Podcasts about creeks

Welcome back to Creeks to Peaks: The Understory! On this episode, we chat with Brooke Glover, the CEO & Co-Founder of Swilled Dog, an award-winning distillery and cidery located in Upper Tract, WV. We discuss the growing agritourism economy in WV, and Brooke's leadership in driving state policy. Tune in to learn all that Swilled Dog has to offer!Swilled Dog spirits are available in WV Liquor stores and ship online to 45 states. Ciders are available in small batches in their tasting room. (This conversation was recorded in Spring 2024)

Texans weigh in on everything from artificial intelligence to the economic outlook. What a new poll tells us about the state of the state.We’ll also dig into consumer spending, and what the latest information from credit card companies does and doesn't tell us about consumer confidence.Creeks and watering holes are a beloved aspect of Central […] The post UT System bans drag shows, but students push back appeared first on KUT & KUTX Studios -- Podcasts.

John Stuart fled from the Carolina's to East Florida in 1775 and began a program of arming Seminoles and Creeks to do battle against the American rebels.

The Geronimo and Alligator Creeks Watershed Partnership will host its 12th annual Spring Stream Cleanup in Seguin and New Braunfels on Saturday, April 12, beginning at 9 a.m. Individuals, volunteer groups, businesses, churches, and other organizations are invited to assist in the removal of litter from stream banks, roadways, and other public areas. Participation in the event is free, and volunteers will receive breakfast tacos, coffee, event T-shirts, and cleanup supplies at the cleanup launch sites. To ensure adequate supplies for all volunteers, participants are asked to preregister at geronimocreek.org. Volunteers will meet the day of the event at the...Article Link

Temperatures will be in the 50s today, meaning significant melting is coming. Meteorologist Bob Hamilton says that will cause local tributaries to flood, with ice jams likely.

Why does the state have a Spanish name? Why so many Rock Creeks? What's the deal with 'And-aconda'? Racetrack? This week, a sequel to an episode we ran all about Montana's place names and their numerous and sometimes humorous origins.

Why does the state have a Spanish name? Why so many Rock Creeks? What's the deal with 'And-aconda'? Racetrack? This week, a sequel to an episode we ran all about Montana's place names and their numerous and sometimes humorous origins.

Discover the Apple Capital of Georgia! Ellijay is a charming mountain town known for its heritage farms, hiking trails, breathtaking scenery and juicy apples. Join host Darley Newmas as dives into the Apple Capital's agricultural roots and commitment to sustainability by touring multi-generational family farms like Red Apple Barn and Penland Orchards & Farm Market. Taste Ellijay wines at Roo Mountain vineyards and find out why this area is so good for growing grapes. Taste apple liqueur with Caroline Porsiel at women-owned House of Applejay. Explore a farmstay where you can make furry friends with sheep and lambs at Cress Creeks Farm. Hear from local businesses making a difference in their communities in this Georgia Grown episode. 

Learn about the comprehensive vision for future investments and stewardship, with a focus on downtown Colorado Springs. We'll hear from Chris Lieber, COO for Pikes Peak Waterways, Principal at N.E.S. Inc. and Chair of the Downtown Development Authority. He is joined by former city councilor Jan Martin, cofounder and board member for Pikes Peak Waterways.The COS Creek Plan establishes a comprehensive vision for the future investments and stewardship of the Fountain Creek Watershed with a specific focus on segments of the Monument and Fountain creeks adjacent to Downtown Colorado Springs. The COS Creek Plan establishes an implementable vision, which respects our communities' values, responds to infrastructure needs, and leverages opportunities. Implementation of the Plan is being pursued through a unique partnership between Pikes Peak Waterways (non-profit), the City of Colorado Springs (Stormwater Enterprise), and Colorado Springs Utilities. It is intended to create excitement, foster collaboration, and identify public and private partnership opportunities.Pikes Peak Waterways is a 501c3 nonprofit organization founded on the premise that visionary planning, research, and action is vital to making our region's waterways sustainable and enjoyable for generations to come. Pikes Peak Waterways serves as a catalyst for change and is turning Fountain and Monument Creek's challenges into opportunities: opportunities for restoration, opportunities for preservation, opportunities for recreation, and opportunities for community and economic development.Chris Lieber is leading efforts to implement the COS Creek Plan and supporting the non-profit work of Pikes Peak Waterways. For nearly two decades Chris managed the Colorado Springs Parks, Trails and Open Space (TOPS) Program.LINKS:Presenters' Slideshttps://studio809podcasts.com/wp-content/uploads/2025/01/COS-Creek-Plan-SIP.pdfPikes Peak Waterwayshttps://Ppwaterways.orgThis episode was recorded at the Sustainability in Progress (SIP) virtual event on January 15, 2025. Sustainability in Progress is a monthly program of the Peak Alliance for a Sustainable Future. Join us (free) the third Wednesday of every month. The next event is:February 19, 2025, 12 NoonTopic: Connecting Colorado with the Outdoors - Great Outdoors Colorado and Generation WildRegister here: https://us02web.zoom.us/meeting/register/3NQwgJHAScGcXFVygi4bowThanks to these Peak Environment sponsors: Pikes Peak PermacultureVisit pikespeakpermaculture.org for opportunities to learn more about sustainable organic living through permaculture – workshops, classes, field trips, and networking.Old Town Bike Shop - your local bike shop since 1976The mission of Peak Alliance for a Sustainable Future is to promote regional sustainability and advance the Pikes Peak region's sustainability plan (PPR2030) through regional collaboration and outreach. Connect with us at

Show Notes:  https://wetflyswing.com/697   Presented By:  Skwala, Heated Core, Angler's Coffee, TroutRoutes    Fly fishing spring creeks can be super challenging—the fish are spooky, the water conditions aren't always perfect, and sometimes it's hard to present a fly just right. But today, PJ Smith—Driftless guide and Spring Creek expert—is here to share his secrets.   He's here to share how to find fish in winter, nighttime, and all year. You'll learn how to sneak up on spooky trout, the best way to position yourself, and whether to cast upstream or downstream. Plus, you will find out when fishing is not fishing and when not fishing is fishing.   Show Notes with PJ Smith on Fly Fishing Spring Creeks and the Driftless.   04:23 - Trout Season in the Driftless wraps up in October to give the fish a break for spawning, and it's a chance for anglers to go deer hunting. January marks the start of a new season, where fishing gets tricky with cold, clear water.    PJ says sunny days are your best bet, and being sneaky is key.   https://vimeo.com/311013412   Fishing Spring Creeks and the Driftless in Winter   Fishing the Driftless in the winter is much different than September. The water is colder and gin clear, which can make fish more sluggish. But if you're patient and sneaky, winter fishing can be great. Here's what to expect:   Look for warm, sunny days to get the best fishing. Be stealthy. Small black stoneflies will start hatching; you might even spot them in the snow! You can still catch fish on dry flies. Nymphing with small patterns works well.   How to Sneak Up on Spooky Trout    13:12 -  PJ shares some tricks for sneaking up on fish in the winter. He likes to keep a low profile by avoiding high banks and staying in the water. Here are some tips:   Wear neutral-colored clothing to blend in. Stay quiet and avoid loud movements. If you scare the fish, give them a few minutes to settle before trying again.  What's the Best Setup for Driftless Streams?  14:16 - PJ shares his simple setup for fishing Driftless streams. He typically uses a dry-dropper rig with a dry fly like a Hippie Stomper or Stimulator and a nymph below.    He keeps his leader system simple with a 7.5-foot leader, using 3X or 4X for easy casting. He ties the dry fly directly to the leader and attaches the dropper to the hook.     What Fish Are in the Driftless and How Big Do They Get?   The native brook trout is pretty small in the Driftless, with a 15-inch one considered a big catch. Most brook trout are around 9 to 10 inches. Brown trout, however, are much larger and can grow over 20 inches. Anglers used to catch 30-inch browns, but they're harder to find these days.    Nighttime Fishing    20:29 - Night fishing can be pretty fun, but it has challenges. The water may be too deep, and some drop-offs can be dangerous, so it's important to know the area well. You'll need a good headlamp with a red or green light, a spare one, and a small flashlight for safety.    Always let someone know where you're fishing, especially when heading out at night.   How Do You Fish Streamers at Night?   26:06 -  PJ says he casts his fly across the pool and lets it swing downstream. The goal is to mimic something like a mouse or frog trying to escape. Sometimes, depending on how the fish react, he'll add a little twitch to the fly to make it more tempting.   If bats are out, it's time to rip the fly through the water. Brown trout will even eat bats if they fall in. The key is adjusting your technique based on how the fish bite that night.   How Do You Make the Perfect Cast in Tight Spots?   Practice is the key when making the perfect cast in tight spots. You don't need long casts—just a solid 20-footer with pinpoint accuracy.    Focus on hitting small targets like seams, holding water, or spots near rocks and vegetation. Roll casting is your best friend in the Driftless, even more than a back cast. Learn sidearm and roll cast to handle tricky spots under trees and around obstructions.   What Flies Should You Tie for the Driftless?   PJ shares his go-to flies for fishing in the Driftless area. These patterns work year-round, especially in winter:   Pink Squirrel  Rubber Leg Stimulator Hippie Stompers  Elk Hair Caddis  Blue-Winged Olives  Tricos Griffith's Gnat Bead Head Nymphs & Leech Patterns Jiggy Nymph Streamer   PJ's top advice for winter fishing is to be patient and have fun. Not every day is about catching fish. Even guides get skunked sometimes! Use those moments to learn.   As PJ puts it, “When is fishing not fishing, and when is not fishing, fishing?” Something to think about next time you're out there!     Show Notes:  https://wetflyswing.com/697

Pack your bags ‘cause we're staying at the Potter Sisters B&B in Season 3 Episode 12, “Weekend in the Country.” Hear the Creek Freaks chat about the crew's favorite smells, praise Grams' fire making, loathe breakfast dancing, and more!Non-Dawson Recommendations:James - Destroy All NeighborsStella - Sturgill SimpsonMal - Blue Ribbon Baking ChampionshipCody - SlowholeJoin our Patreon! You can find us online @freaksandcreekspod on instagram or at our website, https://www.freaksandcreeks.com, and you can get in touch with us at show@freaksandcreeks.com. Freaks & Creeks: a Dawson's Creek Podcast is produced by Stella Baldwin, Cody Dean, Mallory Freed, and James Ramey. Cover art by Mallory Freed. Mixed and edited by James Ramey. Original theme music written and recorded by Cody Dean and James Ramey. ★ Support this podcast on Patreon ★

Start a circle pit ‘cause we're heading to a musical festival in Season 3 Episode 11, “Barefoot at Capeside.” Hear the Creek Freaks gab about Ethan and Hank as love interests, Pacey's turn as an actor, Dawson's identity crisis, and more!Non-Dawson Recommendations:James - House of Leaves by Mark Z. DanielewskiStella - TunicMal - Sawbones: A Marital Tour of Misguided MedicineCody - On Earth We're Briefly Gorgeous by Ocean Vuong Join our Patreon! You can find us online @freaksandcreekspod on instagram or at our website, https://www.freaksandcreeks.com, and you can get in touch with us at show@freaksandcreeks.com. Freaks & Creeks: a Dawson's Creek Podcast is produced by Stella Baldwin, Cody Dean, Mallory Freed, and James Ramey. Cover art by Mallory Freed. Mixed and edited by James Ramey. Original theme music written and recorded by Cody Dean and James Ramey. ★ Support this podcast on Patreon ★

Rivers and lakes will rise in the coming days, but limited damage in Bradford County. Traffic will become a problem shortly as evacuees look to return to assess damage in their towns that were devastated by the storm.

Prepare for a lifetime of student loan debt ‘cause we're heading to college in Season 3 Episode 10, “First Encounters of the Close Kind.” Hear the Creek Freaks boo this AJ fella, love our fav new characters Nikki and Ethan, dunk on Dawson's dumb movie, and more!Non-Dawson Recommendations:James - Flight b741 by King Gizzard & The Lizard WizardStella - The Night ManagerMal - Lone Women by Victor LaValleCody - The Secret History by Donna TarttJoin our Patreon! You can find us online @freaksandcreekspod on instagram or at our website, https://www.freaksandcreeks.com, and you can get in touch with us at show@freaksandcreeks.com. Freaks & Creeks: a Dawson's Creek Podcast is produced by Stella Baldwin, Cody Dean, Mallory Freed, and James Ramey. Cover art by Mallory Freed. Mixed and edited by James Ramey. Original theme music written and recorded by Cody Dean and James Ramey. ★ Support this podcast on Patreon ★

Mike and David sat back, discussing the early archery season and how it all unfolded for them. They shared their highlights, from the excitement of spotting Elk to the lessons learned from missed opportunities. Each moment brought back memories of camaraderie and anticipation, as they reflected on what made the season special. Their conversation flowed naturally, filled with laughter and insights, leaving them eager for the next season.https://www.tuogear.com/ use code: FF-GRB2MSUY for 25% offhttps://www.phelpsgamecalls.com/ use code: ridgeline10 for 10% off https://www.crazyelkcompany.com/ use code: ridgeline20 for 20% offhttps://ghostscream.com/ use code: ghost20 for 20% offhttps://www.theduckcamp.net/ Book your waterfowl hunts now tell them Ridgeline Hunting sent you.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-ridgeline-hunting-podcast--5476683/support.

GDP Script/ Top Stories for September 27th Publish Date: September 27th   From the BG AD Group Welcome to the Gwinnett Daily Post Podcast. Today is Friday, September 27th and Happy heavenly Birthday to Meat Loaf ***09.27.24 – BIRTHDAY – MEATLOAF*** I'm Keith Ippolito and here are your top stories presented by Gwinnett KIA Mall of Georgia. 1.       Alcovy River, several creeks are reportedly flooding in Gwinnett 2.       Gwinnett schools' officials defend putting weapons detection systems in stadiums instead of schools 3.       Gwinnett County Public Schools SAT results top national average All of this and more is coming up on the Gwinnett Daily Post podcast, and if you are looking for community news, we encourage you to listen daily and subscribe! Break 1: MOG (07.14.22 KIA MOG) STORY 1: Alcovy River, several creeks are reportedly flooding in Gwinnett Hurricane Helene, a Category 4 storm, caused significant flooding across Gwinnett County, Georgia, as it moved through the area. Big Haynes Creek and the Alcovy River exceeded flood stages, with minor flooding reported in several locations, including the Yellow River basin and Suwanee Creek. The county is under a Tropical Storm Warning, with flash flood warnings in effect. Power outages affected thousands, with Georgia Power, Jackson EMC, and Walton EMC reporting significant disruptions. The National Weather Service warned of possible tornadoes and high winds, with gusts reaching up to 70 mph in some areas. STORY 2:  Gwinnett schools officials defend putting weapons detection systems in stadiums instead of schools Hurricane Helene delayed the debut of Gwinnett County Public Schools' new weapons detection devices at Lanier High School's football stadium, as all games were canceled. The devices, part of a $3 million purchase, aim to enhance safety at athletic events. District officials demonstrated the devices to the media, addressing concerns about prioritizing stadiums over schools. The Evolv system can detect concealed weapons and will be implemented gradually at football games. While some parents questioned the decision, officials emphasized the importance of a multi-layered security approach, including cameras and school resource officers, to ensure safety. STORY 3:  Gwinnett County Public Schools SAT results top national average Gwinnett County Public Schools' "SAT for All" initiative has led to the Class of 2024 scoring 21 points above the national average on the SAT, with an average score of 1016. This program, offering the SAT during school hours at no cost, increased participation by 38% compared to the previous year, with 11,196 seniors taking the test. GCPS is the only district in Georgia providing this opportunity, contributing to nearly 20% of the state's SAT test-takers. The initiative aims to expand college readiness, with 4,254 students meeting the College Board's benchmarks, up from 3,915 in 2023. We have opportunities for sponsors to get great engagement on these shows. Call 770.874.3200 for more info. We'll be right back   Break 2: Tom Wages (08.05.24 OBITS_FINAL)   STORY 4:  Greater Atlanta Christian Student Wins USA Ambassador Pageant Arielle Urquhart, a seventh-grader at Greater Atlanta Christian, has had a remarkable year, winning the USA Ambassador Pageant in the Pre-Teen Division and being recognized as a "Miracle Kid" by the Children's Miracle Network. Despite a severe car accident four years ago, Arielle has thrived, becoming a cheerleader and continuing her community service through her nonprofit, Arielle's Angels. Her pageant success includes awards for talent, community service, and more. As a USA Ambassador Queen, she will make monthly appearances and support various causes. Arielle will also attend the Miss America Pageant as a Little Sister, representing her home state. STORY 5:  'A Perfect Fit' — Raik Mediterranean Kitchen Enhances Suwanee's Dining Options Faiq Usman, chef and owner of Raik Mediterranean Kitchen, has strong ties to Suwanee, where his family lives and city officials encouraged him to open his restaurant. Named after his son, Raik offers Mediterranean cuisine inspired by Usman's grandmother's traditional Palestinian recipes. The menu features dishes like hummus, falafel, and kabobs, with Usman's favorites being Palestinian mhammar and beef shawarma. Previously, Usman ran a restaurant in Michigan before moving to Gwinnett County. Since opening in February, Raik has become a vibrant part of Suwanee's dining scene, offering outdoor seating and a full bar near Town Center. We'll be back in a moment   Break 3: Lilburn Daze (09.13.24 LILBURN DAZE_FINAL_REV 3) – INGLES 9 (Ingles Markets (What To Add To Diets) 9) STORY 6:     UPDATED CLOSINGS: Gwinnett County Government Offices Closed On Friday Due to severe weather, all Gwinnett County Government offices, except essential services, will be closed today. Residents are advised to avoid roads due to strong winds and potential flooding. Closures include all Gwinnett County Public Library branches, Georgia Gwinnett College classes, and the GGC Preview Day. Gwinnett County Courts have canceled hearings and trials, except for first appearances at the Detention Center. The Animal Welfare's Return to Community Cat Program and all Health and Human Services senior centers will also be closed. The Tax Commissioner offices closed early on Thursday and will remain closed today. STORY 7:  Georgia Supreme Court disqualifies West, De la Cruz from presidential ballot Presidential candidates Cornel West and Claudia De la Cruz will appear on Georgia's Nov. 5 ballot, but their votes won't count due to a Georgia Supreme Court ruling. The court upheld lower court decisions that their electors filed improper nominating petitions. Consequently, only four candidates—Donald Trump, Kamala Harris, Libertarian Chase Oliver, and Green Party's Jill Stein—are qualified. Although it's too late to remove West and De la Cruz from the ballot, polling places will post notices that votes for them won't count. This decision reversed an earlier order by Secretary of State Brad Raffensperger. We'll have final thoughts after this.   Break 4: Gwinnett County Fair (07.29.24 GWINNETT FAIRGROUNDS_FINAL) Signoff – Thanks again for hanging out with us on today's Gwinnett Daily Post Podcast. If you enjoy these shows, we encourage you to check out our other offerings, like the Cherokee Tribune Ledger Podcast, the Marietta Daily Journal, or the Community Podcast for Rockdale Newton and Morgan Counties. Read more about all our stories and get other great content at www.gwinnettdailypost.com Did you know over 50% of Americans listen to podcasts weekly? Giving you important news about our community and telling great stories are what we do. Make sure you join us for our next episode and be sure to share this podcast on social media with your friends and family. Add us to your Alexa Flash Briefing or your Google Home Briefing and be sure to like, follow, and subscribe wherever you get your podcasts. Produced by the BG Podcast Network   Show Sponsors: www.ingles-markets.com  www.wagesfuneralhome.com www.kiamallofga.com www.lilburndaze.org www.gwinnettcountyfair.com   #NewsPodcast #CurrentEvents #TopHeadlines #BreakingNews #PodcastDiscussion #PodcastNews #InDepthAnalysis #NewsAnalysis #PodcastTrending #WorldNews #LocalNews #GlobalNews #PodcastInsights #NewsBrief #PodcastUpdate #NewsRoundup #WeeklyNews #DailyNews #PodcastInterviews #HotTopics #PodcastOpinions #InvestigativeJournalism #BehindTheHeadlines #PodcastMedia #NewsStories #PodcastReports #JournalismMatters #PodcastPerspectives #NewsCommentary #PodcastListeners #NewsPodcastCommunity #NewsSource #PodcastCuration #WorldAffairs #PodcastUpdates #AudioNews #PodcastJournalism #EmergingStories #NewsFlash #PodcastConversationsSee omnystudio.com/listener for privacy information.

Put on your boogie shoes ‘cause it's Season 3 Episode 9, “Four to Tango.” Hear the Creek Freaks celebrate the new showrunner (Greg gang!), deliberate Pacey and Joey's blossoming relationship, gush over the dance studio setEl piece, and more!Non-Dawson Recommendations:James - Diablo IV Stella - OOFOSMal - @sarahchambrayCody - The Lord of the RingsJoin our Patreon! You can find us online @freaksandcreekspod on instagram or at our website, https://www.freaksandcreeks.com, and you can get in touch with us at show@freaksandcreeks.com. Freaks & Creeks: a Dawson's Creek Podcast is produced by Stella Baldwin, Cody Dean, Mallory Freed, and James Ramey. Cover art by Mallory Freed. Mixed and edited by James Ramey. Original theme music written and recorded by Cody Dean and James Ramey. ★ Support this podcast on Patreon ★

Everyone's invited to Grams' house for Thanksgiving ‘cause it's S03E08, “Guess Who's Coming to Dinner.” Hear the Creek Freaks vibe over the autumnal atmosphere, contemplate what the writers are doing with Jen and Pacey, and more!Non-Dawson Recommendations:James - The DenStella - Slow HorsesMal - CascadiaCody - The Way of KingsJoin our Patreon! You can find us online @freaksandcreekspod on instagram or at our website, https://www.freaksandcreeks.com, and you can get in touch with us at show@freaksandcreeks.com. Freaks & Creeks: a Dawson's Creek Podcast is produced by Stella Baldwin, Cody Dean, Mallory Freed, and James Ramey. Cover art by Mallory Freed. Mixed and edited by James Ramey. Original theme music written and recorded by Cody Dean and James Ramey. ★ Support this podcast on Patreon ★

This week on Trapping Across America, we are looking at how I learned to trap Muskrats. We also look at why critical thinking is so important to a trapper.

Shake your handycam and scream ‘cause it's Season 3 Episode 7 “Escape from Witch Island.” Listen to the Creek Freaks gab about Pacey and… Jen?!, enjoy the spooky vibes, question Andie's b-story, and more!Non-Dawson Recommendations:James - Self Medication by The SlackersStella - HoaMal - Ube Mochi Pancake & Waffle MixCody - I Saw the TV GlowJoin our Patreon! You can find us online @freaksandcreekspod on instagram or at our website, https://www.freaksandcreeks.com, and you can get in touch with us at show@freaksandcreeks.com. Freaks & Creeks: a Dawson's Creek Podcast is produced by Stella Baldwin, Cody Dean, Mallory Freed, and James Ramey. Cover art by Mallory Freed. Mixed and edited by James Ramey. Original theme music written and recorded by Cody Dean and James Ramey. ★ Support this podcast on Patreon ★

Heavy rain and flash floods on Aug. 10 forced the city to discharge the water into two creeks that flow into Edenton Bay.

It's a homecoming queen extravaganza in Season 3 Episode 6 “Secrets & Lies.” Hear the Creek Freaks lament Andie's grotesque storyline, wonder if any of the writing is purposeful, question why Henry isn't the right boy for Jen, and more!Non-Dawson Recommendations:James - The Aftermath by Coheed and CambriaStella - Simple TownMal - Nine Tiles ExtremeCody - Umbilical by ThouJoin our Patreon! You can find us online @freaksandcreekspod on instagram or at our website, https://www.freaksandcreeks.com, and you can get in touch with us at show@freaksandcreeks.com. Freaks & Creeks: a Dawson's Creek Podcast is produced by Stella Baldwin, Cody Dean, Mallory Freed, and James Ramey. Cover art by Mallory Freed. Mixed and edited by James Ramey. Original theme music written and recorded by Cody Dean and James Ramey. ★ Support this podcast on Patreon ★

Join host Marvin Cash on The Articulate Fly for another insightful episode of Casting Angles with Mac Brown. In this episode, they discuss the current hatch, focusing on tiny mayflies and midges, and the importance of fishing cooler waters where small creeks enter larger bodies of water.Mac also provides an update on the new TFO Elevare, highlighting its balanced swing weight and versatility for both wet and dry fly fishing. He shares his thoughts on the evolution of rod technology and the importance of a balanced rod for reducing fatigue and enhancing the fishing experience. Additionally, Mac touches on the TFO Solution, praising its medium action and suitability for both long-distance casting and close-up line manipulation.Whether you're an avid angler or new to the sport, this episode is packed with practical advice and insights to enhance your fishing adventures. Tight lines!All Things Social MediaFollow Mac on Facebook, Instagram and Twitter.Follow us on Facebook, Instagram, Twitter and YouTube.Support the Show Shop on AmazonBecome a Patreon PatronSubscribe to the PodcastSubscribe to the podcast in the podcatcher of your choice.Advertise on the PodcastIs our community a good fit for your brand? Advertise with us.In the Industry and Need Help Getting Unstuck?Check out our consulting options!

Tonight Mark and Lyle discuss fishing creeks and ponds for our favorite fish. Be sure to tune in at 7 Central time on our YouTube channel, https://www.youtube.com/@PanFishWeekl... Make sure to like, share and subscribe! / @panfishweekl. . Become a member here: @PanFishWeekly Donations appreciated https://www.paypal.com/paypalme/catfi... Don't forget to check out Catfish Weekly on Monday nights. @CatfishWeekly Co-host Mark: Catfish and Crappie @CatfishandCrappie Lyle's equipment 2001 Tracker Tundra with a 125 Mercury Humminbird elecronics Lil Miss Bacon Baits Krampus Kanes Blackhorse ultra lite rods Sufix 832 braid 10# Bass Pro Shop 6# Excel line Panfish Nation Hand Ties

We're gulping down popsicles like Eve ‘cause it's Season 3 Episode 5, “Indian Summer.” Hear the Creek Freaks gab about this episode's fun Noir vibes, question Eve's big family revelation, worry over Andie's relationship with Rob, and more!Non-Dawson Recommendations:James - Helldivers 2Stella - Comedy Bang! Bang!Mal - Merlin Bird IDCody - “Remembering Steve Albini,” BandsplainJoin our Patreon! You can find us online @freaksandcreekspod on instagram or at our website, https://www.freaksandcreeks.com, and you can get in touch with us at show@freaksandcreeks.com. Freaks & Creeks: a Dawson's Creek Podcast is produced by Stella Baldwin, Cody Dean, Mallory Freed, and James Ramey. Cover art by Mallory Freed. Mixed and edited by James Ramey. Original theme music written and recorded by Cody Dean and James Ramey. ★ Support this podcast on Patreon ★

Erin is getting to the higher volume of her training as she continues her journey towards her first ultra.  We talk about dealing with heat and seeking water post run during the dry east coast summer.  Snakes and bears make it into the conversation as she gets on new trails. She starts to think about the changing schedule as school is about to start back up as well.  Her coach is gone for todays episode so we just catch up and have a great conversation about training and life!  

We're climbing into a four-person horse costume ‘cause it's Season Three Episode Four, “Home Movies.” Listen as the Creek Freaks question the legality of Jen's football strategy, wonder who edited Dawson's childhood videotapes, hypothesize the meaning of Pacey's boat, True Love, and more!Non-Dawson Recommendations:The Black Film & TV CollectiveBlack Film AllegianceBrown Girls Doc MafiaHue You KnowJoin our Patreon! You can find us online @freaksandcreekspod on instagram or at our website, https://www.freaksandcreeks.com, and you can get in touch with us at show@freaksandcreeks.com. Freaks & Creeks: a Dawson's Creek Podcast is produced by Stella Baldwin, Cody Dean, Mallory Freed, and James Ramey. Cover art by Mallory Freed. Mixed and edited by James Ramey. Original theme music written and recorded by Cody Dean and James Ramey.  ★ Support this podcast on Patreon ★

Enjoy this FREE peek at our Patreon Exclusive content "Creekside Screenings", and consider subscribing for next month's episode on Varsity Blues! This month we're diving into 90s nostalgia with our review of the 1999 film Teaching Mrs. Tingle. Hear the Creek Freaks debate the dark comedy's tone, cheer for Helen Mirren's wicked performance, cringe at the dated dialogue, question the film's moral compass, and more!Join our Patreon! You can find us online @freaksandcreekspod on instagram or at our website, https://www.freaksandcreeks.com, and you can get in touch with us at show@freaksandcreeks.com. Freaks & Creeks: a Dawson's Creek Podcast is produced by Stella Baldwin, Cody Dean, Mallory Freed, and James Ramey. Cover art by Mallory Freed. Mixed and edited by James Ramey. Original theme music written and recorded by Cody Dean and James Ramey.  ★ Support this podcast on Patreon ★

We're chanting FUG mantras for some reason ‘cause it's Season Three Episode Three, “None of the Above.” Hear the Creek Freaks groan over this PSAT whodunnit, cheer for Jack's bizarre football practice, and more!Non-Dawson Recommendations:James - Joyfull Bakery's Seeded Parmesan CrackersStella - $10 Cowboy by Charley CrockettMal - Felicity Cody - Buffy the Vampire Slayer (Series)Join our Patreon! You can find us online @freaksandcreekspod on instagram or at our website, https://www.freaksandcreeks.com, and you can get in touch with us at show@freaksandcreeks.com. Freaks & Creeks: a Dawson's Creek Podcast is produced by Stella Baldwin, Cody Dean, Mallory Freed, and James Ramey. Cover art by Mallory Freed. Mixed and edited by James Ramey. Original theme music written and recorded by Cody Dean and James Ramey.  ★ Support this podcast on Patreon ★

From the first screenshot I saw of Roadwarden (Moral Anxiety Studio), I knew that I needed to check the game out. The art is simple, yet striking, and any screenshot will convey the quality of writing. Once I booted up the game, I found that the choose-your-adventure writing, the confident RPG mechanics and the music wrapped this into a rich total package. Joining me in this episode is returning guest Bryan Skursha of Pixelated Playgrounds podcast. Pixelated Playgrounds is a gaming book club style podcast, similar to Tales from the Backlog. It is worth your time, and you can check them out on your favorite podcast app or by visiting their website (https://www.pixelatedplaygrounds.com/)! TIMESTAMPS Intros/Personal Histories/Opening Thoughts: 1:57 Story/World Setup 10:32 Story, continued 27:35 Visuals/Music/Sound Design 44:09 RPG/Choose Your Adventure Gameplay 55:21 Closing Thoughts/Recommendations/Housekeeping 1:21:46 SPOILER WALL 1:28:07 Soundtrack is credited to Nick Roder. You can support them by purchasing the Roadwarden OST on Bandcamp (https://nickroder.bandcamp.com/album/roadwarden). Music used in this episode: Roadwarden, Pelt of the North, Howler's Dell, Creeks, Heart of the Woods, Foggy Lake, The Spirits, Hovlaven, Roadwarden Reprise Support Tales from the Backlog on Patreon! (https://patreon.com/realdavejackson) or buy me a coffee on Ko-fi (https://ko-fi.com/realdavejackson)! Join the Tales from the Backlog Discord server! (https://discord.gg/V3ZHz3vYQR) Social Media: Instagram (https://www.instagram.com/talesfromthebacklog/) Twitter (https://twitter.com/tftblpod) Facebook (https://www.facebook.com/TalesfromtheBacklog/) Cover art by Jack Allen- find him at https://www.instagram.com/jackallencaricatures/ and his other pages (https://linktr.ee/JackAllenCaricatures) Listen to A Top 3 Podcast on Apple (https://podcasts.apple.com/us/podcast/a-top-3-podcast/id1555269504), Spotify (https://open.spotify.com/show/2euGp3pWi7Hy1c6fmY526O?si=0ebcb770618c460c) and other podcast platforms (atop3podcast.fireside.fm)!

We're tossin' the ol' pig skin around in Season Three Episode Two, “Homecoming.” Hear the Creek Freaks celebrate Jack's newfound athleticism, cringe over every Eve appearance, lament Andie' affair, and more!Non-Dawson Recommendations:James - The Sun Down Motel by Simone St. JamesStella - After the Goldrush Party and Full-On Monet by HusbandsMal - Squaring the Circle: The Story of HipgnosisCody - Late Night with the DevilJoin our Patreon! You can find us online @freaksandcreekspod on instagram or at our website, https://www.freaksandcreeks.com, and you can get in touch with us at show@freaksandcreeks.com. Freaks & Creeks: a Dawson's Creek Podcast is produced by Stella Baldwin, Cody Dean, Mallory Freed, and James Ramey. Cover art by Mallory Freed. Mixed and edited by James Ramey. Original theme music written and recorded by Cody Dean and James Ramey.  ★ Support this podcast on Patreon ★

When Lee got the results back from his DNA test, he was stunned to discover that he had pages and pages of white cousins. All his life he'd been under the impression that 95% of his DNA traced to West Africa. This discovery opened up a new historical pathway, one that traces all the way back to 17th century Wales. In this episode, Lee takes us on the journey to discover his white ancestry. Later, Lee sits down with two newly-found white cousins to understand how differently history shaped the Black and White sides of one family. TranscriptLee Hawkins (host): We wanted to give a heads up that this episode includes talk of abuse and acts of violence. You can find resources on our website whathappenedinalabama.org. Listener discretion is advised.My name is Lee Hawkins, and this is What Happened In Alabama.[intro music starts]Back in 2015, I took a DNA test and found out some pretty shocking information. I always thought that I was 95% West African but it turned out that nearly 20% of my DNA was European. This revelation raised so many questions for me and led to years of research that would change my understanding of my own upbringing forever. Today I'll share that with you. We're going to go all the way back to 17th century Wales to uncover the path my ancestors took from Europe to the American South and how that, through slavery, led to me.I'll talk with experts and newly discovered white cousins to explore the history that connects the two sides. I want to find out how my family's experiences on the opposite ends of slavery and Jim Crow shaped our beliefs and our understanding of American history. But you'll get a whole lot more out of it if you go back and listen to the prologue first – that'll give you some context for putting the whole series in perspective. Do that, and then join us back here. Thanks so much. In many ways, the seeds for this project were planted in 1991, during the first trip I remember taking to Alabama.[cassette tape turning over, music starts] Tiffany: He would play an album on repeat. That's my sister, Tiffany. I call her Tiff. It's 1991, she's sitting in the backseat of our family's car, driving from Minnesota to Alabama. Tiffany: Dad used to like still stay up to date on, you know, pop culture, current music. There were certain songs that he would be like, “Oh, I like that,” you know, like Tony! Toni! Toné! It Feels Good. And things like that.My dad hated flying. He'd seen too much in his life, and he related flying to so many of the musicians he loved: Otis Redding, Stevie Ray Vaughn, Buddy Holly. They were all his contemporaries, and they all died in air crashes. So instead, we drove.I was 19 years old, and I was attending college at the University of Wisconsin Madison. At that time, I had just really gotten into the school newspaper. I was thinking about becoming a journalist or maybe a lawyer, but at that point, writing was more intriguing to me. I was excited about this family trip to Alabama, and I had no idea what was coming.Tiffany: Yeah, so Alabama, it's been kinda a, a mystery for me throughout my life because I wasn't able to ask questions that anyone would ask when you're wanting to know things about your parent.One of the big reasons my dad wanted to go to Alabama was to interview my great-Uncle Ike. He was the eldest patriarch of the family in Alabama, and he owned a farm near Greenville, dad's boyhood town. But most importantly, because he was in his 90s, he knew a lot about family history. And Dad had a lot of questions. I remember getting to Uncle Ike's and sitting in the living room, and across from me sat a caramel-skinned, white-haired man. For me, his reflection was like looking into a mirror and adding 70 years.Uncle Ike was in his early 90s, but those high cheekbones and blemish-free skin made it harder for me to believe that he was a day past 75. It was also hard to believe we were actually in Alabama, with Dad finally standing before his legendary, long-lost uncle, with a tape recorder in his hand. It was a trip we'd been talking about for months. Dad wanted to learn as much as possible about the Alabama family he left behind. Lee Sr.: Well, it's definitely, it's been a blessing to get to see you. As interested as I was in journalism, I was far from having the experience and interview skills to feel confident taking the lead. Plus, I knew that Dad needed this, so I deferred to him. The fact that he grew up there meant his questions would be far better than anything I could just randomly think of. But hearing his questions and how basic they were showed me just how far he'd strayed from his Alabama roots. Lee Sr.: Let me see, um, you were telling me about my father Lum. Now, how many brothers and sisters did he have? Most of the conversation was going over family tree details. Simple things like, how many siblings did my father have? And what were their names? We sat in that living room and asked Uncle Ike questions for just over an hour.Uncle Ike: I understand that all of them were named [unclear].Lee Sr.: Oh, we had a aunt, uh –Uncle Ike: Colby…When Uncle Ike answered, I struggled to catch every word of his southern accent. It was so thick, I thought it might even be a regional dialect, one that was unique to what my dad always humorously called, “LA,” Lower Alabama. I marveled at how quickly Uncle Ike started reciting family members. Even at his age, his recall, it was as swift as a rooster's crow at dawn! Lee Sr.: Oh yeah, Aunt Jem. I remember her…As we talked, my eyes began to drift to the fireplace, which was decorated with family photos. There, I saw a framed, weathered photo of a white man looking like he'd been plucked from a vintage Field and Stream ad. He appeared part outlaw, part GQ model. He was in hunting attire. There were hounds at his heels, and it looked like he was gripping a musket. Why, I thought, would Uncle Ike have a picture of some random white man hanging over his fireplace? Lee Sr.: Now this, what's this guy's name? Is this George Pugh up here on this picture? Uncle Ike: No, that's Isaac Pugh. Lee Sr.: That's your father? Uncle Ike: Yeah. They called him Ike, but his real name was Isaac. That made him my great-grandfather, Isaac Pugh Senior. I looked closer at the photo, into his eyes. His gaze was a determined one, as if he was daring me to look into the records and find out more. Who was this white man?[music starts]That day was more than 30 years ago. Since then, I've learned so much more about our family history. Seeing that picture of Isaac Pugh Senior on the mantel opened up an entirely new branch of my family tree – a white branch – that I had no idea existed. Digging through the records and existing research, I was able to trace that line all the way back to 17th century Wales.I recognized that I couldn't fully understand my family's experiences in America without uncovering the history of our white blood relatives on the other side of enslavement and Jim Crow. I had so many questions. Why did they come to America? What did they do when they got here? And most importantly, how were they connected to me? [sounds of a boat on water, sea gulls]In 1695, a man named Lewis Pugh boarded a boat near his hometown in Northwest Wales to sail for what was then called, “The New World.” The journey was long and grueling. Many people didn't survive. But the ones that did held on by a combination of luck and faith. Faith that the land that they were headed towards would help them prosper. He landed in Virginia, likely as an indentured servant. Several years later, he met and married a woman named Anne. The couple purchased land in Richmond County. They built a home, had seven kids, and many more grandchildren. Two of their great-grandchildren, the brothers Jesse and Lewis Pugh, decided to move south to Alabama at the start of the 19th century. The first thing they had to do was to get land. And to achieve that, they had to overcome one major obstacle. Chris: Well, it's important to remember that whites wanted Indian land from the moment they first stepped into the Americas. And so Indians have been removed since 1492, of course. This is Chris Haveman.Chris: Let me just talk briefly about terminology and the use of the word “Indian.” I've interviewed dozens and dozens of Native people throughout my career, and prior to talking to them, I always asked how they would prefer to be identified, and almost universally they say “Indian” or “American Indian.” Now, these folks tended to be a bit older, and as the younger generations come of age, the term seems to be falling out of favor, and when it does, historians including myself will adapt and adjust accordingly.He's an author of two books on the removal of Indigenous peoples from Alabama and Georgia to present-day Oklahoma, and a professor at the University of West Alabama.I've come to Professor Haveman to help me get a lay of the land in 19th century Alabama, when Jesse and Lewis Pugh arrived in the state around 1810.When the brothers got to Alabama, they were in Muscogee territory. The Muscogee were a loose union of multiple Indigenous groups, and they had millions of acres. Tribal leaders also use the name “Muscogee Nation.”Chris: Really, the story begins after the War of 1812, when whites decided that they really wanted that, that nice, nutrient rich soil in central Alabama. Over the years, throughout the 17 and early 1800s, this land was whittled away through treaties.The federal government started sending commissioners down to remove the Muscogee – and to do this, they had to coerce them into signing treaties first. This was done all over the American South and the rest of the country – and by the time the removal really got going, the Muscogee nation had already lost a large part of their land. But they were resisting. Chris: Commissioners were sent out, and Indians did not want to give up their land. And so a lot of times they resorted to threats, they resorted to some other shady tactics. And you had whites streaming into the Creek Land and they would, you know, just establish their farmstead illegally in the Creek Nation. Sometimes it would just overrun a Creek homestead and kick the family out and commandeer their crops for their, as their own. A lot of times they would get Creeks hooked on alcohol and uh, sell them merchandise on credit, get them indebted to them, and then they'd force them to give up their property as collateral. And things get really, really bad. Lee: What was the philosophy that was used to justify that? Chris: Conquest. The whites wanted it, and they were gonna take it regardless. There was no real justification, moral justification for it other than whites had the racist premise that they were civilized and the Indians were “savages” and that the whites could make better use of the land than Indians.Jesse and Lewis Pugh became landowners, both running plantations. They founded a church in Troy, Alabama, called Beulah Primitive Baptist Church. It still stands today. In my research, I found an article honoring the church. The paper hailed the brothers as “those daring ones, who braving the perils of the wilderness, came here and reclaimed this fair land from the planted savage.” The “planted savage,” I now know, refers to the Indigenous people who lived on the lands across the American South and beyond.Professor Haveman told me that on top of forced removal, there was a great deal of Muscogee land ceded by the tribe, but the conditions of these transactions make it hard to say how voluntary these handovers actually were. Chris: In 1832, the federal government gives a proposition to the Creek Indians, and they say, ‘Look, if you cede the rest of your land to us, we will allow each head of family to take 320-acre plots of land.' And this is where everything really goes downhill for the Creek Indians, because they gave up their sovereignty, uh, in exchange for a title or a deed. But what it does is basically, and I think you have to ask, it was so one-sided in favor of the federal government. You have to ask yourself, ‘Why would the Creek Indians agree to this?' And I think that they agreed to this because whites had illegally trespassed on their land so much between 1827 and 1832 that they realized that you know, whites usually liked a deed or a, you know, a title to their land, a piece of paper, something you could say, “This is my land.” And I think the Creeks tried to adopt that in order to stave off this encroachment that whites were giving on their land.So they, they had this deed and this title, and they thought that that would prevent whites from streaming onto their land, but it didn't. It actually, it just opened up massive amounts of fraud for them. And so you had 5 million acres of land in the Creek Nation in 1832. When this was ceded, all 5 million acres of land went to the federal government, and then parcels of 320 acres were then given to each Creek family. If you add up the over 6,000 families times 320 acres, it only comes out to like 2.1 million acres. And so almost 3 million acres of land will now be opened up for white settlement. And so the thing that they were trying to prevent – whites from encroaching on their land – is now gonna become legal.[music]On a January evening in 1837, Lewis Pugh was in his plantation fields in Alabama with his overseer. By this point, he owned land and enslaved people. That night, a man quietly snuck onto the roof of a house that overlooked the Pugh family cemetery on the plantation. The man fired a rifle from the top of the house, killing the overseer. Immediately afterwards, a swarm of 60 Muscogee swooped down on the plantation field. They killed Lewis, one of his sons, and an enslaved baby, who was in his mother's arms. Four enslaved men tried to defend themselves, the women, and the plantation. The Muscogee killed them too. The story captured the country. Lee: It was in every major newspaper across the country, uh, that Lewis Pugh, a prominent white settler, had been killed, um, and murdered by the Creek Indians. Why do you think it was so important that it be framed in that way? Chris: It made national news because the thing whites feared the most was an Indian uprising. And it's one of the reasons that whites who, um, had no means to become large-scale cotton planters still wanted the Indians gone because they were constantly terrified that Indians would rise up and attack them. Uh, and they had, you know, somewhat of a legitimate reason to be scared because whites treated the Indians so terribly and stole their land and, you know, created all these problems for them.It's clear that the Muscogee didn't just fold and concede their land. They retaliated, determined to defend it. And I can't help but think about it from the perspective of those enslaved people who died, fighting alongside their enslaver, to protect his life and his land – that's how closely their lives were intertwined. I'm still very curious about them, because they, too, might've been my relatives. Not long after I took that DNA test and first found out about the Pughs, I found a last will and testament belonging to Jesse Pugh, the brother of Lewis Pugh, the man who was murdered by the Muscogee in Alabama. In the will, it stated that Jesse enslaved a young girl named Charity, who was kept in bondage by the family into her adult years. Not long before Emancipation, she gave birth to a biracial son who she named Isaac Pugh. That was the white-looking man whose photo I saw on the mantel at great-Uncle Ike's house. Isaac Pugh, my great-grandfather. Doing my DNA test couldn't have been any simpler. I went online and ordered the $100 test, and the next day, I got a small box in the mail. Inside, I found a vial, and returned my saliva sample the following day. In just a few weeks, I got an email with my DNA results. It shows you who your cousins are, from first, all the way to distant. I had pages and pages of cousins, including many who were very, very white. I'm talking blond with blue eyes. There were a lot of Pughs in there. I was stunned by the sheer volume. One genealogist told me he had never seen anybody with so many pages of cousins who had also taken DNA tests. At that point, I had more than 216 fourth cousins or closer. One of the descendants was a man in his late 80s named Lloyd Pugh. We both descend from Ann and Lewis Pugh, but our relation wasn't close enough to show up on my DNA chart.Lloyd lives in Petersburg, Virginia, and last year I went to his house to meet him with my producer, Kyana. You'll sometimes hear her in the background throughout the interview.Lee: It's a nice, quaint neighborhood with a lot of brick homes in a colonial-style design typical of Virginia, I think. I met Lloyd through a man named Jim Pugh, another newly discovered cousin, but coincidentally, I've known Jim for 30 years through my early work as a journalist, back in Wisconsin. He was a PR guy for the state chamber of commerce. Every month, I called him for a comment on the employment rates. I wouldn't say we were friends back then, but we definitely liked each other. And then, through an odd twist of fate, I found out that we were related. Jim: When you reached out to me and say, “I think we're cousins,” I was like, “What?!” Let's do a call.I'd always noted that he had the same last name as my Grandma Opie, but it was only through an exchange on Facebook after I'd taken the DNA test, that Jim and I compared notes and figured out that we were both tied to the Pughs of Wales. Once Jim and I reconnected, he told me he had an elder cousin who was a family historian of sorts. That person was Lloyd Pugh.Lee: Oh, he has, okay, an American flag on his house and one on his car. [laughs] And here we are. [seat belts unbuckling] Let's go get started. Lloyd has worked on this long before genealogy exploded in the mainstream. His research is in the archives of the Library of Virginia. He has binders full of information he's gathered over the years on the Pughs. Lloyd: That book right there is one that's on the early, early Pughs. Lloyd is 88 years old. He's a tall, lean, active guy, full of warmth and southern charm. He was born and raised in Petersburg, a city known for being the site of a nine-month siege back beginning in 1864 that ended up costing the Confederacy the Civil War. Lloyd is absolutely fascinated with the Civil War, especially the Confederate side. He has tons of relics in his home, everything from swords and rifles to cannons, decommissioned bomb heads, and bullets. He also has a huge painting of General Robert E. Lee, hanging right above his couch. Lee: Why do you have a picture of General Lee in your front room? Lloyd: Because it's a part of my heritage. It has nothing to do with being anti-Black or slavery. It's just part of my heritage in that I had three grandfathers that served under Lee. [music starts]Lloyd and I couldn't be more polar opposite in our views about the Confederacy. But I didn't go to Virginia to condemn or to convert him. I went to his house to talk to him about history, our shared history. And he was interested in talking about it too. So he and his daughters invited Jim and I over, and we had a conversation that helped me understand how the white Pughs would come to shape the Black side of my family for generations. [music]Lee: Well, thank you everybody. Um, the man of the hour is Lloyd. Because Lloyd has done a tremendous amount of work around the Pugh family history. And really, I want to thank you, Lloyd, for opening up your home and showing us this museum of incredible Civil War history that you have, and also helping me gain a better understanding of my own history.Um, it's, uh, it's bittersweet to understand how we're connected, but it's also, the power of it is that I wouldn't know this history if we hadn't worked together to understand it and to identify it, and part of my goal in doing this work is to inspire other people across racial lines to do this work. Um, and it is hard, but we both love it, right? Lloyd: Right. Lee: Okay, so, uh, you've done a tremendous amount of work on the Civil War, and we'll get into that, but you've also done a lot around the Pugh family, and I think it's important to talk first about how the Pugh family got to America.Lloyd: There were actually three migrations. One migration of Pughs went to Norfolk, and from Norfolk, they went down through North Carolina, South Carolina, on into Alabama, and in that direction. Lee: That's my line. Lloyd: That's his line. Our line of Pughs landed at, uh, Richmond County, which is the upper neck over on the, uh, near the, on the east, west side of the Chesapeake Bay, and they migrated on down through, uh, came this way, Chesterfield, on to Amelia County, and eventually they end up on the, uh, east side of the Appalachian Mountains.And the third group came in, in New York, and they migrated down the west side of the Appalachian Mountains into Tennessee and Kentucky on down in that direction. So there are three distinct lines of Pughs, and I was happened to be the one that migrated down through the Chesapeake Bay into Richmond County.Lee: What did the Pughs do here initially? Lloyd: Farmers. Tobacco was king in Virginia. They raised other crops. They had to raise, uh, food crops, but the money crop was tobacco. Tobacco was critical to the expansion of the slavery economy in America, so it doesn't surprise me that the White Pughs were involved in the tobacco trade. But through talking to Lloyd, I learned more about their interactions with Black people, specifically through a man named John Boyd Pugh. He's Lloyd's great-grandfather, and he fought on the Confederate side of the war. In fact, he was so committed to the Confederacy and the slavery it represented, he refused for months – after being captured and imprisoned near the end of the war – to take the oath of allegiance to the United States. It blew me away to learn how deeply committed people I share heritage with were to white supremacy – John Boyd Pugh and others believed devoutly in it. They practiced it, and were willing to die for it. And after the war, he became an overseer for a prominent family named the Baylors.Lloyd: And the Baylor family, signers of the Declaration of Independence, founders of Baylor University, some kind of way found out about my grandfather, John Boyd Pugh, and they offered him the oversee of New Market Plantation, which is in Milford, Virginia.His salary was one fourth of all the crops, plus $50 a month salary. And so he took the job, and he moved from Albemarle County with his family up to Milford to New Market Plantation. And he was the overseer of that plantation, right there at Bowling Green, Virginia. When I heard that, my mind went back to all the books I've read in my research, including The Half Has Never Been Told, by Edward Baptist, which clearly outlined the role of overseers as the drivers of productivity on plantations, many using whipping and other torture techniques to get the most out of enslaved Black people. Baptist explained that on many plantations, overseers held the enslaved to strict quotas. They'd weigh the crops and assess the work at the end of the day, and if the quota wasn't met, the person would be whipped in front of all the other enslaved people, to make an example out of them.Hearing that I not only share heritage with enslavers, but also overseers, I was absolutely stunned. I began to see how far back the whip could be traced in my family.Lloyd stipulated that because John Boyd Pugh did his overseer work after Emancipation, he believes he probably wasn't involved in whipping. Lloyd: When John Boyd went to Newmarket, this was after the Civil War. So they had to have hired labor. And I think, I doubt that there were the whippings and the lashing and so forth when you have hired workers because they could say, “I'm leaving,” and just walk off the farm, so, yeah. To be fair, it's possible that Lloyd is right – maybe John Boyd Pugh was one of the few exceptions; an overseer who never resorted to violence. But I doubt it, and here's why: in my research, I found the archive to be packed with proof that whipping continued to be a foundational aspect of overseer duties for decades after Emancipation into Jim Crow.Lee: This is the hard part, you know, for me, because, you know, I think when I first talked with you, Jim, you were telling me that your great – great-great- grandfather was an overseer. And I didn't know – or you didn't know – what an overseer was, and when I looked at, you know, a lot of these movies that you see, the overseers are the guys that drove the production of the, of the plantation. Um, and that, for me, is just, that's inextricably tied with the capitalistic, sort of, reality of building America and how so much of the productivity was driven at the plantation level. How did you feel when I explained, especially the part that whipping was a big part of overseer work? How did you feel about that?Jim: Well, you know, you don't really know what you don't know until you find out. And that's when you learn about it, you know, 'cause you don't, you think of, um, overseeing, uh, like a agricultural operation today, you wouldn't have that 'cause you have machines, you know? So, um, but yeah, that was pretty, pretty shocking to find out about that, but it's also the reality of what, the way the world was at that time, you know. [music starts]My mind went back to that interview with my Uncle Ike in 1991, when he told us about Grandma Charity. He told us that when he was a kid working on his father, Isaac Pugh Senior's farm, she would beat the kids if she felt they weren't being productive enough. This, from a woman who was enslaved by Jesse Pugh, a cousin of John Boyd Pugh. It's almost as if, once she became emancipated and the family got its own farm, she became the overseer, and her grandchildren, the free labor. Lee: I've been always fascinated by the way, when we built our country, just how deeply rooted it was, not just in slavery, but also in the establishment of the land, how people got their land, you know, um, particularly from, from the Indigenous people.And I think that the problem, just in my opinion, is that everything is so controversial that people have decided they don't even want to even begin to study this work. And there, of course, are many, many academics who write powerfully beautiful detailed accounts of all of this history. Um, Doug Blackmon, Slavery by Another Name, um, Edward Baptist, The Half Has Never Been Told.And in a lot of this stuff, they give really detailed accounts of the economy of slavery and also the Civil War, and the way all of the different range of realities that were at stake as our country was starting to form itself into what we now know today. Um, when you study the Civil War and the Confederate side of it, what, how do you relate to that history in terms of your un– do you know anything about John Boyd Pugh or was the, the oral history lost?Lloyd: I knew absolutely nothing. No one in the family shared anything, ever shared anything with me. And what was learned, learned through my research. Clearly, family secrets are preserved on the white sides of the family, too. Dark secrets like the violent role of overseers, the fact that land was stolen, and the identity of white men who fathered Black children, were not often openly discussed. And those lies of omission make it harder for future generations of whites to acknowledge the causes of generational disparities and trauma – through ignorance or cognitive dissonance. But this work – especially the DNA testing – exposes the lies, and people doing it have to prepare themselves for unsettling discoveries. This work isn't about agreeing on everything. It's about opening up the family bibles and records to access information that neither side would have without the other. So it requires a rare form of tolerance, and a spirit of unity as opposed to division on the issue of genealogy. The truth is that I feel like I was blessed. I was fortunate to stumble on a white guy who I'd known for 30 years, and we discovered we were cousins. We already had trust between us, and he opened up the door for me to meet Lloyd. And the timing was perfect. Lee: I think for me, and especially the fact that, that you're basically a Republican dude [laughs] who, uh, you know, really like, and deeply rooted in the Republican party, um, and, and that you're a Republican dude who took me through to make this introduction so I could meet Lloyd so that we could study this together, to me, defies all of the conventional wisdom, which is that we're all divided and we're all, um, to be, you know, enemies on the other side of the issue.Jim: Well, Lee messaged me. I had posted about the, the trip where we did, we followed Lee's retreat back to Battle of White Oak Road. I think that was our last stop, and then we came home. And Lee, he said, ‘I, I see your, I think we're related.' And I said, I messaged him back and, and I'm thinking, ‘I don't want to put a bunch of this stuff in writing,' right? 'Cause I'm being like, it's not, this is sensitive stuff. I mean, we're dealing with race, and this is a war –Lee: You knew the political, the political – Jim: Yeah, I'm working in operatives, and he was working for the Wall Street Journal! And I'm thinking, ‘This is gonna be, this is not, this is gonna end bad,' right? So I, I said, “Lee…” He's like, “I think we're related.” He goes, ‘I've been doing family research. There's Willoughby and Spotsworth –.' And I said, ‘Oh, whoa, whoa, whoa, whoa. That sounds about right.' He said, ‘Can we do a call?' 'Cause I'm thinking, I want to, I want to turn off the typewriter. There's nothing good that's gonna come [Lee laughs] from this if it's typed forever and ever.And we did a call, and he's like, ‘Yeah.' And I said, ‘Well, how do you know?' He said, ‘I did 23andMe. And my DNA goes back to Wales,' and I said, ‘Well, you know, welcome to the family.' [laughter]Lee: And then I said, ‘I want my reparation.' Jim: Yeah.[laughter]And as the conversation continued, we drilled down deeper into the undeniable proof of our ancestors being enslavers, and Lloyd plainly stated the facts: Lloyd: Okay, let me, let me confirm that. I'm looking at the will of John Pugh in December 1827. His will, one negro hired by the name of Harry, worth $300. One woman, Judy, worth $200. One young man named Abram, $400. This is actually in the will, so that goes directly in our line, so there's, I mean, that's the proof of our line owning slaves.Lee: Do you feel guilty about it? Lloyd: No. Lee: Tell me what you think about it.Lloyd: It was a, it was a time. It's just like the Confederate statues in Richmond. It was history in a time, and you can't destroy it. Even though they've taken them down, they're still there in the minds of people, and they are people who are gonna keep them alive.Jim: But we're not white supremacists. Lloyd: No. Jim: We're not white supremacists, and that's the thing people need to understand. It's so easy to just shortcut from, ‘You're a conservative Republican or you're a libertarian or whatever' to, ‘You're a white supremacist,' and that's just not the case. I don't hold white people of today responsible for slavery and the actions of their ancestors. We're not responsible for the sins of our forefathers. But we should take responsibility for the present and the future by being transparent and honest about history. I know I joked with Jim about reparations, but that discussion isn't just between the white and Black families tied to slavery; it's between Black American descendants of slavery and the U.S. government, which includes states that enforced racist laws. Contrary to what many assume or imply, reparations wouldn't be about individual white citizens personally compensating Black people; it would be government obligation, funded by taxpayers like any other public expense – infrastructure, education, or foreign aid. Taxpayers don't get to opt out of funding highways they don't use, just as those from families who didn't own slaves can't opt out either. Slavery fueled America's economic rise – on the backs of Black people, largely on stolen land – a legacy from which today's Americans still benefit, no matter when they came here. [music starts]All in all, I spent two days with Lloyd, his daughters, and Jim. We had dinner and we talked a lot. He told me more about his life, like how he spent most of his career as an educator and superintendent, even helping oversee the desegregation of schools. I realized our families share many common values despite all our differences.Lee: When you hold all these documents and all the binders you've made, thinking of all the Pugh history, what do you feel?Lloyd: First of all, I feel thankful that I'm the result of all of that, that I'm able to carry on the family line. I just look at the Pugh family across the years as just good, sound, solid business people who did what they were supposed to do, and stayed out of jail, and paid their taxes, and didn't beat their families, and just good old southern Christian families is the way I look at it. The information I received from Lloyd deepened my understanding of why so many slavery-era customs appeared in my childhood. It helped me with my quest to begin to trace the whip back to the very plantation where it started. For me, that's part of where the healing comes from – not from any kind of validation I'd seek from Lloyd and Jim, but from the information that's allowed me to draw my own conclusions and undertake my own healing work. The Pugh family history is intertwined with America's story, from the Revolutionary War through the Civil War and into the Jim Crow era. Lloyd and I come from the same family, but our experiences reflect opposite sides of the American history it's rooted in. Meeting Lloyd helped me piece together our family history. It also triggered a need in me to uncover the story of how the white Pughs in America treated the most disenfranchised and exploited person in this saga, my great-great-grandmother, Charity, the matriarch of my family.That's on the next What Happened In Alabama.[outro music]CREDITSWhat Happened In Alabama is a production of American Public Media. It's written, produced and hosted by me, Lee Hawkins.Our executive producer is Erica Kraus. Our senior producer is Kyana Moghadam.Our story editor is Martina Abrahams Ilunga. Our lead writer is Jessica Kariisa.Our producers are Marcel Malekebu and Jessica Kariisa. This episode was sound designed and mixed by Marcel Malekebu. Our technical director is Derek Ramirez. Our soundtrack was composed by Ronen Lando. Our fact checker is Erika Janik.And Nick Ryan is our director of operations.Special thanks to the O'Brien Fellowship for Public Service Journalism at Marquette University; Dave Umhoefer, John Leuzzi, Andrew Amouzou and Ziyang Fu. And also thanks to our producer in Alabama, Cody Short. The executives in charge at APM are Joanne Griffith and Chandra Kavati.You can follow us on our website, whathappenedinalabama.org or on Instagram at APM Studios.Thank you for listening.

New season, showrunner, intro, and characters in Season Three Episode One, “Like a Virgin.” Hear the Creek Freaks question Eve's intentions, lament Pacey's regression, question Jen's character reset, cringe over Joey's seduction attempts, and more!Non-Dawson Recommendations:James - Bootleg GizzardStella - Kerrygold Salted Butter SticksMal - Legends & Lattes by Travis BaldreeCody - Baby ReindeerJoin our Patreon! You can find us online @freaksandcreekspod on instagram or at our website, https://www.freaksandcreeks.com, and you can get in touch with us at show@freaksandcreeks.com. Freaks & Creeks: a Dawson's Creek Podcast is produced by Stella Baldwin, Cody Dean, Mallory Freed, and James Ramey. Cover art by Mallory Freed. Mixed and edited by James Ramey. Original theme music written and recorded by Cody Dean and James Ramey.  ★ Support this podcast on Patreon ★

  In this episode of the Fly Fishing Insider Podcast, host Christian Bacasa interviews Rick Nyles, owner of Sky Blue Outfitters in Pennsylvania. They discuss Rick's journey to fly fishing and his successful transition from a career in sales to running a fly fishing business. They also explore the specialized niches in fly fishing that Rick's guides focus on, such as wet fly fishing and blue lining for brook trout. The conversation then shifts to Penns Creek, a unique fishery in Pennsylvania, and Rick shares his personal experiences and tips for fishing on this creek. They also discuss the fly fishing opportunities in Pennsylvania and the diverse hatches throughout the year. The episode concludes with a focus on dry fly fishing techniques, including the importance of short leaders and precise presentation. In this conversation, Rick Nyles shares his insights and techniques for fishing Penns Creek. He emphasizes the abundance of fish in the creek and encourages anglers to explore different areas. Rick discusses the importance of observation in finding fish and identifies key factors to look for, such as the type of rise and the size of the fish. He recommends using a four or five weight rod and a short leader, and shares his preference for fast, stiff rods. Rick also provides tips for using dry flies and nymphs together, as well as techniques for fishing streamers. He concludes by discussing retirement and the fishing opportunities available with Sky Blue Outfitters.   Takeaways   Rick Nyles successfully transitioned from a career in sales to running a fly fishing business, following his passion for the sport. Sky Blue Outfitters specializes in various niches of fly fishing, including wet fly fishing and blue lining for brook trout. Penns Creek in Pennsylvania is a unique fishery with diverse hatches and the potential to catch large trout. Pennsylvania offers excellent fly fishing opportunities, with numerous trout streams and a variety of species. Dry fly fishing requires precise presentation, including short leaders and targeting fish with strategic casts. Fish are abundant in Penns Creek, and anglers should explore different areas to find them. Observation is key in finding fish, including paying attention to the type of rise and the size of the fish. Using a four or five weight rod with a short leader is recommended, and fast, stiff rods provide better control. Combining dry flies and nymphs, as well as using high visibility streamers, can be effective techniques. Retirement can provide more time for fishing, and Sky Blue Outfitters offers various fishing opportunities. Fly Fishing Insider Blog is taking off and I'm putting out tons of content weekly.  Join the Loyalty Club for updates and all kinds of discounts! www.ffipodcast.com The Fly Fisherman's Channel has become my favorite place lately. I work with them, so the podcast is on there now and without ads. What I like is that it is the most extensive collection of fly fishing-specific content on the web! Subscribe with my link and get 10% off your subscription by using code: FFIP10SPRING23 https://bit.ly/10PtsOffFlyFishermansChannel If you like the Fly Fisherman's Channel, it really helps cover the show's overhead. Anyone you share that link with can help. Thanks!!! A lot of you have been asking what I'm using these days. Specifically, I use products from these companies because they have been shown to last and be worth the money. They tend to last long and have good functionality. I'll try to add them to the podcasts from now on and keep the list up to date. Additionally, I'll be doing more reviews, but taking a look now is worthwhile. Grundéns Waders - https://bit.ly/grundénswaders  Simms Fishing - Packs, Boots, Accessories, Waders - https://bit.ly/simmsfishingmain Patagonia - Clothing, Shells, Packs - https://bit.ly/patagoniamainpage Gerber Gear - Fishing Tools, Nipper, Pliers - https://bit.ly/gerbergearfishing BD - Clothing, Jackets, Headlamps - https://bit.ly/bdmainpage Gryal 24 Oz Bottle - Water Purification - https://bit.ly/gryalwaterpurification

In this episode we WadeOutThere with Chelsey Christy, from Denver, Colorado.  Chelsey started fly fishing on Colorado's South Platte River and immediately caught the fly fishing bug.  She was spending so much time fly fishing and in her local fly shop, that they asked her to start guiding.  Chelsey soon began searching for a way to connect with nature and the river on her own, further from some of the pressured waters of the front range.  Her searching took her to Southwestern Colorado's many mountain creeks and streams that she now enjoys exploring and fishing on her time away from guiding.  Chelsey is also an artist, and balances her time between guiding and painting. She has made several fishy designs for Colorado Trout Hunters Guide Service, where she also guides. We discuss the importance of your local guide shop when starting out, tips and tactics for high mountain creeks in Southwest Colorado, and how Christy embraces the beauty she finds in nature through her paintings. To learn more about Chelsey and the topics we discussed in this episode, or to schedule a guided trip, check out the following links:ColoradoTroutHunters.comChelseyChristy.comIG: Trout_Christy (fishing)IG: Chelseychristy (art)Newsletter Sign-UpView Jason's ArtworkThanks for listening.VR- Jason

We're all wearing a wire because it's Season 2 Episode 22, “Parental Discretion Advised.” Join the Creek Freaks in wondering if this series jumped the shark, loving the destination but hating the journey, wondering what's going to happen next, and more!Non-Dawson Recommendations:James - Mahal by Glass BeamsStella - Mr. and Mrs. SmithMal - The Good PlaceCody - Only God Was Above Us by Vampire WeekendYou can find us online @freaksandcreekspod on instagram or at our website, https://www.freaksandcreeks.com, and you can get in touch with us at show@freaksandcreeks.com. Freaks & Creeks: a Dawson's Creek Podcast is produced by Stella Baldwin, Cody Dean, Mallory Freed, and James Ramey. Cover art by Mallory Freed. Mixed and edited by James Ramey. Original theme music written and recorded by Cody Dean and James Ramey.  ★ Support this podcast ★

Nooooo Andie's moving to Providence in Season 2 Episode 21, “Ch… Ch… Ch… Changes.” Hear the Creek Freaks gag from Joey thirsting over Dawson, cry over Pacey and Andie's farewells, wish that Jen had more to do, and more!Non-Dawson Recommendations:James - @SkateIQStella - After MidnightMal - Libby AppCody - Bright Future by Adrianne LenkerYou can find us online @freaksandcreekspod on instagram or at our website, https://www.freaksandcreeks.com, and you can get in touch with us at show@freaksandcreeks.com. Freaks & Creeks: a Dawson's Creek Podcast is produced by Stella Baldwin, Cody Dean, Mallory Freed, and James Ramey. Cover art by Mallory Freed. Mixed and edited by James Ramey. Original theme music written and recorded by Cody Dean and James Ramey.  ★ Support this podcast ★

Andie's seeing dead people and the Man Meats get Parent Trapped in Season 2 Episode 20, “Reunited.” Hear the Creek Freaks lament ghost brothers, worry about Andie getting dragged through the mud, get the ick from Dawson and Joey, and more!Non-Dawson Recommendations:James - Discworld by Terry PratchettStella - Trail of Flowers by Sierra FerrellMal - Tiny TownsCody - Sleep with Me Podcast You can find us online @freaksandcreekspod on instagram or at our website, https://www.freaksandcreeks.com, and you can get in touch with us at show@freaksandcreeks.com. Freaks & Creeks: a Dawson's Creek Podcast is produced by Stella Baldwin, Cody Dean, Mallory Freed, and James Ramey. Cover art by Mallory Freed. Mixed and edited by James Ramey. Original theme music written and recorded by Cody Dean and James Ramey.  ★ Support this podcast ★

Everyone has a meltdown and Dawson sort of shrugs in Season 2 Episode 19, “Abby Morgan, Rest in Peace.” Hear the Creek Freaks break down how the characters deal with complex grief, deep dive the eulogies, worry over Jen and Andie, and more! Non-Dawson Recommendations:James - BalatroStella - Abbott ElementaryMal - @chefreactionsCody - Tigers Blood by Waxahatchee You can find us online @freaksandcreekspod on instagram or at our website, https://www.freaksandcreeks.com, and you can get in touch with us at show@freaksandcreeks.com. Freaks & Creeks: a Dawson's Creek Podcast is produced by Stella Baldwin, Cody Dean, Mallory Freed, and James Ramey. Cover art by Mallory Freed. Mixed and edited by James Ramey. Original theme music written and recorded by Cody Dean and James  ★ Support this podcast ★

In this riveting episode James talks to a wall about his deepest, darkest secrets. Plus, he reveals the exact moment he fell in love with Dawson's Creek. But wait, there's more! Okay, no there isn't. Or is there? I guess you just have to listen to find out! You can find us online @freaksandcreekspod on instagram or at our website, https://www.freaksandcreeks.com, and you can get in touch with us at show@freaksandcreeks.com. Freaks & Creeks: a Dawson's Creek Podcast is produced by Stella Baldwin, Cody Dean, Mallory Freed, and James Ramey. Cover art by Mallory Freed. Mixed and edited by James Ramey. Original theme music written and recorded by Cody Dean and James Ramey.  ★ Support this podcast ★

Papa Potter is back! Which means we're catering weddings in Season 2 Episode 18, “A Perfect Wedding.” Join the Creek Freaks as they contemplate cake metaphors, lurch through endless meandering subplots, react to a certain someone's untimely demise, and more! Article discussed – Dawson's Creek: Inside the groundbreaking decision to have Jack come out as gayNon-Dawson Recommendations:James - Prince of Persia: The Lost CrownStella - Cult of the LambMal - MìLà's Soup DumplingsCody - The Curse You can find us online @freaksandcreekspod on instagram or at our website, https://www.freaksandcreeks.com, and you can get in touch with us at show@freaksandcreeks.com. Freaks & Creeks: a Dawson's Creek Podcast is produced by Stella Baldwin, Cody Dean, Mallory Freed, and James Ramey. Cover art by Mallory Freed. Mixed and edited by James Ramey. Original theme music written and recorded by Cody Dean and James Ramey.  ★ Support this podcast ★

Pry open your third eyes, y'all! The future isn't looking great in Season 2 Episode 17, “Psychic Friends.” Join the Creek Freaks in chastising the character segregation at the Capeside Fair, celebrate Dawson finally receiving constructive criticism, worry over Andie's future wellbeing, and more!Non-Dawson Recommendations:James - UNO Lakefront Arena, NOLA 12/30/23 / Renewal by Billy StringsStella - American NightmareMal - Reiner Knizia's My IslandCody - The Shining by Stephen KingYou can find us online @freaksandcreekspod on instagram or at our website, https://www.freaksandcreeks.com, and you can get in touch with us at show@freaksandcreeks.com. Freaks & Creeks: a Dawson's Creek Podcast is produced by Stella Baldwin, Cody Dean, Mallory Freed, and James Ramey. Cover art by Mallory Freed. Mixed and edited by James Ramey. Original theme music written and recorded by Cody Dean and James Ramey.  ★ Support this podcast ★

Smash your faces into cakes, y'all! It's Dawson's drunken sweet sixteen in Season 2 Episode 16, “Be Careful What You Wish For.” Hear the Creek Freaks cringe over that blues performance, wonder why Joey's planning the big shindig, get confused over Abby's intentions with Jack, say see ya to Ty(son), and more! Non-Dawson Recommendations:James - Nugs.netStella - The BearMal - The Woman in MeCody - May DecemberYou can find us online @freaksandcreekspod on instagram or at our website, https://www.freaksandcreeks.com, and you can get in touch with us at show@freaksandcreeks.com. Freaks & Creeks: a Dawson's Creek Podcast is produced by Stella Baldwin, Cody Dean, Mallory Freed, and James Ramey. Cover art by Mallory Freed. Mixed and edited by James Ramey. Original theme music written and recorded by Cody Dean and James Ramey.  ★ Support this podcast ★

Fly Fishing Insider Blog is taking off and I'm putting out tons of content weekly.  Join the Loyalty Club for updates and all kinds of discounts! Spring Creeks and Spot Fishing the Livingston Montana Area Your host, Christian Bacasa, speaks with guide Jan Axtelll who now lives in Montana but has been a guide and angler across the US. Jan fell in love with the spring creeks of Livingston, Montana, and returned later in life to make it his home and place of business. His passion for the area rings through as he describes the water and specifics of how to be successful when fishing such brilliant water. Contact Information:  Facebook: Jan Axtell www.ffipodcast.com The Fly Fisherman's Channel has become my favorite place lately. I work with them, so the podcast is on there now and without ads. What I like is that it is the most extensive collection of fly fishing-specific content on the web! Subscribe with my link and get 10% off your subscription by using code: FFIP10SPRING23 https://bit.ly/10PtsOffFlyFishermansChannel If you like the Fly Fisherman's Channel, it really helps cover the show's overhead. Anyone you share that link with can help. Thanks!!! A lot of you have been asking what I'm using these days. I'll include a list.   Specifically, I use products from these companies because they have been shown to last and be worth the money. They tend to last long and have good functionality. I'll try to add them to the podcasts from now on and keep the list up to date. Additionally, I'll be doing more reviews, but taking a look now is worthwhile. Grundéns Waders - https://bit.ly/grundénswaders  Toad and Company - Men's Clothing - https://bit.ly/toadandcomens BD - Clothing, Jackets, Headlamps - https://bit.ly/bdmainpage Ibex - Clothing - https://bit.ly/ibexclothing Gryal 24 Oz Bottle - Water Purification - https://bit.ly/gryalwaterpurification Simms Fishing - Packs, Boots, Accessories - https://bit.ly/simmsfishingmain Patagonia - Clothing, Shells, Packs - https://bit.ly/patagoniamainpage Gerber Gear - Fishing Tools, Nipper, Pliers - https://bit.ly/gerbergearfishing

Join us in waving au revoir to a shitty dad in Season 2 Episode 15, “...That is the Question.” Hear the Creek Freaks celebrate Jack's reclaiming of his own narrative, cheer as Pacey takes down the big bad, throw up from Dawson describing Joey as extremely sexual, and more!Non-Dawson Recommendations:James - Baldur's Gate 3Stella - Fargo (Season Five)Mal - The Great British Bake Off (Series 14)Cody - @JuniperBlackIllustrationsYou can find us online @freaksandcreekspod on instagram or at our website, https://www.freaksandcreeks.com, and you can get in touch with us at show@freaksandcreeks.com. Freaks & Creeks: a Dawson's Creek Podcast is produced by Stella Baldwin, Cody Dean, Mallory Freed, and James Ramey. Cover art by Mallory Freed. Mixed and edited by James Ramey. Original theme music written and recorded by Cody Dean and James Ramey.  ★ Support this podcast ★

This week, we deep dive into the English Channel from Centrance. Special guest Michael Goodman chats about how it came about, the many unique setups and creative uses of the English Channel by voice artists and content creators alike. Plus, we explore its features, and with Robbo, Robert and Michael all using one for the show, there's plenty of tips and tools to help you get the most out of this impressive piece of kit, or inspire you to go check one out for yourself. A big shout out to our sponsors, Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the market for some new kit, do us a solid and check out their products, and be sure to tell em "Robbo, George, Robert, and AP sent you"... As a part of their generous support of our show, Tri Booth is offering $200 off a brand-new booth when you use the code TRIPAP200. So get onto their website now and secure your new booth... https://tribooth.com/ And if you're in the market for a new Mic or killer pair of headphones, check out Austrian Audio. They've got a great range of top-shelf gear.. https://austrian.audio/ We have launched a Patreon page in the hopes of being able to pay someone to help us get the show to more people and in turn help them with the same info we're sharing with you. If you aren't familiar with Patreon, it's an easy way for those interested in our show to get exclusive content and updates before anyone else, along with a whole bunch of other "perks" just by contributing as little as $1 per month. Find out more here..   https://www.patreon.com/proaudiosuite     George has created a page strictly for Pro Audio Suite listeners, so check it out for the latest discounts and offers for TPAS listeners. https://georgethe.tech/tpas If you haven't filled out our survey on what you'd like to hear on the show, you can do it here: https://www.surveymonkey.com/r/ZWT5BTD Join our Facebook page here: https://www.facebook.com/proaudiopodcast And the FB Group here: https://www.facebook.com/groups/357898255543203 For everything else (including joining our mailing list for exclusive previews and other goodies), check out our website https://www.theproaudiosuite.com/ “When the going gets weird, the weird turn professional.” Hunter S Thompson Summary In this episode of the Pro Audio Suite, our hosts—George Wittam, Robert Marshall, Darren 'Robbo' Robertson, and Andrew Peters—offer an insightful review of Centrance products, particularly focusing on the English Channel. The team is joined by special guest Michael Goodman from Centrance, who sheds light on the technology behind these innovative audio solutions. Listeners will gain an understanding of the technical nuances of the English Channel, such as its British EQ, clean modern circuitry, and wide frequency response, which altogether emulate the classic analog console experience with a distinct English style. In an in-depth discussion, the panel explores the creative uses of the product, and Goodman explains the motivation behind its unique design, such as the five db gain jump between products which correlates with a price difference. Moreover, the episode delves into the features of the Portcaster and SoBox, highlighting how these devices can send audio to multiple recorders, and allowing one device to control another for an expanded multichannel setup. The challenges and eccentricities of integrating these tech solutions into a working studio setup are candidly discussed, including some unconventional methods they would normally not recommend to voiceover actors. To cap it off, the show offers a quick preview of the next episode where Michael Goodman will return to discuss the Passport Vo, making it a must-listen for audio professionals looking to enhance their tech arsenal and push the boundaries of their creative workflow. #ProAudioSuite #VoiceoverTech #CentranceSolutions Timestamps (00:00:00) Introduction to Pro Audio Suite (00:00:52) Centrance's English Channel Review (00:07:07) Comparison: Jasmine Preamp and Portcaster (00:09:01) English Channel as a Portable Voice Recorder (00:13:16) Modern Breakthroughs in EQ Circuitry (00:15:29) Features of the English Channel Parametric EQ (00:19:15) Instamano: The Mono Blend Knob for Instagram (00:25:40) Portcaster's Monitoring and Output Capabilities (00:28:28) SoBox: Link Switches Explained Transcript Speaker A: Y'all ready? Be history. Speaker B: Get started. Speaker C: Welcome. : Hi. Speaker C: Hi. : Hello, everyone to the pro audio suite. : These guys are professional. Speaker C: They're motivated with tech. To the Vo stars, George Wittam, founder of source elements Robert Marshall, international audio engineer Darren Robbo Robertson and global voice Andrew Peters. Thanks to Triboo, austrian audio making passion heard source elements George the tech Wittam and Robbo and AP's international demo. To find out more about us, check theproaudiosuite.com line up. Speaker B: Learner. Here we go. : And don't forget the code. Trip a P 200. That will get you $200 off your tribooth. Now, I should say, before we start the show, a disclaimer. What you are about to listen to is what we would not advise voiceover actors to do. That's all I'm going to say. Speaker A: Do as I say, not as I do. : Yeah, exactly. We have a special guest today from Centrance, Michael Goodman. G'day, Michael. Speaker B: Hello, gentlemen. Pleasure to be here. : It's lovely to have you. Now, today's review is about sentrance itself, but also the English Channel. And I know two of the people are using english channels as we speak. And one has done some funky little setup to his laptop. And that, of course. : But Robert, I just kind of like that setup where I use the TRRs cable going into the laptop. I just like it because it's wrong. One of the things, actually, two things that I ran into and, Michael, maybe you can explain to me a little bit. But I found that when I use the English Channel with the xlrs going across the top, when you get into the portcaster, you're hitting the mic preamp with an amplified signal. And you end up having to not use as much gain on the mic preamp over on the soapbox as you want. Because even with the pads turned down. And I think I ended up using the pad in the English Channel as well to try to pad it back down so I could get into the meat of the soapbox in terms of processing, the compressor especially, and the deesser as well. So anyways, what I did is I have the mic going in the xlr going out and over into the english channel. And then I have an XLR cable going out which feeds into the. Whatever, the second ring of a tip ring ring sleeve jack. And that goes into my Mac. And then out of my Mac is the tip ring sleeve. The normal stereo output of that jack. And that goes to a female connector. And I take the output of that. I have an 8th inch to 8th inch or an aux cable. I take the output of that and I plug it into the 34 input of the port caster. And I also take another 8th inch cable, aux cable, and I go line out of the English Channel and into the phone TRRs input of the portcaster as well. And that's how I monitor my own voice. So I have two knobs on the Portcaster. I do not have a USB going into the computer, just a USB going into the power headphones 34 being fed in, which is the computer return and my microphone coming in through the TRRS channel two input. So I have the three four knob for you guys, and I have the channel two knob for my own headphones. And voila. Fully processed microphone with EQ using the built in Macintosh input and output through a TRRS cable. Doesn't sound too bad, does it? Speaker B: Well, first of all, I have to hand it to you. You get the prize for the most creative, innovative use of this technology. And it still sounds good. Speaker A: Can I just say, also the most convoluted. Speaker B: Seriously, I guess it is a statement about the universality of this thing, because I hadn't thought about that use. Normally, what we'd recommend everybody to use is the english channel takes a microphone on the input and gives you a USB output that you plug into your computer. It does have really high quality inlook to digital and digital converters inside. So we believe it's better than the converters inside of a typical computer such as a Mac or PC. And therefore you'll get more audio file sound quality that way. But look, I mean, there's so many Gazintas and Gazawtas in that thing, you can probably slice it many different ways. : Well, here's where I came up with that setup. And I decided to do this setup because I wanted to use the soapbox and the full processing, and I wanted to do something different as well. But where I first came up with that setup, and I think it works really well, is with the Jasmine mic pre, because then it's the same thing. You have the XLR feeding out and then you have the computer just return back to the line input and the Jasmine mic pre itself. The headphone already blends your headphones, your input, your mic input with the headphones. So you don't need the second Aux cable that I'm using here. But it's certainly a great way to literally use the Jasmine mic pre with a computer. If you just want to get the Jasmine mic pre. Speaker B: That's actually true. And to be honest with you, we have received feedback about the Jasmine mic pre. One thing that it sorely lacks, apparently according to some users, is a USB audio interface. People are like, why don't you just put a USB jack that actually does audio on that thing, not just power. So then the Jasmine preamp basically turns into a micport Pro with a line level input and a mixer so that you can bring some music into your program or just listen to a backing track and sing along with it or play along with it, something like that. It really just becomes a mic port Pro at that point. With a slightly better preamp? : I don't think so. It becomes like a focus, right? Blue ISA one where it has a Q mix input or a return channel so you can monitor in low latency what comes out of your daw. Speaker B: If it had a USB audio interface, then it would be exactly like those things. : No, the focusrite ISA desktop is not an audio interface. It has no USB. But it's a preamp with two return channels so you can monitor low latency out of your daw. There's not a ton of mic preamps that do it, but the Jasmine does it too, and it's a super useful feature even without the USB interface. Speaker B: In developing the English Channel, we had to face a couple of decision points, because originally it was actually four devices. It was the Jasmine preamp followed by the dynamics box, followed by the EQ, the black cab, and followed by the audio interface, which is the podcaster. But four devices that just looked like a lot in front of you just looked way too complex. So a couple of voiceover actors heard about that and they're like, can you please put the preamp inside of the soapbox? So that's what we did, and thereby we made jasmine preamp pretty much obsolete in our product line. It's a foster child. Sad to say. : I liked it. So the preamp is the same in the jasmine as the soapbox? Speaker B: Yes. : Can I ask what's the preamp in the passport? Speaker B: The preamp is the same all across, so we call it the jasmine preamp. It's a custom designed discrete transistor preamp with a dual stage. : But the courtcaster doesn't have a Jasper. Speaker B: Cordcaster is portcaster with a very small modification. It's basically the same as Portcaster. : So it is a Jasmine preamp in that one as well? Speaker B: Yes, everywhere is the same preamp. : So basically all your preamps are the jasmine. Speaker B: What differs between products is the amount of gain available. So jasmine preamp, if you need the possible theoretical lowest noise, somehow it's different somehow. : Even though it's a jasmine preamp. It's a better jasmine preamp. Speaker B: Yeah. So we monkey with the gain inside the unit. : Wow. Because the Micport Pro that's got, I think it's 65 db gain. Speaker B: Is that 65? And then soapbox has 70 and the Jasmine preamp standalone has 74. 75. : Wow. Speaker B: There's like a five db jump and then there's a corresponding price difference. : I haven't got one, but I know that generously you're going to send one for a review. The Micport Pro, and I know it's been around for a long time, but this is the latest version of it that you've got, which has been around for how long now, the New York. Speaker B: One, the latest Micport Pro has been around since. I want to say that 2018, the. : First Micport Pro was what, 2008? Speaker B: 2009. Eight. You're right. Eight. : I still miss my original. : Well, someone's got it now. They're enjoying it. Speaker A: Hello. : And probably got your laptop as well. : He's got both the laptops. He got a bag full of stuff. Speaker A: Might not be a he. Come on, let's not get sexist here. : Yeah. : Someone who identifies as a thief. Speaker B: Yes, exactly. : I identify as a thief. Speaker A: Yes, indeed. : Now, Michael, with the english channel, who were you looking at when you were designing this? What was your market? Speaker B: The mirror? Speaker A: Before you answer that, I actually want to take you one step back inside your twisted mind. Speaker B: I appreciate that. Speaker A: Where did you come up with the idea for this? Speaker B: So the name of the product, the English Channel. : I'm curious about the name. Speaker B: The name, obviously, is it uses British Egyu and everything else from a channel stripper on a british console, analog console. And therefore it's called the English Channel. So it's a channel from a british console. Now, you can argue that british consoles have been responsible for one of the most prolific periods in the history of the music industry, where in the 70s, early eighty s, a lot of really cool music was produced. I'm not saying that today music is bad, not at all. All music matters, obviously, but I just happen to like a lot of music that was made in the late 70s anyway, so that's the name. And it's sort of kind of a nod to that era. A lot of our customers who buy the English Channel are from that era. They have experience with analog technology, and to them that feels good. Now, how did the product come about? There's really two ways to think about it. First of all, we couldn't get any digital chips during the COVID and so we couldn't build the Micport Pro and podcaster mixerface, all those other things. And I was sitting on a very short lounge chair at a hotel in Mexico, last vacation before COVID And I was kind of anticipating that they were going to hit some trouble. And then I said to myself, we should design some analog products because digital does not look good in the nearest future. And so that's how the analog channel came about. More of a business necessity than anything else. But then as it started to appear to materialize, I was practicing with it. And about that time, I started really recording YouTube videos for the sentrance YouTube channel on a weekly basis. It's a job. And because I traveled a lot, I ended up taking the english channel with me wherever I went. Like, for example, two weeks ago, I was in Indonesia at a trade show, and I had the English Channel, and I did some streams from the trade show floor, which sounded just like what we sound like right now. And I could get rid of the noise in the trade show floor was loud and all that. So I started realizing that this is actually a very cool product for a traveling content creator, because, again, as I said, I was looking at the mirror jokingly, but I happen to be a traveling content creator because I have this job of making videos for our YouTube channel and then podcasts, things like that. I did have a podcaster before, and podcaster obviously came out first, and that's great for doing podcasts, interviews. I know George uses it for that as well, but it doesn't have way to enhance your voice and then also get rid of the noise. Everybody who's starting out in the voice arts at first has to come against this fear of hearing their own voice, because we never know how our voice sounds like when it's recorded right until we have a lot of practice. And then, so I also had a fear of listening to my own voice. And I thought, I probably want a little bit more bass, maybe a little bit less treble here in this area. I kind of sound more confident if I do some of the enhancements. And then, so what this thing allows me to do is honestly develop confidence in public speaking, believe it or not, which is kind of like not the intended use of the product, but it gives me that ability to feel better about myself, which is an unintended psychological consequence of a technological product. : I have a question about the Eq. Is there anything, particularly on the technical side, that makes it a British Eq? I know that sometimes I found that the bandwidths can be pretty wide, and therefore, in that sense, sort of makes it a little bit more english in style, just the wider. I mean, they do get pretty. If I crank mine up here and I put it all the way on the left for the queue, you can kind of hear it. And it's pretty tight, but it doesn't sound like I'm sweeping a sine wave. And on the wide side, it's so wide, you can barely hear me sweeping that at all. Speaker B: It is pretty wide. I mean, it's almost like a surgical instrument. If you put it to 0.4 and is just a shelf almost. At the other extreme, the frequency response of that thing is quite wide. I don't have the spec sheet in front of me, but I wouldn't be surprised if it goes up to almost 100 khz. So it's very wide. It uses modern circuitry. I mean, this is not the circuitry from the course. There's been a lot of breakthroughs in analog technology since then, so that's why it's quiet and it allows us to do some tricks. It doesn't have transformers. So some of the Rupert neve technology color. Yeah, he loved his transformers. And they gave you that bass. They gave you that strange kind of phasing sound. I mean, a lot of people prefer that. And there are manufacturers of audio interfaces. There's one right here in Chicago that loves transformers as well. And those guys, we've had a shootout, and it was very interesting because I brought some of our gear to their studio, and then they had some of their interfaces, and we had an interface shootout. And the results of the shootout were inconclusive in that they loved theirs and I loved mine. : Did they want to do a black lion edition of the sentence? Speaker A: Yeah, of course. Speaker B: No, they hated our stuff because we didn't have transformers in it. And I was like, you guys, this doesn't sound natural. What goes in is not what goes out. And they're like, yeah, that's exactly the point. So different styles. : So talking about that, though, if you're talking about late 70s, early 80s when you were designing the English Channel, what sort of preamps were you thinking about? It sounds like you weren't thinking about Neve. You were thinking about maybe API. Speaker B: We wouldn't necessarily want know, copy somebody else's design, so that wouldn't be prudent for a lot of reasons, one of which just personal pride. We wanted to have our stuff. So you could argue that the whole concept of the british invasion and the british consul and all that is largely a psychological construct than any particular style of circuitry. Design. : It's not an homage to any. Like, this isn't a V 72 club. Speaker B: I wouldn't want to do that. There's so many people that say, oh, we make a microphone and it's the best U 87 this side of U 87, whatever. And that is a great marketing strategy for some people, but we decided not to do that. Like, okay, this is the Neve 1998, right? But in a different chassis. No, not at all. This is a sentence product that it is completely from ground up sentence. And then any marketing reference to Great Britain is an homage rather than any specific lift of any circuitry. : I don't think I can think of any smaller three band, fully parametric EQ on the market at all than this. Speaker A: No. Speaker B: You can find these graphic eqs and pedals a lot. : It's smaller than a 500 series module. It's like half the size. Speaker B: Exactly. I didn't have one either. : But find a three band parametric that's this small and it's XLR that's fully balanced. Speaker B: You should try it on some instruments. It's pretty cool. You should also try. So, box on a snare. I was blown away. Speaker A: Really? : Compressor is really good. Speaker B: Yeah, it's pretty nice. I have a video up on our website where I actually go through a history of the sound of the snare drum by turning the compressor knob on the soapbox. So without compression, it's essentially the 60s. With medium compression, it becomes the gated snare starts to come in, and then if you compress all the way. If you turn the knob all the way to the right, then it becomes the. Becomes the gated compressed snare. With the additional. Speaker A: I was going to say, you'd have to be winding the gate up as well. Right in the will. : Say, if I can make a request for the soapbox too, that the gate is an expander, that'd be my only request. Speaker B: So it doesn't pump as much or you can make it not pump as much. : So it slides down to its. Whatever range -60 or minus, even infinity. But it never just goes there, it always has a slope. It opens more gradually and closes more gradually. Because I don't know if I can do it. But you can kind of even sometimes you can hear someone breathe in, you can hear it take their breath and like, chop. Speaker B: It's pretty drastic. It's just basically on off. And it was designed to be that way. And it took a while to get the timing just right so that it covers the majority of applications. Obviously, we didn't have the space for a couple more knobs seems pretty quick. That was the point. So if you really use the gate, then it becomes pumpy. So it can be like that. : Yeah, well, I found a good way around that is to use the blend. Speaker B: The dry wet control. That's pretty much your answer. : Yeah, it effectively changes the amount. So it always leaves a little bit. And it doesn't sound quite as, like, cut. : It's like the range control. I like that. That mix of the dry wet will give you. Speaker B: That is a poor man's expander, if you wish. Speaker A: No, it's a sentence expander. : Yeah, that's what it is. Speaker B: The trick is old. The trick is not our invention. : So tell us about the instant mono. I think that's another one that it's kind of a unique thing that you don't find that behavior on all interfaces. Speaker B: The insta in Instant Instamano actually stands for Instagram. And we put that in portcaster. And what we've learned is that Instagram, originally, they may have changed that now, but originally it was mono. So therefore, if you connect a stereo usb audio interface to Instagram to do a live stream, then the left channel will go through and everybody will hear whatever's on the left channel, but the right channel will essentially be lost. So a musician who, let's say, is a guitar player and a singer at the same time. So a singer songwriter, they would plug the guitar into one channel and the voice, the vocal microphone into the other channel, and then only one of those things would come through. And that was extremely frustrating. We had an earlier product called Mixerface, where there was no blend, no stereo blend. It just two channels come in, two channels go out. : I've got a mixer, right? Speaker B: The older one didn't have that blend knob. Now, since COVID and since that whole idea of streaming from home came about, we learned that this is not good. And then that Instamano is essentially a mono switch for mono blend knob for Instagram, which essentially unifies or combines your microphone and your guitar that you plug into channels one and two and then sends that to Instagram. And then your fans hear both things. That's really what it's for. Now, why is it a blend knob and not a switch? Because I had a hole I needed to plug with a potentiometer, and it kind of felt good. : How does it work exactly? All the way left. Right goes all the way to left is all the way left. Speaker B: Yes. So when you turn it counterclockwise, which is to the left, you are printing. Mono printing. When I say printing, I mean, is sending a mono signal into Instagram. So, in your usb stream. : But what's it doing electrically? Is it bringing the right side fully over to the left side? Is that what it is? Speaker B: It's creating a monomix. So it takes 50% of the left and 50% of the right. It combines them together and creates a mono mix. And then it sends that mono mix to the left channel and that same exact mono mix to the right channel. That's the proper way of doing it. : So what happens if you have it 50 50, like straight up at 12:00 now what's. Speaker B: So then it's in between mono and stereo. And I am still trying to figure out a good use case for that. : Well, it's like faking headphones for stereo. If you want a little left right bleed. Speaker B: Yeah. : At the 12:00 position, it basically takes. Left is 100% left plus 50% right, and right is 100% right plus 50% left. Is that what's happening? Speaker B: It becomes 50 of, let's say 50 of each? Yeah. So it's slightly less than stereo. So now I have to correct myself. I said that I'm struggling to come up with a use case. I'm not. Because we make two microphones that you can plug into podcaster. These are tiny little mics that are housed inside the XLR shells. And then they are angled so that when you plug them into channels one and two over the podcaster, you form a xy stereo pair. And then at that point, portcaster becomes a stereo field recorder with two mics. And then you can record concert, a band, whatever, or sounds of nature, animals. We have people recording all kinds of things. Creeks, mountain creeks. And then. So there, what you can do is you can record in, like, full stereo. But sometimes if you're way too close to the source, the full stereo might actually sound uncomfortable. So in that case, you might want to reduce the width of the stereo perspective slightly. And that's where the mono stereo blend ability to kind of grow gradually between the two comes into play. Because I've stuck this actually big sewer in California about a year ago, and I recorded the sound of the mountain creek because I thought it would be cool. And I stuck the portcaster on a rock right next to gurgling water. Right. And I realized that the two microphones recorded completely different sounds from water hitting the rocks. And it actually sound like way too much stereo. So I had to blend it down a little bit, and then it was a little bit more listenable. That makes sense. : I can't think of one product that has that. George, can you think of any other product that has that? : It's one of those majorly missing features of almost every other standard stereo interface. Like if you look at a scarlet two I two, people try using a scarlet two I two all the time to do things like this. And then they get frustrated when one person's voice is in the left and the other one's in the right. And that's not what they need. What they needed was a mixer, but they're using interface and they just don't conceptually understand what the difference is. : That is a unique feature. That pan move someone to the left or right is a very unique feature to these sentence interfaces. And you don't see the input pan on any device. What you do see is the ganged stereo monitor pan on almost all devices. So two places where sentrance has been unique. The Instamano knob. I can't think of any interface that does that unless it has a full mixer. The other thing that's unique is technically the original mixer face is the only interface I know of that has a separate left right usb versus input play. : It's unique too. Absolutely. Speaker B: Yeah. And then that use case it was useful for, and it was designed for, is when you have a guitar in one end, your voice in the other end, and you might want to listen to a little bit of a background track. And that gives you a blend between the guitar and the voice in the headphones. It essentially affects the headphones. Right. So you can keep your levels where you want them with the two level knobs, but you can adjust your headphone mix with those two other knobs, but. : You could affect the blend. You could blend in more of your input than your output. But when you played back, your mix was different because it wasn't really. Yes. Speaker B: This was for monitoring only. : Totally. So what then is interesting also is the original mixer face. And I'm not sure if this one has, but the original mixer face at least also uniquely had a mono switch for the output. So you could at least hear the two centered. You weren't recording them centered, but it has a mono switch. And is that in the portcaster or does that switch go away? Speaker B: It's still everywhere. And I have to say it confuses a lot of people, including famous youtubers. We won't name names, but essentially this thing was designed to be so flexible, it's useful. We possibly overloaded it for an average user. So I have customers who are tweaks and they love it. Because they can use in so many different ways. But for example, the mono stereo monitor switch allows you to print in stereo, but listen in mono. Right. Whereas the mono stereo blend knob, you're listening to whatever you're recording. So if you're blending with the mono stereo knob, you're actually printing mono, which is an important distinction. : And again, I can't think of any interfaces to do this. Most interfaces don't give you these types of choices. They're just features you can't find on a focus. Right. Or something like that. Speaker B: That's more for videography, things like that. So there's also a third. There's a line output on the podcaster. And then that allows you to record to essentially three places. So you can use the podcaster to send your audio to three separate recorders, one being the internal SD card recorder, one being the USB whatever it is that you're recording to or streaming live to. Right. And then the third one, the line out goes out to the camera. So that's for video applications. And then you can record audio onto the camera as well. : Can I give you a total feature for that? Speaker B: Go. : Okay, so you're recording stereo audio onto the internal card of the Portcaster? Speaker B: In this case, yes. : And then you had the line output stereo technically going into the camera. Right. So put a timecode generator in this thing, record three channels of Timecode onto the Portcaster and then drop one channel of Timecode. Speaker B: It's been brought up so far we've dealt with people who do shorter things and they just jam sync it. Where? I don't know what the current thinking, current wisdom is, but about 20 minutes of content recorded, it doesn't yet drift yet far enough. : But it's a lot of work still. It's still a lot of work to go find it. Like timecode just lines it up for you. You don't have to go. Speaker B: Yeah. After about an hour, it starts becoming a problem. But so far, I don't think we've dealt with anybody who's using these for very long periods of time. It's a voiceover artist who's recording for 30 seconds or if it's a youtuber. Then again, it's not a long thing. Speaker A: On the soapbox, Michael, on the bottom of the soapbox, and I think I've figured this out, there are three link switches for each of the processing, for the gate, for the compressor, and for the Deesser. Can you tell us what they do? Speaker B: We wanted SoBox to be extendable to multichannel situations. So, for example, for stereo or for multichannel recording. What you can do is you can actually line up several of these soapboxes and you can have one of them control the others in a linked situation. So in a stereo program, that's important because you don't want the two channel, the left and right channel to pump differently. You want them to sort of be in sync. And what those switches do is they allow you to choose. There are two jacks there called smart link. One is the link in and the other one is link out. So you can actually control one soapbox with another soapbox, and one became the master and the other one became the non master. : But that's not like the slave of a compressor that's just controlling the same knob. It's setting the two knobs at the same position. Speaker A: Right. : There's still two parallel monocompressors. Speaker B: No, if you switch the switch to the remote, then the knob becomes useless on that unit that is in the remote mode. Essentially, it will only listen to what the other unit tells it to do. : Right. And what is the other unit telling it? Is it telling it where to set exactly so they. Speaker B: Because it's a control signal, it's like. : Working on a VCA kind of thing. Speaker B: You can have one soapbox control another soapbox. : Is the VCA controlling the gain reduction or is it controlling the position of that knob? Speaker B: The position of the knob controls the VCA unless you flip the switch, put it in remote, and then a remote signal controls the VCA. And the knob essentially sits there doing nothing. You can rotate the knob on the slave unit and it would not do anything because the slave unit would be listening to the signal from the master unit. Speaker A: Okay, so how are we linking those together? : Is that the USB connection, the little 8th inch connectors. Speaker B: Trrs. We're having an arc here. TRrs comes back. : Is it trrs or just trs? Speaker B: Trrs. : Are you using the whole TRRs cable for the VCA? Speaker B: Yes, because there's three things that we can control. Gate, compressor, and Deesser. Speaker A: There you go. : All three are on one link. You don't need three links. One wire, one wire gets you linked. Speaker A: That's the smart link. : That's cool. Speaker A: Yeah, right. : So much innovation in these things. It's great, man. : Wow. Speaker A: There you go. Very cool. : That's part one of our chat with Michael Goodman from centrance, talking about the English Channel. Next episode, we have Michael back to talk about the Passport Vo, the collaboration between this podcast and centrance. Catch you next time. : Well, that was fun. Speaker C: Is it over the pro audio suite with thanks to Triboof and austrian audio recorded using source Connect, edited by Andrew Peters and mixed by Robbo. Got your own audio issues? Just ask robo.com tech support from George the tech don't forget to subscribe to the show and join in the conversation on our Facebook group. To leave a comment, suggest a topic, or just say g'day. Drop us a note at our websiteprodiosuite.com.   #centranceTalks #VoiceoverTech #PodcastingGear #ProfessionalAudio #VoiceoverArtists #AudioInnovation #PodcastProduction #EnglishChannelReview #PodcastersLife #AudioTechnology #TriboothDiscount #PodcastTalk #PodcastGearReview #AudioEngineering #TechInnovation #centanceInnovation #VoiceRecording #PodcastSetup #AudioQuality #ProfessionalVoiceover #AudioTalk #MicPreamp #PodcastersCommunity #TRRSConnection #ProAudioSuite #PodcastersUnite #GearReview #AudioTalkShow

The Creek War is one of the most tragic episodes in American history, leading to the greatest loss of Native American life on what is now U.S. soil. What began as a vicious internal conflict among the Creek Indians metastasized like a cancer. The ensuing Creek War of 1813-1814 shattered Native American control of the Deep South and led to the infamous Trail of Tears, in which the government forcibly removed the southeastern Indians from their homeland. The war also gave Andrew Jackson his first combat leadership role, and his newfound popularity after defeating the Creeks would set him on the path to the White House. My guest is international award-winning author Peter Cozzens. His book "A Brutal Reckoning: Andrew Jackson, the Creek Indians, and the Epic War for the American South" is the third in his trilogy about America's westward expansion. Visit the author's website here: https://www.petercozzens.net/ Learn more about your ad choices. Visit megaphone.fm/adchoices

John Dalton with Creek Fishing Adventures joins us this week to kick off the 2024 WildCast season. We will discuss winter fishing tips, recap some 2023 adventures, and hear stories from John's five-day kayak trip across Tennessee.

In Episode 404 of District of Conservation, Gabriella reads a Washington Post article about zombie creeks that may invite swamplike conditions back in Washington, D.C. Previous discussion about D.C. being a swamp said this is a myth. Who's right? Tune in to learn more. SHOW NOTES Washington Post: Underground zombie streams threaten to turn D.C. back into a real-life swamp Smithsonian Magazine: The Myth That Washington Was a Swamp Will Never Go Away WaPo in 2014: No, D.C. isn't really a swamp --- Support this podcast: https://podcasters.spotify.com/pod/show/district-of-conservation/support

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