Podcast appearances and mentions of David Rawlings

Join us for a mega-episode of exclusive red carpet interviews from the Americana Honors & Awards 2025! We're bringing you all the best conversations from Nashville's biggest night for roots music. In this special, you'll hear from: Gillian Welch & David Rawlings, on their Duo/Group of the Year win, what success means at this stage of their careers, and inspiring the next generation. Margo Price, on her new album, her love for Nashville, and her personal music recommendations. Larkin Poe, on their "Bloom" tour and the new experiences of motherhood on the road. Nathaniel Rateliff, discussing singing the anthem at the NBA Finals, his creative collaboration with filmmaker Taylor McFadden, and the 10th anniversary of his debut album. Maggie Rose, on her special show with the Nashville Symphony and practicing her Spanish skills. Dawes, reflecting on their legendary Grammys performance and the concept of "supergrowth" after hardship. Ruston Kelly, sharing his new sources of joy and gratitude that have inspired his latest work. Noeline Hofmann, on her big night as a nominee and how her Canadian upbringing influences her music. Kelsey Waldon, discussing her latest album and the powerful themes of resilience and joy in her art. Don't miss this incredible roundup of conversations with some of the most talented artists in Americana music! ___ Support The Show Uber Eats: Get up to 40% off Fall essentials. Order now, on Uber Eats. https://www.ubereats.com Learn more about your ad choices. Visit megaphone.fm/adchoices

El domingo pasado Román galgo friend aparece con el prisoner que es un disco de Ryan Adams que no escuche mucho, lo tiene en vinilo mi primo Paul también, se hizo fan no tanto como los del canto rodado, pero supe que le gustaba Ryan cuando me empezó a hablar de discos y canciones que editó con una banda con el nombre de los Cardinals, que no se hicieron famosos como ninguna que haya creado por ejemplo el jefe o el tío Neil, la E Street band y los crazy horse respectivamente, sin mover a los attractions de Elvis Costello. A Ryan Adams no lo escuché mucho en esos primeros discos donde el era una parte cantante y guitarrista de los que tiene el pueblo del whiskey el nombre. Nace Ryan, Brian en 1974, mis cálculos son fáciles de hacer, si digo que tenía 25 para 26, o ya cumplidos cuando hace su debut solista con el heartbreaker, que lo más roto que tiene es que tirado en una cama y buscando inspiración; mira el techo y sostiene un cigarro entre los labios que no le va a llenar los ojos de cenizas de ningún amor, más que nicotina y alquitrán, fumar mata, pero te asesina mucho más no ir preso, que meterte en un problema de lluvia de denuncias, baldes de hielo, problemas de backstage love, mejor tomar champagne barato, que todo lo que vino después de confesiones de asuntos que nunca hubieras querido, dear Ryan estar metido. Para eso mejor ser Brian de tu mismo apellido levantando mugre en la playa carrasco, frente al viejo hotel renovado. Si la discusión hubiera sido la del primer track con el productor, cantante country David Rawlings de sencillos de Morrisey, y la boca llena de cookies antes de empezar a rockear con ese asunto de ser joven, es estar enamorado. Eras triste, porque eras joven, y los colocones eran altos. Ese comienzo después de las risas de la apuesta de cinco dólares, si estaba esa canción en un simple, o en el track seis de un larga duración, era una que se necesitaba, porque viene la risa, una carcajada alta, para entrar rápido en una canción algo rodante, traigo a los del canto rodado, porque me imagino a mi primo Paul, que le gustan tanto esos chicos malos de 40 años antes, que este con el sello de la carretera perdida, después del ser joven es estar triste y los colocones de estar como si fuera rainy day women del blonde on blonde y algunas de sus visiones editará. Para la canción de la rueda de no se cual cosa, no auto, no skate, no galgo, solo comprar un vestido lindo que te guste, el pedal steel aparece porque le pide que sea la rueda de un molino de viento. No me había dado cuenta, que podía ser buen traductor, pienso en la amiga traductora que ahora me entero en historias publicaciones y algún reel, que anda por Copacabana, Palace Brothers, Río, Brasil, maravilloso que no juega trucos del mal, bonito porque es imposible que no te quiera la bossa nova, que no existe en este disco en ninguna parte, más que en las partes en las que dice cosas de estar perdidamente enamorado, en te amo tanto Amy, y claro que cuando dice que aún la ama, la quiere, es evidente que el corazón partido le puede haber tocado esta vez, por más que haya estado en Houston, buscado algo en Misouri, y lo único que encontró fue polvo en sus bolsillos.Todo la tristeza no tiene fin, como el dulce nombre de la novia que yo también tuve, la vez que no fui nunca a las Vegas, ni acá cerca, ni donde este pibe de 25 más cerca de Nashville puede haber estado, alterado make Tennesse a whiskeytown otra vez, las dulces cosas que te gustaría que te lleven otra vez a tu hogar dulce hogar. Esa Carolina dulce cuando te recibe con los brazos abiertos, de Mr. Vertigo ya estuvo, levitar, aprender a volar hasta Kentucky, y hogares desconocidos para todos por acá, pero no tanto para la balada que precisaba escribir, para ir curando heridas a la edad, que creías que iban a ser para todo la vida.Viva la radio!saludos cordiales,the galgo.

Early in August, Record Store Day held their annual "Summer Camp" meeting in New Orleans, once again returning to the lovely Hotel Monteleone, in the heart of the French Quarter, for a few days of meeting, schmoozing, and, frankly, Big Easy cuisine. During the week, host Paul Myers recorded a couple of live interviews with musicians talking about their approach to the music business in 2025.  Today, we are sharing one of them. Guitarist, singer, songwriter, producer David Rawlings, whose most recent album with Gillian Welch, Woodland, was one of the best records of 2024, sat down with Paul in the Hotel Monteleone ballroom to discuss his duo's truly independent, and self-reliant, approach to the business of music making and distribution. Welch and Rawlings are co-owners of Nashville's Woodland Studio, their own Acony Records label, and now, they are partners in their own prestige pressing facility, Paramount Pressing & Plating, in Denver, Colorado. It's a fun talk! The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends!

Musician and artist William Harries Graham joins as Special Guest and offers a lead in the ongoing search for David Rawlings. The Power Motion Picnic Hour community takes home some big victories at recent races and the Bird of the Week segment makes a soaring return.

Adam Peacock, Danny Weidler & Michael Chammas are all in for Triple M NRL's The Journos! Kevin Walters has been announced as the new Kangaroos coach but only for three games? The latest on Hamiso Tabua-Fidow's, Payne Haas' and Tino Fa'asuamaleaui's international future? Are they likely to pick Samoa? Could a potential Samoan team beat Australia? Michael Chammas believes they could! We talk to rugby league/union agent David Rawlings about Rugby 360 but he explains that maybe the NRL won't need to worry too much of a threat. And he goes into depth about cross-code players from the professionals to the schoolboys. What happened with Kalyn Ponga last week? Was it a backflip? Did Chammas get the story right? Well.. there's even more to it! What's Des Hasler like? After that dressing room blow up, Danny shares his experience in dealing with the rugby league legend. But Chammas shares his yarn of copping a two-hour verbal assault from the great Phil "Gus" Gould. NRL, NRLW & the RLPA aren't big fans of the video game Rugby League 26 and we reminisce on this weekend's clash between Bulldogs & Sea Eagles as we celebrate the 30th anniversary of the 1995 Grand Final!See omnystudio.com/listener for privacy information.

Adam Peacock, Danny Weidler & Michael Chammas are all in for Triple M NRL's The Journos! Kevin Walters has been announced as the new Kangaroos coach but only for three games? The latest on Hamiso Tabua-Fidow's, Payne Haas' and Tino Fa'asuamaleaui's international future? Are they likely to pick Samoa? Could a potential Samoan team beat Australia? Michael Chammas believes they could! We talk to rugby league/union agent David Rawlings about Rugby 360 but he explains that maybe the NRL won't need to worry too much of a threat. And he goes into depth about cross-code players from the professionals to the schoolboys. What happened with Kalyn Ponga last week? Was it a backflip? Did Chammas get the story right? Well.. there's even more to it! What's Des Hasler like? After that dressing room blow up, Danny shares his experience in dealing with the rugby league legend. But Chammas shares his yarn of copping a two-hour verbal assault from the great Phil "Gus" Gould. NRL, NRLW & the RLPA aren't big fans of the video game Rugby League 26 and we reminisce on this weekend's clash between Bulldogs & Sea Eagles as we celebrate the 30th anniversary of the 1995 Grand Final!See omnystudio.com/listener for privacy information.

Moffett rambles for a bit, apologies.  The title is related to a David Rawlings tune that I love.  Takes me back to being a young kid in WV, listening to a bunch of people play music on a mountain ridge.  The only reason it ties in here is the ridiculous INT break we all just weathered.  As we've said from the beginning, this season is long long long.  But there si always something worth watching/playing for.Opening and filler music by The Tan and Sober Gentlemen

Well, 2024 is in the books and what a year we saw in Americana and Roots Music. From Sierra Ferrell's explosion to Beyonce's Cowboy Carter and crazy collaborations to new music from artists like Gillian Welch and David Rawlings, The Secret Sisters, Marcus King and Dwight Yoakam, the year was one for the books. Since this was the first full calendar year Roots Music Rambler existed (we debuted in September of 2023), we thought we would start an annual tradition of recapping the year with our top songs, albums and artists, plus do a little where-are-they-now rundown of previous show guests to keep everyone thinking about and talking about the music we all love. In this episode Frank and Falls run down their top 10 songs and albums of 2024, proclaim their top artist, group and newcomer of the year, and call out a couple of artists worthy of praise for innovating in the genre in 2024. But, to be clear, our philosophy on Roots Music Rambler is tied to a belief that music is not a competition. Rankings and bests are simply fodder for conversation and discovery. These lists are just our individual opinions. We want to hear yours as well. So comment on our social media posts about the rankings and share your favorites for 2024 or what you're excited about for 2025.  Be sure to help spread the love of the show with Roots Music Rambler's new merch, now available at rootsmusicrambler.com/store. Authentic t-shirts, hats and stickers are now available.  Buckle up for The Hoe-Down and the Throw-Down! It's a new episode of Roots Music Rambler. Notes and links: (Songs played are representative of our lists, but not necessarily our top songs!) Without You by Ella Salter and the Sunday Sinners on Spotify Hero by Marcus King on Spotify Paperweight by The Secret Sisters on Spotify Dollar Bill Bar by Sierra Ferrell on Spotify Texas Hold ‘em by Beyonce' on Spotify Gild the Lily by Billy Strings on Spotify Sierra Ferrell - Our unanimous Artist of the Year - online The Kimmi Bitter episode of Roots Music Rambler  The Roots Music Rambler Store Roots Music Rambler on Instagram Roots Music Rambler on TikTok  Roots Music Rambler on Facebook Jason Falls on Instagram Francesca Folinazzo on Instagram And be sure to get your MuskOx premium flannel shirts just in time for fall. Use the code RAMBLER on checkout for a discount! - https://gomuskox.com/rambler Subscribe to Roots Music Rambler on Spotify, Apple Podcasts, GoodPods or wherever you get your podcasts. Theme Music: Sheepskin & Beeswax by Genticorum; Audio production by Resonate Recordings. Copyright 2025 - Falls+Partners. Learn more about your ad choices. Visit megaphone.fm/adchoices

We have nothing left to offer. These are the best songs we heard all year. The lovely Shannon Hurley and the talented David Daskal come through for us yet again as our Year-End Crew. Part 3 features picks 7-1 in our countdown of the Best Songs Of 2024.If you missed Parts 1 and 2 start here:https://podcasts.apple.com/us/podcast/episode-647-top-twenty-one-songs-of-2024-part-1-w/id573735994?i=1000680561396https://podcasts.apple.com/us/podcast/episode-648-top-twenty-one-songs-of-2024-part-2-w/id573735994?i=1000681409118BEHOLD! 31 songs of glory are featured here. It's the official Top Twenty-One Songs Of 2024 Spotify playlist. What you're in for: all of the songs played in Parts 1, 2 and 3, bumper songs included. Our cup runneth over with amazing music!https://open.spotify.com/playlist/2Winozy5cpng3iioXqzKe4?si=6f60bac72efd4e23We've lowered our prices, but not our standards over at the ATTT Patreon! Those who are kindly contributing $2 a month are receiving an exclusive monthly Emergency Pod episode featuring our favorite guests and utilizing our patent-pending improv format in which we miraculously pull a playlist out of thin air. New Joe Lavelle episode drops January 1st! Find out more at https://www.patreon.com/c/alltimetoptenShannon is up to as much creative stuff as she can get her hands on these days. Follow her on Instagram or go to her website for updates:https://shannonhurley.com/

For a songwriter, the muse can be illusive. But for WNXP's Nashville Artist of the Month, Gillian Welch, it was right in front of her eyes, and ours. In East Nashville, WNXP Music Reporter Justin Barney stumbled upon the inspiration for their new song.

Singer-songwriter and Fretboard Journal contributor Sofia Wolfson recently joined our editorial staff. As we close out 2024, we decided to check in with her to get her recap of the guitar scene in NYC, her favorite records, artists to watch, the gear she loved and more. It's a deep dive full of new discoveries!    https://sofiawolfson.bandcamp.com/album/imposing-on-a-hometown   The Fretboard Journal is proud to present two PNW shows with Sofia:  On Friday, January 10, 2025, Sofia will be performing at one of our favorite guitar stores, Strum in Portland, Oregon. Tickets are available here. On Saturday, January 11, 2025, she'll play in Seattle at the Rabbit Box Theater. Get tickets to see Sofia in Seattle here.  Some of the stuff mentioned during this podcast:  Albums:    Woodland - Gillian Welch and David Rawlings: https://open.spotify.com/album/7zZI8ki72x4CYVJ1H2JgUA?si=T1_5XCIUTJCdLowDWFXBqg   Manning Firewords - MJ Lenderman: https://open.spotify.com/album/1bKiiYGt1fzm9YMlTnUqpN?si=pkefrVjxS8qap3NVCN2-Iw   Bright Future - Adrianne Lenker: https://open.spotify.com/album/2Y8WS7iDIZkvzB5GUeLvku?si=SnJjef1NRiq4YH4I_eVyZg   Two Star & The Dream Police - Mk.gee: https://open.spotify.com/album/6DlLdXBGCsSDPOV8R2pCl7?si=3dw8Yv-iQAOJF5brnmeIbA   Inside the Marble - Margaux: https://open.spotify.com/album/6Tifn26BUT16VlQ3WG2khN?si=WBfItl_JSG6rencd1XCNrA   Blue Raspberry - Katy Kirby: https://open.spotify.com/album/0fVXraFe5B7rZLnGjTVZWy?si=vRq8BA-HRzWeu5TsLuQiAw   Close Your Eyes - Blue Ranger: https://open.spotify.com/album/3ekbSIvcRXFgoucz2HRSq0?si=SdlOWu0mQEe7WDjwfXJoTg   See You at the Maypole - Half Waif: https://open.spotify.com/album/42IiJqXh1ICEPJjwqG5D1B?si=GCLOCqKdT2m14e5zC7MPnA     Other Odds & Ends:    Gemini Pickups: https://www.geminipickups.com/#/   Gunk: https://gunkyard.substack.com/   No Hassle Castle: https://www.instagram.com/nohasslenyc/   Union Pool: https://www.union-pool.com/   Baby's All Right: https://babysallright.com/   Public Records: https://publicrecords.nyc/ Subscribe to the Fretboard Journal: http://fretboardjournal.com/subscribe Love the podcast and want to support it? We have a Patreon page just for Fretboard Journal fans, and it is loaded with bonus content. https://www.patreon.com/Fretboard_Journal Our next Fretboard Summit takes place August 21-23, 2025 at Chicago's Old Town School of Folk Music. Register today: https://www.oldtownschool.org/concerts/2025/08-21-2025-fretboard-summit-2025/ This week's show is sponsored by: Stringjoy Strings: https://stringjoy.com (Use the code FRETBOARD to save 10% off your first order) Mike & Mike's Guitar Bar: https://mmguitarbar.com Peghead Nation: https://www.pegheadnation.com (Get your first month free or $20 off any annual subscription with the promo code FRETBOARD at checkout). Collings: Check out their new Hill Country series of guitars: https://collingsguitars.com/hill-country-series/

On International Human Rights Day, a look at the Tennesseans being honored this year by the state's Human Rights Commission. Plus, the local news for December 10, 2024 and the latest release from Gillian Welch and David Rawlings. Credits: This is a production of Nashville Public RadioHost/producer: Nina CardonaEditor: Miriam KramerAdditional support: Mack Linebaugh, Tony Gonzalez, Rachel Iacovone, LaTonya Turner and the staff of WPLN and WNXP

Despite how influential they've become, they've maintained an insular musical world, evolving in their own way and at their own pace. Today, Nashville Public Radio Senior Music writer Jewly Hight sits down with Welch and Rawlings for an intimate conversation about their musical influences, the beauty of embracing imperfection, and the career self-sufficiency they didn't really want but intentionally cultivated.This episode was produced by Jewly Hight and Mary Mancini.Guests Gillian Welch, Singer-songwriter David Rawlings, Singer-songwriter

Over the last three decades, the Nashville singing and songwriting duo of Gillian Welch and David Rawlings has contributed a lot of songs to the folk canon. And the great tunes are treasured because they tell stories broad enough to be sung by all sorts of people.But senior music writer Jewly Hight says that with their latest album, Woodland, Welch and Rawlings have subtly turned the attention towards their own, singular musical journey. So she rambled down that path with WNXP's Nashville Artist of the Month.

On this week's smashing episode of TRAPPO, your hosts discuss two relatively new albums that they both enjoy very much. The albums in question are Woodland from Gillian Welch & David Rawlings and crux deluxe from Glasser, and you can listen to each of these albums on Bandcamp by clicking HERE (Woodland) and HERE (crux deluxe)! Since this is a New-ish Music Showcase, that means there's an obligatory poll up on the official TRAPPO blog (CLICK HERE), so go ahead and visit the blog and vote for these two albums whenever you have the time. Their fate rests in your trembling hands, dear listener! Do you think they belong in the TRAPPO Essentials Can(n)on? Then you have to vote! While you're on the blog (CLICK HERE), why don't you leave a couple of lovely comments? Tell us what you think of the music we showcased on this latest episode, and suggest some cool new tunes you might think we'd enjoy. If you'd like, you could also send us a lengthy email (CLICK HERE) and we'll probably respond in a timely manner. We're also on Threads if you dig social media. So CLICK HERE to follow us on Threads. There's a cool newsletter that drops every Wednesday called The TRAPPO Town Gazette, and you can subscribe (for free) by CLICKING HERE to ensure you never miss an edition! Thanks for listening!

Includes brand new music from the likes of Vancouver's Robyn Lane & The Rhythm Makers, Locarno, Tinariwen, Mauro Durante & Justin Adams, Christy Moore, Gillian Welch & David Rawlings, and a wonderful new album by Cathy Jordan of the Irish band Dervish. There is also a feature on the next two bands coming to The Rogue Folk Club: Italian trio Ensemble Sangineto (below) - who were the talk of the town at the Folk Alliance in Kansas City in February, with their unique blend of Celtic and Breton influences and Italian trad songs from all around the "boot" - and Linda McRae & Doug Cox - rootsy, bluesy songs from the left coast and the deep south.

"A Boot And A Shoe" The Grammy-nominated singer/songwriter Sam Phillips has had quite a career. The Glendale-born musician has almost fifteen albums under her musical belt, including The Indescribable Wow, Cruel Inventions, Martinis and Bikinis, Cold Dark Nights and the newly reissued version of A Boot And A Shoe. We'll get to that in a minute, but before we do, let me give you a partial list of folks she's collaborated with over the years: R.EM., Elvis Costello, T-Bone Burnett, Van Dyke Parks, Marc Ribot, Jim Keltner, Gillian Welch and David Rawlings. Other career highlights; she's composed scores for Gilmore Girls, Bunheads and the Marvelous Ms. Maisel, she appeared in Die Hard With A Vengeance and Wim Wenders' The End Of Violence (the throat cutting I referenced comes in the former) and her handmade collages on repurposed vintage album sleeves that were found at flea markets.were exhibited at the Gertrude Contemporary in Australia. But back to a Boot and A Shoe. The 2004 album has been given a proper reissue by Omnivore to commemorate its 20th anniversary. Available on CD and on vinyl for the very first time along with new liner notes penned by Phillips, the thirteen track album has never sounded better. Thanks to Phillips' lyrical dexterity and elegant phrasing and featuring numbers like "Reflecting Light," "If I Could Write," "Hole In My Pocket" and "One Day Late," A Boot And A Shoe" remains a timeless classic. www.samphillips.com www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.bombshellradio.com (http://www.bombshellradio.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) Stereo Embers The Podcast Twitter (what's left of it): @emberseditor IG: @emberspodcast Email: editor@stereoembersmagazine.com (mailto:editor@stereoembersmagazine.com)

The folk duo's latest album is named after the East Nashville studio that was destroyed by a devastating tornado outbreak in 2020.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

This week, hosts Reginald Worth and Jason Jefferies discuss the new releases of 8/23/24, including Romance by Fontaines D.C., Woodland Studios by Gillian Welch and David Rawlings, Bread by Sofi Tukker and The Bed I Made by The Softies.  Happy listening!

Their new album, the first co-authored by the duo in seven years, “Woodland” was recorded at the studio it is named after.

NPR Music's Stephen Thompson and Sheldon Pearce are your guides to seven anticipated albums out Aug. 23. During the second half of the episode, the two dig into the mercurial nature of the album format in 2024.Featured albums:- Sabrina Carpenter, 'Short n' Sweet'- Lainey Wilson, 'Whirlwind'- Illuminati hotties, 'POWER'- Fontaines D.C., 'Romance'- Heems, 'Veena'- Gillian Welch and David Rawlings, 'Woodland'- Magdalena Bay, 'Imaginal Disk'See the longer list of albums out August 23 and stream our New Music Friday playlist at https://npr.org/music.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Two-time Grammy-winning duo Gillian Welch & David Rawlings are stalwarts of American folk celebrating the 20th anniversary of their copious partnership with Woodland, an album recorded in their Nashville studio. The duo paint a pastoral setting on “Empty Trainload of Sky.” 

1967: How I Got There and Why I Never Left (Akashic Books, 2024) explores how that pivotal slice of time tastes to a bright, obsessive-compulsive boy who is shipped off to a hothouse academic boarding school as he reaches the age of thirteen--just as Bob Dylan's Highway 61 Revisited starts to bite, and the Beatles's Sgt. Pepper's Lonely Hearts Club Band explodes. When he arrives in January 1966, Robyn Hitchcock is still a boy pining for the comforts of home and his family's loving au pair, Teresa. By December 1967, he's mutated into a 6'2? tall rabid Bob Dylan fan, whose two ambitions in life are to get really high and fly to Nashville. In between--as the hippie revolution blossoms in the world outside--Hitchcock adjusts to the hierarchical, homoerotic world of Winchester, threading a path through teachers with arrested development, some oafish peers, and a sullen old maid--a very English freak show. On the way he befriends a cadre of bat-winged teenage prodigies and meets their local guru, the young Brian Eno. At the end of 1967, all the ingredients are in place that will make Robyn Hitchcock a songwriter for life. But then again, does 1967 ever really end? Robyn Hitchcock is a rock 'n' roll surrealist. Born in London in 1953, he describes his songs as "pictures you can listen to." Hitchcock has floated at a tangent to the mainstream for nearly five decades, and his songs have been performed by R.E.M., the Replacements, Neko Case, Gillian Welch & David Rawlings, Lou Barlow, Grant-Lee Phillips, Sparklehorse, and Suzanne Vega with the Grateful Dead, among others. Hitchcock lives in London with his wife Emma Swift and two cats, Ringo and Tubby. Robyn on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

1967: How I Got There and Why I Never Left (Akashic Books, 2024) explores how that pivotal slice of time tastes to a bright, obsessive-compulsive boy who is shipped off to a hothouse academic boarding school as he reaches the age of thirteen--just as Bob Dylan's Highway 61 Revisited starts to bite, and the Beatles's Sgt. Pepper's Lonely Hearts Club Band explodes. When he arrives in January 1966, Robyn Hitchcock is still a boy pining for the comforts of home and his family's loving au pair, Teresa. By December 1967, he's mutated into a 6'2? tall rabid Bob Dylan fan, whose two ambitions in life are to get really high and fly to Nashville. In between--as the hippie revolution blossoms in the world outside--Hitchcock adjusts to the hierarchical, homoerotic world of Winchester, threading a path through teachers with arrested development, some oafish peers, and a sullen old maid--a very English freak show. On the way he befriends a cadre of bat-winged teenage prodigies and meets their local guru, the young Brian Eno. At the end of 1967, all the ingredients are in place that will make Robyn Hitchcock a songwriter for life. But then again, does 1967 ever really end? Robyn Hitchcock is a rock 'n' roll surrealist. Born in London in 1953, he describes his songs as "pictures you can listen to." Hitchcock has floated at a tangent to the mainstream for nearly five decades, and his songs have been performed by R.E.M., the Replacements, Neko Case, Gillian Welch & David Rawlings, Lou Barlow, Grant-Lee Phillips, Sparklehorse, and Suzanne Vega with the Grateful Dead, among others. Hitchcock lives in London with his wife Emma Swift and two cats, Ringo and Tubby. Robyn on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

1967: How I Got There and Why I Never Left (Akashic Books, 2024) explores how that pivotal slice of time tastes to a bright, obsessive-compulsive boy who is shipped off to a hothouse academic boarding school as he reaches the age of thirteen--just as Bob Dylan's Highway 61 Revisited starts to bite, and the Beatles's Sgt. Pepper's Lonely Hearts Club Band explodes. When he arrives in January 1966, Robyn Hitchcock is still a boy pining for the comforts of home and his family's loving au pair, Teresa. By December 1967, he's mutated into a 6'2? tall rabid Bob Dylan fan, whose two ambitions in life are to get really high and fly to Nashville. In between--as the hippie revolution blossoms in the world outside--Hitchcock adjusts to the hierarchical, homoerotic world of Winchester, threading a path through teachers with arrested development, some oafish peers, and a sullen old maid--a very English freak show. On the way he befriends a cadre of bat-winged teenage prodigies and meets their local guru, the young Brian Eno. At the end of 1967, all the ingredients are in place that will make Robyn Hitchcock a songwriter for life. But then again, does 1967 ever really end? Robyn Hitchcock is a rock 'n' roll surrealist. Born in London in 1953, he describes his songs as "pictures you can listen to." Hitchcock has floated at a tangent to the mainstream for nearly five decades, and his songs have been performed by R.E.M., the Replacements, Neko Case, Gillian Welch & David Rawlings, Lou Barlow, Grant-Lee Phillips, Sparklehorse, and Suzanne Vega with the Grateful Dead, among others. Hitchcock lives in London with his wife Emma Swift and two cats, Ringo and Tubby. Robyn on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

1967: How I Got There and Why I Never Left (Akashic Books, 2024) explores how that pivotal slice of time tastes to a bright, obsessive-compulsive boy who is shipped off to a hothouse academic boarding school as he reaches the age of thirteen--just as Bob Dylan's Highway 61 Revisited starts to bite, and the Beatles's Sgt. Pepper's Lonely Hearts Club Band explodes. When he arrives in January 1966, Robyn Hitchcock is still a boy pining for the comforts of home and his family's loving au pair, Teresa. By December 1967, he's mutated into a 6'2? tall rabid Bob Dylan fan, whose two ambitions in life are to get really high and fly to Nashville. In between--as the hippie revolution blossoms in the world outside--Hitchcock adjusts to the hierarchical, homoerotic world of Winchester, threading a path through teachers with arrested development, some oafish peers, and a sullen old maid--a very English freak show. On the way he befriends a cadre of bat-winged teenage prodigies and meets their local guru, the young Brian Eno. At the end of 1967, all the ingredients are in place that will make Robyn Hitchcock a songwriter for life. But then again, does 1967 ever really end? Robyn Hitchcock is a rock 'n' roll surrealist. Born in London in 1953, he describes his songs as "pictures you can listen to." Hitchcock has floated at a tangent to the mainstream for nearly five decades, and his songs have been performed by R.E.M., the Replacements, Neko Case, Gillian Welch & David Rawlings, Lou Barlow, Grant-Lee Phillips, Sparklehorse, and Suzanne Vega with the Grateful Dead, among others. Hitchcock lives in London with his wife Emma Swift and two cats, Ringo and Tubby. Robyn on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

1967: How I Got There and Why I Never Left (Akashic Books, 2024) explores how that pivotal slice of time tastes to a bright, obsessive-compulsive boy who is shipped off to a hothouse academic boarding school as he reaches the age of thirteen--just as Bob Dylan's Highway 61 Revisited starts to bite, and the Beatles's Sgt. Pepper's Lonely Hearts Club Band explodes. When he arrives in January 1966, Robyn Hitchcock is still a boy pining for the comforts of home and his family's loving au pair, Teresa. By December 1967, he's mutated into a 6'2? tall rabid Bob Dylan fan, whose two ambitions in life are to get really high and fly to Nashville. In between--as the hippie revolution blossoms in the world outside--Hitchcock adjusts to the hierarchical, homoerotic world of Winchester, threading a path through teachers with arrested development, some oafish peers, and a sullen old maid--a very English freak show. On the way he befriends a cadre of bat-winged teenage prodigies and meets their local guru, the young Brian Eno. At the end of 1967, all the ingredients are in place that will make Robyn Hitchcock a songwriter for life. But then again, does 1967 ever really end? Robyn Hitchcock is a rock 'n' roll surrealist. Born in London in 1953, he describes his songs as "pictures you can listen to." Hitchcock has floated at a tangent to the mainstream for nearly five decades, and his songs have been performed by R.E.M., the Replacements, Neko Case, Gillian Welch & David Rawlings, Lou Barlow, Grant-Lee Phillips, Sparklehorse, and Suzanne Vega with the Grateful Dead, among others. Hitchcock lives in London with his wife Emma Swift and two cats, Ringo and Tubby. Robyn on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

1967: How I Got There and Why I Never Left (Akashic Books, 2024) explores how that pivotal slice of time tastes to a bright, obsessive-compulsive boy who is shipped off to a hothouse academic boarding school as he reaches the age of thirteen--just as Bob Dylan's Highway 61 Revisited starts to bite, and the Beatles's Sgt. Pepper's Lonely Hearts Club Band explodes. When he arrives in January 1966, Robyn Hitchcock is still a boy pining for the comforts of home and his family's loving au pair, Teresa. By December 1967, he's mutated into a 6'2? tall rabid Bob Dylan fan, whose two ambitions in life are to get really high and fly to Nashville. In between--as the hippie revolution blossoms in the world outside--Hitchcock adjusts to the hierarchical, homoerotic world of Winchester, threading a path through teachers with arrested development, some oafish peers, and a sullen old maid--a very English freak show. On the way he befriends a cadre of bat-winged teenage prodigies and meets their local guru, the young Brian Eno. At the end of 1967, all the ingredients are in place that will make Robyn Hitchcock a songwriter for life. But then again, does 1967 ever really end? Robyn Hitchcock is a rock 'n' roll surrealist. Born in London in 1953, he describes his songs as "pictures you can listen to." Hitchcock has floated at a tangent to the mainstream for nearly five decades, and his songs have been performed by R.E.M., the Replacements, Neko Case, Gillian Welch & David Rawlings, Lou Barlow, Grant-Lee Phillips, Sparklehorse, and Suzanne Vega with the Grateful Dead, among others. Hitchcock lives in London with his wife Emma Swift and two cats, Ringo and Tubby. Robyn on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

1967: How I Got There and Why I Never Left (Akashic Books, 2024) explores how that pivotal slice of time tastes to a bright, obsessive-compulsive boy who is shipped off to a hothouse academic boarding school as he reaches the age of thirteen--just as Bob Dylan's Highway 61 Revisited starts to bite, and the Beatles's Sgt. Pepper's Lonely Hearts Club Band explodes. When he arrives in January 1966, Robyn Hitchcock is still a boy pining for the comforts of home and his family's loving au pair, Teresa. By December 1967, he's mutated into a 6'2? tall rabid Bob Dylan fan, whose two ambitions in life are to get really high and fly to Nashville. In between--as the hippie revolution blossoms in the world outside--Hitchcock adjusts to the hierarchical, homoerotic world of Winchester, threading a path through teachers with arrested development, some oafish peers, and a sullen old maid--a very English freak show. On the way he befriends a cadre of bat-winged teenage prodigies and meets their local guru, the young Brian Eno. At the end of 1967, all the ingredients are in place that will make Robyn Hitchcock a songwriter for life. But then again, does 1967 ever really end? Robyn Hitchcock is a rock 'n' roll surrealist. Born in London in 1953, he describes his songs as "pictures you can listen to." Hitchcock has floated at a tangent to the mainstream for nearly five decades, and his songs have been performed by R.E.M., the Replacements, Neko Case, Gillian Welch & David Rawlings, Lou Barlow, Grant-Lee Phillips, Sparklehorse, and Suzanne Vega with the Grateful Dead, among others. Hitchcock lives in London with his wife Emma Swift and two cats, Ringo and Tubby. Robyn on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

1967: How I Got There and Why I Never Left (Akashic Books, 2024) explores how that pivotal slice of time tastes to a bright, obsessive-compulsive boy who is shipped off to a hothouse academic boarding school as he reaches the age of thirteen--just as Bob Dylan's Highway 61 Revisited starts to bite, and the Beatles's Sgt. Pepper's Lonely Hearts Club Band explodes. When he arrives in January 1966, Robyn Hitchcock is still a boy pining for the comforts of home and his family's loving au pair, Teresa. By December 1967, he's mutated into a 6'2? tall rabid Bob Dylan fan, whose two ambitions in life are to get really high and fly to Nashville. In between--as the hippie revolution blossoms in the world outside--Hitchcock adjusts to the hierarchical, homoerotic world of Winchester, threading a path through teachers with arrested development, some oafish peers, and a sullen old maid--a very English freak show. On the way he befriends a cadre of bat-winged teenage prodigies and meets their local guru, the young Brian Eno. At the end of 1967, all the ingredients are in place that will make Robyn Hitchcock a songwriter for life. But then again, does 1967 ever really end? Robyn Hitchcock is a rock 'n' roll surrealist. Born in London in 1953, he describes his songs as "pictures you can listen to." Hitchcock has floated at a tangent to the mainstream for nearly five decades, and his songs have been performed by R.E.M., the Replacements, Neko Case, Gillian Welch & David Rawlings, Lou Barlow, Grant-Lee Phillips, Sparklehorse, and Suzanne Vega with the Grateful Dead, among others. Hitchcock lives in London with his wife Emma Swift and two cats, Ringo and Tubby. Robyn on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

In this special episode, host David Rawlings catches up with J.P. Morgan employees who have made the leap from world champions to global finance. Mohamed Sbihi and Jessica Eddie discuss their professional athletic careers, the challenges of transitioning to a new industry, and the transferable skills and support systems that have facilitated their journey to J.P. Morgan.  This episode was recorded on July 8, 2024. ​ This material was prepared by certain personnel of JPMorgan Chase & Co. and its affiliates and subsidiaries worldwide and not the firm's research department. It is for informational purposes only, is not intended as an offer or solicitation for the purchase, sale or tender of any financial instrument and does not constitute a commitment, undertaking, offer or solicitation by any JPMorgan Chase entity to extend or arrange credit or provide any other products or services to any person or entity. ​ ​ © 2024 JPMorgan Chase & Company. All rights reserved. 

Join host David Rawlings and Keith Canton, Head of Americas Equity Capital Markets, as they explore the resurgent IPO market in 2024. Discover key trends, from market participation to sector performance, and strategic considerations for companies going public. Learn about the crucial balance between profitability and growth, the importance of after-market performance, and how private equity and venture capital are adapting to the new landscape.    This episode was recorded on May 8, 2024.  This material was prepared by certain personnel of JPMorgan Chase & Co. and its affiliates and subsidiaries worldwide and not the firm's research department. It is for informational purposes only, is not intended as an offer or solicitation for the purchase, sale or tender of any financial instrument and does not constitute a commitment, undertaking, offer or solicitation by any JPMorgan Chase entity to extend or arrange credit or provide any other products or services to any person or entity.  © 2024 JPMorgan Chase & Company. All rights reserved. 

On this week's show, the hosts begin by asking the question: What even is Garfield? Jim Davis' overfed, Monday-hating (even though he's jobless) cultural figure first appeared in comic strips in the late 1970s, and since then, has been surprisingly resilient, most recently conquering the summer box-office with The Garfield Movie. But who is Garfield, and more perhaps more importantly, why is he a thing? To answer these questions, each host watched (or endured) a different Garfield entity, including Garfield: The Movie (2004), Garfield: A Tail of Two Kitties (2006), and the latest film starring Chris Pratt as the titular cat. Then, the three discuss suspense and its nature in relation to fiction, inspired by Kathryn Schulz's essay for The New Yorker, “The Secrets of Suspense.” It's a curious, fantastic essay that questions the human impulse to know what happens next. Finally, it's a visit from the Gabfest's oldest and closest Friend of the Pod, June Thomas, who speaks with the panel about her essential new book, A Place of Our Own: Six Spaces That Shaped Queer Women's Culture.  In the exclusive slate Plus segment, the hosts answer a listener question from Evana: “What is a cultural reference that really bugs Steve/Julia/Dana when they see/hear it being misused or misinterpreted?” We're taking submissions for Summer Strut 2024! Send up to three songs that you find particularly strut-worthy to culturefest@slate.com.  Email us at culturefest@slate.com.  Endorsements: Dana: A wonderful documentary on Apple TV+, From Caligari to Hitler: German Cinema in the Age of the Masses.  Julia: Koeze's Cream-Nut All-Natural Peanut Butter (with no added sugar!) Stephen: The musical stylings of Gillian Welch and David Rawlings. Read a profile on the duo: “How Gillian Welch and David Rawlings Held Onto Optimism” by Hanif Abdurraqib for The New York Times. Listen to their songs, “Beautiful Boy” and “Picasso,” and check out the YouTube video, “Getting Started with Licks & Fills in the style of Dave Rawlings.”  Podcast production by Jared Downing. Production assistance by Kat Hong.  Hosts Dana Stephens, Julia Turner, Stephen Metcalf Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, host David Rawlings chats with Dorothee Blessing and Conor Hillery, Co-Heads of Investment Banking for EMEA at J.P. Morgan, on the financial pulse of the EMEA region. They explore the impact of geopolitical influences, regulatory shifts, and the M&A outlook in a rapidly evolving economic and investment banking landscape.    This episode was recorded on March 11, 2024. ​​ This material was prepared by certain personnel of JPMorgan Chase & Co. and its affiliates and subsidiaries worldwide and not the firm's research department. It is for informational purposes only, is not intended as an offer or solicitation for the purchase, sale or tender of any financial instrument and does not constitute a commitment, undertaking, offer or solicitation by any JPMorgan Chase entity to extend or arrange credit or to provide any other products or services to any person or entity. ​​ © 2024 JPMorgan Chase & Company. All rights reserved.   

She's truly a study in contrasts – right from her chosen moniker, Sunny War.  Her story is an utterly extraordinary one, in terms of both her brilliant musical arc and her often-tumultuous life journey. She spent much of her teens and early 20s as an itinerant busker, living where she could, sometimes hopping trains around the States, experiencing trouble with the law, and battling drug and alcohol addiction. All along, Sunny War's lone constant companion – her true lifeline – has been her guitar.  The folk/ punk/ gospel/ blues artist was born Sydney Ward into a musical family in Nashville, steeped in rock, folk, and classical music, and started playing guitar as a child. Moving to L.A., she discovered punk rock in her early teens, which led her to a true DIY musical apprenticeship busking on the streets of Venice Beach. It was there that she began to develop her unique artistic voice, one that utterly transcends genre and era. She cites the influence of everyone from 1930s blues greats like Robert Johnson and Skip James, to 1980s reggae/punk firebrands Bad Brains and current experimental rap artist JPEGMafia.  Her 2022 album Anarchist Gospel was mainly written in the wake of a devastating breakup, in the loneliest depths of the pandemic, just before she decided to pull up stakes and move back to Tennessee. There, she made this album with producer Adrija Tokic (who has worked on albums by folks like Alabama Shakes and Hurray for the Riff Raff) and with collaborators like roots music heavyweights Allison Russell and David Rawlings.  Anarchist Gospel draws on the sense of duality that's at the heart of her work – these are heart-rending songs about romantic pain, family strife, and doomy environmental woes, yet the album overall is somehow strangely uplifting.  We hear that in the songs she shares with us in this episode of Hidden Track: "New Day", "Whole", and "No Reason". She performed them solo in a breathtakingly intimate session, as she travelled through Alberta playing a pair of wintertime music festivals. Travelling solo, of course!  Hidden Track Sessions are produced by CKUA Radio and is made possible by the generous contributions of our donors. Find out how you can get involved at ckua.com/donate! 

Nascuda a Illinois, Jackson

Nascuda a Illinois, Jackson

"Did you know that there's a tunnel under Ocean Blvd" va ser, i

"Did you know that there's a tunnel under Ocean Blvd" va ser, i

Aquesta gaditana nascuda a La L

Aquesta gaditana nascuda a La L

Join host David Rawlings and Michael Cembalest, Chairman of Market and Investment Strategy at J.P. Morgan Asset and Wealth Management, as they discuss the state of the global economy and outlook in 2024. Explore the possibility of a soft landing and market surprises. Dive into topics like the evolving role of regional banks, antitrust risks, global elections' implications on markets and more.      Read Michael's full outlook: https://privatebank.jpmorgan.com/nam/en/insights/latest-and-featured/eotm/outlook     This episode was recorded on January 9, 2024. This material was prepared by certain personnel of JPMorgan Chase & Co. and its affiliates and subsidiaries worldwide and not the firm's research department. It is for informational purposes only, is not intended as an offer or solicitation for the purchase, sale or tender of any financial instrument and does not constitute a commitment, undertaking, offer or solicitation by any JPMorgan Chase entity to extend or arrange credit or to provide any other products or services to any person or entity. © 2024 JPMorgan Chase & Company. All rights reserved.

As the 42nd J.P. Morgan Healthcare Conference wraps up, host David Rawlings and Mike Gaito, Global Head of Healthcare Investment Banking, explore the recent M&A trends and the impact of economic factors on healthcare investments. Dive into the latest developments from innovation in AI and machine learning to data management and outcomes-driven healthcare services. How can boards and management teams navigate the healthcare sector in 2024?   This episode was recorded on January 12, 2024. This material was prepared by certain personnel of JPMorgan Chase & Co. and its affiliates and subsidiaries worldwide and not the firm's research department. It is for informational purposes only, is not intended as an offer or solicitation for the purchase, sale or tender of any financial instrument and does not constitute a commitment, undertaking, offer or solicitation by any JPMorgan Chase entity to extend or arrange credit or to provide any other products or services to any person or entity. © 2024 JPMorgan Chase & Company. All rights reserved.

Tres talents descomunals de la m

Tres talents descomunals de la m

As we wrap up 2023, David Rawlings hosts Jay Horine, North America Head of Investment Banking and Co-Head of Global Energy, Power, Renewables and Mining, for a conversation about what's ahead for investment banking. They explore market dynamics, the U.S. and global economy, sector trends and the outlook for deal-making in 2024. Jay also shares insights into industry innovation and how CEOs and boards can navigate the evolving investment banking landscape.  This episode was recorded on November 30, 2023. This material was prepared by certain personnel of JPMorgan Chase & Co. and its affiliates and subsidiaries worldwide and not the firm's research department. It is for informational purposes only, is not intended as an offer or solicitation for the purchase, sale or tender of any financial instrument and does not constitute a commitment, undertaking, offer or solicitation by any JPMorgan Chase entity to extend or arrange credit or to provide any other products or services to any person or entity. © 2023 JPMorgan Chase & Company. All rights reserved.

On this week's episode, we conclude our two-part feature Duo Stew, offering up more musical pairs in a variety of styles. We'll hear music from Watchhouse, Gillian Welch & David Rawlings, Jimmy Thackery & John Mooney, Hot Tuna, Chad & Jeremy, Richard & Linda Thompson and many more. Dynamic duos … this week on The Sing Out! Radio Magazine.Pete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways Ken & Brad Kolodner / “The Orchard” / Skipping Rocks / FenchurchWatchhouse / “Wonderous Love” / Watchhouse / Thirty TigersRed Tail Ring / “Camp Meeting on the 4th of July-May Day” / Fall Away Blued / Self-producedGillian Welch & David Rawlings / “Ginseng Sullivan” / All the Good Times / AconyNorman & Nancy Blake / “Fifty Miles of Elbow Room” / Blind Dog / RounderJimmy Thackery & John Mooney / “Take Time” / Sideways in Paradise / Blind PigDelaney & Bonnie & Friends / “Never Ending Song of Love” / Motel Shot / Real GoneChad & Jeremy / “Yesterday's Gone” / The Best of Chad & Jeremy / One WayKen & Brad Kolodner / “Falls of Richmond” / Skipping Rocks / FenchurchHot Tuna / “Water Song” / Burgers / RCABrewer & Shipley / “Tarkio Road” / Tarkio Road / BMGRichard & Linda Thompson / “When I Get to the Border” / I Want to See the Bright Lights Tonight / IslandTim O'Brien & Darrell Scott / “Time to Talk to Joseph” / Memories and Moments / Full SkiesHappy & Artie Traum / “Golden Bird” / Happy & Artie Traum / CapitolPete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways

Although the IPO market has been quiet since its 2021 peak, signs of resurgence are emerging. Join Lorenzo Soler, Head of Global Equity Syndicate, and host David Rawlings to explore the current state of the IPO market. Topics include issuer and investor engagement, macroeconomics and geopolitical dynamics, strategies for a successful IPO and a glimpse into the 2024 market landscape.  This episode was recorded on October 24th, 2023. This material was prepared by certain personnel of JPMorgan Chase & Co. and its affiliates and subsidiaries worldwide and not the firm's research department. It is for informational purposes only, is not intended as an offer or solicitation for the purchase, sale or tender of any financial instrument and does not constitute a commitment, undertaking, offer or solicitation by any JPMorgan Chase entity to extend or arrange credit or to provide any other products or services to any person or entity. © 2023 JPMorgan Chase & Company. All rights reserved.