Podcasts about Arapaho

Sculptor and installation artist Marianne Lettieri creates intricate, meditative work from salvaged and domestic materials. In this episode, she shares her journey from marketing to art, and how she has centered her practice around intention, discernment, and clarity—rather than urgency or trends. She talks with host Alyson Stanfield about how she defines success, the importance of showing up in the studio (even if it's just to sweep the floor), and why research, ritual, and creative constraint are essential to her process. HIGHLIGHTS 01:50 – Marianne's career shift from PR to full-time artist 03:54 – Why Marianne is drawn to historical artifacts and “slow” art 08:19 – Defining success: critical acclaim vs. financial success 13:14 – Income sources: sales, commissions, and artist estates 17:57 – How she tracks ideas and builds inventory systems 22:02 – How she's using only what she already has 24:56 – Making over 100 collages from studio leftovers 26:54 – A rejection story: the San Francisco dump residency 32:10 – Building community through art and faith 38:45 – How location (Granbury, TX) shapes her art 46:42 – Where to find Marianne + Alyson's closing takeaway  

Thoughtful artists often hesitate to share their work publicly—not because they're lazy or unclear, but because they don't want to contribute to the “noise” online. In this solo episode, host Alyson Stanfield unpacks that fear and explain why it's often a mask for perfectionism. You'll hear why your content doesn't need to be perfect, polished, or viral—it just needs to be true. She also shares mindset shifts to help you move from performance to presence, broadcasting to connection, and perfection to permission. Whether you're struggling to post, over-editing everything, or just trying to trust your voice again, this episode is here to remind you: you're not the noise. You're the signal. [00:00] Workshop intro: From Followers to Collectors [01:45] The fear of adding to the noise [03:20] You're not the noise—you're the signal [04:50] Where “quality over quantity” falls apart [06:30] Some of your best content might be the quickest [07:15] When perfectionism poses as professionalism [08:10] What quality really looks like (hint: not polished) [09:25] You can't control who sees it—just share [10:40] Shifting from performance to presence [11:35] Final encouragement: show up with trust [12:15] Workshop + Essentials invitation [13:00] Closing thanks + where to find more

In this mind-bending episode, Ashe in America welcomes Draza Smith for an unprecedented deep dive into the mechanics of election systems and the hidden patterns behind vote counts. They kick off with headlines about Ken Paxton's investigations and divorce scandal, lawsuits over New York's 2024 election, and Wisconsin's missing ballots, before diving into Draza's groundbreaking research. Draza explains her discovery that vote totals in numerous counties consistently return to predictable set points, behaving less like random human choices and more like engineered outcomes governed by probabilistic models. She details how cast vote records, when sorted in different ways (what she calls the “Arapaho Twist”), reveal mathematically improbable patterns, like “partisan parallel motion”, across races, states, and vendors. The discussion escalates into her theory that the deterministic decay curves used in quantum mechanics can model elections with uncanny accuracy, suggesting outcomes are pre-calculated to reach a ratio no matter how many ballots are processed. With charts, analogies, and lively back-and-forth about election integrity, transparency, and why “glitches” are never just glitches, this episode challenges everything you think you know about vote counting, and offers a radical framework for understanding how it might really work.

Wildlife artist James Corwin has built a thriving art business by putting his originals first—and building everything else around them. In this episode of The Art Biz, he talks with host Alyson Stanfield about how he strategically developed multiple income streams through prints, commissions, and galleries, all while prioritizing his painting time. James shares the mindset shift that helped him focus, the failures that taught him the most, and why nurturing collector relationships is a cornerstone of his success. His perspective as both an artist and gallery owner offers valuable insight for anyone seeking representation—or thinking about opening their own space. Plus, he reveals how he handles marketing, team-building, and staying connected to buyers in a way that's rare, but powerful. Highlights 02:00 – James's start and finding his niche 07:00 – Focusing the business and saying no 13:00 – Early business experience and multiple revenue streams 20:00 – Print systems, marketing, and building a team 23:00 – Strategic growth and personal planning 28:00 – How James actually plans and thinks while painting 31:00 – Major failures: financial loss and Aspen gallery stress 36:00 – Representing artists and running a gallery 39:00 – Advice on gallery representation 43:00 – Building collector relationships 48:00 – Teaching, online academy, and omnipresence 52:00 – Business books/podcasts and what's next

The biggest mistakes artists make aren't about doing the wrong things—they're about doing nothing at all. Avoidance. Waiting. Hoping something will change on its own. In this solo episode, host Alyson Stanfield revisits and reframes one of her most popular articles, updated with a decade of insight and experience. These are not dramatic failures, but subtle patterns of inaction that can quietly keep your art business stuck. Alyson shares 7 common mistakes, grouped into 3 themes: Mindset. Connection. Structure. Each is paired with a powerful inquiry to help you take honest inventory—and move forward with more awareness. HIGHLIGHTS 03:00 What do you want from your art? 05:00 There's no magical moment when you feel ready. 06:45 Real artists don't have to promote their work? 08:00 There are doors you don't even know exist. 10:55 Templates, contracts, follow-up—none of it is optional. 12:50 Your art might be amazing, but does the presentation match? 15:00 These aren't failures—they're invitations.

ICYMI: Hour Two of ‘Later, with Mo'Kelly' Presents – A conversation with acclaimed Indigenous filmmaker Chris Eyre (Smoke Signals, Dark Winds), a member of the Cheyenne and Arapaho tribes, joins the program to preview his new History Channel documentary film, ‘Jim Thorpe: Lit by Lightning,' which profiles one of the greatest American athletes of all time and the first Native American Olympic gold medalist…PLUS – A look at the new Chuck E. Cheese arcade for adults AND the potential for the hit TV series ‘Law & Order' to go global, beginning with ‘Law & Order Toronto: Criminal Intent' - on KFI AM 640…Live everywhere on the iHeartRadio app & YouTube @MrMoKelly

ICYMI: ‘Later, with Mo'Kelly' Presents – A conversation with acclaimed Indigenous filmmaker Chris Eyre (Smoke Signals, Dark Winds), a member of the Cheyenne and Arapaho tribes, joins the program to preview his new History Channel documentary film, ‘Jim Thorpe: Lit by Lightning,' which profiles one of the greatest American athletes of all time and the first Native American Olympic gold medalist - on KFI AM 640…Live everywhere on the iHeartRadio app & YouTube @MrMoKelly

The History Channel introduces the new documentary film, Jim Thorpe: Lit by Lightning, which profiles one of the greatest American athletes of all time and the first Native American Olympic gold medalist. (See the trailer). From executive producers LeBron James & Maverick Carter, the film follows Jim's life and legacy from growing up on the reservation in Oklahoma to his formative years as a young athlete in Pennsylvania to his victories at the 1912 Summer Olympics – all while facing prejudices against Native Americans who were perceived as threats to Western expansion. Despite the obstacles, Jim followed his Olympic career by playing professional baseball, football and basketball. The film was directed by acclaimed Indigenous filmmaker Chris Eyre, a member of the Cheyenne and Arapaho tribes. Chris made history with his directorial debut Smoke Signals, which swept the Sundance Film Festival, and is currently executive producer and director of AMC's Dark Winds, alongside executive producers George R.R. Martin and Robert Redford.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

The History Channel introduces the new documentary film, Jim Thorpe: Lit by Lightning, which profiles one of the greatest American athletes of all time and the first Native American Olympic gold medalist. (See the trailer). From executive producers LeBron James & Maverick Carter, the film follows Jim's life and legacy from growing up on the reservation in Oklahoma to his formative years as a young athlete in Pennsylvania to his victories at the 1912 Summer Olympics – all while facing prejudices against Native Americans who were perceived as threats to Western expansion. Despite the obstacles, Jim followed his Olympic career by playing professional baseball, football and basketball. The film was directed by acclaimed Indigenous filmmaker Chris Eyre, a member of the Cheyenne and Arapaho tribes. Chris made history with his directorial debut Smoke Signals, which swept the Sundance Film Festival, and is currently executive producer and director of AMC's Dark Winds, alongside executive producers George R.R. Martin and Robert Redford.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

This week on "We're Still Here", Simon and Julie join John to talk about the 149th anniversary of the Battle of Little Bighorn—not as Custer's Last Stand, but as a rare Native victory against invasion, where Lakota, Cheyenne, and Arapaho warriors defended their homelands and won. They also dig into the Trump administration's latest move to strip protections from 58 million acres of national forest -- land that includes sacred sites, ancestral territories, and climate-critical ecosystems. Plus, Julie shares thoughts from her latest Substack, Tobacco Is a Sacred Medicine—a reflection on ceremony, colonization, and reclaiming Indigenous relationships with plants and power. They received some fantastic calls from listeners who reminded us why it's important to have these conversations.Simon Moya-Smith - instagram.com/simonsaidtakeapic threads.com/@simonsaidtakeapicJulie's Substack “The Fire I Keep” https://substack.com/@juliefrancella?r=1u83jb&utm_medium=iosCheck out Julie's artwork on her website - juliefrancella.com See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A retired police captain turned artist, Jennifer Steck realized she didn't have to wait for opportunities to come to her—she could create them. Seeing a gap in what was available for artists to sell their work, Jennifer founded Artburst Studios, an online gallery that's part pop-up show and part community hub for artists. She had zero experience running a gallery, but that didn't stop her. Armed with curiosity, a clear vision, and plenty of determination, Jennifer (at the time of this recording) has helped over 80 artists sell more than $174,000 of art in just a few years. In this episode, she shares how a simple idea (and a lot of spreadsheets!) grew into a platform connecting artists with buyers and each other. In this conversation, host Alyson Stanfield talks with Jennifer about: Her “aha” moment as a new artist that inspired an artist-centered online gallery. The key qualities Jennifer looks for (like clarity, consistency, and an active practice) when reviewing an artist's online presence—and what might make her pass. Why community and collaboration are baked into the Artburst model, and how they benefit every artist involved. Strategies for overcoming artists' reluctance to promote their work and engage their audiences. How fear, perfectionism, and overthinking can sabotage art sales—and ways to avoid these common pitfalls. ⌛️ HIGHLIGHTS 00:35 Meet Jennifer Steck – From police captain to artist entrepreneur. 06:00 The “aha” moment – How a Facebook art auction sparked the idea for Artburst Studios. 10:30 Running a virtual art show – Artburst's short pop-up exhibitions and the importance of artists actively promoting their work. 13:45 Emphasizing community – Encouraging artists to support one another and provide great experiences for their buyers. 16:00 Choosing the right artists – What Jennifer looks for online (and the red flags that make her say “no thanks”). 22:10 Personal touch in sales – How Artburst handles sales and gets artists directly connected with their buyers. 26:30 Why artists resist marketing – Understanding the stigma around self-promotion and how Jennifer helps artists move past it. 35:00 Conquering common mindset blocks – Tackling fear of exposure, perfectionism, and “analysis paralysis” that can hold artists back. 40:00 Looking ahead – Jennifer's plans to launch the Artburst Boutique for smaller, more frequent art shows. 44:00 Final encouragement – An open invitation for artists to get involved, and why showing up (like attending shows) is so important before seeking opportunities.

Talking about my weekend trip with Comanche youths, along with some of my experiences with the Seminole Tribe of Florida, the Southern Ute Indian Tribe, the Kiowa Tribe, and the Cheyenne and Arapaho Tribes.

On this episode of the special series featuring Native Language Protectors and Carriers, we reflect on the legacy of the Native American Languages Act of 1990 through the stories of Michael Elizondo, Jr. and Chaz Meadows. They are two citizens of the Cheyenne and Arapaho Tribes who are reclaiming their languages, one word and one conversation at a time. From learning with elders and attending ceremonies to immersive master-apprentice programs and digital classes, they share how language connects to culture, humor, and identity—and why its survival is essential for future generations. Dr. Farina King narrates this episode, and special thanks to Brian D. King for editing the Language Protectors and Carriers series.A Native of Oklahoma, Michael Elizondo, Jr. received his BFA from Oklahoma Baptist University (2008) and his MFA at the University of Oklahoma (2011). Elizondo has participated in numerous solo and group exhibits regionally and nationally. He has been a professor of fine art and art history at colleges and universities statewide, recently serving as the Director of the School of Art at Bacone College and Executive Director of Language and Culture with the Cheyenne and Arapaho Tribes. Elizondo is currently focusing on his studio practices full-time.Jonathan (Chaz) Meadows is a citizen of the Cheyenne and Arapaho Tribes and a dedicated advocate for Indigenous cultural and linguistic revitalization. He earned dual bachelor's degrees in Native American & Indigenous Studies and Sociology from Fort Lewis College in Durango, Colorado, graduating with Cum Laude and Dean's List honors. Jonathan is currently a graduate student at the University of Oklahoma, pursuing a master's degree in Native American Studies. A former president of the Pujuta Tipi Society RSO, his academic and community work is deeply rooted in cultural preservation, language revitalization, and intergenerational knowledge transfer. He is an alumnus of the Wells Fargo, Indigenous Land & Language, American Indian Service, and Cheyenne & Arapaho Higher Education scholarship programs, and a former apprentice in the Cheyenne Language Master Apprenticeship Program. His work is grounded in a lifelong commitment to sustaining Indigenous lifeways for future generations.Learn more about the efforts to protect and support the study of Native American languages (and all languages) at the University of Oklahoma through the following petitions:Oppose the Removal of Foreign Language Gen Ed requirements at the University of OklahomaKeep Indigenous Languages Alive at OUFor more information about the Oklahoma Native American Youth Language Fair, see the hyperlink.Learn more about Native American Languages at the University of Oklahoma.We honor Cheyenne and Arapaho speakers of all generations of the past, present, and future such as Joyce Twins (1943-2020) who taught Cheyenne language for over 20 years, including for some time at the University of Oklahoma.

What if titling your art is actually part of your creative practice? One that helps you better understand your work, connect with your audience, and prepare your art for life beyond the studio? That's the beautiful perspective offered by artist and writing consultant Fran Gardner. In this episode, host Alyson Stanfield talks with Fran to explore the idea that titles aren't just labels—they're bridges. They link your creative intention to the viewer's experience and give your work a voice when you're not there to speak for it. Fran shares her own turning point with titling, walks us through her thoughtful process, and explains why she believes writing—especially titling—is part of every professional artist's responsibility. 00:00 – Why titling your artwork is an act of creative responsibility 03:45 – The emotional and symbolic power a title carries 07:50 – Fran's turning point: when numbering her work wasn't enough 13:55 – A step-by-step process for discovering the right title 20:50 – How titling deepens your understanding of your own work 24:00 – Balancing personal expression with professional presentation 32:10 – The essential role of writing in every artist's practice 40:15 – Titles as bridges between the art, the artist, and the audience

It's easy to assume that people will visit your artist website once it's built. But websites don't always attract attention on their own. You have to give people reasons to show up. In this solo episode of The Art Biz, host Alyson Stanfield shares 11 simple, low-effort strategies to guide more people to your site—plus a way to download the full list of 22 ideas. These are real, artist-friendly actions that work in the background of your art business to increase traffic over time. In this episode, you'll hear: Why waiting for people to discover your website isn't a strategy 11 proven ways to increase site traffic—most of them free How small tweaks to your emails and profiles can make a big impact Why showing up in community spaces can lead people back to your site Where to get the full download with all 22 ideas  

What does it take to stick with one creative project for more than a decade—and still feel inspired by it? Michelle Fung has been immersed in The World of 2084 since 2015. What began as a vivid dream in a coffee shop became a sprawling, interdisciplinary art project imagining five futuristic nations and their cultural, ecological, and political identities. In this conversation with host Alyson Stanfield, Michelle shares how she builds these imagined worlds through woodcut painting, animation, books, and research—and how her commitment hasn't wavered in 10 years. She talks openly about the tension between conceptual satisfaction and selling work, and how she uses long-term planning to stay focused. You'll also hear how she transitioned from printmaking to a unique “woodcut painting” process that honors her love of carving and visual storytelling—and how she separates money-making projects from money-burning ones without losing joy.

Getting gallery representation isn't just about having great work—it's about preparation, professionalism, and relationships. At Gabba Gallery in Los Angeles, those values are at the heart of how things run. For more than a decade, owner and director Jason Ostro has led the gallery's mission to elevate emerging and mid-career artists, while curator and manager Elena Jacobson makes sure every show runs smoothly. Together, they bring a practical and deeply human perspective to the artist-gallery partnership. In this conversation, host Alyson Stanfield talks with Jason and Elena about: How they collaborate and divide responsibilities at Gabba Gallery. The qualities they look for in artists and what makes someone a strong fit. Common mistakes artists make when submitting or working with galleries. Why proper preparation makes a big difference in working with an artist (or not). How Gabba's 50/50 commission model works and what artists should know about gallery finances. Why relationships, networking, and trust are just as important as talent. Whether you're actively seeking gallery representation or want to better understand the dynamics behind the scenes, this episode offers honest insight into what it takes to succeed. Takeaway: Showing your work in a gallery isn't a handoff—it's a partnership. The more you understand the gallery's role, the stronger your relationship (and opportunities) will be.

Building a sustainable art business requires more than just making good work. It requires showing up consistently, connecting with the right people, and staying true to a long-term vision—even when that means setting difficult boundaries. In this conversation, Noelle Phares returns to talk with host Alyson Stanfield about the structures she's put in place to support her thriving art career. From smart use of assistants and art festivals to strategic decisions around galleries and commissions, Noelle has built her success by staying fiercely committed to audience building. Here's what's ahead: How Noelle balances artistic independence with professional growth. Why she made audience-building a priority early on—and how she continues to nurture it. The systems and support team she's built to stay focused on creating. Setting boundaries with galleries and protecting her studio sales. The importance of maintaining multiple price points and income streams. Noelle's approach is a masterclass in running an art business with vision, strategy, and heart.

Building an art career with intention doesn't always start with a plan. Sometimes it starts with a gut feeling that something isn't working. That was true for Noelle Phares, who left behind a structured science career to follow her creative instincts—eventually leading to a solo museum exhibition and a thriving, self-directed art business. In this episode (part 1 of 2), host Alyson Stanfield talks to Noelle about how she transitioned from environmental data science into full-time painting, and how her rigorous research background continues to shape her studio practice. The conversation centers around 2024 solo show Tracking Time at the Boulder Museum of Contemporary Art—how it came together, what she learned from the proposal process, and why she approaches every exhibition as a fully developed project. She also shares her mindset around selling art, connecting with collectors, and painting for impact. This conversation is rich with insight about: Leaving a traditional career to follow a creative calling. The research process behind Tracking Time and why Noelle selected 7 distinct locations along the Colorado River. Working with museums and curators while maintaining your artistic voice. Designing exhibitions that tell cohesive, layered stories. Balancing environmental messaging with visual beauty to draw people in. Creating work that connects with buyers and retains meaning. Noelle's blend of structure, vision, and heart makes this an inspiring listen for any artist seeking to step into a more intentional, expansive chapter. Stay tuned for part 2, where we'll dive into how she structures her business, manages a team, markets her work, and approaches gallery relationships.

When Michael Beattie became Deputy Chairman of Stewards for the Hunter And North Western Racing Association in 1985 he wasn't made welcome by all of his new colleagues. In fact one senior member of staff was clearly unhappy about the appointment of the bloke he called  “the brash young steward from Grafton”. Beattie's lifelong tendency to call a spade a spade has earned him a reputation as a tough, hard operator- some have branded him a “bully”. Others have testified to his fairness and his insistence on listening to every shred of available evidence  Few have ever left a Beattie inquiry without knowing exactly where they stood. The sixty six year old has swapped stewarding for racing administration on a couple of occasions over more than fifty years in the industry. This is a podcast with a straight shooter who tells his life story with candour, humour and a touch of showmanship. Michael talks about his good fortune in landing back in his beloved hometown of Grafton as CEO of the Clarence River Jockey Club.  He talks of the dozen Grafton Cups he's overseen since returning to the northern rivers. He's a great admirer of the 2022 Cup winner Arapaho. Michael talks of early days in Grafton when his favourite entertainment was the Friday night ABC television coverage of the Harold Park trots. He couldn't wait for Fridays to come. He revisits the 1971 Miracle Mile win by freakish Western Australian pacer Mount Eden. The performance made a lasting impression on the budding racing aficionado. He takes us back to the heady days when he'd climb a Jacaranda tree outside the Grafton racecourse to watch the horses come down the straight. Finally his father Les agreed to take him to the races as a paying customer. Michael's a good storyteller and regales us with some entertaining yarns- like the one about his offer to a prominent trainer who always seemed to be short on helpers. He's always been able to open doors. At just fourteen years of age in 1973, he put a proposal to the four race clubs who used the Grafton racecourse. We're talking about 37 race meetings a year. Next thing young Beattie was writing all of the racebook form for those four clubs.  Michael tells the story of a winner on Ramornie day 1973 owned by a respected Doctor who wanted him to strap the horse no matter what. You'll enjoy the rest of the story. He takes us through the rigorous procedure he had to follow in quest of a job with NSW Government Railways. It was worth the trouble. The former international steward looks back on his appointment as a cadet with the Northern Rivers Racing Association (NRRA), and an introduction to the tough task of handicapping. Michael's desire to spread his wings saw him apply for an important new job in 1985. He was 26 when appointed Deputy Chairman of Stewards with the Hunter and North Western Racing Association. He remains grateful for the enormous experience he gained over fourteen years. His first stint as a racing administrator came in 1999 when he successfully applied for the CEO's role with the Gosford Race Club. He gained invaluable experience over almost seven years. Michael reflects on a conversation with trainer Joe Janiak who'd indicated he might set rising sprint star Takeover Target for the 2004 Pacesetter Stakes. That conversation took a few twists and turns. Michael looks back on Gosford Committee meetings when he persuaded board members to consider purchasing more real estate around the racecourse. He remains gratified that there's now sufficient space for Racing NSW to develop a huge training complex in the future. He reflects on the surprise phone call from former high profile steward John Schreck advising him of an upcoming position with the Macau jockey Club. Michael took the job but opted out of his contract less than a year later. The reason for his change of mind is perfectly understandable. It was back to Sydney and a new role as Chairman Of Stewards for Harness Racing NSW at precisely the time the dreaded EI virus made its presence felt in Sydney. Michael takes us through some highlights and lowlights of his time at the helm of harness racing. He recalls another surprise approach from the Macau Jockey Club who were keen to get him back for another stint. The offer came shortly before the infamous “green light scandal” dealt the trotting industry a crushing blow. Michael responds to the reputation he's carried for years as a very tough man to deal with in the stewards room. He doesn't deny the claims but believes his fairness more than counterbalances his stern disciplinary measures. He talks about his current online involvement in the buying and selling of local thoroughbred bloodstock. To date he's moved some 400 horses for northern rivers owners. He has the backing of the CRJC Committee who are delighted to see most of the money being recycled in the region. This is the story of a country kid who made things happen from a very early age. It's unlikely anybody could tell it better than the man himself. A very entertaining podcast from a true blue Aussie racing tragic who happened to be blessed with multiple talents.  He didn't waste one of them.

host: Alyson Stanfield It's easy to think that being a full-time artist means struggling financially. But painter Mary Erickson is proof that with discipline, long-term thinking, and a deep love of both art and business, it's possible to build a creative life that's both fulfilling and financially secure. In this conversation, recorded several years ago and lightly edited for re-release, Mary shares how she transitioned from painting before and after work at a frame shop to selling 500 watercolors, managing 8 gallery relationships, and investing in real estate—all while keeping her commitment to living simply and giving back. In this episode, Mary and I discuss: Why she says she paints to buy real estate so she can collect art How she used her job at a frame shop as a launchpad for her career What it took to sell her first 500 watercolors Her entry into the print market (and her rules for doing it smartly) Why she sees her galleries as partners, not just sales channels How she built a bird sanctuary and artist retreat through her art income The financial discipline and mindset that has served her all along the way This episode is a must-listen if you're an artist who wants to make smart business moves without sacrificing your creative soul.

In this episode,UFC - Alexander Volkanovski reclaims back the featherweight belt over Diego Lopes. Paddy the baddy dominates Michael Chandler. NRL - Lachlan Galvin has declined a 5M offer from the Tigers. EPL - KDB puts on a masterclass against Crystal Palace after they come from 2-0 to win 5-2. Virgil Van Djik wins it late against West Ham.Manchester United and Spurs flogged again. Horse racing - Treasurethe moment wins the Oaks. Arapaho wins the Sydney cup at huge odds. Via Sistina wins her 7th group 1. Fangirl wins the Queen Of The Turf after an incredible ride by James McDonald. Accountability - Football best bets hit. Bin list/ Listener questions - When the cashier tries to make you buy a chocolate. Being referred to an overseas call centre. Not replying when they're online. Managers who expect you to be phone accessible 24/7. People who drum on every surface. Liverpools new right back options. Rank - Oblak, Donnarumma & Maignan Who makes the CL in the EPL? EPL match day 33 preview & goal scorer multi. NRL round 7 preview & stats you need to know. Punt off bets, generational wealth & football best bets. Make sure you follow coastalsportspod on Instagram to keep up to date. (0:00) Catch up(5:18) UFC 314 recap(9:05) Lachlan Galvin to leave Tigers (11:57) EPL review (15:08) Group 1 Racing (15:52) Accountability (19:06) Horses to follow (22:18) Life hindsight (25:06) When the cashier tries to make you buy a chocolate (27:22) Being referred to an overseas call centre (27:29) Not replying when there online (30:57) Managers who expect you be phone accessible 24/7(32:10) Drumming on every surface (34:00) People trying to sell you something outside shops(35:39) Driving to a national park and recording yourself cooking (36:48) Liverpools new right back (39:14) Rank - Oblak, Donnarumma or Maignan(41:31) Who makes the CL in the EPL(44:29) EPL match day 33 preview (51:24) Manly v Dragons(58:24) Bulldogs v Rabbitohs (1:04:03) Dolphins v Storm(1:10:09) Warriors v Broncos(1:14:40) Roosters v Panthers(1:19:30) Titans v Raiders (1:23:21) Knights v Sharks(1:27:53) Tigers v Eels(1:32:22) Generational wealth (1:34:00) Football best bets

Nick is joined by Mirror Newsboy David Yates to discuss the latest from around the racing world. After unpacking the Scottish National/Trainers' Championship, they launch into the Flat, with trainer Francis Graffard joining the show to discuss star filly Zarigana's comeback win, plus news on Calandagan, Goliath, Map of Stars and more. Also today, Brian Meehan plots his next steps with Greenham runner-up Rashabar, while Ed Crisford looks ahead to the Nell Gwyn Stakes with Arabian Dusk and delights in the Grade 1 victory of Choisya at Keeneland. Newbury CEO Shaun Hinds explains how the Berkshire racecourse has performed a stunning turnaround in attendance figures, plus - in Australia - Bjorn Baker reflects on the biggest week of his career, which culminated in the Sydney Cup victory of Arapaho. With the Tattersalls Craven Breeze Up sales this week, the doyen of the 2yo sales Con Marnane joins the show.

Nick is joined by Mirror Newsboy David Yates to discuss the latest from around the racing world. After unpacking the Scottish National/Trainers' Championship, they launch into the Flat, with trainer Francis Graffard joining the show to discuss star filly Zarigana's comeback win, plus news on Calandagan, Goliath, Map of Stars and more. Also today, Brian Meehan plots his next steps with Greenham runner-up Rashabar, while Ed Crisford looks ahead to the Nell Gwyn Stakes with Arabian Dusk and delights in the Grade 1 victory of Choisya at Keeneland. Newbury CEO Shaun Hinds explains how the Berkshire racecourse has performed a stunning turnaround in attendance figures, plus - in Australia - Bjorn Baker reflects on the biggest week of his career, which culminated in the Sydney Cup victory of Arapaho. With the Tattersalls Craven Breeze Up sales this week, the doyen of the 2yo sales Con Marnane joins the show.

You work hard on your art. You want people to discover it. But if you're relying entirely on social media to be found, you're building on shaky ground. Search engines like Google, YouTube, and even Pinterest remain powerful tools for helping people find you and your art—but only if you're strategic about how you show up there. In this episode of The Art Biz, host Alyson Stanfield talks with her go-to SEO coach, Meg Casebolt, about what artists need to know about Search Engine Optimization (SEO) and how to take ownership of your content online. Meg helped Alyson make sense of 20+ years of blog content and gave her the confidence to be more intentional moving forward. She breaks SEO down in a way that's accessible and artist-friendly—even if it's not your favorite thing to think about. We discuss: The two things you must own online (spoiler: Instagram isn't one of them) How search engines work and what they're really looking for Where and how to use keywords on your site and images What alt text is (and how to write it) Whether blogging is still relevant in 2025 Analytics to pay attention to—and how often to check them Your Action Step Take just one small step to improve your online presence. Update alt text, rewrite a product description, or add relevant keywords to a page. Share your progress with me on Instagram @alysonstanfield and use #artbizsuccess.

Meteorologists are keeping an eye on drought in Oklahoma and the region.Lawmakers are targeting green energy and eminent domain.We introduce you to the Cheyenne and Arapaho's “Friendly Little Buffalo”.You can find the KOSU Daily wherever you get your podcasts, you can also subscribe, rate us and leave a comment.You can keep up to date on all the latest news throughout the day at KOSU.org and make sure to follow us on Facebook, Blue Sky and Instagram at KOSU Radio.This is The KOSU Daily, Oklahoma news, every weekday.

Guardian Goddess in Manhattan.Book 3 in 18 parts, By FinalStand. Listen to the ► Podcast at Explicit Novels."Our Princess grew up around a woman whose keen intellect we rely on to protect us from unseen enemies," Saint Marie's voice became deeper and more threatening. "At the age of ten, she," Saint Marie looked my way as my hand shot up mimicking Aya's identical plea for attention."Yes Ishara?" Saint Marie chose to acknowledge me."She's nine.""Fine. At the age of nine, she earned an honorific, Mamētu me eda, which I didn't accomplish until my 19th year." 'Yes Ladies, I'm an epic bad-ass and I've been out-performed by a child'."She was kidnapped along with the Head of House Ishara. They tortured her by clipping off two of her digits, one at a time, then seared the damage with a blowtorch. She gave them nothing. At the end of the encounter, the two of them managed to defeat thirty Seven Pillar's commandos, over fifteen she disabled personally.""After killing nearly half as many enemies as the 35 I have personally dispatched in my entire career, she crossed a mile and a half of barren rock in the midst of a Category 4 Typhoon. Cáel Ishara only helped her half of the way because he was engaged with the last two members of the Seven Pillar's team.""I have utter confidence the madness here today, while assisted by House Epona and Ishara, was the brainchild of Krasimira. I say 'assisted' because Cáel Ishara spared Kwenhamai's life on the battlefield. Katrina Epona removed Kwenhamai from Romanian custody to keep her out of the hands of those who wished us harm. I was aware Kwenhamai was in New York, but not her precise location.""My read on the situation is this:"Aya of Kururiyahhssi was aware of Kwenhamai and Krasimira's plot to adopt her into the bloodline of the first Amazon.""She was not aware of Kwenhamai's plan to exit the Host in the manner she chose. I read the shock and pain in, Aya's face.""Our Princess has not given me a single order and I am the only voice here today that matters, I am the Golden Mare and the Council has consistently failed to agree on a Regency.""Krasimira, why have you done this?" Saint Marie abruptly asked for either a denial, or acquiescence of her perception of events."As directed by the Ancestors, the statute of a goddess of a First House was recast then returned to her perpetual spot. It brought new light to a dark, sacred and painful place. In that moment I realized that for the first time in nearly 3,200 years, the descendants of every Amazon gathered before the walls of Wilusa (Troy) had been reunited.""I was troubled. Was this a portent the augurs couldn't divine? In their council (the augurs) then came up with the words 'speak to our eldest'."Oh shit, the rest of the Council was racking their minds trying to figure who was the oldest surviving Amazon. I knew for a fact they were overlooking the two top candidates."I sought out the eldest Amazon alive. They claimed to not have the answer for my worries. She had far more numerous things weighing on her mind such as her intimate demise. Though I hated sharing the same air with her, I asked her to tell me her greatest regret.""I had given up on the Amazon Race until an Amazon reminded me, through martial effort, valiant spirit and a kind heart, I was wrong to abandon my faith with my people. Now I will die, unable to pass on my renewed hope because the one Amazon I would trust with my legacy is equally childless.""I asked her the name of this Amazon she felt was worthy of her legacy. Then I informed her she was wrong and the Amazon in question did indeed have a daughter. She asked to meet the daughter,""Last night I requested the presence of a female child residing with members of House Epona," the Keeper of Records looked up at the Golden Mare. "I provided neither the resident female (Caitlyn, Aya's Mother), or the House Head with an explanation."Female childSince my revival, Amazons were using 'female' child a lot more often. This meant, the motheer had never told her daughter farewell. The true fate of Aya of Epona would never officially be recorded. She has been born, but never recorded as an Amazon of her true House."The three of us met alone. The two embraced; birth mother and daughter. The eldest of us proclaimed she saw the light of Kururiyahhssi in her daughter's eyes. Words were exchanged. The child agreed to be adopted then departed. Further arrangements were made without the child's knowledge as we have recently observed.""I testify that there is only one Amazon alive today who knows what transpired and I will take those conversations to my grave. Does that suffice?" Krasimira finished. I was already regurgitating my mental quandary with my Isharans. Was Aya really a daughter of Kururiyahhssi?"I will leave it to the others to contemplate your, bizarre actions, Krasimira," Saint Marie frowned. "As for the rest of you, Aya has impressed me. If she has not impressed you, I do not care. I think she is definitely influenced by those two," Saint Marie motioned to Katrina and me. "It is a given since Katrina was of her blood and she has risked much in the presence of a man she calls 'Atta' and he calls 'Duma'.""Katrina is a cold, heartless snake and I am convinced she is one of the best 'First Bearer of the Sun Spear through the Halls of Night and Death' the Host been served by in a long, long time.” Saint Marie paused then looked at me while she said; “ Cáel is a fool who leads with his heart when he should let better women take charge. Fortunately for the rest of us, he is reliably successful despite his multitude of handicaps."Was I upset about being insulted? No. The truth hurts and a Man needs to learn to roll with the punches. Buffy I could deal with. Katrina most likely appreciated being associated with a dangerous reptile. Saint Marie hadn't forgotten Katrina threating Saint Marie's daughter that was for sure."I am considering much of what our Princess would like me/us to do, because it is based in keen insight and well-reasoned thought. She wishes to spare our sons so we will have more warriors in the fight. We have already added men to Havenstone and one to the Council, as was the Will of the Ancestors.""Let me see, she wishes a bodyguard of fourteen (2 First House and 1 from Africa, Asia, Europe and North & South America, the Amazon presence in Australia was minimal and I doubted they would bring someone up from Antarctica, plus the seven matching Runners) without removing permanent members of any House and allowing all Houses to have access to our future Queen. I approve. It is a fine idea and I wish I had thought of it.""Should we add Runners directly into the Royal House? She doesn't think so and I feel this decision shows a remarkably insightful into the long history of our People and protects the Council's sensitivity on such matters. I approve.""Placing our sons into the care of the Royal House? We need to free up as many sisters as possible. Men under the care of the Royal House will be tradesmen and help-mates. Not a single weapon will be in their hands. If none of you have realized herlike will take two decades to implement, it only increases my eagerness to see her become 'casted'."Aya's hand shot up again.Yes?""I would hope the Council, or the Regents, will consider a 'like' which is not mine. It is a man's and it should be of no surprise the idea is Cáel's.""If you feel it holds merit, Aya, tell us," Saint Marie deferred."The 9 Clans have shown some interest in a children exchange programs among our youth as it would provide new techniques we can add to our arsenal an a new avenue to experiment with new ideas. I find the idea to be promising as the Host takes part in affairs beyond our own immediate needs. It would also supply partners between families to be shared for a season or two."Translation: Amazon women could breed with men of allied Secret Societies to reduce our dependence on our own, much smaller, male population. In the short term, it would go a long way to rectifying the Host's child-bearing problems.The Council's quarrelsome behavior was biting them in the ass big time. Saint Marie was right, the only opinion that mattered was hers until the Council elected a Regency. Had we not been at war, the Council would have ruled, but we were, so we took orders from the Golden Mare. Even if the High Priestess had been alive, she would have deferred to our designated War Leader on most things."Cáel Ish, Cáel Wakko Ishara is a very dangerous and devious male, Aya. Be careful of any council he gives," Saint Marie's caution was more playful than menacing."I'll be okay," Aya peeped. "He doesn't have sex with any woman until she is eighteen." That wasn't what the Golden Mare was cautioning her about. We all knew it. Aya was working to defuse a sticky bit of mental juggling, listening to a man's advice."On that we can agree," Saint Marie conceded. "Back to what I would 'like' to say. The New Directive is being implemented. I feel it goes beyond the purview of my mandate. I will leave it for the Regency to deal with. Katrina and Tessa have already invested in the groundwork in this endeavor, so I will endorse it if that is the decision of the Regency.""I have zero desire to add a single Runner to the Security Detail. I will open up slots in the training program if that is what the Regency demands. Each House's policy for dealing with the First Directive is their business, not mine. If any of you wish to consider something the Princess considers to be important, so be it. The idea of 1,000 Isharans does not appeal to me. Look how much trouble their tiny numbers have already caused us and take heed."Buffy began growling, which amused/worried the Houses on either side of us. Unlike me, Buffy didn't 'roll with the blows' and considered all manner of insults to me, House Ishara and her Isharan sisters to be answerable with violence. I loved her so. There was also no way I'd let her go after Saint Marie. The Golden Mare would crush her; I had no doubt."The unwelcome blood feud: are both House Heads ignorant of my forbiddance of such things? Apparently so. Both defied me by tossing insults back and forth. Considering we are at war with two of the most powerful Secret factions, I am angered by both for their idiocy.""The solution the Princess likes is rather novel," Saint Marie was punishing both Messina and me with her low voice and fiery gaze. Krasimira coughed."Yes?" Saint Marie suspended her anger."The suggested resolution is not without precedence," Krasimira spoke with a scholarly detachment. "In our early days, the Host settled such disputes in Spring and Fall gatherings by contests of foot speed, hunting, horsewomanship, archery and wrestling. If we revive the tradition, the competing Houses could nominate one woman for each contest to settle the matter. Only the hand-to-hand match would risk either contestant's health.""I will consider it and render judgement before the Sun sets today," Saint Marie nodded. "The final like pleases me greatly. Dealing with the 52 of you is, Cáel?"I was on the spot. I couldn't let down my fan base of one, Aya. Perhaps it was five, Buffy (who would never admit it), Daphne (who liked me), Katrina (because she liked fucking with my head) and Desiree (who was less likely to admit she found me funny than Buffy).I felt I gave a decent effort."'A ginormous pain in my hemorrhoids?' the basic one.""'More painful than having my cornea scrapped with a spoon?' more gruesome.""'Enough to make me want to give Sakuniyas a surprise French kiss?' most likely to be fatal.""'Worse than waking up to discover I'm related to Cáel Wakko Ishara?' most horrifying, for both of us.""'Inspiring me to toss it all away and take up Professional Bikini Mud Wrestling?' a personal fantasy of mine.""Why do we put up with him again?" one House Head remarked."Because I am worried that one," motioning to Buffy, "will stab me in the elevator after a meeting.""My First, are you acting psychotic around the Council members?" I looked over my shoulder at Buffy."Wakko Ishara, it is not an act. I am psychotic," she responded deadpan."Are you still packing that thermite grenade?""No Wakko Ishara. Daphne stole it from me and hid it," was her quick delivery."I love working with you two," Daphne whispered."What is it with you, your unsubtle sexual innuendo and me in a bikini?" Saint Marie stared at me."I find the combination of brilliance and lethality sexy. Just ask Elsa," I grinned. Then I grimaced as Buffy stomped on my toes. The House Heads and Apprentices on either side of me noticed and clearly expected me to do something, like to show outrage (because she was my underling), or start crying (because I was a guy)."Prestige," Daphne hissed quietly. "Prestige." She was reminding Buffy that beating me up in public made the other Amazons think even less of me than they already did."I will go with (B), the cornea scrapping," Saint Marie gave me a nod."Damn it," I muttered. I also got my foot out of the way before someone did any more damage to my phalanges.'Best Daddy Ever,' Aya mouthed to me. Back to the main action."It is not my place to order the rest of you to elect Shawnee, Rhada and Buffy to be the Regency. I do admit I admire the mixture of candidates," Saint Marie declared. I shot Rhada a quick look. She seemed really, really enamored of the idea of being part of the Regency, thus staying in New York for the next decade, or so."Before the idea is rejected out of hand, I suggest we ask the three people our Princess would like to be part of the Regency if they would accept the nomination," the Golden Mare continued. "Shawnee Arinniti?""I bow to the logic and reason of the proposal," Shawnee replied."Rhada Meenakshi?""I wish to join my sisters in battle, yet I accept the reasoning behind the proposal," Rhada nodded. "If my Head of House agrees, I will stay and do my part for our People." What was she saying to me? 'You are going to whip me, beat me, torture me, humiliate me and push me to beyond the limits of any pain I have experienced until I pass out ~ repeatedly'."I despair of finding any other compromise," Mahdi frowned. "If my Apprentice understands the greater difficulty she will face gaining prestige among her House-mates, I will consent to this proposal." Essentially a 'yes'."Buffy Ishara?""I was really looking forward to ripping the spines out of still living foes, but I would be a fool to go against Aya of Kururiyahhssi's smarts. If Wakko Ishara wants to walk out of this room unassisted, he will see the wisdom of this decision as well," she gave me a shark's smile. Daphne had surpassed her limit and punched Buffy."Hell ya, I agree," I exclaimed. "Now I know there will be certain times of the day when she isn't stalking me.""I'll work more pain into our limited schedule," Buffy grumbled."Are we sure he is the House Head and she is the Apprentice?" Yet another House Head joined the 'shit on me' train.It was telling of our group dynamic how we accepted the Pyramid of Pain. The underlings dispensed advice and violence as they felt necessary without their 'superior' getting pissy about it. Buffy felt totally justified hitting me and accepted being hit by Daphne, who continued to act unimpeded as Buffy's rapid-fire translator."If I was House Head, I'd handcuff him to me," Buffy clarified for her."What she said," I pointed a thumb Buffy's way. I'd have used a finger, but she might have grabbed, twisted and made me scream in pain."Perhaps the Council can vote on this as their second order of business," Saint Marie cloaked her command as a suggestion."Cáel Wakko Ishara, can I ask you a personal question?" Kohar of Marda caught my attention."Shoot, wait, probably not the best terminology in this crowd. Ask away," I replied."Have you faced a House challenge yet?""Yes. Just last night in fact. We free-climbed the north-face of Havenstone. I beat the next closest contender by three floors. I also had Princess Aya on the roof dropping bricks on anyone who attempted to get past me.""That means he isn't going to answer you," Beyoncé  interpreted for my audience."Can't you ever take these meetings seriously?" Febe Mielikki glowered."La, Febe, in the past few minutes I have watched the person I love most in the world get her life shat on," I shook my head."The only thing worse than seeing this happen to Aya is knowing this is her sole opportunity to not lose her soul, so I'm sucking up my heart's pain and putting forward a jester's persona so I don't put any more pressure on her than she's already been subjected to. Like me, she doesn't want the distinction of being a Person of Note.""Like me, she knows she must sacrifice her dreams for the sake of our People, the Amazon Host. Trust me, you would rather have 'me, the jester' than 'me, the Amazon' furious with the destiny that has foisted this pain on her'. Do any of you take responsibility for forcing the events of this morning?" I growled. If they wanted to see the other side of the Janus, so be it."Had you chosen a Regency in the fucking weeks you've been bickering, Kwenhamai could have been dealt with privately. The fate of the Royal House could have been put off a few years. Had you not all been so dead-set on being heroines of the Host, three of you would have sacrificed your bloodlust, your birthright and the future accolades you could recite on your final night (before taking themselves to the cliff), but none of you did.""Instead, you set the stage for dumping all of your indecisiveness on the slender shoulders of a nine year old girl most of you had written off as too fractured and frail to survive her 12th year only three months ago. So Febe how do you like the honest 'me'?" I finished off furiously.It was not lost on anyone in the chamber I was an Amazon raging against the cruelty of fate. Every other bitch in the room knew they had discarded my daughter's life as trivial and I was prepared to unleash violence on the next one to show an ounce of disrespect over Aya's surrendering of her destiny and my grief at failing to find a way to stop this from coming to pass. St Marie had just reminded them that I was 'reliably" successful despite my handicaps. Not an enemy anyone in the room wanted any part of. Saku would have been proud.A Note:I have been remiss in informing my readers of the names of the 53 Houses, even though I created it some time ago. I have made a few alterations to the original version as I've had to rethink certain parts of this tale, but here is the list I now use.List of Goddesses:The First Twenty Houses in no particular order :1) Ishara, Oaths, Medicine and War (to North America) (died out 450 CE; Reborn in 2014)2)   (Deceased) Anat, Goddess of War, Fury and Blood Sacrifice (died out 6th cent. BCE) ~ possibly resurrected by Sakunyias3) Anahit, water, wisdom and war (to North America)4) Arinniti, Sun Goddess (to North America)5) Hanwasuit, Sovereign Goddess6) Illuyankamunus, Dragon God (to North America) (Special Case)7) Inara, the Hunter Goddess8)  au ka, fertility, War, healing9) Kamrusepa, Healing medicine magic (to Africa)10) Lelwani, Goddess of the Underworld (to Africa)11) Hapantali, Pastoral Goddess.12) Hatepuna, Sea Goddess (to India)13) Hannahannah, Mother Goddess14) Moirai, Fate15) Selardi, Lunar Goddess (to Africa)16) Nammu, Primordial Sea, sailing, sailors (to India) (to Indonesia)17) Uttu, Goddess of plants (to Africa)18) Lahar, Cattle Goddess (to Africa)19) Ereshkigal, Queen of the underworld (to India)20) Istustaya and Papaya, Twin Goddesses of Destiny (to North America)Additional Houses, founded in Europe:(Code: Sc = Scythian; T = Thracian, P, Phrygian, C = Celtic, R = Roman, Sl = Slavic)21) (Sc) Marda, the One-Eyed Goddess/Vengeance {fantasy creation}22) (Sc) Farānak, A Scythian Goddess also known as the Lynx Goddess and the Silent Huntress (Dora)23) (Sc) Stolgos, Monstrous Slayer of Greeks (known to the Greeks as the Gorgon Stheno) {semi-historical}24) (T) Cotyttia, Thracian Goddess of Sex, War and Slaughter (to North America)25) (T) Bendis, Thracian Goddess of the Moon and Hunting.26) (T) Semele/Rajah, Thracian Goddess of the Earth and Birth (to India)27) (T) Hylonome, Centaur Goddess28) (P) Cybele, Phrygians Earth Goddess on Lion's throne (to the Amazon)29) (C) Andraste, War Goddess; also Goddess of the Moon and Divination; 'the Rabbit Goddess'30) (C) Epona, Horses (to North America)31) (C) Cyhiraeth, Goddess of springs whose war cry precedes death (to Africa)32) (C) Maeve, War Goddess, the Enslaver of Men33)   (Deceased) (C) Nantosuelta, Earth, Fire and Fertility (died out 1st cent. BCE)34) (C) Artio, the Bear Goddess (to North America)35) (C) Nemain, Goddess of War and Panic36) (R) Minerva, Roman Goddess of War & Strategy37)   (Deceased) (R) Diana, Hunting and Archery (died out in India 16th cent. CE)38) (Sl)  iva, Love and Fertility49) (Sl) Morė, Goddess of harvest, witchcraft, winter and death (to North America)40) (Sl) Zorja, The twin Guardians (Evening/Morning Stars)41)   (Sl) Oźwiena, fame and glory (died out in 1944)42)   (Sl) Koliada, Sky Goddess and deity of sunrises/dawn (died out 17th cent CE)43) (F) Mielikki, Goddess of the Hunt44) (N) Ska i, giantess, Goddess of bow-hunting, skiing, winter, and mountainsAdditional Houses, founded in In dia:45) (I) Mookambika, Demon Slayers46) (I) Bhadra, Goddess of the Hunt (to Indonesia)47) (I) Meenakshi, The Liberator (Rhada and Madi's House)48) (I) Durga (Dark Mother) (to Indonesia)49) (I) Chandala Bhikshuki, Queen of Night, Death, Destruction and Rebirth50) (I) Jaya (Goddess of Victory)51)   (I) Chelamma, the Scorpion Queen (died out 16th cent.)Additional Houses, founded in Africa:52) (A) Oshun, (Yoruba Goddess of Love, Sexuality, Beauty and Diplomacy; Lady of the Orisha ~ life spirits)53) (A) Yemonja, Mother of Rivers (to the Amazon)54) (A) Oba, Goddess of Betrayal and Exile55) (A) Ox ssi, Goddess of Hunting, Forests, Animals and Wealth56) (A) Jengu, Goddess of Jungles and Water SpiritsAdditional Houses: founded in North America(NT = Native Tribal)57) (NT) Uusheenhiton (noo'uusooo' heeninouhuusei hitoniho') (Arapaho), Storm Horse Sister {fantasy creation}58) (NT) Gahe, Apache (supernatural spirits who live in the mountains)Prospective House:59) New, (Hittite) SzelAnya, the Dragon's DaughterCurrent Number of Central Houses:12 in North America (9+Ishara from Europe and 2 native)10 in Africa (6 from Europe and 5 native)3 in Amazonia (1 from Africa and 2 from Europe)8 in India (3 from Europe and 7 native)3 in Indonesia (2 from India and 1 from Europe)17 in Europe6 Deceased{7:35 am Sunday, September 7th ~ Last day}Right where we left offMy rage over Aya wasn't called into question or challenged. Practicality had trumped tradition in the inevitable Amazon fashion. The only one elevated in anyone's eyes was Aya. Krasimira's apparent political adventurism was probably hard for the others to deal with. But in context, only Mahdi, Katrina and Saint Marie had seen her denounce Hayden, so this seemed a new side of Krasimira to most people in the room.Krasimira wasn't the spiritual authority, that was Hayden. She wasn't the Generalissimo, that was Saint Marie. Katrina and I were both appointed officials, we retained our House status. Saint Marie would die a member of House Inara and join her ancestors with pride. Her litany of accomplishments were well known to the Host.But Krasimira? She would die a member of House Cybele unheralded. The Keeper of Records recorded the feats of others, not their own. Nearly two generations ago, a young Krasimira had joined the Keeper's House as a guardian to an un-remembered (save by her) augur. The augur passed and she took up other duties within the house.When the old Keeper faced her final months, she elevated Krasimira to her spot. High Priestess Hayden had approved the choice without really knowing who Krasimira was. (No one outside the House of the Keeper had personal bonds with her anymore.) Seamlessly, she had sat in the old Keeper's seat and the Council kept chugging along.For the past eight years, she had sat quietly at Hayden's side and only speaking when addressed. Mostly, she did nothing overt. The actual note-taking was done by an underling. The Keeper took her own private notes squirreled away in her mind, to be written when she was by herself. Those notes would be handed over to her successor, for the Keepers' eyes and theirs alone.I don't think Krasimira knew me in particular when she dutifully followed Hayden into these chambers the day my death, or life in a cage, was bantered about. It was the day we first crossed paths. She would have known of Shawnee's request for the tooth of an Isharan, though she lacked the authority to ask why. (She wasn't a voting member of the Council.)But when Shawnee made her claim, Krasimira hadn't balked in her support, despite the oddity of Shawnee's declarations, I was indeed Ishara and my sisters could not dispose of me. The outrage of the others meant nothing to her. She pursued her obligations with true Amazon fearlessness both inside and outside of the Council.On the night of the 2nd Betrayal, a Keeper had sat there in silence as her fellow Amazons, the Ash Men, were sentenced to an unjust death. She'd had neither the numbers nor the authority to alter events, what else could she have done?So the Keepers kept track of the names of nineteen 'unaccounted for' Ash Men. For what purpose? An episode of Amazon history no one would ever want to revisit? Yet in my hour of need, coming back 2,600 years was the name 'Vranus of Ishara', sitting only a few keystrokes away. No one, save a few Arinniti diehards, wanted to know the truth of the Amazon Ash Men; and even they didn't want to remember us as individuals. To them, Vranus existed as a notation on the secret Charter of the Arinniti Sons.To Krasimira, Vranus had been a living, breathing warrior of the Host, not even dead, still mythically fighting the enemies of our race because his death had never been officially recorded. With my appearance, I stood in mute testimony to his death, and that of his sons and their sons for a damn long time.Still, I hated playing catch-up.With the Amazon custom of adoption, had no one asked if another possible Isharan heritage still persisted?I would bet they had. And I'd bet they had sought for that knowledge in the Rolls of the Host, always finding that pathway devoid of hope. But if the Keeper had known, why had she kept quiet?Pride, shame, Krasimira's words: we show anger when we should show humility. We are proud of our shame. We are arrogant of our weaknesses. We have heaped insult upon insult on our ancestors, yet are now aghast that they turn away from us, I had confused her soliloquy with that of an accusation, not the long held understanding of her office.Even staring extinction in face, the modern Host hadn't truly accepted the answer, the line of Vranus. Faced with the truth, the Amazons would have 'forgotten' the descendants of Vranus all those centuries ago in the same way they 'forgot' all the other Ash Men on the day I was brought into the Host.But the Keepers did something more than maintain the rolls and records of the Amazons, more than watch over the augurs and make sure their messages made it to the proper ears. They safeguarded the truth. No matter what the Council decided and the High Priestess commanded, the Keepers remained honest stewards of the real history of the Amazons.Why?The Amazons were terribly practical and the truth could run contrary to the needs of political reality. Honesty wasn't a highly stressed Amazon virtue, loyalty was. So was bravery. And thus generation after generation of Keepers had lied to the Council and the High Priestesses. Every time those august personages had committed something to 'the nothingness', the Keepers had defied them and not forgotten.The first heads of the first twenty houses had surrendered their names for the unity of their people, but the Keepers remembered. All twenty of those women had been of the Amazon tribe of the Pala people living on the southern coast of the Black Sea when the Trojan Wars began. Over time, their true blood descendants had founded new houses and been adopted into others.Aya was truly a daughter of Kururiyahhssi; I had no doubt of that anymore. Had she not shared the same blood as the first Amazon, Krasimira wouldn't have brought Aya and Kwen together. Resurrecting an ancient tradition in a complicated fallacious coup attempt wasn't in her; nor was such a maneuver even a necessity. The Host would elect a Regency eventually and Saint Marie was handling the war in a highly competent fashion.So Krasimira hadn't sought out the heirs of Vranus, yet when one appeared, she welcomed 'him'. And when she stepped into the President's office with Hayden while waiting for me to be brought upstairs to face judgement that night, I imagined sending Hayden to the cliffs was the farthest thing from her mind.The rest were playing politics, gender politics, and couldn't see the truth staring Krasimira in the face. The truth was a bitch and didn't play favorites, or worry about the sensibilities of others. Krasimira had seen her sisters refusing to acknowledge the ugly reality they had created for themselves.Krasimira wasn't an advocate for Ishara, that was my job, and my crappy performance was something between Dot and me. She wasn't an advocate for the males and the New Directive. That was what Katrina was for. No, like a hundred Keepers before her, Krasimira was the silent sentinel for the Truth and, the Truth didn't care about anything but the Truth."The assassin is indeed in this room. Its name is Amazon was a rather grand pronouncement from the Chief Librarian, wasn't it? Krasimira didn't chastise Hayden. That wasn't her place. Technically, neither was she disputing Hayden's ability to rule.This wasn't the climax of a dinner-theater 'Who Done It'. The crime before the High Priestess was High Treason and I was the pre-ordained guilty party. My 'ally', Katrina Epona, had not been an advocate for my defense. No. Again in my Hour of Need it was Krasimira.Lacking any true authority, she had defied her sisters and made her definitive statement. What truly transpired was Krasimira staring Hayden straight in the eyes and saying 'you cannot lie your way out of this one, High Priestess. We (as in all the Keepers past and present) will not let you'.Had she used those words, Saint Marie would have gotten around to asking what Krasimira meant. Krasimira would have rather died, because once those bitches discovered their nerdy sisters hadn't erased a damn thing in 3,000 years, they would insist they do so immediately. Krasimira wasn't about to do that. Thanks to the chaos surrounding Hayden's departure, no one had confronted her over her crucial action.To put it more precisely, the Golden Mare had been too busy and Mahdi had been wrapped up in Hayden's Decree and the resulting pressure on the Heads of House to pick the Regency. Katrina was probably a case of I'm not going to ask you so you don't have to lie to me. The only other living person in the room when Hayden's fate was sealed was me, and I'd had my hands full as well.I had to think about what I should and could do. I couldn't beat her up over Aya anymore than I could punish my Isharans for their misplaced arrogance. I decided to extend a 'thank you'; and not only for myself, but for every conceited bitch who had ever sat at this table, or all the other physical mediums the Council had used before this one.We held three votes: The Council couldn't collectively decide on how to implement Aya's other likes (1), so they agreed on her suggestion for a Regency instead (2). The final vote was to set a date for the next Council meeting (3). A date within 9 days of the Winter Solstice with the Regency to decide the precise date and give the House Heads two weeks warning.The last calamity at the meeting was initiated by a question of etiquette."How do we address the Princess at Council meetings?" the Head of House Hanwasuit inquired of Krasimira."There is no precedent for addressing the Iwaruwa alone. By our laws, she is not truly Dumalugal Aya either. She is Nasusara," Krasimira responded. Queen."She is a child," a third House Head declared, "not an Amazon.""No," Mahdi shook her head. "A, Aya is 'un-casted'. She bears an honorific presented to her by the leader of an established stronghold (Summer Camp) and confirmed by the Golden Mare minutes ago.""Congratulations my mamētu me eda," I winked to my past and present Princess, "you've just become a single-digit aged teenager.""Go Aya," Daphne and Buffy whispered behind me. Aya raised her hand, waiting for Saint Marie's recognition.However, Saint Marie moved steadily forward, declaring: "Until the Regency alters my decision, I decline assigning anyone to the Iwaruwa (heiress) whose sole purpose would be to stop her from sneaking off to endure her 12th Year Test. I judge it to be better we know where we placed her as opposed to failing to outsmart her as she needlessly proves to the Host she is, in fact, already an Amazon of the Host." Aya lowered her hand.Thus,'Yes, Aya is an Amazon of the Host' and 'Aya will take her 12th Year Test because she wants to take it, won't let us talk her out of taking it and the rest of us had better accept it'."So, she is our Queen then?"No one appeared to have an answer. Aya raised her hand once more."Yes?" the Golden Mare smiled down at her."Am I in charge?" Aya's other hand squeezed Saint Marie's as she spoke in a barely audible voice."Perhaps.""If I was in charge, I would like it if there was a law that declared the Queen of the Amazons would be officially represented by a Regency until she becomes casted, and antedate the law by one hour so this never, ever comes up again," Aya kept looking up at Saint Marie."Aya," Katrina exhaled.The council chamber was a mixture of awe, resentment and amusement. If Aya was Queen, she could make such a law. The Queen-ship was a Bronze Age autocratic institution designed to provide leadership to a 'state' in near-constant warfare with is neighbors.It was guided by oral traditions and military necessity, not written laws. As long as the queens provided successes on the battlefield and through diplomacy, she was deemed fit to rule. The traditional way of choosing a House Head was the same for the Royal House, the ruling Queen chose an heir.In the long list of Queens, less than half had been the 'eldest' child. No, those ancient War Leaders picked the bravest, smartest and most successful daughters to succeed them. Their wisdom in those selections showed in the fact the Amazons had held off a male-dominated world for over 600 years before fatally marching off to answer an ally's call to fight in the Trojan War."I advise against it," Saint Marie shook her head. "You are young. You are also the only Royal we have. Duty demands and sisters must always answer their sister's call."Translation: Aya was an adult now. It was similar to the first lesson Pamela gave me upon learning I was Ishara. We lived with bitches, it doesn't pay to play nice with bitches."Thank you," Aya nodded. She was 'thanking' Saint Marie for the lesson, no matter how hard it was to accept. Krasimira coughed."Now that the matter is settled," she spoke. The matter wasn't settled. Krasimira was steamrollering the discussion. "What do we call you?", to Aya."I, oh," in a very small voice. Aya's brow furrowed and her tiny nose wiggled. "I wish to be known by the legacy of my Anna (mother) and Atta (me, Cáel). I will be Assiyai hamai.""Love song?" Daphne murmured to Buffy."Assiyai hamai?" Krasimira asked for clarification. 'Love-song' was hardly the name of a 'fierce' Amazon Queen."The only other name I could come up with was Markappidusmene, which seemed less auspicious," she meeped. Markappidusmene meant 'Tiny Smile'."Perhaps Talliyahulla would be more auspicious?" Saint Marie nudged Aya. 'War Cry'."Oh no!" Aya balked. "That's your job.""What do you think your job is?" the Golden Mare questioned, suddenly realizing she'd made the mistake of making assumptions where Aya was concerned."To go to the cliffs with twice as many Amazon daughters, each equal to the likes of Saint Marie, Katrina, Oneida, Buffy, Elsa, Kohar and Tad fi as exist today. We must not 'survive', or simply replenish our numbers."We must become stronger because the World is a terribly messed up place," she raised her wounded hand and splayed her digits for the others to see the two she was missing, "and has become too small for us to seek safety in hidden freeholds any longer. If we cannot hide, we must rule openly. We are Amazons. Having no equals, we must rule alone. The only people we can trust, really trust, are the sisters at our sides."My job is to advance my People's cause with both compassion and cruelty and I will do so alone, because the Amazon Queen has no equals, only daughters."Not a sound. I could count out the individual fan blades recycling the air."Let our enemies tremble," Saint Marie nodded, repeating an earlier declaration."Assiyai hamai," Krasimira intoned, making Aya's royal name official before adding, "Assiyai hamai, you are mistaken about one thing. You are not alone. You have a mamētu me eda.""Oh," she perked up, shedding the gloom which surrounded her. She looked at me, our eyes met and we both grinned, then she giggled...and yet again, up her hand went."Yes?" Saint Marie looked upon Aya respectfully and then at me with much suspicion."Is the mamētu me eda of my mamētu me eda also my mamētu me eda?" Aya asked.Just like old times, only Katrina was ahead of the game. "Oh, by Epona," the Spy-mistress snorted."Cáel Wakko Ishara, who is your mamētu me eda, oh no," Saint Marie bristled."Ah, indeed," Krasimira nodded. "An unlooked for bonus.""Does someone care to enlighten the rest of us?" the head of House Nemain prodded."Oh!" That was Elsa."That's right!" Oneida, she was definitely a fan of me and my spasmodic lifestyle."Wakko Ishara's mamētu me eda, other mamētu me eda, is Temujin, Great Khan of the Reborn Mongol-Turkish Khanate and ally of the Host," Saint Marie let them know. "They are bonded by Cáel risking his own life to save Temujin's. It is actually a privately understood and publically declared fact.""In Temujin's words to the international press when our Cáel and our new Queen were kidnapped : I believe Cáel is still alive. If he wasn't, we would be seeing piles upon piles of dead enemy around him and his 'boon companion', clearly visible from orbit. Until they discover this carnal pit from Hell, I am sure they are both still alive," Oneida added. Rhada flashed ill-distilled hate her way."Shawnee, is your Apprentice's mind addled with the birthing hormones of their child?" Mahdi snipped. That was merely a cultural zing, not an attempt to expose my sinister erotic misdoings. Unfortunately, she was somewhat correct. Okay, she was totally correct."That was uncalled for," Shawnee graciously chided Mahdi, thus demonstrating her ignorance of the facts soon to be in evidence."Yes, I am carrying a child of Arinniti and Ishara," Oneida proclaimed loud and proud. "We share a Warrior's Love."I wasn't really sure how anyone else reacted to the news because House Ishara exploded into violence. That is the politic way of saying Daphne and Juanita were trying to stop Buffy from beating me to death. Here was yet another Ishara-baby and it wasn't gestating inside her. I was too stunned to defend myself.And the old refrain: 'and then it got worse'."Ta  ah kattanda!" (IN HITTITE for 'you pig's ass'), Rhada howled. I missed her drawing her blade, vaulting to the top of the table and lunging at Oneida. Most of the Amazons in the room stood, yet held their ground.They weren't shocked into indecisiveness, only trying to understand the nature of the conflict before intervening. This was not the first 'your Amazon did something my Amazon found infuriating' public threat they had to have dealt with. Rhada was more volatile than the average woman of her breed and station, true, but a violent in-chamber assault?That wasn't the 'worse' though. Oneida drawing her blade in an open challenge to Rhada wasn't the worse either, nor was her shouting."He loves me! He merely saved you!"Saint Marie yelling 'Ishara! Ishara!' over and over again, demanding I put my house back in order wasn't the end of my woes, nope.Me being yanked free of my House fur-ball into the volcanic gaze of Elsa as she seethed, "Rhada?" Oh yeah, Elsa's people and Rhada's people had a bit of a blood feud going on, how could I have forgotten that?But wait!"Not Fabiola!" gasped Messina, bizarrely assuming I slept with, okay, not such a huge assumption."Gael?" voiced by the Head of House Bendis, followed by Gael's "I'm late.""Damn it!" I pulled away from Elsa (slightly)."No. She only lets me ejaculate on 'safe days'," to Messina, Fabiola's Mom."Oh, come on! We had sex one time!" to Gael of Bendis, and finally,"Stop it!" to Rhada and Oneida, (deep breathe). "Really?" with my most believable happy face plastered on. "This is great news!"No. No it wasn't, and I could read the ugly emotional undercurrents on the faces of everyone present, except Aya, who kept the faith."Ishara," Saint Marie rumbled. I held up one finger to forestall her wrath."Oneida, Rhada and I have already decided to name our daughter Parvati. My daughter by Tad fi, ordained by the Goddess to be the first born, will be named Shala while my first son will be called Harki heni (White Hair, I'd call him Raider when we were in the 'outside' world).""My daughter by Miyako Yuri will be named Suwais-urāni, Fushichou in her Mother's tongue, in honor of Sakuniyas. My, other relationships," I would have liked to say 'none of your business', except Amazon mothers, or not, those children would be of Ishara's blood and potentially their kin.

Writing about your art isn't easy—but it's one of the most important things you can do to clarify your vision and connect with others. In this solo episode of The Art Biz, host Alyson Stanfield walks you through a comprehensive guide to writing an effective artist statement that truly reflects your work. You'll hear why artist statements still matter, how to approach the writing process without getting overwhelmed, and what to avoid in your final draft. She also shares specific journaling prompts to help you uncover what's most essential about your art—and how to put your finished statement to work for you. Listen closely for the ultimate test of an artist statement. Whether you're revisiting an old statement or writing one for the first time, this episode is packed with guidance and encouragement to help you write with confidence. 00:37 The Importance of an Artist Statement 02:08 Defining an Artist Statement 03:45 The Process is the Point 06:16 Journaling Prompts for Clarity 10:15 7 Rules Every Artist Statement Should Follow 15:00 The Ultimate Test for Your Statement 18:10 Editing Your Artist Statement 21:39 Putting Your Statement to Work for You 24:00 You've Got This

Guest: Ruby Lopez Harper, Executive Director of CERF+ In this episode of The Art Biz, Ruby Lopez Harper, executive director for CERF+ (the Craft Emergency Relief Fund) joins host Alyson Stanfield to discuss the vital work CERF+ does to support artists before, during, and after emergencies. As CERF+ celebrates its 40th anniversary, Ruby shares the history of the organization, its spirit of mutual aid, and how it has expanded its services over the years. Most importantly, Ruby and Alyson want to encourage artists to research, plan, and prepare in order to protect their art businesses—sharing resources to help them get started. Take Action Today Ruby encourages all artists to take one step today toward protecting their creative practice—whether it's backing up files, reviewing insurance, or creating an emergency plan. And most importantly, spread the word so that more artists know about CERF+ before they need it.

As an artist, you have the freedom to shape your career—but with that freedom comes the challenge of making decisions that align with your goals and values. Decision-making can feel overwhelming, especially when every opportunity seems promising. In this solo episode of The Art Biz, host Alyson Stanfield breaks down the Artist's Decision-Making Framework to help you prioritize what truly matters. She shares practical strategies for assessing opportunities, trusting your instincts, and using policies to protect your time and energy. Alyson discusses: Why decision-making is one of the hardest parts of running an art business. The Eisenhower Matrix and how it can help you categorize tasks by urgency and importance. The power of policies in simplifying your choices and setting clear boundaries. Her step-by-step framework for evaluating opportunities, including gut checks, vision alignment, time management, relationship-building, and financial potential. A real-life example of how having a pricing policy helped an artist confidently decline a discount request—without losing the sale. ⬇️ Don't miss the free downloadable PDF of the framework: https://artbizsuccess.com/decision-framework 01:00 The biggest challenge in running your own art business 02:45 The myth of certainty in decision-making 04:00 How the Eisenhower Matrix can clarify your priorities 06:30 The importance of setting clear business policies 08:15 The Artist's Decision-Making Framework—step-by-step 12:00 Gut-checking opportunities: Does this excite you? 4:20 Aligning choices with your long-term vision 16:45 Assessing time, energy, and availability 19:30 Evaluating relationships and networking potential 22:15 Understanding financial benefits and long-term value 25:00 Making decisions with confidence 28:00 How one artist stuck to their pricing policy and still made the sale 30:45 Final thoughts: Trusting yourself and your process If this episode resonated with you, share it with an artist friend who could use some decision-making support. And if you want more structured guidance, check out Alyson's Essentials for Artists Success program at ArtBizSuccess.com/Essentials.

Building an art business takes more than just talent—it takes determination, adaptability, and a willingness to keep going, even when success feels out of reach. Stella and Gemma Stevens, the artists behind Two Faced Twins, know this firsthand. Their work—bold, colorful, and joyful—now has a dedicated following, but their path wasn't always easy. For two years, the Stevens twins struggled to sell a single piece. They faced creative differences, self-doubt, and even a gallery robbery. But instead of giving up, they leaned into their vision, their roles as artists, and their belief in what they were building. In this conversation, host Alyson Stanfield talks with Stella and Gemma about: How they transformed sibling disagreements into a creative advantage. The strategies that helped them push through early struggles and build momentum. The business mindset that keeps them going, including their marketing and expansion efforts. How they inspire the next generation of artists through school visits. One of the biggest takeaways? Determination isn't just about working hard—it's about believing in your work and staying the course. 00:35 Meet the Two Faced Twins: Stella and Gemma Stevens 02:20 Creative Process and Artistic Differences 03:39 Overcoming Early Struggles 06:50 Building a Business and Finding Motivation 18:08 The Birth of Two Faced Twins 20:38 Opening a Gallery During COVID 24:21 Family Involvement and Challenges 27:02 Dealing with a Gallery Robbery and the Aftermath 30:54 Income Streams Breakdown 32:38 Balancing Art and Business 34:50 Engaging with the Community 37:12 Promoting Artwork 39:46 School Visits and Their Impact 46:12 Future Plans and Expansion 48:54 The Importance of a Business Mentor 51:17 Final Thoughts and Takeaways

Art has a unique ability to transcend language, evoke emotion, and bring people together across cultural divides. This idea is embodied in the work of Samra Bashir, whose glass paintings celebrate the rich traditions of South Asian and Islamic art while inviting a broader audience into their intricate beauty. Samra's journey as an artist began as a personal escape—something she turned to during challenging times. But over the years, her work evolved into something much larger. Through her use of glass paint and light, she has built not just an art practice, but also a powerful means of storytelling, connection, and cultural education. In this episode of The Art Biz, host Alyson Stanfield talks with Samra about: How her creative journey started and what led her to glass painting. The role of light in her work and why it's an essential element. How she uses art to foster community and bridge cultural gaps. The importance of stepping out from behind the screen and sharing art in real-life spaces. Samra's story is a reminder that art doesn't just exist in isolation—it thrives in conversation, connection, and shared experiences. 01:50 Samra's Early Inspirations 02:28 Reviving Her Art in the U.S.04:05 Samra's Cultural Heritage and How It Shows Up in Her Work 08:42 Building an Audience and Overcoming Challenges11:37 Balancing Multiple Roles and Art 18:47 The Importance of Community and Teaching Workshops22:43 Connecting Through Art and Overcoming Barriers 26:08 Practical Tips for Artists to Engage with Community 36:50 Conclusion and Practical Applications for You

Public and tribal radio and television stations are fortifying their defenses ahead of what could be the biggest funding threat they've ever faced. President Donald Trump and his allies have repeatedly called for an end to federal funding for public broadcasters. Bills proposed in Congress would go as far as eliminating the Corporation for Public Broadcasting, the nearly 60-year-old entity created by Congress to facilitate federal support for non-commercial media. We'll hear from broadcasters about what changes might be in store. GUESTS Peggy Berryhill (Muscogee Creek Nation), co-founder of KGUA, president of the Native Media Resource Center and an independent producer Lenora Ward (Iñupiaq), general manager of KOTZ, Kotzebue Broadcasting Brian Wadsworth (Pyramid Lake Paiute Tribe), chief operating officer for Native Public Media Oi Zephier (Lakota, Dakota, and Nakota and Southern Cheyenne and Arapaho), station manager of KILI

host: Alyson Stanfield If you've followed my work, you've likely noticed some recurring themes—guiding principles that shape the way I advise artists. These aren't just casual suggestions; they are the foundation of everything I do. In this episode of The Art Biz, I'm sharing the four core beliefs that define my approach and help artists build sustainable, thriving careers. You'll hear why your art must always come first, why you must learn to communicate clearly about your work, why your network is your #1 marketing asset, and why business systems will help you grow faster and save time. Internalizing these beliefs will make decision-making easier, marketing more purposeful, and your path as an artist clearer. Whether you're just starting out or looking to refine your approach, these principles will support you for the long haul. Join me as we dive into the essential mindset shifts that will strengthen your art career. 00:00 Introduction and Core Beliefs Overview 01:44 Core Belief 1: The Work Must Come First 04:48 Core Belief 2: Your Art Doesn't Speak for Itself—You Must Learn to Communicate Clearly 10:02 Core Belief 3: Your Network is Your #1 Marketing Asset 13:48 Core Belief 4: Business Systems Help You Grow Faster and Elevate Your Professionalism 17:59 Apply to Your Art Biz

Every artist's journey is unique—what works for one won't necessarily work for another. Personal preferences, life circumstances, and individual personalities all shape how artists navigate their creative careers. In this episode of The Art Biz, host Alyson Stanfield welcomes astrologer and coach Bonnie Gillespie to explore how artists can work with their natural wiring instead of against it. They discuss the concept of enoughness—understanding that an artist's value isn't determined by external validation—and how astrology can provide insights into creative rhythms, decision-making, and self-worth. Highlights: What “enoughness” is and why it's essential for artists. How astrology can be used as a tool for self-awareness, not prediction. The role of Venus in creativity, money, and self-worth. How understanding your natal chart can help you embrace your unique creative process. Why artists should pay attention to planetary shifts and their impact on motivation. Practical ways to stay inspired and aligned with your artistic path. Whether you're deep into astrology or a total skeptic, this episode offers thought-provoking insights into how artists can better understand themselves and their creative flow. 02:57 Understanding Enoughness 05:28 Balancing Positivity and Negativity 07:37 Self-Validation and the Loved File 14:09 Navigating Creative Spirals 15:14 Astrology and Practical Coaching 19:53 The Natal Chart Explained 30:59 Mars in Cancer: Navigating Life's Challenges 32:26 Venus: The Key to Love, Money, and Enoughness 36:10 The Power of the Moon in Your Chart 38:41 Astrological Insights for 2025 and Beyond 46:54 Staying Motivated and Inspired as an Artist 52:17 Practical Steps to Tap into the Bonnieverse

This episode of The Art Biz with host Alyson Stanfield focuses on the power of commitment and taking action toward your goals. Explore how to align your schedule with your values, overcome hesitation, and stop waiting for the "perfect time." With practical strategies like inquiry-based reflection and small, intentional steps, you'll discover how to move forward confidently. Whether it's honing your craft, building connections, or pursuing opportunities, this episode inspires you to begin today. 00:20 The Illusion of Time Management 01:29 Living Intentionally 05:25 The Power of Commitment 08:37 Taking Action: Overcoming Hesitation 13:26 The Artist's Empowered Success Cycle 14:45 Inquiry for Progress: Reflecting and Committing 18:39 Encouragement to Act Today

Send us a textSenior Landscape Architect Maki Boyle discusses the Gold Strike Park revitalization project. Located at the confluence of Clear Creek and Ralston Creek in southeast Arvada, Gold Strike Park is known for being the location of the first documented gold discovery in Colorado. Maki shares what's happened so far with the project and what to expect next!  In this episode: History and background of the Gold Strike Park project Significance of the park's history, thanks largely to the efforts of Lois LindstromThe project's Preferred Schematic Site Design$7.3 million in grant funding the project was selected to receiveCollaboration with the Cheyenne and Arapaho tribes for authentic storytelling and park design News and events: Update on the City manager selection process Ralston Creek Trail closure near West Woods Golf Course Olde Town now has recycling! Lake Arbor Center and Golf Course Master Plan Visit us at ArvadaCO.gov/Podcast or email us at podcast@arvada.org.

Host Alyson Stanfield discusses the benefits and strategies of a daily creative practice with Helen Hiebert, who constructs installations, sculptures, films, artists' books, and works in paper using handmade paper as her primary medium. This conversation acknowledges the value of a daily practice, but Helen is a strong advocate for what she calls “intermittent daily practices.” If sticking to a daily routine forever feels daunting, her approach might resonate with you. There's also a dive into Helen's realization that as a teacher, she could maintain the same class structure while creatively evolving the content to keep it fresh and exciting over time—primarily to prevent herself from getting bored. She emphasizes the importance of focusing on the act of making—without obsessing over the final outcome. 04:00 Helen's Income Streams Update [ see Transform Your Creative Ideas into Multiple Income Streams with Helen Hiebert (ep. 18) ] 06:14 Daily Practice and Paper Weaving 22:30 Teaching and Online Classes 26:10 The Different Types of Students 26:42 Keeping the Class Interesting 28:17 Innovative Teaching Methods 32:49 Tips for Sticking to a Daily Practice 37:43 The Importance of Community and Accountability 45:41 Concluding Thoughts and Upcoming Events  

Electricity demand is rapidly increasing in the United States—so much so that we may need to double or even triple our transmission system by 2050! But how does that work? In this special Lab Notes episode, you'll hear directly from experts at NREL—Jarrad Wright, Christina Simeone, and Faith Smith—about key findings from the National Transmission Planning Study. Providing concrete examples and data from the study, they dive into why exactly the U.S. grid needs an upgrade, where the barriers and opportunities are for improving it, and what these changes look like on a local level. Find out how these experts envision the future of the U.S. grid and how collaboration is can achieve a reliable, affordable energy future. This episode was hosted by Kerrin Jeromin and Taylor Mankle, written and produced by Allison Montroy and Kaitlyn Stottler, and edited by James Wilcox, Joe DelNero, and Brittany Falch. Graphics are by Brittnee Gayet. Our title music is written and performed by Ted Vaca and episode music by Chuck Kurnik, Jim Riley, and Mark Sanseverino of Drift BC. Transforming Energy: The NREL Podcast is created by the U.S. Department of Energy's National Renewable Energy Laboratory in Golden, Colorado. We express our gratitude and acknowledge that the land we are on is the traditional and ancestral homelands of the Arapaho, Cheyenne, and Ute peoples. Email us at podcast@nrel.gov. Follow NREL on X, Instagram, LinkedIn, YouTube, Threads, and Facebook.

When Ross Anderson (Cheyenne and Arapaho) was clocked at more than 154 miles per hour in 2006, he set an American speed skiing record that has yet to be broken. He's translated his talent on the slopes into outreach for Native American youth. He is among a handful of Native skiers who have made a name for themselves in competitive winter sports. GUESTS Ross Anderson (Cheyenne and Arapaho Tribes of Oklahoma and Chiricahua Apache), All-American record holder for speed skiing and a multiple hall of fame inductee including the U.S. Ski and Snowboard Hall of Fame and the North American Indigenous Athletic Hall of Fame Connor Ryan (Hunkpapa Lakota), athlete, skier, and filmmaker Ernie St. Germaine (Lac du Flambeau), tribal elder, former tribal judge, and founder with the American Birkebeiner

To kick off the first episode of the new year, our hosts are celebrating a few of their favorite renewable energy innovations of 2024! From advancements in sustainable aviation to innovative solutions for reducing plastic pollution, this episode highlights 10 of the lab's top stories of 2024, showcasing the future of renewable energy and sustainable technologies. Learn more about how NREL is celebrating the incredible strides made over the past year in renewable energy research and innovation! This episode was hosted by Kerrin Jeromin and Taylor Mankle, written and produced by Allison Montroy and Kaitlyn Stottler, and edited by James Wilcox, Joe DelNero, and Brittany Falch. Graphics are by Brittnee Gayet. Our title music is written and performed by Ted Vaca and episode music by Chuck Kurnik, Jim Riley, and Mark Sanseverino of Drift BC. Transforming Energy: The NREL Podcast is created by the U.S. Department of Energy's National Renewable Energy Laboratory in Golden, Colorado. We express our gratitude and acknowledge that the land we are on is the traditional and ancestral homelands of the Arapaho, Cheyenne, and Ute peoples. Email us at podcast@nrel.gov. Follow NREL on X, Instagram, LinkedIn, YouTube, Threads, and Facebook.

Debbie Mueller talks with host Alyson Stanfield about how she has cultivated resilience and bravery as an artist, from finding her community to embracing opportunities that might initially feel intimidating. She also discusses how she's navigated challenges like rejection and the balancing act of art and life. Debbie credits her successes not just to hard work and persistence but to a little bit of luck—though her version of luck is decidedly hard-earned. Whether you're just starting out as an artist or looking for inspiration to take your next bold step, Debbie's story is a reminder that bravery, persistence, and the willingness to embrace new opportunities can lead to extraordinary outcomes. 01:38 Discovering a Passion for Painting 06:01 Balancing Medicine and Art 08:28 The Role of Luck and Hard Work 15:46 Resources and Inspirations 21:09 The Importance of Community 28:54 Teaching and Personal Growth 30:23 Setting Goals and Looking Ahead 37:15 Conclusion and Bravery Challenge

Silas Soule moved to Kansas as a teenager. He and his family helped out with the underground, and when it came time to arm up against the border ruffians, Silas didn't hesitate. Later, during the Civil War, he was commissioned as an officer in the Union Army and served with distinction during the battle of Glorietta Pass. Afterward, he did all he could to protect the Colorado frontier from hostiles. At least, he did until Colonel Chivington ordered him to attack the peaceful village of Black Kettle at Sand Creek. Silas Soule may not be a household name or the subject of movies, but I think you'll be pleasantly surprised and inspired by his story. So please, join me today as we recognize a true American Hero, one who wasn't afraid to spill a little blood but at the same time was willing to sacrifice it all for what was right. And in the end, this integrity cost him his life. Also discussed are Bleeding Kansas, John Brown and the raid on Harpers Ferry, the Colorado gold rush, Tom Tobin and the murderous Espinosa brothers, the Cheyenne and Arapaho, and finally, the Sand Creek massacre.  Check out the website for more true tales from the Old West https://www.wildwestextra.com/ Email me! https://www.wildwestextra.com/contact/ Buy me a coffee! https://www.buymeacoffee.com/wildwest Free Newsletter! https://wildwestjosh.substack.com/ Join Into History for ad-free and bonus content! https://intohistory.supercast.com/ Join Patreon for ad-free and bonus content! https://www.patreon.com/wildwestextra Silas Soule: A Short, Eventful Life of Moral Courage by Tom Bensing - https://a.co/d/6K9IyRh Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, explore the volunteer efforts of NREL employees and how they're making a tangible impact on their communities while advancing the lab's mission of a renewable energy future. Hear from Education, Stewardship, and Community Action for Promoting Environmental Sustainability (ESCAPES) Cofounder Hilary Sewell and NREL Volunteer Coordinator Ivilina Thornton about how NREL staff are partnering with organizations like GRID Alternatives to give directly to the community, whether it be through trail cleanups, fundraising campaigns, or even hands-on solar panel installations in low-income communities.This episode was hosted by Kerrin Jeromin and Taylor Mankle, written and produced by Allison Montroy and Kaitlyn Stottler, and edited by James Wilcox, Joe DelNero, and Brittany Falch. Graphics are by Brittnee Gayet. Our title music is written and performed by Ted Vaca and episode music by Chuck Kurnik, Jim Riley, and Mark Sanseverino of Drift BC. Transforming Energy: The NREL Podcast is created by the U.S. Department of Energy's National Renewable Energy Laboratory in Golden, Colorado. We express our gratitude and acknowledge that the land we are on is the traditional and ancestral homelands of the Arapaho, Cheyenne, and Ute peoples. Email us at podcast@nrel.gov. Follow NREL on X, Instagram, LinkedIn, YouTube, Threads, and Facebook.

From sketchbook notes and letters, to authoring her own exhibition catalogues and eventually publishing a memoir, to her thoughtful weekly Substack newsletter, The Lifeboat, Samantha Clark reflects on how writing fosters clarity and confidence for herself and the artists she mentors. In a conversation with host Alyson Stanfield, Samantha discusses how writing can deepen one's creative practice, the value of opening conversations, and how she maintains a writing schedule alongside her work in the studio. They also delve into the practicalities of living and working in a remote location and how artists can view marketing not as a chore but as an opportunity to build meaningful connections. 00:43 Meet Samantha Clark: Visual Artist, Writer, and Author 02:23 Samantha's Artistic Journey and Writing Integration 04:22 Living and Creating on Orkney Island 10:43 Balancing Art, Writing, and Mentoring 15:28 The Power of Writing for the Creative Practice 27:26 Weekly Writing Routine 28:39 Newsletter Content and Process 30:47 Why Samantha Transitioned to Substack 35:33 Monetizing and Community Building 43:08 Samantha's Writing Schedule 47:39 Looking Forward to 2025

In this Thanksgiving week episode, special correspondent Nataleah Small joins to dive into the latest innovations at NREL, including: How NREL researchers are revolutionizing heating systems by using salt-hydrate thermochemical materials (TCMs) to create more efficient, cost-effective heating solutions. From hydration and dehydration processes to innovative reactor configurations, discover how TCMs could transform the way buildings stay warm in winter. A few ways NREL's STEM Education team is empowering students of all ages to see themselves as part of the renewable energy future. From hands-on learning activities to collegiate competitions, the team is opening doors for students in underserved and underrepresented communities. Interviews with NREL researchers Robby Strunk and Chan Charoonsophonsak in which they share stories of growing up in Alaska, witnessing the effects of climate change, and their passion for renewable energy. To celebrate Native American Heritage Month, hear about their work to bring reliable, affordable clean energy to Alaska's rural communities. Music for the Native American Heritage Month segment courtesy of the IỊaku's Dance Group of Alaska. This episode was hosted by Kerrin Jeromin and Taylor Mankle, written and produced by Allison Montroy and Kaitlyn Stottler, and edited by James Wilcox, Joe DelNero, and Brittany Falch. Graphics are by Brittnee Gayet. Our title music is written and performed by Ted Vaca and episode music by Chuck Kurnik, Jim Riley, and Mark Sanseverino of Drift BC. Transforming Energy: The NREL Podcast is created by the U.S. Department of Energy's National Renewable Energy Laboratory in Golden, Colorado. We express our gratitude and acknowledge that the land we are on is the traditional and ancestral homelands of the Arapaho, Cheyenne, and Ute peoples. Email us at podcast@nrel.gov. Follow NREL on X, Instagram, LinkedIn, YouTube, Threads, and Facebook.

This episode is for you if you enjoy writing or aspire to do more of it. Host Alyson Stanfield interviews Ann Miller, who has found a powerful way to merge her creative passions with her love for writing while growing her audience. Using Substack, she refines ideas for books, shares insights into calligraphy and design, and engages her audience with educational content. Substack has become integral to her process, helping her manage projects, organize thoughts, and extend her teaching. By offering free content to build community, and exploring paid options, Ann balances creativity with income generation. 01:14 Ann's Art Journey 02:22 Diversifying Income Streams 05:31 Teaching and Workshops 07:42 Starting a Substack 13:05 Writing Process and Tools 21:59 Monetizing Substack 25:42 Advice for Artists Who Are Considering Substack  

One of the most famous battles in the history of the American West took place in June 1876.  An alliance of the Lakota Sioux, Northern Cheyenne, and Arapaho tribes faced off against the United States cavalry.  The battle was a route and one of the most devastating losses for the American military, as well as one of the greatest victories for Plains Indians.  The victory, however, was only temporary as the victory led to an even bigger response, and the loss was actually glorified in the United States for decades. Learn more about the Battle of the Little Bighorn and how it shaped the American West on this episode of Everything Everywhere Daily. Sponsors Sign up at butcherbox.com/daily and use code daily to get chicken breast, salmon or ground beef FREE in every order for a year plus $20 off your first order! Subscribe to the podcast!  https://link.chtbl.com/EverythingEverywhere?sid=ShowNotes -------------------------------- Executive Producer: Charles Daniel Associate Producers: Ben Long & Cameron Kieffer   Become a supporter on Patreon: https://www.patreon.com/everythingeverywhere Update your podcast app at newpodcastapps.com Discord Server: https://discord.gg/UkRUJFh Instagram: https://www.instagram.com/everythingeverywhere/ Facebook Group: https://www.facebook.com/groups/everythingeverywheredaily Twitter: https://twitter.com/everywheretrip Website: https://everything-everywhere.com/  Learn more about your ad choices. Visit megaphone.fm/adchoices

History is a complicated business. There are high plateaus and also a good deal of swamp. The Little Bighorn battlefield in Montana was preserved in honor of General Custer who there gave his life along with his men of the Seventh Cavalry, a sacrifice that no longer strikes anybody as noble. What is the good of preserving an enormous site of military stupidity in an unjust cause? The granite monument on Last Stand Hill was put up in 1881, five years after the debacle. In 2003, a monument was erected to the Lakota, Arapaho, and Cheyenne who wiped out the arrogant jerk and his poor soldiers. Tourists still come to look at this, but why? It's a dishonest historical site: the reason for its existence is a piece of trivia, a few hundred white guys on horseback thought they could spook a few thousand Native men and they were dead wrong about that. But the larger context of the story is lost. The real enemy wasn't the Seventh Cavalry but the smallpox and other diseases that Europeans brought to the Great Plains that decimated the tribes. The whole wretched mess should be torn down and the land set aside for the instruction and practice of Native religion, the sweat lodge, the Sun Dance, the quest for visions and dreams, the worship of the Creator. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit garrisonkeillor.substack.com/subscribe