Podcasts about eugenio caballero

Fundación Casa México en España celebra la séptima edición de su tradicional altar de muertos con un diseño de Eugenio Caballero, reconocido director artístico mexicano, que se puede visitar hasta el 10 de noviembre, acompañado de varias actividades. Además del propio altar con elementos tradicionales, se pueden disfrutar de varias piezas de artesanía popular mexicana. Se puede consultar todo en su web.Escuchar audio

Repasamos la actualidad del continente americano, que nos lleva hasta Argentina, donde a las protestas por el veto a las jubilaciones y las protestas universitarias, se suman ahora las protestas de los profesionales de la sanidad por los cortes del ejecutivo de Javier Milei. También hablamos de que en Venezuela un organismo de la ONU expone que el Gobierno de Nicolás Maduro cometió "crímenes de lesa humanidad" antes, durante y después de las elecciones presidenciales del 28 de julio Y hablamos de la muerte del escritor chileno Antonio Skármeta. Después de la actualidad, nos vamos hasta la Fundación Casa México en Madrid, que presenta su tradicional altar de muertos, en esta ocasión, con un imponente diseño del director artístico mexicano Eugenio Caballero en la escalinata principal llena de ofrendas. Está acompañado de piezas de artesanía mexicana y otras actividades. Se puede visitar hasta el 10 de noviembre.Escuchar audio

Nos trasladamos hasta la Fundación Casa México en Madrid, que ha presentado en su sexta edición su tradicional altar de muertos. Un imponente diseño a cargo del director artístico mexicano Eugenio Caballero, repartido entre la propia fachada del edificio, donde cuelgan grandes calaveras, y la escalinata central, con ofrendas de comida, bebida, imágenes religiosas y objetos de los seres queridos fallecidos. Una fiesta popular en la cultura mexicana que atrae a curiosos hasta el 10 de noviembre, acompañado de una exposición de varias piezas de artesanías mexicanas y otras actividades. Se puede consultar todo en su web. Escuchar audio

Irene Calderón visita la Fundación Casa de México en la inauguración de su altar de muertos 2024 y habla con Eugenio Caballero, director artístico y ganador de un Óscar, sobre cómo se hace un altar y qué elementos no deben faltar. 

Cuando hablamos de misterios y leyendas, uno de los temas de los que se suele hablar es de la supervivencia de los pasajeros del avión que se estrelló en la cordillera de los Andes que recurrieron al canibalismo para no morir durante más de 70 días (más de dos meses) que estuvieron localizados y dados por muertos. Recientemente se ha estrenado una nueva película que narra la tragedia y de las que os traigo esta reseña. “La sociedad de la nieve”: una película que conmueve y emociona “La sociedad de la nieve” es la última película del director español J.A. Bayona, basada en el libro homónimo de Pablo Vierci, que narra la historia real de los supervivientes del accidente aéreo de los Andes en 1972. La película, que se estrenó en los cines de Uruguay y España en diciembre de 2023, y que se puede ver en Netflix desde el 4 de enero de 2024, ha recibido el aplauso de la crítica y del público, así como numerosas nominaciones y premios, entre ellos el de Mejor Película Internacional en los Globos de Oro y en los Premios Goya. La película aborda uno de los relatos de supervivencia más conocidos y conmovedores del siglo XX, el de un grupo de jóvenes deportistas uruguayos que viajaban a Chile para disputar un partido de rugby, y que se vieron obligados a enfrentarse a las condiciones más extremas tras el choque de su avión en un glaciar a más de 4.000 metros de altura. Durante 72 días, los 29 supervivientes tuvieron que luchar contra el frío, el hambre, las heridas, las avalanchas, la soledad y la desesperación, recurriendo a medidas impensables como alimentarse de los cadáveres de sus compañeros fallecidos. Sin embargo, también demostraron una enorme solidaridad, fe, esperanza y voluntad de vivir, que les permitió resistir hasta que dos de ellos, Nando Parrado y Roberto Canessa, lograron cruzar las montañas y encontrar ayuda. Bayona, que se ha consolidado como uno de los cineastas más exitosos y versátiles de su generación, tras dirigir películas como “El orfanato”, “Lo imposible” y “Un monstruo viene a verme”, ha sabido plasmar con maestría y sensibilidad esta epopeya humana, que ya había sido llevada al cine en 1993 por Frank Marshall con el título de “¡Viven!”. Sin embargo, a diferencia de aquella versión, que se centraba más en el aspecto aventurero y espectacular de la historia, Bayona ha optado por una aproximación más íntima y profunda, que da voz y rostro a todos los protagonistas de “la sociedad de la nieve”, tanto a los que sobrevivieron como a los que murieron. Para ello, se ha basado en el libro de Vierci, que recoge los testimonios de los 16 supervivientes y de las familias de los 29 fallecidos, y que ofrece una visión más completa y compleja de lo que ocurrió en aquellos días. La película cuenta con un reparto de actores uruguayos y argentinos, encabezado por Enzo Vogrincic, que interpreta a Numa Turcatti, el narrador de la historia, y por Agustín Pardella, que da vida a Nando Parrado, el líder de la expedición. Ambos realizan unas actuaciones sobresalientes, que transmiten la fuerza, el dolor y la humanidad de sus personajes. El resto del elenco también brilla con luz propia, destacando Andy Pruss como Roy Harley, Matías Recalt como Roberto Canessa, Juan Pablo Raba como Javier Methol, y María Valverde como Susana Parrado, entre otros. La música de Michael Giacchino, la fotografía de Pedro Luque y la dirección artística de Eugenio Caballero contribuyen a crear una atmósfera envolvente y emotiva, que capta la belleza y la crueldad de los paisajes andinos. “La sociedad de la nieve” es una película que no deja indiferente a nadie, que conmueve y emociona, que invita a reflexionar sobre el valor de la vida, el sentido de la muerte, el poder de la amistad, el límite de la ética, el papel de la fe y la capacidad de superación del ser humano. Es, en definitiva, una obra maestra del cine español, que rinde homenaje a los héroes de los Andes, y que merece ser vista y recordada. Puedes leer más y comentar en mi web, en el enlace directo: https://luisbermejo.com/no-se-lo-digas-a-nadie-zz-podcast-05x21/ Puedes encontrarme y comentar o enviar tu mensaje o preguntar en: WhatsApp: +34 613031122 Paypal: https://paypal.me/Bermejo Bizum: +34613031122 Web: https://luisbermejo.com Facebook: https://www.facebook.com/ZZPodcast/ X (twitters): https://x.com/LuisBermejo y https://x.com/zz_podcast Instagrams: https://www.instagram.com/luisbermejo/ y https://www.instagram.com/zz_podcast/ Canal Telegram: https://t.me/ZZ_Podcast Canal WhatsApp: https://whatsapp.com/channel/0029Va89ttE6buMPHIIure1H Grupo Signal: https://signal.group/#CjQKIHTVyCK430A0dRu_O55cdjRQzmE1qIk36tCdsHHXgYveEhCuPeJhP3PoAqEpKurq_mAc Grupo Whatsapp: https://chat.whatsapp.com/FQadHkgRn00BzSbZzhNviThttps://chat.whatsapp.com/BNHYlv0p0XX7K4YOrOLei0

Un café con David Fischman y Eugenio Caballero, en donde hablamos sobre ser un líder, hasta dónde llega el trabajo y qué pasa después del retiro. Escúchanos y ve el episodio completo en Youtube. https://youtu.be/ONDrBy6J61Y INSTAGRAM https://www.instagram.com/periodicocafe/ TIKTOK https://www.tiktok.com/@periodicocafe David Fischman INSTAGRAM https://www.instagram.com/davidfischmank/

España pide que la ayuda humanitaria a Gaza llegue "de manera constante" y un alto el fuego. Es uno de los asuntos que tratamos en el programa de hoy con los sindicalistas Rubén Medina y José Luis Alperi, el perioidista Ramón Suárez y el exdirectro de CT Valnalón, José Manuel Pérez Díaz. También hablamos de las negociaciones para la investidura de Pedro Sánchez. En la segunda parte del programa hoy charlamos con la directora artística y decoradora Pilar Revuelta, una de las cineastas de mayor prestigio del audiovisual español, entre otros galardones atesora el Oscar de 2007 junto a Eugenio Caballero por "El laberinto del fauno", de Guillermo del Toro.

España pide que la ayuda humanitaria a Gaza llegue "de manera constante" y un alto el fuego. Es uno de los asuntos que tratamos en el programa de hoy con los sindicalistas Rubén Medina y José Luis Alperi, el perioidista Ramón Suárez y el exdirectro de CT Valnalón, José Manuel Pérez Díaz. También hablamos de las negociaciones para la investidura de Pedro Sánchez. En la segunda parte del programa hoy charlamos con la directora artística y decoradora Pilar Revuelta, una de las cineastas de mayor prestigio del audiovisual español, entre otros galardones atesora el Oscar de 2007 junto a Eugenio Caballero por "El laberinto del fauno", de Guillermo del Toro.

España pide que la ayuda humanitaria a Gaza llegue "de manera constante" y un alto el fuego. Es uno de los asuntos que tratamos en el programa de hoy con los sindicalistas Rubén Medina y José Luis Alperi, el perioidista Ramón Suárez y el exdirectro de CT Valnalón, José Manuel Pérez Díaz. También hablamos de las negociaciones para la investidura de Pedro Sánchez. En la segunda parte del programa hoy charlamos con la directora artística y decoradora Pilar Revuelta, una de las cineastas de mayor prestigio del audiovisual español, entre otros galardones atesora el Oscar de 2007 junto a Eugenio Caballero por "El laberinto del fauno", de Guillermo del Toro.

Nos metimos (o por lo menos lo intentamos) a la mente del director mexicano ganador del Oscar, Alejandro González Iñárritu para gozar sobre lo surrealista que es su nueva película. Y para ello, nos acompañó otro ganador del Oscar, Eugenio Caballero, diseñador de producción de “Bardo”.

On this episode, I spoke to production designer Eugenio Caballero about his work on Bardo.  Caballero is an Oscar winner for Pan's Labyrinth. He was also nominated for Roma.  In addition Caballero is a BAFTA Film Award nominee for Roma and Pan's Labyrinth and a 3x ADG nominee (where he is also a 1x winner).  Bardo: False Chronicle of a Handful of Truths was directed and written by Alejandro Iñárritu.

Roma discussion with writer/director/producer Alfonso Cuarón, production designer Eugenio Caballero, producer Gabriela Rodriguez, re-recording mixer Skip Lievsay, and actors Marina de Tavira and Yalitza Aparicio on November 4, 2018 at the Samuel Goldwyn Theater. Moderated by John Horn.

En este episodio se habla de dos oficios complementarios en el cine: la dirección de arte y la actuación. Antonia Zegers es una de las actrices chilenas más reconocidas dentro y fuera de su país. Además de su trabajo en teatro y televisión, ha participado en más de una quincena de largometrajes dirigidos por autores locales como Pablo Larraín, Marcela Said, Sebastián Leilo y Dominga Sotomayor. Una permanente pugna entre luz y oscuridad ha caracterizado los personajes más memorables de su filmografía, que ha interpretado con entrega y osadía. Por otro lado, Eugenio Caballero es hoy uno de los referentes del diseño de producción. Alfonso Cuarón, Sebastián Cordero, Fernando Eimbcke, Jim Jarmusch y Alejandro González Iñárritu conforman parte de la lista de directores con los que ha trabajado y dan cuenta de la amplia riqueza de registros de este creador, que también ha incursionado en el diseño para piezas museográficas, de teatro y circo.En 2006 obtuvo un premio Oscar por su trabajo en la creación de los monstruos y los fantásticos escenarios de El laberinto del fauno, de Guillermo Del Toro.La amistad entre Antonia y Eugenio, fundada en el cariño y la admiración mutua, los lleva a hablar en este espacio con sinceridad y confianza de las experiencias que ambos han acumulado a lo largo de más de dos décadas de trabajo en sus respectivos oficios. See acast.com/privacy for privacy and opt-out information.

Eugenio Caballero is the Academy Award winning production designer of Guillermo del Toro'sPan's Labyrinth. Mr. Caballero's work on the film also earned him an “Ariel Award”, an “ArtDirectors' Guild Award” (the most prestigious award in his field), a “Los Angeles Film CriticsAssociation Award”, the “Gold Derby Award”, the “Online Film Critics Association” and “Goya”,“Satellite”, “Las Vegas Film Critics Society Award” and BAFTA Award nominations.Born in Mexico City, Mr. Caballero, after study History of Art and History of Cinema in Florence,Italy his career as a production designer began in Mexico, with award-winning work on musicvideos (MTV award) and short films, soon he started to work in feature films as an assistant, and aset decorator.Mr. Caballero's credits include near 30 films, 20 of them as a designer.He have worked with directors Jim Jarmusch (The Limit of Control), Baz Lurthman (Romeo andJuliet), Alfonso Cuaron (ROMA), Sebastian Cordero (Cronicas, Rabia and Europa Report), FloriaSigismondi (The runaways), Claudia Llosa (Aloft), Fernando Eimbcke (Club Sandwich) CarlosCuaron (Rudo y Cursi), Russel Mulcahy (Resident Evil Extinction), among others.His first collaboration with J.A.Bayona on “The Impossible”, starring Naomi Watts, EwanMacGregor and Tom Holland, earned him a Goya nomination and an Art Directors Guildnomination in 2013.In 2014 Mr Caballero designed the Paralympic Opening Ceremony of the Sochi Winter Olympics,for director Daniele Finzi. With whom he have also collaborated with the Cirque du Soleil in theshow “Luzia” in 2016.In 2015 and 2016 he worked on the film “A Monster Calls”, directed by J.A. Bayona, based on themulti awarded book by Patrick Ness which earned him a “Goya” on his third nomination to thisaward. He received the “Gaudi Award” , the “Fenix Award” and the “Platino Award” award for thesame film.In 2017-2018 he designed the film “ROMA” working alongside with the director Alfonso Cuarón,for this work he has earned multiple international awards and nominations, including the CriticsChoice Awards, the Art Directors' Guild, the BAFTAs and the Academy Award.In 2020-2021 he worked on the film Bardo directed by Alejandro Gonzalez Iñarritú, which has notyet been released.Mr. Caballero's has been nominated 7 times for the Ariel award -Mexico's main film award – fromwhich he has won 3.He has served as a Jury member on numerous international festivals and he is a member of theAMPAS (Academy of Motion Picture Arts and Sciences), the Mexican and Spanish film academies.Photo:Leonardo Manzo. Soutenez ce podcast http://supporter.acast.com/lueur. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Un café con Eugenio Caballero, CEO de México de Sigma Alimentos, acerca de la pandemia, trabajo desde la casa, la productividad y otros temas.

In this episode I conclude my interview with production designer Eugenio Caballero. He speaks about a very unique design process in designing the film “Roma”. He has had some extraordinary experiences working on film sand he talks about those collaborations like with director Jim Jarmusch, working and traveling in this work with a family, and how releasing films on streaming verse in the theater.

In this episode I conclude my interview with production designer Eugenio Caballero. He speaks about a very unique design process in designing the film “Roma”. He has had some extraordinary experiences working on film sand he talks about those collaborations like with director Jim Jarmusch, working and traveling in this work with a family, and how releasing films on streaming verse in the theater.

In this episode I conclude my interview with production designer Eugenio Caballero. He speaks about a very unique design process in designing the film “Roma”. He has had some extraordinary experiences working on film sand he talks about those collaborations like with director Jim Jarmusch, working and traveling in this work with a family, and how releasing films on streaming verse in the theater.

On this episode I speak with Production Designer Eugenio Caballero. We discuss his current show “Cortes” shutting down for the pandemic. His passion about this subject and the personal relation he has to the project. He shares his journey of starting out designing music videos and set decorating then becoming a Production Designer. He also tells of his collaboration with Director Guillermo del Toro on "Pan's Labyrinth", specifically the use of certain color pallets in the film to distinguish the fantasy scenes

On this episode I speak with Production Designer Eugenio Caballero. We discuss his current show “Cortes” shutting down for the pandemic. His passion about this subject and the personal relation he has to the project. He shares his journey of starting out designing music videos and set decorating then becoming a Production Designer. He also tells of his collaboration with Director Guillermo del Toro on "Pan’s Labyrinth", specifically the use of certain color pallets in the film to distinguish the fantasy scenes

On this episode I speak with Production Designer Eugenio Caballero. We discuss his current show “Cortes” shutting down for the pandemic. His passion about this subject and the personal relation he has to the project. He shares his journey of starting out designing music videos and set decorating then becoming a Production Designer. He also tells of his collaboration with Director Guillermo del Toro on "Pan’s Labyrinth", specifically the use of certain color pallets in the film to distinguish the fantasy scenes

Un podcast original de Netflix. Ligar en estos tiempos es complicado. ¿Y si en el futuro existiera una app que encontrara tu pareja perfecta? Como cada jueves, Luis Pablo Beauregard, Mariana Linares y Trino Camacho te guían por lo mejor Netflix y esta semana hablan de Osmosis. Además, un viaje a Tijuana en sus tiempos de violencia y Highwaymen; para que sepas quién atrapó a Bonnie and Clyde, Búscanos en la iTunes, Spotify, la página de Así ComoSuena para que nunca tengas Nada que Ver.

Join B-Man as he celebrates National Procrastination Week by talking about a couple of subjects he's a bit behind on - a 2019 Oscars Recap and his 2018 Year in Movies Review. What are you waiting for? Let's get this episode started!   Abbreviated 2019 Academy Award Nominations & Winners:   Best Picture: “Black Panther” “BlacKkKlansman” “Bohemian Rhapsody” “The Favourite” “Green Book” (WINNER) “Roma” “A Star Is Born” “Vice”   Lead Actor: Christian Bale, “Vice” Bradley Cooper, “A Star Is Born” Willem Dafoe, “At Eternity’s Gate” Rami Malek, “Bohemian Rhapsody” (WINNER) Viggo Mortensen, “Green Book”   Lead Actress: Yalitza Aparicio, “Roma” Glenn Close, “The Wife” Olivia Colman, “The Favourite” (WINNER) Lady Gaga, “A Star Is Born” Melissa McCarthy, “Can You Ever Forgive Me?”   Supporting Actor: Mahershala Ali, “Green Book” (WINNER) Adam Driver, “BlacKkKlansman” Sam Elliott, “A Star Is Born” Richard E. Grant, “Can You Ever Forgive Me?” Sam Rockwell, “Vice”   Supporting Actress: Amy Adams, “Vice” Marina de Tavira, “Roma” Regina King, “If Beale Street Could Talk” (WINNER) Emma Stone, “The Favourite” Rachel Weisz, “The Favourite”   Director: Spike Lee, “BlacKkKlansman” Pawel Pawlikowski, “Cold War” Yorgos Lanthimos, “The Favourite” Alfonso Cuarón, “Roma” (WINNER) Adam McKay, “Vice”   Animated Feature: “Incredibles 2,” Brad Bird “Isle of Dogs,” Wes Anderson “Mirai,” Mamoru Hosoda “Ralph Breaks the Internet,” Rich Moore, Phil Johnston “Spider-Man: Into the Spider-Verse,” Bob Persichetti, Peter Ramsey, Rodney Rothman (WINNER)   Adapted Screenplay: “The Ballad of Buster Scruggs,” Joel Coen , Ethan Coen “BlacKkKlansman,” Charlie Wachtel, David Rabinowitz, Kevin Willmott, Spike Lee (WINNER) “Can You Ever Forgive Me?,” Nicole Holofcener and Jeff Whitty “If Beale Street Could Talk,” Barry Jenkins “A Star Is Born,” Eric Roth, Bradley Cooper, Will Fetters   Original Screenplay: “The Favourite,” Deborah Davis, Tony McNamara “First Reformed,” Paul Schrader “Green Book,” Nick Vallelonga, Brian Currie, Peter Farrelly (WINNER) “Roma,” Alfonso Cuarón “Vice,” Adam McKay   Cinematography: “Cold War,” Lukasz Zal “The Favourite,” Robbie Ryan “Never Look Away,” Caleb Deschanel “Roma,” Alfonso Cuarón (WINNER) “A Star Is Born,” Matthew Libatique   Film Editing: “BlacKkKlansman,” Barry Alexander Brown “Bohemian Rhapsody,” John Ottman (WINNER) “Green Book,” Patrick J. Don Vito “The Favourite,” Yorgos Mavropsaridis “Vice,” Hank Corwin   Sound Editing: “Black Panther,” Benjamin A. Burtt, Steve Boeddeker “Bohemian Rhapsody,” John Warhurst (WINNER) “First Man,” Ai-Ling Lee, Mildred Iatrou Morgan “A Quiet Place,” Ethan Van der Ryn, Erik Aadahl “Roma,” Sergio Diaz, Skip Lievsay   Sound Mixing: “Black Panther” “Bohemian Rhapsody” (WINNER) “First Man” “Roma” “A Star Is Born”   Production Design: “Black Panther,” Hannah Beachler (WINNER) “First Man,” Nathan Crowley, Kathy Lucas “The Favourite,” Fiona Crombie, Alice Felton “Mary Poppins Returns,” John Myhre, Gordon Sim “Roma,” Eugenio Caballero, Bárbara Enrı́quez   Original Score: “BlacKkKlansman,” Terence Blanchard “Black Panther,” Ludwig Goransson (WINNER) “If Beale Street Could Talk,” Nicholas Britell “Isle of Dogs,” Alexandre Desplat “Mary Poppins Returns,” Marc Shaiman, Scott Wittman   Original Song: “All The Stars” from “Black Panther” by Kendrick Lamar, SZA “I’ll Fight” from “RBG” by Diane Warren, Jennifer Hudson “The Place Where Lost Things Go” from “Mary Poppins Returns” by Marc Shaiman, Scott Wittman “Shallow” from “A Star Is Born” by Lady Gaga, Mark Ronson, Anthony Rossomando, Andrew Wyatt and Benjamin Rice (WINNER) “When A Cowboy Trades His Spurs For Wings” from “The Ballad of Buster Scruggs” by David Rawlings and Gillian Welch   Visual Effects: “Avengers: Infinity War” “Christopher Robin” “First Man” (WINNER) “Ready Player One” “Solo: A Star Wars Story”

B-Man previews the 2019 Oscars telecast, then puts his Nobbish reputation on the line by telling you who should win, who will win, and - most importantly - who he would have nominated in the first place. Listen up to win your Oscar pool! (or if you need a scapegoat should you lose)   Show rundown: 2:25 - Controversy #1:Best Popular Film category 4:30 - Controversy #2:Host search woes 10:30 - B-Man's Oscar host pick 12:00 - Controversy #3:Original song performances controversy 13:30 - Controversy #4: 4 categories receiving awards during commercial break 15:00 - Controversy #5: Overall show length 16:30 - Possible reasons for declining viewership 19:00 - Why B-Man still enjoys and looks forward to the Oscars every year 23:00 - Is Roma winning Best Picture a given? 25:00 - Will the blockbuster once again save Oscar viewer ratings? 27:30 - Makeup and Hair 29:00 - Costume Design 30:50 - Sound Mixing 34:00 - Sound Editing 35:00 - Original Song 35:30 - Original Score 36:30 - Visual Effects 37:00 - Production Design 38:00 - Cinematography 39:00 - Film Editing 40:00 - Foreign Language Film 40:30 - Animated Feature 41:40 - Adapted Screenplay 42:40 - Original Screenplay 45:40 - Best Documentary Feature 47:00 - Supporting Actor 50:00 - Supporting Actress 51:00 - Lead Actor 54:40 - Lead Actress 57:10 - Best Director 59:00 - Best Picture   2019 Academy Award Nominations: Best Picture: “Black Panther” “BlacKkKlansman” “Bohemian Rhapsody” “The Favourite” “Green Book” “Roma” “A Star Is Born” “Vice” Lead Actor: Christian Bale, “Vice” Bradley Cooper, “A Star Is Born” Willem Dafoe, “At Eternity’s Gate” Rami Malek, “Bohemian Rhapsody” Viggo Mortensen, “Green Book” Lead Actress: Yalitza Aparicio, “Roma” Glenn Close, “The Wife” Olivia Colman, “The Favourite” Lady Gaga, “A Star Is Born” Melissa McCarthy, “Can You Ever Forgive Me?” Supporting Actor: Mahershala Ali, “Green Book” Adam Driver, “BlacKkKlansman” Sam Elliott, “A Star Is Born” Richard E. Grant, “Can You Ever Forgive Me?” Sam Rockwell, “Vice” Supporting Actress: Amy Adams, “Vice” Marina de Tavira, “Roma” Regina King, “If Beale Street Could Talk” Emma Stone, “The Favourite” Rachel Weisz, “The Favourite” Director: Spike Lee, “BlacKkKlansman” Pawel Pawlikowski, “Cold War” Yorgos Lanthimos, “The Favourite” Alfonso Cuarón, “Roma” Adam McKay, “Vice” Animated Feature: “Incredibles 2,” Brad Bird “Isle of Dogs,” Wes Anderson “Mirai,” Mamoru Hosoda “Ralph Breaks the Internet,” Rich Moore, Phil Johnston “Spider-Man: Into the Spider-Verse,” Bob Persichetti, Peter Ramsey, Rodney Rothman Animated Short: “Animal Behaviour,” Alison Snowden, David Fine “Bao,” Domee Shi “Late Afternoon,” Louise Bagnall “One Small Step,” Andrew Chesworth, Bobby Pontillas “Weekends,” Trevor Jimenez Adapted Screenplay: “The Ballad of Buster Scruggs,” Joel Coen , Ethan Coen “BlacKkKlansman,” Charlie Wachtel, David Rabinowitz, Kevin Willmott, Spike Lee “Can You Ever Forgive Me?,” Nicole Holofcener and Jeff Whitty “If Beale Street Could Talk,” Barry Jenkins “A Star Is Born,” Eric Roth, Bradley Cooper, Will Fetters Original Screenplay: “The Favourite,” Deborah Davis, Tony McNamara “First Reformed,” Paul Schrader “Green Book,” Nick Vallelonga, Brian Currie, Peter Farrelly “Roma,” Alfonso Cuarón “Vice,” Adam McKay Cinematography: “Cold War,” Lukasz Zal “The Favourite,” Robbie Ryan “Never Look Away,” Caleb Deschanel “Roma,” Alfonso Cuarón “A Star Is Born,” Matthew Libatique Best Documentary Feature: “Free Solo,” Jimmy Chin, Elizabeth Chai Vasarhelyi “Hale County This Morning, This Evening,” RaMell Ross “Minding the Gap,” Bing Liu “Of Fathers and Sons,” Talal Derki “RBG,” Betsy West, Julie Cohen Best Documentary Short Subject: “Black Sheep,” Ed Perkins “End Game,” Rob Epstein, Jeffrey Friedman “Lifeboat,” Skye Fitzgerald “A Night at the Garden,” Marshall Curry “Period. End of Sentence.,” Rayka Zehtabchi Best Live Action Short Film:  “Detainment,” Vincent Lambe “Fauve,” Jeremy Comte “Marguerite,” Marianne Farley “Mother,” Rodrigo Sorogoyen “Skin,” Guy Nattiv Best Foreign Language Film: “Capernaum” (Lebanon) “Cold War” (Poland) “Never Look Away” (Germany) “Roma” (Mexico) “Shoplifters” (Japan) Film Editing: “BlacKkKlansman,” Barry Alexander Brown “Bohemian Rhapsody,” John Ottman “Green Book,” Patrick J. Don Vito “The Favourite,” Yorgos Mavropsaridis “Vice,” Hank Corwin Sound Editing: “Black Panther,” Benjamin A. Burtt, Steve Boeddeker “Bohemian Rhapsody,” John Warhurst “First Man,” Ai-Ling Lee, Mildred Iatrou Morgan “A Quiet Place,” Ethan Van der Ryn, Erik Aadahl “Roma,” Sergio Diaz, Skip Lievsay Sound Mixing: “Black Panther” “Bohemian Rhapsody” “First Man” “Roma” “A Star Is Born” Production Design: “Black Panther,” Hannah Beachler “First Man,” Nathan Crowley, Kathy Lucas “The Favourite,” Fiona Crombie, Alice Felton “Mary Poppins Returns,” John Myhre, Gordon Sim “Roma,” Eugenio Caballero, Bárbara Enrı́quez Original Score: “BlacKkKlansman,” Terence Blanchard “Black Panther,” Ludwig Goransson “If Beale Street Could Talk,” Nicholas Britell “Isle of Dogs,” Alexandre Desplat “Mary Poppins Returns,” Marc Shaiman, Scott Wittman Original Song: “All The Stars” from “Black Panther” by Kendrick Lamar, SZA “I’ll Fight” from “RBG” by Diane Warren, Jennifer Hudson “The Place Where Lost Things Go” from “Mary Poppins Returns” by Marc Shaiman, Scott Wittman “Shallow” from “A Star Is Born” by Lady Gaga, Mark Ronson, Anthony Rossomando, Andrew Wyatt and Benjamin Rice “When A Cowboy Trades His Spurs For Wings” from “The Ballad of Buster Scruggs” by David Rawlings and Gillian Welch Makeup and Hair: “Border” “Mary Queen of Scots” “Vice” Costume Design: “The Ballad of Buster Scruggs,” Mary Zophres “Black Panther,” Ruth E. Carter “The Favourite,” Sandy Powell “Mary Poppins Returns,” Sandy Powell “Mary Queen of Scots,” Alexandra Byrne Visual Effects: “Avengers: Infinity War” “Christopher Robin” “First Man” “Ready Player One” “Solo: A Star Wars Story”  

Un especialista en cine, tres jóvenes críticos y un invitado comparten opiniones sobre los estrenos de la semana.

Describing a new Cirque du Soleil show is a little like describing a dream while still half asleep. Talking about ‘Luzia,’ appropriately subtitled “A Waking Dream of Mexico,” is roughly that difficult. Presented through January 29 under the company’s conspicuously festive big-top tent in the parking lot of San Francisco’s AT&T Park, ‘Luzia,’ directed by Daniele Finzi Pasca, is a rain-drenched love-letter to the vast, colorful culture of Mexico. Though dazzling throughout, the luxurious show succeeds especially well in the first of its two spectacular acts, as a luck-challenged traveller—played by the acclaimed clown Eric Fool Koller—tries against odds to get … well, we’re not sure till the end where he’s so desperate to get to, though he clearly would appreciate a nice cool drink of water along the way. Koller is first seen falling from an airplane, dangling downward past birds and clouds as he descends from the towering heights of the tent, improvising a safe landing after losing his parachute. Throughout the rest of the show, our plucky wanderer finds himself stumbling in-and-out of various mind-boggling landscapes and experiences, first encountering a stunning Monarch butterfly with enormous puppeteer-powered wings, dance-flying alongside a remarkable mechanical horse, running in slow motion on a series of speeding-and-slowing treadmills. Then there are the acrobatic hummingbirds, impossibly bouncing their way through a series of ever-rising hoops; a Tarzan-like acrobat dancing in-and-out of a pool of blue water, as a friendly jaguar prowls and frolics on the periphery; a Mexican wrestler, who achieves the ultimate dream of schoolyard children, on a massive swing that, in one heart-stopping moment, actually takes its rider all the way around; there’s a crew of filmmakers who take over the stage to make a movie in which a classic circus strongman climbs higher and higher on stacks of chairs. I can’t even begin to describe the dancing cacti, but do be warned, because they are as crudely sexy as they are delightfully silly. Eventually, the show’s amazing sights and stirring sounds – the latter provided by a guitar-playing band of crocodiles and a power-voiced chanteuse – all start to blend and overlap in a kind of uniquely Cirque du Soleil sensory overload. As stunning as the visuals are, nothing prepares us for the wall of rain that routinely falls across the stage, drenching its performers, which include a team of women dancing, twirling, and spinning inside of enormous hoops, and a pair of break-dancing soccer players who commit act of gravity-defying glee using an ever moving soccer ball. Then, in one jaw-dropping sequence, that sheet of rain becomes the show itself, at first dividing itself into two, then raining in falling patterns to the left and then the right, and finally transforming itself into a magical canvas, dropping its raindrops in the patterns of fish and birds, butterflies, and other visions. I know it was done with computer-timed releases of water, but knowing that doesn’t detract from the utter amazement of the effect. Perfectly timed to the beats of pulsing, soul-reaching music, the magnificent rain sequence was easily one of the most beautiful things I have ever seen on stage. With a rotating, ever changing set by Eugenio Caballero — who won an Oscar for his work on the sublime ‘Pan’s Labyrinth — ‘Luzia’ reaches past dreams and beyond logic to create a world you might not want to leave. And might just want to go back and experience again. Luzia runs through January 29 at AT&T Park. Visit CirqueduSoleil.com/luzia for more details.