Renata - catch our PODCAST - Diary of a Ghost Hunter on all the best streaming platforms to find out what our life as female ghost hunters is really like (no Bullsh*t).NOW we also have SERIOUSLY WEIRD on our YouTube Channel just because we LOVE story telling and who doesn't love a seriously weird spooky story!Please subscribe to our YouTube Channel as we are wanting to get more views and engagement and check out our travel videos Frightfully Good MisadventuresAlso Follow Anne and Renata:Facebook: @AnneAndRenataInstagram: @AnneAndRenataYouTube: @AnneAndRenataTikTok: @AnneAndRenata#anneandrenata #ghosts #hauntings #paranormalpodcast #frightfullygood #FrightfullyGood #HauntedHolidays #diaryofaghosthunter #poltergeist #ghostbusters #hauntedczechrepublic #hauntedeurope #hauntedcastleofeurope #zvikov #hauntedzvikovcastle #imp #hauntings #hauntedstories #frighteninghauntedcastle #apparitions #whiteladyghost Hosted on Acast. See acast.com/privacy for more information.

本篇選曲為Czech National Symphony Orchestra所演奏版本 作曲家：貝多伊齊·史麥塔納Bedřich Smetana

V južných Čechách, na miestach kde sa ešte úzka Vltava kľukatí a vytvára pod horami malebné meandre stojí krásne renesančné mesto. Od riečnych polostrovov stúpa starobylými uličkami, aby jeho celkovú siluetu korunoval impozantný zámok i rozsiahly kláštorný komplex. Český Krumlov dnes už asi nepotrebuje siahodlhé poetické úvody, je predsa jednou z hlavných položiek na zozname turistických atrakcií v Českej republike. Avšak priam zázračne nepôsobí len jeho uchovaná, takmer nedotknutá podoba, ktorá vás prenesie pár storočí späť do minulosti, ale i jeho príbeh. Český Krumlov prežil niekoľko stavebných vzostupov, keď bol sídlom významných českých rodov - Rožmbergovcov či Schwarcenbergovcov, ale prekonal aj fázy, keď sa ocitol na okraji záujmu a takmer sa naň zabudlo. O to väčší zázrak je, že toto mesto sa prenieslo – rovnako ako Vltava vo svojom koryte – pomedzi prekážky, ktoré mu do cesty postavilo aj dramatické 20. storočie. Vari najlepším príkladom je spomínaný kláštorný komplex minoritov, ktorý za posledné obdobie prešiel rozsiahlou obnovou a dnes je vyhľadávanou atrakciou i strediskom kultúrneho života. Počúvate Dejiny, pravidelný podcast denníka SME. Moje meno je Jaro Valent, som šéfredaktor časopisu Historická revue. A o Českom Krumlove i o jeho obnove sa budem rozprávať s historikom umenia Ivom Janouškom, kurátorom Kláštorov v Českom Krumlove. – Podporte podcasty denníka SME kúpou prémiového predplatného a užívajte si podcasty bez reklamy na webe SME.sk alebo v mobilnej aplikácii SME.sk. Prémiové predplatné si kúpite na ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠predplatne.sme.sk/podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ _ Ak máte pre nás spätnú väzbu, odkaz alebo nápad, napíšte nám na ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠jaroslav.valent@petitpress.sk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ – Všetky podcasty denníka SME nájdete na ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠sme.sk/podcasty⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ – Odoberajte aj denný newsletter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SME.sk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ s najdôležitejšími správami na ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠sme.sk/suhrnsme⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ – Ďakujeme, že počúvate podcast Dejiny.

Zvíkov Castle - a captivating symbol of Czech medieval history, stands proudly at the confluence of the Vltava and Otava rivers, embodying centuries of architectural brilliance and strategic significance. Its ancient walls, weathered by time and the echoes of historical conflicts, lend an eerie and haunted aura to this imposing fortress.   Discover more TERRIFYING podcasts at http://eeriecast.com/ Follow Carman Carrion!  https://www.facebook.com/carman.carrion.9/ https://www.instagram.com/carmancarrion/?hl=en https://twitter.com/CarmanCarrion Subscribe to Spotify! https://open.spotify.com/show/0uiX155WEJnN7QVRfo3aQY Please Review Us on iTunes! https://podcasts.apple.com/us/podcast/freaky-folklore/id1550361184 Music and sound effects used in the Destination Terror Podcast have or may have been provided/created by:  CO.AG: https://www.youtube.com/channel/UCcavSftXHgxLBWwLDm_bNvA Myuu: https://www.youtube.com/channel/UCiSKnkKCKAQVxMUWpZQobuQ Jinglepunks: https://jinglepunks.com/ Epidemic Sound: https://www.epidemicsound.com/ Kevin MacLeod: http://incompetech.com/ Dark Music: https://soundcloud.com/darknessprevailspodcast Soundstripe: https://app.soundstripe.com/ Learn more about your ad choices. Visit podcastchoices.com/adchoices