Podcasts about bach cello suites

Mark Bernat is a double bassist currently living in Austin, Texas. His groundbreaking recording and edition of the Six Bach Cello Suites were driving forces that led to their wider adoption in the double bass world. Mark studied at Juilliard and is a former member of the Israel Philharmonic, the Jerusalem Symphony, and the Seattle Symphony. He has taught at the Oberlin Conservatory, the University of Texas at Austin, and Emory University. In Austin, he formed the all-volunteer Red River Ensemble, which aims to bring music into high-stress hospital environments.   We dig into Mark's background, how his approach to practicing Bach has changed over the years, the remarkable accomplishments of his daughter Nina, and much more. Enjoy, and be sure to check out Mark's latest recording of all six Bach Cello Suites on YouTube, Spotify, and Apple Music!   Image credit: Photon Corral Photography   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us: all things double bass double bass merch double bass sheet music   Thank you to our sponsor! Upton Bass - From Grammy Award winners and Philharmonic players like ME Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today! theme music by Eric Hochberg

Wired editor Chris Anderson came up with the idea of "the long tail" in 2004, suggesting that older books, music, and other creative works would continue to sell in small amounts, making enough money over time for these creators to survive. He was wrong. Very wrong. Help support The Next Track by making regular donations via Patreon (https://www.patreon.com/thenexttrack). We're ad-free and self-sustaining so your support is what keeps us going. Thanks! ‌Show notes: Chris Anderson, The Long Tail (https://www.wired.com/2004/10/tail/) (Wired) Darkside at Coachella (https://www.youtube.com/watch?v=LkktgOxDPJo) (unfortunately, the full video is no longer available; here's one song that's on YouTube) Very Seldom Casual, on uncertain.fm (https://www.uncertainfm.com/shows/vsc) Our next tracks: Yasunori Imamura: J.S. Bach: Cello Suites, Vol. 2 (https://amzn.to/4jK2uPm) Joe Strummer 002: The Mescaleros Years (https://amzn.to/4itNiVt) If you like the show, please subscribe in iTunes (https://itunes.apple.com/podcast/the-next-track/id1116242606) or your favorite podcast app, and please rate the podcast.

In this second part of our Hear the Dance journey into Jerome Robbins' A Suite of Dances, Cellist Hannah Holman joins host Silas Farley to provide a deep-dive introduction to the Bach Cello Suites that provide the ballet's exquisite score. As Holman explains, the music is a seminal work for every cellist, with complex challenges and varied delights throughout—all of which are complicated and enriched when performed onstage with the work's solo dancer. (42:48) Written by Silas Farley  Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky 6 Suites for Solo Cello: Prelude & Gigue from Suite 1 in G major, BMV 1007 Sarabande from Suite V in C minor, BMV 1011 Prelude from VI in D major, BMV 1012 by Johann Sebastian Bach Symphony No.4 in E Minor, op.98 (I. Allegro non troppo, II.Andante moderato, III. Allegro giocoso, IV. Allegro energico e passionato) by Johann Sebastian Bach All music performed by the New York City Ballet Orchestra, Yo-Yo Ma and Herbert von Karajan Reading List:  Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, By Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir Edited and with Commentary by Amanda Vaill Misha: The Mikhail Baryshnikov Story by Barbara Aria Illusions of Camelot: A Memoir by Peter Boal Bach: Music in the Castle of Heaven by John Eliot Gardiner

The New Yorker described cellist and composer Peter Gregson as “working at the forefront of the new music scene”. As a cellist, he has performed all over the world, from The Royal Albert Hall to Capitol Studios in Hollywood. He has composed music for award-winning TV shows and movies, including the much loved Bridgerton from Netflix, and The New Pope from HBO. He also crosses into the pop industry, having featured as both cello soloist and conductor for Ed Sheeran on his record-breaking 2017 album, Divide.In this interview, Peter Gregson discusses his latest work, Everything We Hear Comes First from Silence, written for the Omega Ensemble. We hear about his inspiration from composers like Steve Reich and Philip Glass, and his approach to blending acoustic instruments with electronics. He shares insights into his reimagining of the Bach Cello Suites, and how a chance encounter with Alan Rickman led him to compose for film and television.The Omega Ensemble performs the world premiere of Peter's new work, Everything We Here Comes First From Silence, as part of their upcoming tour La Musica Notturna from March 24-27.

In the 46th episode of the ECM podcast we're joined by the German violoncellist Anja Lechner to discuss her frist solo album after years of collaboration with ECM: "Bach/Abel/Hume", produced by Manfred Eicher. Anja talks about freedom, composer's dynamics, the art of playing solo and much more.

Tim & Mark邀請大家來白大象的盒子一起和國家交響樂團大提琴首席Simon Thomspon聊聊天！千萬不要錯過本集精彩節目，各大平台收聽！ ---- 各大平台收聽，有什麼意見和想法也可以留言給我們！！ 請關注我們的IG粉絲團，會不定期發布有趣的內容和節目預告，謝謝！ ----- Simon Thomspn IG-- https://www.instagram.com/simon_thomps ----- 給白大象一個便當吃：https://pay.soundon.fm/podcasts/29af619a-4cae-4ea9-9826-f3b8d7d5dae2

Luis Cabrera the principal bass of the Netherlands Philharmonic Orchestra and a professor at the Guildhall School of Music and Drama in London. When he's not doing either of those jobs, he's tackling some monumental solo repertoire – Bach's Cello Suite no.1… on double bass! Luis chats with online editor Davina Shum about his long journey preparing and recording this suite, his approaches to playing solo Bach, as well as strategies for playing a work not technically written for your instrument.  Watch Luis perform the Courante from Bach Cello Suite no.1: https://bit.ly/3NZhxYk Read Edicson Ruiz's thoughts on the Bach Cello Suites on double bass in our July 2023 issue Sentimental work. Student discount! Get 50% off an online subscription! Check it out here: https://bit.ly/3eQ75AB  Find us on social media: Facebook.com/thestrad Twitter: @TheStradMag Instagram: @the_strad_ II - Allemande Suite for Solo Cello no.1 in G major BWV 1007 Johann Sebastian Bach Luis Cabrera, double bass Photo credit: Elbert Besaris 

Chris and Sridhar discuss the latter's upcoming audition, their dislike of the classical saxophone, and things about which they have changed their minds (including Aaron Copland, Wynton Marsalis, Yo-Yo Ma, and Beethoven's even symphonies). Join the discussion: Tweet us @shreggz and @chris_arkin Episode clips on Instagram @impolite2listen Useful links: Kate Clark - an introduction to the Baroque flute Telemann - Fantasia for Solo Flute in E Minor Jed Wentz - Blavet Flute Sonatas Saxophone quartet plays Bach's Italian Concerto Stan Getz - Misty Copland: Rodeo - Zubin Mehta conducting the LA Philharmonic Copland conducts Hoedown from Rodeo Marsalis - Swing Symphony Marsalis - Haydn Trumpet Concerto Yo-Yo Ma plays the Bach Cello Suites live at the BBC Proms Yo-Yo Ma - NPR Tiny Desk Concert Yo-Yo Ma, Stuart Duncant, Edgar Meyer, Chris Thile - Attaboy from Goat Rodeo Sessions Goat Rodeo Sessians NPR Tiny Desk Concerts Yo-Yo Ma on re-recording the Bach Cello Suites Yo-Yo Ma, Leonidas Kavakos, Emanuel Ax - The Making of Beethoven for Three Beethoven Symphony No. 6 - Yo-Yo Ma, Beethoven for Three 2001: A Space Odyssey opening 2001: A Space Odyssey docking scene Schindler's List - black tie Nazi party Jordi Savall - Beethoven Symphony No. 6 Beethoven Late Quartets - Quator Mosaïques

DescriptionThe Bach Six Solo Cello Suites are considered a staple for every budding cellist. But in Bach's day, the cello was not considered a solo instrument and these works were shelved for decades. Not until Pablo Casals came along. Take a minute to get the scoop!Bach Cello Suite No. 2 in D min. BWV 1008 Casals c/o YouTubeFun FactSince the earliest manuscripts copied by his wife Anna Magdalena Bach contain no markings as to the bowings, tempo, character, or articulation of the pieces, the suites have been reinterpreted in myriad ways by cellists around the world. One has to admire how the music speaks no matter how varied the approach. Nonetheless, certain cellists stand out for their Bach's music.About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

Nina Bernat is the first prize winner at the 2019 International Society of Bassists Solo Competition and first and grand prize winner of the 2022 Minnesota Orchestra Young Artist Competition.    At the age of 19, she performed as guest principal of the Israel Philharmonic under Adrás Schiff and Osmo Vänskä and the New York Philharmonic under Gustavo Dudamel. As a recipient of the 2019 Keston MAX Fellowship, she performed with the London Symphony Orchestra on a subscription series concert at the Barbican Centre and in a chamber music concert for LSO Discovery Day at LSO St. Lukes.   We dig into her journey so far, what it was like having her dad as her teacher, the great Discover Double Bass interview she did with Geoff Chalmers, her father Mark Bernat's recent second recording of the Bach Cello Suites, and more.   Enjoy, and be sure to follow along with Nina on her website, Instagram, and YouTube!   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us: all things double bass double bass merch double bass sheet music   Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle. Check out my Beginner's Classical Bass course and Intermediate to Advanced Classical Bass course, available exclusively from Discover Double Bass.   Thank you to our sponsor!   Carnegie Mellon University Double Bass Studio - CMU is dedicated to helping each student achieve their goals as a musician. Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city's ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah's website and to sign up for a free online trial lesson.   theme music by Eric Hochberg

In this episode I speak with a wonderful colleague, the Bass Trombonist Douglas Burden, who has recently retired from Canada's National Arts Centre Orchestra after 50 years. He shares his perspectives on his career, including wisdom passed down from some of his mentors including Emory Remington and Arnold Jacobs, and the lessons he learned about staying healthy and keeping his playing at the highest level. Doug is also well-known as an educator and will continue to teach at the University of Ottawa; he also shares his thoughts on what an orchestral career means, his memories of different conductors, his practice tips, and the importance of balancing different aspects of a life well-lived. As I point out in the intro,I'm including a link to Doug's gorgeous singing style in a Bordogni Vocalise (since we weren't able to use the recording he made during the episode due to a technical problem): https://youtu.be/p5ti8bKzsEg Below I've included timestamps for the many topics covered.  All these episodes are also available as videos, here's the link: https://www.leahroseman.com/episodes/douglas-burden-bass-trombonist-and-educator Help me keep this podcast going with a tip! https://ko-fi.com/leahroseman photo credit: Fred Cattroll  (00:00) Intro (01:44) playing as singing, Jack Everly (04:12) how to anticipate the beat, release the sound, Mario Bernardi and history of NACO (10:41) role of low brass in an orchestra (14:06) types of trombones, particularities of the instrument (17:14) Arnold Jacobs (26:03) Doug's start in music and family background (30:15) Emory Remington's legacy and his sudden death, Donald Knaub (38:15) starting out in NACO and many brass players at the time: Gordon Cherry, Bob Odes, Gene Watts, Chuck Kaellenbach (40:02) Pinchas Zukerman and establishing contracts for positions like bass trombone (45:37) changes in the working conditions over the years (46:58) changes in auditions (49:57) advice for musicians preparing orchestral auditions, more about Arnold Jacobs (53:42) Intonation (01:00:56) Endurance, preventing injury, staying in good physical shape and taking care of yourself (01:16:17) Franz-Paul Decker (01:20:11) score study, practice routine, practicing Bach Cello Suites (01:31:12) advice for serious students contemplating an orchestral career --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

Fifteen years ago, cellist Matt Haimovitz famously brought the Bach Cello Suites to folk clubs and rock venues. Now, he brings us a completely new intepretation of these classics works, informed by the manuscript copy made by Bach's wife, Anna Magdalena.

Since 2012, Israeli-born cellist Amit Peled has famously played the 1733 Matteo Goffriller cello formerly owned by the great cellist Pablo Casals. For the first time, Peled has recorded the solo cello suites of Johann Sebastian Bach, which were made world-famous in the 1930s through Casals' recording of them, with that same instrument. Amit joins us to discuss the disc and Casals' legacy with these suites.

Peled says, “Solus et una (meaning ‘alone and together' in Latin) is a reflection on my musical journey during the COVID-19 pandemic. As my mentor, Boris Pergamenschikow wrote, ‘The Bach Cello Suites is music that cleanses the soul, especially if you play it just for yourself, preferably without any audience.' As with many of us cellists, I found myself spending a lot of time with the Bach Suites in my home studio during the long months of the lockdown. The two suites that attracted me the most were the fourth suite in E-flat Major, which represents triumph, daring, and heroism – all the qualities I found myself searching for while trying to make sense of the artistic dryness that we all experienced at the beginning of the pandemic. And in contrast, the monumental fifth suite in C minor, which bubbled up in me about a year into the lockdown when questions about supernatural power, God, love, religion, and a search for belonging to something bigger than just us here on earth emerged in me – all the elements one finds in that almost religious most philosophical suite.”He continues, “As an encore track, I have included on this release the one piece that I was able to record during the lockdown with my dear cello students. Teaching during the pandemic, both online and in-person, has been a source of hope, comfort, and inspiration. Moreover, being able to make music with other people and with my own students was a real musical climax. For me, there's nothing better to conclude this musical journey than the music of Brahms with its beauty of line and intimacy. The making of this recording gave all of us a sense of hope to keep going forward no matter what. I hope you enjoy it.”Solus et una TracklistJ.S. Bach – Suite No. 4 in E-flat Major for Violoncello Solo, BWV 1010   1. Prélude [5:08]   2. Allemande [4:36]   3. Courante [4:12]   4. Sarabande [4:57]   5. Bourrées 1 and 2 [5:51]   6. Gigue [3:04]     Amit Peled, celloJ.S. Bach – Suite No. 5 in C minor for Violoncello Solo, BWV 1011   7. Prélude [6:55]   8. Allemande [7:20]   9. Courante [2:37]   10. Sarabande [3:30]   11. Gavottes 1 and 2 [5:29]   12. Gigue [2:53]     Amit Peled, celloBrahms (arr. Konstantin Blagojevic) – Symphony No. 3   13. Andante [8:25]     Amit Peled     Mount Vernon Virtuosi Cello GangPurchase the music (without talk) at:Solus et una (classicalsavings.com)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Katy Solomon from Morahana Arts and Media.

The internationally renowned cellist Steven Isserlis talks to Andrew Marr about his companion guide to The Bach Cello Suites. Isserlis explores why Bach's Six Suites have become some of the most cherished music, and how Bach takes the audience on a spiritual journey, from joy, through tragedy, to jubilation. Schubert's heart-breaking song-cycle Winterreise tells of a young man's desperate wanderings: the music and the poems creating images of fire and snow, of scalding and frozen tears. The baritone Benjamin Appl, accompanied by James Baillieu, stars in a new BBC film, Winter Journey, filmed in a tower on the snow-covered summit of the Julierpass in south-east Switzerland. An album of the music will be released in February. The composer and pianist Kate Whitley is also interested in the importance of place in music. But she has taken a different tack, eschewing the often rarefied atmosphere of concert halls, for the concrete heart of city centres. She runs The Multi-Storey Orchestra which performs in car parks around the UK. Producer: Katy Hickman Photo copyright: Satoshi Aoyagi

Gunalcheésh! Jamiann S'eiltin, an Alaskan Native, educates about indigenous lives in Alaska and the Angoon bombardment of 1882 - the affects of colonization on our peoples. Jamiann dives deep into the history of her people as well as her own struggles. We also talk on Canada and United States native children being recovered.   This year Jamiann, was a 2nd place contestant for the Fab Over 40 contest that supports the National Breast Cancer Foundation. Her goal was to have her story told in the New Beauty Magazine. Jamiann is soooo involved in many organizations like Alaska Native Sisterhood, Tlingit & Haida Community Council Member, National Native American Boarding School Healing Coalition Member, She has been on variety of radio appearances as well having her story on the CDC website for: Rx Awareness Real Stories: Jamiann's Story (cdc.gov)Song in Background: AIM Song - Free Leonard Peltier - YouTubeGet Involved, Educate, and Support!The National Native American Boarding School Healing CoalitionHow the US stole thousands of Native American children - YouTubeJohn Trudell - Descendant Now Ancestor - YouTubePhyllis Webstad Orange Shirt Day Presentation - YouTubeBoth Sides Ask Supreme Court to Decide Fate of Indian Child Welfare Act (imprintnews.org)Haa Tóoch Lichéesh Coaltion | We believe it is possible. (htlcoalition.org)About Us | Juneau Montessori SchoolThursday, September 30th: Orange Shirt Day observed in Juneau. The rebirth of Zuill Bailey's Bach Cello Suites. (ktoo.org)Army to begin returning the ‘unknowns' at Carlisle Indian Industrial School | Sovereignty (natiThis true-crime podcast of #MMIP, #LBGTQ2S, #BIPOC, #AAPI. I am dedicated to helping put information out to assist families in finding these lost loved ones. Here is the guest form if you are interested in telling their story.My contact number is +903-883-6103 or email: HandsOffMyPodcast@gmail.comhttps://handsoffmypodcast.wordpress.com/Support the show (https://www.buymeacoffee.com/JasmineCastillo)

#ambisonics #spatialaudio #immersiveaudio #binaural #futureofaudio Music-making has gone through several technological revolutions: from mono to stereo over surround to 3D sound. All these revolutions started from technological progress. The artists and composers embraced the technology later on, allowing them to innovate their art form. Beethoven changed his composing style when he got a new English piano, film music changed radically when the soundtrack was introduced (instead of the live piano music accompaniment). Today a similar revolution is taking place: the technology for immersive music in 3D applications and VR is available. Artists and composers are yet to follow. A gigantic creative space is waiting to be explored by innovative and experimental bands, films and games. Steven Maes has been experimenting with sound tools for the past twenty-five years, using everything from lamp microphones to 360 video and Ambisonic immersive sound technology. Passionate about classical music, he has directed television programs, made hundreds of recordings and mastered CDs for popular music artists from Adamo to Lost Frequencies. His recordings have been praised in BBC Music Magazine Diapason and Gramophone. His DVD 392 (on Pieter Wispelwey's recording of the Bach Cello Suites) was met with great acclaim. Classica selected his recording of Debussy's La Mer (Brussels Philharmonic) as the best classical reference of all time. Recently he made recordings with London Philharmonic and London Symphony Orchestra, in 2016 & 17 Steven made two recordings that won the prestigious Echo Classic in Germany. Steven is on faculty at PXL University College in Hasselt, Belgium, where he supervises thesis projects and teaches studio techniques and is the founder of Motor Music Recording Studios. https://be.linkedin.com/in/steven-maes-494913177 http://www.stevenmaes.eu/ https://www.ted.com/talks/steven_maes_immersive_sound https://www.motormusic.eu/mm-sons https://www.youtube.com/watch?v=i3SVNMZVdXM

Bach's cello suites are among the most extraordinary works - both joyful and profound - written for the instrument. In his new book, 'The Bach Cello Suites: A Companion', published by Faber, Steven Isserlis draws on decades of reflection on this music, sharing his views and encouraging us to listen in even greater depth. He joins Gramophone Editor Martin Cullingford to talk about his book and the music. Excerpts throughout are taken from his recording of the suites, available on the Hyperion label, Gramophone's Instrumental Award winner back in 2007. This Gramophone Podcast is produced in association with Leipzig – the City of Music.

Cellist and Professor, Jennifer Kloetzel's first appearance on the podcast has garnered her a top episode spot! The inspiring and insightful interview led to a second (this one) and she joins me to continue the conversation.A graduate of The Juilliard School and a Fulbright Scholar, cellist Jennifer Kloetzel has concertized throughout the United States, Europe and Asia as a soloist and chamber musician. A founding member of the San Francisco-based Cypress String Quartet (1996-2016), Ms. Kloetzel has toured the globe and performed at such renowned venues as Lincoln Center, the Kennedy Center for the Performing Arts, the Chautauqua Institute and the Ravinia Festival, the Lobkowicz Palaces in both Vienna and Prague, as well as prominent colleges and conservatories worldwide.Ms. Kloetzel is noted for her elegant playing and her vibrant tone. She is a sought-after recitalist, performing concerts for San Francisco Performances and on WQXR in New York. A fervent champion of new music, she has received the Copland Award for her work with living American composers and has commissioned and premiered over fifty works, including five concertos written specifically for her. In the past few seasons, premieres included a Cello Suite by Daniel Asia, a Cello Concerto, “Cloud Atlas” and unaccompanied cello work “Lift,” which were both written for her by MIT composer Elena Ruehr and a Cello Sonata dedicated to her by Joseph Landers. Ms. Kloetzel has recorded the Ruehr Cello Concerto with the Boston Modern Orchestra Project, which was released to critical acclaim in October 2014. “Lift” is the title track of an all-Ruehr disc, released on the Avie label, and was included on Keith Powers' 13 Best Classical Music Recordings of 2016. Ms. Kloetzel is the featured cellist on a 2019 Albany Records release of music by Richard Aldag, and recently premiered Lee Actor's Cello Concerto, written for her in 2017. In the next few seasons, she will give world premieres of sonatas written for her by Richard Aldag and Elena Ruehr and “Inferno: Double Concerto for Viola, Cello and Chamber Orchestra” by Joel Friedman, as well as six ‘companion' pieces commissioned to go with the six Bach Cello Suites, for a special project entitled “Mission: Bach~ The Road to Inspiration."Ms. Kloetzel has been featured regularly on National Public Radio's “Performance Today” and her performances have been broadcast on radio stations from coast to coast. A passionate recording artist with 36 CD releases to date, recent recordings include the entire cycle of Beethoven Quartets and Brahms Sextets on the Avie label. In 2021, Avie will release her recordings of Beethoven's complete works for cello and piano with Robert Koenig. In 2016, Ms. Kloetzel was invited to join the faculty at University of California Santa Barbara, where she is Professor of Cello and Head of Strings.   To learn more about Jennifer Kloetzel head to her website www.jkcello.comTo listen to more episodes, connect with host, Tammy, or to support the podcast follow these linksWebsite https://tstakaishi.wixsite.com/musicInstagram @creative_peacemeal_podcastFacebook https://www.facebook.com/creativepeacemealpod/

It seems that every minute of every day, a musician is playing Bach's music somewhere on our planet. Clemency Burton-Hill charts the playing of Bach across a day and around the globe with stories from musicians who each have a daily ritual of playing some of this music. Ilay Kenes is an 11-year-old Belgian boy who plays some Bach on his guitar every morning when he gets out of bed. Other musicians around the world who play Bach every morning include Masaaki Suzuki on the harpsichord or organ in Tokyo, Hungarian-born organist Xaver Varnus in his own church in Nova Scotia, pianist Grant McLachlan looking out at Table Mountain from his house in Cape Town and cellist Nicola Yamazaki in Austria. Some musicians play Bach every day but not at a set time. Iranian-born pianist Ramin Bahrami plays Bach whenever he needs him throughout the day. In one of Kenya's largest slums, David Joroge shares the cello he plays with other students at the Art of Music Foundation and so he plays Bach Cello Suites every day, at a time when there's a cello free. Finally, British viola player, Robin Ireland plays last thing at night before bed in his house in Brittany. Where did this daily ritual of playing Bach every day begin? Maybe with Beethoven or perhaps Mendelssohn. But it was the Catalan cellist Pablo Casals who wrote, "For the past 80 years I have started each day in the same manner. It is not a mechanical routine but something essential to my daily life. I go to the piano, and I play two preludes and fugues of Bach. I cannot think of doing otherwise. It is a sort of benediction on the house. Each day is something new, fantastic, unbelievable. That is Bach, like nature, a miracle!" Clemency herself either listened to or played Bach every day for as long as she can remember. But in January 2020 she experienced a brain haemorrhage, and everything changed. After emergency surgery, she was unconscious for 17 days and then slowly emerged. She's still working her way back to her own daily encounter with Bach's music. Producer: Rosie Boulton A Must Try Softer production for BBV Radio 4 Bach music played: Violinist Hilary Hahn: Adagio from Sonata No.3 in C major, BWV 1005 Guitarist Ilay Kenes: Prelude in E Major, BWV 1006a Organist Xaver Varnus: Double Fugue in C minor, BWV 582B Cellist Pablo Casals: Allemande from 1st Cello Suite in G major, BWV 1007 Pianist Grant McLachlan: Allemande from French Suite in G Major, BWV 816 Pianist Glenn Gould: Sarabande from Partita in C minor, BWV 826 Cellist David Joroge: Minuet from 1st Cello Suite in G major, BWV 1007 Violist Robin Ireland: Fugue from Violin Sonata in G minor (transcribed for viola) BWV 1001 Violinist Hilary Hahn: Adagio from Sonata No.3 in C major, BWV 1005

Peter Whorf speaks with Michigan native cellist and UT-Austin Professor Bion Tsang about his new release of Bach Cello Suites - performed on a very special instrument.

De Bach van de Dag is tijdelijk terug! In het kader van de Bachweek van NPO Radio 4 maakt Frank de Munnik tien nieuwe afleveringen, waarin hij ingaat op 'Bach en Nederland'. Vandaag ‘Hij speelt geen Bach, hij wekt hem tot leven’, aldus Edward Grieg, die Pablo Casals hoorde in Bach’s Vijfde Cellosuite. Nederlandse recensenten zijn laaiend enthousiast over Pablo Casals, sinds hij op 9 nov 1902 zijn debuut maakte in Nederland, en vrijwel altijd een Bach cellosuite op het programma zette. ‘Bach is groot, en Casals zijn profeet’.  J.S. Bach, Cello Suite nr.5, BWV.1011; 1. Prelude, Pablo Casals, cello (opn. 1939), (Bach Cello Suites 1-6), Naxos 8.110915-16, 7’23’’  J.S. Bach, Cello Suite nr.5, BWV.1011; 1. Prelude, Anner Bylsma, cello (opn. 1992), (Bach The Suites for Violoncello Solo), Sony 88725463872, 5’06’’

Bach's Cello Suites are now an indispensable part of the cello repertoire, but this wasn't always the case. After Bach's death, they were forgotten. But starting in the 1890s, a cellist named Pablo Casals began playing the Suites, and the rest is history. Bach left very few clues on how to play these suites, and so many cellists interpret the Suites extraordinarily differently. Today we're going to take a look at 6 cellists and talk about how they interpret these enigmatic, sacred, and inspiring pieces.

I'm joined by cellist, and professor, Jennifer Kloetzel. Jennifer share delightful stories, and wonderful insights from her perspective as a long-time performer and educator.A graduate of The Juilliard School and a Fulbright Scholar, cellist Jennifer Kloetzel has concertized throughout the United States, Europe and Asia as a soloist and chamber musician. A founding member of the San Francisco-based Cypress String Quartet (1996-2016), Ms. Kloetzel has toured the globe and performed at such renowned venues as Lincoln Center, the Kennedy Center for the Performing Arts, the Chautauqua Institute and the Ravinia Festival, the Lobkowicz Palaces in both Vienna and Prague, as well as prominent colleges and conservatories worldwide.Ms. Kloetzel is noted for her elegant playing and her vibrant tone. She is a sought-after recitalist, performing concerts for San Francisco Performances and on WQXR in New York. A fervent champion of new music, she has received the Copland Award for her work with living American composers and has commissioned and premiered over fifty works, including five concertos written specifically for her. In the past few seasons, premieres included a Cello Suite by Daniel Asia, a Cello Concerto, “Cloud Atlas” and unaccompanied cello work “Lift,” which were both written for her by MIT composer Elena Ruehr and a Cello Sonata dedicated to her by Joseph Landers. Ms. Kloetzel has recorded the Ruehr Cello Concerto with the Boston Modern Orchestra Project, which was released to critical acclaim in October 2014. “Lift” is the title track of an all-Ruehr disc, released on the Avie label, and was included on Keith Powers’ 13 Best Classical Music Recordings of 2016. Ms. Kloetzel is the featured cellist on a 2019 Albany Records release of music by Richard Aldag, and recently premiered Lee Actor’s Cello Concerto, written for her in 2017. In the next few seasons, she will give world premieres of sonatas written for her by Richard Aldag and Elena Ruehr and “Inferno: Double Concerto for Viola, Cello and Chamber Orchestra” by Joel Friedman, as well as six ‘companion’ pieces commissioned to go with the six Bach Cello Suites, for a special project entitled “Mission: Bach~ The Road to Inspiration."Ms. Kloetzel has been featured regularly on National Public Radio’s “Performance Today” and her performances have been broadcast on radio stations from coast to coast. A passionate recording artist with 36 CD releases to date, recent recordings include the entire cycle of Beethoven Quartets and Brahms Sextets on the Avie label. In 2021, Avie will release her recordings of Beethoven’s complete works for cello and piano with Robert Koenig. In 2016, Ms. Kloetzel was invited to join the faculty at University of California Santa Barbara, where she is Professor of Cello and Head of Strings.   More information about her can be found her her website, www.jkcello.comThe resource created by cellist Paul Katz, can be found here. More information about host, Tammy Takaishi can be found here.Interested in supporting the show? Now you can with CREATIVE PEACEMEAL merchandise! Snap up your swag here!

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Yiorgos Kaloudis interprets on the Classical Cretan Lyra, one of the most important works of Baroque Music, J.S.Bach’s Cello Suites on the Cretan Lyra. Cellist, Cretan lyra player, improviser and composer, Yiorgos Kaloudis created a new interpretive approach, adding a fourth string (low C), on the traditional Cretan lyra, changing the technique of the interpretation on both hands and transcribing this work of Bach in the authentic tonalities of the composer. J.S. Bach Cello Suites 1,2,3,4 and 5 : Cello Suite no. 1, BWV 1007 Cello Suite no. 2, BWV 1008 Cello Suite no. 3, BWV 1009 Cello Suite no. 4, BWV 1010 Cello Suite no. 5, BWV 1011 Purchase the music (without talk) for only $2.99 at: http://www.classicalsavings.com/store/p1170/JS_Bach_Cello_Suites_on_the_Cretan_Lyra.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Please consider supporting our show, thank you! http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com

This week on the Culture Gabfest, Stephen Metcalf, Dana Stevens, and Julia Turner discuss The Trial of the Chicago 7. Then, the panel is joined by Willa Paskin, Slate’s TV critic, to discuss Ted Lasso. Finally, they discuss “Cereal Eats” with New York Times opinion columnist Jamelle Bouie.   The Slate Plus segment this week features producer Jessamine Molli, as the panel talks about knowing about things before they become popular.    Podcast production by Jessamine Molli. Production assistance by Whitney Tesi.   Outro music: Cello Suite No. 1 in G Major, BWV 1007 (Arr. E. Bindman for Piano): I. Prélude   Endorsements   Dana: J.S. Bach Cello Suites for Solo Piano transcribed and performed by Eleonor Bindman   Julia: Cinnamon Buns   Steve: Miami and the Siege of Chicago, by Norman Mailer; Return of the Secaucus 7   Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on the Culture Gabfest, Stephen Metcalf, Dana Stevens, and Julia Turner discuss The Trial of the Chicago 7. Then, the panel is joined by Willa Paskin, Slate’s TV critic, to discuss Ted Lasso. Finally, they discuss “Cereal Eats” with New York Times opinion columnist Jamelle Bouie.   The Slate Plus segment this week features producer Jessamine Molli, as the panel talks about knowing about things before they become popular.    Podcast production by Jessamine Molli. Production assistance by Whitney Tesi.   Outro music: Cello Suite No. 1 in G Major, BWV 1007 (Arr. E. Bindman for Piano): I. Prélude   Endorsements   Dana: J.S. Bach Cello Suites for Solo Piano transcribed and performed by Eleonor Bindman   Julia: Cinnamon Buns   Steve: Miami and the Siege of Chicago, by Norman Mailer; Return of the Secaucus 7  

This week on the Culture Gabfest, Stephen Metcalf, Dana Stevens, and Julia Turner discuss The Trial of the Chicago 7. Then, the panel is joined by Willa Paskin, Slate’s TV critic, to discuss Ted Lasso. Finally, they discuss “Cereal Eats” with New York Times opinion columnist Jamelle Bouie.   The Slate Plus segment this week features producer Jessamine Molli, as the panel talks about knowing about things before they become popular.    Podcast production by Jessamine Molli. Production assistance by Whitney Tesi.   Outro music: Cello Suite No. 1 in G Major, BWV 1007 (Arr. E. Bindman for Piano): I. Prélude   Endorsements   Dana: J.S. Bach Cello Suites for Solo Piano transcribed and performed by Eleonor Bindman   Julia: Cinnamon Buns   Steve: Miami and the Siege of Chicago, by Norman Mailer; Return of the Secaucus 7   Learn more about your ad choices. Visit megaphone.fm/adchoices

Musical Insights documents the process of a non-classical musician creating his first classical album: a recording of the Bach Cello Suites transposed to hammered dulcimer. Upon the undertaking of this process, Benjamin Barker decided to share musical insights that he has learned by studying Bach and other musical journeys.

Join Chris, Jerry, and Rozie as they explore baroque style from both a luthiers perspective as well as a player's perspective. Special guests Sarah Peck walks us through her relationships with clients seeking to play in the baroque style, followed by an interview with Juliana Soltis, touring professional baroque cellist, exploring the different colors of sound created in this unique time period. Special Guests: Juliana Soltis and Sarah Peck.

The Bach Cello Suites represent the apex of the path of every cellist. On this show, previously aired January 3, 2019, we go through the history of the Suites, including their disappearance, rediscovery, and now ubiquity. We'll then look at one movement from each of the Suites, comparing the wildly different approaches that cellists have taken since the first recordings appeared in 1939. You'll also learn what HIP means in the context of classical music. Thanks for listening!

Can music be a story? And, can that story, and the emotions it stirs in us, be something that can unite us? In this conversation, Alan Alda explores this idea with his friend Yo-Yo Ma. Alan has just heard Yo-Yo play all six of the Bach Cello Suites in a concert. An amazingly moving performance – and just one of the performances of the cello suites that he'll be doing in 36 different locations around the world. Yo-Yo calls it the Bach Project, in which the beauty of the music is only the beginning. Each concert is tied to "A Day of Action," conversations and collaborations, unique to each location, that grapple with the concerns of the people who live there. The audience listens to Yo-Yo and Yo-Yo listens to them. Listening may be what unites us. Support the show.

Israeli-American cellist Amit Peled is acclaimed worldwide as one of the most exciting and virtuosic instrumentalists on the concert stage today. He's on the faculty of the Peabody Institute, and tours the world playing concerts and recitals. His recording of the Bach Cello Suites is on CTM Classics.

Listen to exclusive demo material from British cellist Sophie Webber's Kickstarter-funded album 'Bach Cello Suites Unleashed' fusing solo cello with vocal accompaniment. Podcast recorded on Monday 11 March 2019. To support Sophie's project visit Kickstarter and search 'Bach Cello Suites Unleashed' or visit [https://www.kickstarter.com/projects/sophiewebber/b2c-bach-cello-suites-to-choir](https://www.kickstarter.com/projects/sophiewebber/b2c-bach-cello-suites-to-choir)

Since 2012, Israeli-born cellist Amit Peled has famously played the 1733 Matteo Goffriller cello formerly owned by the great cellist Pablo Casals. For the first time, Peled has recorded the solo cello suites of Johann Sebastian Bach, which were made world-famous in the 1930s through Casals' recording of them, with that same instrument. Amit joins us to discuss the disc and Casals' legacy with these suites.

Since 2012, Israeli-born cellist Amit Peled has famously played the 1733 Matteo Goffriller cello formerly owned by the great cellist Pablo Casals. For the first time, Peled has recorded the solo cello suites of Johann Sebastian Bach, which were made world-famous in the 1930s through Casals' recording of them, with that same instrument. Amit joins us to discuss the disc and Casals' legacy with these suites.

We're kicking off 2019 with a bang with an exploration of the Bach Cello Suites. These pieces represent the apex of the path of every cellist. We'll go through the history of the Suites, including their disappearance, rediscovery, and now ubiquity. We'll then look at one movement from each of the Suites, comparing the wildly different approaches that cellists have taken since the first recordings appeared in 1939. You'll also learn what HIP means in the context of classical music! Thanks for listening!

I had the chance to spend time in person with Yung-Ho Fu during a recent tour to San Francisco with the National Symphony Orchestra of Taiwan, where he serves as principal bass.  Our mutual friend Cielito de Jesus connected us, and we had a wonderful time talking about his recent edition of the Bach Cello Suites as well as his recording of these wonderful works. Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle! Contrabass Conversations is sponsored by: A440 Violin Shop An institution in the Roscoe Village neighborhood for over 20 years, A440's commitment to fairness and value means that we have many satisfied customers from the local, national, and international string playing communities. Our clients include major symphony orchestras, professional orchestra and chamber music players, aspiring students, amateur adult players, all kinds of fiddlers, jazz and commercial musicians, university music departments, and public schools. The Bass Violin Shop The Bass Violin Shop offers the Southeast’s largest inventory of laminate, hybrid and carved double basses. Whether you are in search of the best entry-level laminate, or a fine pedigree instrument, there is always a unique selection ready for you to try. Trade-ins and consignments welcome! Upton Bass String Instrument Company Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. D'Addario Strings This episode is brought to you by D’Addario Strings! Check out their Zyex strings, which are synthetic core strings that produce an extremely warm, rich sound. Get the sound and feel of gut strings with more evenness, projection and stability than real gut.   Steve Swan String Bass Steve Swan String Bass features the West Coast’s largest selection of double basses between Los Angeles and Canada.  Located in Burlingame, just south of San Francisco, their large retail showroom holds about 70 basses on display. Their new basses all feature professional setups and come with a cover at no additional cost. Used and consignment instruments receive any needed repairs and upgrades before getting a display position on the sales floor.   Kolstein Music The Samuel Kolstein Violin Shop was founded by Samuel Kolstein in 1943 as a Violin and Bow making establishment in Brooklyn, New York. Now on Long Island, over 60 years later, Kolstein’s has built a proud reputation for quality, craftsmanship and expertise in both the manufacture and repair of a whole range of stringed instruments, and has expanded to a staff of twelve experts in restoration, marketing and production.   Contrabass Conversations production team: Jason Heath, host Michael Cooper and Steve Hinchey, audio editing Mitch Moehring, audio engineer Trevor Jones, publication and promotion Krista Kopper, archival and cataloging Subscribe to the podcast to get these interviews delivered to you automatically!

Violinist Rachel Barton Pine and harpsichordist Jory Vinikour are both internationally acclaimed musicians. They're also old friends. The warmth of their personal relationship is evident in their performance of Johann Sebastian Bach's Violin and Harpsichord Sonatas on their 2018 CD, and it shines through in their easy, playful rapport when they spoke with Suzanne.

Harry Bicket is an acclaimed conductor whose specialty is baroque music. He is Artistic Director of The English Concert (the British period instrument ensemble) and Chief Conductor/Music Director of Santa Fe Opera, and his international conducting engagements have included performances at the Metropolitan Opera and Lyric Opera of Chicago, Los Angeles Chamber Orchestra, Cleveland Orchestra, Cincinnati Symphony Orchestra, Los Angeles Philharmonic, Boston Symphony Orchestra and Messiah with the New York Philharmonic. The Handel expert sat down for a conversation with Suzanne about his fondness for certain other Liverpool musicians, and how he achieved his "proper career" quite by accident.

    Satsang With Anandamali Last week, I had the honor to speak at the San Francisco stop of the Evolving Caravan tour. The caravan travels around the world and brings together speakers that discuss consciousness, technology, well being, a variety of other topics related to where we are and where we’re going. I felt embraced and welcomed by my fellow speakers, as well as by the audience and the organizers. It was a great vibe, full of obviously brilliant and committed individuals. There was a real sense that people were doing their part to create a better world, really walking the walk. It had a very avant garde feel to it. I tend to spend most of my time in more traditional circles, classical yoga and meditation communities. Many of these folks weren’t constrained by a single tradition. Full of raw talent, they appeared to have taken dives into scholarship and practice, and emerged to make it their own. It was refreshing. It was like listening to Kronos Quartet, which if you’re not familiar is famously creative and innovate string quartet that is always surprising and always brilliant. I’m listening to them as I’m writing this, getting myself pumped up for their concert with Zakir Hussian laster this month. If you’re in SF, you should come. Just as I love Kronos, and the experimental, I also love the classical. Bach Cello Suites. Which is why i was also thrilled to meet Anandamali there. Anandamali is a traditional advaita satsang leader in Santa Cruz. We clicked immediately and started chatting. That chatting turned into this podcast. We discuss all manner of things that you would expect from two guys that love non-dual teachings. Topics like, how to move from a personal practice to a lifestyle that supports the awakened state. You know, light stuff. Stay tuned, there will be more podcasts with other wonderful folks from the evolving caravan, and I might even end up on some of theirs as well. Visit Anandamali at his website anandamali.com Visit Mokshananda at his website freewatersangha.com Visit Evolving Caravan Here evolvingcaravan.com

In this episode, Simon sits down with cellist Dr. Jacques Lee Wood to discuss J. S. Bach's Cello Suites. This is a fascinating discussion focusing on the importance of quality of voice, dynamics, Baroque style versus a flatter modern style of playing, and much, much more. J. S. Bach's Six Suites for Unaccompanied Cello were […] The post CGC 055 : A Cellist's Approach to the Bach Cello Suites with Jacques Lee Wood first appeared on Classical Guitar Corner.

Cellist Thomas Demenga is a renowned soloist, composer and teacher, whose own teachers and mentors include acclaimed musicians such as Leonard Rose and Mstislav Rostropovich. His repertory includes a full range of historical eras and styles of interpretation and composition, and he is an advocate for New Music. He is also passionate about historical performance practice of baroque music, and a virtuoso performer of the classical and romantic repertory for cello. Suzanne speaks with him about his broad ranging career.

This week Susan chats with cosmetic surgeon Dr Tony Prochazka. Tony pursued a non-conformist training in both medicine and music. He interrupted his medical career to study Jazz Guitar at the VCA, having played Cello with AYO during his schooling. He studied Classical Cello in Germany and London before building a successful career in cosmetic surgery. Tony shares how his musical training provides the focus, concentration and discipline required for his surgical career and why he thinks concerts are harder than surgery. Maintaining a busy musical life, he is a founding member and Principal Cellist of Corpus Medicorum and recently performed all 6 Bach Cello Suites one a single program at a solo show in Shanghai.

Today’s episode features Jory Herman, who is a member of the San Diego Symphony bass section and has just released his second solo album titled Life.  In addition to playing in the San Diego Symphony, Jory is actively involved in community engagement in the San Diego area.  He has recently become Director of Community Engagement with Art of Elan and is an active teacher and clinician. We talk about his early years in music, studying bass with Paul Ellison at Rice University, and his time playing in the New World Symphony, where he got bitten by the community engagement bug.  We also discuss the recording of both his previous album of Bach Cello Suites and his most recent album, as well as what it’s like to continue to develop as a player and a person after landing an orchestra job.  Enjoy! Links: joryherman.com Art of Elan Bach album Life album Interview Highlights Early years piano first instrument, started cello in 5th grade and switched to bass a few months later First bass teachers were Becky Merritt and Dennis Whittaker, then Andy Moritz and Paul Ellison studied with Paul Ellison at Rice - 5 year honors program - BM and MM the student experience at Rice Early professional experiences New World Symphony getting the “community engagement bug” while in this program Spent a year playing in the National Symphony before joining San Diego Symphony in 2010 Continuing to set goals and develop as a musician “after the audition" lessons learned from Paul Ellison 1) Things you know  2) Things you know you don't know 3) Things you don't know you don't know. finding inspiration in the dynamically changing double bass community continuing to develop as a person feeding your soul as well as the technical aspects of your playing Jory’s educational and community engagement work Art of Elan - Jory has just been named the Director of Community Engagement  San Diego Youth Symphony Jory’s Book of Warm-Ups learning to to present what you do - lessons from the world of science Bach album and Life album recording venues Brahms arrangement Work-Life Balance Listener Feedback links: bass for sale from Eric Windmeier

Fifteen years ago, cellist Matt Haimovitz famously brought the Bach Cello Suites to folk clubs and rock venues. Now, he brings us a completely new intepretation of these classics works,informed by the manuscript copy made by Bach's wife, Anna Magdalena.

Check out iOS Remote Conf!!!   01:27 - Hardware 06:51 - Cloud Storage Dropbox iCloud 09:00 - Tools Xcode BBEdit TextMate Dash Emacs AppCode ReSharper Sublime Text Git Tower SourceTree 13:14 - Continuous Integration Jenkins CircleCI 18:11 - TestFlight 19:57 - Desk Setups Lifehacker Ikea Desk Herman Miller Spotify 26:06 - Coding Music Bach Cello Suites    Gustav Mahler - Symphony No. 1 - Bernstein · Vienna Philharmonic Orchestra   Nashville (Bill Frisell Album) The Masters of Classical Music - Vivaldi White Noise 30:28 - Miscellaneous Gear PlugBug Picks Open Radar (Andrew) Filing radars with Apple (Andrew) Twin Peaks (Jaim) Torrentz (Chuck) Come see the iPhreaks at Microsoft Build Conference! (Chuck)

Check out iOS Remote Conf!!!   01:27 - Hardware 06:51 - Cloud Storage Dropbox iCloud 09:00 - Tools Xcode BBEdit TextMate Dash Emacs AppCode ReSharper Sublime Text Git Tower SourceTree 13:14 - Continuous Integration Jenkins CircleCI 18:11 - TestFlight 19:57 - Desk Setups Lifehacker Ikea Desk Herman Miller Spotify 26:06 - Coding Music Bach Cello Suites    Gustav Mahler - Symphony No. 1 - Bernstein · Vienna Philharmonic Orchestra   Nashville (Bill Frisell Album) The Masters of Classical Music - Vivaldi White Noise 30:28 - Miscellaneous Gear PlugBug Picks Open Radar (Andrew) Filing radars with Apple (Andrew) Twin Peaks (Jaim) Torrentz (Chuck) Come see the iPhreaks at Microsoft Build Conference! (Chuck)

Primal Scream's Bobby Gillespie discusses the band's new album Chaosmosis and why they have returned to 'immediate' pop songwriting.Cellist Steven Isserlis tells John Wilson about his new recording of the Elgar Cello Concerto, and his fear of performing the complete Bach Cello Suites from memory.Amalia Ulman, the social media-based artist, discusses her work in Performing for the Camera, a new exhibition at Tate Modern in London, which examines the relationship between photography and performance, from the invention of photography in the 19th century to the selfie culture of today.Presenter John Wilson Producer Jerome Weatherald.

Jeremy Pound and Rosie Pentreath introduce Mstislav Rostropovich's 1975 Edinburgh Festival performance of Bach's Cello Suites Nos 2,3 & 6, featured on our January 2015 issue cover CD. See acast.com/privacy for privacy and opt-out information.