Podcasts about Yellow Magic Orchestra

**Colin Peters presents… 15 FAVES** This mix features 15 tracks that are some of my all-time favourites, personal memories that come together to form a beautiful whole. **Laid Back – White Horse** It's electro, synthpop and post-punk rolled into one, what's not to like :) **Lenny Kravitz – Let It Ride (Jamie Jones remix)** ‘White Horse' and ‘Let It Ride', get it? Got to see Lenny Kravitz live in April 2025, and I love his homage to New York's 80s underground, expertly remixed by Jamie Jones. **Tiefschwarz – Kinda New (Tiefschwarz Dub)** The biggest track of Ibiza 2004 dominated the speakers of the White Island, especially at We Love Sundays at Space. **Moontalk - Virtual Friends** Love the whole Tiga 00s vibe on this 2024 track, leading us nicely into… **Seelenluft - Manila (Ewan Pearson remix)** **Golden Boy with Miss Kittin - Rippin Kittin (Tobi Neumann remix)** These two tracks will always remind me of my sets at Manumission and Carry On, with the electroclash and synthpop revival fitting perfectly with my sound at the time. **Information Society – Running (Oscar Independance edit)** Freestyle at its finest, this track really has stood the test of time. It's also one of the first remixes by one of my all-time favourite DJs and producers, Louie Vega. **When In Rome – The Promise ** This track, along with Desireless - ‘Voyage Voyage', are tracks I adored back in the 80s but then disappeared before coming back in a dazzling moment of rediscovery. ‘Voyage Voyage' in a taxi in 2001 in London and ‘The Promise' in 2004 as part of the Napoleon Dynamite soundtrack. Poetry in motion. **Company B – Fascinated ** More 80s freestyle sauce by Company B. The Melody is strong with this one. **Mel & Kim – Showing Out (Serge Santiago edit & Extended Version)** This one always reminds me of my older brother and his 80s Hi-Fi system. Whenever he went out, he always said: “Don't you dare touch my vinyl; I'll know if you have.” I always gave it a good 15 minutes before getting my grubby hands on the record player. My faves were Five Star, Whitney Houston and this absolute banger by Mel & Kim, produced and remixed by the much-maligned Stock, Aitken & Waterman. **The Aikiu – The Red Kiss (The Magician Precious 80's Dub)** The Magician captures the magic of the 80s on this dub **Nami Shimada – Sunshower (Vox)** Originally released in 1989, Nami Shimada's ‘Sunshower' is a peculiar deep house anthem that has stuck in my head over all these years. The best mix is the Vox version from 2004, still sounding fat after 21 years later with its warm blend of house and electro. **Wham! – Everything She Wants (SMQ edit)** My No.1 Wham track, beautifully edited by Sleazy McQueen. I celebrated my 40th birthday by recreating Wham! 's ‘Club Tropicana' video at Pikes (I was George Michael, of course). **Steve Winwood - Valerie Eric Clapton – Behind The Mask** Ending 15 Faves, we have two 60s rock gods who embraced synthpop on 2 of their signature tracks. Stevie Windwood's glorious ‘Valerie' and Eric Clapton's masterly cover of Yellow Magic Orchestra's ‘Behind The Mask'. These two were massive on my Yellow Sports Walkman in 1985.

Support Night Clerk Radio on Patreon You should know that this episode was divinely ordained. The Discogs article below was posted by a listener on our Patreon Discord at the precise moment Birk was listening to a related album and thinking about this episode topic. As a result, you have to listen to us work our way through the landscape of Japanese Ambient in the 80s and 90s. We talk about the music of the time and how it might have arisen from changing material and technological conditions, the importance of funding cool art, and its resurgence in popularity over the past few years. Outro SampleSeiko 3 from Music For Commercials by Yasuaki Shimizu Read these Articles!Exploring Japan's Ambient Music Boom of the '80s and '90sThe Sabukaru Guide to Japanese Ambient MusicHow Japanese Ambient Music Became a Thing in AmericaKankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980-1990Kankyo Ongaku: A Brief History of Japanese Ambient MusicA Beginner's Guide to '80s Japanese Ambient MusicSpace and Certainty: On the Rise of Japanese Ambient Music CreditsMusic by: 2MelloArtwork by: Patsy McDowellNight Clerk Radio on Bluesky

"I wanted to be at the forefront of the beat that would storm the world." The renowned musician talks about how reggae became the sound of resistance in the UK. How did reggae become the sound of resistance in the UK? In this RA Exchange, the influential Barbados-born guitarist, bass player and record producer Dennis Bovell talks about moving to South London aged 12 and navigating its tense racial and musical landscape. Through the music he wrote and produced, he responded directly to racist rhetoric and colonialist attitudes rocking the UK. After the arrival of the Empire Windrush ship in June 1948—which brought a generation of Caribbean people over to rebuild post-war Britain—the UK experienced new social pressures as the diaspora assimilated to their new lives. But London also became a melting pot of creative and cultural diversity. Reggae became resistance music, and artists like Bovell became bandleaders. Bovell speaks with writer and musician Tony Nwachukwu about music as social commentary, especially in his reggae band Matumbi, which was intentionally provocative, aiming to challenge the status quo and give voice to the Black British experience through its lyrics, themes and messaging. Matumbi was critical in developing the British reggae sound, and Bovell went on to record other musical projects that were key in shaping the early days of reggae, dub and lover's rock. He also reflects on his time engineering for artists in different scenes, like the German electronic duo Saâda Bonaire, the Japanese band Yellow Magic Orchestra and Ryuichi Sakamoto. Bovell's unique ability to bring together different musical styles at the peripheries of dub made him a highly sought-after collaborator with a knack for navigating delicate dynamics in the industry, especially for Black artists. Listen to the episode in full. -Chloe Lula

We had to take a few weeks off, but we are back with an episode that is almost as good as the music featured in it - AND THE MUSIC IS VERY GOOD!The idea was to pitch songs that should be used in a sample. Such a fun thought experiment that we thought we should focus on a specific instrument so we could make this a series. So today we present the drums edition of this playlist-based concept.First we'll get into Danny's playlist, featuring 8 songs made up of 2-song pairings that exist in similar spaces. We'll cover country, gritty rock, swampy soulful country funk, and then a random pairing of songs that happen to work fantastic together.Then we'll get into Julius's playlist which covers grunge, Krautrock, and soul - a mix of songs that will have you dancing along while craving buttery chicken. With the last minute addition of a Bjork song it rounds out to 8 classic songs, old and new, that you can jam out to in any setting.Songs featured in this episode:Gettin' HappyHang You From the HeavensTulsa Turnaround (Tyler Childers Live at Farm-Aid)Melt Not My Igloo (Common Remix)Vitamin CTerrapin (Conductor Williams Remix)Links to our Playlists:Danny: Spotify - Apple Music - YoutubeJulius: Spotify - Apple Music - YoutubeCheck our Season 2 preview episode description to see what music we'll be discussing next!Send us a text message!You can follow us here: Instagram Twitter Tiktok Send us a message, we'd love to hear from you! Email is thegmspod at gmailLeave us a rating and review if you want to!Thanks for listening!

A conversation with Chris Mosdell – poet and lyricist who has written for a vast array of musicians including Yellow Magic Orchestra, Michael Jackson, Sarah Brightman, Tatsuro Yamashita and many more, and in 2023 was honoured with Japan's Classics Day Cultural Foundation Prize, presented by a member of the Imperial family. Mosdell shares the process of writing words for music, the story of why one of his most famous pieces was locked in Michael Jackson's vaults for decades, being inspired by Kyoto's 10th century "social media", and how the hum of cities has an impact on his words.

Welcome back to another episode of The Design Vault with your hosts Albert Shum and Thamer Abanami. Today we explore an absolute game changer in the world of music technology—the Roland TR-808 drum machine. Despite its initial commercial failure, the TR-808 revolutionized music production and left an indelible mark on various genres—from early hip hop and Detroit techno to pop music and beyond. We'll take you through the fascinating origins of drum machines, the unexpected cultural phenomenon of the TR-808, and its lasting influence on the music industry.   TAKEAWAYS How did the Roland TR 808 transition from a commercial failure to a cultural icon in music? Introduction of programmable drum machines in the late 70s and early 80s Initial adopters and experimental musicians like Yellow Magic Orchestra, Kraftwerk, and pioneers in hip hop and electronic music The iconic "boom" of the kick drum Reflections on unintended consequences of product design Join us as we shape the future of design by learning from the past and present    FOLLOW US Linkedin Albert Linkedin Thamer Instagram Hosts: Albert Shum and Thamer Abanami Production and Post-production: Romina Hakim, Toño Tellez and Poonam Patel Music: Red Lips Media LLC Brand Design: Rafael Poloni  

It's another mailbag episode, so that means the listeners choose the topics for discussion... Soft Boys! Metro! B-Movie! Yellow Magic Orchestra! Joy Division! (and yes, even more Rachel Sweet). Email us at deepdives.deepcuts@gmail.com.

Esta semana, dedicamos una nueva edición de Rebelión Sónica, al músico japonés, figura gigante de la electrónica, la música clásica y la vanguardia, Ryuichi Sakamoto. En primer lugar, destacamos el álbum póstumo “Opus”. Publicado por el sello Milan Records el 09 de agosto, el disco que contiene la última grabación del fundamental músico japonés, fallecido en 2023. La performance sin audiencia fue realizada por el fundador de Yellow Magic Orchestra a finales de 2022 en el estudio NHK 509 de Tokio. Durante la presentación, interpretó piezas para piano de varias de sus obras pasadas y más recientes. El álbum, que se lanzó con sonido envolvente Dolby Atmos, viene acompañado de un documental, dirigido por el hijo de Sakamoto, Neo Sora, quien filmó la actuación final. En una declaración después de grabar esta última performance, Sakamoto dijo: “El proyecto fue concebido como una forma de grabar mis interpretaciones, mientras aún podía hacerlo, de una manera que valga la pena preservar para el futuro. En cierto sentido, aunque pensaba que ésta era mi última oportunidad de tocar, también sentí que podía abrir nuevos caminos”. El comunicado agrega que “simplemente tocar algunas canciones al día con mucha concentración era todo lo que podía hacer en este momento de mi vida. Quizás debido al esfuerzo, después me sentí completamente vacío y mi condición empeoró durante aproximadamente un mes. Aun así, me siento aliviado de haber podido grabar antes de mi muerte, una actuación con la que quedé satisfecho”. Al final del programa, resaltamos otra de las facetas esenciales del músico nipón: la de compositor de bandas de sonido, para escucharlo específicamente con material del soundtrack de 1987 para la película de Bernardo Bertolucci, “El último emperador”. La banda sonora, que también cuenta con colaboraciones de David Byrne y Cong Su, obtuvo un Óscar y un Grammy como mejor partitura. Rebelión Sónica se transmite por radio Rockaxis los jueves a las 10 y 22 horas, con la conducción y curatoría de Héctor Aravena

En este episodio Mario Mengoni presenta una producción Haruomi Hosono, el talentoso artista, quien junto a Ryuichi Sakamoto creó la Yellow Magic Orchestra, y nos invita a explorar el mundo a través de la música. Descubrimos a Secret Atelier, el dúo de música electrónica de Moscú. El aterrizaje de Moon Boots en el Sello Big Love con nuevo single cantado por Montel Moore. Todo el estilo del parisino Geyster junto a Laurie Laurie Darmon en bellas piezas de baile. La leyenda de “El Holandés Errante” convertida en música por el talento de Alex Santos Orchestra. Diego Hidalgo mixea “el discollage” con tracks de Jonk & Spook, Otho And Grag, Sam Ruffillo & Fimiani. Y recordamos a los Thompson Twins con su new wave del pop. Conducción, musicalización y producción general: Mario Mengoni. Asistente de Producción: Diego Hidalgo. Locutores: Leandro Brumatti y Raúl Proenza. Operador Técnico: Carlos Rodríguez. Fotografía y video: María Arnoletto. Logística: Sergio Van Megroot. Sitio oficial: www.discorama.net Seguinos en nuestras redes y dejanos tu comentario: https://www.instagram.com/discoramabymario https://www.facebook.com/discoramabymario https://x.com/DiscoramaAR

In der aktuellen Sendung bietet Luca dir einen Blick in das neue Album der Berner Coldwave Band Plague Pits. Bukolik behandelt die Trennung zwischen Mensch und Natur, ist am 12. Juli 2024 erschienen und im Frühjahr 2024 entstanden. Im Rest der Sendung gibt es Sci-Fi-Tipps für alle Space Nerds mit Mars Express, einem französischen animierten Sci-Fi-Krimi und mit Virtuaverse einem Cyberpunk Point & Click Adventure mit Synthwave Soundtrack. Der 80s Track der Woche kommt von Yellow Magic Orchestra aus Japan und am Schluss der Sendung wird der Fokus auf die Solo Musik von Yukihiro Takahashi, dem Sänger und Drummer von Yellow Magic Orchestra, gelegt. Er gilt als einer der Pioniere der japanischen Synth-Pop Musik. 

Welcome to today's episode, where we journey back to the year 1982—a pivotal year in music history. This was a time when genres were in flux, new sounds were emerging, and the music industry was undergoing significant transformations. We'll explore the coming end of disco, the rise of heavy metal and hip hop, and some fascinating developments in Japanese music. We'll also examine the political climate of the time, the impact of MTV and music videos, and the exclusion of artists of color from this new visual medium.   ### The Music of 1982   **The Decline of Disco:** By 1982, the disco craze that had dominated the late 1970s was waning. The backlash against disco, epitomized by events like the infamous Disco Demolition Night in 1979, had taken its toll. While disco's influence lingered in pop and dance music, it was clear that the genre's heyday was over. Artists who had ridden the disco wave began to either evolve their sound or fade from the spotlight.   **The Rise of Heavy Metal:** Heavy metal was on the ascent, with bands like Iron Maiden, Judas Priest, and Ozzy Osbourne leading the charge. The genre's aggressive sound and rebellious spirit resonated with a generation looking for something more intense than what mainstream rock offered. Metal's rise was part of a broader movement towards harder, more complex music that also included punk and hard rock.   **The Emergence of Hip Hop:** Hip hop was also beginning to gain traction. While still primarily an underground movement, 1982 saw the release of seminal tracks that would lay the groundwork for the genre's explosion in the mid-1980s. Grandmaster Flash and the Furious Five's "The Message" was a groundbreaking track that highlighted the social issues facing inner-city communities, proving that hip hop was a powerful new voice in music.   **Innovative Japanese Music:** In Japan, the music scene was vibrant and innovative. Artists like Yellow Magic Orchestra were blending electronic music with pop, creating sounds that were ahead of their time. Meanwhile, city pop, a genre that combined jazz, funk, and R&B, was becoming popular. Japanese musicians were not only pushing the boundaries of traditional genres but also influencing global music trends.   ### Political Climate of 1982   The early 1980s were marked by significant political and social changes. In the United States, President Ronald Reagan's administration was characterized by conservative policies, economic changes, and a strong stance against the Soviet Union. The Cold War was still a dominant force in global politics, affecting cultural and artistic expressions around the world. Economic policies were shifting towards deregulation and tax cuts, which had mixed impacts on different segments of society.   In the UK, Margaret Thatcher's government was implementing neoliberal economic policies, leading to significant social and economic changes. These policies sparked resistance and protest from various groups, including labor unions and youth movements, which were often reflected in the music of the time.   ### The Rise of MTV and Music Videos   **MTV's Impact:** MTV launched in August 1981, revolutionizing the music industry by making music videos a crucial part of an artist's success. The visual aspect of music became as important as the sound, changing how artists promoted their music and connected with fans. Videos like Michael Jackson's "Billie Jean" and Duran Duran's "Hungry Like the Wolf" became iconic, setting new standards for production and creativity.   **Exclusion of Artists of Color:** However, MTV faced criticism for its lack of diversity. Early on, the network primarily featured white rock artists, excluding many artists of color, particularly in genres like R&B and hip hop. This exclusion was symptomatic of broader racial biases in the music industry. It wasn't until Michael Jackson's breakthrough that MTV began to more regularly feature black artists, a shift largely driven by the massive popularity and undeniable talent of Jackson himself.   ### Conclusion   1982 was a transformative year in music, marked by the decline of disco, the rise of heavy metal and hip hop, and innovative contributions from Japanese artists. The political climate of the time influenced these musical shifts, while the advent of MTV changed the way music was consumed and promoted, albeit with significant racial biases that needed addressing. As we look back, we can see how these developments laid the groundwork for the diverse and dynamic music landscape we enjoy today.   Link to the 1982 playlist. It might the best, y'all decide: https://open.spotify.com/playlist/74fNzg8UUNOYHPtxntkXO5...   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined, BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Twitch: www.twitch.tv/thisisrevolutionpodcast www.twitch.tv/leftflankvets​ Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles   Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/   Pascal Robert's Black Agenda Report: https://www.blackagendareport.com/author/Pascal%20Robert          

New Romantic: A subculture movement that originated in the UK in the 1970s and early 80s that focused on a  more androgynous and glamorous style. Artists and bands like Boy George and Roxy Music popularized the look and feel of the New Romantic style.Neuromantic: Yukihiro Takahashi's 1981 solo album. A pun on New Romantic and a reference to Takahashi's own neurosis. Neuromantic may have all three members of Yellow Magic Orchestra, but this was Takahashi's chance to showcase his incredible musicianship. He collaborated with Andy McKay and Phil Manzera of the aforementioned Roxy Music to create a masterpiece that wasn't afraid to challenge the listener with its futuristic cyberpunk-esque sound.DJ/Curator/Producer Mark "Frosty" McNeill joins us to talk about the European influence in Neuromantic, the process of creating the Pacific Breeze compilations, and how the boom of city pop has affected record labels and artists today.Check out our Spotify playlist for this episode! We also have the playlist on YouTubeIf you enjoy Primer please support the show and get some cool gifts too!Follow Frosty: Instagram  | DublabFollow Primer: Instagram | Twitter | TikTok

June 1980 marches on with albums from the likes of Toyah, Metro, Pink Military, and the Yellow Magic Orchestra. Listen to the full playlist on Spotify: https://spoti.fi/3VqcMLl Email us at deepdives.deepcuts@gmail.com.

Mentioned in this episode:Your Choice Thai Restaurant - https://www.yourchoicerestaurant.com/Your Choice Instagram - https://www.instagram.com/yourchoicerestaurant/Creaminal Ice Cream - https://eatcreaminal.com/Creaminal Instagram - https://www.instagram.com/eatcreaminal/No Sad Sundaes - https://eatcreaminal.com/no-sad-sundaesDJ Javier - https://www.instagram.com/_djjavier/?hl=enLAX-C - http://www.lax-c.com/Seafood City - https://www.seafoodcity.com/Mitsuwa Marketplace - https://mitsuwa.com/Ume Chips - https://sunakku.weebly.com/blog/koikeya-suppa-mucho-ume-chipsSilvers Omakase - https://www.silversomakase.com/Omakase - https://en.wikipedia.org/wiki/OmakaseHokkaido Scallops - https://www.euronews.com/travel/2018/10/12/taste-savours-the-majesty-of-hokkaido-scallops-in-japanChu Toro - https://en.wikipedia.org/wiki/Ch%C5%ABtoroHokkaido Uni - https://www.foodandwine.com/seafood/everything-you-need-know-about-uniTotoraku (now closed) - https://www.thrillist.com/eat/los-angeles/west-la/secret-la-restaurant-secret-beef-totorakuChiles en Nogada - https://en.wikipedia.org/wiki/Chiles_en_nogadaBabita Mexicuisine - https://www.laweekly.com/french-technique-and-the-sea-inform-babitas-gourmet-mexican-food/La Casita Mexicana - https://www.yelp.com/biz/la-casita-mexicana-bellLos Agaves - https://www.independent.com/2018/09/18/chiles-en-nogada-santo-mezcal-los-agaves/Padaro Beach Grill - https://www.padarobeachgrill.com/Chubbie's - https://chubbieshamburgers.com/Habit Burger - https://www.habitburger.com/Bruxie - https://www.bruxie.com/Warrior - https://www.netflix.com/title/80177331Shannon Lee - https://en.wikipedia.org/wiki/Shannon_LeeBruce Lee - https://en.wikipedia.org/wiki/Kung_Fu_(1972_TV_series)Kung Fu - https://en.wikipedia.org/wiki/Kung_Fu_(1972_TV_series)Suzume - https://www.netflix.com/title/81696498Makoto Shinkai - https://en.wikipedia.org/wiki/Makoto_ShinkaiYour Name - https://en.wikipedia.org/wiki/Your_NameWeathering WIth You - https://en.wikipedia.org/wiki/Weathering_with_YouThe Place Promised in Our Early Days - https://en.wikipedia.org/wiki/The_Place_Promised_in_Our_Early_DaysGarden of Words - https://en.wikipedia.org/wiki/The_Garden_of_WordsMillennium Actress - https://en.wikipedia.org/wiki/Millennium_ActressAkira - https://en.wikipedia.org/wiki/Akira_(1988_film)Grave of the Fireflies - https://en.wikipedia.org/wiki/Grave_of_the_FirefliesSalzer's - https://salzers.com/Ryuichi Sakamoto - https://en.wikipedia.org/wiki/Ryuichi_SakamotoSnooze by Suga featuring Ryuichi Sakamoto - https://www.youtube.com/watch?v=okfdIIUQOikYellow Magic Orchestra - https://en.wikipedia.org/wiki/Yellow_Magic_Orchestra

Wynston Minckler talks about playing upright and electric bass professionally on the Vancouver music scene for over a decade now. Wynston's name appears on the gig list more than almost anyone else as a side performer. His main project as a bandleader has been a trio with Mary Ancheta and Nick James, playing the music of the Yellow Magic Orchestra.Just announced: the second annual jazz night at the Bernie Legge Theatre in New Westminster, featuring Will Clements' Compass & William Chernoff, on June 1st. Get tickets here.Become a member for free today at rhythmchanges.ca. You'll get the free weekly email with upcoming events from the gig list, plus artists, events, or recordings for you to enjoy and share. Sent every Tuesday morning at 6:00 AM Pacific Time.Credits: Hosted, produced, edited, and mixed by Will Chernoff. Music: "Lutin" by William Chernoff.

The story of Bob Moog and three pioneering synth bands - Suicide, Gary Numan & Yellow Magic Orchestra.

As a tribute to Ryuichi Sakamoto on the first anniversary of his passing, Caro C talks to Richard Barbieri, Natalie Beridze and Carsten Nicolai, aka Alva Noto, three musicians who were fortunate enough to collaborate with him. Here, they share some insights into his mindset and methodologies. Chapters00:00 - Introduction01:44 - Richard Barbieri09:04 - Natalie Beridze 19:45 - Carsten Nicolai / Alva Noto Ryuichi Sakamoto BiogRyuichi Sakamoto was a multi award-winning keyboardist, songwriter, composer and producer who along with Haruomi Hosono and Yukihiro Takahashi, became pioneers of the electronic music genre in Honsono's band Yellow Magic Orchestra.Prior to his success with the band, Sakamoto earned a B.A. in music composition and worked as a session musician and producer. Alongside his success with the band, he continued his solo work, releasing solo albums and collaborations, experimenting with various genres and fusing traditional with electronic. This work led to him scoring more than 30 films throughout his career, his most famous being Merry Christmas, Mr Lawrence and The Last Emperor. In his later career he composed a multimedia opera, sampled a glass building for use in one of his works and traveled to the Arctic to record the sound of melting snow.Richard Barbieri BiogHailing from London, Richard joined the British band Japan in 1975 and saw huge success around the world until they split in 1982. He continued to work with David Sylvian, as well as Sylvian's brother, Steve Jansen on separate projects. He reunited with Sylvian, Jansen and bass player Mick Karn for the Rain Tree Crow project and continued to play with Steve & Mick as part of ‘JBK'. In the early 1990s, the three of them teamed up with Tim Bowness and Steven Wilson as part of No-Man and it was here that Barbieri and Wilson would begin their long musical association. Porcupine Tree had initially been a Wilson solo project but he recruited Richard in 1993 and over the next 17 years, became one of the shining lights of the neo-prog / pop scene, embracing a more heavy style as the years went on. Reuniting in 2021, they released the first Porcupine Tree album in 12 years with 2022's ‘Closure/ Continuation', a critically acclaimed return to form. Richard has a large body of solo work which he started to release in 2005 and still does to this day.http://www.richardbarbieri.co.uk/Natalie Beridze BiogNatalie Beridze is a Georgian music composer and songwriter. Since 2003 Natalie has been performing live concerts worldwide, and has been known as the first female electronic music artist from Georgia. From 2002-2008 she lived in Cologne and produced music under the artist name TBA. She's released music in Europe on Max.E, Monika Enterprise, CMYK, Laboratory Instinct, CES Records DADO records, Apollo Records Chainmusic, CES Records and ROOM40.In addition to her solo projects, Beridze has collaborated with artists such as Thomas Brinkmann, AGF (Antye Greie), Gudrun Gut, Joerg Follert, Marcus Schmickler, Nika Machaidze aka Nikakoi, Ryuichi Sakamoto, Gacha Bakradze, Alex Kordzaia, Annika Henderson, Antye Greie-Fuchs, Barbara Morgenstern, Beate Bartel, Danielle De Picciotto, Gudrun Bredemann, Lucrecia Dalt, Merja Kokkonen, Mommo G, Natalie Beridze, Pilocka Krach, Sonae. Beridze's music is part of Adam Curtis's recent BBC Documentary series “Can't get you out of my head”. She also creates works for piano, orchestra and choir, which have been performed by a number of artists and the Tbilisi state opera orchestra. Her recent compositions for piano, keyboard, soprano and tape are part of the ongoing program of Zurich based KioskEnsemble.Beridze, alongside Nika Machaidze teaches songwriting and music production at CES (creative education studio).https://natalieberidzetba.bandcamp.com/Carsten Nicolai / Alva Noto BiogUnder the pseudonym Alva Noto, Carsten Nicolai is one of the best-known representatives of contemporary electronic music. Concerts have taken him to the Solomon R. Guggenheim Museum in New York, the San Francisco Museum of Modern Art, the Centre Pompidou in Paris, and the Tate Modern in London. His various musical projects include collaborations with Ryōji Ikeda, Mika Vainio, Iggy Pop, Blixa Bargeld and Ryūichi Sakamoto. With the latter, Nicolai composed the score for Alejandro González Iñárritu's Oscar-winning film The Revenant, which was nominated for a Golden Globe, a BAFTA, a Critics Choice Award and a Grammy.https://alvanoto.com/Caro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/

Shubostar's RA Podcast begins and ends with video game music. (The beginning kind of sounds like Mary Poppins, actually.) Lots of DJs and producers play or make music that emulates the nostalgic sounds of old-school gaming, but the South Korean artist goes direct to the source. Before falling in love with dance music, she went to an animation-focused high school and learned how to make video games—so it's basically in her musical DNA. And while her DJing isn't as out-there as you might expect from that description, '90s and '00s Japanese video game (and anime) soundtracks offer a good idea of what her playing sounds like: lush, synthetic and a little naive, full of wonder and positive vibes. With releases on labels like Permanent Vacation, Internasjonal and her own uju Records, Shubostar is also a student of cosmic space disco, inspired by artists like Daniele Baldelli, Lindstrøm and Prins Thomas. Lately she's been rubbing elbows with Âme and Dixon. She picks tracks from across eras and genres on her RA Podcast, with cuts from Yellow Magic Orchestra, Baldelli and Kraftwerk alongside selections from DJ City and Private Agenda. It's a mix full of mood shits, dazzling keyboard runs and, of course, melodies that seem to reach out towards the heavens—or outer space. @shubostar Read more at https://ra.co/podcast/925

I had a wonderful time preparing for this unique gig honoring the late legendary Japanese artist, Ryuichi Sakamoto. I went through his vast catalogue picked out my favorites to share & attempt to make a coherent mix out of.The end result was this live mix I whipped together on a fun Thursday night at one of my favorite places to dj in Madison, Leopold's Books Bar Caffè.Enjoy the ride!Playlist: https://serato.com/playlists/nick_nice/ryuichi-sakamoto-tribute-night-live-at-l

Around 2010 I became somewhat obsessed with Japanese pop and ambient music of the 1980s - in particular the Yellow Magic Orchestra, the solo records of the members of the group: Ryuichi Sakamoto, Haruomi Hosono and Yukihiro Takahashi and music by Akiko Yano, Yasuaki Shimizu and Hiroshi Yoshimura amongst many others. Last year I discovered that this was an enthusiasm shared with architectural historian, and very occasional pop music writer, Owen Hartherley who has since written an article partially on the topic: https://www.jencksfoundation.org/explore/text/japan-at-number-one-ryuichi-sakamoto-s-riot-in-lagos Although much of the episode is on the music itself, we also touch on the politics - particularly how these artists were influenced by and reacting to the culture of the 1960s New Left, during the extraordinary economic boom of the 1980s, and how some of these musicians reintegrated the memory of 20th century Japanese imperialism in Asia into their music. If you'd like to explore some of the music we discuss in the episode you can find an accompanying playlist on Spotify: https://open.spotify.com/playlist/1eM8f2mq7vJYtYuTDq2EKW?si=7dd8d970fb8d4ad2 As well as tracks from the 80s, the playlist also includes some records from the folk rock era of the 1970s, as well as from Vaporwave and Future Funk genres - both of which were influenced by much of the 1980s work that Owen and I discuss. Unfortunately, there are plenty of fantastic records from this era that aren't currently available on the streaming services - including Akiko Yano's best work (especially the album Tadaima) Paradise of Replica by After Dinner, Ichiko Hashimoto's Beauty album, Miho Fujiwara's Heartbeat, Untotooku by Chiemi Manabe and the soundtracks to the animated films Akira and the Wings of Honnêamise amongst others. Do check those out too if you can - many of them are available on YouTube or to purchase from Bandcamp and other such outlets. Owen's article, 1980 in Parallax: Japan at Number One, Ryuichi Sakamoto's ‘Riot in Lagos': https://www.jencksfoundation.org/explore/text/japan-at-number-one-ryuichi-sakamoto-s-riot-in-lagos Spotify playlist: https://open.spotify.com/playlist/1eM8f2mq7vJYtYuTDq2EKW?si=7dd8d970fb8d4ad2

The lads take a run at their first trivia quiz episode! Join them as they cover a wide range of music from Yellow Magic Orchestra to Shane MacGowan and the Pogues. Email us at deepdives.deepcuts@gmail.com.

This week we celebrate the musical legacy of the prolific musician and composer Ryuichi Sakamoto. A long time favorite of ours on this show, his sound is unparalleled and beautifully unique. Journey with us as we reminisce through he decades of his work. The conductor of Yellow Magic Orchestra has taken the podium in theREAD MORE

Episode 152 of Pudding On The Wrist, in which your psychic friend and faithful deejay, Frozen Lazuras, sits in the control room and spins choice cuts from SpaceMoth, Lovin' Spoonful, Lou Reed, Angel Corpus Christi, Yellow Magic Orchestra, and many more. 

Matt & Dom, your humble music selectors start and end with Cumbia, going around the globe.Also RIP to Icon Jane Birkin, along with cumbia, there is country, bluegrass, and afrobeat. Featuring Serge Gainsbourg, Meridian Brothers, Love & Rockets, Colter Wall, Yellow Magic Orchestra and loads more! Tune into new broadcasts of Worldy with Matt and Dom, LIVE, Monday from 10 AM - 12 Noon EST / 3- 5 PM GMT.For more info visit: https://thefaceradio.com/worldy///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.Returning Hit Factory favorites and fellow Neptune High Class on 1980 Sea Dogs Taylor Grimes and Hard Mike join for a testosterone-heavy conversation about Brian De Palma's 'Snake Eyes'. It's a throwback thriller that satisfies as both sleazy genre exercise and one of the director's most stylish metacommentaries on the craft of filmmaking itself.We discuss Brian De Palma as auteur, and how this film continues his career-long devotion to past masters like Hitchcock and their shared fascination with perversion, voyeurism, and corruption. Then we discuss the film's brilliant grasp on both form and function, as it employs its technical acuity to externalize the interiority of it's lead character (portrayed with considerable aplomb by a never-better Nicolas Cage). Finally, we discuss the film's many brilliant collborators, including the late Ryuichi Sakamoto of the influential Japanese electronic outfit Yellow Magic Orchestra who provides this movie's haunting and lyrical score.Follow Hard Mike on Twitter. Find Taylor online (if you can). ....Our theme song is "Mirror" by Chris Fish.

Welcome to Live From Progzilla Towers Edition 478. In this edition we heard music by Rodrigo Y Gabriela, Aton Five, That Joe Payne, Arcade Fire, K'mono, Big Big Train, Yellow Magic Orchestra, Cairo, Genesis, Djabe & Steve Hackett, The Dave Foster Band, Asymmetric Universe, Polestar 1, The Enigma Division, Kansas, Arena, Pendragon, Voyager, Curved Air, Sky, Peter Gabriel, Rick Wakeman, The Enid & Jethro Tull.

Hi. Our name is Lightnin' Licks Radio podcast. Song titles that are also a person's name is the theme of episode thirty. “Name” that tune. Get it? Join Lickers Jay and Deon as they discuss some of their favorite name songs and the artists responsible for them. Stay healthy out there, Podcast America. Also, check your sump pump(s). Sonic contributors to episode thirty of Lightnin' Lick Radio podcast include:  Lee Moses, Holland-Dozier-Holland, James Todd Smith, Labi Siffre, Seth McFarlane, Shirley Ellis, Lincoln Chase, Charles Calello, Snoop Doggy Dogg, Parliament Funkadelic, Soul Doctors, Carson Williams, Harry and Roberta Salter, Johnny Oliver Orchestra, Tom Kennedy, Iggy Pop, The Prodigy, War Games, Rare Earth, Timbaland, Joyner Lucas, Bob Edwards, BJ Leiderman, Stuart McLean, Garrison Keillor, Tom Newman, Andrew Bird, Gillian Welch, William Prince, The Undertones, The Specials, That Petrol Emotion, Unknown Mortal Orchestra, Nick Lowe, Yellow Magic Orchestra, Sam Coffey and the Iron Lungs, Dwight Twilley Band, Genesis, Drugdealer, Kate Bollinger, Weyes Blood, Masters of Reality, Chris Goss, Kyuss, Little Beaver, Chocolate Clay, Squeeze, Red House Painters, Mark Kozalek, The Cars, Sun Kil Moon, Hot Chocolate, Urge Overkill, George McCrae, Isaac Hayes, Geto Boys, The Clockers, Goldie Hawn, Susan Sarandon. “Name” That Tune mixtape: [SIDE 1] (1) Sam Coffey and the Iron Lungs – Judy (2) Little Beaver – Joey (3) The Undertones – Julie Ocean (4) Unknown Mortal Orchestra – Nadja (5) Squeeze – Vicky Verky [SIDE 2] (1) Drugdealer – Madison (2) Red House Painters – Kavita (3) Hot Chocolate – Emma (4) William Prince – Goldie Hawn (5) Masters of Reality – John Brown [fin.] RECORDED: 04/30/2023  RELEASED 05/07/2023  SPECIAL THANKS: Blue Chair Bay --- Send in a voice message: https://podcasters.spotify.com/pod/show/llradio/message

This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 13th April 2023 Artist - Track - Album - Year DBonzo Squad    The Fall of Lawrence    Pachyderm    2022 Jeff Richman    Bar 55    XYZ    2023 Joe Locke    Song for Vic Juris    Makram    2023 Wayne Escoffery    Nostalgia in Times Square    Like Minds    2023 Joe Locke    Interwoven Hues    Makram    2023 Rich Thompson    Fried Pies    Who Do You Have to Know?    2023 Nightcrawlers    Face to Face    Get Ready    2023 Towner Galaher Organ Trio    One for McGriff    Live    2023 Jason Keiser    Jean Marie    Shaw's Groove    2023 Astrocolor    Star Swing    Moonlighting: Astrojazz, Vol. 1    2023 Jake Long    Crescent (City Swamp Mix)    Transmissions from Total Refreshment Centre    2023 Club d'Elf    In a Silent Way/It's About Time    You Never Know    2022 Erica Seguine/Shon Baker Orchestra    Ose Shalom    The New Day Bends    2023 John Paul McGee    When We All Get to Heaven    Gospejazzical Vol. 1    2022 Jae Sinnett's Zero to 60 Quartet w/ Special Guest Randy Brecker    Muhammara's Dance    Commitment    2023 Chico Pinheiro/Romero Lubambo    Samba E Amor    Two Brothers    2023 Mason Razavi    You Stepped Out of a Dream    Six-String Standards    2023 Jackie Ryan, guest artist Paquito D'Rivera    Sabor a Mi    Recuerdos de Mi Madre    2022 Yellow Magic Orchestra    Technopolis    Solid State Survivor    1979 Yellow Magic Orchestra    Yellow Magic (Tong Poo)    YMO    1978 Yellow Magic Orchestra    1000 Knives    BGM    1981 Ryuichi Sakamoto    Energy Flow    BTTB    1999 Ryuichi Sakamoto    Forbidden Colours    Cinemage    1999 Ryuichi Sakamoto    Railroad Man    BTTB    1999 Ryuichi Sakamoto    Replica    Cinemage    1999 Ryuichi Sakamoto    Choral No. 1    BTTB    1999 Ryuichi Sakamoto    Choral No. 2    BTTB    1999 Ryuichi Sakamoto    Chanson    BTTB    1999 Ryuichi Sakamoto    El Mar Mediterrani    Cinemage    1999 Ryuichi Sakamoto    Reversing    BTTB    1999 The post The Creative Source (#CreativeSource) – 13th April 2023 appeared first on SoulandJazz.com | Stereo, not stereotypical ®.

Caleb Clark and Ricky Flowers discuss electronic band Yellow Magic Orchestra --- Support this podcast: https://podcasters.spotify.com/pod/show/caleb-clark6/support

Le pianiste et compositeur japonais Ryuichi Sakamoto s'est éteint le 28 mars 2023 à l'âge de 71 ans.Né en 1952 à Tokyo, il commence le piano très jeune, instrument qui restera son compagnon de route tout le long de sa vie. D'abord inspiré par la musique classique, surtout la musique impressionniste de Claude Debussy, et par le pop rock, il découvre ensuite la musique électronique et ethnique lors de ses études à l'Université des beaux-arts et de musique de Tokyo, comme celle d'Okinawa ou encore la musique indienne et africaine. Son premier album, Disappointment-Hateruma, avec le percussionniste Tshuchitoti Toshiyuki sort en 1975. Sakamoto commence sa carrière de musicien en tant que claviériste pour différents groupes et comme compositeur.Il rejoint le trio japonais Yellow Magic Orchestra, avec Haruomi Hosono et Yukihiro Takahashi, un groupe de musique électronique et minimaliste. Leur musique joue un rôle clé dans la naissance de l'électro pop, la synthpop, la city pop, l'ambient house et le cyberpunk. En parallèle, Sakamoto continue sa carrière solo, avec des albums dans lesquels il explore la fusion entre différents genres, différentes musiques et différents musiciens. Il fait notamment de plus en plus appel à des instruments acoustiques ou traditionnels pour les intégrer à un style de musique à la base plus moderne et novateur. Sakamoto s'aventure ainsi vers la bossa nova, la house, le rap…Difficile à résumer en raison de l'ampleur et de l'importance de son travail, il reste un dernier aspect à mentionner dans celui de Sakamoto : le cinéma. Il a en effet composé plusieurs musiques de films et a notamment été acteur, pour le film Furyo il obtient un BAFTA en 1984 et pour Dernier Empereur un Oscar en 1988. À travers des concerts caritatifs, entre autres, Sakamoto participe aussi à la lutte de défense de l'environnement et s'implique dans la lutte contre le nucléaire. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Esta noche nuestra Atmósfera rinde homenaje a uno de los compositores más prolíficos e influyentes del último medio siglo. El músico, compositor, productor, escritor, cantante, pianista y actor japonés Ryuichi Sakamoto nos dejó este pasado 28 de marzo después de una larga lucha contra el cáncer en su ciudad natal, Tokio donde vivía compartiendo residencia con Nueva York. En el programa de esta semana guardaremos silencio, escuchando su música, que es su mejor legado. Siempre estará con nosotros como lo lleva estando desde que comenzara su carrera en 1978 como miembro de la banda pionera de música electrónica Yellow Magic Orchestra. Ryuichi se ha ido, pero su música sigue con nosotros. Esta noche, Atmósfera respira el último aliento de Ryuichi SakaEscuchar audio

Hello Tool Crate Family-Doing something special and new for this week...debuting the Selector Pick. Showcasing one artist / song that is truly amazing and has stood the test of time. This week:  the Yellow Magic Orchestra - Firecracker (1978)Thank you Ryuichi Sakamoto (rest in heaven) and his band mates Haruomi Hosono and Yukihiro Takahashi.

Welcome to Live From Progzilla Towers Edition 474. In this All Request edition we heard music by Moon Safari, The Buggles, King Buffalo, David Bowie, La Maschera Di Cera, Carly Simon, Procol Harum, John Farnham, Genesis, Alan Parsons Project, Jesca Hoop, Cannonball Adderley, Ritual, Bozzio Levin Stevens, Steve Hillage, Times Up, Toyah & Robert, Yellow Magic Orchestra, David Sylvian & Ryuichi Sakamoto.

Greg kicks things off with a remembrance of the Japanese composer, record producer and actor, Ryuichi Sakamoto, who passed this week at the age of 71. A prolific composer and performer, he rose to fame as a founding member of the influential Yellow Magic Orchestra in the late 70s. From there he worked with everyone under the sun & his accolades are too many to list. Go and listen to his music, it's beautiful.Next, Greg & Jay join up for a brand new “Tales From The Concert,” Hank Dietle's edition. Last episode Jay mistakenly said he was playing a show in Ellicott City, when he was actually playing a show in Rockville. The venue, Hank Dietle's, is a mile away from Greg's parents, where he's visiting for the week. The stage for our segment is now set…Song: David Sylvian - “Topic”Jay also brings us a brand new Three For Thursday. We get some new music, some old music, and, finally, some more old music that's new to Jay.Songs:Elle King - “Tumbling Dice”*Robert Palmer - “Sailing Shoes”Robson Jorge, Lincoln Olivetti - “Jorgea Corisco”Finally Nick gives us his first impression of the new Apple Classical Music app. The app adds a tremendous amount of meta data to each work, and provides an interface to explore that data in refreshing ways. The idea of genre focused apps is discussed for a bit and then it's an overall round of applause from the group.Song: Tauk - “Informant”

Yellow Magic Orchestra Computer Game – Firecracker 6:34 Yellow Magic Orchestra 1979 The Flaming Lips Yoshimi Battles The Pink Robots Pt.1 4:46 Yoshimi Battles The Pink Robots 2002 The Flaming Lips Yoshimi Battles The Pink Robots Pt.2 2:58 Yoshimi Battles The Pink Robots 2002 Can Vernal Equinox 8:25 Landed 1975 Air The Word ‘Hurricane' 2:25 […]

    Another musical great has left this world. Ryuichi Sakamoto was a founding member of Yellow Magic Orchestra. He became well known for his neo-classical work, his collaborations, and of course his film scores, from Merry Christmas Mr. Lawrence to The Revenant to the Oscar-winning score for The Last Emperor. The solo piano version of Merry Christmas Mr. Lawrence is one of my favorite piano pieces ever written. In January of this year he released an album of piano tracks, called 12, that is hauntingly simple and beautiful. In 2017 he recorded a track called "Life, Life", from the album Async, that is one of my favorite pieces of all time. I'd like to finish this post with the spoken word poem that appears in that track...   And this I dreamt, and this I dream And some time this I will dream again And all will be repeated, all be re-embodied You will dream everything I have seen in dream   To one side from ourselves, to one side from the world Wave follows wave to break on the shore On each wave is a star, a person, a bird Dreams, reality, death - on wave after wave   No need for a date; I was, I am, and I will be Life is a wonder of wonders, and to wonder I dedicate myself, on my knees, like an orphan Alone - among mirrors - fenced in by reflections Cities and seas, iridescent, intensified A mother in tears takes a child on her lap   Thank you for your music.   T R A C K L I S T : 00:00    Ryuichi Sakamoto - Merry Christmas Mr. Lawrence(solo piano version) 04:40    Ryuichi Sakamoto - life, life 08:45    Ryuichi Sakamoto - Mountains 09:37    Ryuichi Sakamoto - 20220123 17:37    Ryuichi Sakamoto - In The Red 22:35    Ryuichi Sakamoto - The Revenant Main Theme Atmospheric 25:10    Ryuichi Sakamoto & Christian Fennez - oto 28:35    Ryuichi Sakamoto - Railroad Man 33:07    Ryuichi Sakamoto - The Sheltering Sky(piano version) 39:20    Ryuichi Sakamoto - The Sheltering Sky(continues as orchestral version) 38:25    Ryuichi Sakamoto - Elephantism 2 42:50    Ryuichi Sakamoto & Alva Noto - Trioon I 47:38    Ryuichi Sakamoto - Aqua 51:58    Ryuichi Sakamoto - Rain(I want a Divorce) 53:22    Ryuichi Sakamoto - The End 55:36    end

Bienvenidos Bastarnautas a este episodio en el que no faltan rolas con mucha actitud, pero bien balanceada armoniosamente con otras sabrosonas y suavesozas. Soy Cavernas de Los Pellejos para comenzar a todo punch. Santiago, de Newen Afrobeat, algo argentino para continuar en la linea de las protestas y las rolas declamadas. This boots are made for walking pero en Frances, imperdible actitud. Señor cobranza de Versuit Vergarabat. Un babaloo cubano salsoso y sabroso para acompañar. Hielo seco para introducir a Adrián Quesada que está haciendo música muy interesante. Yellow Magic Orchestra directo de Japón con la actitud más divertida. Seguida de 99 letters de Shishimai para ponerse atento antes de despedirnos. Así que remángate los pantalones, peínate las patillas, desabróchate el cinturón, saca la panza y suéltate la greña en este episodio con punch. Y a ti, ¿que súper habilidad te gustaría que tuviera tu pareja? --- Send in a voice message: https://podcasters.spotify.com/pod/show/los-bastardos-con-suerte/message

Five Flavors of Funk 70 : "City Pop Vol. 07"   Welcome back to the Five Flavors of Funk!  Today, we're combining Five Flavors of Funk Episode 70 with City Pop Episode 07!  For those who don't know, City Pop is a fusion of Western styled pop, rock, disco, funk, R&B, Adult Contemporary and yacht rock. This Japanese concoction had its heyday during the late 70s and early 80s, a time when Japan was riding high in its bubble economy.  These tunes all sit nicely in the funk sub-genre of City Pop!  We hope you enjoy today's show!   Today's tunes include;   (0:37)   Tighten Up! - Yellow Magic Orchestra (1980) (6:33)   Tokyo Jazz Club - Ichiro Nitta (1982) (11:54)   Midnight Shuffle - Keiko Project (1985) (16:44)   My Life - Noriko Miyamoto (1978) (23:06)   Windy Lady - Tatsuro Yamashita (1976)

Graham Massey talks us through his early days with the formation of 808 State and improvising with electronic instruments, through to current collaborations and favourite creative tools.Chapters00:00 - Introduction02:02 - The Beginnings Of 808 State11:54 - Developing A Polished Production14:56 - Musicality And Arrangements17:29 - Incorporating Improvisation20:09 - Performing Live24:09 - Influencing Genres26:29 - Favourite Creative Tools30:16 - The Changing Access To The Arts35:46 - Other Projects41:47 - Future CollaborationsGraham Massey BiogGraham Massey is probably best known for the pioneering work of 808 State who took the energy of the early UK rave scene into the pop charts with several uncompromising top 10 singles and albums in the 1990s. 808 State returned to international touring in 2018 to celebrate their 30th anniversary with the release of a new critically acclaimed album 'Transmission Suite' in 2019. Graham trained as a sound engineer at Manchester's Spirit Studios in the mid 80s when he was producing records as Biting Tongues for Factory Records and working as a live sound engineer at the Boardwalk Club.Studio experience allowed him to work as a producer and remixer for people as diverse as Bjork , Quincy Jones , Primal Scream, David Bowie,The Stone Roses, Goldfrapp & Yellow Magic Orchestra. Graham has worked as a composer on many film soundtracks, music for commercials (agencies such as BBH in London & SYN in Tokyo) plus theatre pieces and public art events including being musical director for Jeremy Deller's 'What Is A City' for the opening of Manchester International Festival in 2017. Graham is also the leader of a number of other music projects in the city that might find him as a guitarist, keyboardist, wind player or drummer. Graham has DJ'd around the world and is a regular contributor to 'The Freakier Zone' on BBC Radio 6 as well as hosting his own monthly show on Reform Radio as well as guest slots on NTS radio.Graham is an Honorary Fellow of The University Of Central Lancashire and is a regular guest lecturer on the film course at Manchester School Of Digital Art (MMU). He is a regular participator at Music Tech Fest, an international forum for technologists, scientists and artists run from Stockholm University.http://www.808state.com/Caro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/

TCW Podcast Episode 180 - Space Invaders Part II   In part two of our look at Space Invaders we explore the impact of the game on Japan and the world. Space Invaders started off rocky, but operators soon realized that players were crazy for the game. Popularity exploded, and Taito was unable to fulfill the orders coming in. This led to the licensing of popular products to other companies in Japan. A move that would see itself repeated as the golden age of arcades continued. We also clarify the 100 Yen Myth/Truth of Japan. Where the legend came from, and what we think the reality is. Finally, we look at the expansion into the United States and Europe, and how the end of the boom in Japan helped to bring Space Invaders into Europe and other nationalities. Blue Shark: https://www.youtube.com/watch?v=P5P692hzleQ I'm in danger: https://www.youtube.com/watch?v=n8ZbpxV382U Space Invaders Attract Mode: https://www.youtube.com/watch?v=cvomS1YMV90 Disco Space Invaders: https://www.youtube.com/watch?v=byQnpyLod6Y Best of Yellow Magic Orchestra: https://www.youtube.com/watch?v=BrBAVAaREd8&t=3s Jatre Specter: https://www.youtube.com/watch?v=_aj8PwZaWLo IPM Invader: https://www.youtube.com/watch?v=ircX-nH5J9I Space Invaders and the 100 Yen Myth: https://www.academia.edu/3672374/Insert_Coin_to_Play_Space_Invaders_and_the_100_Yen_Myth Space Invaders Targets Coins: https://www.academia.edu/2568838/Space_Invaders_targets_coins Spaces Invaders Part II: https://www.youtube.com/watch?v=Ul7epE6Fryw   New episodes are on the 1st and 15th of every month!   TCW Email: feedback@theycreateworlds.com  Twitter: @tcwpodcast Patreon: https://www.patreon.com/theycreateworlds Alex's Video Game History Blog: http://videogamehistorian.wordpress.com Alex's book, published Dec 2019, is available at CRC Press and at major on-line retailers: http://bit.ly/TCWBOOK1     Intro Music: Josh Woodward - Airplane Mode -  Music - "Airplane Mode" by Josh Woodward. Free download: http://joshwoodward.com/song/AirplaneMode  Outro Music: RolemMusic - Bacterial Love: http://freemusicarchive.org/music/Rolemusic/Pop_Singles_Compilation_2014/01_rolemusic_-_bacterial_love    Copyright: Attribution: http://creativecommons.org/licenses/by/4.0/

Access this entire 83 minute episode (and additional monthly bonus episodes) by becoming a Junk Filter patron! https://www.patreon.com/posts/119-ymo-part-1-77692321 Isobel from the Brooklyn-based electronic group pet wife returns to the show for the first of a two-part series on the pioneering Japanese electronic music supergroup Yellow Magic Orchestra: keyboardist Ryuichi Sakamoto, bassist Haruomi Hosono and the drummer, Yukihiro Takahashi. Part one of the series is about how YMO changed the world, with a discussion of highlights from their span of albums as a band from 1978 to 1993, music that provided the blueprints for many genres of modern music including hip hop, electronica, house, techno and video game soundtracks. We talk about the parallels between YMO and the Four Lads from Liverpool, their style, wit and technical innovations, and we mourn the stunning recent passing of Yukihiro Takahashi, a hero of ours. A second episode, on the solo careers of those Naughty Boys, is coming soon! Follow pet wife on Twitter, Spotify and Bandcamp YMO's appearance on Soul Train, performing “Tighten Up” and “Firecracker” for a mystified Don Cornelius, 1980 YMO back together performing "Rydeen", 2007 Music video for “Ongaku”, 1983

Mr Takahashi passed away on 11 January 2023 at the age of 70. He was one of the founding member of Yellow Magic Orchestra. - 1983年に解散したYMO（イエローマジック・オーケストラ）のドラムス、高橋さんが2023年１月11日に亡くなりました。今晩の番組はその追悼です。

Mais avant cela, un « Salut l'artiste » à Yukihiro Takahashi et le groupe Yellow Magic Orchestra ; quelle genre de musique pratiquait-il ? « Alcarras » a remporté l'Ours d'Or au Festival de Berlin, est-ce un trophée mérité ? La chanteuse Gracie Abrams est une « fille de »… Mais de qui ? Comment le groupe White Stripes fête-t-il les 20 ans de son album « Elephant » ? Où peut-on voir le film lauréat du Golden Globe du meilleur film étranger, « Argentina 1985 » ? A quoi ressemble le nouvel album de Ryuichi Sakamoto, célèbre pour sa musique de « Furyo » ? Toutes les réponses sont dans « La Semaine des 5 heures » de ce mercredi 18 janvier 2023

DJ St. Paul neemt de muzikale week door met liedjes van o.a. Yellow Magic Orchestra, Young Marco & Melting Palms. Deze keer in de albumrubriek een uitgebreid gesprek met journalist en liefhebber van de Nederlandse undergroundscene Richard James Foster over If You Scream Like That, Your Monkey Won't Come van Space Siren. Benieuwd naar de tracklist en de shownotes? Check ze via: tivolivredenburg.nl/studio/podcast/st-pauls-boutique/

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! En esta edición estrenamos un disco publicado ya en 2023: es el tercer trabajo del teclista y saxofonista D.S. Wilson. Repasamos otras novedades de la música Smooth Jazz protagonizadas por Italian Groove Collective, Peet Project, Papik, Trio AGE y Hil St Soul. El bloque central está dedicado al recientemente fallecido Yukihiro Takahashi. Baterista, compositor y cantante además de Fundador de Yellow Magic Orchestra junto a Haruomi Hosono y el gran Ryuichi Sakamoto.Escucha este episodio completo y accede a todo el contenido exclusivo de Cloud Jazz Smooth Jazz. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/27170

Camouflage - The Great Commandment Mr. Turner's Tribute Mix WAV Check Here: https://petkoturner.bandcamp.com/track/track-43-german-synth-pop-tribute-mix German Synth-pop band from Bietigheim-Bissingen. The four friends Heiko Maile, Oliver Kreyssig, Marcus Meyn and Martin Kähling (who left the band in 1984) founded the band "Lizenenced Technology" in 1983. Drawing on inspiration from the song of the same name by the Japanese group "Yellow Magic Orchestra," the band changed their name to "Camouflage." The first local live appearance took place in 1984. One year later they recorded two demo cassettes in their studio and sent these cassettes to several record companies. In 1986 one of these tapes was submitted for a talent search conducted by the Hessischen Rundfunk (Hessen Radio). Camouflage was awarded the first place and the small Frankfurt record label "Westside" became aware of the band. The song "The Great Commandment," was reworked, newly recorded and presented to the larger record companies. Suddenly several firms expressed interest and after careful consideration the band signed with Metronome.

Yellow Magic Orchestra is one of the best selling artists of all time in Japan and one of the most successful international acts from Japan. Members Harry Hosono, Yukihiro Takahashi, and Ryuichi Sakamoto are known for pioneering the synthpop genre and were one of the first acts to make extensive use of computer technology in music and experimenting in genres like ska and electronic rap. Check out today's episode to listen to this revolutionary artist in electronic music.Scripted & Quality Assured by: NolaHosted by: Haru and AndyAudio Edited & Uploaded by: PedroSupport this podcast at — https://redcircle.com/japan-top-10-ri-ben-nototsupu10-jpop-hits/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week, Steve picked a whole lot of Halloween themed tunes, including songs about devils, monsters, ghosts and fear.  Don't be afraid.  Artists this episode: Jellyfish, David Bowie, Paramore, Superdrag, The Cult, The Dead 60s, Berlin, Yellow Magic Orchestra, B-Movie, Echo & The Bunnymen, R.E.M., Better Than Ezra, The Smiths, Ladytron, Teenage Bottlerocket. On the Air on Bedford 105.1 FM Radio      *** 5pm Friday ***      *** 10am Sunday ***      *** 8pm Monday *** Stream live at http://209.95.50.189:8178/stream Stream on-demand most recent episodes at https://wbnh1051.podbean.com/category/suburban-underground/ And available on demand on your favorite podcast app! Twitter: @SUBedford1051  ***  Facebook: SuburbanUndergroundRadio   *** Instagram: SuburbanUnderground   ***  

Welcome to Live From Progzilla Towers Edition 450. In this edition we heard music by The Motors, Devin Townsend, Anima Morte, Infected Mushroom, Commodus, Gorillaz, Tame Impala & Bootie Brown, The Round Window, Oceanica, Zoungla, Vanilla Fudge, David Sylvian & Ryuichi Sakamoto, Yellow Magic Orchestra, Comedy Of Errors, White Molya, Iluvatar, Pharoah Sanders, Misty, As You Like It, Ultravox!, Peter Gabriel & The Utopia Strong.