Podcast appearances and mentions of hannah hoffman

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with Troy Lamarr Chew II, a talented painter with an ongoing exhibition at San Francisco's Altman Siegel gallery. Troy pursued his passion for art, eventually studying at the California College of the Arts and receiving a prestigious residency at the Headlands Center for the Arts. His recent work explores invisibility,  inspired by his time as an Uber driver. His work can be seen in notable museums and galleries. Troy  discusses his artistic journey, influences, and unique approach to language and representation in his art.About Artist Troy Lamarr Chew II :Troy Lamarr Chew II explores the legacy of the African Diaspora and its reverberations throughout American culture. His work looks methodically at systems of coded communication and how this is translated and mistranslated both within the Diaspora and the mainstream.Chew's rich artistic visual language draws inspiration largely from Black culture and its history. A highly skilled realist, inspired by European painting techniques, Chew uses these art historical traditions to reframe their exclusion of Blackness. In his Out the Mud series, hand dyed and sewn cloths from West Africa are replicated in a trompe l'oeil fashion, their patterns “torn” away to reveal portrayals of contemporary Black culture and resistance. In another series, Slanguage, the artist paints Flemish style vanitas picturing everyday objects, coded in hip-hop lexicon. His Three Crowns series explores the social history of cosmetic dentistry and the use of grills in hip-hop culture. The artist's lush and luminous oil paintings embody the energy of this infinitely re-mixed yet deeply rooted genre.In 2020, Chew was awarded the prestigious Tournesol Residency at Headlands Center for the Arts after becoming a Graduate Fellow from California College of the Arts, San Francisco in 2018. Solo exhibitions include The Roof is on Fire, Altman Siegel, San Francisco, CA (2022), Yadadamean, CULT Aimee Friberg Exhibitions, San Francisco, CA (2020); Fuck the King's Horses and all the King's Men, Parker Gallery, Los Angeles, CA (2020); WWJZD, Cushion Works, San Francisco, CA (2019) and Stunt 101, Guerrero Gallery, San Francisco, CA (2019). Recent group exhibitions include Walk Against the Wind, Micki Meng and Parker Gallery, New York, NY (2023); The Culture: Hip Hop and Contemporary Art in the 21st Century, The Baltimore Museum of Art, Baltimore, MD (2023); Imperfect Paradise, Barbati Gallery, Venice, Italy (2023); Continuum, presented by the Kinsey African American Art & History Collection and Residency Art Gallery at Sofi Stadium, Inglewood, CA (2022-2023); I Yield My Time. Fuck You!, Altman Siegel, San Francisco (2020); California Winter, organized in collaboration with Hannah Hoffman at Kristina Kite Gallery, Los Angeles, CA (2019), Vanguard Revisited, San Francisco Art Institute, San Francisco, CA (2019), Graduation, Good Mother Gallery, Oakland, CA (2019) and Black Now(here), Museum of the African Diaspora, San Francisco, CA (2018). His work is included in the collections of the Kadist Foundation and the San Francisco Museum of Modern Art.See more of Troy's work at the Altman Siegel Gallery HERE.  Follow Troy on Instagram:  @troylamarrchewthesecondTroy at the Parker Gallery CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

We meet artist Brook Hsu. We discuss other worlds, the power of storytelling, the colour green, the drive to make paintings and making art at your own pace.BROOK HSU (b. 1987 Pullman, Washington) deploys and weaves the autobiographical and the mythopoetic into paintings using an array of materials, including ink, oil paint, industrial carpets, and off-cuts of ready-made lumber. The sources for Hsu's imagery come from her own observations, sometimes arising from art history, film and literature.Working across painting, drawing, sculpture and writing, her works aim to question how we define representation today, producing abstract and figurative works that employ a host of signs and motifs, recounting stories of love, pain and humor. Hsu says of her practice, 'I seek to understand what we value in life by asking how we value the world.' Taiwanese-American artist Brook Hsu grew up in Oklahoma, received her BFA from the Kansas City Art Institute in 2010 and her MFA from Yale University in 2016. Hsu currently lives and works in New York and Wyoming. Recent solo exhibitions include: Kiang Malingue, Hong Kong (2022); Kraupa-Tuskany Zeidler, Berlin (2021); Manual Arts, Los Angeles, USA (2021); Bortolami Gallery, New York (2019). Group exhibitions include: Reference Material, Adler Beatty, New York (2022), The Practice of Everyday Life, Derosia Gallery, New York (2022), Sweet Days of Discipline, Hannah Hoffman, Los Angeles (2022); kaufmann repetto, New York and Milan (2021), More, More, More (curated by Passing Fancy), TANK, Shanghai (2020); LIFE STILL, CLEARING, New York (2020); The End of Expressionism, Jan Kaps, Cologne (2020); Polly, Insect Gallery, Los Angeles (2019-2020); A Cloth Over a Birdcage, Château Shatto, Los Angeles (2019); Finders' Lodge, in lieu, Los Angeles (2019); and Let Me Consider It from Here, The Renaissance Society, Chicago (2018-2019).Her work is part of the collections of X Museum, Beijing; Long Museum, Shanghai.Follow @Broooooooooooooook on Instagram. Thanks to Brook's galleries @KraupaTuskanyZeidlerand @KiangMalingueVisit KT-Z: https://www.k-t-z.com/artists/94-brook-hsu/Visit Kiang Malingue: https://kiangmalingue.com/artists/brook-hsu/See also Gladstone Gallery: https://www.gladstonegallery.com/exhibition/10551/brook-hsu/infoand this article from Various Artists: https://various-artists.com/brook-hsu/ Hosted on Acast. See acast.com/privacy for more information.

On today's episode, we welcome social media manager, content creator, entrepreneur, and instagram expert, Hannah Hoffman, to the podcast. After studying PR in college, Hannah started her social media journey whilst doing social media for various companies. She took on a few clients of her own, and in 2021 decided to create her own social media consulting & managing business, Sunny Social Collective. At the core of her why, she sought out to help people grow and take advantage of all that social media has to offer. In today's episode, we cover ALL the hacks & secrets of social media. How to grow your account & your following, common mistakes to avoid, the importance of showing your face to your audience, engagement & growth hacks, the importance of consistency, and so much more! I asked Hannah ALL of our burning questions on the mysteries of instagram, and our conversations are truly invaluable. She also shares her own productivity hacks & goal setting strategies, as well as how to stay up to date with all the instagram changes. If you're a business owner, content creator, influencer, honestly anything involving social media, you will LOVE this episode. I had to listen back after we finished, so I could take notes on all Hannah had to say. So enjoy our conversations & let us know what you think xoFollow Hannah: https://www.instagram.com/sunnysocialcollective/Shop Raw & Rebellious: https://www.rawrebellious.com/Raw & Rebellious Instagram: https://www.instagram.com/raw_rebellious/Raw & Rebellious TikTok: https://www.tiktok.com/@raw_rebellious?lang=enRaw Intentions Podcast Instagram: https://www.instagram.com/rawintentionspodcast/

Elaine Cameron-Weir, photo by Isabel Asha Penzlien    Elaine Cameron-Weir (b. 1985, Red Deer, Alberta, Canada). Elaine Cameron-Weir's contemplative objects made from carefully sourced materials allow us to consider the ways in which artifice and spectacle have been used to perpetuate systems of belief. Her major installation from the most recent Venice Biennale in 2022 invoked sites of provisional operations and religious reflection by transforming the gallery with modular steel subflooring, neon and electric flicker lights, and repurposed objects previously used for military and industrial purposes. In addition to the Venice Biennale, Cameron-Weir recently opened a solo exhibition at Hannah Hoffman in Los Angeles, CA. Other solo shows from the past two years include the SCAD Museum of Art (2022) and the Henry Art Gallery University of Washington (2021). Recently her work was on view at the University of California, Berkeley Art Museum as part of an important exhibition titled “New Time: Art and Feminisms in the 21st Century.” Other select solo exhibitions include "exhibit from a dripping personal collection," Dortmunder Kunstverein (2018); “Outlooks: Elaine Cameron-Weir,” Storm King Art Center, New York (2018) where the artist installed a steel mesh sphere for motorcycle stunts known as “globe of death” on the top of a hill; and “viscera has questions about itself,” New Museum, New York (2017). She has shown both in the U.S. and abroad, in group exhibitions at the Philadelphia Museum of Art; Remai Modern, Saskatoon; GAMeC, Bergamo; FUTURA, Prague; among many others. installation view, The Milk of Dreams, curated by Cecilia Alemani, 59th International Art Exhibition of La Biennale di Venezia, Venice, IT, April 23 - November 27, 2022 Photography by Andrea Rosetti Elaine Cameron-Weir Low Relief Icon (Figure 1), 2021 (detail) US military body transfer cases, aluminum, flicker bulbs, electrical wiring, conveyor belt, pewter, chain, pulleys, aircraft cable, hardware overall dimensions: 281 × 202 × 28 1/2 in (713.7 × 513.1 × 72.4 cm); case with candles: 26.5 × 89 × 28.5 in (67.3 × 226.1 × 72.4 cm) Elaine Cameron-Weir Right Hand Left Hand, Grinds a Fantasizer's Dust, 2021 (detail) concrete textile, funerary backdrop stand, neon tubing, transformers, spot lights, silk gauze 85.5 x 112 x 24 in 217.17 x 284.48 x 60.96 cm

Cole Wilkes, Hannah Hoffman, and Lynaya Hernandez, teachers from all different levels, submit their best tips for motivating the non participator. Don't miss the video component!

Happy Halloween! This week's episode has a delayed release to help celebrate the season! Listen to our hot takes on movies, parties, and obviously food. Follow @bhfhwithjimmyjohnston on Instagram --- Send in a voice message: https://anchor.fm/bhfh/message

A new research paper was published in Oncotarget's Volume 13 on September 28, 2022, entitled, “Genomic alterations predictive of poor clinical outcomes in pan-cancer.” Genomic alterations are highly frequent across cancers, but their prognostic impact is not well characterized in pan-cancer cohorts. In this new study, researchers Crystal S. Seldon, Karthik Meiyappan, Hannah Hoffman, Jimmy A. Guo, Neha Goel, William L. Hwang, Paul L. Nguyen, Brandon A. Mahal, and Mohammed Alshalalfa from the University of Miami, Massachusetts General Hospital, Broad Institute of MIT, University of California San Francisco, and Dana-Farber Cancer Institute and Brigham and Women's Hospital used pan-cancer cohorts from The Cancer Genome Atlas (TCGA) and the MSK-IMPACT study to evaluate the associations of common genomic alterations with poor clinical outcome. “There is growing interest in genomic profiling (i.e. tumor mutations, copy number (CN) alterations) for cancer therapy and precision oncology to inform treatment decisions and identify patients for relevant clinical trials [1].” Full press release - https://www.oncotarget.net/2022/10/04/oncotarget-genomic-alterations-predictive-of-poor-clinical-outcomes-in-pan-cancer/ DOI: https://doi.org/10.18632/oncotarget.28276 Correspondence to: Mohammed Alshalalfa - mohamed.alshalalfa@gmail.com Keywords: genomic alterations, TP53, TCGA, poor prognosis About Oncotarget: Oncotarget (a primarily oncology-focused, peer-reviewed, open access journal) aims to maximize research impact through insightful peer-review; eliminate borders between specialties by linking different fields of oncology, cancer research and biomedical sciences; and foster application of basic and clinical science. To learn more about Oncotarget, visit Oncotarget.com and connect with us on social media: Twitter - https://twitter.com/Oncotarget Facebook - https://www.facebook.com/Oncotarget YouTube – www.youtube.com/c/OncotargetYouTube Instagram - https://www.instagram.com/oncotargetjrnl/ LinkedIn - https://www.linkedin.com/company/oncotarget/ Pinterest - https://www.pinterest.com/oncotarget/ LabTube - https://www.labtube.tv/channel/MTY5OA SoundCloud - https://soundcloud.com/oncotarget For media inquiries, please contact: media@impactjournals.com

We're back!!!! Season 2 begins today with Ashley and Hannah. Our Netflix topic soon turned into a full-on food discussion; like most episodes... Follow @bhfhwithjimmyjohnston on Instagram to keep up with everything! --- Send in a voice message: https://anchor.fm/bhfh/message

Hello little crittens, enjoy Episode 33 of the Voice Chat Podcast - Featuring TheAMaazing, Rushlight Invader, Laddi, Echo Gillette and Hannah Hoffman! I thought the title was clear, but join us for a discussion that's all about how we shave our heads, get married, cry and die. If you enjoyed the podcast, make sure to subscribe and hit the notification bell so you can stay logged in for all our shenanigans. If you want to support the podcast, make sure to check out our Patreon down below. Laters! ------------------------------------------------------------------------- Patreon - https://www.patreon.com/VoiceChatPodcast Channel Membership - http://youtube.com/voicechatpodcast/join HOSTS + GUESTS! Maaz - @TheAMaazing Laddi - @Laddi Rush - @Rush Echo - @Echo Gillette Hannah - @Hannah Hoffman / @UndoCircle @NuNu91011 (Editor) - https://www.youtube.com/channel/UCr6UmfBtjBU2IHo-ZWgJPWQ or https://twitter.com/NuNuIsTaken @ChillTea (Thumbnail Artist) - https://www.youtube.com/channel/UCGtZfWZLUkcsh6DfD29SP5g SUBSCRIBE! https://www.youtube.com/channel/UC-rXxeb-k6k3400m16_Hsqg/?sub_confirmation=1 SOCIAL MEDIA! Twitter - https://twitter.com/VoiceChatPod SoundCloud - https://soundcloud.com/VoiceChatPodcast Spotify - https://open.spotify.com/show/4CNOBGOObZPsB43mRWdjps?si=W9n8PurkTnmYz9NMVI84fg iTunes - https://itunes.apple.com/us/podcast/voice-chat-podcast/id1353208116 FANART? Send it to our email (VoiceChatPodcast@gmail.com) or our Twitter (@VoiceChatPod)!

Ready for a delicious snack? First time storyteller (and Food Anthropologist!) Hannah Hoffman reveals a past - being body-shamed for her juicy curves and healthy appetite. Then she discovers vibrators (sorry, roommate’s Holly Hobbie quilt), , sex parties, caring sexual partners and metamours, and a new use for her kitchen food scale. Did you hear that? Tidal Wave! #WetMess #BodyConfidence   Song: ‘Gush’ (Pharrell Williams)   Want to enjoy this episode ad-free? Join our Patreon at the $10/month or up level at  www.Patreon.com/Bawdy   Or support Dixie and the podcast on Zelle or Paypal - we’re at BawdyStorytelling@gmail.com   Episode Links:   Bawdy Storytelling is listener supported - and that means your support on Patreon ensures that Bawdy Storytelling podcast can continue and grow. For our Patreon supporters, we’ve recently added: Access to Ad-free episodes, Patron only conversation streams, free tickets to live shows, private or group storycoaching sessions with Dixie - hell, even your own personal live Bawdy Storytelling show, created especially for you and your friends. Ready to make the world a better place? Join us at https://www.patreon.com/Bawdy Or you can also make one-time donations via Paypal or Zelle at BawdyStorytelling@gmail.com Bawdy Storytelling now offers a new line of fragrance & lube for your favorite podcast fan: #BawdyGotMeLaid perfume, Bawdy Butter, hair & bawdy oil, #BawdyGotMeLube & more. It’s at BawdyStorytelling.com/Merchandise #BestGiftEver   Check out our Bawdy Storytelling Fiends and Fans group on Facebook - it’s a place to discuss the podcast’s stories with the storytellers, and share thoughts with your fellow listeners - and help Dixie make the podcast even better. It’s at https://www.facebook.com/groups/360169851578316/ In 2020, I want YOU on the podcast. Make a voice recording, and attach it to an email or share it via Google Drive with bawdystorytelling@gmail.com (this podcast is about stories, so tell me YOURS - and Thank you) Upcoming Bawdy Storytelling LIVE Events:   Seattle Theme: ‘Sex Drugs & Rock n Roll’ Wed, February 19th, 2020 At the Rebar (it’s their 30th Anniversary!) 1114 Howell Street Seattle, WA Tickets at https://bawdysdrrsea.eventbrite.com Or at BawdyStorytelling.com/shows   San Francisco: Bawdy’s Lucky 13’th Anniversary Night Saturday, February 22nd, 2020 Verdi Club 2424 Mariposa San Francisco, CA 94110 7 PM: Lucky 13’th Tickets at  https://bawdylucky13.eventbrite.com 10 PM: Best of Bawdy Tickets at  https://bawdybob2020.eventbrite.com   Thanks to Good Vibrations for our Bang-O prize bags in San Francisco, & Thanks to Babeland for our Bang-O prize bags in Seattle!   Wanna see Bawdy LIVE and in person? Subscribe to our email list & find out where we’re going before anyone else: https://bawdystorytelling.com/subscribe And get more Info on our live events - and Tickets for upcoming shows - at  https://bawdystorytelling.com/#liveshows-section   Thank you to the Team that makes this podcast possible! Team Bawdy is: Podcast Producer: Marty Garcia Sound Engineer: David Grosof Archivist / Video: Joe Moore & Bawdy Creator & Podcast Host Dixie De La Tour

Heather & Vincent, November 2018 Heather Rasmussen was born in Santa Ana, CA in 1982 and lives in Los Angeles. She received a Master of Fine Arts from the California Institute of the Arts, Valencia, CA in 2007 and a Bachelor of Fine Arts from the University of California, Irvine, CA in 2004. She grew up dancing classical ballet spent summers at intensive programs around the country. While in high-school, she was part of the professional company, Ballet Unlimited, who participated in the Southwest Regional Dance America Festivals. While at UC Irvine, she discovered photography and left the dance world. She was encouraged to apply to CalArts, where she was then was mentored by the artist Allan Sekula. She currently works in the mediums of photography, video, sculpture and installation. Rasmussen’s work has been the subject of one-person exhibitions at the Weingart Gallery, Occidental College, Los Angeles, CA (2015); California Museum of Photography, Riverside, CA (2015); and Angels Gate Cultural Center, San Pedro, CA (2012) and a three-person exhibition at The Art Institute of Chicago, IL (2011). Solo gallery exhibitions include Pile/Plié at The Pit, Glendale, CA (2018) and Body Variations at ACME., Los Angeles, CA (2017). Her work has been featured in thematic exhibitions such as Solar Flare, Torrance Art Museum, Torrance (2018);  Touchpiece, Hannah Hoffman, Los Angeles, CA (2017); Input/Output, Sycamore Gallery, University of Cincinnati, Cincinnati, OH (2014); Trouble with the Index, California Museum of Photography, Riverside, CA (2014); The Heart is a Lonely Hunter, Fraenkel Gallery, San Francisco, CA; (2014); Horizon Variations, Camera Club New York, NY (2012); Curious Silence, Brand Library & Arts Center, Glendale, CA (2011); Exposure, The Art Institute of Chicago, (2011), 31 Women in Art Photography, Affirmation Arts Foundation, New York, NY (2010); and Salty Dog Bites the Hand, Angels Gate Cultural Center, San Pedro, CA (2008). As a dancer, woman, and new mother, Rasmussen’s work asks the question “How does this body move and rest within spaces among accumulated objects?” Her work can be thought of as still-lifes, but they are also documents of deterioration, movement and experimentation using her body alongside other objects. A vegetable echoes a limb, something cumbersome becomes sexual, something inanimate becomes invigorated. Sometimes just the act of moving a mirror so it reflects a fragment of a photograph on the opposite wall of the studio changes the content of an image. Recently Rasmussen photographed her changing body through the stages of pregnancy and post-birth, linking further the relationship of life and death with the life cycle of the large vegetables. She gains inspiration from the artists Hans Breder, René Magritte, Simone Forti, JoAnn Callis, Yves Tanguy and Andre Kertész. Notable awards include an Emergency Grant from the Foundation of Contemporary Art in 2014 and the Dean’s Reserve Fund award for the School of Art at CalArts in 2007. Press includes reviews in 2017 in the Los Angeles Times and Hyperallergic.com and ArtSlant, as well as The New Yorker in 2015. Rasmussen’s work can be found in the permanent collections of the Art Institute of Chicago, Chicago, IL and the Los Angeles County Museum of Art, Los Angeles, CA. Rasmussen has 4 videos currently on view at Ray’s + Stark bar monitors at LACMA through August 6, 2019, and will be showing an installation of works in Cindy Rehm’s show These Creatures, at the Wignall Museum of Contemporary Art in San Bernardino, opening September 9, 2019, reception for the artists on September 10 from 6 to 8pm. She is represented by The Pit, LA. Videos at Stark Bar - check the museum for an update. The book mentioned in the interview is by Sally Mann - Hold Still. Untitled (Butterfly legs on pillow)
, 2018
. Pigment print, 23 x 20 inches Photo Credit: Jeff McClane, Courtesy of The Pit, LA Untitled (Necklace leg) - Installation view at Th...

Guest curator, Chris Sharp discusses the curatorial process developing and realising 'Dwelling Poetically: Mexico City, a case study' at ACCA (21 April–24 June 2018). Chris reflects more generally on the subject of curating, and in relation to his curatorial projects and co-direction of Lulu, a project space in Mexico City. ABOUT CHRIS SHARP: Chris Sharp is a writer and independent curator currently based in Mexico City, where he runs the project space Lulu with Mexican artist Martin Soto Climent. He has curated numerous international exhibitions, including most recently, Against Nature, co-curated with Edith Jerabkova at the National Gallery of Prague, 2016; A Change of Heart at Hannah Hoffman gallery, Los Angeles, 2016, and As if in a foreign country, at Galerie Nächst St. Stephan Rosemarie Schwarzwälder, Vienna, 2016. A contributing editor of Art Review and Art Agenda, Sharp was recently appointed co-curator (with Dr Zara Stanhope) of New Zealand artist Dane Mitchell’s presentation for the 58th Venice Biennale. ABOUT ACCA MASTERCLASSES: ACCA’s masterclasses are a series of presentations designed to cater to art and curatorial students at a postgraduate tertiary level. This particular masterclass is suited for artists and students studying art history, curatorial practice and arts management at postgraduate tertiary level. Recorded on Monday 23 April 2018 Further information: http://www.luludf.com/ http://acca.melbourne/exhibition/dwelling-poetically-mexico-city-a-case-study/

Hannah Hoffman joined guest host Paddy Reagan on a special edition of 'Rocket Shop', live from Arts Riot. Rocket Shop is Big Heavy World's local Vermont music radio hour on 105.9FM The Radiator. Find out more about Hannah at hannahhoffmanmusic.com.

Ceci est une réponse à ce vidéo: http://www.youtube.com/watch?v=8qonZpx0R9k Visitez ma page Facebook: http://www.facebook.com/pages/Libert%C3%A9-Personnelle-et-Politique/194096460... Musique de clôture: "Public School Blues" par Hannah Hoffman (exclusif aux auditeurs de mon podcast! :P ) - http://hannahhoffman.net/

Stephanie Murphy and I host the FTL Sunday Show (03-13-11). The very talented Hannah Hoffman joins us about half way into the show, so be sure to get the whole show from the FTL archives. This is only the first half. Discussed: -The Wisconsin situation, Students protesting with teachers -Public vs. private sector unions -The mind-numbing mainstream media -Republicans and Democrats -Corporations -Reformed conservative -Treatment of children in society -Listening -ROTC and Police "Explorers" Please visit schoolsucksproject.com for full show notes, references and links.