Podcasts about at eternity

William James Dafoe (wij mogen ‘m gewoon Willem noemen) is met 159 film credits misschien wel een van de grootste filmiconen van onze tijd. Een man die zowel The Green Goblin als die manager uit The Florida Project perfect kan vertolken, verdient wat ons betreft een Actors Special!✨ We duiken in de heerlijke filmografie van deze sympathieke schurk in deze nieuwe UNCUT DIGITAL: Platoon, The Lighthouse, Wild at Heart, Spider-Man, American Psycho, Antichrist, The Florida Project… En we blikken ook nog eens vooruit

BOATS THIS WEEK (JULY 22-28,2024) — Events from this week in history include Jeffrey Dahmer's confession on July 22nd, 1991. We'll learn how well Netflix's 2022 smash hit series Monster shows that happening. This week also marks the end of the Apollo 11 mission on July 24th, 1969, but we'll have a special minisode coming out on Wednesday for that, so today we'll back up a couple days to compare the movie First Man's depiction of the lunar landing from a couple days ago on July 20th, 1969. Our final event takes us to France this week in 1890 to where Vincent van Gogh was shot...by himself? Or someone else? We'll compare history with how the movie At Eternity's Gate shows this week's event. And last but certainly not least, our 'based on a true story' movie from this week in history is an action movie called Shamshera, which released on July 22nd, 2022. Until next time, here's where you can continue the story. Events from this week in history Monday: Dahmer | BOATS #217 Wednesday: First Man | BOATS #144 Saturday: At Eternity's Gate | BOATS #193 Birthdays from this week in history Thursday: Amelia Earhart in Amelia Friday: Carl Jung in A Dangerous Method Saturday: Bugs Bunny in A Wild Hare A historical movie released this week in history Monday: Shamshera Mentioned in this episode First Man: Original footage of Neil Armstrong's first step Did you enjoy this episode? Get the BOATS email newsletter Leave a comment Support our sponsors Unlock ad-free episodes Note: If your podcast app doesn't support clickable links, copy/paste this in your browser to find all the links: https://links.boatspodcast.com/334 Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we'll learn about historical events between June 3rd and June 9th as they're shown in the movies. We'll also learn about birthdays from historical figures who have been portrayed in the movies as well as recommendations for a movie that was released this week in history. Events from This Week in History Tuesday: The Longest Day | BOATS #134 Thursday: The Longest Day | BOATS #134 Thursday: Saving Private Ryan | BOATS #159 Birthdays from This Week in History Nathan Hale in Turn: Washington's Spies | BOATS #139 Paul Gauguin in At Eternity's Gate | BOATS #193 Donald Duck in The Wise Little Hen A Historical Movie Released This Week in History A Sunday Horse Did you enjoy this episode? Find the transcript and full show notes: https://links.boatspodcast.com/324 Get the BOATS email newsletter: https://links.boatspodcast.com/newsletter Leave a comment: https://links.boatspodcast.com/comment Support our sponsors: https://links.boatspodcast.com/advertisers Unlock ad-free episodes: https://links.boatspodcast.com/value Learn more about your ad choices. Visit megaphone.fm/adchoices

Why Saied is obsessed with Batman, the worst part about being sick, and some ASMR for you.   TIMESTAMPS: (0:00) Sponsors (2:10) Dealing with sickness (7:05) Adolf Hitler? (8:15) Dminder app (11:00) Corny Spiderman (13:50) Superhero Saied (16:10) The Diddler (17:30) Boeing Exec "Suicide" (20:30) ASMR (21:20) Plato's genius (23:20) At Eternity's Gate (27:20) Outro   SPONSORS BUTCHERBOX: Choose the high-quality, sustainably sourced meat you want for FREE in every order for a year, PLUS $20 off your first box by using code 2AMPODCAST or by clicking the link here: https://shop.butcherbox.com/2ampodcast EKSTER: Get the highest quality smart wallets, dufflebags, and accessories on the market for up to 30% off using code 2AM in combination with this link here: https://shop.ekster.com/2ampodcast RAREBIRD PARAXANTHINE COFFEE: Elevate your mental wellness and cognitive health with the caffeine-like benefits of paraxanthine coffee (But without jitters, anxiety or insomnia): Use code 2AM for 20% off! https://rarebird-coffee.myshopify.com

         Terry Press recently joined Amblin Partners in the newly created role of President of Strategy and Communications. Terry oversees the execution of all elements of marketing, publicity, consumer products, and communication for the film and television divisions of Amblin Partners and Steven Spielberg, who said of Terry, “Since the earliest days of DreamWorks, Terry has been a vital part of our DNA, championing our films with her marketing expertise and passion for film. Her reputation in the industry for excellence is well known and we have a long-shared history of great experiences together.”           Terry also continues in her role as a consultant at Turner Classic Movies, where Steven Spielberg, Martin Scorsese and Paul Thomas Anderson advise the channel. Recent movies that Terry has worked on with Mr. Spielberg include: The Fabelmans, West Side Story, Lincoln, The Post, and Amblin/Universal's award-winning 1917.            Previously, Terry was President of CBS Films, where she oversaw the production, marketing, and distribution of such titles as: The Woman in Black, The Duff, Last Vegas, Hell or High Water, At Eternity's Gate, Salmon Fishing in the Yemen, the Coen Brothers' Inside Llewyn Davis, and Ron Howard's documentary, Pavarotti.            Prior to forming the branding, publicity, strategy, and media and digital positioning company, 7570, Inc., Terry served for ten years as the Head of Marketing for DreamWorks SKG where she oversaw the campaigns for all live-action and animated features, including Saving Private Ryan, American Beauty, Gladiator, A Beautiful Mind, and Shrek, which won the first Oscar for Best Animated Feature.            Terry began her career with a nine-year stint at the Walt Disney Company and Walt Disney Studios.For several years, she taught marketing at UCLA (which is her alma mater, and for the record, mine, too). Recently, alongside Scott Feinberg, Terry was a guest instructor at Chapman University, Dodge College.Terry also happens to be married to a favorite StoryBeat guest, the brilliant writer, and photographer, Andy Marx.

What makes films memorable and meaningful? Great cinematographers are not only translators of a director's vision but are involved in a dance between director and actor. When combined with personal techniques like handheld, the camera itself can become a character, bringing us back in time and behind the eyes of well-known figures like Van Gogh and Stephen Hawking, which is what Benoît Delhomme did in the films At Eternity's Gate and The Theory of Everything.Benoît Delhomme studied cinematography at the École nationale supérieure Louis-Lumière and went on to make his breakthrough as a director of photography for the movie The Scent of Green Papaya directed by Tran Anh Hung. The film went on to win the Caméra d'Or Award at the Cannes Film Festival and was nominated for an Academy Award. Benoît has established himself as an international cinematographer and has worked with creatives such as Al Pacino, Julian Schnabel, and James Marsh. Over the years, Benoît Delhomme has worked on a wide array of films where his focus has been to tell a strong story through the visual. This focus has shined not only through his work as a cinematographer, but also his work as a painter."I certainly like a handheld camera, It's a bit like playing a saxophone. It's like the pace of walking or how I stop or I decide to go closer to the actor or to take more distance is so free. No one is telling me to go one step forward or one step back. I have to decide on the spot. So there certainly a freedom like a painter with a brush. It's nice because you have even the vibrations, your rhythms, the actor's rhythms. It's this dance."www.benoitdelhomme.comwww.benoitdelhommestudio.comwww.instagram.com/benoitdelhommewww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

What makes films memorable and meaningful? Great cinematographers are not only translators of a director's vision but are involved in a dance between director and actor. When combined with personal techniques like handheld, the camera itself can become a character, bringing us back in time and behind the eyes of well-known figures like Van Gogh and Stephen Hawking, which is what Benoît Delhomme did in the films At Eternity's Gate and The Theory of Everything.Benoît Delhomme studied cinematography at the École nationale supérieure Louis-Lumière and went on to make his breakthrough as a director of photography for the movie The Scent of Green Papaya directed by Tran Anh Hung. The film went on to win the Caméra d'Or Award at the Cannes Film Festival and was nominated for an Academy Award. Benoît has established himself as an international cinematographer and has worked with creatives such as Al Pacino, Julian Schnabel, and James Marsh. Over the years, Benoît Delhomme has worked on a wide array of films where his focus has been to tell a strong story through the visual. This focus has shined not only through his work as a cinematographer, but also his work as a painter."If you want to do your art well, you need to have some pleasure. If talking is not a pleasure, it's horrible. And when filming on a set is a bad experience, it's one of the worst things in life. As a cinematographer, if you can't make what you do personal to you, there is no soul. You need to make it personal.I don't know if Julian Schnabel trusted me, and I had to prove myself. For example, he had another guy in mind. And for many weeks, he said to me, 'Maybe we should keep two cinematographers?' And one evening he said, 'I'm going to paint in my outdoor studio tonight if you want to come.' And, I went to see him painting and brought a small digital camera. And he had music on and was doing this incredible painting. I was kind of fascinated to be there. We didn't talk. He knew I was filming him. He didn't say anything. So I spent part of the night cutting my small documentary. And in the morning at breakfast, I put my computer on the breakfast table and showed it to him, and he was so focused and very moved by what he saw. And he said, 'Okay, you captured what I was doing. You've got the film.'"www.benoitdelhomme.comwww.benoitdelhommestudio.comwww.instagram.com/benoitdelhommewww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

What makes films memorable and meaningful? Great cinematographers are not only translators of a director's vision but are involved in a dance between director and actor. When combined with personal techniques like handheld, the camera itself can become a character, bringing us back in time and behind the eyes of well-known figures like Van Gogh and Stephen Hawking, which is what Benoît Delhomme did in the films At Eternity's Gate and The Theory of Everything.Benoît Delhomme studied cinematography at the École nationale supérieure Louis-Lumière and went on to make his breakthrough as a director of photography for the movie The Scent of Green Papaya directed by Tran Anh Hung. The film went on to win the Caméra d'Or Award at the Cannes Film Festival and was nominated for an Academy Award. Benoît has established himself as an international cinematographer and has worked with creatives such as Al Pacino, Julian Schnabel, and James Marsh. Over the years, Benoît Delhomme has worked on a wide array of films where his focus has been to tell a strong story through the visual. This focus has shined not only through his work as a cinematographer, but also his work as a painter."If you want to do your art well, you need to have some pleasure. If talking is not a pleasure, it's horrible. And when filming on a set is a bad experience, it's one of the worst things in life. As a cinematographer, if you can't make what you do personal to you, there is no soul. You need to make it personal.I don't know if Julian Schnabel trusted me, and I had to prove myself. For example, he had another guy in mind. And for many weeks, he said to me, 'Maybe we should keep two cinematographers?' And one evening he said, 'I'm going to paint in my outdoor studio tonight if you want to come.' And, I went to see him painting and brought a small digital camera. And he had music on and was doing this incredible painting. I was kind of fascinated to be there. We didn't talk. He knew I was filming him. He didn't say anything. So I spent part of the night cutting my small documentary. And in the morning at breakfast, I put my computer on the breakfast table and showed it to him, and he was so focused and very moved by what he saw. And he said, 'Okay, you captured what I was doing. You've got the film.'"www.benoitdelhomme.comwww.benoitdelhommestudio.comwww.instagram.com/benoitdelhommewww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

What makes films memorable and meaningful? Great cinematographers are not only translators of a director's vision but are involved in a dance between director and actor. When combined with personal techniques like handheld, the camera itself can become a character, bringing us back in time and behind the eyes of well-known figures like Van Gogh and Stephen Hawking, which is what Benoît Delhomme did in the films At Eternity's Gate and The Theory of Everything.Benoît Delhomme studied cinematography at the École nationale supérieure Louis-Lumière and went on to make his breakthrough as a director of photography for the movie The Scent of Green Papaya directed by Tran Anh Hung. The film went on to win the Caméra d'Or Award at the Cannes Film Festival and was nominated for an Academy Award. Benoît has established himself as an international cinematographer and has worked with creatives such as Al Pacino, Julian Schnabel, and James Marsh. Over the years, Benoît Delhomme has worked on a wide array of films where his focus has been to tell a strong story through the visual. This focus has shined not only through his work as a cinematographer, but also his work as a painter."I certainly like a handheld camera, It's a bit like playing a saxophone. It's like the pace of walking or how I stop or I decide to go closer to the actor or to take more distance is so free. No one is telling me to go one step forward or one step back. I have to decide on the spot. So there certainly a freedom like a painter with a brush. It's nice because you have even the vibrations, your rhythms, the actor's rhythms. It's this dance."www.benoitdelhomme.comwww.benoitdelhommestudio.comwww.instagram.com/benoitdelhommewww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

In this episode, we'll learn about historical events that happened this week in history as they were depicted in At Eternity's Gate, Bonnie and Clyde, and USS Indianapolis: Men of Courage. Did you enjoy this episode? Find everything at: https://links.boatspodcast.com/265 Leave a comment: https://links.boatspodcast.com/comment Learn more about BOATS This Week: https://links.boatspodcast.com/thisweek Support our sponsors: https://links.boatspodcast.com/advertisers Remove the ads by supporting the show: https://links.boatspodcast.com/support Learn more about your ad choices. Visit megaphone.fm/adchoices

*spoilers for all things discussed* hey everyone! special episode with special guest Rick Ives and he's here to have a couple non-alcoholic drinks, talk movie news, reviews for At Eternity's Gate & many more! Check out Rick Ives stuff here: https://linktr.ee/flashbulbfilms For more fun stuff visit: reelmedianetwork.com

We try something a little different this week we are comparing two films about Vincent Van Gogh, Julian Schnabel's At Eternity's Gate (2018) and Vincente Minnelli's Lust for Life (1956)

تُرى ما شكل حياة الفنان الذي ولد بموهبة سابقة لعصره؟At Eternity's Gate أو عند بوابة الخلود الفيلم الذي يحمل اسم آخر لوحة لفينسينت فان جوه، أو فينسينت فان جوخ - باللغة الهولندية - مسقط رأسه وبلده الأم، يحكي قصة حياة فينسينت، كأنها لوحة، يغلب عليها طوال الوقت اللون الأزرق، الذي يؤكد حزن وتعاسة فينسينت، والتعليقات القاسية التي عاش طوال عمره يسمعها، لكنه لم يكن يسمعها بالفعل.فيلم عن تعاسة فنان ونجاح فنه، وأعدك بعد هذا الفيلم ستنظر للفن بشكل مختلف

April Showers Bring Van Gogh Flowers Month unleashes another storm as your hosts bring you an unusual selection for this "true crime pairing", AT ETERNITY'S GATE, an art house biopic of one of the world's greatest artists, whose works have been subjected to numerous allegations of fraud and instances of theft. Julian Schnabel might be a celebrated visual artist, but as a filmmaker, is he up to the task of capturing the soul of the late Vincent van Gogh? Christopher and Eric have strong opinions. And in comparing fact to fiction, Eric has questions and a lot to say about the bullet that ended Vincent's life — and where it might have come from.

Ryan and Dylan are joined by Ross Widener to talk about one of his favorite movies: At Eternity's Gate.

In this episode of Accessible Art History: The Podcast, I am discussing a Metropolitan Masterpiece by Vincent van Gogh. At Eternity's Gate is a rare print by the artist that evokes deep emotion. For images and sources: https://www.accessiblearthistory.com/post/podcast-episode-84-at-eternity-s-gate-by-vincent-van-gogh _________________________________________________________________________________________________________________________________________ Welcome to Accessible Art History! Here, we provide a space for art lovers, students, and anyone who is curious to explore all periods of art history and human creation.  Accessible Art History: The Podcast is a proud member of Past and Present Media!  Website: www.accessiblearthistory.com  YouTube channel: https://www.youtube.com/accessiblearthistory If you would like to support me on Patreon: https://www.patreon.com/accessiblearthistory?fan_landing=true Sponsor an episode: https://www.buymeacoffee.com/accessarthist  Follow on Instagram: @accessible.art.history My favorite art history books: https://bookshop.org/shop/accessiblearthistory Purchase Accessible Art History Merch! Use Code PODCAST10 for 10% off your order!  Sign up for the monthly newsletter: https://forms.gle/Dwe3mob2D43r8Hu2A All images courtesy of Public Domain and/or Creative Commons for educational purposes Music courtesy of Epidemic Sound (referral link below) https://www.epidemicsound.com/referral/kvtik0  #arthistory #art #history --- Support this podcast: https://podcasters.spotify.com/pod/show/accessiblearthistory/support

In a new feature film called Inside, an art heist goes terribly wrong for a thief named Nemo. Nemo is played by the world-renowned actor Willem DaFoe, well-loved by the art world already for his performance in the 2018 film At Eternity's Gate, where he played Vincent van Gogh. In the ultra-contemporary plot of Inside, Dafoe's character Nemo is not a world famous artist, but rather an anonymous robber who's after a self-portrait by Egon Schiele. The artwork is not where it is supposed to be inside the ultra-modern penthouse he's just broken into. Carefully laid plans seem to be going awry. Precious minutes are lost. Then, the alarm system locks down, leaving Nemo sealed off from the world while in the center of Manhattan. If you haven't seen Insideyet, be advised that there are spoilers scattered throughout this episode. So, Nemo is now stuck in a resplendent box of glass, steel, and concrete, with little more than some exotic fish, luxury furniture, and a multimillion dollar art collection. On-screen alone for practically the entire film, Dafoe's character begins to battle against the degradation of his body and spirit—to deal with the latter, the artworks in the apartment become something like a central character, as does Nemo's own blossoming creativity. The artworks in the apartment, which were carefully curated, drive the plot and deepen the themes. There is a 1999 work by Maurizio Cattelan, a large photograph of a man taped to the wall with tons of duct tape, sarcastically titled A Perfect Day. There is also David Horvitz's 2019 neon that hangs over the character's struggle, with a sort of torturous prescience: it says “All the time that will come after this moment.” To build out the idea of a real art collection, there are more emerging stars. Kosovan artists Petrit Halilaj and Shkurte Halilaj's work for the 2017 Venice Biennale is worn by Nemo when the penthouse's temperature drops. And a video work by Julian Charrière and Julius von Bismarck from 2016, which was filmed at the exclusion zone surrounding the Chernobyl Nuclear Power Plant, is among the artworks in the film that conjure questions around humanity, planetary survival, and climate crisis—which is an undercurrent theme of the movie. On this week's episode, European editor Kate Brown speaks to the film's director Vasilis Katsoupis and art curator Leonardo Bigazzi about this captivating and claustrophobic feature, which had its world premiere at the Berlinale film festival last month and is about to hit theaters in the United States.

In a new feature film called Inside, an art heist goes terribly wrong for a thief named Nemo. Nemo is played by the world-renowned actor Willem DaFoe, well-loved by the art world already for his performance in the 2018 film At Eternity's Gate, where he played Vincent van Gogh. In the ultra-contemporary plot of Inside, Dafoe's character Nemo is not a world famous artist, but rather an anonymous robber who's after a self-portrait by Egon Schiele. The artwork is not where it is supposed to be inside the ultra-modern penthouse he's just broken into. Carefully laid plans seem to be going awry. Precious minutes are lost. Then, the alarm system locks down, leaving Nemo sealed off from the world while in the center of Manhattan. If you haven't seen Insideyet, be advised that there are spoilers scattered throughout this episode. So, Nemo is now stuck in a resplendent box of glass, steel, and concrete, with little more than some exotic fish, luxury furniture, and a multimillion dollar art collection. On-screen alone for practically the entire film, Dafoe's character begins to battle against the degradation of his body and spirit—to deal with the latter, the artworks in the apartment become something like a central character, as does Nemo's own blossoming creativity. The artworks in the apartment, which were carefully curated, drive the plot and deepen the themes. There is a 1999 work by Maurizio Cattelan, a large photograph of a man taped to the wall with tons of duct tape, sarcastically titled A Perfect Day. There is also David Horvitz's 2019 neon that hangs over the character's struggle, with a sort of torturous prescience: it says “All the time that will come after this moment.” To build out the idea of a real art collection, there are more emerging stars. Kosovan artists Petrit Halilaj and Shkurte Halilaj's work for the 2017 Venice Biennale is worn by Nemo when the penthouse's temperature drops. And a video work by Julian Charrière and Julius von Bismarck from 2016, which was filmed at the exclusion zone surrounding the Chernobyl Nuclear Power Plant, is among the artworks in the film that conjure questions around humanity, planetary survival, and climate crisis—which is an undercurrent theme of the movie. On this week's episode, European editor Kate Brown speaks to the film's director Vasilis Katsoupis and art curator Leonardo Bigazzi about this captivating and claustrophobic feature, which had its world premiere at the Berlinale film festival last month and is about to hit theaters in the United States.

Last show before a few weeks hiatus because some members think they deserve a vacation. On this week's show:Happy International Brain Teaser DaySomeone stole our recycle binCVU & Enosburg Tik Tok controversyNo one wants to work in public schoolsEnd of an era? VT Country store massive layoffsHow old is a juvenile?Legos Robotics competition coming upOdyssey of the MindMedia getting turned away from hearings Mayor/Progs differ on crimeSarah George towing cars Childcare costs a lot Milk premiums on the tableEgg prices skyrocket(1:05:13) Break music: wannabees - “Wanna wanna wanna”Time for an Adam rant -  Second homeowners pay a lower tax rate than residentsShooting ranges getting an upgradeHinesburg residents not getting mailTimely TireThe rocks are too sharp in ThetfordWhatchu know ‘bout Thetford, VT?Benning WentworthCamp Fire GirlsDean Conant WorcesterAnne LindberghAnnie ProulxLouise Woodworth Foss - elocutionistFarm-Way, Inc. in BradfordHighgate reconsiders inclusionShaftsbury is pissed about solar panelsWindsor street name controversyWilson Castle - ProctorRutland ups its digital servicesKid gets lifetime free fishingPotential job for Matt - Wienermobile driver(1:53:30) Break music:  msd3k “Unit of Measures” Scumbag MapFour arrested for St. Johnsbury murderConnecticut man charged with I89 kidnapping Former cop pleads guilty to child crueltyBody found at recycling centerVandal or revolutionary?At Eternity's Gate with Willem DafoeGuess which animal is about to join the Stone ageDomestic chickens could bang their wild counterparts out of existenceThanks for listening!Follow us on Facebook: facebook.com/VermontCatchup Follow Matt on twitter: @MatthewBorden4 Contact the show: 24theroadshow@gmail.comIntro/Outro Music by B-Complex

Oi gente, no mês de setembro conversamos sobre “Cartas à Theo” (1914). Foi um episódio temático, pois a partir das cartas pudemos falar do grande artista Van Gogh, sobre movimentos artísticos, as suas questões familiares assim como as questões sociais, e também sobre seu trabalho, entendido em seu próprio tempo. Por fim, falamos também sobre as adaptações. Livros citados: Vincent (2012), de Barbara Stok Música da nossa trilha sonora: Rhodesia de Twin Musicom. Creative Commons Attribution 4.0. https://creativecommons.org/licenses/by/4.0/ Artiste: http://www.twinmusicom.org/ Deixe seus comentários aqui para gente. Sempre que acabamos de gravar, lembramos de algo mais que poderia ser dito, logo o tema sempre fica em aberto. Podcast: 00:00:23 Apresentação 00:05:30 O livro e seus temas 01:11:20 Encerramento e indicações Lust for life (1956) https://www.imdb.com/title/tt0049456/ Vincent & Theo (1990) https://www.imdb.com/title/tt0100873/ Van Gogh (1991) https://www.imdb.com/title/tt0103190/ Loving Vincent (2017) https://www.imdb.com/title/tt3262342/ At Eternity's Gate (2018) https://www.imdb.com/title/tt6938828/ O post #69 – Cartas à Theo – Van Gogh apareceu primeiro em Chá das Cinco Com Literatura.

In this French episode of the Gavin and Ruby Go To a Movie podcast, Gavin and Ruby take a trip to France (we wish) to go watch some French cinema! They explore Jean-Pierre Melville's influential Le Samourai, and Julian Schnabel's malickian biopic of Van Gogh's final years in At Eternity's Gate. The contrasting views of the world in these films make it hard for Gavin and Ruby to decipher the true meanings behind the movies. Will Gavin and Ruby be able to look past the diverse tones and give a concise look into these films? Listen to find out. We also talk about Don't Worry Darling. Le Samourai (Spoiler Free): 6:01 Le Samourai (Spoilers): 21:57 At Eternity's Gate: 31:10 Groovie News/Wrap-up: 58:02 Instagram: @gavinandrubypodcast Gavin's Letterboxd: Gavin_Lemon Ruby's Letterboxd: ruuubyv

We are back at the movies to discuss the 29th MCU movie Thor Love and Thunder starring Chris Hemsworth, Natalie Portman and Christian Bale. Join us for our spoiler filled chat all about it. Synopsis for our Thor Love And Thunder Movie Review Directed by: Taika Waititi Story by: Taika Waititi Written by: Taika Waititi with Jennifer Kaytin Robinson In a barren desert Gorr and his daughter struggle to stay alive, but despite their prayers to their god, Rapu, his daughter dies. In Rapu's lush realm, Gorr's plight and grief, and his many years of devotion are dismissed by Rapu, who proceeds to strangle him. But the god-killing Necrosword, who called Gorr to Rapu's realm, offers itself to Gorr, who kills Rapu with it and vows to kill all gods, but all wielders of the Necrosword are cursed with impending death,from the sword's corrupt influence. As Gorr rampages across the galaxy exacting his revenge on Gods, his next target is New Asgard that brings him into the crosshairs of Thor the God of Thunder. Thor arrives in New Asgard just as Gorr attacks using the power of the sword to manipulate shadows and produce monsters. In the heat of battle Thor is surprised to find Dr Jane Foster wielding Mjolnir, after Mjolnir had reforged and bonded itself to a dying Jane Foster due to an enchantment Thor had unknowingly placed on it many years earlier to protect Dr Foster. He teams up with her, Valkyrie, and Korg and fights Gorr from New Asgard, but as he escapes, Gorr kidnaps several Asgardian children and imprisons them in the Shadow Realm. Thor learns where the children are being held after being contacted by Axl, Heimdall's son, and decides to form an army of Gods to rescue them. They travel to Omnipotence City, but Zeus, fearing Gorr, refuses to help and they must escape the City on their own to pursue Gorr. Arriving at the Shadow Realm, the children are missing and Jane Foster deduces that the kidnappings were a trap, as Gorr needs Stormbreaker, in order to enter the realm of Eternity, who can grant his wish to destroy all gods. Ambushed, Gorr overpowers the group, severely injuring Valkyrie and managing to take Thor's axe. At Eternity's altar Thor and Jane Foster must fight to save the children of Asgard and for the survival of Gods. They destroy the Necrosword, freeing Gorr from its influence, and the three are brought into Eternity's realm. But Jane is at death's door weakened from using Mjolnir and with Gorr poised to make his wish, the outcome is uncertain. Thor implores Gorr to revive his daughter instead of destroying the gods, and moved by Thor's tenderness with Jane, he wishes for Eternity to revive his child, which it grants. In the aftermath, Jane Foster's sacrifice is honored in New Asgard, where Valkyrie and Sif begin training the children. Thor adopts Love, Gorr's resurrected daughter, who joins him wielding Mjolnir in his heroics. In a mid-credits scene back in Omnipotence City, a recuperating Zeus sends his son Hercules to kill Thor. In a post-credits scene, Foster arrives at the gates of Valhalla where she is welcomed by Heimdall and thanked for helping his son. Cast of Thor Love And Thunder Chris Hemsworth as ThorNatalie Portman as Jane Foster/Mighty ThorChristian Bale as Gorr the God ButcherTessa Thompson as Brunnhilde/King ValkyrieTaika Waititi as Korg / Ninny the NonnieRussell Crowe as ZeusJaimie Alexander as SifChris Pratt as Peter Quill/Star-LordDave Bautista as Drax the DestroyerKaren Gillan as NebulaPom Klementieff as MantisSean Gunn as Kraglin Obfonteri / Rocket Raccoon (motion capture)Vin Diesel as Groot (voice)Bradley Cooper as Rocket Raccoon (voice)Kat Dennings as Doctor Darcy LewisStellan Skarsgård as Doctor Erik SelvigLuke Hemsworth as Thor ActorMatt Damon as Loki ActorSam Neill as Odin ActorMelissa McCarthy as Hela ActressKieron L. Dyer as Astrid/Axl Subscribe to TV Podcast Industries If you want to keep up with us and all of our podcasts please subscri...

In episode 16 of The Neon Crew Podcast, Kyle and Mac talk about the great Academy Awards slap of 2022, if they prefer Earnest Hemingway or Salvador Dalí, and if Minecraft music makes a film better or worse. Films talked about: Midnight in Paris & At Eternity's Gate Hosts: Kyle Yates & McClain Parker Music: Gideon Hunter Gideon's Instagram: https://www.instagram.com/wakerisefall Logo design: Lauren Sander Lauren's Instagram: https://www.instagram.com/pineandsun/

Oscar fail month wraps with one burning question - is it easier to portray a modern famous person or one that has been dead for 130 years?  Malek won for his Freddy Mercury , but mostly for his concert scenes. The film was more of a medley (meh-dley). Meanwhile,  in "At Eternity's Gate", Dafoe submerged himself into one of the world's greatest artists on the edge of insanity.Next, scam movies with David Mamet's "House of Games" (1987) and "Boiler Room" (2000).Thanks for listening!Did we get something wrong? Have your own recommendations? Contact the show: 24theroadshow@gmail.comFacebook: https://www.facebook.com/24theRoadShow

Oscar fails month continues  with the 2009 Best Director category. Danny Boyle's "Slumdog Millionaire" is probably the best choice of those nominated. The direction was best when the characters were young  in the slums of Bombay, but it  bogged down in the second half. Christopher Nolan's  "The Dark Knight" is a modern day film noir masterpiece that wasn't  nominated for Best Picture. Matt, comic book movie hater, loved every second of it. Nolan's story telling and visual eye is everything we love  on this show.  Next 2019, Rami Malek wins for "Bohemian Rhapsody" but was Willem Dafoe in "At Eternity's Gate" better? Tune in.Thanks for listening!Did we get something wrong? Have your own recommendations? Contact the show: 24theroadshow@gmail.comFacebook: https://www.facebook.com/24theRoadShow

Oda, Lars og Tage er samlet for å snakke om filmer om kunstnere! Vi har sett "Frida", "Big Eyes" og "At Eternity's Gate". Trenger filmer om kunstnere å være kunstneriske? Vi får også besøk av Alexander Hellstenius som har sett den nye skrekkfilmen "X".

For this weeks episode, we watched Willem Dafoe's portrayal of Vincent Van Gough in 2018's "At Eternity's Gate". Let us know what you think of this portrayal of the famous artist, and let us know what else you're currently watching!

Nick barely scrounges together 100 movies he's seen. A weekly podcast hosted by Christopher Crumley and co-hosted by Nick Johnson. Each episode contains roughly an hour of rambling about anywhere from one to four movies (or so). New episodes uploaded every Monday.    1. Rocky 2. The Iron Giant 3. Shining  4. No Country  5. Raiders of the Lost Ark  6. Drive 7. Fight Club  8. Hot Fuzz 9. Star Wars 10. Fargo 11. There Will Be Blood 12. Inglorious Bastards  13. Pulp Fiction  14. Terminator 2  15. Leon  16. Blair Witch Project  17. Se7en 18. Jojo Rabbit  19. Toy Story 20. The Avengers 21. Reservoir Dogs 22. Hereditary  23. The Lighthouse  24. Guardians of the Galaxy 25. Back to the Future 26. Dark Knight 27. Walk Hard 28. Airplane 29. La La Land 30. Alien 31. Adaptation  32. Blade Runner 33. Spirited Away 34. Scream 35. Only God Forgives 36. Royal Tenenbaums 37. Isle of Dogs 38. Anomalisa  39. Old Boy  40. Hateful 8 41. Once Upon a Time in Hollywood 42. Halloween  43. It Follows 44. The Evil Dead  45. Scott Pilgrim  46. The Conjuring 47. Clerks  48. Terminator  49. Eraserhead 50. Twin Peaks: The Return 51. Blazing Saddles 52. What We Do in the Shadows  53. Napoleon Dynamite  54. Wet Hot American Summer 55. In Bruges 56. Burn After Reading  57. The Breakfast Club 58. The Nice Guys 59. Kiss Kiss Bang Bang 60. The Beatles Anthology  61. Jiro Dreams of Sushi  62. Three Identical Strangers  63. Tom Petty Doc  64. Catch Me if You Can  65. At Eternity's Gate  66. Jim and Andy  67. Rocky II 68. Taxi Driver 69. Goldeneye 70. 12 Angry Men 71. Interstellar  72. Gone Girl 73. Uncut Gems 74. Good Time 75. Bronson 76. Rocky Balboa  77. Green Room 78. Grease 79. Into the SpiderVerse 80. Won't You Be My Neighbor  81. Robocop 82. The Warriors  83. Logan 84. Who Framed Roger Rabbit  85. UHF 86. Lars and the Real Girl 87. Peeping Tom 88. American Psycho 89. 500 Days of Summer  90. Last Action Hero 91. The Conjuring 92. Airplane 93. Shaun of the Dead 94. Magnolia  95. Wall-E 96. Chasing Amy  97. I'm Thinking of Ending Things  98. Fire Walk With Me  99. Spider-Man  100. The Dark Knight   Patreon: https://www.patreon.com/esapod Twitter: https://twitter.com/esapod Instagram: https://www.instagram.com/eatingsoupalonepod/ YouTube: https://www.youtube.com/channel/UCO94CGwlvvUgBMYTvipw5NQ Website: eatingsoupalone.com Special thanks to Delaney Craig for our theme music.  

Stephane has been the French location Art Director on films such as: Hugo, Dunkirk, and The 15:17 To Paris. His Production Design work includes: the film At Eternity's Gate and the mini-series The Chalet. Stephane's Art Director work includes past and recent films: Sylvain Chomet's Attila Marcel, The Last Duel, Stillwater, Wes Anderson's The French Dispatch and Wes Anderson's upcoming Asteroid City.

Steven Naifeh is a Pulitzer Prize-winning author who has a new book out called Van Gogh and the Artists He Loved. He'll be joining us today to learn about the 2018 movie At Eternity's Gate. Get the Book Steven's new book is an amazing depiction of Van Gogh's paintings and the artists who inspired him. Get your copy here: https://www.amazon.com/Gogh-Artists-Loved-RANDOM-HOUSE/dp/0593356675/   Did you enjoy this episode? You can find the transcript and show notes for this episode at: https://www.basedonatruestorypodcast.com/193/ Support our sponsors: https://www.basedonatruestorypodcast.com/advertisers Or get ad-free content and exclusive bonus content by supporting the show directly: https://basedonatruestorypodcast.com/support/ Get a peek at upcoming episodes with the email newsletter: https://www.basedonatruestorypodcast.com/newsletter/ Want a chance to be heard on the show? Leave a voicemail at +1 (405) 334-4672.

At the turning point of Vincent Van Gogh's final moments of his life, the underappreciated painter struggles to find others who can see or understand the world the way he does. Meanwhile, during the economic turmoil of the Great Recession, Fern joins a group of nomads who help her piece back together a life that she had lost. On today's episode, I review both "At Eternity's Gate" and "Nomadland", and discuss how the themes of finding purpose goes in tandem with the feeling of community and belonging. Other titles discussed: Brooklyn Nine-Nine, Kaytranada, Aaliyah Follow the show on social media for future updates, and let me know what you think about the show or what titles you'd want to be reviewed in future episodes. Be sure to also send in your own mini-reviews, and thank you for your time! INSTAGRAM https://www.instagram.com/thatsmyqueuepodcast TWITTER https://twitter.com/queuepodcast THEME SONG "Capture Soul" by J1K from the "School Daze" beat tape https://j1kmusic.bandcamp.com/album/school-daze --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/christian-ang6/support

(Recorded 7/24/21)  Today on the Podcast we discuss Marvel Studio's, Loki, starring Tom Hiddleston, and Owen Wilson. FEATURE REVIEW: LOKI SOME SPOILERS AHEAD   RANT & RAVE Ron  (19:25) - Little Murders Darren  (22:22) - Return to Glennascaul / Get Duked Paul  (25:25) - At Eternity's Gate  

This episode we're thrilled to be joined by friend of the show Louis Bennett (insta @louisben1995) for a special on painters on screen. We discuss some old favourites, some new discoveries, a couple of real stinkers and much more in a wide-ranging discussion about screen representations of fictional, contemporary and historical painters' lives, work and times. Check below for the full filmography! Louis' latest show, ‘Ariel', is exhibiting at the Kristin Hjellegjerde Gallery (https://bit.ly/3znSUuf) in Wandsworth, London until 31st July and includes the cover image of this episode, 'It Was Written'. Featuring covers of ‘When I Paint My Masterpiece' by Bob Dylan & The Band, ‘When I Was a Painter' by The Breeders, ‘Painter in Your Pocket' by Destroyer and ‘Painter Man' by The Creation. Filmography (in order of appearance): Mrs. Lowry and Son (Adrian Noble, 2019) Miss Potter (Chris Noonan, 2006) Lust For Life (Vincente Minnelli, 1956) The Horse's Mouth (Ronald Neame, 1954) The Rebel (Robert Day, 1961) The Square (Ruben Ostlund, 2017) Dinner for Schmucks (Jay Roach, 2010) The Draughtsman's Contract (Peter Greenaway, 1982) Dont Let The Riverbeast Get You! (Charles Roxburgh, 2012) Mr. Turner (Mike Leigh, 2014) After Hours (Martin Scorsese, 1985) Life Lessons (Martin Scorsese, 1989) Portrait of a Lady on Fire (Celine Sciamma, 2019) The Belly of an Architect (Peter Greenaway, 1987) The Agony and The Ecstasy (Carol Reed, 1964) Final Portrait (Stanley Tucci, 2017) Nightwatching (Peter Greenaway, 2008) The Da Vinci Code (Ron Howard, 2007) The Mill & The Cross (Lech Majewski, 2011) La Kermesse Heroique (Jacques Feyder, 1936) Andrei Rublev (Andrey Tarkovsky, 1968) The Seventh Seal (Ingmar Bergman, 1957) Rembrandt (Alexander Korda, 1936) Rembrandt fecit 1669 (Jos Stelling, 1977) A Bigger Splash (Jack Hazan, 1973) The Quince Tree Sun (Victor Erice, 1992) The Mystery of Picasso (Henri-Georges Clouzot, 1958) Caravaggio (Jarman, 1986) Artemisia (Agnes Merlet, 1997) Frida Still Life (Paul Deluc, 1983) Frida (Julie Taymor, 2002) At Eternity's Gate (Julian Schnabel, 2018) Basquiat (Julian Schnabel, 2000) Vincent & Theo (Robert Altman, 1991) Van Gogh (Maurice Pialat, 1991) Loving Vincent (Dorota Kobeila & Hugh Welchmann, 2017) Csontvary (Zoltan Huszarik & Ferenc Olasz, 1980) Klimt (Raul Ruiz, 2006) The Hypothesis of the Stolen Painting (Raul Ruiz, 1978) Pirosmani (Giorgi Shengelaia, 1969) Arabesques on the Pirosmani Theme (Sergei Parajanov, 1985) Schalken the Painter (Leslie Megahey, 1979) Pollock (Ed Harris, 2000) Love is the Devil (John Maybury, 1998) Edvard Munch (Peter Watkins, 1974) Montparnasse 19 (Max Ophuls & Jacques Becker, 1958) Bibliography: John A. Walker, Art and Artists on Screen (1993) David Bovey, The artist biopic: a historical analysis of narrative cinema, 1934-2010 (unpublished 2015 PhD thesis). Subscribe to Film Graze on your podcast app of choice. twitter.com/FilmGraze letterboxd.com/Film_Graze/ instagram.com/film.graze/ Co-produced by Emmett Cruddas and Sam Storey

[REBROADCAST FROM NOVEMBER 21, 2018] Willem Dafoe joins us to discuss starring as Vincent van Gogh in Julian Schnable's 2018 film, “At Eternity's Gate,” a journey inside the world and mind of van Gogh.

Original Air Date: Monday 21 June, 9 pm EasternDescription:Dean and Phil follow up on last week's awesome show by discussing more about “Hollywood accounting” and how in show biz the “bottom line” is often NOT the bottom line! Last week, while discussing the box office struggles of the brand new In the Heights, Dean and Phil were inspired to look back at two dance films based on the same craze that opened on the same day many years ago, one of which boasted a music score from Phil's frequent collaborator, Greg De Belles. Greg composed the score for Phil's Karl Rove, I Love You and for Dean and Phil's The Truth Is Out There and The Lady Killers. Greg died on Friday, and Dean and Phil speak of their immensely talented friend. Of course, the box office struggles continue, so Dean and Phil discuss how a Pixar movie might have been able to change everything. That leads into a deep dive into Disney +, the movie Soul, the miniseries “WandaVision” and the episodic series “The Mandalorian”. There is also a lot of talk about painting, from the advice given by the great Leigh McCloskey to the thematic approach of the Barbizon school of artists and the brilliance of Julian Schnabel's Van Gogh film At Eternity's Gate. Finally, Dean and Phil celebrate the careers of an Oscar-nominated character actor and a beloved sitcom actor and director.

Matt zooms Craig and Wendell to talk about beverages, Wendell's work drama, Gotham Comedy Club, Sons of Sam, At Eternity's Gate, Saturday Night Live, and Larry David.  Wendell reviews City On A Hill.  

For their #8 Movie of 2018 the boys are tackling Dak’s #2 movie of the year, Julian Schnabel’s At Eternity’s Gate. Join them as they discuss how Schnabel’s fast-paced and improvisatory direction reflects the creative process of his subject, an artistic choice that’s perfectly complimented by Benoît Delhomme’s naturalistic cinematography, and Willem Dafoe’s perfect portrayal of Vincent Van Gogh. Also, Tyler shares the story of the worst three days of his life, and the episode goes FULLY off the rails by the end. ALSO. Oscar Isaac smokes a pipe! And speaks French!

Waldy & Bendy go head to head deciding if Lust For life is a worse van Gogh film than At Eternity’s Gate.  Plus the Raphael cartoons and a scary portrait of Andy Warhol. See the paintings in the show notes on our website.

Andy uploaded this one late. He is very sorry. Matt talks about At Eternity's Gate (2018).

Adrian explores the Vincent Cycle of poems from his last collection - A Night Sea Journey. Drawing out the implications for our mental health and creativity he delves into the life of this solitary, visionary, trouble and prolific artist. The films mentioned are At Eternity's Gate 2019 - Loving Vincent 2018 - Exhibitions on Screen https://exhibitiononscreen.com/films/vincent-van-gogh-a-new-way-of-seeing/ . You can buy A Night Sea Journey at www.adriangrscott.com 

Rhianna Dhillon reviews the Vincent van Gogh biopic At Eternity's Gate, BBC Two series Pose which is all about ball culture in eighties New York, and the return of Jane the Virgin on Netflix. In The Maths of Life, Dr Hannah Fry breaks down the numbers behind coincidences and asks if the perfect circle really does exist.

Van Gogh expert, Martin Bailey, joins us on the show this week to enlighten us on all things Vincent as we review the Willem Dafoe starring biopic, At Eternity's Gate, and we revisit to a childhood favourite with Tim Burton's Dumbo.First up we discuss Julian Schnabel's Vincent van Gogh biopic, At Eternity's Gate. Shot with a painter's eye, Schnabel once again shows his talent for working with complex biography and the lives of artists as in The Diving Bell and the Butterfly and Basquiat. And, earning him an Oscar nomination, Willem Dafoe is mesmerising as Vincent van Gogh.We talk to journalist and van Gogh expert, Martin Bailey, who teaches us the correct pronunciation of “Gogh”, debunks some van Gogh conspiracy theories, and reminds us just how significant and relevance Vincent's work was and remains today.Next we discuss the nostalgic delights of Tim Burton's reimagined Disney classic, Dumbo. You may think you already know all there is to know about that flying elephant, but Burton's film is an altogether different adventure. Holt Farrier (Colin Farrell) is hired by Max Medici (Danny DeVito) to work in his circus, charged with tending to the newborn elephant with outsize ears. Holt's children are the first to discover that Dumbo can take to the air, but will he be able to escape the cynical clutches of V.A. Vandemere (Michael Keaton)?Discussing the films are podcast regulars Jake Cunningham, Sam Howlett, Ella Kemp and Steven Ryder.Follow the team on Social Media:@jakehcunningham - Jake@efe_kemp - Ella@SamHowlett_1 - Sam@irma_pep - StevenProduced by Jake CunninghamEdited by Mark Towers Hosted on Acast. See acast.com/privacy for more information.

Politics and Big Band music :British musician Matthew Herbert has created The State Between Us, a new album made in reaction to the progress of Brexit. It's a work which includes original composition, choral elements and recorded sounds which reflect the triggering of Article 50; there's someone walking the Irish border, someone eating fish and chips and even someone flying a WWII bomber. Matthew Herbert discusses his intentions for the work, recording in Europe, and why he changed the name from The Brexit Big Band to The Great Britain and Gibraltar European Union Membership Referendum Big Band. The album is released on Friday 29th March – Brexit Day - and there are two performances that same day at London's Royal Court Theatre.A new exhibition at Tate Britain brings together the largest group of Van Gogh paintings shown in the UK for nearly a decade. Van Gogh and Britain charts Vincent's years in London between 1873 and 1876 as a young art dealer before he tookup painting. Head curator Carol Jacobi and specialist Martin Bailey discuss the influence of Britain on Van Gogh's art, and his art on British artists in subsequent years.This week also sees the opening of a new film about Van Gogh directed by Julian Schnabel. At Eternity's Gate features Willem Dafoe as the artist in his later – and most productive – years working in the South of France. The director describes his artistic vision for the film.The singer Scott Walker has died. We speak to prize-winning author and Scott Walker fan Eimear McBride - who wrote the introduction to a book of his lyrics - about his extraordinary varied careerPresenter: Kirsty Lang Producer: Oliver Jones

Julian Schnabel talks about directing Willem Dafoe in At Eternity's Gate. A discussion about the return of stoner comedy-drama High Maintenance as well as Sally 4 Ever, a new British comedy from Julia Davis. Jason Di Rosso reviews If Beale Street Could Talk and checks in with a critic on the ground at Berlin Film Festival.

Donde hablamos de At Eternity's Gate, Vice y, ranteamos un poco más sobre Bohemian Rhapsody. En series les contamos sobre Killing Eve y Sex Education. También tuvimos los momentos y noticias de la semana. 4Nerds está compuesto por Edith Sánchez y Alberto Molina. Si quieren seguir la conversación nos pueden seguir en @HtidEA y @AlbertoMoolina donde también podrán leer nuestras publicaciones en diversos medios. También pueden oírnos y descargar el programa en iTunes o en Hearthis. Los enlaces los encuentran en nuestra página 4nerdspodcast.wordpress.com o nos pueden seguir en nuestra fan page de Facebook facebook.com/4NerdsMX

Sean Collier reviews "At Eternity's End" and dips into 80's nostalgia with "Can't Buy Me Love" and Dave Dameshek is highly offended by Rudolph the Red Nosed Reindeer

Vincent Van Gogh struggles for his art and for his freedom. Willem Dafoe portraits the famous painter. The post Julian Schnabel – At Eternity’s Gate #FIFM appeared first on Fred Film Radio.

On the November 26, 2018 episode of /Film Daily, /Film editor-in-chief Peter Sciretta is joined by /Film managing editor Jacob Hall, weekend editor Brad Oman, senior writer Ben Pearson, and writers Hoai-Tran Bui and Chris Evangelista to about what they've been up to at the Water Cooler.   You can subscribe to /Film Daily on iTunes, Google Play, Overcast, Spotify and all the popular podcast apps (here is the RSS URL if you need it).   Opening Banter: This is the first back to back watercooler episode in /Film Daily history.   At The Water Cooler: What we've been Doing:Peter bought Kitra a fancy Breville Barista Express espresso machine for her birthday and they spent a day trying to figure that out. Jacob did a whole bunch of driving for multiple Thanksgiving engagements and visited the terrific Madness Comics and Games outside of Dallas. Brad spent Thanksgiving away from his family for the first time ever and didn't have turkey for Thanksgiving, dog sat a French Bulldog, went Black Friday shopping, found a cool Snitch ornament at Walmart. Ben celebrated the first annual Vince Guaral-Day, took his sister to The Last Bookstore, and finally stepped into the future with Amazon Prime (and Amazon Fresh) Hoai-Tran was surrounded by babies and dogs at her family Thanksgiving, and helped host her cousin's baby shower. Also went to her cousin's NY restaurant Di An Di, which is currently leading the Eater NYC Restaurant of the Year poll. What we've been Watching:Peter saw Creed II and Widows, and can finally share his quick reaction to  Aquaman. Chris watched the Jim Carrey version of The Grinch, the entire expanded edition of the Lord of the Rings Trilogy, started watching NYPD Blue on Hulu, and watched the Mac and Me episode of the new Mystery Science Theater 3000. Ben rewatched Lord of the Rings: The Fellowship of the Ring Brad saw Creed II, Fantastic Beasts: The Crimes of Grindelwald, and Can You Ever Forgive Me?. Also watched an episode of The Final Table on Netflix. Jacob watched Thor: Ragnarok, the only movie in existence to appeal to an entire Thanksgiving gathering. He also sampled Netflix's The Final Table. Hoai-Tran saw At Eternity's Gate, the first episode of My Brilliant Friend, and watched The Princess Switch twice. What we've been Reading:Jacob dipped his toe back into Transmetropolitan. What we've been Eating:Peter ate a bunch of bad food while off his diet. At Friendsgiving he tried Ben and Amy's Shaqaroni and Cheese but fell in love with pumpkin pie dip and the very dangerous Caramel Apple Sangria. I also waited three hours in line for Howlin Rays. Jacob ate two Thanksgiving dinners and made peanut butter pie that he didn't get to eat. Brad was introduced to the majesty of the Tim Tam Slam, tried Sugar Cookie Toast Crunch, and had Indian food that he didn't hate. Hoai-Tran learned how to make pho in her new instant pot! What we've been Playing:Peter played some tabletop games on Friendsgiving and a game day, including Werewords, Hail Hydra, Detective, and Chameleon. Jacob played more Diablo III and Rogue Legacy. On the table, he played Hail Hydra, News@11, Azul, and Arboretum. He also tortured people with Twisted Sister's terrible Christmas album. Other articles mentioned: Shaq's Macaroni and Cheese Jenny Nicholson's 15 dumb things in Fantastic Beasts 2 All the other stuff you need to know: You can find more about all the stories we mentioned on today's show at slashfilm.com, and linked inside the show notes. /Film Daily is published every weekday, bringing you the most exciting news from the world of movies and television as well as deeper dives into the great features from slashfilm.com. You can subscribe to /Film Daily on iTunes, Google Play, Overcast, Spotify and all the popular podcast apps (RSS). Send your feedback, questions, comments and concerns to us at peter@slashfilm.com. Please leave your name and general geographic location in case we mention the e-mail on the air. Please rate and review the podcast on iTunes, tell your friends and spread the word! Thanks to Sam Hume for our logo.

Dafoe is Van Gogh in Julian Schnabel's latest film. The post Willem Dafoe – At Eternity’s Gate #Venezia75 appeared first on Fred Film Radio.

For Episode 107, myself, Michael Schwartz, Ryan C. Showers, Kt Schaefer, Josh Parham & Tom O'Brien give our thoughts on the reactions coming out of the Toronto International Film Festival. We also discuss the winners from the Venice Film Festival, the current state of the Oscar race, the trailers for "22 July" and "At Eternity's Gate," the polls and answer your questions on the show. Check out more on NextBestPicture.com Please subscribe on... SoundCloud - @nextbestpicturepodcast iTunes Podcasts - itunes.apple.com/us/podcast/negs-…d1087678387?mt=2 And be sure to help support us on Patreon for as little as $1 a month at www.patreon.com/NextBestPicture