Podcasts about zuill bailey

Zuill Bailey and Jim Tevenan in conversation about many things, particularly Zuill's upcoming NW BachFest concerts

Jim Tevenan's conversation with SSO Music Director James Lowe and cellist Zuill Bailey

Zuill Bailey and Jim Tevenan in conversation

Jim Tevenan's conversation with cellists Zuill Bailey and John-Henry Crawford

Cellist Zuill Bailey created the Classical Music Inside Out series at Mesa Arts Center more than a decade ago and continues to curate the series.He...

Tim Hankewich is back to talk shop ahead of Orchestra Iowa's upcoming Masterworks show, “Silent Woods” featuring renowned cellist Zuill Bailey. A program in the making for the past four years, “Silent Woods” will take you on a journey with works from Dvorak, including his famous Cello Concerto, and Shostakovich. Saturday 3/23, 7:30pm at Paramount … Continue reading The post Culture Crawl 901 “There is Only Zuill” appeared first on Jazz 88.3 KCCK.

Zuill Bailey discusses the crossover string trio's return and chamber transcriptions of orchestral works

Classical crossover trio perform and chat alongside the NW BachFest artistic director

Synopsis On today's date in 2020, a new cello concerto by the American composer Ellen Taaffe Zwilich was given its premiere in Fort Lauderdale, by cellist Zuill Bailey the South Florida Symphony Orchestra conducted by Sebrina María Alfonso, the same performers who had commissioned the work. About the work, Ellen Taaffe Zwilich said, “A Cello Concerto is something that had been on my ‘composer's wish list' for a long time. One of the things I love about the cello is that it covers virtually the entire range of the human voice— I particularly like its evocation of the mezzo-soprano … I sometimes refer to string instruments as ‘singers on steroids,' because of the power they give to a composer to explore virtuosity as well as expressivity. My Cello Concerto engages both the lyrical, singing nature of the instrument and its technical possibilities.”Zwillich dedicated the new concerto to the memory of two legendary cellists, Leonard Rose and Mstislav Rostropovich. Following the premiere, Dennis D. Rooney of the Palm Beach Arts Paper wrote, "The concerto's three linked movements suggested a meditation on melodic gestures from the American vernacular. The blues hovered over the work allusively … Throughout, the mood was thoughtful but not elegiac.” Music Played in Today's Program Ellen Taaffe Zwilich (b. 1939) – Concerto for Cello and Orchestra (Zuill Bailey , vcl; Santa Rosa Symphony; Francesco Lecce-Chong, conductor.) Delos DE-3596

In our last episode for the year, we discover the benefits of music. Music is all around us, regulating our feelings and bringing good vibes when we need it. It allows us to feel all the emotions that we experience in our lives and recall fond memories. Listening to music can reduce anxiety, blood pressure, and pain, as well as improve sleep quality, mood, mental alertness, and boost energy. It can enhance brain activity and improve our health and well-being.We converse with renowned international music artist, Zuill Bailey. Bailey is a Grammy-Award-winning American Cellist, who has produced more than 30 chart-topping titles, performed at the Walt Disney Concert Hall, the Kennedy Center, and Carnegie Hall, to name a few. He is the Artistic Director of El Paso Pro-Musica and a Professor of Cello at the University of Texas at El Paso.This month's intermission segment, "Where Were You on August 3rd?" features the owner of Instruments of Healing and sound healing teacher, Cesar Lujan. Lujan gives us a personal account of the August 3, 2019 tragedy.

Tim Hankewich's birthday is Nov. 7, and as a part of Orchestra Iowa's 100th season, he is giving a rare performance on piano with his friend, world-renowned cellist, Zuill Bailey, as well as the Orchestra's Madeline Capistron, violin. They'll perform a program that Tim says is pretty challenging for a “recovering pianist,” including Chopin and … Continue reading The post Culture Crawl 771 “Recovering Pianist” appeared first on Jazz 88.3 KCCK.

Cellist Zuill Bailey, the curator of the Classical Music Inside Out series is at it again. We dive into the music, the 10th season, the community and...

After an illustrious 20 year career, the members of the San Francisco-based Cypress String Quartet decided to disband for good this past June. They still had one recording in the queue, however, and it's just been released on the Avie record label: The Brahms String Sextets Op.18 and Op.36, which were recorded in front of a live studio audience at Skywalker Sound. The group's cellist Jennifer Kloetzel joins us to preview that final album, which also features guest artists Barry Shiffman (viola) and Zuill Bailey (cello).

Uppläsare: Peter Andersson Första rad: Ser du hur hon lyser, människan Diktsamling: "Gamlandets lov" (Bonniers, 1987)Musik Ludwig van Beethoven: Första satsen ur Cellosonat nr 4 C-durExekutör Zuill Bailey, cello och Simone Dinnerstein, piano

Grammy Award-Winning cellist, Zuill Bailey is back to talk about the upcoming season of his Classical Music Inside Out Series with Mesa Arts Center...

Even amid a global pandemic, cellist Zuill Bailey has kept classical music education at the forefront of developments. In its tenth season, they are...

Gunalcheésh! Jamiann S'eiltin, an Alaskan Native, educates about indigenous lives in Alaska and the Angoon bombardment of 1882 - the affects of colonization on our peoples. Jamiann dives deep into the history of her people as well as her own struggles. We also talk on Canada and United States native children being recovered.   This year Jamiann, was a 2nd place contestant for the Fab Over 40 contest that supports the National Breast Cancer Foundation. Her goal was to have her story told in the New Beauty Magazine. Jamiann is soooo involved in many organizations like Alaska Native Sisterhood, Tlingit & Haida Community Council Member, National Native American Boarding School Healing Coalition Member, She has been on variety of radio appearances as well having her story on the CDC website for: Rx Awareness Real Stories: Jamiann's Story (cdc.gov)Song in Background: AIM Song - Free Leonard Peltier - YouTubeGet Involved, Educate, and Support!The National Native American Boarding School Healing CoalitionHow the US stole thousands of Native American children - YouTubeJohn Trudell - Descendant Now Ancestor - YouTubePhyllis Webstad Orange Shirt Day Presentation - YouTubeBoth Sides Ask Supreme Court to Decide Fate of Indian Child Welfare Act (imprintnews.org)Haa Tóoch Lichéesh Coaltion | We believe it is possible. (htlcoalition.org)About Us | Juneau Montessori SchoolThursday, September 30th: Orange Shirt Day observed in Juneau. The rebirth of Zuill Bailey's Bach Cello Suites. (ktoo.org)Army to begin returning the ‘unknowns' at Carlisle Indian Industrial School | Sovereignty (natiThis true-crime podcast of #MMIP, #LBGTQ2S, #BIPOC, #AAPI. I am dedicated to helping put information out to assist families in finding these lost loved ones. Here is the guest form if you are interested in telling their story.My contact number is +903-883-6103 or email: HandsOffMyPodcast@gmail.comhttps://handsoffmypodcast.wordpress.com/Support the show (https://www.buymeacoffee.com/JasmineCastillo)

Listen to four specially selected works from David's recordings, discussions about each work and, of course, all things six strings!Guest:David LeisnerAn extraordinarily versatile musician with a multi-faceted career as an electrifying performing artist, a distinguished composer, and a master teacher.“Among the finest guitarists of all time”, according to American Record Guide, David Leisner's career began auspiciously with top prizes in both the 1975 Toronto and 1981 Geneva International Guitar Competitions. His recent seasons have taken him around the US, including his solo debut with the Atlanta Symphony, a major tour of Australia and New Zealand, and debuts and reappearances in China, Japan, the Philippines, Germany, Hungary, Switzerland, Austria, Denmark, Sweden, Ireland, the U.K., Italy, Czech Republic, Greece, Puerto Rico and Mexico. An innovative three-concert series at Weill Recital Hall in Carnegie Hall included the first all-Bach guitar recital in New York's history, and currently he is the Artistic Director of Guitar Plus, a New York series devoted to chamber music with the guitar. He has also performed chamber music at the Santa Fe, Music in the Vineyards, Vail Valley, Crested Butte, Rockport, Cape and Islands, Bargemusic, Bay Chamber, Maui, Portland, Sitka and Angel Fire Festivals, with Zuill Bailey, Tara O'Connor, Eugenia Zukerman, Kurt Ollmann, Lucy Shelton, Ida Kavafian, the St. Lawrence, Enso, Escher and Vermeer Quartets and many others. Celebrated for expanding the guitar repertoire, David Leisner has premiered works by many important composers, including David Del Tredici, Virgil Thomson, Ned Rorem, Philip Glass, Richard Rodney Bennett, Peter Sculthorpe, Osvaldo Golijov, Randall Woolf, Gordon Beeferman and Carlos Carillo, while championing the works of neglected 19th-century guitar composers J.K. Mertz and Wenzeslaus Matiegka.A featured recording artist for Azica Records, Leisner has released 9 highly acclaimed CDs, including the most recent, Arpeggione with cellist Zuill Bailey, and Facts of Life, featuring the premiere recordings of commissioned works by Del Tredici and Golijov. Naxos produced his recording of the Hovhaness Guitar Concerto with Gerard Schwarz and the Berlin Radio Orchestra. Other CDs include the Koch recording of Haydn Quartet in D with the Santa Fe Chamber Music Festival and Hovhaness Spirit of Trees for Telarc with harpist Yolanda Kondonassis. And Mel Bay Co. released a solo concert DVD called Classics and Discoveries. Mr. Leisner is also a highly respected composer noted for the emotional and dramatic power of his music. Fanfare magazine described it as “rich in invention and melody, emotionally direct, and beautiful”. South Florida Classical Review called him “an original and arresting compositional voice.” Recent commissioners include the Rob Nathanson for the New Music Festival at UNC Wilmington, Cavatina Duo, baritone Wolfgang Holzmair, Arc Duo, Stones River Chamber Players (TN), Fairfield Orchestra (CT), Red Cedar Chamber Music (IA), and the Twentieth Century Unlimited Series (NM). Recordings of his works are currently available on the Sony Classical, ABC, Dorian, Azica, Cedille, Centaur, Town Hall, Signum, Acoustic Music, Athena and Barking Dog labels. The Cavatina Duo's recording of his complete works for flute and guitar, Acrobats (Cedille) was released to exceptionally strong reviews. His compositions are mostly published by Merion Music/Theodore Presser Co., as well as AMP/G. Schirmer, Doberman-Yppan and Columbia Music.David Leisner has been a member of the guitar faculty at the Manhattan School of Music since 1993, and also taught at the New England Conservatory from 1980-2003. Primarily self-taught as both guitarist and composer, he briefly studied guitar with John Duarte, David Starobin and Angelo Gilardino and composition with Richard Winslow, Virgil Thomson, Charles Turner and David Del Tredici. His book, Playing with Ease: a healthy approach to guitar technique, published by Oxford University Press, has received extraordinary acclaim.Website: www.davidleisner.com

Shari Mason es una destacada violinista egresada de la Escuela Nacional de Música de la UNAM, con maestría de la Universidad de Indiana; fue premiada como la mejor intérprete de violín en 1993 en el Concurso Hermilo Novelo y en el certamen de solistas de la Filarmónica de la UNAM en 2003 Inició sus estudios musicales en la Escuela Nacional de Música de la UNAM a la edad de 3 años. Concluyó sus estudios de licenciatura en esa institución y en la Escuela Vida y Movimiento bajo la cátedra de Natalia Gvozdetskaya. Recientemente, concluyó la maestría en violín en la Escuela de Música Jacobs de la Universidad de Indiana, bajo la dirección de Henryk Kowalski. En 1993, obtuvo el primer lugar en el Concurso Nacional de Violín Hermilo Novelo, categoría A. En 2000, el segundo sitio en el concurso Mejor Intérprete de la Escuela Ollin Yoliztli, tercer lugar en la categoría D del Concurso Nacional de Violín Hermilo Novelo y segundo lugar en el Segundo Concurso Interno de Música de Cámara en la Escuela Nacional de Música. En 2003, participó como solista de la OFUNAM bajo la dirección de Zuohuang Chen, como ganadora del concurso Solistas de OFUNAM. En el 2008, fue finalista en el Concurso de Violín Primer Concierto de Prokofiev de la Escuela Jacobs. Se ha presentado como solista con las orquestas Filarmónica de la UNAM, Sinfónica de Minería, Sinfónica Carlos Chávez, Filarmónica de Querétaro, Sinfónica de Aguascalientes, Sinfónica de Yucatán, Filarmónica de Zacatecas y de Cámara de Bellas Artes. Ha tomado clases magistrales con Pinchas Zukerman, Joshua Bell, Nadja Salerno-Sonnenberg, Hyo Kang, Masao Kawasaki, Yael Weiss, el Ensamble Schubert, Michael Kugel, Richard Luby, Gerard Kantarjian, Micaela Comberti, Pamela Frank, Mihaela Martin y Lucy Robert, entre otros. Ha participado en diversos ensambles al lado de reconocidos músicos como Philippe Quint, Zuill Bailey, Max Mandel, Ani Aznavoorian y Bruno Monsaingeon, entre otros. Fue concertino de la Orquesta Filarmónica de Querétaro y actualmente es segundo concertino de la Orquesta Sinfónica Nacional y concertino de la Orquesta Sinfónica de Minería

Verne talks to Zuill Bailey and Eroica Trio's Sara Sant'Ambrogio about Bach, cello, trios, upcoming NW BachFest concerts, and more. Zuill Bailey performs Thursday, September 9, at 7PM at Barrister Winery. Eroice Trio performs September 13 and 14, at 7pm, also at Barrister Winery. For tickets and more information, please visit .

Verne talks to Zuill Bailey and Eroica Trio's Sara Sant'Ambrogio about Bach, cello, trios, upcoming NW BachFest concerts, and more. Zuill Bailey performs Thursday, September 9, at 7PM at Barrister Winery. Eroice Trio performs September 13 and 14, at 7pm, also at Barrister Winery. For tickets and more information, please visit .

Virtual theatre and music are on the NWAR menu this week as we hear from Whitworth University theatre professor Andy Christensen about an upcoming production, and NWBachfest artistic director Zuill Bailey on insights he has gained during the pandemic. Plus, Dan Webster tells us about a new classic detective tale from Netflix. NWAR, Thursday at noon on KPBX

Cellist and NWBachfest Artistic Director Zuill Bailey dropped by our KPBX studio for an in-person (!) chat with Jim Tevenan around the festival's latest offering, a virtual series called "Across the Miles."

Cellist and NWBachfest Artistic Director Zuill Bailey dropped by our KPBX studio for an in-person (!) chat with Jim Tevenan around the festival's latest offering, a virtual series called "Across the Miles."

durée : 01:57:39 - En pistes ! du mardi 22 octobre 2019 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au menu du jour : le Quatuor Hanson présente six quatuors de Haydn, le violoncelliste Zuill Bailey célèbre le dixième anniversaire du festival international de musique de Wimbledon, le Quatuor Béla et Noémi Boutin créent une oeuvre commune autour du compositeur franco-argentin Daniel D’Adamo... - réalisé par : Lionel Quantin

durée : 01:57:39 - En pistes ! du mardi 22 octobre 2019 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au menu du jour : le Quatuor Hanson présente six quatuors de Haydn, le violoncelliste Zuill Bailey célèbre le dixième anniversaire du festival international de musique de Wimbledon, le Quatuor Béla et Noémi Boutin créent une oeuvre commune autour du compositeur franco-argentin Daniel D’Adamo... - réalisé par : Lionel Quantin

Alistair Coleman is an award-winning and internationally recognized young composer from Washington, DC. Still a student at Juilliard, he is the youngest composer published by Schirmer, and his music is performed by renowned artists and orchestras like Zuill Bailey, and musicians from the National Symphony Orchestra and the Baltimore Symphony Orchestra. In this episode, I sit down with Alistair and talk about how composers write music. We discuss how geniuses like Mozart and Beethoven had such different writing processes, Stravinsky using headstands to "clear the mind" and Tchaikovsky walking for hours. He also shares some of his own music and how he composes.

For starters, this episode was recorded on Groundhog’s Day. Which is pretty perfect considering that this is the second time we’ve had the Cypress String Quartet on the show to talk about a “final” recording. Cypress cellist Jennifer Kloetzel swears that this really is the quartet’s final final recording and assures us that this is not just a clever publicity gimmick. (Although for the record, if it was, we would gladly play along.) Kloetzel tells us why, for their final final recording, the group went with a composer they’d never recorded before (Brahms), why they recorded the album live in front of a studio audience, and why they played as a sextet rather than a quartet. Also discussed: whether or not one has to have Jedi training to record at Skywalker Sound, and whether Jennifer and Zuill Bailey had a cello battle in the studio. All music in this episode from the Cypress String Quartet’s Brahms: String Sextets Op.18 and Op.36. Audio production by Todd “Marmot” Hulslander with shadow-siting by Dacia Clay and assistance from Mark DiClaudio.

After an illustrious 20 year career, the members of the San Francisco-based Cypress String Quartet  decided to disband for good this past June. They still had one recording in the queue, however, and it's just been released on the Avie record label: The Brahms String Sextets Op.18 and Op.36, which were recorded in front of a live studio audience at Skywalker Sound. The group's cellist Jennifer Kloetzel joins us to preview that final album, which also features guest artists Barry Shiffman (viola) and Zuill Bailey (cello).

From the Other Side of the Footlights with M.D. Ridge – The Virginia Symphony with Zuill Bailey

VIDEO: Zuill Bailey Plays Selections from Bach's Cello Suite No. 3"Playing Bach – and I don't jokingly say this – is like public therapy," said the cellist Zuill Bailey, just after finishing several movements from Bach's Cello Suites in the WQXR Café. "You're feeling unbelievable one moment and you're feeling very insecure in the next. "When you play Bach well, or you feel that it's going well, there is no greater feeling, because it's a completion of your work and your emotions." If the wavy-haired Bailey seemed to be particularly Zen-like on this steamy July morning, he believes it may have been an after-effect of his recent time in Alaska, where since 2011 he has been the artistic director of the Sitka Summer Music Festival. "Alaska is like Bach," Bailey noted. "It makes you feel grounded and complete. It's oxygen for the soul." Despite his relaxed manner, Bailey also an exceedingly busy artist with a wide-ranging resume. Among its highlights are nearly three-dozen recordings, from the big standard concertos (Dvorak, Elgar, Tchaikovsky) to an upcoming album pairing Bloch's Schlomo with Nico Muhly's Cello Concerto, of which he gave the U.S. premiere in 2013. The cellist frequently tries to pair well-known works with rarities in an effort to challenge audiences, albeit in modest doses. Bailey, who is based in El Paso, TX, travels with a 1693 Matteo Gofriller, an instrument formerly owned by Mischa Schneider of the Budapest String Quartet. He becomes effusive when describing the cello, which is noticeably large and features a rose carved on top under the fingerboard. "It has a very unique sound," said Bailey. "It's very broad and bass-y and yet has the singing ability to play solo lines up top as well." In our interview, attention eventually turned to Bailey's most unusual calling-card: his acting stint as a murderous cellist on the HBO prison series "Oz" between 1997 and 2003. Over a decade later, he believes it was important that he set the parameters of his character – who was imprisoned after stabbing a violinist with the endpin of his cello. "They had me saying really horrible things on the show," Bailey said of the original script. "I said, 'my audience would not understand that this is fake and they would see me as that person. And I can't be that person if I'm playing a performing cellist. So my dialogue was cut down to a bare minimum." Bailey also stipulated that he be able to choose his own music, which included bits of Bach and Paganini. Does Bailey have any more acting in his future? "I hope not," he said, laughing. "I love the idea of bringing the cello to new audiences but I'm not searching those things out." Video: Kim Nowacki; Audio: Edward Haber; Text & Production: Brian Wise; Interview: Naomi Lewin