Podcasts about b man

This episode is a MASH UP of some previously unreleased material that starts with a song game created by Patreon member Maxwell Schott where we try to guess how some of the songs go that we made up over the years. Then we check in with inventor John M and his caretaker John N who may be trying to scam John M out of his fortune. We love you! B-Man & A-Train. Follow John M: https://www.instagram.com/merrimanland?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw== Join the Patreon! https://www.patreon.com/worldrecordpodcast Watch videos, buy merch https://worldrecordpodcast.com/

We bring back DJ B-Man who is no stranger to the podcast to talk about his time at the Playlist Retreat, my visit to the Rock And Roll Hall Of Fame, and all things music related. It's always a good time when we get together and talk music. One of my good friends and a great DJ to boot. Support his Patreon at www.Patreon.com/justbmannodj. Follow the podcast wherever you stream podcasts, the official Youtube channel at Youtube.com/BeyondTheAlbumCover, and Facebook at Facebook.com/BeyondTheAlbumCover!!!!

Dave B and Dave D are waiting for your messages!Ho ho ho! It's time for your Christmas instalment of Daftaboutcraft, the craft beer podcast!Dave D and Dave B must have been good this year, as they finish on a high with some awesome beers courtesy of Oxfordshire-based Bman Brewery. Alex Berryman is the man behind the beer and tells us all about how Bman came to pass.Brew To Me only has one beer, but it's a doozy, as Twisted Tree Brewery continue the Oxfordshire theme with a corking stout that both Daves sample.Track Brewing Co has just celebrated its tenth birthday and marked the occasion with some collab beers. Two of the Dipas get the Hype or Tripe treatment, with mixed results.Throw in some Tried and Tested action, Christmas chat and also a sneak preview of a December bonus episode and there's plenty to listen to while wrapping your presents!We're delighted to be backed by Craft Brew Festival, curators of unique beer festival experiences across Britain, and Mosaic Board Print, manufacturers of epic beermats.

Two phone calls today. First, Peter Lamb, from Peter Lamb and the Wolves, talks with Frank about his upcoming show for Vision 4 Moore, and then B-Man, of Fear State, talks with Mary and Frank about his show at O'Donnell's.

JOIN US HERE instagram.com/djekg instagram.com/milanlieskovsky TRACK OF THE WEEK Peggy Gou - Find The Way DJ EKG PLAYED Rufus du Sol - Innerbloom (RUMPUS Edit) Tiësto - Drifting (Extended Mix) Gotye - Somebody I used To Know (SidePiece Treat) Meduza - Lose Control (Gemellini Remix) Kryder - Fade Till Sunrise (Club Mix) (Extended Mix) Something Good - Rhythm (Of The Night) (Extended Mix) Sub Focus, Julia Church, John Summit - Go Back feat. Julia Church (D&B VIP) ARGY - Sierra Bastille, Lost Frequencies - Head Down (Samm (BE) Extended Remix) Arash, Hugel, Topic, Daecolm - I Adore You (Extended Mix) Sub Focus - Wildfire (Extended Mix) MILAN LIESKOVSKY PLAYED Tiesto - Drifting (Koven Remix) Tiesto - Drifting (Sistek Remix) Piero Pirupa - Madan (Yorco Remix) Öwnboss x Dino Warriors - Can You Dig It Cheat Codes, Punctual, Raphaella - Find Love Now Alesso - Take My Breath Away Nicola Fasano, Asco - You're Not Alone Steff Da Campo & Robbie Mendez - People Ariana Grande - Into You (CPT Jack Remix) Plastik Funk, Dario Trapani, Ivan Cappello feat. SH3 - Sweet Harmony Going Deeper & Dima Sick - Tonight David Guetta, Faithless - God is A DJ Meduza X Fisher - Piece Of Your Heart GUESTMIX BY DJ JOHNY HUGEL – Patadas de Ahogado Tez Cadey - Seve 2.0 (Luch Rework) Dua Lipa - Houdini (Adam Port Remix) MANDA,B-MAN x Tino Kanhoush - Wish i Didn't Miss You Kanye West - Closed On Sunday (Hoodia Remix) PLS&TY feat. Sofiya Nzau - Your Love (Antdot remix) Victor Alc - Sudamérica SUMMER ANTHEMS BY JUST DAVE The Chainsmokers, Zerb feat. Ink - Addicted Rosalie, James Mac, VALL - The Boy Is Mine Vintage Culture feat. Maverick Sabre & Tom Breu - Weak A-Trak & Ferreck Dawn - Coming Home Purple Disco Machine & Benjamin Ingrosso - Honey Boy (feat. Nile Rodgers & Shenseea) Dennis Cruz - Going Down Dubdogz, Mojjo - Could You Be Loved Peggy Gou - Back To One Jazzy, Sonny Fodera, D.O.D - Somedays Joshwa - Mercy John Summit & Hayla - Shiver Sam Lowe, Edd - Listen To The Music Sammy Virji - If U Need It BUNT. & Nate Traveller - Clouds Calvin Harris & Ellie Goulding - Free

7/12/24 - Hour 2 FOX Sports/The Athletic's College Football Insider Bruce Feldman joins Rich in-studio to discuss the possibility of more conference realignment even after the most recent expansion by the Big Ten and Big 12, the expectations for Deion Sanders in his second season at Colorado, the wide-ranging impact of Nick Saban's retirement on the CFB landscape, the possibility of a super conference that breaks away from the NCAA, and which programs are best equipped to thrive in the new NIL era. The mystery of who slapped Brockman with the “B Man” nickname is finally solved. Please check out other RES productions: Overreaction Monday: http://apple.co/overreactionmonday  What the Football with Suzy Shuster and Amy Trask: http://apple.co/whatthefootball Learn more about your ad choices. Visit podcastchoices.com/adchoices

For this episode of Beyond The Album Cover I interview my bro DJ B-Man and we just have a full on music conversation all over the gamete of music . Follow the podcast wherever you stream podcasts, YouTube at Youtube.com/BeyondTheAlbumCover and on Facebook at Facebook.com/BeyondTheAlbumCover. Tap In!!!!!!

Mark Bosnich was a special guest host on Saturday Morning Mowers Club and the B-Man previewed the final matchday of the Premier League as well as gives his opinion on Ange Postecoglou's first season in the Prems. Talking Points Who has the tougher fixture between Arsenal and Man City? The history of the final Matchday The scenario for Championship, Europe and relegation Bayer Leverkusen's quest for an unbeaten season Xabi Alonso stays at Leverkusen and who replaces Jurgen Klopp at Liverpool? Review Ange Postecoglou's first season at Spurs Learn more about your ad choices. Visit megaphone.fm/adchoices

We apologize for the delay...... but on this special episode, Skeet and Smilez were podcasting live from the CLTR Con event in Dallas, TX. Listen as they are joined by Mac Roni, child star B-Man, RP, Chrx Carter, Coach Eddie, Coach Adam and many more to discuss everything from entrepreneurship to the Drake/Kendrick beef to mental health and much more. Merch Links: Inaudibleraucous.com/shop Inaudibleraucous.com/naturally-nae California Wine Club link: shareasale.com/r.cfm?b=58022&u=3…rllink=&afftrack= Adidas Link: adidas.njih.net/c/0/1643792/4270 YouTube: www.youtube.com/channel/UCuFWfKoAZkeHtca_z-nLHIQ

节目概要：BMAN的自我介绍ABCDE 建立时的初心，想要做一个怎样的基金？ 这一轮似乎很多基金能够接触到的项目还不如一些创始人和天使，在这样的一个市场环境下，你们是怎么定位自己的策略的，怎么打出你们的区分度？你们在这一年多品牌建设卓有成效，尤其是你们在开发者中的声望，在这块你们做了哪些工作？你们现在觉得自己比较有优势的赛道有哪些？这两年投出了什么经典案例？有什么方向是你们会避免、觉得自己不擅长的？基建可能是你比较擅长的领域，但是你也喜欢消费应用类的东西。很明显现在二级市场对应用类产品溢价并不多，你觉得这个会是一个长期现象么？这个周期，你会觉得出来的创新的东西不如18、19年那轮熊市多么？是行业发展到了这个阶段的必然瓶颈么？对于比较容易同质化 / 大宗商品化（commoditized）的项目，比如各种rollup和DA，你们的态度？怎么看各种模块化和全局区块链未来发展的趋势？这个市场里，二级市场的价格发现周期可以特别的长，二级市场也有很多机会。现在越来越多的基金会做混合策略，为什么主要做一级市场投资呢？香港 vs 新加坡，从开发者、生态圈、投资人的角度，说说你的感受？ Website：https://www.abcde.com/Twitter（X）：@ABCDELabs 如果喜欢本作品，欢迎打赏ETH/SOL/BTC：ETH: 0x83Fe9765a57C9bA36700b983Af33FD3c9920Ef20SOL: AaCeeEX5xBH6QchuRaUj3CEHED8vv5bUizxUpMsr1KytBTC: 3ACPRhHVbh3cu8zqtqSPpzNnNULbZwaNqG 重要声明：Mable Jiang或嘉宾在播客中的观点仅代表他们的个人看法。此播客仅用于提供信息，不作为投资参考。Mable Jiang有时可能会在此节目中讨论的某项目中持有头寸。 Important Disclaimers: All opinions expressed by Mable Jiang, or other podcast guests, are solely their opinion. This podcast is for informational purposes only and should not be construed as investment advice. Mable Jiang may hold positions in some of the projects discussed on this show.

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He's darkness! He's vengeance! This week, V and Emily look at the uniquely nerdy StarKid fandom and their superhero parody musical, HOLY MUSICAL B@MAN! (That's "B@man," not "Batman," in case Warner Brothers asks.) They look at the way StarKid musicals feel like your Tumblr dashboard, how Sean Astin will do basically anything you ask him to do apparently, and how absolutely insufferable your hosts were as high school theatre kids. (Yes, theatre, not theater. That's how insufferable.) Musical references abound! And, amazingly, we understand a joke in the show BECAUSE OF A PREVIOUS EPISODE OF TWIFH! 

DJ Dean C and The B-MAN put in the mix the class of 2024 who are going to be inducted into the Rock and Roll Hall of Fame. Willie Nelson, Missy Elliott, Rage Against the Machine, Kate Bush, The Spinners and more! 

DJ Dean C and The B-MAN continue with the Usher series this week. Get up and get moving to some of Ushers greatest hits. Follow, rate and review the show where you get your podcasts from!

The boys are back with a new episode of The Monday Morning Mix Show! DJ Dean C and The B-MAN are throwing the halftime show in the mix! The best of Usher hits the mix. Get up and dance!

Liz Cooperman, heiress to the Cooperman Tire fortune, joins the B-Man to talk with Kyle Kinane to get some arm-wrestling toilets. Best show ever. Lizzy: https://www.lizzycooperman.com/ https://www.instagram.com/lizzycooperman https://x.com/lizzycooperman Kyle: https://kylekinane.com/ https://www.instagram.com/kylekinane https://x.com/kylekinane Join the Patreon for extended episodes and bonus content: https://www.patreon.com/worldrecordpodcast Buy merch, watch videos + more at https://worldrecordpodcast.com

This week Talk is Talk catches up with the good brother @breydabrillant. Bman let us know about his new adventure in his production company. Bman always come through with great conversation and a brilliant view. 

My cousin Chris and I were playing around with audio equipment. Together we recorded a radio show. I'm DJ Mr. Lee and my cousin is the B-Man.

DJ Dean C and The B-MAN celebrate the man who satire of songs has reached millions....Weird Al Yankovic. Listen in as we share the history of one of the best in parody music.

DJ Dean C and The B-MAN are back from hiatus to throw down a tribute mix to Sinead O' Connor

Back once again on Beyond The Album Cover is my bro DJ B-Man. We talk about our experiences seeing The F.O.R.C.E. Tour, Hip Hop At 50 and all things in between. Don't miss this interview. Follow the podcast at Youtube.com/BeyondTheAlbumCover, wherever you stream podcasts and on Facebook at Facebook.com/BeyondTheAlbumCover. Support my bro B-Man at www.patreon.com/justbmannodj!!!!!!

DJ Dean C and The B-MAN get you ready for the holiday weekend coming up with a chill mix to relax you and get you ready for the last big trip before fall. 

DJ Dean C and The B-MAN put our "national pastime" in the mix this week as we celebrate the "boys of summer" with a salute to baseball. Smell the popcorn, cracker jacks and listen to our home run anthems

DJ Dean C and The B-MAN go part 2 on you in this weeks show. Drive-In movies was the thing to do back in the day. Check out part 1 (EP. 189) for extended history on what drive-ins meant 

Chris Beeman is the man behind bman.com and The B-Man's Guide to Golf in Charlotte, North Carolina.I connected with Chris earlier this year after seeing an article he had written for Axios.com about the best Golf Courses in the Charlotte area. I knew a similar article featuring Lake Norman golf courses would be a great addition to our blog at thebestoflkn.com, and it would be a great resource for our email newsletter subscribers.I also knew that I wasn't the guy to write that article. I haven't hit a single golf ball since 2002. So, I took a look at some of the other content Chris was producing for his website and realized he was definitely the person I wanted to write our Lake Norman article.Chris kindly agreed, and a few weeks later we published the 10 Best Lake Norman Golf Courses (Public and Private) on thebestoflkn.com.It is one of our most popular articles to date. So, I had to get Chris on the podcast to talk about his journey in golf and share some more details about the area's best golf courses.B-Man's Guide to Golf in Charlotte10 Best Lake Norman Golf Courses by Chris BeemanShoutouts:TripCaddie.comTheGrint TourHomestretch GolfSubscribe to Lake Norman's #1 Weekly Email Newsletter - it's free, and it's good.Support the show

DJ Dean C and The B-MAN take you back to episode 154 "Thank You Coolio" as we celebrate Coolios birthday today!

DJ Dean C and The B-MAN are coolin out in the summer heat with some reggae vibes. 

Our guests this week are Vibhu Norby and Degen Poet. Vibhu is the founder of DRiP, a platform that allows users to receive free NFT collectibles, commissioned from artists and projects across the landscape of crypto. The project has grown exponentially since its inception, with over 300,000 wallets receiving at least one NFT a week. Degen Poet, a prolific artist on Solana, has been a key collaborator on the project. Vibhu and Degen Poet discuss how DRiP is changing the game for NFTs and why the first experience people have with blockchain should be through art. Plus, they share their unique processes for creating and distributing NFTs, and why they choose to plant their flag in Solana. Show Notes:0:56 - Latest News3:05 - What is Drip?        5:22 - Origin story of Degen Poet, starting working in Solana and Vibh10:13 - Workflow with NFTs12:54 - Working with other artists16:01 - How Drip helps Degen Poet's work17:51 - Only on Solana21:42 - How is drip breaking phantom?22:50 - Future looking like Instagram26:53 - Platforms like Drip vs. traditional mediums30:40 - Things to change /have changed in the industry    33:52 - A builder they admire in the Solana ecosystem? Full Transcript:Brian Friel (00:00):Hey, everyone and welcome to the Zeitgeist, the show where we highlight the founders, developers, and designers who are pushing the Web 3.0 Space forward. I'm Brian Friel, developer relations at Phantom. And I'm super excited to reintroduce our first repeat guest, Vibhu Norby, as well as Solana's very own Degen poet, Vibhu and DP, welcome to the show. Vibhu Norby (00:27):What's up? Thanks for having me back. Degen Poet (00:30):Hey, thanks so much for having us. Brian Friel (00:32):Vibhu, I mentioned this before recording, but you're a friend of the pod. You're the first official repeat guest of the Zeitgeist, and the last time we had you on was October of last year and you were working on Solana Spaces, which was a really big and audacious project I'd say, and a lot has happened since then and you're still working on big and audacious projects on Solana. Can you walk us through what has changed in the last couple months and what are you working on today? Vibhu Norby (00:56):Good times, good memories. Yeah. What happened in between October and now? What changed? Funnily enough, Drip actually started that same month. We actually started sending NFTs to people starting with Vincenzo in late October. I think we did two drop before Breakpoint. Yeah, things were going fine and then our world got flipped upside down once again by those who must not be named. For a couple months there, I think we were trying to figure out how we were going to continue to operate the stores. Obviously Phantom was a major benefactor of spaces along with Solana Foundation, but they who must not be named were also major sponsors and it was kind of the three pillars of our business and one of them got pulled out. And simultaneously with all of that, Drip was blowing up and changing everything for us internally. Coming into January, every single week we were stacking at 15, 20% week-over-week growth on the list organically. (01:51):And between December 1st and the shutdown of Spaces, our Twitter following more than doubled and all of the new growth were people coming to us for stuff related to Drip. And so I was spending my time going between doing customer service for Drip, talking to artists, and then the store was starting to feel like it was losing its voice a bit kind of naturally in that. Yeah. I mean as much as we loved it for a bunch of different reasons, it just made sense for us to take this traumatic pivot from physical retail stores to free NFTs. I think it was a really good decision. I think one of my best decisions so far in life because since we closed down Spaces, Drip has grown five, six x since then. We've really greatly expanded the product and kind of the vision for it and I think we're making a big impact on Solana and crypto in general. Brian Friel (02:45):You mentioned that this was born out of Solana Spaces originally, it was almost just this separate side thing you were doing and became this absolute beast that had to be unleashed. For those who aren't familiar with what Drip is, can you describe what Drip is, how it operates today, and then maybe talk a little bit about the scale that you guys are currently operating at? Vibhu Norby (03:05):Yeah, sure. Really simple value prop. You sign in with Phantom, you get an invite code and you start getting free collectibles. You can kind of engage with the product as much or as little as you want. By default, you get a free collectible from us every Wednesday and those collectibles are NFTs and they're real on chain Solana NFTs and we commission those pieces from artists and projects, not just now within Solana but across the landscape of crypto. And we pay for the airdrop costs and it's totally free. It's one of the few things in all of our industry that starts at free, ends at free. You don't need any tokens in your wallet, you don't have to go through KYC with an exchange. More recently, a couple months ago in March, we started adding these additional lists that you could subscribe to. Degen Poet was number one, but since then we've added another seven creators and we launched two new streams every Friday. (03:57):Those work the same way. You sign up for an individual creator that you love, can be an artist, could be a brand, could be NFT project, a video creator, influencer. They send you free collectibles on some regular basis and you can collect them, you can trade them, you can hold them, you can brag to your friends about what you got. In terms of growth, we've continued to grow 10, 15% a week even at a very big size now. There's two kind of stats that kind of matter. One is we consider non-fraudulent wallets as many people tried to farm Drip in the past. That number in real time right now is 300,000 and we're sending out at least 300,000 NFTs a week on showcase right now. But in total, every single week across all of our creators now, we're sending well over a million collectibles every single week. This is unbelievable groundbreaking stuff. It's not happening anywhere else in our industry, but people fall in love with Drip every single day. It's been awesome. Brian Friel (04:49):Yeah. I've been a day one subscriber of Drip. I love it. It's such a delightful thing to have all this new art coming in your inbox every day. You kind of hinted at this only possible at Solana, which I want to dive into too. But you did mention there, Degen Poet, and I'd be remiss if we didn't introduce Degen Poet now to the show. I think if you're a listener and you've been around the Solana space, especially on Twitter, you've seen Degen Poet, I'd say one of the most prolific artists on Solana for some time now. Degen Poet, for those who don't know, can you introduce who you are, how you got started on Solana, and then how you also started working with Vibhu? Degen Poet (05:22):I guess I'm Degen Poet. I live in Chicago with my wife and a couple dogs. I got started in Solana in the summer of 2021. I was just basically doing trading and stuff in Bitcoin and then trading all the other coins. I did some leverage trading on CuCoin and then found Solana through the whole Sam Coins DeFi on Solana first. I think Radium was my first stop. That's kind of my first experience with it all. I thought NFTs were garbage and a silly idea and all those things. I had probably been out of poetry for, I don't know, seven or eight years at that point. I did all of my college education and got an MFA in poetry and then just decided that it wasn't a great career path as far as the money you could make and what you had to do to support yourself as a poet is pretty difficult in the real world. (06:16):I gave that up and just kind of did business for a living, did computers, Excel, stuff like that. That's how I kind of made a living and then found Solana through all this. I started buying some stuff on Digitalize. I bought a Solana Monkey, a viking I think pretty early on and papered it way too early. But I think it was at that point where I decided maybe I should try poems as NFTs just because nobody else was doing it. I figured it'd at least be a unique way to try. The first thing I got started on was gmu poems, which was basically an NFT, which was a list of words. And at the time they were going really hot because they were based on this Eth derivative of something called Loot, I think. But I was mad at it because I was like, how is it worth so much money and doing so great? And it's literally just a random list of words, but instead of being mad at it, I decided to kind of embrace it and then just filled in the spaces between the words with poems. (07:11):And I did 200 of those in a month and that's how I got my start on Solana. And then just was making NFTs nonstop ever since, mainly through Exchange Art, doing one of one art. And then over the last year or so since Editions opened up, did additions on exchange art, and then that all just kind of led me to Vibhu and Drip. I really like serving a large audience with art. I mean that was always really fun with Editions. And then with Additions, I wanted to deliver them at a low cost, but that just invites bots to basically come in and flip your stuff. Bots were making way more money than I was off my art just because of the setup, you know what I mean? That's, I think, what intrigued me about Drip is I could achieve this thing that I wanted, which was giving art to all these people on Solana for free basically. And then there's no real bots, everyone's trying to sign up as an individual and gets it airdropped. It's not like a mint. Yeah, I think that's kind of where it all started and how it all made sense for the way that I was distributing my art. Brian Friel (08:12):Yeah, you hit on a lot there. I think that journey of trying out Solana for the first time, this new primordial soup of ecosystem projects and then this totally irrational NFT market, everyone gets dive into it. I think a lot of people can resonate that picture. Vibhu Norby (08:26):Right. I got to interject here because Degen Poet just introduced himself for five minutes and not one time did he mention the word typewriter, which is what he's most famous for of all things is that he didn't say the word typewriter. Brian Friel (08:42):Yeah. Vibhu Norby (08:43):But how did you find a typewriter? Just tell us that quickly. Degen Poet (08:47):Let's see here. I was cleaning out my sister's ex-husband's parents' basement and we found a typewriter when I was in college, and I think I just got really into them at that point because I was doing poetry and stuff and just would smoke tobacco pipes and type on a typewriter pretending I was some guy. I think that's where it all started. And then it picked back up again around Solana or whatever. My wife bought me a typewriter as an anniversary present. That was the first one that I really beat the crap out of for Solana. That's, I guess, what started it. From poems to trying to make something visually more appealing is really what it all clicked with. With NFTs specifically, I started out with just Photoshop and text and I needed some way of making it visually more appealing because that's how you get sales. But that basically took me from a poet to someone who makes art with a typewriter was kind of because people really pretty pictures on NFTs and turns out I like making them. There you go. Brian Friel (09:51):I think Vibhu brings up a great point there. I mean, Degen Poet I think is prolific and well known for having this unique process with a typewriter. If you could expand a little bit on that, Degen Poet, how do you go about creating these collections and is there anything that you do with Drip in particular that is different from either your normal flow or other flows that you know of of NFT artists on Solana? Degen Poet (10:13):Yeah. I mean I guess one of my main things that I've sort of been consistent with are the profile pictures. As a legendary, I'll take an existing Solana profile picture and just kind of do a typewriter version of those. For that process, I basically sketch a version of the profile picture with a pen, and then those were sort of my guides for the typewriter. I've done it freehand on the typewriter before, but you're only exposing a small portion of the paper at a time and it's really hard to get the proportions right. It's helpful to kind of map them out with a pen or marker sketch first. And then I do go through with a detailed typewriter version of it. I try to pull in words or traits or something to do with the NFT as part of the words that make up the image just as a piece of interest if you zoomed in. (11:03):And then I'll print out another copy of that. I'll do another sketch or sometimes I'll just paint on the typewriter piece itself and I'll use oil pastels or watercolor. At the end of the day I'm layering two scans. One of them is basically just the typewriter ink and then another one is this sort of painted version and I layered them on top of each other so you get a colored version of a typewriter piece, and that's kind of how all the profile pictures start. I think that's definitely pretty unique, just using all the physical pieces and really trying to make it all from physical scans versus any sort of digital pieces. And then anything digital is really for animation. Sometimes I'll type out every single frame and I'll make individual frames physically for everything that I'm animating. Other times I'll just cut out a piece of the eye or a piece of a lip or something like that on Photoshop and move it around, save a few different images or change colors or something. I do some Photoshopping to get the pieces animated, which I think just kind of adds another level to it. Typewriter is such an old physical looking thing. And so it's interesting, I think, to see it in an animation style. That's something I've really leveled up with Drip. I feel like I've done way more animations with Drip than any of my art sort of previously. Brian Friel (12:22):You hit a lot there throughout the intro and throughout describing your process, but basically this journey, I think a lot of people resonate with coming to Solana, seeing this fragmented NFT landscape ripe with speculation. That doesn't always make sense, but I think Drip's unique in that it's changing all these models, it's flipping them on their head. Vibhu, can you speak a little bit to who you're working with? Who are these artists that are now reaching out to you? I think you've proven this model with the Degen Poet, but when you talk to artists on Solana, what's attractive to Drip for them? Vibhu Norby (12:54):Yeah. I want to touch on something that you reminded me of, which is that the transition from Spaces to Drip, although on the surface is very jarring, the thing that kind of ties them together was that when we were meeting people in real life trying to introduce them to blockchains, what we found time and time again was that it was the art and the PFPs that were resonating with people in the store. It wasn't all the other stuff. And yet the way that most people have gotten into here is through an exchange where it's all about trading. And so I put this on Twitter many times, but things would be different today and they will be different in the future if the first experience that people have of this amazing technology is art, right? It's la piece from Degen Poet. It just changed everything. What am I looking for in artists?n (13:38):I probably talk to between 20 and 30 artists every single week, artists, projects, creators, and we probably filled about 100 requests per week, I would say right now. We have a really high bar. There's only three slots per week now. There's a showcase and there's two channels. And we book these things out for months in advance. The thing that resonates to me the most is artists that see themselves as more than just putting their pen or their paintbrush on paper, whatever their medium is, but as content creators as well. I think what attracted me to Degen Poet for a long time and I think why people love Degen Poet, yeah, the art is really good and I think that has to be there, but there's a lot of really good art. It's Degen Poet's personality. It's how that comes out in his work. (14:22):It's how he tells a story around his pieces. He publishes videos of the typewriter itself and the creation process. To me, we definitely have an eye for these kind of super artists who are brand building for themselves and have a vision for how to take care of their community in addition. To me, I mean, there's a lot of amazing artists in the world and if you just take blockchain out of it, you can walk into any gallery and see these incredible things. But there's this disconnect between the thing that you're buying and the person that made it and you. And in crypto, it gives this opportunity to cut out that piece and just connect directly with the creator. And if the creator takes advantage of that, that's very attractive to us. That tells me that they're thinking differently about what crypto can add to them. We have a pretty high bar, to be honest. (15:08):I mean I think we could fill up Drip with illustration and other techniques. There's a lot of amazing photographers, but I think at least in the early stages here, we have the opportunity to be curatorial a bit and relentlessly, we've been programming out our new channels trying to bring something different to the table each week. I think if you fast forwarded a year, it's going to be full of the same stuff that Instagram is full of and other big networks, it's just kind of natural. But right now we have an opportunity to keep a vision for what a collectible can kind of be. I don't know. I kind of know when I see it, but that's probably my framework. Brian Friel (15:44):Yeah. You hit on a couple things there with, not just just filling with great art, but the way that this can change the relationship between an artist and their fans. Degen Poet, from your experience, how has working with Drip influenced both the way that people discover your content, but also the relationships that you have with your collectors? Yeah, Degen Poet (16:01):Yeah. I mean it definitely makes it a much wider net, which is nice. They have a larger community to gather around. It feels like everyone who's kind of a channel in Drip is part of a little club or group or something. And so a lot of the same collectors will collect from multiple channels across Drip and things like that. There's more going on than just my art, but it still feels like a piece of a larger community. Everyone's kind of bringing a different style of Drip to the table. It takes less pressure off of my shoulders where I have to have my own Discord or be so focused and all these things. I could do that if I wanted, but I don't have to. Drip is big enough and has enough engagement from the tools that they provide that it helps sustain that better than I could than when I was alone. (16:47):And yeah, I guess you get a lot more people, right. You really do get people who would never have bought my art. And it's not because they didn't like it, they probably couldn't afford it or they didn't really know about it, but they happened to get in through Drip. And so get new people who earnestly really enjoy the art because that's how they found it. They found it from something free, they weren't trying to flip it and that's how they found it. Yeah, I don't know. It definitely casts a wider net and I feel you do boil up more people that just truly enjoy what you do versus the other side. Yeah, that's been great for that. Brian Friel (17:23):Yeah. I want to pause here and just dive into a topic that we mentioned briefly at the start, which is Solana. Degen Poet, you described your journey to finding Solana and I mentioned that I think if anyone's been around crypto Twitter, they know who you are. Prolific typewriter artist of Solana. Vibhu, you've been deeply involved with Solana for over a year and now. Why do you guys plant your flag in Solana, and what about Solana is able to make this a reality where no other blockchain can really do what Drip is doing? Vibhu Norby (17:51):I'm trying to refashion myself a little bit in our narrative because I mean you'll see on our Twitter page and on our site, occasionally we'll talk about Solana, but we've been trying to focus on the collectibles. I mean even with NFTs, I've eliminated using that word on our corporate account entirely in very specific cases. I don't think anybody on the consumer side really cares about that. But from the builder's perspective, two aspects. One is that they pioneered the state compression model, which allows us to do NFTs at a very, very big scale relative to the old version for a very low cost, a couple $100 per million, totally affordable for a business like us. And I think the second thing is that Solana has a really active developer community and some really amazing devs inside of it that are hunting for things to build. (18:35):And it's really competitive too. All the infrastructure around anything new on Solana develops fast. Perfect example of that is Tensor. We went live with it March 22nd, three months ago, and it's certainly been a couple weeks, maybe two or three weeks because they went live with trading on there. And it's an amazing experience and people can trade these compressed NFTs, 200 at a time and there's a brand new kind of thing, right. But it's not just them, there's B Man who built this tool called PopKey, it's Keerel who built the Drip tracker. There's just all these amazing 10X engineers, if you will, itching to be involved and be part of the Solana community. And we feel like anything that we can't get to, someone else is just going to build anyway. And hey, when we're ready, maybe we'll pick it up. Or maybe that tool just kind of develops its own path and we don't have to touch it. (19:28):And that thing is unique to crypto too because all of our NFTs are composable. It just really does. We're kept to such a high bar of development 'cause if we don't reach that bar, then three other companies are going to recreate what we're doing, do it better, and then people also going to just take our content and then do it better on top of our content and our data. I don't know about other chains, maybe they have that too, but I've just observed that Solana is, because of the size of our community and the energy there, seems to attack these things with a lot of vigor that I didn't see, at least in Ethereum when I was first getting into this space. Brian Friel (20:02):No, I couldn't agree more. I think Solana has carved out its own kernel of a genuine dev community. It's a double-edged sword like you say, because it's highly composable and you have this great force everyone will want to build with you, but it invites a lot of competition where if you do slack, there will be people who will take what you do and run with it. But I think so far you guys have done a really great job of really leading in this vertical of Solana. DP, do you have anything to add to what Vibhu said with respect to Solana, maybe from an artist's perspective? Degen Poet (20:31):As far as only possible on Solana, I definitely think it comes down to the compressed NFT. You can't cost effectively drop a million NFTs a week on any other blockchain, not even close to a 1,000X, not even close. I think that's the core of it that allows us to be different on Solana. But then all that other stuff, the unspoken kind of stuff is just the energy of the people here on the chain and the fact that Tensor and all the rest, not only do you have to be able to mint one million NFTs a week for low cost, but you also have to have people that can build stuff to do with them. And that is, I think, an underappreciated aspect of Solana. And I feel like Drip, from my perspective, all we have to do is just kind of continue growing the market for compressed NFTs, continue add channels and add people kind of doing stuff with compressed NFTs and then Solana will provide. As you get bigger and there's more market, more people want something, then Solana starts to make those things happen. I think we'll see that and that will be incredible. Vibhu Norby (21:32):I'm going to flip it back to you, Brian, as well. How is Drip breaking Phantom and what does Phantom need to address? Degen Poet (21:37):Yeah. When can I hold 5,000 NFTs please? Vibhu Norby (21:38):There you go. Brian Friel (21:41):Yeah, no, I would say from a dev perspective at Phantom side, we were early to support compressed NFTs, but it's almost a naive assumption that hey, we ship support and we'll be good because it basically is opening Pandora's box where now people just go wild whenever they're given a new medium to express with this kind of stuff. And we saw it firsthand with Tensor launching their NFT marketplace. We're getting requests, why can't I sign 5,000 transactions at once? You guys can't simulate 5,000 different transactions, but it makes us go back to basically first principles and what is the wallet being used for here? How should we be basically specializing the wallet and what do our users really want this for? And I think, Vibhu, you painted a great story at the start of this where eight months ago, the world was ending for all of Solana, they who should not be named. And in six to eight months, you've gone from that state to completely bootstrapping an organic network with hundreds of thousands of users who love and use this product every day. (22:34):How do we stay adaptable enough for that, huge question and a huge challenge and was really the fun of what's working in this space I think is all about. Vibhu, you mentioned a little bit too on the future of, I think you hinted a year out from now looking like Instagram. Can you say more about that? Vibhu Norby (22:49):Yeah. Depending on the day I wake up and I think about YouTube or Instagram or Twitch or Patreon or Roblox or you name it. There isn't a perfect analogy for this stuff because it kind of is a blend of a lot of different things. I mean literally every single day we're trying to address a problem in our product and we search for some mental model from some other place and see if that kind of makes sense. And not all of it does, but Instagram is such a simple product to talk about because it is a simple product. Everybody, not just creators, but normal people post photos to their feed or stories and then you follow their friends and you follow the celebrities or influencer, whatever that you like and that stuff shows up in your feed. And you think nothing of it. Okay, I go about my day, I open the app, I click something and I'm good, I'm happy, I close it. (23:43):But what's sitting underneath of Instagram is this advertising industrial complex that is calculating an enormous amount of data for every single thing that you do on the app. You open the story, how long did you open the story for? How many people are you connected to that also did the same thing? They're building profiles. I used to work on this stuff. I know this is what we do. Yeah, there's a reason for it. I don't think it's bad. I don't think advertising is bad. I want to put that out there. I know Anatolia thinks it's evil and it's part of the reason why he talks about Solana as the anti-spam control network, but it is good for small businesses, but the group that gets abused in that situation are the users and the creators that actually use the app. You go talk to any creator on any network that's not on the top 1% and they're making almost no money from these things. (24:33):We have an artist that's launching tomorrow called Bangers. He has 200,000 on Instagram. He has three and a half billion views of her content on Giffy. 'Cause she makes all these animated gifs and she told me that she made $20 from Giffy and almost nothing from Instagram ever. I mean we just don't think about it. But people build their livelihoods and businesses on these social platforms and increasingly so. I mean young people today, you ask them what they want to be when they grow up, it's not a firefighter. They want to be content creators, they want to be YouTubers, they want to be TikTokers, literally what they want to do. But when we examine these platforms and how they treat all of the kind of participants in that ecosystem, you just see this thing where all the power and all the money is aggregating inside of these couple of companies, ByteDance with TikTok, Facebook, Google, Amazon. (25:28):The trifecta of these trillion-dollar companies. Where I want to take Drip is, hey, let's take that model that we know people because people like to just follow someone and see their content, but let's start to tweak the internal economics of each of these components and do it in a way that over the next couple years, creators can make more money from this stuff. Even users might be able to make money, which is a very new concept, but it's something that is normal in crypto and just not normal in Web 2.0. If we can successfully build a model that's better, there's no reason why creators won't come over, it's just an awareness thing. Can we get the word out and can we make this easy to use and safe? I don't know if that's Instagram or it's YouTube or whatever. Instagram is the easiest thing to talk about. I think Drip is a really big idea. I hope that there's many other entrepreneurs that are looking at what we're doing and thinking, hey, maybe this kind of thing could apply in other categories too, and together we can come after these conglomerates, give the power back to the people and that would be a beautiful thing. Brian Friel (26:31):I couldn't agree more. Degen Poet, when you hear that and you take into consideration everything you told us about your journey starting on these fragmented marketplaces and everything and now everything that you've been doing with Drip, how do you think your relationship with Drip will evolve? Do you foresee the majority of your art being now distributed via platforms like these versus traditional mediums? Degen Poet (26:52):Yeah, for sure. Solana NFTs in the first place gave me a place for my art. I tried to be a poet in the real world and didn't really see the value in it even to publish a book and to get nothing back and to spend all the money to publish it, that kind of thing. Just NFTs and Solana in general as a first step was incredible to me to be able to make any kind of money off of my art period. And then that is what led me to become an artist. I wasn't making pictures or whatever before this, so it allowed me to exist as an artist in the first place. And then I guess I got hungry for the idea that you could live off this as a career or something. For me, I guess, I just want to create a space where people after me, people around me can do this seriously as 50% or more of their income for their lives. (27:45):I guess that's what I want to continue to push on at Drip, things like donations, et cetera, but finding a way to make them work and have them be something on a consistent basis that again, another artist can use that model and create a source of income that's reasonably dependable. A weekly Drip of donations I think is way more sustainable and understandable than when you're going to sell in your next auction. You sort of have a steady growth than all the rest of it. And so I don't know, it's just a better model to actually build a true career off of. Yeah, I don't know. For me, continue to find ways to take advantage of Drip and put all my work there that makes sense. I still have some one-on-ones outside of Drip, but I might even incorporate those into Drip someday. Yeah. I mean for me, as long as they let me Drip, I'm dripping. As long as the door is open for me, that's what I'm going to do for sure. Yeah. Vibhu Norby (28:43):Degen Poet is actually more close to the prototypical Solana artist than you would think. When I'm talking to an artist, I always ask, what's your full-time job? Very few of them are artists full-time. I mean that is really uncommon and it's really hard to make a living that way. Most of the artists that we work with are graphic designers and they make websites for clients and they're being creative maybe in some other way, but it isn't their source of income. And I don't think that if you look at this generation that wants to be content creators, that all of them can be content creators and make a living. Someone has to put food on the table, right. But you can add a little bit of extra for some of these folks and for the top 1% of them, or top 5% or top 10% of them to be able to make a reasonable living from doing this, I think is possible. (29:33):And my gold star metric for, I'm going to use Degen poet as our test baby, is how close can we get to replacing the income from his W2 job over the next year? We're actually not that far away. We're making progress and we continue to tweak that and it will pay back dividends. If he can be full-time on this and he'll be able to have, I don't know how he has a full-time job already. That part's a mystery to me, but in theory, more art, more content, more delight for people, that will help us grow too. DP and I are very aligned on that as a kind of a side quest to just getting art into people's hands. Brian Friel (30:08):Yeah. I think that's a great first goal. When you guys think about how we get to a world where the Degen Poets of the world can do this full time no questions asked, it's like an afterthought to even consider another job. Are there anything that you think that we need to change as an industry, something we should stop doing? And I ask this question because last time we had you on the show, Vibhu, you had a couple hot takes that you dropped, mostly around how a number grow up is very bad for the industry. I want to ask, has that thinking evolved at all for you, Vibhu? And then I also later want to hear some Degen Poet has any ideas on that as well. Vibhu Norby (30:41):I'm still on the same train. Number go up, number go down both equally bad in many different ways. The only thing is I really feel it when if you're sitting on Twitter all day, you really feel the price. You don't even have to look at the tweets. When Bitcoin was over 30K yesterday, I felt it. I didn't even have to look at my app. When Solana's down, you feel it. For better or for worse, the audience there is highly effective. And so I can't help but be empathetic to it, but it's actually an imperative for our industry to survive, especially in the US for us to move past the tokens, we have to. I strongly feel that, this is going to offend some people. I'm just trying to be careful how I say this. I think that the OG crypto community who was here in 2015 to 2017, the ICO era and these people are holding our industry back in a lot of ways. (31:37):I think they're all over our biggest applications and our biggest exchanges and this and that. And I think somewhere in the back of all these folks heads, they can't get over the fact that the bull market's going to come back again and they're going to have a Lambo. And it just doesn't make sense if we're serious about this being in the hands of billions of people, sorry, we can't make a Lambo for all seven, eight billion people on earth. Some of us have to drive a Honda Civic, some of us have to drive a bike. Can we get bike money for everybody? Can we get there first and let go of the kind of grasp of all the token people? That's where I'm at. I could be wrong. Maybe I'm flawed, maybe everyone can have a Lambo. I would love one, but that's not where I see the future. Degen Poet (32:20):Yeah. I mean I guess I feel similarly. I guess you want to create a space in the blockchain where the number go up and down doesn't really affect your day to day of enjoyment. You don't think about the price of a t-shirt or a box of Legos or whatever it is going up and down. You still just consume them because you want it or you like it here and there. I think of the Pokemon card analogy when it comes to this. I think with Drip House where they're just cards in general. I think there's a space for the legendaries or whatever it is, smaller supplies, having numbers go up. I do think that creates a lot of fun and excitement, brings people on, all that, but it really needs to be balanced with the day to day. Your reason for being here can't be that, because if it is, then it's like yeah, it doesn't feel sustainable and you're just building a system where there's a small amount of winners and most people are losers. And so it's like what are you really doing for the world at that point? We need to find a way to create value for digital assets that's just inherent in whatever the object is. It's not because of a price or a speculation, it's just because you value whatever the thing is. Brian Friel (33:31):Yeah, I couldn't agree more. I think you guys are on the right path here and I think a lot of people who use Drip every day are resonating with what you guys are doing. Well, guys, this has been a really awesome conversation. One question we always ask our guests, I'd love to hear this from each of you, maybe starting with Degen Poet, is who is a fellow builder that you admire in the Solana ecosystem? Degen Poet (33:52):I really like the Foxes a lot. I like drags and I like the Foxy Dev. I think that they've done an awesome job of trying to find actually useful stuff that people could use on Solana and bringing it into their system and I've seen them do some stuff overnight for people and all the rest of it. Really like them. Really like the guys at Tenor too. I mean the stuff that they've done for us in compressed NFTs is pretty incredible. Everyone on those teams is great. Brian Friel (34:21):I agree. Vibhu. Vibhu Norby (34:22):I'm going to recall 'cause I'm a second time guest, the answers I gave last time, 'cause it's kind of funny in retrospect. I think I mentioned Ahkshe from Super Team who I would give again and again. He's been such an amazing supporter of me and Drip and places before that. And I think at the time I also gave Frank Deca as my other answer. I still have a soft spot for him. I know he left Solana, but I can't help but admire the fanatical community building that he has. But yeah, I mean today, the couple of people that came to mind for me were, yeah, I mean the Tensor guys are amazing. These guys are just... A hilarious story. I pinged Ilia, the founder, yesterday and I asked them, hey, can I have a vector version of your logo? And I kid you'd not. The second I typed that, I see Ilia is typing and then three seconds later the vector file was there and I was like, did you just have this sitting on your desktop ready to drop into this? Brian Friel (35:15):Copied on the clipboard already? Yeah. Vibhu Norby (35:17):They really don't like that. Just really responsive. I respect that a lot. I want to give a shout-out to a guy named Carol who I won't dox him. He's a really impressive guy in real life and I got to know that after I spoke to him. There's these people in our community that are anonymous. I think he's an OK Bear or whatever, maybe a monkey business, and you find out their real life and they're like some VP of some big company. You just never know who you're talking to. But he's been, both for Drip and for Dialect, who I also listed as my admiration for, he's just been building stuff for free that benefit our communities and hundreds of thousands of people use those tools every single week to track their Drip collection. He's KIRYL_SOL, I believe he is his Twitter handle. Yeah, huge ups to that guy for carrying collectibles into the future. Brian Friel (36:06):I love it. These are all future guests of the podcast we're naming here. We have to get these guys on, have them tell their story as well. But yeah, Vibhu, Degen Poet, I just want to thank you guys from the Phantom team. We love everything that you guys are up to. We really think that Drip House arose at a time when Solana needed it most. We think you guys really carry a light forward for a way that pioneer's a new model for art on Solana, for artists making a living. Really excited for everything that you guys have to come. Thank you so much for your time on Zeitgeist. Degen Poet (36:33):Thanks for having us. Vibhu Norby (36:34):Thanks. Bye.  

Casting news for Superman, no Beyond for Keeton, wrapping papers, action figures and random thoughts. It's “WDiO?” as you know and expect it! --- Send in a voice message: https://podcasters.spotify.com/pod/show/tgos/message

Casting news for Superman, no Beyond for Keeton, wrapping papers, action figures and random thoughts. It's “WDiO?” as you know and expect it! --- Send in a voice message: https://podcasters.spotify.com/pod/show/tgos/message

DJ Dean C and The B-MAN take you back to some of our favorite tv show themes. Happy Fathers Day weekend

Mark Bosnich. The B-Man. Bozza. Call him what you want, we call him the man with all the knowledge on Ange Postecoglou's appointment at Tottenham, the Champions League and Europa League finals and Karim Benzema's big move to Saudi Arabia Learn more about your ad choices. Visit megaphone.fm/adchoices

DJ Dean C and The B-MAN celebrate the life of "The Queen of Rock & Roll" the great Tina Turner. Listen in as we tell the history of how one of the pioneers of womens music started. All her hits in the mix for you to enjoy and remember!

The Monday Morning Mix Show celebrates our moms this week for Mothers Day! This week the B-MANs mom is taking over the show and playing some of her favorite songs. 

Enjoy the holiday with our Cinco De Mayo mix. DJ Dean C and The B-MAN are getting you  ready to celebrate

DJ Dean  and The B-MAN take you back to the early 80s with the release of "Planet Rock" by Afrika Bambaataa. Learn about the history of this song the groups beginnings. All their hits in the mix!

DJ Dean C and The B-MAN have fun this week "mashing up" some artists like Angie Stone, Blur, George Michael, The Commodores and more!!

Demetra Kaye reports on remains of a B/Man named Rasheem Carter being found after texting his mother that he was being hunted by a group of W/men. Connect with Demetra:  @demetrakaye ​ --- Send in a voice message: https://podcasters.spotify.com/pod/show/africandiasporanews/message Support this podcast: https://podcasters.spotify.com/pod/show/africandiasporanews/support

DJ Dean C and The B-MAN smooth you out with more sounds of the tropics in our tropical mix series. Sounds from Jason Marz , Ben Harper, No Doubt and more! Check out our first episode (ep. 163) 

La celebración del medio radio llevada a cabo el pasado 4 de marzo en la sede de Liquidator Music fue una bocanada de aire fresco. Programas de larga trayectoria, locutores amigos unidos en una causa común: extender el mensaje de rebelión y esperanza del Reggae. Y Alma de león no podía faltar, con la presencia de artistas de la talla de Aciz, Bman, Dakaneh, Kano Sunsay, Newton o Juan Jordan, que se une a un Cypher de fin de fiesta.  Habrá tiempo de conocer los planes de estas leonas y leones. Así que no te pierdas esta celebración de la radio, del Reggae...y de la vida. Irie!Escuchar audio

The Guys take a look back at a Swedish Europop group who dominated the European charts in the 1970s.  We conclude with a story of how The B-MAN legend grew 

DJ Dean C and The B-MAN celebrate Black History Month with a 60s soul/Motown mix featuring The Chiffons, The Supremes, The Contours and more! We also discuss a dance thats kind of making a comeback. 

El autodidactismo de este madrileño sorprende a propios y extraños cuando se materializa en un álbum de 10 canciones producido enteramente por él mismo y con esos recursos vocales llenos de versatilidad. De ahí el nombre de este largo, "Self Made", que tiene un crisol de sonidos, algunos más actuales y otros más clásicos para así dibujar una suerte de catarsis muy personal en sus inspiradas líricas. Antes de que nos cuente sobre este trabajo Bman, escuchamos lo nuevo de Train To Roots, conocemos a Kwabna y hacemos un aperitivo musical en homenaje a un artista que pronto revisaremos en este espacio: Bob Andy. Escuchar audio

The conversation is about the different businesses that Victory Brand Studios has. They are located in Norman, Tecumseh, and Maud. They have a boutique, a dispensary, and a vape store.Victory Custom Designs and 6307 Custom Creators, are being promoted. Victory Custom Designs makes custom tumblers and other items, and 6307 Custom Creators offers laser engraving services. 6307 Custom Creators is currently running a promotion where they will give away an 8-piece coaster set to one lucky follower once they reach 500 followers on Facebook.The speakers discuss Renniks decision to get in shape for his academy training. They mention that he was previously unathletic and overweight, and they joke about his new exercise routine. They also mention that they will be posting a video of his workout on Monday.The speakers discuss a podcast they recently heard in which the conservative hosts made fun of the idea of non fungible tokens (NFTs). Trump had announced that he was going to release a digital trading card, and the speakers were surprised to learn that this card would be an NFT. They explained that each NFT has a digital signature attached to it, which allows buyers to verify its authenticity. The speakers noted that sellers usually receive a commission of 2-3% for each NFT sold.Timestamps0:02:296307 Custom Creators 6307 Custom Creators is a custom engraving business located in Oklahoma. They offer a variety of engraving services including tumblers, metal business cards, wood, and more.0:05:48Renniks Physical Transformation0:08:18Trump to Release Digital Trading Card in Response to NFTs0:10:16Donald Trump's NFT Trading Cards: A Success Story0:13:53The Two Mikes Podcast: Episode #150:15:36Twitter Files Show FBI's Influence on Social Media Accounts0:20:01Firefighters Respond to Late Night Fire0:21:32Two YouTubers with a Combined Total of 1.5 Million Subscribers Are Planning to Collaborate in the New Year0:22:56Deputy Sheriff and Comedian to be Guests on Podcast0:24:39Report of a Vehicle Fire on the HighwayHighlightsBut Renniks is like walking around after he got back and he's looking at everything and there's this thing about the size of a monster can and the passenger side.Anyway, that's what caused the fire. And he's like, dang, I just put a bunch of work in. This old boy is going to be pissed. But Frickin ended up sitting out there because his car is just like in the middle of the road.Just over the hill on the highway going towards the other town. And I'm like, dude, there's like four curves on that town or going towards that town, like, where is this at?.And there's another one of them that's got like half a million subscribers and both of them are law enforcement. I think what we're going to do is talk with those guys and have that stuff happen next year that'd bMan of the YearWhatever happened to friendship? 49% of Americans report having three or fewer close...Listen on: Apple Podcasts SpotifySupport the showFollow us on Facebook, Instagram, TikTok, and Twitter. Don't forget our website www.code05.co.Disclaimer: Any similarity to actual persons, living or dead, or actual events, is purely coincidental.

In this episode, Mark Baratto sits down with Brian Fields and Michelle Tafova (AKA B-Man & Mi-Shell). We talk about how they both got their start in music, their love for Trop Rock, and how they are living their dream life down here in Key West. *Intro and Outro music provided by B-Man & Mi-Shell. More on B-Man & Mi-Shell Brian Fields & Michelle Tafoya, who go by the band name B-Man & mi-Shell, live the island life in Key West, Florida. Many know them from their previous band "B-Man & The MizzBeeHavens" that Brian formed when they lived in Albuquerque, New Mexico. B-Man & mi-Shell are a husband and wife music duo who write, produce, perform and share their music both nationally and internationally. In an article by “The Florida Weekly” they stated, “Their chemistry on and off stage looks perfectly natural, just like a proper rock n' roll couple should, like Sonny and Cher or Johnny and June Cash. Website:  www.bmmbhz.com Instagram:  https://www.instagram.com/bmanmishell/ Facebook:  https://www.facebook.com/bmanmishell/ Spotify:  https://open.spotify.com/artist/7mbcIISNgX0hAXSME6HfXd?si=rn-H3M_6SwSBlcS8aKUYkg&nd=1 Email:  bmanmishell@gmail.com Cell:  703-863-8857

This is a very special episode of Beyond The Album Cover. I interview my bro B-Man and we just talk about our top 5 music producers, their importance, underrated producers and his Patreon page(www.Patreon.com/justbmannodj) where you can get his fire edits. This is an interview for music nerds!!!!! Follow the podcast wherever you stream podcasts, on YouTube(YouTube.com/BeyondTheAlbumCover) and on Facebook (Facebook.com/BeyondTheAlbumCover).

I want to be your friend forever! (I want to be a modern dancer!) At last, we're finally at the right Bat-Place, Right Bat-Channel as we're joined by some Super Friends as we sit down to discuss Team Starkid's Holy Musical B@man! This Dynamic Duet are suited up and ready for some DC-Parody, but will this Bat-Tale deliver all it promises Danny? Or it will leave him a Dark, Sad, Lonely Knight? It's time to find out if this musical has what it takes To Be A Batman! We're rising up from the underground, so Download Now! Music: Purple-Planet.com

eFootball Podcast | Comparing all the Updates, Dream Team Longevity ft. B-Man by TheMidniteKid & Wezza

Sindy Ashby Productions Guest: Yusef Sudah https://www.sunzship.org/ The Miseducation Of Stevie B. Thursdays 11:30PM EST. Hosted By: Steve Bruckner Instagram: www.instagram.com/king_stevie93 Producer: Sindy Ashby (Sindy Ashby Productions) Contact/Booking Info: www.instagram.com/sashbyfilms Listen To All Of Our Shows LIVE 24/7 365 On www.onthewakeupradio.com Radio Station Link:https://radio.securenetsystems.net/v5/SAB New Free Speech Content Platform: www.OTWtube.com (Sign-Up Today) If You Would Like To Donate To "On The Wake Up Radio" To Help Us Keep Free Speech Alive And Continue To Bring You Fully Uncensored Content All Donations Go Back Into Keeping The Station Running Donations Can Be Sent To: CashApp: $Onthewakeupradio PayPal: Onthewakeupradio@gmail.com

IT'S HERE!!! One of the most anticipated films of 2022, "The Batman" is finally out. We go in depth of Matt Reeves' and Robert Pattinson's take on the B-Man. We had a wonderful discussion and hope you enjoy! Thicc & Butter: INSTAGRAM: https://www.instagram.com/thiccandbutterpodcast/?hl=en TWITTER: https://twitter.com/thiccandbutter Jesse: INSTAGRAM: https://www.instagram.com/jessemessydean/?hl=en TWITTER: https://www.twitter.com/mudgeondungeon Alex: INSTAGRAM: https://www.instagram.com/alexdethero/?hl=en TWITTER: https://twitter.com/ADethero --- Support this podcast: https://anchor.fm/thiccandbutter/support