Podcasts about akchot

Le disque coup de cœur de l'émission c'est MMXXIV AD de Noël Akchoté et Philippe Deschepper qui sort sur Ayler… The post #1. 2024/25 Lundi 30 septembre first appeared on Radio Campus Angers.

Concluimos la serie de tres capítulos titulada "Antecedentes de la música drone", en la que estamos presentando algunas manifestaciones musicales que podrían haber influido en la aparición de una práctica compositiva que se caracteriza por la presencia de sonidos estáticos, mantenidos durante largos periodos de tiempo, que, en su caso, evolucionan muy lentamente. A menudo, esos sonidos ocupan el registro más grave y, sobre ese bordón o nota pedal (expresión que nos permitiría referirnos a esta práctica como "música pedal", prescindiendo de anglicismos), los parciales superiores que completan su espectro armónico van presentando diferentes variaciones tímbricas, texturales, rítmicas, etc. En el anterior episodio de este ciclo escuchamos diferentes músicas tradicionales procedentes de los Estados Unidos, y retomando esa línea comenzamos este programa con Henry Flynt, filósofo, músico y activista vinculado al arte conceptual, que se dio a conocer en la escena vanguardista de la ciudad de Nueva York a través de una serie de conciertos en el “loft” de Yoko Ono a partir de 1961. Dentro de ese contexto colaboró con músicos como Tony Conrad y La Monte Young (cuya pieza “For Brass” también presentamos), participó como violinista en The Velvet Underground, y formó parte de las actividades de los artistas Fluxus. Dentro de la ingente producción compositiva de Flynt destaca lo que él mismo denominó "Avant-Garde Hillbilly and Blues Music" (de la cual su pieza "Leather High In E", que escuchamos, es una excelente muestra). Ésta se planteaba como una crítica al dogma que defiende la superioridad cultural de la tradición musical clásica procedente de Europa. Tras las exploraciones de las dos últimas semanas dedicadas, respectivamente, al folclore procedente de la India y al de las tradiciones propias de los Estados Unidos, en esta ocasión enfocamos nuestra atención hacia esa tradición musical clásica procedente de Europa frente a la cual se posicionaba Henry Flynt. Escuchamos fragmentos del "Preludio del Oro del Rin" de Wagner; del tercer movimiento ("Herr lehre doch mich") del "Réquiem alemán" de Brahms; de la tercera de las "Cinco piezas para orquesta" de Webern; del "Trío para cuerdas" de Scelsi, de las "Danzas folclóricas rumanas para orquesta de cuerda" de Bartók, y de la banda sonora de la película "Ben-Hur" de Rózsa. La última audición mencionada abre un campo, el de las recreaciones musicales propias de un pasado ficticio, en el que también puede inscribirse una peculiar versión de la pieza gregoriana "Protexisti me Deus", que también presentamos antes de una última sección en la que escuchamos fragmentos del “Kyrie” de la “Misa flamenca” de Enrique Morente, así como del "Sederunt principes" del Magister Perotinus Magnus, primero en la interpretación vocal del Hilliard Ensemble, y después en una adaptación para dobro (o guitarra resofónica) realizada por Noël Akchoté. Escuchar audio

I think I’ve always wanted to be a more anal person than I actually am. I’ve tried to be the person who puts every task immediately into an app, schedules it, and adds the perfect emoji (the important part.) I allowed myself to obsess over minimalism and Marie Kondo, trying to transform my home into the clean white soulless void of an Apple store. I feel in love with the ideas of Zettlekasten and Roam Research where every fart and hiccup in my brain is meticulously connected to all the others like a perfect meth-smoking spider’s web. I wanna meditate every day, take clod showers, get in my reps, nail my macros, and hustle hustle hustle. I want to use footnotes. But honestly, I just don’t give that much of a fuck about any of it. My real life is a maelstrom of monotony and chaos. I spend my days reading books, scribbly sloppy notes on paper, and hoping I can read them when I sit down to right one of these posts. I count days by how many clean pairs of underwear I have left until I’m forced to do laundry. My living space leans more towards piles than it does toward organization. My analytical mind is easily distracted by emotion, novelty, cartoons, and hormones.Oh well. That’s who I am. I improve what I can, and move along with the rest.As I write this I’m watching the screen saver on my Apple TV as it shows slow-motion drone footage of people on a beach and carnival rides on a pier (likely Santa Monica.) I hate the way it makes me feel. I look at it and I don’t see tomorrow. I don’t think “I can’t wait to go to the beach again.” I look at it and I see the past. I see something lost. I see a world that feels like something we may never make our way back to. I’m sure you feel it too. It’s not every day, but it’s there: the part of our brain that wonders if hugging, and crowded festivals, and movie theaters will ever feel normal again. Or will the trepidation and caution forever follow us?Oh well. That’s life. Improve what we can, and move along with the rest.“there’s a gun in the room”I’m sure you noticed the audio file above. I’m sure some of you thought it was a podcast. I wonder how many of you were unable to scroll onward without clicking it first. I would have.I’ve been playing my guitar a lot recently, and have been sending 1-2 minute little pieces to my friend Johnny (who will probably be the first person to open this and read it. Hi Jon.) I went down a rabbit hole for an hour the other day looking at looping pedals until it hit me: “I have an iPhone.” So I’ve been screwing around with laying guitar pieces in Garageband for iOS.The audio above is one of those pieces. I like playing with dissonance—which can come across as jazz. I think to some degree it does here, which is why I tried to play with the timing in each guitar line (of which there are five,) and make it feel a little broken and discombobulating. In the lead line, I even threw in a bend (which is more blues than jazz.) And the keys for each line are different. I wanted to see how they would weave together, going in and out of harmony.All of this was going through my head but don’t get the idea that I was sitting and planning out every note. I’ve always been more instinctual than technical. I think the reason I’ve never been the kind of guitar player who can sit down and strum an Eagles song or solo like Slash is that music is more of an experiment for me. “What happens is if do this and do this?” This often leads to awful results (the song above might be an example of that to you.) It’s not about writing songs, it’s about exploration. It’s curiosity not product. Charlie Kaufman not Aaron Sorkin.Almost everybody knows by now how much I love the Rolling Stones, but I’ve never been interested in making music that sounds like the Stones (in fact I’ve never even bothered to learn how to play any of their songs.) My own music always veers more towards Sonic Youth, John Cage, Captain Beefheart, Harry Partch, everything post-punk, and The Velvet Underground. Somehow, even I forgot about that.I intend to explore my weirdo nature more. Expect more broken music.the velvet undergroundSpeaking of music, I finally sat down and watched the Apple TV+ documentary on The Velvet Underground. I loved it. It’s exactly what I needed. I’m glad Todd Haynes was the one who directed this. The standard music documentary format would have been very un-Velvet Underground. I can think of no better director than Haynes whose first film was the Karen Carpenter story told via Barbie dolls. His use of split-screen here makes sure that nothing ever feels standard or boring (especially at the beginning where he uses Warhol’s copious footage of the band members staring non-stop into the camera.)La Monte Young & John Cale were creating drones (referring to long musical notes, not the flying quad-copters that watch you when you’re naked in the swimming pool.)We found that the most stable thing we could tune to was the 60 cycle hum of the refrigerator because 60 cycle hum was, to us, the drone of western civilization. — John CaleI’ve long been fascinated by the drone of the microwave often harmonizing my voice to it as I waited for something to cook.I looked up La Monte Young but couldn’t find any recordings of him. I did find Noël Akchoté playing guitar arrangements of some of his compositions.The bass line for “The Ostrich” by The Primitives (basically Lou Reed, John Cale, and some friends) sounded really familiar.Then I placed it. It seems Sebadoh borrowed it for “Flame.”christineI read Christine by Stephen King. I’m a latecomer when it comes to King. Before this year the only thing by him I had ever read was On Writing. Having read The Shining earlier this year and now having read Christine, I think I’ve discovered what makes King such a tremendous writer. He does the work. Stephen King comes up with the most ridiculous concepts (teenage nerd falls in love with a dilapidated car which over time possesses him,) yet rather than descending into camp, he accepts the concepts. He doesn’t criticize the ideas, he embraces them and embodies them. “If this was real, what would it look like.” He fills the books with so much character and detail that even the most absurd concepts become legitimate.the righteous mindI read The Righteous Mind by Jonathan Haidt. Here are some key points:People bind themselves into political teams that share moral narratives. Once they accept a particular narrative, they become blind to alternative moral worlds.We have intuition (the elephant) and reasoning (the rider.) The rider is not in control like a pilot is over a plane; the rider serves mostly to understand the actions of the elephant. Our reason writes the story of our intuitive action. Rather than appealing to someone’s reasoning (as we normally do,) we should find a way to appeal to their intuition. Lead the elephant and the rider comes along.The foundations of morality:care/harmliberty/oppressionfairness/cheatingloyalty/betrayalauthority/subversionsanctity/degradationThe liberal foundation favors care, liberty, and fairness with care being the most favored. The libertarian foundation favors liberty & fairness with liberty being the most favored. The conservative foundation favors all six equally.Nonetheless, if you are trying to change an organization or a society and you do not consider the effects of your changes on moral capital, you’re asking for trouble. This, I believe, is the fundamental blind spot of the left. It explains why liberal reforms so often backfire, and why communist revolutions usually end up in despotism. It is the reason I believe that liberalism—which has done so much to bring about freedom and equal opportunity—is not sufficient as a governing philosophy. It tends to overreach, change too many things too quickly, and reduce the stock of moral capital inadvertently. Conversely, while conservatives do a better job of preserving moral capital, they often fail to notice certain classes of victims, fail to limit the predations of certain powerful interests, and fail to see the need to change or update institutions as times change.media biasAfter reading all of these political books I’ve been thinking a lot about the inherent biases of our media sources. In the process, I discovered this tremendous website called Media Bias / Fact Check. You can look up any media source and it will show you it fits on the left/right spectrum as well as the factual/not factual spectrum.Personally, I like to get differing perspectives (without dipping into extremism and outright falsehoods.) Some of my favorite media sources are: Reuters: least biased / very high factualThe Economist: least biased / high factualThe Christian Science Monitor: least biased / high factual Newsweek: left-center / high factual Business Insider: left-center / high factual Texas Monthly: left-center / high factual The Wall Street Journal: right-center / mostly factualThe Spectator World: right-center / mostly factualReason: right-center (libertarian) / high factualbtwI had intended to write a bunch more but this is so long already. I think I will post a supplemental in a few days. If I continue writing as much as I have been lately, then this may become ongoing (no promises.)debatable ideasDebatable Ideas is a weekly curation of the ideas that stand out to me from the week. That can mean something I see truth in, something worth contemplating, something questionable, something I'm bothered by, something ridiculous, something that I think is false, or something that will make you shake your phone like you caught a snake while waiting in line at Starbucks. It's up to you to decide what you think—and politely discuss in the comments.The ideas are numbered for easy reference. addition, if you run across any fascinating, horrifying, insane, bonkers, and entertaining ideas, please direct me to them in the comments.Judaism was the foundation of my childhood. As a child, I attended Jewish day school and Jewish summer camp and regularly celebrated Shabbat and the Jewish holidays. Some of my most enduring childhood memories are at the Shabbat dinner table, where my parents and their friends would discuss world affairs and important societal issues. There were always multiple viewpoints expressed. My mother is a rabbi, and my parents always taught us that such disagreements were the essence of living Jewishly—to argue, as the rabbis taught, for the sake of heaven. Jew vs. JewInformation vacuums are common in breaking-news events in the social-media era. In the early moments after a mass shooting or a natural disaster, or in the unknown moments after the polls close but before votes are tabulated in an election, there is a higher demand for definitive information than there is supply. These moments offer propagandists, trolls, pundits, politicians, journalists, and anyone else with an internet connection the opportunity to fill that vacuum with … something. It’s a treacherous situation, where rumor, speculation, and disinformation have the power to outpace verified information. Traditional breaking-news events tend to have a short half-life but, as we’ve found with COVID coverage, information gaps can last weeks or months. Sometimes, the definitive information we want (when will the pandemic end?) is basically unknowable, or too hard to pin down. The Omicron Information VacuumThe collapse is inevitable: Virtually every world power that ever existed has eventually declined, failed, and disappeared. The Soviet Union had survived for nearly 70 years, the British Empire for more than 400, and ancient Egypt for almost 30 centuries. But even though the land of the pharaohs was long crowned with success, its decline and destruction were unstoppable. History tells us it’s not a question of whether a world power will eventually be destroyed but rather a question of when. Secrets and Lies That Brought Down Empires // Ideas and Discovery Magazine - Dec 2021In other words, pretty minimal changes to get a tractor working on Mars. So if you want to imagine the future in ten years, picture a big Martian construction site busy with people in spacesuits driving John Deere tractors around. It is, in other words, frontier work. The aesthetics of human space colonization is Firefly, or the grit of the original Star Wars, not the sleek bureaucratic competence of Star Trek. NASA and SpaceX are establishing the first Martian city by 2030 Get full access to Graphorrhea at cahall.substack.com/subscribe

- 主播的话 - 格拉斯哥气候大会（COP26）落幕了。如名字所提示的那样，这是第26届联合国气候变化大会了。从肉眼可见增多的极端天气，到国家间在谈判桌上的角力，气候谈判真的可以有效应对气候危机吗？每年一次的气候大会，都谈些什么？ 我们请来了气候议题的资深观察者李硕，他梳理了自己参与COP这十年来，国际气候谈判所经历的议程变化。从哥本哈根、巴黎到格拉斯哥，发达国家和发展中国家都在扯皮中试图推进共识的达成，明晰各方的责任义务。 气候危机的影响是长期且根本的，经济模式的巨轮也很难在朝夕间转舵。但也正是从更长的历史视角去看，我们才能看到环境运动给不同世代带去的巨大影响，气候如何一步步成为现实政治的核心议题。 我与气候，似乎太过于遥远，这一切跟日常生活有什么关系呢？李硕没有给出绿色低碳生活的建议，他提到了同理心，那是我们现实世界一切闪光事物的基础。 - 本期主播 - 王磬（@王磬） 孟常（@孟常） - 本期嘉宾 - 李硕，气候谈判观察员，绿色和平资深政策顾问 - 本期剧透 - 05:40 磬和李硕分享自己是如何关注起气候议题的 10:30 气候已成为国际政治间最重要最受关注的议题之一 14:10 过去十年的气候谈判经历了哪些节点？从哥本哈根、巴黎到格拉斯哥 20:20 格拉斯哥气候大会形成了三个主要成果，其中一个是气候资金 28:45 气候补偿：“损损”机制 32:10 会场内的谈判，会场外的游行 40:45 要从更长的时间维度去看历史上环境运动带来的影响 45:30 如果终结煤炭时代，有哪些可靠的清洁能源可以替代？ 56:40 气候议题进程如何影响现实的社会生活？ 01:07:35 气候议题在中美关系中所扮演的角色 - 本期音乐 - Carlo Gesualdo,Noël Akchoté - 01-II： Caro, amoroso neo. (Prima Parte) Symposium Musicum,Hans Leo Hassler - Ricercar a 4 - 制作团队 - logo设计：刘刘（ins: imjanuary) 后期制作：Unico - 收听方式 - 推荐您使用苹果播客、Spotify、小宇宙App、汽水儿或任意泛用型播客客户端订阅收听《不合时宜》，也可通过网易云音乐、喜马拉雅收听。 - 商务合作 - 可发送邮件至 hibuheshiyi@126.com 或者私信官方微博 @不合时宜TheWeirdo - 互动方式 - 微博：@不合时宜TheWeirdo 微信公众号：不合时宜TheWeirdo

- 主播的话 - 格拉斯哥气候大会（COP26）落幕了。如名字所提示的那样，这是第26届联合国气候变化大会了。从肉眼可见增多的极端天气，到国家间在谈判桌上的角力，气候谈判真的可以有效应对气候危机吗？每年一次的气候大会，都谈些什么？ 我们请来了气候议题的资深观察者李硕，他梳理了自己参与COP这十年来，国际气候谈判所经历的议程变化。从哥本哈根、巴黎到格拉斯哥，发达国家和发展中国家都在扯皮中试图推进共识的达成，明晰各方的责任义务。 气候危机的影响是长期且根本的，经济模式的巨轮也很难在朝夕间转舵。但也正是从更长的历史视角去看，我们才能看到环境运动给不同世代带去的巨大影响，气候如何一步步成为现实政治的核心议题。 我与气候，似乎太过于遥远，这一切跟日常生活有什么关系呢？李硕没有给出绿色低碳生活的建议，他提到了同理心，那是我们现实世界一切闪光事物的基础。 - 本期主播 - 王磬（@王磬） 孟常（@孟常） - 本期嘉宾 - 李硕，气候谈判观察员，绿色和平资深政策顾问 - 本期剧透 - 05:40 磬和李硕分享自己是如何关注起气候议题的 10:30 气候已成为国际政治间最重要最受关注的议题之一 14:10 过去十年的气候谈判经历了哪些节点？从哥本哈根、巴黎到格拉斯哥 20:20 格拉斯哥气候大会形成了三个主要成果，其中一个是气候资金 28:45 气候补偿：“损损”机制 32:10 会场内的谈判，会场外的游行 40:45 要从更长的时间维度去看历史上环境运动带来的影响 45:30 如果终结煤炭时代，有哪些可靠的清洁能源可以替代？ 56:40 气候议题进程如何影响现实的社会生活？ 01:07:35 气候议题在中美关系中所扮演的角色 - 本期音乐 - Carlo Gesualdo,Noël Akchoté - 01-II： Caro, amoroso neo. (Prima Parte) Symposium Musicum,Hans Leo Hassler - Ricercar a 4 - 制作团队 - logo设计：刘刘（ins: imjanuary) 后期制作：Unico - 收听方式 - 推荐您使用苹果播客、Spotify、小宇宙App、汽水儿或任意泛用型播客客户端订阅收听《不合时宜》，也可通过网易云音乐、喜马拉雅收听。 - 商务合作 - 可发送邮件至 hibuheshiyi@126.com 或者私信官方微博 @不合时宜TheWeirdo - 互动方式 - 微博：@不合时宜TheWeirdo 微信公众号：不合时宜TheWeirdo

 Podcast mensuel programmé et réalisé par Kim Giani. Durée : 60 minutes. Dégustation musicale dans un cadre privilégié. Service en terrasse toute l'année. Bienvenue ! Kim vous conseille la pizza du chef, truffée d'ingrédients savoureux, choisis avec soin par le pizzaïolo selon l'inspiration pop du jour ! 1) Orlando Julius « disco Hi life »2) Pierre Henry « tam tam IV »3) Pierre Vassiliu « l'oiseau »4) Kiki Gyan « disco dancer »5) Lucky Dube « don't cry »6) Tetsuo Sakurai « kimono »7) Devendra Bahart « heard somebody say »8) Yellow Magic Orchestra 9) Junip « suddenly »10) Robot Caca « j'ai fait caca »11) Voilaaa, Pat Kalla « on te l'avait dit »12) Noël Akchoté « compositions 1960 numéro 9 »13) The Cure « accuracy »14) entombed « revel in flesh »

 Podcast mensuel programmé et réalisé par Kim Giani. Durée : 60 minutes. Dégustation musicale dans un cadre privilégié. Service en terrasse toute l'année. Bienvenue ! Kim vous conseille la pizza du chef, truffée d'ingrédients savoureux, choisis avec soin par le pizzaïolo selon l'inspiration pop du jour ! 1) Orlando Julius « disco Hi life »2) Pierre Henry « tam tam IV »3) Pierre Vassiliu « l'oiseau »4) Kiki Gyan « disco dancer »5) Lucky Dube « don't cry »6) Tetsuo Sakurai « kimono »7) Devendra Bahart « heard somebody say »8) Yellow Magic Orchestra 9) Junip « suddenly »10) Robot Caca « j'ai fait caca »11) Voilaaa, Pat Kalla « on te l'avait dit »12) Noël Akchoté « compositions 1960 numéro 9 »13) The Cure « accuracy »14) entombed « revel in flesh »

This week we celebrate the legacy of a musician whose contribution to the jazz world was cut short too early, pianist Geri Allen. The fruits of her legacy, however, have already been evident for some time. There are so many among today's pianists who are in their late 40s, from Jason Moran to Ethan Iverson, from Vijay Iyer to Aruan Ortiz, in whose piano playing one can feel the influence of the Pontiac native. And when you hear today's trailblazers look up to a musician that was just 15-20 years their senior, you know that Geri Allen's repertoire is bound to become an increasingly influential source of inspiration for years to come. The playlist features Geri Allen; Tim Ray; Donald Walden; Wallace Roney; The Billy Tipton Memorial Saxophone Quartet; Don Byron and Aruan Ortiz; Noël Akchoté; Vijay Iyer and Craig Taborn. Detailed playlist at https://spinitron.com/RFB/pl/13403741/Mondo-Jazz (up to Iyer-Taborn). Happy listening!

For over four and a half decades, Keith Jarrett has penned countless memorable compositions many of which have become integral part of the repertoires of many of today's musicians. As his years at ECM have become increasingly focused on improvisational tour de forces or the exploration of the Great American Songbook, the compositions of Keith Jarrett that other musicians have been covering are mostly the tunes from his years with Atlantic Records and Impulse! Records albums, which perhaps better lend themselves to a re-interpretation. This week we explore some of the best, and some of the more unusual, renditions of the Keith Jarrett Songbook to celebrate the pianist's 76th birthday. The playlist features Big Band Katowice; Woody Herman; Steve Arguelles; Pat Metheny; Mike Gibbs; Georgie Fame; Keith Jarrett; Ulf Wakenius; Noël Akchoté; Sylvain Luc; Peter Lehel; SHIN-SKI; Noah Haidu; and Eric Revis. Detailed playlist at https://spinitron.com/RFB/pl/13172951/Mondo-Jazz (up to Eric Revis). Happy listening!

Every age has a number of defining musicians, who stand-out for their innovations and distinctive voices. For us growing up musically in the 1980s and 1990s and interested in forward looking music Bill Frisell is one of these foundational figures. His instrumental style is certainly unique and has shaped the way the following generations have approached the guitar, and--more and more so--his compositions are being embraced by his peers. His tunes integrate sources as diverse as country music, rock, pop, surf music or American contemporary and classical music into jazz. They contain many familiar traits which are hard to pin down because they've been revisited through Frisell's original vision, creating a brand of Americana that has become influential well beyond the confines of the US. With tunes like "Throughout" or "Strange Meeting" having been covered by tens of musicians, Bill Frisell' songbook is becoming as influential as his instrumental style Here we'll explore renditions of his songs by Michael Gibbs; Wayne Horvitz; Unscientific Italians; Elvis Costello and Metropole Orkest; Molly Johnson; Steve Argüelles; Aljosa Jeric; Charlie Haden; Tony Malaby; Noël Akchoté; Dylan-Thomas Vance and Griff Bear; and Jerry Douglas. Detailed playlist at https://spinitron.com/RFB/pl/12860963/Mondo-Jazz (up to Jerry Douglas) Happy listening! Photo credit: Monica Jane Frisell

In this final installment of our exploration of today's French jazz scene, a number of projects that illustrate how beautifully French musicians blend their many influences, from troubadour music of the middle-ages to pop songs of the '60s and '70s, and interests, from Greek mythology to the M-Base collective. The playlist features Manu Codjia, Geraldine Laurent, Christophe Marguet, Camille Bertault, Sarah Murcia, Louis Sclavis, Sélène Saint-Aimé [pictured], Michel Portal, Alban Darche, Matthieu Donarier, Meivelyan Jacquot, Sophia Domancich, Magic Malik, Stéphane Payen, Alexandra Grimal, Joelle Leandre, Noël Akchoté, Marc Ribot and Sylvain Rifflet. Detailed playlist at https://spinitron.com/RFB/pl/11280569/Mondo-Jazz (from Manu Codjia, Geraldine Laurent, Christophe Marguet onwards). Happy listening! Photo credit: Nikola Cindric

This week we focus on the music of two of the most influential composers of film and TV scores of all times, Henry Mancini and Ennio Morricone. Their compositional styles lend themselves to jazz interpretations, with Mancini being a soundtracks composer that often relied on jazz motifs and smaller ensembles and Morricone coming to the world of soundtracks after playing the trumpet in jazz bands in the 1940s. So we have two hours of jazz interpretations of their unforgettable themes, performed by Ted Nash, Oranj Symphonette, Shirley Scott, Stanley Turrentine, Lucia Cadotsch, Freddie Roach, Joe Jackson, John Stowell, Quincy Jones, Noël Akchoté, Johnny Hartman, Eddie Harris, Charlie Haden, Pat Metheny, Henry Mancini, John Zorn, Marco Cappelli, Jens Thomas, Enrico Pieranunzi, Marc Johnson, Joey Baron, Marcin Wasilewski, Ennio Morricone. Detailed playlist at https://spinitron.com/RFB/pl/7998154/Mondo-Jazz

durée : 00:27:10 - Bojan Z, pianiste (4/5) - par : Yvan Amar - Dans ce quatrième volet de nos entretiens, le pianiste Bojan Z revient sur les rencontres qui l'ont marqué après son arrivée à Paris : le guitariste Noël Akchoté, le saxophoniste Julien Lourau, le contrebassiste Henri Texier avec qui il jouera pendant douze ans, le clarinettiste Michel Portal... - réalisé par : Gilles Blanchard

Mercredi 13 mars au Fort de Tourneville, venez assister à la restitution publique du workshop mené par le musicien et écrivain Olivier Mellano avec des étudiant-e-s du Master de Création littéraire du Havre. Un moment privilégié : assister à l'émergence de la création littéraire, travaillée pour la scène et mise en musique...Nous ouvrons peu nos ateliers car la création a besoin d'ombre pour croître sereinement... C'est donc une expérience rare. Havrais-e-s, vous êtes gâté-e-s.Olivier Mellano : https://www.oliviermellano.com/Né à Paris en 1971, violoniste de formation, Olivier Mellano suit des études de musicologie à Rennes après lesquelles il collabore en tant que guitariste avec plus de 50 groupes et artistes français évoluant entre rock, pop, hip-hop, électro et chanson (Laetitia Shériff, Psykick Lyrikah, Bed, Dominique A…).Il compose régulièrement pour le théâtre (Stanislas Nordey, David Gauchard), le cinéma, les ciné-concerts, la radio, la danse ou la littérature. Parallèlement à son travail d’écriture, il développe activement l’improvisation en solo, en duo (François Jeanneau, John Greaves, Noël Akchoté, Boris Charmatz…) ainsi qu’avec des comédiens et des écrivains (André Markowicz, Claro, Nathalie Richard, Pacôme Thiellement…).Enclin aux rencontres par-delà les frontières géographies ou esthétiques, Olivier Mellano est également curateur de ses projets collectifs L’Île électrique ou La Superfolia Armaada pour lesquels il rassemble les artistes les plus aventureux pour des créations éphémères dans de nombreux festivals.En 2006, il publie chez Naïve « La Chair des Anges », un album comprenant ses pièces pour clavecins et orgue, octuor de guitares électriques, quatuor à cordes ou encore pour la voix, à mi-chemin de la musique baroque et contemporaine, interprétées par le Quatuor Debussy, Olivier Vernet, Valérie Gabail, Bertrand Cuiller, Frédéric Rivoal et Les Voix Imaginaires et données à la Basilique Saint-Denis ou à l’église Saint-Eustache.En 2012, il publie l’album « How we tried a new combination of notes to show the invisible », triptyque symphonique, électrique et électronique, commandé par l’Orchestre Symphonique de Bretagne et présenté à l’Opéra de Rennes lors des Transmusicales.En 2008 paraît son premier livre un recueil de pièces musicales imaginaires: «La Funghimiracolette» aux Éditions MF. Il travaille actuellement à son second roman.Après No Land sa pièce pour Bagad et voix interprétée par Brendan Perry de Dead Can Dance, il monte le projet BAUM autour des Mélodies de Gabriel Fauré. Il ne quitte pas pour autant le monde du rock sonique et sort en 2018 le deuxième album de son projet solo pop-noise MellaNoisEscape.

01 - ナマコプリ “君とRAVE (DJ Shimamura ft. NO+CHIN Remix)” from Single [BUY] 02 - DAOKO × 中田ヤスタカ “ぼくらのネットワーク” from Single [BUY] 03 - フレデリック “LIGHT” from Single [BUY] 04 - Joji “SLOW DANCING IN THE DARK” from BALLADS 1 [BUY] 05 - Noël Akchoté & 纐纈淳也 “DIM-フォーム” from テトラ寸法 [VIEW] 06 - kanchenjunga “愛玩 torso” from Single [VIEW] 07 - YEN “Can't take me anywhere” from Single [BUY] 08 - Komusō “Extension” from Luck will be on your side this week [FREE] 09 - ぞんび “クソったれが” from Single [BUY] 10 - BARBEE BOYS “なんだったんだ？7DAYS” from 3rd.Break [BUY] Notes: Guest Giggysan joins us to talk about Neon Genesis Evangelion and his top 5 frogs! Thank you Nina from DigBoston for your track suggestion! -Tyler Abstract.

Más homenajes a clásicos del jazz, tanto en el fondo como en la forma. Matthew Shipp Trio a Duke Ellington en "To Duke" (Rogue Art, 2015); los guitarristas Noël Akchoté, Richard Bonnet, Guillermo Bazzola y David Paredes a Ornette Coleman en "SKIES: guitar tribute for Ornette music" (Alina Records, 2015); finalmente el Dolchi Trío a Derek Bailey, Ornette Coleman, Steve Lacy o Han Bennink entre otros con Yeahhh!!!! (Alina Records, 2015). © Pachi Tapiz, 2015 HDO (Hablando de oídas) es un audioblog editado, producido y presentado por Pachi Tapiz. Toda la información acerca de esta entrega en http://www.tomajazz.com/web/?p=21375. Toda la información acerca de HDO en http://www.tomajazz.com/web/?cat=13298

Víctor Sequí es un baterista que además de realizar su labor como improvisador integral, está al frente de Alina, que según reza en su página web “es un proyecto de difusión de músicas improvisadas y afines, compuesto por tres vertientes: conciertos, grabaciones musicales y editorial”. HDO dedica su entrega número 45 a este proyecto musical, cuyas grabaciones se pueden descargar libremente. Durante la primera hora de programa se puede escuchar la charla – entrevista entre Víctor Sequí y Pachi Tapiz. En la segunda hora suena una selección de temas del catálogo de Alina Records elegidos y presentados por Víctor Sequí, interpretados por Noël Akchoté, Richard Bonnet, Ricardo Marichal, Pablo Martín Coble, Dolchi Trío, Josep Lluis Galiana, Víctor Sequí, David Paredes, Marta Sainz, Fernando Lamas y Dennis Mateis entre otros. © Pachi Tapiz, 2015 HDO (Hablando de oídas) es un audioblog editado, presentado y producido por Pachi Tapiz. Toda la información acerca de esta entrega en http://www.tomajazz.com/web/?p=21205. Toda la información acerca de HDO en http://www.tomajazz.com/web/?cat=13298

Conversación con Tom Harrell. En esta edición de "Club de Jazz" aprovechamos su gira española para charlar con este histórico trompetista (en activo desde finales de los 60) y escuchar algunas de sus grabaciones. Jesús Moreno homenajea "desde mi cadiera" al saxofonista Lol Coxhill, fallecido el pasado día 10 de julio, en una grabación a dúo con el baterista Roger Turner. Los "Ritmos Latinos" de Anxo dan muestra del recopilatorio "Sensacional Soul Vol.3". En el "Jazz Porteño" de Alberto Varela, los "Colores Extremos" de Enrique Norris (tp), Sabino Paz (b) y Diego Chamy (bt). Jazz anarquista inspirado por "Buenaventura Durruti" con Lucía Recio & La Marmite Infernale y el cuarteto formado por Phil Minton, Mark Sanders, Nöel Akchoté y François Courneloup. Además 45º aniversario de la muerte de John Coltrane y su música de la mano de Archie Shepp, el trío de tenors Michael Brecker, Dave Liebman y Joe Lovano y el proyecto de poesía e improvisación "Ascension, tombeau de John Coltrane" con Sylvain Kassap (clarinete), Claude Tchamitchian (contrabajo), Denis Lavant (voz) y Ramón López (batería), con poesía de Franck Médioni. Coltrane suena "Live at Birdland". Toda la información y derechos: http://www.elclubdejazz.com

Conversación con Tom Harrell. En esta edición de "Club de Jazz" aprovechamos su gira española para charlar con este histórico trompetista (en activo desde finales de los 60) y escuchar algunas de sus grabaciones. Jesús Moreno homenajea "desde mi cadiera" al saxofonista Lol Coxhill, fallecido el pasado día 10 de julio, en una grabación a dúo con el baterista Roger Turner. Los "Ritmos Latinos" de Anxo dan muestra del recopilatorio "Sensacional Soul Vol.3". En el "Jazz Porteño" de Alberto Varela, los "Colores Extremos" de Enrique Norris (tp), Sabino Paz (b) y Diego Chamy (bt). Jazz anarquista inspirado por "Buenaventura Durruti" con Lucía Recio & La Marmite Infernale y el cuarteto formado por Phil Minton, Mark Sanders, Nöel Akchoté y François Courneloup. Además 45º aniversario de la muerte de John Coltrane y su música de la mano de Archie Shepp, el trío de tenors Michael Brecker, Dave Liebman y Joe Lovano y el proyecto de poesía e improvisación "Ascension, tombeau de John Coltrane" con Sylvain Kassap (clarinete), Claude Tchamitchian (contrabajo), Denis Lavant (voz) y Ramón López (batería), con poesía de Franck Médioni. Coltrane suena "Live at Birdland". Toda la información y derechos: http://www.elclubdejazz.com

Radioautomata returns with Episode 6… straight up on that ass hommie™. Hopefully everyone is still hungry for more goulash after last episodes fill of gratuitous music-food references… because Radioautomata got more sonic sustenance for your ear hole! As usual, download the latest episode of the box bashing aural assault, and let us know what you think here… Send hate mail, unwarranted donations and recommendations to radioautomata@gmail.com Enjoy. Del in the HOUSE from the D!DOWNLOAD HERE!!! Stream Here: Playlist (Artist – Title – Album) Cornelius – Point of View - PointHelios – The Obeisant Vine - AyresSuba - Sereia - Sao Paulo ConfessionsStereolab - Metromic Underground - Emperor Tomato KetchupVampire Hands – No Fun – Me and You Cherry RedSigur Ros - Gobbledigook - Med Sud I Eyrum Vid Spilum Endalaust(Click HERE to see live performance with Bjork)Noël Akchoté – 3 – Alike JosephBlonde Redhead – Slogan – SingleLiars - Leather Prowler - Liars Bracken - Many Horses - We Know About the NeedCanon Blue – Baptesme - ColoniesFleet Foxes - Mykonos - Sun Giant EPCibelle – Green Grass – SingleAnimal Collective - Playpen - Spinning on AirAnimal Collective – Water Curses – Water Curses EPVampire Hands – Queen Juno – Me and You Cherry RedDeerhunter – Like New - Fluorescent Grey EPThe United States Of America - Cloud Song - The United States Of AmericaWhite Noise - Love Without Sound - An Electric Storm Noël Akchoté – 2 – Alike Joseph Episode 7 coming soon with a special live in studio interview and performance from Brother Mitya. Here's a preview! Brother Mitya on Radioautomata from Radioautomata on Vimeo.