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7 episodes with David Rawlings
9 episodes with David Rawlings
4 episodes with David Rawlings
5 episodes with David Rawlings
5 episodes with David Rawlings
3 episodes with David Rawlings
5 episodes with David Rawlings
2 episodes with David Rawlings
2 episodes with David Rawlings
Moffett rambles for a bit, apologies. The title is related to a David Rawlings tune that I love. Takes me back to being a young kid in WV, listening to a bunch of people play music on a mountain ridge. The only reason it ties in here is the ridiculous INT break we all just weathered. As we've said from the beginning, this season is long long long. But there si always something worth watching/playing for.Opening and filler music by The Tan and Sober Gentlemen
Capítulo que dedicamos a repasar parte de lo que ha sido una gran cosecha musical en 2024 y lo hacemos no solo abordando muy diferentes estilos sino que, además, contamos con unos colaboradores de lo mejorcito!!, a quienes agradezco infinitamente su buena predisposición a colaborar con este modesto podcast. Es un lujo contar con los comentarios y recomendaciones del valenciano Juanjo Mestre del programa de radio Melodías Cósmicas; desde Alcalá de Henares Mr. Camarmix y Johnny Lebrel del Programa Con Patillas y a lo Loco; desde Valencia uno de los redactores de Exile SH Magazine, Chals Roig y con mis queridos amigos melómanos Juan Angel Velasco y Luis Pérez. Posiblemente ya hayas leído revistas especializadas con su selección de lo mejor de 2024. Esta selección no busca sentar cátedra. Es tan solo una simple orientación y, sobre todo, un mero divertimento que nos permite descubrir cosas o reescuchar álbumes que a lo mejor se escucharon sin demasiada atención. Y, sobre todo, me permite seguir compartiendo música, que es una de las cosas que más me gusta. De momento, disfruta este capítulo único, dedicado a un año único y que sin duda nos ha dejado grandiosos discos, como los que nos han ofrecido: THE CURE – Alone - Songs of a Lost World THE HANGING STARS - Sweet Light - On A Golden Shore CHRISTOPHER OWENS - Beautiful Horses - I Wanna Run Barefoot Through Your Hair SARAH SOOK & THE DISARMERS – Dogbane - Revelations WAXAHATCHEE – Crowbar - Tigers Blood THE BEVIS FROND - Here For The Other One - Focus on Nature THE COURETTES - Here I Come - The Soul of…The Faboulous Courettes JACK WHITE - That´s How I´m Feeling - No Name F.J. McMAHON - The Spirit of the Golden Juice - The Spirit of the Golden Juice (1969) THE KAISERS - Hey Lulu - More From The Kaisers YARD ACT - Dream Job - Where´s My Utopia? ST. VINCENT - Big Time Nothing - All Born Screaming CASSANDRA JENKINS - Only One - My Light, My Destroyer NICK CAVE & THE BAD SEEDS – Frogs - Wild God BEAK> - Humgry Are We - >>>> BETH GIBBONS - Reaching Out - Lives Outgrown THE SMILE - Eyes & Mouth - Cutouts JESSICA PRATT - Life Is - Here in The Pitch GILLIAM WELCH & DAVID RAWLINGS – Hastag - Woodland Studios BONNY LIGHT HORSEMAN - Lover Take It Easy - Keep Me On Your Mind/See You Free JULIA HOLTER - Something in the Room She Moves - Something in the Room She Moves DAVID GILMOUR - Between Two Points - Luck and Strange BIG BIG TRAIN - Last Eleven - The Likes of Us FATHER JOHN MISTY – Mahashmashana – Mahashmashana Con menciones especiales para The Lemon Twings, Paul Weller, Chuck Prophet, Amyl & The Sniffers, Richard Hawley, Hurray for the Riff Raff, Michael Kiwanuka, Richard Thompson, The Lovely Basement, MJ Lenderman, Grandaddy, The Peawees, Brittany Howard, Mark Fry, Peter Perret, Nick Cave o Jesus & Mary Chain
Well, 2024 is in the books and what a year we saw in Americana and Roots Music. From Sierra Ferrell's explosion to Beyonce's Cowboy Carter and crazy collaborations to new music from artists like Gillian Welch and David Rawlings, The Secret Sisters, Marcus King and Dwight Yoakam, the year was one for the books. Since this was the first full calendar year Roots Music Rambler existed (we debuted in September of 2023), we thought we would start an annual tradition of recapping the year with our top songs, albums and artists, plus do a little where-are-they-now rundown of previous show guests to keep everyone thinking about and talking about the music we all love. In this episode Frank and Falls run down their top 10 songs and albums of 2024, proclaim their top artist, group and newcomer of the year, and call out a couple of artists worthy of praise for innovating in the genre in 2024. But, to be clear, our philosophy on Roots Music Rambler is tied to a belief that music is not a competition. Rankings and bests are simply fodder for conversation and discovery. These lists are just our individual opinions. We want to hear yours as well. So comment on our social media posts about the rankings and share your favorites for 2024 or what you're excited about for 2025. Be sure to help spread the love of the show with Roots Music Rambler's new merch, now available at rootsmusicrambler.com/store. Authentic t-shirts, hats and stickers are now available. Buckle up for The Hoe-Down and the Throw-Down! It's a new episode of Roots Music Rambler. Notes and links: (Songs played are representative of our lists, but not necessarily our top songs!) Without You by Ella Salter and the Sunday Sinners on Spotify Hero by Marcus King on Spotify Paperweight by The Secret Sisters on Spotify Dollar Bill Bar by Sierra Ferrell on Spotify Texas Hold ‘em by Beyonce' on Spotify Gild the Lily by Billy Strings on Spotify Sierra Ferrell - Our unanimous Artist of the Year - online The Kimmi Bitter episode of Roots Music Rambler The Roots Music Rambler Store Roots Music Rambler on Instagram Roots Music Rambler on TikTok Roots Music Rambler on Facebook Jason Falls on Instagram Francesca Folinazzo on Instagram And be sure to get your MuskOx premium flannel shirts just in time for fall. Use the code RAMBLER on checkout for a discount! - https://gomuskox.com/rambler Subscribe to Roots Music Rambler on Spotify, Apple Podcasts, GoodPods or wherever you get your podcasts. Theme Music: Sheepskin & Beeswax by Genticorum; Audio production by Resonate Recordings. Copyright 2025 - Falls+Partners. Learn more about your ad choices. Visit megaphone.fm/adchoices
We have nothing left to offer. These are the best songs we heard all year. The lovely Shannon Hurley and the talented David Daskal come through for us yet again as our Year-End Crew. Part 3 features picks 7-1 in our countdown of the Best Songs Of 2024.If you missed Parts 1 and 2 start here:https://podcasts.apple.com/us/podcast/episode-647-top-twenty-one-songs-of-2024-part-1-w/id573735994?i=1000680561396https://podcasts.apple.com/us/podcast/episode-648-top-twenty-one-songs-of-2024-part-2-w/id573735994?i=1000681409118BEHOLD! 31 songs of glory are featured here. It's the official Top Twenty-One Songs Of 2024 Spotify playlist. What you're in for: all of the songs played in Parts 1, 2 and 3, bumper songs included. Our cup runneth over with amazing music!https://open.spotify.com/playlist/2Winozy5cpng3iioXqzKe4?si=6f60bac72efd4e23We've lowered our prices, but not our standards over at the ATTT Patreon! Those who are kindly contributing $2 a month are receiving an exclusive monthly Emergency Pod episode featuring our favorite guests and utilizing our patent-pending improv format in which we miraculously pull a playlist out of thin air. New Joe Lavelle episode drops January 1st! Find out more at https://www.patreon.com/c/alltimetoptenShannon is up to as much creative stuff as she can get her hands on these days. Follow her on Instagram or go to her website for updates:https://shannonhurley.com/
For a songwriter, the muse can be illusive. But for WNXP's Nashville Artist of the Month, Gillian Welch, it was right in front of her eyes, and ours. In East Nashville, WNXP Music Reporter Justin Barney stumbled upon the inspiration for their new song.
Singer-songwriter and Fretboard Journal contributor Sofia Wolfson recently joined our editorial staff. As we close out 2024, we decided to check in with her to get her recap of the guitar scene in NYC, her favorite records, artists to watch, the gear she loved and more. It's a deep dive full of new discoveries! https://sofiawolfson.bandcamp.com/album/imposing-on-a-hometown The Fretboard Journal is proud to present two PNW shows with Sofia: On Friday, January 10, 2025, Sofia will be performing at one of our favorite guitar stores, Strum in Portland, Oregon. Tickets are available here. On Saturday, January 11, 2025, she'll play in Seattle at the Rabbit Box Theater. Get tickets to see Sofia in Seattle here. Some of the stuff mentioned during this podcast: Albums: Woodland - Gillian Welch and David Rawlings: https://open.spotify.com/album/7zZI8ki72x4CYVJ1H2JgUA?si=T1_5XCIUTJCdLowDWFXBqg Manning Firewords - MJ Lenderman: https://open.spotify.com/album/1bKiiYGt1fzm9YMlTnUqpN?si=pkefrVjxS8qap3NVCN2-Iw Bright Future - Adrianne Lenker: https://open.spotify.com/album/2Y8WS7iDIZkvzB5GUeLvku?si=SnJjef1NRiq4YH4I_eVyZg Two Star & The Dream Police - Mk.gee: https://open.spotify.com/album/6DlLdXBGCsSDPOV8R2pCl7?si=3dw8Yv-iQAOJF5brnmeIbA Inside the Marble - Margaux: https://open.spotify.com/album/6Tifn26BUT16VlQ3WG2khN?si=WBfItl_JSG6rencd1XCNrA Blue Raspberry - Katy Kirby: https://open.spotify.com/album/0fVXraFe5B7rZLnGjTVZWy?si=vRq8BA-HRzWeu5TsLuQiAw Close Your Eyes - Blue Ranger: https://open.spotify.com/album/3ekbSIvcRXFgoucz2HRSq0?si=SdlOWu0mQEe7WDjwfXJoTg See You at the Maypole - Half Waif: https://open.spotify.com/album/42IiJqXh1ICEPJjwqG5D1B?si=GCLOCqKdT2m14e5zC7MPnA Other Odds & Ends: Gemini Pickups: https://www.geminipickups.com/#/ Gunk: https://gunkyard.substack.com/ No Hassle Castle: https://www.instagram.com/nohasslenyc/ Union Pool: https://www.union-pool.com/ Baby's All Right: https://babysallright.com/ Public Records: https://publicrecords.nyc/ Subscribe to the Fretboard Journal: http://fretboardjournal.com/subscribe Love the podcast and want to support it? We have a Patreon page just for Fretboard Journal fans, and it is loaded with bonus content. https://www.patreon.com/Fretboard_Journal Our next Fretboard Summit takes place August 21-23, 2025 at Chicago's Old Town School of Folk Music. Register today: https://www.oldtownschool.org/concerts/2025/08-21-2025-fretboard-summit-2025/ This week's show is sponsored by: Stringjoy Strings: https://stringjoy.com (Use the code FRETBOARD to save 10% off your first order) Mike & Mike's Guitar Bar: https://mmguitarbar.com Peghead Nation: https://www.pegheadnation.com (Get your first month free or $20 off any annual subscription with the promo code FRETBOARD at checkout). Collings: Check out their new Hill Country series of guitars: https://collingsguitars.com/hill-country-series/
For this episode of Free With This Month's Issue we're joined again by Bo Nicholson from the Movieversaries & Academy Watch podcaststo talk about Uncut Magazin's best of 2024 cd which at the time of recording is still the current issue in the shops.The cd's tracklisting is1 - Nick Cave & The Bad Seeds - Wild God2 - Fontaines DC - Death Kink3 - Gillian Welch & David Rawlings - Empty Trainload Of Sky4 - Jack White - Thats How I'm Feeling5 - Mabe Fratti - Kravitz6 - Richard Thompson - Freeze7 - Beth Gibbons - Reaching Out8 - The Smile - Read The Room9 - Christopher Owens - Beautiful Horses10 - Grandaddy - Nothin' To Lose11 - BASIC - New Auspicious12 - Bill Ryder-Jones - If Tomorrow Starts Without Me13 - Still House Plants - M M M14 - BEAK> - Hungry Are We15 - Sarah Davachi - Night Horns (Edit)Go listen to Bo's podcast's Movieversaries (a podcast celebrating classic anniversaries of movies having a significant anniversary that year, so we're very much looking forward to episodes on Son Of The Mask & Deuce Bigalow: European Gigolo in 2025 then!), and Academy Watch(which is a podcast all about analysing and predicting the Oscar results).Listen to all available songs on our ongoing Spotify playlist - https://open.spotify.com/playlist/1mzWOWEfQ5LklJyUZkpfs2?si=LbWBi9-oTl-eXjkUJbpx2QYou can buy a copy of the cd from Discogs here - https://www.discogs.com/release/32230929-Various-The-Sound-Of-2024Hosts - Ian Clarke & Colin Jackson-BrownRecorded/Edited/Mixed/Original music by Colin Jackson Brown for We Dig PodcastsPart of the We Made This podcast network. https://twitter.com/wmt_network Twitter – https://twitter.com/thismonthsissue Instagram - https://www.instagram.com/freewiththismonthsissue/ Facebook - https://www.facebook.com/freewiththismonthsissue/ Find our other episodes at www.wedigpodcasts.com Find other We Made This shows & writing at www.wemadethisnetwork.com
On International Human Rights Day, a look at the Tennesseans being honored this year by the state's Human Rights Commission. Plus, the local news for December 10, 2024 and the latest release from Gillian Welch and David Rawlings. Credits: This is a production of Nashville Public RadioHost/producer: Nina CardonaEditor: Miriam KramerAdditional support: Mack Linebaugh, Tony Gonzalez, Rachel Iacovone, LaTonya Turner and the staff of WPLN and WNXP
Despite how influential they've become, they've maintained an insular musical world, evolving in their own way and at their own pace. Today, Nashville Public Radio Senior Music writer Jewly Hight sits down with Welch and Rawlings for an intimate conversation about their musical influences, the beauty of embracing imperfection, and the career self-sufficiency they didn't really want but intentionally cultivated.This episode was produced by Jewly Hight and Mary Mancini.Guests Gillian Welch, Singer-songwriter David Rawlings, Singer-songwriter
Over the last three decades, the Nashville singing and songwriting duo of Gillian Welch and David Rawlings has contributed a lot of songs to the folk canon. And the great tunes are treasured because they tell stories broad enough to be sung by all sorts of people.But senior music writer Jewly Hight says that with their latest album, Woodland, Welch and Rawlings have subtly turned the attention towards their own, singular musical journey. So she rambled down that path with WNXP's Nashville Artist of the Month.
On this week's smashing episode of TRAPPO, your hosts discuss two relatively new albums that they both enjoy very much. The albums in question are Woodland from Gillian Welch & David Rawlings and crux deluxe from Glasser, and you can listen to each of these albums on Bandcamp by clicking HERE (Woodland) and HERE (crux deluxe)! Since this is a New-ish Music Showcase, that means there's an obligatory poll up on the official TRAPPO blog (CLICK HERE), so go ahead and visit the blog and vote for these two albums whenever you have the time. Their fate rests in your trembling hands, dear listener! Do you think they belong in the TRAPPO Essentials Can(n)on? Then you have to vote! While you're on the blog (CLICK HERE), why don't you leave a couple of lovely comments? Tell us what you think of the music we showcased on this latest episode, and suggest some cool new tunes you might think we'd enjoy. If you'd like, you could also send us a lengthy email (CLICK HERE) and we'll probably respond in a timely manner. We're also on Threads if you dig social media. So CLICK HERE to follow us on Threads. There's a cool newsletter that drops every Wednesday called The TRAPPO Town Gazette, and you can subscribe (for free) by CLICKING HERE to ensure you never miss an edition! Thanks for listening!
Met ditmaal: Howrah, DeWolff, MC5, Gurriers, Primal Scream, Gillian Welch & David Rawlings, John Murry, Father John Misty, The Kinks, Tramhaus, Black Pumas, Thus Love, plus een exclusieve instore van Morpheus. Concerto Radio, aflevering 573 (6 december 2024): Howrah, All This Show: Ends And Means DeWolff, In Love: Muscle Shoals MC5, Boys Who Play With […]
Includes brand new music from the likes of Vancouver's Robyn Lane & The Rhythm Makers, Locarno, Tinariwen, Mauro Durante & Justin Adams, Christy Moore, Gillian Welch & David Rawlings, and a wonderful new album by Cathy Jordan of the Irish band Dervish. There is also a feature on the next two bands coming to The Rogue Folk Club: Italian trio Ensemble Sangineto (below) - who were the talk of the town at the Folk Alliance in Kansas City in February, with their unique blend of Celtic and Breton influences and Italian trad songs from all around the "boot" - and Linda McRae & Doug Cox - rootsy, bluesy songs from the left coast and the deep south.
"A Boot And A Shoe" The Grammy-nominated singer/songwriter Sam Phillips has had quite a career. The Glendale-born musician has almost fifteen albums under her musical belt, including The Indescribable Wow, Cruel Inventions, Martinis and Bikinis, Cold Dark Nights and the newly reissued version of A Boot And A Shoe. We'll get to that in a minute, but before we do, let me give you a partial list of folks she's collaborated with over the years: R.EM., Elvis Costello, T-Bone Burnett, Van Dyke Parks, Marc Ribot, Jim Keltner, Gillian Welch and David Rawlings. Other career highlights; she's composed scores for Gilmore Girls, Bunheads and the Marvelous Ms. Maisel, she appeared in Die Hard With A Vengeance and Wim Wenders' The End Of Violence (the throat cutting I referenced comes in the former) and her handmade collages on repurposed vintage album sleeves that were found at flea markets.were exhibited at the Gertrude Contemporary in Australia. But back to a Boot and A Shoe. The 2004 album has been given a proper reissue by Omnivore to commemorate its 20th anniversary. Available on CD and on vinyl for the very first time along with new liner notes penned by Phillips, the thirteen track album has never sounded better. Thanks to Phillips' lyrical dexterity and elegant phrasing and featuring numbers like "Reflecting Light," "If I Could Write," "Hole In My Pocket" and "One Day Late," A Boot And A Shoe" remains a timeless classic. www.samphillips.com www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.bombshellradio.com (http://www.bombshellradio.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) Stereo Embers The Podcast Twitter (what's left of it): @emberseditor IG: @emberspodcast Email: editor@stereoembersmagazine.com (mailto:editor@stereoembersmagazine.com)
The folk duo's latest album is named after the East Nashville studio that was destroyed by a devastating tornado outbreak in 2020.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
This week, hosts Reginald Worth and Jason Jefferies discuss the new releases of 8/23/24, including Romance by Fontaines D.C., Woodland Studios by Gillian Welch and David Rawlings, Bread by Sofi Tukker and The Bed I Made by The Softies. Happy listening!
Their new album, the first co-authored by the duo in seven years, “Woodland” was recorded at the studio it is named after.
NPR Music's Stephen Thompson and Sheldon Pearce are your guides to seven anticipated albums out Aug. 23. During the second half of the episode, the two dig into the mercurial nature of the album format in 2024.Featured albums:- Sabrina Carpenter, 'Short n' Sweet'- Lainey Wilson, 'Whirlwind'- Illuminati hotties, 'POWER'- Fontaines D.C., 'Romance'- Heems, 'Veena'- Gillian Welch and David Rawlings, 'Woodland'- Magdalena Bay, 'Imaginal Disk'See the longer list of albums out August 23 and stream our New Music Friday playlist at https://npr.org/music.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Two-time Grammy-winning duo Gillian Welch & David Rawlings are stalwarts of American folk celebrating the 20th anniversary of their copious partnership with Woodland, an album recorded in their Nashville studio. The duo paint a pastoral setting on “Empty Trainload of Sky.”
1967: How I Got There and Why I Never Left (Akashic Books, 2024) explores how that pivotal slice of time tastes to a bright, obsessive-compulsive boy who is shipped off to a hothouse academic boarding school as he reaches the age of thirteen--just as Bob Dylan's Highway 61 Revisited starts to bite, and the Beatles's Sgt. Pepper's Lonely Hearts Club Band explodes. When he arrives in January 1966, Robyn Hitchcock is still a boy pining for the comforts of home and his family's loving au pair, Teresa. By December 1967, he's mutated into a 6'2? tall rabid Bob Dylan fan, whose two ambitions in life are to get really high and fly to Nashville. In between--as the hippie revolution blossoms in the world outside--Hitchcock adjusts to the hierarchical, homoerotic world of Winchester, threading a path through teachers with arrested development, some oafish peers, and a sullen old maid--a very English freak show. On the way he befriends a cadre of bat-winged teenage prodigies and meets their local guru, the young Brian Eno. At the end of 1967, all the ingredients are in place that will make Robyn Hitchcock a songwriter for life. But then again, does 1967 ever really end? Robyn Hitchcock is a rock 'n' roll surrealist. Born in London in 1953, he describes his songs as "pictures you can listen to." Hitchcock has floated at a tangent to the mainstream for nearly five decades, and his songs have been performed by R.E.M., the Replacements, Neko Case, Gillian Welch & David Rawlings, Lou Barlow, Grant-Lee Phillips, Sparklehorse, and Suzanne Vega with the Grateful Dead, among others. Hitchcock lives in London with his wife Emma Swift and two cats, Ringo and Tubby. Robyn on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
1967: How I Got There and Why I Never Left (Akashic Books, 2024) explores how that pivotal slice of time tastes to a bright, obsessive-compulsive boy who is shipped off to a hothouse academic boarding school as he reaches the age of thirteen--just as Bob Dylan's Highway 61 Revisited starts to bite, and the Beatles's Sgt. Pepper's Lonely Hearts Club Band explodes. When he arrives in January 1966, Robyn Hitchcock is still a boy pining for the comforts of home and his family's loving au pair, Teresa. By December 1967, he's mutated into a 6'2? tall rabid Bob Dylan fan, whose two ambitions in life are to get really high and fly to Nashville. In between--as the hippie revolution blossoms in the world outside--Hitchcock adjusts to the hierarchical, homoerotic world of Winchester, threading a path through teachers with arrested development, some oafish peers, and a sullen old maid--a very English freak show. On the way he befriends a cadre of bat-winged teenage prodigies and meets their local guru, the young Brian Eno. At the end of 1967, all the ingredients are in place that will make Robyn Hitchcock a songwriter for life. But then again, does 1967 ever really end? Robyn Hitchcock is a rock 'n' roll surrealist. Born in London in 1953, he describes his songs as "pictures you can listen to." Hitchcock has floated at a tangent to the mainstream for nearly five decades, and his songs have been performed by R.E.M., the Replacements, Neko Case, Gillian Welch & David Rawlings, Lou Barlow, Grant-Lee Phillips, Sparklehorse, and Suzanne Vega with the Grateful Dead, among others. Hitchcock lives in London with his wife Emma Swift and two cats, Ringo and Tubby. Robyn on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
1967: How I Got There and Why I Never Left (Akashic Books, 2024) explores how that pivotal slice of time tastes to a bright, obsessive-compulsive boy who is shipped off to a hothouse academic boarding school as he reaches the age of thirteen--just as Bob Dylan's Highway 61 Revisited starts to bite, and the Beatles's Sgt. Pepper's Lonely Hearts Club Band explodes. When he arrives in January 1966, Robyn Hitchcock is still a boy pining for the comforts of home and his family's loving au pair, Teresa. By December 1967, he's mutated into a 6'2? tall rabid Bob Dylan fan, whose two ambitions in life are to get really high and fly to Nashville. In between--as the hippie revolution blossoms in the world outside--Hitchcock adjusts to the hierarchical, homoerotic world of Winchester, threading a path through teachers with arrested development, some oafish peers, and a sullen old maid--a very English freak show. On the way he befriends a cadre of bat-winged teenage prodigies and meets their local guru, the young Brian Eno. At the end of 1967, all the ingredients are in place that will make Robyn Hitchcock a songwriter for life. But then again, does 1967 ever really end? Robyn Hitchcock is a rock 'n' roll surrealist. Born in London in 1953, he describes his songs as "pictures you can listen to." Hitchcock has floated at a tangent to the mainstream for nearly five decades, and his songs have been performed by R.E.M., the Replacements, Neko Case, Gillian Welch & David Rawlings, Lou Barlow, Grant-Lee Phillips, Sparklehorse, and Suzanne Vega with the Grateful Dead, among others. Hitchcock lives in London with his wife Emma Swift and two cats, Ringo and Tubby. Robyn on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
1967: How I Got There and Why I Never Left (Akashic Books, 2024) explores how that pivotal slice of time tastes to a bright, obsessive-compulsive boy who is shipped off to a hothouse academic boarding school as he reaches the age of thirteen--just as Bob Dylan's Highway 61 Revisited starts to bite, and the Beatles's Sgt. Pepper's Lonely Hearts Club Band explodes. When he arrives in January 1966, Robyn Hitchcock is still a boy pining for the comforts of home and his family's loving au pair, Teresa. By December 1967, he's mutated into a 6'2? tall rabid Bob Dylan fan, whose two ambitions in life are to get really high and fly to Nashville. In between--as the hippie revolution blossoms in the world outside--Hitchcock adjusts to the hierarchical, homoerotic world of Winchester, threading a path through teachers with arrested development, some oafish peers, and a sullen old maid--a very English freak show. On the way he befriends a cadre of bat-winged teenage prodigies and meets their local guru, the young Brian Eno. At the end of 1967, all the ingredients are in place that will make Robyn Hitchcock a songwriter for life. But then again, does 1967 ever really end? Robyn Hitchcock is a rock 'n' roll surrealist. Born in London in 1953, he describes his songs as "pictures you can listen to." Hitchcock has floated at a tangent to the mainstream for nearly five decades, and his songs have been performed by R.E.M., the Replacements, Neko Case, Gillian Welch & David Rawlings, Lou Barlow, Grant-Lee Phillips, Sparklehorse, and Suzanne Vega with the Grateful Dead, among others. Hitchcock lives in London with his wife Emma Swift and two cats, Ringo and Tubby. Robyn on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
1967: How I Got There and Why I Never Left (Akashic Books, 2024) explores how that pivotal slice of time tastes to a bright, obsessive-compulsive boy who is shipped off to a hothouse academic boarding school as he reaches the age of thirteen--just as Bob Dylan's Highway 61 Revisited starts to bite, and the Beatles's Sgt. Pepper's Lonely Hearts Club Band explodes. When he arrives in January 1966, Robyn Hitchcock is still a boy pining for the comforts of home and his family's loving au pair, Teresa. By December 1967, he's mutated into a 6'2? tall rabid Bob Dylan fan, whose two ambitions in life are to get really high and fly to Nashville. In between--as the hippie revolution blossoms in the world outside--Hitchcock adjusts to the hierarchical, homoerotic world of Winchester, threading a path through teachers with arrested development, some oafish peers, and a sullen old maid--a very English freak show. On the way he befriends a cadre of bat-winged teenage prodigies and meets their local guru, the young Brian Eno. At the end of 1967, all the ingredients are in place that will make Robyn Hitchcock a songwriter for life. But then again, does 1967 ever really end? Robyn Hitchcock is a rock 'n' roll surrealist. Born in London in 1953, he describes his songs as "pictures you can listen to." Hitchcock has floated at a tangent to the mainstream for nearly five decades, and his songs have been performed by R.E.M., the Replacements, Neko Case, Gillian Welch & David Rawlings, Lou Barlow, Grant-Lee Phillips, Sparklehorse, and Suzanne Vega with the Grateful Dead, among others. Hitchcock lives in London with his wife Emma Swift and two cats, Ringo and Tubby. Robyn on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
1967: How I Got There and Why I Never Left (Akashic Books, 2024) explores how that pivotal slice of time tastes to a bright, obsessive-compulsive boy who is shipped off to a hothouse academic boarding school as he reaches the age of thirteen--just as Bob Dylan's Highway 61 Revisited starts to bite, and the Beatles's Sgt. Pepper's Lonely Hearts Club Band explodes. When he arrives in January 1966, Robyn Hitchcock is still a boy pining for the comforts of home and his family's loving au pair, Teresa. By December 1967, he's mutated into a 6'2? tall rabid Bob Dylan fan, whose two ambitions in life are to get really high and fly to Nashville. In between--as the hippie revolution blossoms in the world outside--Hitchcock adjusts to the hierarchical, homoerotic world of Winchester, threading a path through teachers with arrested development, some oafish peers, and a sullen old maid--a very English freak show. On the way he befriends a cadre of bat-winged teenage prodigies and meets their local guru, the young Brian Eno. At the end of 1967, all the ingredients are in place that will make Robyn Hitchcock a songwriter for life. But then again, does 1967 ever really end? Robyn Hitchcock is a rock 'n' roll surrealist. Born in London in 1953, he describes his songs as "pictures you can listen to." Hitchcock has floated at a tangent to the mainstream for nearly five decades, and his songs have been performed by R.E.M., the Replacements, Neko Case, Gillian Welch & David Rawlings, Lou Barlow, Grant-Lee Phillips, Sparklehorse, and Suzanne Vega with the Grateful Dead, among others. Hitchcock lives in London with his wife Emma Swift and two cats, Ringo and Tubby. Robyn on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
1967: How I Got There and Why I Never Left (Akashic Books, 2024) explores how that pivotal slice of time tastes to a bright, obsessive-compulsive boy who is shipped off to a hothouse academic boarding school as he reaches the age of thirteen--just as Bob Dylan's Highway 61 Revisited starts to bite, and the Beatles's Sgt. Pepper's Lonely Hearts Club Band explodes. When he arrives in January 1966, Robyn Hitchcock is still a boy pining for the comforts of home and his family's loving au pair, Teresa. By December 1967, he's mutated into a 6'2? tall rabid Bob Dylan fan, whose two ambitions in life are to get really high and fly to Nashville. In between--as the hippie revolution blossoms in the world outside--Hitchcock adjusts to the hierarchical, homoerotic world of Winchester, threading a path through teachers with arrested development, some oafish peers, and a sullen old maid--a very English freak show. On the way he befriends a cadre of bat-winged teenage prodigies and meets their local guru, the young Brian Eno. At the end of 1967, all the ingredients are in place that will make Robyn Hitchcock a songwriter for life. But then again, does 1967 ever really end? Robyn Hitchcock is a rock 'n' roll surrealist. Born in London in 1953, he describes his songs as "pictures you can listen to." Hitchcock has floated at a tangent to the mainstream for nearly five decades, and his songs have been performed by R.E.M., the Replacements, Neko Case, Gillian Welch & David Rawlings, Lou Barlow, Grant-Lee Phillips, Sparklehorse, and Suzanne Vega with the Grateful Dead, among others. Hitchcock lives in London with his wife Emma Swift and two cats, Ringo and Tubby. Robyn on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies
1967: How I Got There and Why I Never Left (Akashic Books, 2024) explores how that pivotal slice of time tastes to a bright, obsessive-compulsive boy who is shipped off to a hothouse academic boarding school as he reaches the age of thirteen--just as Bob Dylan's Highway 61 Revisited starts to bite, and the Beatles's Sgt. Pepper's Lonely Hearts Club Band explodes. When he arrives in January 1966, Robyn Hitchcock is still a boy pining for the comforts of home and his family's loving au pair, Teresa. By December 1967, he's mutated into a 6'2? tall rabid Bob Dylan fan, whose two ambitions in life are to get really high and fly to Nashville. In between--as the hippie revolution blossoms in the world outside--Hitchcock adjusts to the hierarchical, homoerotic world of Winchester, threading a path through teachers with arrested development, some oafish peers, and a sullen old maid--a very English freak show. On the way he befriends a cadre of bat-winged teenage prodigies and meets their local guru, the young Brian Eno. At the end of 1967, all the ingredients are in place that will make Robyn Hitchcock a songwriter for life. But then again, does 1967 ever really end? Robyn Hitchcock is a rock 'n' roll surrealist. Born in London in 1953, he describes his songs as "pictures you can listen to." Hitchcock has floated at a tangent to the mainstream for nearly five decades, and his songs have been performed by R.E.M., the Replacements, Neko Case, Gillian Welch & David Rawlings, Lou Barlow, Grant-Lee Phillips, Sparklehorse, and Suzanne Vega with the Grateful Dead, among others. Hitchcock lives in London with his wife Emma Swift and two cats, Ringo and Tubby. Robyn on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day
In this special episode, host David Rawlings catches up with J.P. Morgan employees who have made the leap from world champions to global finance. Mohamed Sbihi and Jessica Eddie discuss their professional athletic careers, the challenges of transitioning to a new industry, and the transferable skills and support systems that have facilitated their journey to J.P. Morgan. This episode was recorded on July 8, 2024. This material was prepared by certain personnel of JPMorgan Chase & Co. and its affiliates and subsidiaries worldwide and not the firm's research department. It is for informational purposes only, is not intended as an offer or solicitation for the purchase, sale or tender of any financial instrument and does not constitute a commitment, undertaking, offer or solicitation by any JPMorgan Chase entity to extend or arrange credit or provide any other products or services to any person or entity. © 2024 JPMorgan Chase & Company. All rights reserved.
Join host David Rawlings and Keith Canton, Head of Americas Equity Capital Markets, as they explore the resurgent IPO market in 2024. Discover key trends, from market participation to sector performance, and strategic considerations for companies going public. Learn about the crucial balance between profitability and growth, the importance of after-market performance, and how private equity and venture capital are adapting to the new landscape. This episode was recorded on May 8, 2024. This material was prepared by certain personnel of JPMorgan Chase & Co. and its affiliates and subsidiaries worldwide and not the firm's research department. It is for informational purposes only, is not intended as an offer or solicitation for the purchase, sale or tender of any financial instrument and does not constitute a commitment, undertaking, offer or solicitation by any JPMorgan Chase entity to extend or arrange credit or provide any other products or services to any person or entity. © 2024 JPMorgan Chase & Company. All rights reserved.
On this week's show, the hosts begin by asking the question: What even is Garfield? Jim Davis' overfed, Monday-hating (even though he's jobless) cultural figure first appeared in comic strips in the late 1970s, and since then, has been surprisingly resilient, most recently conquering the summer box-office with The Garfield Movie. But who is Garfield, and more perhaps more importantly, why is he a thing? To answer these questions, each host watched (or endured) a different Garfield entity, including Garfield: The Movie (2004), Garfield: A Tail of Two Kitties (2006), and the latest film starring Chris Pratt as the titular cat. Then, the three discuss suspense and its nature in relation to fiction, inspired by Kathryn Schulz's essay for The New Yorker, “The Secrets of Suspense.” It's a curious, fantastic essay that questions the human impulse to know what happens next. Finally, it's a visit from the Gabfest's oldest and closest Friend of the Pod, June Thomas, who speaks with the panel about her essential new book, A Place of Our Own: Six Spaces That Shaped Queer Women's Culture. In the exclusive slate Plus segment, the hosts answer a listener question from Evana: “What is a cultural reference that really bugs Steve/Julia/Dana when they see/hear it being misused or misinterpreted?” We're taking submissions for Summer Strut 2024! Send up to three songs that you find particularly strut-worthy to culturefest@slate.com. Email us at culturefest@slate.com. Endorsements: Dana: A wonderful documentary on Apple TV+, From Caligari to Hitler: German Cinema in the Age of the Masses. Julia: Koeze's Cream-Nut All-Natural Peanut Butter (with no added sugar!) Stephen: The musical stylings of Gillian Welch and David Rawlings. Read a profile on the duo: “How Gillian Welch and David Rawlings Held Onto Optimism” by Hanif Abdurraqib for The New York Times. Listen to their songs, “Beautiful Boy” and “Picasso,” and check out the YouTube video, “Getting Started with Licks & Fills in the style of Dave Rawlings.” Podcast production by Jared Downing. Production assistance by Kat Hong. Hosts Dana Stephens, Julia Turner, Stephen Metcalf Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode, host David Rawlings chats with Dorothee Blessing and Conor Hillery, Co-Heads of Investment Banking for EMEA at J.P. Morgan, on the financial pulse of the EMEA region. They explore the impact of geopolitical influences, regulatory shifts, and the M&A outlook in a rapidly evolving economic and investment banking landscape. This episode was recorded on March 11, 2024. This material was prepared by certain personnel of JPMorgan Chase & Co. and its affiliates and subsidiaries worldwide and not the firm's research department. It is for informational purposes only, is not intended as an offer or solicitation for the purchase, sale or tender of any financial instrument and does not constitute a commitment, undertaking, offer or solicitation by any JPMorgan Chase entity to extend or arrange credit or to provide any other products or services to any person or entity. © 2024 JPMorgan Chase & Company. All rights reserved.
She's truly a study in contrasts – right from her chosen moniker, Sunny War. Her story is an utterly extraordinary one, in terms of both her brilliant musical arc and her often-tumultuous life journey. She spent much of her teens and early 20s as an itinerant busker, living where she could, sometimes hopping trains around the States, experiencing trouble with the law, and battling drug and alcohol addiction. All along, Sunny War's lone constant companion – her true lifeline – has been her guitar. The folk/ punk/ gospel/ blues artist was born Sydney Ward into a musical family in Nashville, steeped in rock, folk, and classical music, and started playing guitar as a child. Moving to L.A., she discovered punk rock in her early teens, which led her to a true DIY musical apprenticeship busking on the streets of Venice Beach. It was there that she began to develop her unique artistic voice, one that utterly transcends genre and era. She cites the influence of everyone from 1930s blues greats like Robert Johnson and Skip James, to 1980s reggae/punk firebrands Bad Brains and current experimental rap artist JPEGMafia. Her 2022 album Anarchist Gospel was mainly written in the wake of a devastating breakup, in the loneliest depths of the pandemic, just before she decided to pull up stakes and move back to Tennessee. There, she made this album with producer Adrija Tokic (who has worked on albums by folks like Alabama Shakes and Hurray for the Riff Raff) and with collaborators like roots music heavyweights Allison Russell and David Rawlings. Anarchist Gospel draws on the sense of duality that's at the heart of her work – these are heart-rending songs about romantic pain, family strife, and doomy environmental woes, yet the album overall is somehow strangely uplifting. We hear that in the songs she shares with us in this episode of Hidden Track: "New Day", "Whole", and "No Reason". She performed them solo in a breathtakingly intimate session, as she travelled through Alberta playing a pair of wintertime music festivals. Travelling solo, of course! Hidden Track Sessions are produced by CKUA Radio and is made possible by the generous contributions of our donors. Find out how you can get involved at ckua.com/donate!
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Join host David Rawlings and Michael Cembalest, Chairman of Market and Investment Strategy at J.P. Morgan Asset and Wealth Management, as they discuss the state of the global economy and outlook in 2024. Explore the possibility of a soft landing and market surprises. Dive into topics like the evolving role of regional banks, antitrust risks, global elections' implications on markets and more. Read Michael's full outlook: https://privatebank.jpmorgan.com/nam/en/insights/latest-and-featured/eotm/outlook This episode was recorded on January 9, 2024. This material was prepared by certain personnel of JPMorgan Chase & Co. and its affiliates and subsidiaries worldwide and not the firm's research department. It is for informational purposes only, is not intended as an offer or solicitation for the purchase, sale or tender of any financial instrument and does not constitute a commitment, undertaking, offer or solicitation by any JPMorgan Chase entity to extend or arrange credit or to provide any other products or services to any person or entity. © 2024 JPMorgan Chase & Company. All rights reserved.
As the 42nd J.P. Morgan Healthcare Conference wraps up, host David Rawlings and Mike Gaito, Global Head of Healthcare Investment Banking, explore the recent M&A trends and the impact of economic factors on healthcare investments. Dive into the latest developments from innovation in AI and machine learning to data management and outcomes-driven healthcare services. How can boards and management teams navigate the healthcare sector in 2024? This episode was recorded on January 12, 2024. This material was prepared by certain personnel of JPMorgan Chase & Co. and its affiliates and subsidiaries worldwide and not the firm's research department. It is for informational purposes only, is not intended as an offer or solicitation for the purchase, sale or tender of any financial instrument and does not constitute a commitment, undertaking, offer or solicitation by any JPMorgan Chase entity to extend or arrange credit or to provide any other products or services to any person or entity. © 2024 JPMorgan Chase & Company. All rights reserved.
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As we wrap up 2023, David Rawlings hosts Jay Horine, North America Head of Investment Banking and Co-Head of Global Energy, Power, Renewables and Mining, for a conversation about what's ahead for investment banking. They explore market dynamics, the U.S. and global economy, sector trends and the outlook for deal-making in 2024. Jay also shares insights into industry innovation and how CEOs and boards can navigate the evolving investment banking landscape. This episode was recorded on November 30, 2023. This material was prepared by certain personnel of JPMorgan Chase & Co. and its affiliates and subsidiaries worldwide and not the firm's research department. It is for informational purposes only, is not intended as an offer or solicitation for the purchase, sale or tender of any financial instrument and does not constitute a commitment, undertaking, offer or solicitation by any JPMorgan Chase entity to extend or arrange credit or to provide any other products or services to any person or entity. © 2023 JPMorgan Chase & Company. All rights reserved.
On this week's episode, we conclude our two-part feature Duo Stew, offering up more musical pairs in a variety of styles. We'll hear music from Watchhouse, Gillian Welch & David Rawlings, Jimmy Thackery & John Mooney, Hot Tuna, Chad & Jeremy, Richard & Linda Thompson and many more. Dynamic duos … this week on The Sing Out! Radio Magazine.Pete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways Ken & Brad Kolodner / “The Orchard” / Skipping Rocks / FenchurchWatchhouse / “Wonderous Love” / Watchhouse / Thirty TigersRed Tail Ring / “Camp Meeting on the 4th of July-May Day” / Fall Away Blued / Self-producedGillian Welch & David Rawlings / “Ginseng Sullivan” / All the Good Times / AconyNorman & Nancy Blake / “Fifty Miles of Elbow Room” / Blind Dog / RounderJimmy Thackery & John Mooney / “Take Time” / Sideways in Paradise / Blind PigDelaney & Bonnie & Friends / “Never Ending Song of Love” / Motel Shot / Real GoneChad & Jeremy / “Yesterday's Gone” / The Best of Chad & Jeremy / One WayKen & Brad Kolodner / “Falls of Richmond” / Skipping Rocks / FenchurchHot Tuna / “Water Song” / Burgers / RCABrewer & Shipley / “Tarkio Road” / Tarkio Road / BMGRichard & Linda Thompson / “When I Get to the Border” / I Want to See the Bright Lights Tonight / IslandTim O'Brien & Darrell Scott / “Time to Talk to Joseph” / Memories and Moments / Full SkiesHappy & Artie Traum / “Golden Bird” / Happy & Artie Traum / CapitolPete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways
Although the IPO market has been quiet since its 2021 peak, signs of resurgence are emerging. Join Lorenzo Soler, Head of Global Equity Syndicate, and host David Rawlings to explore the current state of the IPO market. Topics include issuer and investor engagement, macroeconomics and geopolitical dynamics, strategies for a successful IPO and a glimpse into the 2024 market landscape. This episode was recorded on October 24th, 2023. This material was prepared by certain personnel of JPMorgan Chase & Co. and its affiliates and subsidiaries worldwide and not the firm's research department. It is for informational purposes only, is not intended as an offer or solicitation for the purchase, sale or tender of any financial instrument and does not constitute a commitment, undertaking, offer or solicitation by any JPMorgan Chase entity to extend or arrange credit or to provide any other products or services to any person or entity. © 2023 JPMorgan Chase & Company. All rights reserved.
In this episode we invite the inimitable Robyn Hitchcock to reminisce about his heroically nonconformist career from the Soft Boys to 2022's Shufflemania! After Robyn explains his recent return to London from his adopted Nashville, Barney, Mark and Martin hear about his hippiefied but not entirely psychedelic '60s youth – plus his early immersion in the far-out folk of the Incredible String Band and the songs of his greatest influence Syd Barrett. He talks about how the Soft Boys did – and didn't – fit into the UK's punk scene of the late '70s, but also how they became a totemic cult influence on American acts from R.E.M. to Gillian Welch & David Rawlings. Clips from John Tobler's 1973 audio interview with '60s folk-rocker turned Asylum Records singer-songwriter David Blue provide an opportunity to discuss the former David Cohen's Greenwich Village buddy Bob Dylan and the huge influence on Robyn of Bobsongs like Blonde On Blonde's 'Visions of Johanna'. Meanwhile the 10th anniversary of the death of underground-press legend and Deviants rabble-rouser Mick Farren takes us back to the revolutionary '60s and the heyday of International Times – as well as to such seminal Farren pieces as 1976's NME rallying cry "The Titanic Sails at Dawn". Mark rounds off the episode with quotes from newly-added library pieces about 'Terry' hitmaker Lynn "Twinkle" Ripley (Evening Standard, 1964), Motown chauvinist Marvin Gaye (Phonograph Record, 1977), Henry Rollins né Garfield (Washington Post, 1981) and more… Many thanks to special guest Robyn Hitchock. Somewhere Apart: Selected Lyrics 1977–1997 is published by Tiny Ghost and available now. Pieces discussed: The Soft Boys, The Soft Boys live, Robyn Hitchock by J. Kordosh, Robyn Hitchcock by Pete Paphides, David Blue, Pop in the Police State, Rock – Energy for Revolution, The Titanic Sails at Dawn, Memories of Mick Farren, Black Flag, Marvin Gaye, Eddie Hinton, The Cramps, Twinkle and Chet Atkins.
As an artist, to grow and achieve success, it is important to put yourself out there, focus on developing yourself, and create what you want without worrying about peoples' opinion. Pursuing your passion with dedication and staying true to yourself is the key factor. Don't just dream but take action towards what you want and make sure it makes you feel fulfilled at the same time. Doing so can reward you in a number of ways.No one ever becomes a professional artist overnight. It takes time, patience, and tenacity to learn the tricks of the trade. You will make mistakes and some of your work may not turn out as expected - that's okay! The only way to get better is to experiment with new approaches, seek feedback from peers and mentors, and keep challenging yourself. If you are starting from scratch, give yourself a break - everyone starts as a beginner. Have faith in yourself and don't be too hard on yourself.In this episode, Wildwoods, a husband and wife duo (Noah and Chloe Gose) along with Andrew Vaggalis on bass, share their story of rebranding. They also share the value of collaboration in creating music and content, as well as their transition from college to the real world. They emphasize the importance of pursuing your own dreams while taking risks to create exactly what you want out of your career.Let's jump in!Snapshot of the Key Points from the Episode:[02:29] How Wildwood's got started and where they are in their journey. [06:08] The instrument side, how the Wildwood plays them in their performance.[12:12] Putting yourself out there and giving yourself a chance to grow on social media.[12:58] Wildwoods' favorite and memorable performances. [17:53] Wildwoods' superpower that has helped them in their journey. [20:28] How Wildwoods navigate the creativity and the business side of their career.[27:02] How to engage with and grow your fan base. [32:21] What does working from your happy place mean to Wildwoods?[36:12] Wildwood's advice to young artists who want to pursue their passion.[41:38] Ending the show with one of the Wildwood's newest releases, West Virginia Rain About Wildwoods: - The Wildwoods are an enchanting Folk/Americana trio based in Lincoln, Nebraska, whose flowing songwriting tandem has been praised by Paste Magazine as "focused and charmingly human." The Wildwoods' delicate melodies and descriptive lyrics come from nature, love, experiences from the road, and growing up in Nebraska.The band released their debut album, Sweet Nostalgia, followed by a duo EP, Birdie & Goose, in 2017 and quickly established themselves as a creative, harmonious, and instrumental force in their local music scene. Since then, The Wildwoods have released another full-length record, Across A Midwest Sky (2019), as well as a handful of singles, Little Home (2020) and Like My Old Man (2021), and have supported touring acts such as Elephant Revival, Arts Fishing Club, The Accidentals, The Way Down Wanderers, and Jamie Wyatt.Along with performing several Sofar concerts in cities such as London, Brooklyn, and St. Louis, as well as a European tour in 2019, the group has performed at several festivals, including Summerfest, The Nebraska Folk and Roots Festival, Wakarusa, and the Flatwater Music Festival.In 2016, 2017, 2018, and 2021 The Wildwoods were nominated by the Omaha Arts and Entertainment Awards as a top Americana/Folk artist in Nebraska, and in 2022 they were named “Best Band” by the Lincoln Journal Star's ‘Lincoln's Choice Awards.' The group's musical momentum continues into 2022 with their latest single release, Thirteen Sailboats, in anticipation for the release of their new full-length LP, Foxfield St. John, scheduled for release in February of 2023.Comprised of husband and wife team Noah (guitar) and Chloe Gose (violin), as well as Andrew Vaggalis (bass), The Wildwoods draw inspiration from a wide range of influences, including the styles of Watchhouse, The Decemberists, Gillian Welch & David Rawlings, Peter, Paul, & Mary, Nickel Creek, Joni Mitchell, and Gregory Alan Isakov. The folk/Americana trio work to harmoniously and delicately blend their voices to create a sound so nostalgic that you may find yourself dreaming and longing for those sweet memories from your former days. How to connect with Wildwoods:Facebook: https://www.facebook.com/TheWildwoodsband/Instagram: https://www.instagram.com/thewildwoodsTikTok: https://www.tiktok.com/@thewildwoodsbandYouTube: https://www.youtube.com/@thewildwoodsbandSpotify: https://open.spotify.com/artist/2wPWBhOid8BNr5lgEf8GKe?si=ICSE4xCyR2u4gIokKThhTAWebsite: https://www.thewildwoodsband.com/About the Host -Belinda Ellsworth is a Speaker, Trainer, Best-Selling Author, and PodcasterShe has been a professional speaker, mover, and shaker for more than 25 years. Having built three successful companies, she has helped thousands of entrepreneurs make better decisions, create successful systems, and build business strategies using her "Four Pillars of Success" system.Belinda has always had a passion and zest for life with the skill for turning dreams into reality. How to Connect with Belinda:Facebook -https://www.facebook.com/workfromyourhappyplaceLinkedIn - https://www.linkedin.com/in/belindaellsworthInstagram -https://www.instagram.com/workfromyourhappyplace/Website - www.workfromyourhappyplace.comQuotes:“You have to put yourself in a position that gives you a chance for something to happen.”“Even though it can be overwhelming to go through every comment, it's worth it to build your connection with your fan base.”
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