Podcasts about crow indian reservation

Kimberly Bearclaw Iron, a 21-year-old mother of three from the Crow Indian Reservation in Montana, has been missing since September 2020. On September 22nd, 2020, she left her home and was never seen again. Her father would receive strange phone calls from Kimberly; he believes that she has been sex trafficked. To this day, Kimberly's whereabouts are unknown. — Kimberly Bearclaw Iron, de 21 años, madre de tres hijos, de la reserva india Crow en Montana, está desaparecida desde septiembre de 2020. El 22 de septiembre de 2020, salió de su casa y nunca más se la volvió a ver. Su padre recibiría extrañas llamadas telefónicas de Kimberly; él cree que ella ha sido víctima de trata sexual. Hasta el día de hoy se desconoce el paradero de Kimberly. — Support Us: Donate $1 to the podcast (Patreon): https://patreon.com/CuentoCrimenPodcast?utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLink Buy us a coffee: https://www.buymeacoffee.com/cuentocrimenpodcast — Follow us: Instagram: https://www.instagram.com/cuentocrimenpodcast/?hl=en Tiktok: https://www.tiktok.com/@cuentocrimenpodcast?lang=en Youtube: https://www.youtube.com/channel/UCb-xq8FGsgxqDOyT4CsCfHA Twitter: https://twitter.com/CuentoCrimenPod Facebook: https://www.facebook.com/profile.php?id=61550192066426 — Email us a personal true crime encounter at: cuentocrimenpodcast@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

A police officer chased a Native teen to his death. Days later, the police force shut down without explanation.In 2020, Blossom Old Bull was raising three teenagers on the Crow Indian Reservation in Montana. Her youngest son, Braven Glenn, was 17, a good student, dedicated to his basketball team.That November, Old Bull got a call saying Glenn was killed in a police car chase that resulted in a head-on collision with a train. Desperate for details about the accident, she went to the police station, only to find it had shut down without any notice.  “The doors were locked. It looked like it wasn't in operation anymore—like they just upped and left,” Old Bull said. “It's, like, there was a life taken, and you guys just closed everything down without giving the family any answers?”This kicks off a yearslong search to find out what happened to Glenn and how a police force could disappear overnight without explanation. This week on Reveal, Mother Jones reporter Samantha Michaels' investigation into the crash is at once an examination of a mother's journey to uncover the details of her son's final moments and a sweeping look at a broken system of tribal policing.This is an update of an episode that originally aired in April 2024.  Support Reveal's journalism at Revealnews.org/donatenow Subscribe to our weekly newsletter to get the scoop on new episodes at Revealnews.org/weekly Instagram Learn about your ad choices: dovetail.prx.org/ad-choices

Today's Guests: A few weeks ago we told you about our Pronghorn hunt in Montana with Crow Scout Outfitters. On today's show our Indian Guide on the Crow Indian Reservation, Elvin Fitzler (not his Indian Name) joins us to share some great information on hunting the reservation. We had a very successful hunt and highly... READ MORE

Send us a Text Message.Exploring the World Through the Lens of Jonathan Kingston's, a long standing contributing photographer for National GeographicIn this episode, we delve into the extraordinary life of Jonathan Kingston, a celebrated National Geographic photographer. From his high school beginnings to underwater adventures and cultural storytelling, Jonathan's journey is nothing short of inspiring. Join us as we explore his path, challenges, and the passion that drives him.Key Takeaways:Jonathan Kingston's passion for photography started in high school.He took a gap year on the Crow Indian Reservation, which ignited his love for storytelling.A pivotal moment in his career was meeting the editor-in-chief of National Geographic in Hawaii.Jonathan has balanced diverse interests, including rock climbing and underwater photography.He emphasizes following one's curiosity and excitement as a path to success.Call to Adventure:"Follow your curiosity, follow your excitement, you know, ask yourself, what's exciting you right now.""There's a reason when I feel that tingle of excitement, there's something calling me to that.""To honor that, to listen to that, to give that excitement time to really speak to you and say yes to it.""Don't say no. Don't find an excuse to not do it. Find an excuse to say yes to that curiosity."Pay It Forward:"I would love if anyone does have excitement for ocean preservation for maritime archaeology. Go to the SACI website, the Submerged Archaeological Conservancy International. It's saci.org.""All the information is there about how to get involved with the projects that I'm involved with."Follow Jonathan Kingston:Instagram: @JonathanKingstonLinks Mentioned:Submerged Archaeological Conservancy International (SACI): saci.org Support the Show.Thanks For Listening.If you enjoyed this episode, please leave a comment and subscribe for more exciting content. Follow us https://linktr.ee/adventurediaries for updates. Have a topic suggestion? Email us at ideas@adventurediaries.com. AdventureDiaries.com#AdventureDiaries #AdventureStories #NationalGeographic #Discovery #NaturalWorld

In November 2020, Blossom Old Bull was raising three teenagers on the Crow Indian Reservation in Montana. Her youngest son, Braven Glenn, was 17, a good student, dedicated to his basketball team. But he'd become impatient with pandemic restrictions, and his grandmother had just passed away from COVID-19.   One night, Glenn and his mother got in a fight, and he left the house. The next day, Old Bull got a call saying Glenn was killed in a police car chase, that he died in a head-on collision with a train. Old Bull was desperate for details about the accident, but when she went to the police station, she discovered it had shut down without any notice.  Mother Jones reporter Samantha Michaels follows Old Bull's search for answers about her son's death and discovers serious lapses in policing on the Crow and other Indian reservations. Old Bull encounters many roadblocks. She files a Freedom of Information Act request for the police report, but her request is denied. As months pass, she still doesn't have basic information, like which officer chased her son and how he ended up on the train tracks.Next, Michaels traces the origins of the police force that chased Glenn. It was created by the Crow Nation's chairman to address a lack of policing on the reservation. Before the new police force was launched, the federal Bureau of Indian Affairs was responsible for policing. But its force was underfunded and understaffed, with only four or five officers patrolling an area nearly the size of Connecticut. The new department was supposed to be a solution, but there were problems from the start. Old Bull learns from a former dispatcher that officers were not properly trained and the department was in chaos.Nearly three years after Glenn's death, Michaels is able to obtain information about the accident and share it with Old Bull. Through a FOIA request, Michaels receives official reports about the accident that explain how Glenn ended up on the train tracks. The reports also show how the investigation into the chase was flawed. Old Bull processes the information and grapples with a disturbing fact: The federal government denied her own FOIA request, even though she's Glenn's mother, but handed over documents to Michaels, a White reporter with no connection to Glenn. Days later, Michaels brokers a meeting between Old Bull and the former tribal police chief. Old Bull shares how the department's sudden closure – and the lack of information about her son's death – affected her family. Support Reveal's journalism at Revealnews.org/donatenow Subscribe to our weekly newsletter to get the scoop on new episodes at Revealnews.org/newsletter Connect with us on Twitter, Facebook and Instagram

Ep 140: A young mother abruptly leaves her children on the Crow Indian Reservation in Montana. After a strange phone call to her family, her father believes she's been sex trafficked. As of today, she is still missing. This is the Kimberly Iron story. Organizations where you can report any knowledge you may have on Kimberly Iron's case or other cases of missing or murdered women are:  The Bureau of Indian Affairs Tip Line: 1-833-560-2065 The National Sexual Assault Helpline: 1-800-656-4673 -- https://www.rainn.org/ Strong Hearts Helpline: 1-844-7NATIVE -- https://strongheartshelpline.org/ Not Our Native Daughters-- https://www.notournativedaughters.org/ Coalition to Stop Violence Against Native Women: https://www.csvanw.org/mmiw Sovereign Bodies Institute: https://www.sovereign-bodies.org/ MMIW Official Facebook Page: https://www.facebook.com/mmiwusa/ Sources for Today's Episode: https://www.oxygen.com/crime-news/missing-montana-mom-kimberly-irons-family-desperate-to-find-her https://abcnews.go.com/US/fbi-releases-list-missing-native-americans-mexico-navajo/story?id=87419925 https://ncjtc.fvtc.edu/resources/RS01183335/2022-missing-and-murdered-native-women-and-girls-d https://htcbc.ovc.ojp.gov/sites/g/files/xyckuh311/files/media/document/Missing-and-Murdered-Indigenous-People_Understanding-the-Issue.pdf https://mmiwusa.org We Are Resilient: A MMIW Podcast: Episode 24: Kimberly Iron Credits: Written and Hosted by Amy Shlosberg and Meghan Sacks Produced by James Varga Audio Editor,Seiler Burr Script Editor: Abagail Belcastro Music by Dessert Media Special Thanks to: Alyssa White Show your Support: The easiest way you can support us is by leaving a review, telling your friends, sharing on social media or by sending us a note. We love to hear from our audience!  You can also support the show through the following ways:  Follow Us on Social: YouTube | Instagram | Tik Tok | Facebook | Reddit | Twitter Patron - ad-free shows starting at $2 a month, or upgrade to get an extra episode every month, exclusive AMAs with the hosts, lecture series on criminal justice, our true crime book club, and more!  Check out our Patreon page for more info: https://www.patreon.com/womenandcrime Apple Subscriptions - Ad-free shows are now available through Apple's podcast app for only $1.99 a month. Merchandise - For T-shirts, Hoodies, notebooks, stickers and mugs check out: https://www.womenandcrimepodcast.com/merch Help is Available: If you or someone you know is a victim of domestic or other violence, there are many organizations that can offer support or help you in your specific situation. For direct links to organizations please visit https://womenandcrimepodcast.com/resources/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Are you ready to be inspired? Join me as I sit down with Elias Jade Not Afraid, a self-taught bead and ledger artist of the Crow Nation. Our conversation traverses his challenging journey from battling addiction to honing his passion for art, all while growing up on the Crow Indian Reservation in Montana. We explore Elias's transformative journey, along with his creative process, and the unique methods he employs to create his stunning art pieces.Elias's love for collecting antique ledger books and his discovery of lost beadwork techniques at the Epsilon Gala Women's Exhibit are stories you don't want to miss. We discuss his meticulous process of replicating and preserving these techniques in his work, and his exhilarating first market experience that jump started his journey into the world of art. Elias's collaboration with Crate & Barrel as well as his design winning a Wells Fargo design competition are testament to his commitment and creativity in art.In a candid discussion, Elias opens up about his personal life, sharing his experiences as an openly gay Native American artist and the acceptance of two-spirit people within the Crow Nation. We touch upon the struggles he faced with homophobia in his upbringing, and the consequences of a lack of acceptance on the reservation. We also talk about his future plans, including the upcoming Santa Fe Indian Art Market, and his invaluable advice for anyone dealing with trauma. This heartfelt discussion with Elias Jade Not Afraid promises to be a blend of inspiration, creativity, and resilience. Don't miss it!

On this episode of The Journalism Salute, Mark Simon is joined by Luella Brien. Luella is the editor-in-chief at Four Points Press, an independent media company which covers the Crow Indian Reservation in southern Montana. Luella also teaches high school journalism and has taught college in the past too. She was the primary narrator in the new Showtime docu-series, Murder in Big Horn.Luella talked about her passion for journalism from a young age, how she hopes to grow her non-profit to tell both contemporary stories and those lost to history. the importance of Native representation on big projects like Murder In Big Horn, and what her teaching experience has been like.Luella's salute: Native journalist Hattie KauffmanThank you as always for listening. Please send us feedback at journalismsalute@gmail.com, visit our website at thejournalismsalute.org and Mark's website (MarkSimonmedia.com) or tweet us at @journalismpod.

Mildred Alexis Old Crow was just 6 years old when she was reported missing  November 2020 on the Crow Indian Reservation in Montana. Her body would be discovered a few months later and yet the question still remains unanswered…what happened to Milly?For links to information found for this episode:https://people.com/crime/girl-8-went-missing-in-2019-and-her-body-was-just-found-months-after-arrests-of-2-women/https://flatheadbeacon.com/2021/05/28/two-named-as-suspects-in-girls-death-on-crow-reservation/https://www.ojp.gov/pdffiles1/nij/grants/304046.pdfhttps://www.montanarightnow.com/regional/piecing-together-the-disappearance-of-mildred-old-crow/article_2b6f3ec9-9d62-53a3-8a89-9c70e4f927e0.html

Kimberly Iron was only 21 years old when she left her home on the Crow Indian Reservation in Montana. It was October 2020 when her father received a final phone call from her and she has not been seen or heard from again.For links to information found for this episode:https://www.nbcnews.com/news/amp/ncna1243953https://medium.com/the-mystery-box/the-strange-disappearance-of-kimberly-bearclaw-iron-eb19353d05a2

Mildred Alexis Old Crow, known as Milly, of the Crow Tribe, was just six-years-old when relatives last saw her alive in July of 2018, though she wasn't reported missing from her home in Billings, Montana, until November 2020. A last reported sighting of the little girl was on the Crow Indian Reservation in April of 2019. Milly was outgoing and compassionate, and she loved to dance and sing, as well as participate in traditional Native American activities, such as Hand-game. After her father passed away, Mildred was put into the care of her aunt and her wife, in order to prevent her from entering the care system, but this would lead to tragedy when in February 2021, Milly's body would be found by a camper near Garryowen, located on the reservation itself. Her aunt, Roseen Lincoln Old Crow, and her wife, Veronica Tierza Dust, would later be arrested and charged with endangering the welfare of a child and custodial interference, but the pair were not charged in regards to Mildred's murder, causing outrage amongst the community. Justice still remains to be served. If you feel that you need support regarding any of the issues presented in this episode, please contact your local crisis centre. CREDITS: Narration and Production - Kirsty Skye Research and Writing - Nikkielmas Scoring - S. D. D. C. LISTEN: Spotify: https://open.spotify.com/show/4VihnSDeXi8kvoZhdDUdvJ?si=mT3zc7gdQJisHibBr4ImIA Apple Podcasts: https://podcasts.apple.com/gb/podcast/stolen-sisters/id1517420487 AnchorFM: anchor.fm/stolensisters SOCIALS: Website - https://anchor.fm/stolensisters Twitter - @Stolen_Sisters Instagram - @stolensisterspod Email - stolensisterspodcast@yahoo.com SOURCES: https://people.com/crime/girl-8-went-missing-in-2019-and-her-body-was-just-found-months- after-arrests-of-2-women/ https://www.legacy.com/us/obituaries/billingsgazette/name/mildred-old-crow- obituary?id=9538062 https://www.krtv.com/news/crime-and-courts/women-convicted-in-crow-tribal-court-in- connection-with-missing-child- case#:~:text=In%20February%2C%20Tribal%20Chair%20Frank,Billings%20on%20December% 2023%2C%202020. https://charleyproject.org/case/mildred-alexis-old-crow https://en.wikipedia.org/wiki/Pretty_Eagle https://en.wikipedia.org/wiki/Handgame#:~:text=Handgame%2C%20also%20known%20as%20 stickgame,another%20team%20guesses%20their%20location. http://www.splendidheritage.com/Notes/WC8708086.pdf WOLFSBANE STUDIOS LTD© --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In the first segment, Tiokasin speaks with Stephanie Witkowski. Stephanie is executive director of 7000 Languages, a nonprofit organization that helps Indigenous people around the world teach, learn and sustain their languages through technology. 7000 Languages creates free online language-learning courses in partnership with Indigenous, minority, and refugee communities so they can keep their languages alive.Stephanie has more than 10 years of experience in both language revitalization and the non-profit sector. She holds a M.A. in Linguistic from the University at Hawai'i Mānoa with an emphasis in Language Documentation and Conservation and has worked with speakers of multiple under-documented languages, including Native languages of California, the Pacific, and Russia. To find out more about 7000 Languages, visit 7000.org.In the second segment, Tiokasin welcomes Luella Brien. Four Points Media is the dream of Luella, an Apsáalooke journalist with nearly 20 years of experience in the news industry. Luella has over the last decade envisioned a media company that produces the highest quality investigative and public service journalism. Four Points Media, Inc. is the embodiment of that vision. Luella is the descendant of powerful healers, educators and leaders and, most importantly, storytellers. She has a degree in journalism from the University of Montana, is a 2002 graduate of the Freedom Forum's American Indian Journalism Institute, and was a 2004 Chips Quinn Scholar. Luella has three children and lives on the Crow Indian Reservation in Southeastern Montana.On January 11, First Voices Radio lost a friend, Vince Fontaine (Sagkeeng First Nation). Vince was a celebrated, JUNO Award-winning Ojibwe musician and a major force in the Canadian music industry for more than three decades, Vince was the founder of the bands Eagle & Hawk and Indian City. We remember Vince with his Indian City band's song "Star People" from the band's fourth album "Code Red," released in November 2021.Production Credits:Tiokasin Ghosthorse (Lakota), Host and Executive ProducerLiz Hill (Red Lake Ojibwe), ProducerMalcolm Burn, Studio Engineer, Radio Kingston, WKNY 1490 AM and 107.9 FM, Kingston, NYTiokasin Ghosthorse, Audio EditorMusic Selections:1. Song Title: Tahi Roots Mix (First Voices Radio Theme Song)Artist: Moana and the Moa HuntersCD: Tahi (1993)Label: Southside Records (Australia and New Zealand)(00:00:44)2. Song Title: IntroArtist: Red Shadow SingersCD: Ghost Dance Songs (2006)Label: Arbor Records, Ltd.(00:29:00)3. Song Title: Star People (feat. Jim Cuddy)Artist: Indian CityCD: Code Red (2021)Label: Rising Sun Productions, Inc., Winnipeg, Manitoba(00:53:25)In closing, visit Akantu Institute, an institute that Tiokasin founded with a mission of contextualizing original wisdom for troubled times. Go to https://akantuinstitute.org/ to find out more and consider joining his Patreon page at https://www.patreon.com/Ghosthorse.

 “WOOOOO!  To see the beauty. To see the beauty.  It feels like you want to put all that beauty on top of you like that in the morning when the sun comes up and everything, you know?...and then at night, to be able to stand on Mother Earth to look out among the stars…so then things have changed and I’ve been baptized a bunch of times you know, but all that has gone…”  - Henry Real Bird on Zion National ParkHenry was born in 1948 and raised on the Crow Indian Reservation, and spoke only Crow until entering first grade. Those cultural rhythms and traditions serve as the foundation of his poetry.  He earned his Masters degree in education and remains deeply committed to working with Crow youth.  He taught kindergarten, 4-H, Head Start and wrote and illustrated twelve children’s books, as well as serving as president of Little Big Horn College.  He has written six anthologies and four poetry collections."Now I'm raising bucking horses, writing, and dreaming," Henry said, and lives on his ranch on the Yellow Leggins Creek in the Wolf Teeth Mountains, raising bucking horses.  “I’m amazed with some of the thoughts that I’m blessed with.”  - Henry Real Bird

Part 1: According to Center for Disease Control and Prevention, “American Indian and Alaska Native people were more likely to get liver, stomach, kidney, lung, colorectal, and female breast cancers than White people in most regions. In fact, compared to White women, Native American women had higher rates of getting liver, stomach, kidney, colorectal, and cervical cancer.” Today's guest tirelessly works at the community level within the Apsáalooke (Crow) Nation to provide medical and health outreach regarding cancer prevention methods, cancer awareness, and appropriate treatment methods for all Apsáalooke citizens. Turn in for more information regarding our guest works, allies and supporter's assistance, and collective efforts of the Messengers for Health, an Indigenous 501(c)(3) non-profit organization located on the Apsáalooke (Crow) Nation in Montana. Our mission is to improve the health of individuals on the Crow Indian Reservation and outlying areas through community-based projects designed to strengthen the capacity of communities and empower them to assess and address their own unique health-related problems. Guest: Alma Knows His Gun-McCormick (Apsáalooke Nation), “is a member of the Apsáalooke (Crow) Nation and fluently speaks her language. Her compassion for working with cancer stems from her personal experience of losing her daughter to cancer. From 1996-2000 she was the Outreach Coordinator for the Centers for Disease Control and Prevention-funded Montana Breast and Cervical Health Program. She first conducted outreach education with Apsáalooke Indian women, feeling a breakthrough about the awareness of the importance of the Pap test and mammograms. Later, she provided culturally sensitive education to all Indian women on the seven reservations and in urban Indian clinics in Montana. Alma's focus has been on health education with the dream of continuing her work with women and men on the Crow reservation. She has fulfilled that dream by being the Executive Director for the Messengers for Health Program. She is a single mother with two sons, one daughter, and five grandchildren.” Part 2: Indigenous peoples and their respective First Nations are on the frontlines of Mother Earth struggling and resisting against violent forms of colonialism including nefarious manifestations of ecocides, democides, genocides, and the full dominant spectrum of “cides”. Today's guest was the keynote speaker on April 19th, 2021 at the Strengthening the Circle: A Native Non-profit Leadership Program which thematically focused on the Rights of Mother Earth. The event organizers are Generation Indigenous Ways, Seventh Generation Fund for Indigenous Peoples, Inc., Artemisia Associates, Wolfstar Productions, and Hopa Mountain. Turn in for Part Two of a two-part keynote speech on “The Rights of Mother Earth” by a preeminent Indigenous elder, scholar, activist and more on American Indian Airwaves. Guest: Dr. Henrietta Mann (Tsetsehestaestse [Cheyenne] Nation), elder, activist, scholar, founder of the Cheyenne and Arapaho Tribal College, Endowed Chair in Native American Studies at Montana State University, and current Board Chair of the Board of Directors for the Seventh Generation Fund for Indigenous Peoples, Inc.

In this new episode, the Tribal Research Specialist (TRS) team talk with Ben Pease (Apsáalooke/Tsétsêhéstâhese), renowned artist from  Lodge Grass, MT. The episode starts with a song from the TRC archives. The song is sung by Pat Kennedy (1925-2004),  well-known singer throughout the United States and Canada, spiritual healer and traditionalist. Many of his songs are still sang today. Ben Pease grew up on the Crow Indian Reservation town of Lodge Grass, MT, and graduated High School at Hardin High School. Ben subsequently attended Minot State University on a football scholarship and was awarded the Twyman Art Scholarship. At MSU he studied under Walter Piehl, a protege of world-renowned artist Fritz Scholder. After meeting his Wife at Minot State University and having their first son, Ben and his family moved to Bozeman, MT. Pease left football behind and continued his pursuit of art & creativity at Montana State University where he studied under Rollin Beamish & Sara Mast.Please visit our sponsor for this episode! --->  https://wyld.gallery/ Buy us a Coffee to support the showThe episode continues with a discussion on the social implications of pan-indianism and how the pressure to maintain an "Indian cool factor" can detract from the inner workings of Tribal life. Additional discussions center on the controversies of the emergent copyrighting of cultural products.Ben's work has gained national & international attention. His work has been featured in scores of magazines, books, online publications, and social media networks like Western Art Collector Magazine, Southwest Art Magazine, Mountain Living Magazine, Big Sky Journal, Fine Art Connoisseur Magazine, Cowboys & Indians Magazine, Montana Women's Magazine, National Geographic, University of North Carolina Press, and even various international periodicals in Dubai, Abu Dhabi, Stuttgart, & Frankfurt.The second half of the episode starts with an Owl Dance song from and unknown artist, again from the TRS archives. The discussion continues with an examination of the inter-tribal effects of our own cultural impositions we place on each other. The results are evaluated as a "frenzied culturalism", imagined as individual racing frantically to satisfy an indigenous image. The discussion shifts to way we can move ourselves out of "Indian 101" an into a new era of advancement that represents our Tribal reality. Guest: Ben Pease Website: https://www.benpeasevisions.com/FaceBook: https://www.facebook.com/BenPeaseVisions/Hosts: Aaron Brien, Shandin PetePlease visit our sponsor for this episode! --->  https://wyld.gallery/PodCast Website: tribalresearchspecialist.buzzsprout.comApple Podcast: https://podcasts.apple.com/us/podcast/tribal-research-specialist-the-podcast/id1512551396Spotify: open.spotify.com/show/1H5Y1pWYI8N6SYZAaawwxbTwitter: @tribalresearchspecialistFacebook: www.facebook.com/TribalResearchSpecialistYouTube: www.youtube.com/channel/UCL9HR4B2ubGK_aaQKEt179QWebsite: www.tribalresearchspecialist.comSupport the show (https://www.patreon.com/TribalResearchSpecialist)

Tsanavi Spoonhunter is an award-winning film director. Her documentary Crow Country: Our Right To Food Sovereignty was recently awarded best documentary short by the American Indian Film Festival. The film profiles tribal members of the Crow Indian Reservation in Montana and their struggles to retain food security.

Hi there! Welcome to Stories That Made Us. This week, we talk about the creation myths of the Creeks, Crows, and Diegueno. They are all Native American tribes of the United States. The first story is of the Creeks, also known as Muskogee. They are made up of several tribes that had originally lived in the states of Georgia and Alabama. They were a part of the "five civilized tribes" - others being Cherokee, Chickasaw, Choctaw, and Seminole. They lived a sedentary life, and their livelihoods predominantly consisted of agriculture. They were notorious during the early years of American settlement. The 1813 war between the United States and the Red Stick faction of the Creek Nation was particularly disastrous. The Creeks were responsible for the sacking of Fort Mims, killing nearly 400 settlers. In retaliation, General Andrew Jackson defeated the Red Sticks and exacted a secession of 23 million acres of land from the tribes. After Jackson became the President, he forcibly removed the Creeks to Oklahoma, prying them from their native lands in Alabama and Georgia. The tale we will be discussing is told by Muskeke Iskwew, a Creek medicine woman. It is a story of how peace and harmony first reigned between animals and humans. Eventually, human greed disrupted this harmony and caused many of the problems that we face today. The underlying belief is the sacredness of animals, and the destruction and corruption brought about by humans to Creation. The second story is of the Crow. These Native American people call themselves Apsaalooke, meaning "children of the large-beaked bird" or Absarkoes, which means "sparrow hawks". They are a member of the Siouan family and live predominantly on the Crow Indian Reservation in Montana. The Crow Nation originally comprised of over 38 million acres, but it shrank to less than 2.2 million acres after treaties with the United States government. Their creation myth, like many Native American stories, tell an earth diver story where the world is discovered by ducks that dived underwater to find land. The story also involves a creator and a trickster. In this tale, the creator is Old Man Coyote, and the trickster is Little coyote. The final story is of the Diegueno. Also known as San Diegueno, they are a group of Yuman speaking Native Americans who originally lived on either side of the Mexican and the United States border, comprising of Californian and Baja Californian lands. They were named after the mission of San Diego. The coastal tribespeople mostly lived on fish and mollusks, while the inland Diegueno engaged in agriculture. They were known for handicrafts such as pottery and baskets. I hope you enjoy the tales. If you do, please leave a rating and feedback. Share and subscribe! Your patronage would help us immensely! Get in touch with us: Twitter: @storiesthtmdeus Instagram: @storiesthtmdeus Facebook: https://www.facebook.com/storiesthatmdeus e-mail: info.storiesthatmadeus@gmail.com The music used for the episodes are either free to use, or under creative commons license. Below are their links and attributions - Flickering Artist: VYEN Source: YouTube Audio Library On Foot Artist: Underbelly & Ty Mayer Source: YouTube Audio Library Etherial Choir Ascends Artist: Doug Maxwell/Media Right Productions Source: YouTube Audio Library Emerald Therapy by Audionautix is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Artist: http://audionautix.com/ 30 Second Classical by Audionautix is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Artist: http://audionautix.com/ Over Time by Audionautix is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Artist: http://audionautix.com/ Pinckney Artist: The 126ers Source: YouTube Audio Library Accralate - The Dark Contenent by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100341 Artist: http://incompetech.com/ Waking to Reality Artist: Unicorn Heads Source: YouTube Audio Library Earthly Destiny Artist: Sir Cubworth Source: YouTube Audio Library Apocalypse Artist: SYBS Source: YouTube Audio Library Ashton Manor - Stings by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1300043 Artist: http://incompetech.com/

We Caught...Phantom Drums? Ok i know what your thinking great here is another piece of evidence that i may have to analyze myself and come up with...yup that's fake they faked it...But let us give it to you straight, We are skeptics at first glimpse to anything we see. We understand that yes there are strange occurrences that happen on a real level that cannot be explained we have witnessed strange and nightmarish happenings first hand and we explain some of these in this video. Markus and I Cdale Enick sat down and gave a real analysis of what we are now calling a Phantom drumming noise coming from a video shot a year ago. We shot this video on the Crow Indian Reservation and caught something surprising. Listen in as we walk through this video and plenty more!. Watch The Video Version of This Episode Links Below! Facebook: @FallenHour Youtube: @FallenHour Shop crystals fossils and more Click the Link Here! Stones-Bones.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/fallenhour/support

This talk was given at Yale Law School on November 13th, 2018 by the Honorable John Durham, United States Attorney for the District of Connecticut. For more information about upcoming TI events, visit: https://thomisticinstitute.org/events-1/ Speaker Bio: John Durham became the US Attorney for the District of Connecticut in February of 2018 Prior to his appointment as U.S. Attorney, Mr. Durham served as an Assistant U.S. Attorney in various positions in the District of Connecticut for 35 years, prosecuting complex organized crime, violent crime, public corruption and financial fraud matters. From 2008 to 2017, Mr. Durham served as Counsel to the U.S. Attorney; from 1994 to 2008, he served as the Deputy U.S. Attorney, and served as the U.S. Attorney in an acting and interim capacity in 1997 and 1998; from 1989 to 1994, he served as Chief of the Office’s Criminal Division, and from 1982 to 1989, he served as an attorney and then supervisor in the New Haven Field Office of the Boston Strike Force in the Justice Department’s Organized Crime and Racketeering Section. From 2008 to 2012, Mr. Durham also served as the Acting U.S. Attorney for the Eastern District of Virginia, where he investigated matters relating to the destruction of certain videotapes by the CIA and the treatment of detainees by the CIA. From 1998 to 2008, Mr. Durham served as a Special Attorney for the District of Massachusetts and Head of the Justice Task Force, where he reviewed alleged criminal conduct by FBI personnel and other law enforcement corruption in Boston, led the prosecution of a former FBI Supervisory Special Agent and a former Massachusetts State Police Lieutenant, and handled direct appeals and related proceedings following convictions after trial. From 1978 to 1982, Mr. Durham served as an Assistant State’s Attorney in the New Haven State’s Attorney’s Office headed by Arnold Markle, and from 1977 to 1978, he served as a Deputy Assistant State’s Attorney in the Office of the Chief State’s Attorney. From 1975 to 1977, Mr. Durham worked as a Volunteer in Service to America (VISTA) on the Crow Indian Reservation in Montana. Mr. Durham graduated, with honors, from Colgate University in 1972 and the University of Connecticut School of Law in 1975.

Mardell Hogan Plainfeather, who is retired from the National Park Service, shares the story of her mother, Lillian Bullshows Hogan (1905–2003). Hogan grew up on the Crow Indian Reservation, learned traditional arts and food gathering from her mother, survived the bitterness of Indian boarding school, and grew up to be a complex, hard-working Native woman who drove a car, maintained a bank account, and read the local English paper. Hogan spoke Crow as her first language, practiced beadwork, tanned hides, honored clan relatives in generous giveaways, and often visited the last of the old chiefs and berdaches with her family.

Robert is joined by Susan Kelly and Peggy White of The Center Pole organization for Native Americans, located at the foot of the Little Big Horn Battlefield National Monument on the Crow Indian Reservation in Montana.A production of WCWP Studios - LIU Post Public Radio. Visit us at WCWP.org

The Battle of the Little Bighorn, known to the Lakota and other Plains Indians as the Battle of the Greasy Grass and also commonly referred to as Custer's Last Stand, was an armed engagement between combined forces of the Lakota, Northern Cheyenne, and Arapaho tribes and the 7th Cavalry Regiment of the United States Army. The battle, which resulted in the defeat of US forces, was the most significant action of the Great Sioux War of 1876. It took place on June 25–26, 1876, along the Little Bighorn River in the Crow Indian Reservation in southeastern Montana Territory The fight was an overwhelming victory for the Lakota, Northern Cheyenne, and Arapaho, who were led by several major war leaders, including Crazy Horse and Chief Gall, and had been inspired by the visions of Sitting Bull. The US 7th Cavalry, including the Custer Battalion, a force of 700 men led by Lt. Col. George Armstrong Custer, suffered a major defeat. Five of the 7th Cavalry's 12 companies were annihilated and Custer was killed, as were two of his brothers, a nephew and a brother-in-law. The total US casualty count included 268 dead and 55 severely wounded (six died later from their wounds), including four Crow Indian scouts and two Pawnee Indian scouts. Public response to the Great Sioux War varied in the immediate aftermath of the battle. Custer's widow soon worked to burnish her husband's memory, and during the following decades Custer and his troops came to be considered iconic, even heroic, figures in American history, a status that lasted into the 1960s. The battle, and Custer's actions in particular, have been studied extensively by historians. Information Sourced from https://en.wikipedia.org/wiki/Battle_of_the_Little_Bighorn Body Sourced from: https://youtu.be/BsWZ41mHY4M Closing song; Mr. Custer https://youtu.be/fe0q8Lq3L2Q Single by Larry Verne Released 1960 Genre Novelty Songwriter(s) Al De Lory Fred Darian Joseph Van Winkle "Mr. Custer" is a march novelty song, sung by Larry Verne, and written by Al De Lory, Fred Darian, and Joseph Van Winkle. It was a No. 1 song in the United States in 1960, topping the Billboard Hot 100 singles chart for the issue dated October 10, 1960, and remained there for one week. It is a comical song about a soldier's plea to General Custer before the climactic Battle of the Little Bighorn against the Sioux, which he did not want to fight. Public Access America 
PublicAccessPod Productions
Footage edited by PublicAccessPod producer of Public Access America Podcast Links Stitcher: goo.gl/XpKHWB  
iTunes: goo.gl/soc7KG  
GooglePlay: goo.gl/gPEDbf  
YouTube goo.gl/xrKbJb

The Battle of the Little Bighorn, known to the Lakota and other Plains Indians as the Battle of the Greasy Grass and also commonly referred to as Custer's Last Stand, was an armed engagement between combined forces of the Lakota, Northern Cheyenne, and Arapaho tribes and the 7th Cavalry Regiment of the United States Army. The battle, which resulted in the defeat of US forces, was the most significant action of the Great Sioux War of 1876. It took place on June 25–26, 1876, along the Little Bighorn River in the Crow Indian Reservation in southeastern Montana Territory The fight was an overwhelming victory for the Lakota, Northern Cheyenne, and Arapaho, who were led by several major war leaders, including Crazy Horse and Chief Gall, and had been inspired by the visions of Sitting Bull. The US 7th Cavalry, including the Custer Battalion, a force of 700 men led by Lt. Col. George Armstrong Custer, suffered a major defeat. Five of the 7th Cavalry's 12 companies were annihilated and Custer was killed, as were two of his brothers, a nephew and a brother-in-law. The total US casualty count included 268 dead and 55 severely wounded (six died later from their wounds), including four Crow Indian scouts and two Pawnee Indian scouts. Public response to the Great Sioux War varied in the immediate aftermath of the battle. Custer's widow soon worked to burnish her husband's memory, and during the following decades Custer and his troops came to be considered iconic, even heroic, figures in American history, a status that lasted into the 1960s. The battle, and Custer's actions in particular, have been studied extensively by historians. Information Sourced from https://en.wikipedia.org/wiki/Battle_of_the_Little_Bighorn Body Sourced from: https://youtu.be/BsWZ41mHY4M Public Access America 
PublicAccessPod Productions
Footage edited by PublicAccessPod producer of Public Access America Podcast Links Stitcher: goo.gl/XpKHWB  
iTunes: goo.gl/soc7KG  
GooglePlay: goo.gl/gPEDbf  
YouTube goo.gl/xrKbJb

The Battle of the Little Bighorn, known to the Lakota and other Plains Indians as the Battle of the Greasy Grass and also commonly referred to as Custer's Last Stand, was an armed engagement between combined forces of the Lakota, Northern Cheyenne, and Arapaho tribes and the 7th Cavalry Regiment of the United States Army. The battle, which resulted in the defeat of US forces, was the most significant action of the Great Sioux War of 1876. It took place on June 25–26, 1876, along the Little Bighorn River in the Crow Indian Reservation in southeastern Montana Territory The fight was an overwhelming victory for the Lakota, Northern Cheyenne, and Arapaho, who were led by several major war leaders, including Crazy Horse and Chief Gall, and had been inspired by the visions of Sitting Bull. The US 7th Cavalry, including the Custer Battalion, a force of 700 men led by Lt. Col. George Armstrong Custer, suffered a major defeat. Five of the 7th Cavalry's 12 companies were annihilated and Custer was killed, as were two of his brothers, a nephew and a brother-in-law. The total US casualty count included 268 dead and 55 severely wounded (six died later from their wounds), including four Crow Indian scouts and two Pawnee Indian scouts. Public response to the Great Sioux War varied in the immediate aftermath of the battle. Custer's widow soon worked to burnish her husband's memory, and during the following decades Custer and his troops came to be considered iconic, even heroic, figures in American history, a status that lasted into the 1960s. The battle, and Custer's actions in particular, have been studied extensively by historians. Information Sourced from https://en.wikipedia.org/wiki/Battle_of_the_Little_Bighorn Body Sourced from: https://youtu.be/BsWZ41mHY4M Public Access America 
PublicAccessPod Productions
Footage edited by PublicAccessPod producer of Public Access America Podcast Links Stitcher: goo.gl/XpKHWB  
iTunes: goo.gl/soc7KG  
GooglePlay: goo.gl/gPEDbf  
YouTube goo.gl/xrKbJb

The Battle of the Little Bighorn, known to the Lakota and other Plains Indians as the Battle of the Greasy Grass and also commonly referred to as Custer's Last Stand, was an armed engagement between combined forces of the Lakota, Northern Cheyenne, and Arapaho tribes and the 7th Cavalry Regiment of the United States Army. The battle, which resulted in the defeat of US forces, was the most significant action of the Great Sioux War of 1876. It took place on June 25–26, 1876, along the Little Bighorn River in the Crow Indian Reservation in southeastern Montana Territory The fight was an overwhelming victory for the Lakota, Northern Cheyenne, and Arapaho, who were led by several major war leaders, including Crazy Horse and Chief Gall, and had been inspired by the visions of Sitting Bull. The US 7th Cavalry, including the Custer Battalion, a force of 700 men led by Lt. Col. George Armstrong Custer, suffered a major defeat. Five of the 7th Cavalry's 12 companies were annihilated and Custer was killed, as were two of his brothers, a nephew and a brother-in-law. The total US casualty count included 268 dead and 55 severely wounded (six died later from their wounds), including four Crow Indian scouts and two Pawnee Indian scouts. Public response to the Great Sioux War varied in the immediate aftermath of the battle. Custer's widow soon worked to burnish her husband's memory, and during the following decades Custer and his troops came to be considered iconic, even heroic, figures in American history, a status that lasted into the 1960s. The battle, and Custer's actions in particular, have been studied extensively by historians. Information Sourced from https://en.wikipedia.org/wiki/Battle_of_the_Little_Bighorn Body Sourced from: https://youtu.be/BsWZ41mHY4M Opening song; Mr. Custer https://youtu.be/fe0q8Lq3L2Q Single by Larry Verne Released 1960 Genre Novelty Songwriter(s) Al De Lory Fred Darian Joseph Van Winkle "Mr. Custer" is a march novelty song, sung by Larry Verne, and written by Al De Lory, Fred Darian, and Joseph Van Winkle. It was a No. 1 song in the United States in 1960, topping the Billboard Hot 100 singles chart for the issue dated October 10, 1960, and remained there for one week. It is a comical song about a soldier's plea to General Custer before the climactic Battle of the Little Bighorn against the Sioux, which he did not want to fight. Public Access America 
PublicAccessPod Productions
Footage edited by PublicAccessPod producer of Public Access America Podcast Links Stitcher: goo.gl/XpKHWB  
iTunes: goo.gl/soc7KG  
GooglePlay: goo.gl/gPEDbf  
YouTube goo.gl/xrKbJb

The Battle of the Little Bighorn, known to the Lakota and other Plains Indians as the Battle of the Greasy Grass and also commonly referred to as Custer's Last Stand, was an armed engagement between combined forces of the Lakota, Northern Cheyenne, and Arapaho tribes and the 7th Cavalry Regiment of the United States Army. The battle, which resulted in the defeat of US forces, was the most significant action of the Great Sioux War of 1876. It took place on June 25–26, 1876, along the Little Bighorn River in the Crow Indian Reservation in southeastern Montana Territory The fight was an overwhelming victory for the Lakota, Northern Cheyenne, and Arapaho, who were led by several major war leaders, including Crazy Horse and Chief Gall, and had been inspired by the visions of Sitting Bull. The US 7th Cavalry, including the Custer Battalion, a force of 700 men led by Lt. Col. George Armstrong Custer, suffered a major defeat. Five of the 7th Cavalry's 12 companies were annihilated and Custer was killed, as were two of his brothers, a nephew and a brother-in-law. The total US casualty count included 268 dead and 55 severely wounded (six died later from their wounds), including four Crow Indian scouts and two Pawnee Indian scouts. Public response to the Great Sioux War varied in the immediate aftermath of the battle. Custer's widow soon worked to burnish her husband's memory, and during the following decades Custer and his troops came to be considered iconic, even heroic, figures in American history, a status that lasted into the 1960s. The battle, and Custer's actions in particular, have been studied extensively by historians. Information Sourced from https://en.wikipedia.org/wiki/Battle_of_the_Little_Bighorn Body Sourced from: https://youtu.be/BsWZ41mHY4M Public Access America 
PublicAccessPod Productions
Footage edited by PublicAccessPod producer of Public Access America Podcast Links Stitcher: goo.gl/XpKHWB  
iTunes: goo.gl/soc7KG  
GooglePlay: goo.gl/gPEDbf  
YouTube goo.gl/xrKbJb

If you’re looking to understand your creativity and how it connects to your roots, this interview will surely spark some ideas and inspiration for you. Bethany Yellowtail is an influential Native fashion designer who shares her Crow and Northern Cheyenne heritage with the utmost sensitivity and care. When our host first stumbled upon her, Majo was struck by Bethany’s work and its beautiful celebration of Native American culture (without the ickiness of appropriation). They cover what it was like for Bethany growing up as one of the only Native girls in a mostly white public school, how she envisioned her brand and met her co-founder, and the inspiration behind her artist collective. Not only is she carving out an entirely new space in the fashion industry, but she’s doing so in a way that is positively impacting Native communities. Show Notes:-Bethany as a little girl: An old soul growing up on the Crow Indian Reservation. [4:43]-On her parents and Native heritage, and dealing with racist mentalities that still exist to this day. [8:52]-The extreme culture shock of her college years in L.A. and the emergence of her unique brand. [12:51]-Bethany’s business partner who arrived via “divine intervention” and the launch of their first ecommerce products. [17:26]-Her point of view around authentic native representation in fashion, plus the lessons she learned working for other companies. [21:21]-How Bethany’s work is a way of sharing her culture, and how she deals with criticism. [25:03]-On the theme of reclamation and how it relates to modern-day issues impacting Native communities. [31:39]-Bethany shares about the inspiration and vision behind her artist collective. [33:31]References:Bethany Yellowtail – www.byellowtail.comArtist collective – www.byellowtail.com/allHeroine Live! IndieGogo campaign – bit.ly/heroineliveMusic by Lucia Lilikoi – lucia.bandcamp.comEpisode Sponsors:UENO – ueno.co/careersInVision – invisionapp.com/company

If you’re looking to understand your creativity and how it connects to your roots, this interview will surely spark some ideas and inspiration for you. Bethany Yellowtail is an influential Native fashion designer who shares her Crow and Northern Cheyenne heritage with the utmost sensitivity and care. When our host first stumbled upon her, Majo was struck by Bethany’s work and its beautiful celebration of Native American culture (without the ickiness of appropriation). They cover what it was like for Bethany growing up as one of the only Native girls in a mostly white public school, how she envisioned her brand and met her co-founder, and the inspiration behind her artist collective. Not only is she carving out an entirely new space in the fashion industry, but she’s doing so in a way that is positively impacting Native communities. Show Notes:-Bethany as a little girl: An old soul growing up on the Crow Indian Reservation. [4:43]-On her parents and Native heritage, and dealing with racist mentalities that still exist to this day. [8:52]-The extreme culture shock of her college years in L.A. and the emergence of her unique brand. [12:51]-Bethany’s business partner who arrived via “divine intervention” and the launch of their first ecommerce products. [17:26]-Her point of view around authentic native representation in fashion, plus the lessons she learned working for other companies. [21:21]-How Bethany’s work is a way of sharing her culture, and how she deals with criticism. [25:03]-On the theme of reclamation and how it relates to modern-day issues impacting Native communities. [31:39]-Bethany shares about the inspiration and vision behind her artist collective. [33:31]References:Bethany Yellowtail – www.byellowtail.comArtist collective – www.byellowtail.com/allHeroine Live! IndieGogo campaign – bit.ly/heroineliveMusic by Lucia Lilikoi – lucia.bandcamp.comEpisode Sponsors:UENO – ueno.co/careersInVision – invisionapp.com/company