Podcasts about Howard Lindsay

Lux Radio Theatre || She Loves Me Not | Come and Get It || Broadcast: November 8, 1937; November 15, 193701:20 ... She Loves Me Not is a 1934 American comedy film directed by Elliott Nugent and starring Bing Crosby and Miriam Hopkins.[1] Based on the novel She Loves Me Not by Edward Hope and the subsequent play by Howard Lindsay, the film is about a cabaret dancer who witnesses a murder and is forced to hide from gangsters by disguising herself as a male Princeton student. Distributed by Paramount Pictures, the film has been remade twice as True to the Army (1942) and as How to Be Very, Very Popular in (1955), the latter starring Betty Grable. || Starring: Bing Crosby, Joan Blondell, Nan Grey, Sterling Holloway, William Frawley58:00 ... Come and Get It -- Ruthless lumberjack foreman Barney Glasgow (Edward Arnold) will stop at nothing to achieve his goal, to someday become the head of the logging industry in 19th century Wisconsin. His determination to succeed leads him to end his relationship with saloonsinger Lotta Morgan (Frances Farmer) and marry Emma Louise Hewitt (Mary Nash), the daughter of his boss Jed Hewett (Charles Halton), in order to secure a partnership in his business. || Starring: Edward Arnold, Anne Shirley: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLESSubscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#dramaclassics #oldtimeradio #otr #radiotheater #radioclassics #luxradio #cecilbdemille #gunsmoke #oldtimeradioclassics #classicradio #crimeclassics #duaneotr:::: :

ANYTHING GOES  Music & Lyrics by Cole Porter | Original Book by P.G. Wodehouse & Guy Bolton and Howard Lindsay & Russel Crouse | New Book by Timothy Crouse & John WeidmanWorks Consulted & Reference :Once On This Island (Libretto) by Lynn Ahrens and Stephen FlahertyMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie  (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording  (Original Cast Recording  / Deluxe)  | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr.  | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording)  | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording)  | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"You're the Top" from  Anything Goes (New Broadway Cast Recording (1987))  | Music & Lyrics by Cole Porter | Performed by Patti LuPone and Howard McGillin"Cherry Pies Ought to Be You" from Out of This World (1995 Original New York Cast Recording) | Music & Lyrics by Cole Porter | Performed by LaChanze, Peter Scolari, Andrea Martin, & Ernie Sabella"They Couldn't Compare to You" from Out of This World (1995 Original New York Cast Recording) | Music & Lyrics by Cole Porter | Performed by Peter Scolari & Female Ensemble"Brush Up Your Shakespeare" from Kiss Me, Kate! (The New Broadway Cast Recording) | Music & Lyrics by Cole Porter | Performed by Lee Wilkof & Michael Mulheren"Maria" from The Sound of Music (Original Soundtrack Recording)  | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff

Via Wikipedia: Anything Goes is a musical with music and lyrics by Cole Porter. The original book was a collaborative effort by Guy Bolton and P. G. Wodehouse, revised considerably by the team of Howard Lindsay and Russel Crouse.[1] The story concerns madcap antics aboard an ocean liner bound from New York to London. Billy Crocker is a stowaway in love with heiress Hope Harcourt, who is engaged to Lord Evelyn Oakleigh. Nightclub singer Reno Sweeney and Public Enemy Number 13, "Moonface" Martin, aid Billy in his quest to win Hope. The musical introduced such songs as "Anything Goes," "You're the Top," and "I Get a Kick Out of You." Since its 1934 debut at the Alvin Theatre (now known as the Neil Simon Theatre) on Broadway, the musical has been revived several times in the United States and Britain and filmed thrice. The musical has long been a popular choice for school and community productions. --- Support this podcast: https://podcasters.spotify.com/pod/show/musicspeaks-podcast/support

Via Wikipedia: Anything Goes is a musical with music and lyrics by Cole Porter. The original book was a collaborative effort by Guy Bolton and P. G. Wodehouse, revised considerably by the team of Howard Lindsay and Russel Crouse.[1] The story concerns madcap antics aboard an ocean liner bound from New York to London. Billy Crocker is a stowaway in love with heiress Hope Harcourt, who is engaged to Lord Evelyn Oakleigh. Nightclub singer Reno Sweeney and Public Enemy Number 13, "Moonface" Martin, aid Billy in his quest to win Hope. The musical introduced such songs as "Anything Goes," "You're the Top," and "I Get a Kick Out of You." Since its 1934 debut at the Alvin Theatre (now known as the Neil Simon Theatre) on Broadway, the musical has been revived several times in the United States and Britain and filmed thrice. The musical has long been a popular choice for school and community productions. --- Support this podcast: https://podcasters.spotify.com/pod/show/musicspeaks-podcast/support

The Ford Theater presents this weeks drama of, The Man Who Played God. This is a Christmas drama, so we're getting an early start to the season. This episode aired December 21, 1947. Credits: Kenneth Banghart (announcer), Warren Brian, Claudia Clayton (adaptor), George Faulkner (writer), Jules Eckerd, Goodman (author), Mitzie Gould, Edwin Jerome, Gene Leonard, Helen Lewis, Howard Lindsay (host), Santos Ortega, Guy Spaull, Amzie Strickland, Howard Teichman (editor), Frank Thomas, George Zachery (director) : : : : : My other podcast channels include: MYSTERY x SUSPENSE -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLES Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot. Thank you for your support. https://otr.duane.media/ (https://otr.duane.media) | Instagram https://www.instagram.com/duane.otr/ (@duane.otr)

The Ford Theater adapts the popular theater production of Carmen Jones to radio. Carmen Jones with an all black & brown cast. It was, turned into a popular movie with Dorothy Dandridge, Pearl Bailey and Harry Belafonte in 1952. This episode aired November 16, 1947. Radio Cast: Irving Barnes, Valerie Black, Maurice Ellis, Oscar Hammerstein (narrator), Juano Hernandez, Howard Lindsay (host), Luther Saxon, Earl Sidner, Muriel Smith. Carmen Jones is a 1943 Broadway musical with music by Georges Bizet (orchestrated for Broadway by Robert Russell Bennett) and lyrics and book by Oscar Hammerstein II which was performed at The Broadway Theatre. Conceptually, it is Bizet's opera Carmen updated to a World War II-era African-American setting. Bizet's opera was, in turn, based on the 1846 novella by Prosper Mérimée. : : : : : My other podcast channels include: MYSTERY x SUSPENSE -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLES Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot. Thank you for your support. https://otr.duane.media/ (https://otr.duane.media) | Instagram https://www.instagram.com/duane.otr/ (@duane.otr)

ANYTHING GOES COMPOSER: Cole Porter LYRICIST: Cole Porter BOOK: Guy Bolton and P.G. Wodehouse, revisions by Howard Lindsay & Russell Crouse DIRECTOR: Howard Lindsay CHOREOGRAPHER: Robert Alton PRINCIPLE CAST: William Gaxton (Billy), Ethel Merman (Reno), Victor Moore (Moonface) OPENING DATE: Nov 21, 1934 CLOSING DATE: Nov 16, 1935 PERFORMANCES: 420 SYNOPSIS: Set on a luxury liner that is sailing from New York to London, Billy, a lovelorn stock broker, attempts to win back his true love, Hope, while being guided in matters of the heart by brassy entertainer Reno Sweeney.  Robert W. Schneider argues that the oft-revived, oft-edited book musical, Anything Goes, houses a depth of social and political satire that was so topical and current upon its premiere that it is regularly overlooked by artists and audiences approaching the work. An in-depth analyses of Cole Porter's lyrics for select list songs in the show reveal commentary on American pop culture which align with the themes in the piece and suggest characters' milieu but, when studied more closely, hint at more subversive implications and taboo practices. The breakdowns demonstrate how a close reading of Anything Goes' score may provide readers with a sense of Porter's views on American life as well as his prowess as a lyricist. Robert W. Schneider holds academic appointments at Penn State University, New York Film Academy, and Mount Union University, as well as serving as the Artistic Director for The J2 Spotlight Musical Theater Company and as an original programming producer at Feinstein's/54 Below in New York City. He is the host of the podcasts Behind The Curtain: Broadway's Living Legends, Gay Card Revoked, and This Was A Thing. For the past fifteen years Robert has been one of the most prolific leaders of online education in the arts. He is a proud member of SDC, AEA, and AGVA. SOURCES Anything Goes, London Symphony Recording. Angel Records (1989) Anything Goes, starring Bing Crosby and Ethel Merman, directed by Lewis Milestone. Paramount Pictures (1936) The Colgate Comedy Hour: Anything Goes, starring Frank Sinatra and Ethel Merman, directed by Sid Smith. NBC Studios (1954) Just About Anything Goes: The National Theatre at Work by Robert Butler, published by NT Publications (2002) Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Season 4 of "Musical Minutes With John and John"! To start the season off, the Johns take a look at the peak of the Rodgers and Hammerstein mountain with their last collaboration "The Sound of Music". The pair discuss how they view the legacy of Rodgers and Hammerstein and how this show exemplifies their process. They also get into a bit of a discussion of the movie version, and as always - try and give a good recommendation on what to listen to. It's good to be back! Music by Richard Rodgers Lyrics by Oscar Hammerstein II Book by Howard Lindsay and Russell Crouse Find the episode on your favorite podcast app or by going to https://anchor.fm/musicalminutes Intro and outro music ("BeBop 25") provided under Creative Commons Attribution 4.0 International License by Jason Shaw on Audionautix.com Have a question for John or John? Want to leave feedback or tell us how wrong we are? Email us at musicalminutespodcast@gmail.com For more info on our hosts - please visit https://norine62.wixsite.com/musicalminutes

Darren 'Doogie' Wolfson is fresh off a small hiatus and has a jam packed episode of The Scoop, first leading with notes before getting into conversations. Guests include Wolves VP Sachin Gupta (13:36), ex-Viking Michael Floyd (32:29), ex-Ohio St. coach Jim Tressel on P.J. Fleck (41:57), Gophers 2022 football commit Nathan Jones (56:11), Gophers 2022 football commit Trey Bixby (1:04:38), 2023 star football recruit Jaxon Howard (1:10:50), Gophers women's hoops coach Lindsay Whalen (1:17:22), and Gophers guard Sara Scalia (1:23:14).

Today WPMT Presents: "Girl Crazy," with music by George Gershwin, lyrics by Ira Gershwin, and book by Guy Bolton and John McGowan. Starring Monica Lewis as "Molly Gray," Larry Douglas at "Danny Churchill," Marilyn Daye as "Frisco Kate Fothergill," and Ted De Corsia as "Gieber Goldfarb" with host Howard Lindsay. Listen to an unforgettable hour of Classic Musicals from the Golden Age of Radio.

This week we chat amongst ourselves about which of life's truths can be gleaned from the ship-board musical - Anything Goes!“If you try to imagine a grown-up Annie, of the musical by that name, you might easily find her to be a lot like Reno Sweeney, the lead character of Cole Porter’s “Anything Goes” — sassy and brassy, big-hearted and big-voiced. And still with red hair.It is no surprise, then, that Andrea McArdle, the original Broadway Annie, who won a 1977 Tony nomination for her performance, makes a smashing Reno. The role of the naughty nightclub singer was originated in 1934 by Ethel Merman.Ms. McArdle is the centerpiece of “Anything Goes” at the Gateway Playhouse in Bellport, but hardly its only asset. She is surrounded by other outstanding actors, a sparkling nautical set and fine musical accompaniment. Jayme McDaniel, the director, has melded all of the elements into a production filled with joyous energy.” - By Aileen Jacobson- FURTHER READING -Wiki - Musical, Cole Porter, Guy Bolton, P. G. Wodehouse, Howard Lindsay, Russel CrouseiTunesSpotifyLike us on Facebook! Follow us on Twitter! Support us on Patreon!Email us: musicalstaughtmepodcast@gmail.comVisit our home on the web thatsnotcanonproductions.comOur theme song and interstitial music all by the one and only Benedict Braxton Smith. Find out more about him at www.benedictbraxtonsmith.com

Episode Notes PTP's Radio Cavalcade: Valentine's Day Edition! PTP's Radio Cavalcade is back with not one, but TWO shows about love's many twists and turns in this Valentine's Day themed performance! Join us on Saturday, February 8th at 7:30pm as our Radio Cavalcade Players bring to life THE PHILADELPHIA STORY and a Valentine's Day episode of THE THIN MAN .Haven’t been to a Radio Cavalcade show yet? You’re in for a treat as you become the live studio audience, back in time during the Golden Age of Radio. Live foley artists and live musical stylings, actors taking on multiple roles during a broadcast, and more. Just $5 gets you in the door of this audience favorite. Tickets at prospect.vbotickets.com or at the doorLizzie: A New Musical Hosted by Phoenix Creative Collective and Merced Multicultural Arts Center - the MACOn a sweltering summer morning in 1892, in a small New England city, a prominent businessman and his wife were brutally axed to death in their home. Their daughter Lizzie Borden was the prime suspect. Lizzie’s trial was a coast-to-coast media sensation, and her story has become an American legend.LIZZIE is four women fronting a six-piece rock band. LIZZIE is rage, sex, betrayal, and bloody murder. LIZZIE is American mythology set to a blistering rock score. LIZZIE is a new American musical with a sound owing less to Sondheim and Andrew Lloyd Webber than to Bikini Kill, the Runaways, and Heart. February 13-29 at the MAC Tickets online at phoenixtherise.comRoald Dahl's Matilda the Musical Hosted by Playhouse Merced Sponsored by the Donald and Betty Stewart Family Rated 5 for 5 years and upBook by Dennis Kelly; Music and lyrics by Tim Minchin; Based on the book, Matilda by Roald DahlMatilda is the story of an extraordinary little girl with supernatural powers. The daughter of abusive parents, Matilda finds refuge in library books and in creating her own stories. Things are no better at school, where Matilda also must face a tyrannical and cruel headmistress, Miss Trunchbull. Not everyone Matilda encounters is so evil. Her teacher, Miss Honey, is kind but doesn't have the strength to challenge authority. Matilda knows she has to stand up to the bullies, and in doing so, discovers her own remarkable powers. Matilda's bravery teaches Miss Honey and her classmates an important lesson -- that even though life can be hard, "nobody but me is gonna change my story" so "sometimes you have to be a little bit naughty." Feb 14 - Mar 8 Tickets at playhousemerced.comKing Henry V by william Shakespeare at Center Stage Conservatory’s Lower Level Studio OPENING FEBRUARY 21stShakespeare’s meta-theatrical exploration about invasion, ego, and leadership brings to the stage some of his most compelling language and memorable characters.Prince Hal has assumed the throne and with it a sense of patriotic zeal. He looks to claim the French crown. When his ego is hurt by a gift from the French Prince, King Henry will assert his might in a series of spectacular battles across the country with a violent and relentless aggression joined by his “band of brothers”.Our production features an all-womxn cast with live action sword fights! Huzzah! Performances February 21 - March 1 7:30pm Thursday-Saturday 2:00pm SundayTickets $15 and available at: bardsbroadsbrigade.com or at the door by cash Or VenmoPuffs Workshop 44 and Paraiso Brewery For seven years a certain boy wizard went to a certain Wizard School and conquered evil. This, however, is not his story. This is the story of the Puffs... who just happened to be there too. A tale for anyone who has never been destined to save the world.The New York Times proclaims PUFFS, “A FAST-PACED ROMP through the ‘Seven Increasingly Eventful Years at a Certain School of Magic and Magic.’ For POTTERphiliacs who grew up alongside Potter and are eager to revisit that world, ‘PUFFS’ exudes a jovial, winking fondness for all things Harry!”This clever and inventive play “never goes more than a minute without a laugh” (Nerdist) giving you a new look at a familiar adventure from the perspective of three potential heroes just trying to make it through a magic school that proves to be very dangerous for children. Alongside them are the Puffs, a group of well-meaning, loyal outsiders with a thing for badgers “who are so lovable and relatable, you’ll leave the theater wishing they were in the stories all along” (Hollywood Life). Their “hilariously heartfelt!” (Metro) and epic journey takes the classic story to new places and reimagines what a boy wizard hero can be. Rated PG-13 February 29th and March 7thRobert Jerome, a friend of mine and of the Phoenix said this one was almost sold completely out when I spoke with him a week ago, so if you are interested and you should be contact them today to see if you can still get in!!Butterweizen—beer brewed specially for this event!Tickets at workshop44.orgThe Effect Hosted by Prospect Theater Project By Lucy Prebble March 6-22, 2020THE EFFECT is a clinical romance. This funny, moving and perhaps surprisingly human play explores questions of sanity, neurology and the limits of medicine, alongside ideas of fate, loyalty and the inevitability of physical attraction. “Rich and rewarding. As intelligent as it is deeply human.”OPENING WEEKEND SALE! Take advantage of our online-only Buy-One-Get-One-Free sale! Select your tickets for any one of our opening weekend performances, enter the discount code "PTPBOGO" at checkout, and save! More details and ticket information at prospecttheaterproject.orgThe Sound of Music Hosted by Merced College Fine & Performing Artsand Merced College Theater We hope you and your family will come out to see our Spring Production of The Sound of Music! Music by Richard Rodgers, Lyrics by Oscar Hammerstein II. Book by Howard Lindsay and Russel CrouseDirected by Lauren McCue-Bryx Musical Direction by Alexander SimonPresented by Merced College Performing Arts at the Merced College Theater $12 in Advance, $15 at the Door Get your tickets now at mccd.tix.com Balloonacy Hosted by Phoenix Creative Collective and Merced Multicultural Arts Center - the MAC In an engaging example of truly accessible theatre for young audiences, Balloonacy is a story of unlikely friendship. Set in the apartment of a lonely adult, the introduction of a balloon with personality proves to be too much for the grumpy, stuck-in-the-mud main character who tries to make the balloon go away. When it doesn't work and the balloon proves resilient, our hero slowly softens to the idea of having a friend, and suddenly we see the grumpiness fade away, and the power of simple non-judgmental presence and support to sweep to sweep away even the darkest of clouds on the rainiest of days. Uniquely suited for students in special education programs and non-English speakers, Balloonacy is highly engaging and entirely wordless. March 21-22 at the MAC*SPONSORED BY CENTRAL VALLEY YOUTH LEGAL SERVICESTickets online at phoenixtherise.comSHREK The Musical Hosted by Modesto Junior College Arts The Modesto Junior College Theater, Music and Dance Departments present Shrek the Musical March 27 at 7 p.m., March 28 at 2pm, April 3 and 4 at 7pm and April 5 at 2 p.m. in the Auditorium of the Performing and Media Arts Center on East Campus, 435 College Avenue, Modesto.Based on the Oscar-winning DreamWorks Animation film, Shrek The Musical is a Tony Award-winning fairy tale adventure, featuring all new songs from Jeanine Tesori (Thoroughly Modern Millie; Caroline, or Change) and a sidesplitting book by David Lindsay-Abaire. Shrek brings all the beloved characters you know from the film to life on stage and proves there's more to the story than meets the ears."Once upon a time, there was a little ogre named Shrek...." And thus begins the tale of an unlikely hero who finds himself on a life-changing journey alongside a wisecracking Donkey and a feisty princess who resists her rescue. Throw in a short-tempered bad guy, a cookie with an attitude and over a dozen other fairy tale misfits, and you've got the kind of mess that calls for a real hero. Luckily, there's one on hand... and his name is Shrek.Shrek presents a treasure trove of creative opportunities, including costumes, sets, puppets (there is a fire-breathing dragon after all) and more! Irreverently fun for the whole family, Shrek proves that beauty is truly in the eye of the ogre.Tickets are $12 for students and seniors and $15 general admission and are available in advance through the MJC Box Office, Tuesday through Friday, 12-5 p.m., (209) 575-6776, online at www.mjc.tix.com or at the door 90 minutes prior to each performance. Audition notices Workshop 44 – Mamma Mia Now accepting video submissions. Send a song to casting.workshop44@gmail.com. Call backs/in person will be in early MarchPLAYHOUSE MERCED Is seeking an actor for the leading role of Jimmy Raye for BRIGHT STAR the musical. Please prepare the following and contact artistic@playhousemerced.org to schedule an audition or for more information!Have you supported the Phoenix Podcast Network yet with a monthly pledge at the Phoenix Creative Collective's Patreon? You can help keep our shows on the air and get some great bonuses as well courtesy your favorite neighborhood Arts Collective!Phoenix Talk Radio is a Member of the Phoenix Podcast NetworkSend us email at info@phoenixtherise.com or call us at 209-643-5880!Music is by Steven M Burkum of Rialthos Music. You can license or purchase his tracks on his BandCamp PageFind out more at https://phoenix-talk-radio.pinecast.coThis podcast is powered by Pinecast.

There's so much more to black history than that black people were once slaves, that Martin Luther King made a famous speech called “I Have A Dream,” that there were riots in the 1960s, that segregation has ended, and the fact that Barack Obama got elected President. Black history and black history in Detroit and Michigan is richly textured, endlessly interesting, and completely interwoven with all our history in a way few people know about it. It's relevant, absolutely fascinating and something everyone should know about. Joining me to talk about it are three of the best experts in Detroit. Ken Coleman - a well-known local historian and author who is something of a living encyclopedia of African-American history in Detroit; his books include On This Day: African-American Life in Detroit. Dr. Keith Dye - an assistant professor of African-American Studies and History at the University of Michigan Dearborn; he is an expert on the history of 1960s activism and freedom movements, and especially on the Detroit beginnings of the reparations controversy more than half a century ago. Howard Lindsay - a Michigan native and an emeritus professor of history at DePaul University in Chicago who now lives in Southfield. He is the expert on how the original Henry Ford influenced the community of Inkster and the author of a book called A History of Black America.

There’s so much more to black history than that black people were once slaves, that Martin Luther King made a famous speech called “I Have A Dream,” that there were riots in the 1960s, that segregation has ended, and the fact that Barack Obama got elected President. Black history and black history in Detroit and Michigan is richly textured, endlessly interesting, and completely interwoven with all our history in a way few people know about it. It’s relevant, absolutely fascinating and something everyone should know about. Joining me to talk about it are three of the best experts in Detroit. Ken Coleman - a well-known local historian and author who is something of a living encyclopedia of African-American history in Detroit; his books include On This Day: African-American Life in Detroit. Dr. Keith Dye - an assistant professor of African-American Studies and History at the University of Michigan Dearborn; he is an expert on the history of 1960s activism and freedom movements, and especially on the Detroit beginnings of the reparations controversy more than half a century ago. Howard Lindsay - a Michigan native and an emeritus professor of history at DePaul University in Chicago who now lives in Southfield. He is the expert on how the original Henry Ford influenced the community of Inkster and the author of a book called A History of Black America.

This week we chat amongst ourselves about which of life's truths can be gleaned from the ship-board musical - Anything Goes!“If you try to imagine a grown-up Annie, of the musical by that name, you might easily find her to be a lot like Reno Sweeney, the lead character of Cole Porter’s “Anything Goes” — sassy and brassy, big-hearted and big-voiced. And still with red hair.It is no surprise, then, that Andrea McArdle, the original Broadway Annie, who won a 1977 Tony nomination for her performance, makes a smashing Reno. The role of the naughty nightclub singer was originated in 1934 by Ethel Merman.Ms. McArdle is the centerpiece of “Anything Goes” at the Gateway Playhouse in Bellport, but hardly its only asset. She is surrounded by other outstanding actors, a sparkling nautical set and fine musical accompaniment. Jayme McDaniel, the director, has melded all of the elements into a production filled with joyous energy.” - By Aileen Jacobson- FURTHER READING -Wiki - Musical, Cole Porter, Guy Bolton, P. G. Wodehouse, Howard Lindsay, Russel CrouseiTunesSpotifyLike us on Facebook! Follow us on Twitter! Support us on Patreon!Email us: musicalstaughtmepodcast@gmail.comVisit our home on the web thatsnotcanonproductions.comOur theme song and interstitial music all by the one and only Benedict Braxton Smith. Find out more about him at www.benedictbraxtonsmith.com

Whether Valentine’s Day is your favorite winter holiday or you avoid it like the plague, there’s no debating it’s a big day for the world of food and hospitality. This week we’re bringing you the inside scoop on what the holiday means for the industry. We visit a dessert bar trying to avoid the clichés of champagne and chocolate and investigate how the holiday’s hues are affecting rosé sales. We get to the bottom of a rumor about diamonds (but not the ones you're thinking of), and explore the benefits of peanut punch, a Caribbean aphrodisiac. This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. Meat + Three is powered by Simplecast.

For our second episode, we discuss Anything Goes (1934) with music and lyrics by Cole Porter, book by Guy Bolton and P.G. Wodehouse, heavily revised by Howard Lindsay and Russel Crouse. You genuinely don't need to have seen the show to enjoy this episode, as the plot of the musical is entirely irrelevant, and we play a few clips from the songs. If you want to know why the show is good, all you need to do is watch this one four-minute video of the 2011 Tony performance of the title song "Anything Goes," featuring Sutton Foster. Apologies for the very slight echo, that isn't in subsequent episodes.

Hosts Briana Phipps, Jacque Borowski, Dakota T Jones and Becca Brown discuss the Sound of Music Film. The Sound of Music is a 1965 American musical drama film produced and directed by Robert Wise, and starring Julie Andrews and Christopher Plummer. The film is an adaptation of the 1959 Broadway musical The Sound of Music, composed by Richard Rodgers with lyrics by Oscar Hammerstein II. The film's screenplay was written by Ernest Lehman, adapted from the stage musical's book by Howard Lindsay and Russel Crouse. Based on the memoir The Story of the Trapp Family Singers by Maria von Trapp, the film is about a young Austrian woman studying to become a nun in Salzburg in 1938 who is sent to the villa of a retired naval officer and widower to be governess to his seven children. After bringing love and music into the lives of the family through kindness and patience, she marries the officer and together with the children they find a way to survive the loss of their homeland throu

Hosts Briana Phipps, Mark J Freeman, Dakota T Jones and Becca Brown discuss the Sound of Music Broadway Show. The Sound of Music is a musical with music by Richard Rodgers, lyrics by Oscar Hammerstein II and a book by Howard Lindsay and Russel Crouse. It is based on the memoir of Maria von Trapp, The Story of the Trapp Family Singers. Set in Austria on the eve of the Anschluss in 1938, the musical tells the story of Maria, who takes a job as governess to a large family while she decides whether to become a nun. She falls in love with the children, and eventually their widowed father, Captain von Trapp. He is ordered to accept a commission in the German navy, but he opposes the Nazis. He and Maria decide on a plan to flee Austria with the children. Many songs from the musical have become standards, such as "Edelweiss", "My Favorite Things", "Climb Ev'ry Mountain", "Do-Re-Mi", and the title song "The Sound of Music". The original Broadway production, starring Ma

1- Mostra personale: Paolo Stoppa (Radiodue 1961) 2- "Caro bugiardo" di Jerome Kilty (Radiouno 1970) 3- "Così è, se vi pare" di Luigi Pirandello (Radiouno 1970) 4 - "Vita col padre" di Howard Lindsay e Russel Crouse (Radiouno 1975) 5 - "Figli d'arte" di Diego Fabbri (Radiouno 1970)

The FORD THEATER, sponsored by the Ford Motor Company, presented hour long dramas first on NBC for one only season. The series moved to CBS for its second and last season. There were 39 NBC and 39 CBS hour- long shows (not verified). The show initially received an unfavorable review from the New York Times for poor script adaptation but was still highly rated for the actors' performance and overall production. The show was supposed to feature only original scripts but had to forgo that plan due to lack of quality material. The first season on NBC used radio actors under the direction of George Zachary. Martin Gabel announced the first show but was soon replaced by Kenneth Banghart. The second season, on CBS, used Hollywood screen actors in the lead roles, supported by radio actors. Fletcher Markle, who previously produced CBS's STUDIO ONE series, was the producer for the second season. Although a short series, it still has some of radio's best dramas. THIS EPISODE: March 21, 1948. CBS network. "It's A Gift". Sponsored by: Ford. A comedy about a wounded war vet who gets dizzy and has to "concentrate." When he "concentrates," he can make people do whatever he wants them to do. A new industry is born! Howard Lindsay (host), Kenneth Banghart (commercial spokesman), Lee Bloomgarten (author), Cliff Carpenter, Carl Eastman, William Zuckert, George Faulkner (continuity), Helen Lewis, James Van Dyke, Elspeth Eric, Howard Teichman (editor), Lyn Murray (composer, conductor), Frank Dane, Ivor Francis, George Zacherle (director), Rod Hendrickson. 59:28.

The Ford Theatre. January 18, 1948. NBC net. "Girl Crazy". Sponsored by: Ford. An adaption of the smash 1930 musical about an Eastern playboy in love with a Western cowgirl. Plus all those great Gershwin tunes. George Gershwin (composer), Ira Gershwin (composer), Monica Lewis, Larry Douglas, Marilyn Daye, Ted de Corsia, Lyn Murray (music), Kenneth Banghart (announcer), Howard Lindsay (host), George Zachery (adaptor), Lyn Murray (adaptor).

The Ford Theatre. January 11, 1948. NBC net. "Storm In A Teacup". Sponsored by: Ford. A fine comedy about a small-town journalist who tackles the town's pompous mayor, running for re-election. Arthur Kohl, Howard Lindsay (host), Kenneth Banghart (announcer), Brad Barker, Geoffrey Bryant, Gene Leonard, Amzie Strickland, Frank Behrens, Sanford Bickart, Eva Condon, Karl Swenson, Wendell Holmes, Jackson Beck, Art Carney, Les Tremayne, Adelaide Klein, Carl Eastman, Dan Ocko, Ted Osborne.

The Ford Theatre. November 16, 1947. NBC net. "Carmen Jones". Sponsored by: Ford. The first radio production of the opera, written by Bizet but brought up to date by Oscar Hammerstein. Earl Sidner, Elton J. Warren, George Faulkner (continuity), George Zachery (director), Howard Lindsay (host), Howard Teichmann (editor), Irving Barnes, Juano Hernandez, Kenneth Banghart (announcer), Luther Saxon, Lyn Murray (music), Maurice Ellis (narrator), Muriel Smith, Oscar Hammerstein (composer), Valerie Black.

The Ford Theatre. February 1, 1948. NBC net. "The Green Pastures". Sponsored by: Ford. Stories from the Old Testament, with an all-black point of view. Juano Hernandez, Marc Connelly (author), Max Wiley (adaptor), Maurice Ellis, Emery Richardson, Kenneth Banghart (announcer), Elwood Smith, Valerie Black, John Marriot, Ken Reynard, Milton Williams, Earl Sidner, Mercedes Gilbert, Marshall Cole Jr., Avon Long, John D. Battle, Dorn Alexander, Janis Long, Pauline Meyers, Viola Dean, Howard Lindsay (host), Lyn Murray (composer, conductor), Howard Teichmann (editor), George Faulkner (continuity), George Zachery (director), Georgette Harvey, Juan Jose Hernandez.

The Ford Theatre. March 21, 1948. CBS net. "It's A Gift. Sponsored by: Ford. A comedy about a wounded war vet who gets dizzy and has to "concentrate." When he "concentrates," he can make people do whatever he wants them to do. A new industry is born! Howard Lindsay (host), Kenneth Banghart (commercial spokesman), Lee Bloomgarten (author), Cliff Carpenter, Carl Eastman, William Zuckert, George Faulkner (continuity), Helen Lewis, James Van Dyke, Elspeth Eric, Howard Teichman (editor), Lyn Murray (composer, conductor), Frank Dane, Ivor Francis, George Zacherle (director), Rod Hendrickson.

The Ford Theater aired 1947 - 1949. It was broadcast on NBC until October 8, 1948 then moved to CBS.  It was hosted by Howard Lindsay. The show tried to use good but not to famous radio performers. Producer George Zachary, first producer, attempting to use popular radio stars instead of Hollywood stars offered limited success. Followed was low ratings which forced the replacement of Zachary with Fletcher Markle, husband of radio legend Mercedes McCambridge. Needing a change the show moved to California and began starring celebrities from Hollywood like Lucille Ball. Jack Benny, Bob Hope, Bette Davis to mention a few. This combination made for a hit radio show.

The Ford Theater aired 1947 - 1949. It was broadcast on NBC until October 8, 1948 then moved to CBS.  It was hosted by Howard Lindsay. The show tried to use good but not to famous radio performers. Producer George Zachary, first producer, attempting to use popular radio stars instead of Hollywood stars offered limited success. Followed was low ratings which forced the replacement of Zachary with Fletcher Markle, husband of radio legend Mercedes McCambridge. Needing a change the show moved to California and began starring celebrities from Hollywood like Lucille Ball. Jack Benny, Bob Hope, Bette Davis to mention a few. This combination made for a hit radio show.

The Ford Theater aired 1947 - 1949. It was broadcast on NBC until October 8, 1948 then moved to CBS.  It was hosted by Howard Lindsay. The show tried to use good but not to famous radio performers. Producer George Zachary, first producer, attempting to use popular radio stars instead of Hollywood stars offered limited success. Followed was low ratings which forced the replacement of Zachary with Fletcher Markle, husband of radio legend Mercedes McCambridge. Needing a change the show moved to California and began starring celebrities from Hollywood like Lucille Ball. Jack Benny, Bob Hope, Bette Davis to mention a few. This combination made for a hit radio show.