Podcast appearances and mentions of Miriam Hopkins

Our streak of finding gynocentric crime film gems continues with our second Paramount 1931 episode, featuring two movies directed by Sylvia Sidney specialist Marion Gering. 24 Hours pairs a despairing Clive Brook and Miriam Hopkins, haunted by marriages they can't escape in one way or another. And Ladies of the Big House, starring a radiant Sidney as a hapless shopgirl who (like Hopkins' nightclub singer) becomes the target of a gangster's obsession, depicts life in prison as a curious quasi-utopia of racial equality and solidarity among American's socioeconomically oppressed. We give you our take on Gering as unsung auteur! Time Codes: 0h 00m 25s: Hollywood, 1931 and Paramount 0h 07m 09s: 24 HOURS [dir. Marion Gering] 0h 40m 51s: LADIES OF THE BIG HOUSE [dir. Marion Gering] +++ Studio Film Capsules provided by The Paramount Story by John Douglas Eames Additional studio information from: The Hollywood Story by Joel W. Finler Additional 1930 information from: Forgotten Films to Remember by John Springer              +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com   We now have a Discord server - just drop us a line if you'd like to join! 

Lux Radio Theatre || She Loves Me Not | Come and Get It || Broadcast: November 8, 1937; November 15, 193701:20 ... She Loves Me Not is a 1934 American comedy film directed by Elliott Nugent and starring Bing Crosby and Miriam Hopkins.[1] Based on the novel She Loves Me Not by Edward Hope and the subsequent play by Howard Lindsay, the film is about a cabaret dancer who witnesses a murder and is forced to hide from gangsters by disguising herself as a male Princeton student. Distributed by Paramount Pictures, the film has been remade twice as True to the Army (1942) and as How to Be Very, Very Popular in (1955), the latter starring Betty Grable. || Starring: Bing Crosby, Joan Blondell, Nan Grey, Sterling Holloway, William Frawley58:00 ... Come and Get It -- Ruthless lumberjack foreman Barney Glasgow (Edward Arnold) will stop at nothing to achieve his goal, to someday become the head of the logging industry in 19th century Wisconsin. His determination to succeed leads him to end his relationship with saloonsinger Lotta Morgan (Frances Farmer) and marry Emma Louise Hewitt (Mary Nash), the daughter of his boss Jed Hewett (Charles Halton), in order to secure a partnership in his business. || Starring: Edward Arnold, Anne Shirley: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLESSubscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#dramaclassics #oldtimeradio #otr #radiotheater #radioclassics #luxradio #cecilbdemille #gunsmoke #oldtimeradioclassics #classicradio #crimeclassics #duaneotr:::: :

EPISODE 72 - “CHATTING CLASSIC CINEMA WITH JOURNALIST MAUREEN LENKER” - 1/27/2024 In this week's episode, Steve and Nan welcome award-winning journalist MAUREEN LENKER. Maureen, who is currently a Senior Writer for Entertainment Weekly, has a deep passion and knowledge of classic cinema and has made 1930s Hollywood the setting for her new novel, “His Girl Hollywood.” Join us as Maureen discusses her career, her passion for cinema, her most inspirational classic films, and all the tea about her new novel. SHOW NOTES:  Sources: It Happened One Fight (2023), by Maureen Lee Lenker; His Girl Hollywood (2025), by Maureen Lee Lenker; TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; Movies Mentioned:  Swing Time (1936) - starring Fred Astaire & Ginger Rogers; Gone with the Wind (1939), starring Vivien Leigh, Clark Gable, Olivia de Havilland, Leslie Howard, & Hattie McDaniel; His Girl Friday (1940), starring Rosalind Russell, Cary Grant, Ralph Bellamy, Gene Lockhart, Helen Mack, & John Qualen; The Philadelphia Story (1940), starring Katharine Hepburn, Cary Grant, James Stewart, Ruth Hussey, Virginia Weidler, Mary Nash, John Howard, & Roland Young; Casablanca (1942), starring Humphrey Bogart, Ingrid Bergman, Paul Henreid, Claude Rains, Peter Lorre, Sydney Greenstreet, & Dooley Wilson; The Heiress (1949), starring Olivia de Havilland, Montgomery Clift, Ralph Richardson, & Miriam Hopkins; Outrage (1950). Starring Mala Powers, Tod Andrews, Robert Clarke, Lillian Hamilton, & Rita Lupino; Singing in the Rain (1952), starting Gene Kelly, Debbie Reynolds, Donald O'Connor, Jean Hagan, Rita Moreno, Cyd Charisse, & Millard Mitchell; West Side Story (1952), starring Natalie Wood, Richard Beymer, Rita Moreno, George Chakiras, & Russ Tamblyn; The Quiet Man (1952), starring John Wayne, Maureen O'Hara, Mildred Natwick, Barry Fitzgerald, & Patrick McLaglen; White Christmas (1954), starring Bing Crosby, Danny Kaye, Rosemary Clooney, Vera Ellen, Dean Jagger, Mary Wickes, & Anne Whitfield; It's Always Fair Weather (1955), starring Gene Kelly, Cyd Charisse, Dan Dailey, Michalre Kidd, & Delores Gray; Mary Poppins (1964), starring Julie Andrews, Dick Van Dyke, David Tomlinson, & Glynis Johns; The Sound of Music (1965), starring Julie Andrews, Christopher Plummer, Eleanor Parker, Chairman Carr, Richard Haydn, & Peggy Wood; Then Princess Bride (1987), starring Cary Elwes, Robin Wright, Billy Crystal, Mandy Patinkin, & Wallace Shawn; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 70 - “COLIN CLIVE” - 1/13/2024 The moment he uttered the iconic line, “It's Alive! It's Alive,” in the 1931classic horror film “Frankenstein, actor COLIN CLIVE secured his place in film history. The handsome, talented British actor went on to appear in several other films, but his life and career were cut short due to his acute alcoholism and other personal demons. This week, we remember and celebrate this beloved horror legend.  SHOW NOTES:  Sources: One Man Crazy . . .! The Life and Death of Colin Clive (2018), by Gregory W. Mank; James Whale: A New World of Gods and Monsters (1998), by James Curtis; The Wisdom of Colette (1980), by Bennitt Gardiner; Colette O'Niel: A Season in Repertory (1976), by Bennitt Gardiner; “R.C. Sherriff: Soldier, Writer and Oarsman,” November 30, 2020, HearTheBoatSing.com; “Mae Clarke Remembers James Whale,” May 1985, Films in Review; “Jeanne De Casalis, 69, Is Dead,” August 20, 1966, New York Times;  “Colin Clive, Actor, Dies In Hollywood,” June 27, 1937, New York Times; TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; Movies Mentioned:  Frankenstein (1931), starring Boris Karloff, Colin Clive, & Mae Clake; Journey's End (1930), starring Colin Clive, Ian Maclaren, & David Manners; The Public Enemy (1931), starring James Cagney, Jean Harlow, Joan Blondell, Mae Clarke, & Edward Woods; Christopher Strong (1933), starring Katharine Hepburn, Colin Clive, & Billie Burke; Looking Forward (1933), string Lionel Barrymore, Lewis Stone, Elizabeth Allen & Benita Hume; Jane Eyre (1934), starring Virginia Bruce, Edith Fellows, & Colin Clive; The Girl From 10th Avenue (1935), starring Bette Davis, Colin Clive, & Ian Hunter; The Man Who Broke The Bank At Monte Carlo (1935), starring Ronald Colman, Joan Bennett, Colin Clive, & Nigel Bruce; Clive of India (1935), starring Ronald Colman, Loretta Young, Colin Clive, Cesar Romero, Leo G. Carroll, & C. Aubrey Smith; Mad Love (1935), starring Peter Lorre, Colin Clive, & Frances Drake; Bride of Frankenstein (1935), Boris Karloff, Elsa Lancaster, Colin Clive, Una O'Connor, & Valerie Hobson; History is Made At Night (1937), starring Jean Arthur, Charles Boyer, & Colin Clive; The Woman I Love (1937), starring Miriam Hopkins, Paul Muni, Louis Hayward, & Colin Clive; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 63 - “NOT EVEN NOMINATED: A DISCUSSION ABOUT CLASSIC CINEMA WITH AUTHOR JOHN DILEO” - 11/25/2024 Author JOHN DILEO, film historian and author, has just published his eighth book, Not Even Nominated: 40 Overlooked Costars of Oscar-Winning Performances. This week, John joins Steve and Nan to discuss his book, as well as his origin story on how he got hooked on classic cinema. Join us for the fun, lively discussion about old Hollywood. And make sure you check out John's book.  SHOW NOTES:  Sources: 100 Great Film Performances You Should Remember — But Probably Don't (2002), by John DiLeo: Not Even Nominated: 40 Overlooked Costars of Oscar-Winning Performances (2024), by John DiLeo; TCM.com; Wikipedia.com; IMDBPro.com; Movies Mentioned:  Dr. Jekyll and Mr. Hyde (1931); Fredric March & Miriam Hopkins; Mr. Deeds Goes to Town (1936), starring Gary Cooper & Jean Arthur; The More the Merrier (1943), starring Jean Arthur , Joel McCrea, and Charles Coburn; The Best Years of Our Lives (1946), starring Dana Andrews, Fredric March, Myrna Loy, Teresa Wright, Harold Russell, Cathy O'Donnell, Virginia Mayo, and Steve Cochran; Miracle On 34th Street (1947), starring Maureen O'Hara, John Payne, Edmund Gwynn, and Natalie Wood; The Treasure of The Sierra Madre (1948), starring Humphrey Bogart & Walter Huston; All About Eve (1950), starring Bette Davis, Anne Baxter, Gary Merrill, Celeste Holm, George Sanders, Thelma Ritter, and Marilyn Monroe; Ace In the Hole (1951), Starring Kirk Douglas & Jan Sterling; Strangers on a Train (1951), starring Farley Granger, Robert Walker, Ruth Roman, & Pat Hitchcock; Mr. Blanding Builds His Dream House (1948), starring Cary Grant, Myrna Loy, & Melvyn Douglas; Rope (1948), starring James Stewart, Farley Granger & John Dahl; They Live By Night (1948), starring Farley Granger & Cathy O'Donnell; From Here To Eternity (1953), starring Burt Lancaster, Deborah Kerr, Montgomery Clift, Donna Reed, & Frank Sinatra; The Bandwagon (1953), Fred Astaire & Cyd Charisse; Seven Brides for Seven Brothers (1954), starring Howard Keel, Jane Powell, & Russ Tamblyn; Elmer Gantry (1960), starring Burt Lancaster, Jean Simmons, & Shirley Jones; Judgement at Nuremberg (1961), starring Spencer Tracy, Maximilian Schell, Burt Lancaster, Marlene Dietrich, Montgomery Clift, Richard Widmark, & Jusy Garland; To Kill A Mockingbird (1962), starring Gregory Peck, Mary Badham, Philip Allford, Brock Peters; Whatever Happened to Baby Jane (1963);, starring Bette Davis, Joan Crawford, & Victor Bueno; Mary Poppins (1964), starring Julie Andrews, Dick Van Dyke & David Tomlinson; The Trouble With Angels (1966); starring Rosalind Russell, Hayley Mills, Mary Wickes & Binnie Barnes; The Graduate (1967), starring Dustin Hoffman, Anne Bancroft, and Katharine Ross; Wiat Until Dark (1968), starring Audrey Hepburn, Alan Arkin, Richard Crenna, Efram Zimberlist, Jr. & Jack Weston; That's Entertainment (1974); The Devil's Rain (1975), starring Ida Lupino, William Shatner, Ernest Borgnine, Tom Skerritt, Eddie Albert, Keenan Wynn, Joan Prather & John Travolta; That's Entertainment II (1976); Ordinary People (1980), starring Donald Sutherland, Mary Tyler Moore, Timothy Hutton, Judd Hirsh, & Elizabeth McGovern; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 61 - “FAVORITE CLASSIC FILMS OF THE 1960s” - 11/11/2024 The decade of the 1960s was an exciting time in filmmaking. The stodgy studio contract system was starting to give way to a new crop of independent cinematic auteurs, often associated with the "New Hollywood" era, include: Stanley Kubrick, Robert Altman, Sam Peckinpah, Arthur Penn, John Cassavetes, Francis Ford Coppola, Martin Scorsese, and Peter Bogdanovich. These films were edgier and pushed the creative boundaries and social themes to reflect the changing times. In this episode, Steve and Nan discuss some of their favorite films of the decade and why they had such an impact!  SHOW NOTES:  Sources: Some Like It Cool (2002), by Michael Freehand; Mike Nichols: A Life (2021), by Mark Harris; Jean Simmons: Her Life and Career (2022), by Michelangelo Capua; “Veronica Cartwright talks about ‘The Birds',” February 8, 2008, YouTube; “Here's to You, Mr. Nichols: The Making of ‘The Graduate',” February 25, 2008, by Sam Kashner, Vanity Fair; “Tippi Hedren On Alfred Hitchcock's ‘The Birds',” April 29, 2009, The American FIlm Institute; “The Revenge of Alfred Hitchcock's Muse,” October 5, 2012, New York Magazine; “Tippi Hedren: Hitchcock Ruined My Career,” December 7, 2012, Huffington Post; “Throwback Thursday: Shirley MacLaine Recalls Filming Lesbian Drama ‘Children's Hour' in 1961,” June 4, 2015, Hollywood Reporter;  “The Underappreciated Genius of ‘Planet of the Apes',” May 18, 2024, by Janelle Bouie, New York Times; “The Children's Hour,” October 16, 2024, Episode 257, Feminist Frequency Podcast; TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; Movies Mentioned:  The Graduate (1967), starring Dustin Hoffman, Anne Bancroft, Katharine Ross, William Daniels, Elizabeth Wilson, Murray Hamilton, Buck Henry, Marion Lorne, Alice Ghostly, Brian Avery, William Brooke, and Norman Fell; The Birds (1963), Starring Tippi Hedren, Rod Taylor, Jessica Tandy, Suzanne Pleshette, and Veronica Cartwright, Ethel Griffies, Charles McGraw, Richard Deacon, and Elizabeth Wilson; Days of Wine and Roses (1962), starring Jack Lemmon, Lee Remick, Charles Bickford, Jack Klugman, Alan Hewitt, Maxine Stuart, Debbie Megowan, and Jack Albertson; Planet of the Apes (1968), starring Charlton Heston, Kim Hunter, Roddy McDowell, Maurice Evans, Linda Harrison, James Whitmore, and James Daly; The Happy Ending (1969), starring Jean Simmons, John Forsyth, Shirley Jones, Lloyd Bridges, Teresa Wright, Bobby Darin, Kathy Fields, Dick Shawn, Nanette Fabray, and Tina Louise; The Children's Hour (1961), starring Audrey Hepburn, Shirley MacLaine, James Garner, Miriam Hopkins, Faye Bainter, Karen Balkin, Veronica Cartwright, and Hope Summers; In The Heat Of the Night (1967), starring Rod Steiger, Sidney Poitier, Lee Grant, Warren Oats, Beah Richards, William Schallert, and Larry Gates; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Take a trip back in time with Bryan and Dave this week as they go black and white with this unassailable classic of the golden age of horror. It's Paramount's remarkably gritty pre-code horror movie, Dr. Jekyll and Mr. Hyde, a movie meant to capitalize on and compete with the sudden popularity of Universal's 1931's horror movies, Dracula and Frankenstein. Paramount, however, takes things a bit further with a movie movie more explicitly sexy and violent than you're probably expecting from the 1930's. It's a dynamic, kinetic movie shot on elaborate sets and featuring powerful performances from both Fredrich March and Miriam Hopkins and it makes use of a brilliant in-camera trick to transform Jekyll into Hyde before your very eyes. Learn all about it and more in this episode. Support Bring Me The Axe on Patreon! ⁠⁠https://www.patreon.com/c/bringmetheaxepod⁠⁠ Buy Bring Me The Axe merch here: ⁠⁠https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠

During the heyday of Hollywood's studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman's new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood's best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood's patriarchal structure. Through extensive, original archival research, Independent Stardom: Freelance Women in the Hollywood Studio System (U Texas Press, 2016) uncovers this hidden history of women's labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

During the heyday of Hollywood's studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman's new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood's best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood's patriarchal structure. Through extensive, original archival research, Independent Stardom: Freelance Women in the Hollywood Studio System (U Texas Press, 2016) uncovers this hidden history of women's labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

During the heyday of Hollywood's studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman's new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood's best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood's patriarchal structure. Through extensive, original archival research, Independent Stardom: Freelance Women in the Hollywood Studio System (U Texas Press, 2016) uncovers this hidden history of women's labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

During the heyday of Hollywood's studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman's new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood's best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood's patriarchal structure. Through extensive, original archival research, Independent Stardom: Freelance Women in the Hollywood Studio System (U Texas Press, 2016) uncovers this hidden history of women's labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

During the heyday of Hollywood's studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman's new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood's best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood's patriarchal structure. Through extensive, original archival research, Independent Stardom: Freelance Women in the Hollywood Studio System (U Texas Press, 2016) uncovers this hidden history of women's labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

During the heyday of Hollywood's studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman's new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood's best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood's patriarchal structure. Through extensive, original archival research, Independent Stardom: Freelance Women in the Hollywood Studio System (U Texas Press, 2016) uncovers this hidden history of women's labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

During the heyday of Hollywood's studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman's new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood's best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood's patriarchal structure. Through extensive, original archival research, Independent Stardom: Freelance Women in the Hollywood Studio System (U Texas Press, 2016) uncovers this hidden history of women's labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices

During the heyday of Hollywood's studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman's new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood's best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood's patriarchal structure. Through extensive, original archival research, Independent Stardom: Freelance Women in the Hollywood Studio System (U Texas Press, 2016) uncovers this hidden history of women's labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

During the heyday of Hollywood's studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman's new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood's best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood's patriarchal structure. Through extensive, original archival research, Independent Stardom: Freelance Women in the Hollywood Studio System (U Texas Press, 2016) uncovers this hidden history of women's labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices

From Beneath The Hollywood Sign is thrilled to welcome our newest sponsor, www.HappyMammoth.com. Use code BENEATH at checkout for 15% off of your entire first order! EPISODE 39 - “Father Knows Best: Classic Cinema's Best (and Worst!) Dads” - 06/10/2024 When you stop to think about the great father's of classic cinema, Atticus Finch, the mild-mannered Southern lawyer in “To Kill A Mocking Bird” (1962), has to be at the top of the list. But who else would be on that list? And what about the horrible fathers of old Hollywood? As you scramble to find that last minute tie or cologne for dear old Dad for Father's Day, make sure you check out this week's episode where Steve and Nan celebrate some of old Hollywood's most memorable fathers — the good and the bad.  SHOW NOTES:  Sources: “20 Best and Worst Movie Fathers,” June 19, 2020, by David Fear, Rolling Stone.com “Noah Cross (John Huston) Character Analysis: Mad, Bad, and Dangerous to Know,”  schmoop.com Yahoo.com RogerEbert.com IMDBPro.com; Wikipedia.com; Movies Mentioned:  How Green Was My Valley (1941), starring Walter Pidgeon, Maureen O'Hara, Donald Crisp, Patric Knowles, Anna Lee, Roddy McDowell, Sara Allgood, and Barry Fitzgerald; Bicycle Thieves (1948), starring Vittorio De Sica, Enzo Staiola, and Lianella Carell;  Splendor in the Grass (1961), starring Natalie Wood, Warren Beatty, Pat Hingle, Audrey Christie, Barbara Loden, Zorah Lampert, Sandy Dennis, and Phyllis Diller; The Heiress (1949), starring Olivia de Havilland, Montgomery Clift, Ralph Richardson, Miriam Hopkins, Vanessa Brown, and Mona Freeman; The Swiss Family Robinson (1960), starring John Mills, Dorothy McGuire, James MacArthur, Tommy Kirk, Kevin Corcoran, and Janet Munro; Shane (1953), starring Alan Ladd, Jean Arthur, Van Helfin, Brandon De Wilde, Jack Palance, Ben Johnson, Edgar Buchanan, Elisha Cook Jr, and Ellen Corby; Chinatown (1974), starring Jack Nicholson, Faye Dunaway, John Huston, Perry Lopez, Diane Ladd, and John Hillerman; Rebel Without A Cause (1955), starring James Dean, Natalie Wood, Sal Mineo, Dennis Hopper, Jim Backus, Corey Allen, Ann Doran, Nick Adams, William Hopper, and Edward Platt; Our Vines Have Tender Grapes (1945), starring Edward G. Robinson, Margaret O'Brien, Agnes Moorhead, James Craig, Jackie “Butch” Jenkins, Frances Gifford, Morris Carnovsky, and Sara Haden; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Support us on Patreonhttps://r.search.yahoo.com/_ylt=Awr92rDP5bllDAQAM_ZXNyoA;_ylu=Y29sbwNncTEEcG9zAzEEdnRpZAMEc2VjA3Ny/RV=2/RE=1707891407/RO=10/RU=https%3a%2f%2fwww.patreon.com%2fuser%3fu%3d4279967/RK=2/RS=9LbiSxziFkcdPQCvqIxPtxIgZ7A-Jack Benny TV Videocasthttps://open.spotify.com/show/6BDar4CsgVEyUloEQ8sWpw?si=89123269fe144a10Jack Benny Show OTR Podcast!https://open.spotify.com/show/3UZ6NSEL7RPxOXUoQ4NiDP?si=987ab6e776a7468cJudy Garland and Friends OTR Podcasthttps://open.spotify.com/show/5ZKJYkgHOIjQzZWCt1a1NN?si=538b47b50852483dStrange New Worlds Of Dimension X-1 Podcasthttps://open.spotify.com/show/6hFMGUvEdaYqPBoxy00sOk?si=a37cc300a8e247a1Buck Benny YouTube Channelhttps://r.search.yahoo.com/_ylt=AwrOoc1Q5bllBgQA469XNyoA;_ylu=Y29sbwNncTEEcG9zAzEEdnRpZAMEc2VjA3Ny/RV=2/RE=1707891281/RO=10/RU=https%3a%2f%2fwww.youtube.com%2f%40BuckBenny/RK=2/RS=nVp4LDJhOmL70bh7eeCi6DPNdW4-Support us on Patreonhttps://r.search.yahoo.com/_ylt=Awr92rDP5bllDAQAM_ZXNyoA;_ylu=Y29sbwNncTEEcG9zAzEEdnRpZAMEc2VjA3Ny/RV=2/RE=1707891407/RO=10/RU=https%3a%2f%2fwww.patreon.com%2fuser%3fu%3d4279967/RK=2/RS=9LbiSxziFkcdPQCvqIxPtxIgZ7A-

In our first film review for the season, we cover The Smiling Lieutenant, another Ernst Lubitsch musical comedy. Starring Maurice Chevalier, Claudette Colbert, and newcomer Miriam Hopkins, this jaunty, suggestive film focuses on a love triangle between a lieutenant, his violin virtuoso girlfriend, and a naïve princess. There is lots of innuendo, lots of sexual banter, and ridiculous songs comparing sex to jazz and, yes, breakfast foods.We cover several months on our history timeline, top song of the day, and, as much baseball as we can manage.Please leave us a review wherever you are listening!Email us rants as well as raves: sheacinema@gmail.comYou can also find us on Instagram (and now Twitter/X): @sheacinema

In this episode, we talk with classic film enthusiast, April Clemmer. We discuss the 1949 psychological drama, The Heiress. The film stars Olivia de Havilland, Montgomery Clift, Ralph Richardson, and Miriam Hopkins. We break down the performances and complex characters of the film. We also talk about the actors, director William Wyler, and the eight Academy Awards it was nominated for. Click and listen.

In the first of three episodes in on TROUBLE IN PARADISE, Tanya Goldman joins us to discuss two key works in the Gentleman Thief subgenre - the aforementioned TROUBLE IN PARADISE as well as William Dieterle's JEWEL ROBBERY! We cover the work of William Powell, Kay Francis, Herbert Marshall, and Miriam Hopkins, the differing ways in which each film deals with morality and ethics in the midst of all the pre-code transgressions, the love language of thievery, and plenty else! Edited by Griffin Sheel We have a Discord! Listen on: Apple Podcasts | Spotify NEXT WEEK: Will Ross returns to further discuss TROUBLE IN PARADISE. For details as to where to find this film, check out our resources page. WORKS CITED: Flawless: Kay Francis' Jewel Heist Comedies in 'Crooked Marquee' by Julia Sirmons

For me, this movie answers some important LTS questions: what did that Ernst Lubitsch guy direct besides To Be Or Not To Be? How was Herbert Marshall ever a romantic lead? And finally, where are the precodes? It’s been forever! TIP also give me the chance to introduce Kay Francis and Miriam Hopkins, the fashion-forward queen of Warner Brothers before Bette Davis, and Miss Davis’ later southern belle nemesis in several films - respectively. Trouble in Paradise is a romantic triangle comedy featuring “a gentleman thief, a (lady) pickpocket” and a fancy woman who is their mark. It’s very funny, and very risqué in the way that precode movies tend to be - could they say that in 1932? Highly recommended by your host and at least two panel regulars. Shelly Brisbin with Nathan Alderman, David J. Loehr and Randy Dotinga.

For me, this movie answers some important LTS questions: what did that Ernst Lubitsch guy direct besides To Be Or Not To Be? How was Herbert Marshall ever a romantic lead? And finally, where are the precodes? It’s been forever! TIP also give me the chance to introduce Kay Francis and Miriam Hopkins, the fashion-forward queen of Warner Brothers before Bette Davis, and Miss Davis’ later southern belle nemesis in several films - respectively. Trouble in Paradise is a romantic triangle comedy featuring “a gentleman thief, a (lady) pickpocket” and a fancy woman who is their mark. It’s very funny, and very risqué in the way that precode movies tend to be - could they say that in 1932? Highly recommended by your host and at least two panel regulars. Shelly Brisbin with Nathan Alderman, David J. Loehr and Randy Dotinga.

Sam Clements is curating a fictional film festival. He'll accept almost anything, but the movie must not be longer than 90 minutes. This is the 90 Minutes Or Less Film Fest podcast. In episode 104 Sam is joined by Justin Simien, filmmaker and director of Dear White People, Bad Hair, and the new Disney movie Haunted Mansion.  Justin has chosen Ernst Lubitsch's Trouble in Paradise (83 minutes) from 1932. The pre-Code rom-com stars Miriam Hopkins, Kay Francis, and Herbert Marshall. Sam and Justin discuss working with writer Katie Dippold on Haunted Mansion, his career-long fascination with Lubitsch and one of the best endings in Hollywood history.  Rate and subscribe on Apple Podcasts: https://tinyurl.com/90minfilm If you enjoy the show, please subscribe, rate, review and share with your friends. We're an independent podcast and every recommendation helps - thank you!  You can also show your support for the podcast by buying us a coffee at our Ko-fi page: https://ko-fi.com/90minfilmfest Website: 90minfilmfest.com Tweet: @90MinFilmFest  Instagram: @90MinFilmFest  We are a proud member of the Stripped Media Network. Hosted and produced by @sam_clements. Edited and produced by Louise Owen. Guest star @justin_simien. Additional editing and sound mixing by @lukemakestweets. Music by @martinaustwick. Artwork by @samgilbey. Bonus Link: The How Would Lubitsch Do It podcast.

Welcome to Vintage Classic Radio's "Sunday Night Playhouse"! In this week's captivating episode, we present the timeless radio play "It Happened One Night." Originally broadcasted on January 28th, 1940, this production was a part of Campbell's Playhouse, proudly sponsored by Campbell's Soup. Hosted and narrated by the incomparable Orson Welles, "It Happened One Night" stars the talented Miriam Hopkins, delivering an unforgettable performance. The story follows Ellen "Ellie" Andrews, a wealthy socialite who escapes her controlling father and embarks on a journey to New York City. Along the way, she meets Peter Warne, a resourceful newspaper reporter. As they travel together, their initially contentious relationship blossoms into an unexpected romance. Through a series of misadventures and obstacles, Ellie and Peter navigate their growing feelings for each other. With its witty dialogue and engaging storyline, "It Happened One Night" remains a beloved classic in the romantic comedy genre. The screenplay of "It Happened One Night" was adapted into a captivating radio play for the January 28, 1940, broadcast of The Campbell Playhouse. This remarkable production featured a talented cast, including Orson Welles as Mr. Andrews, William Powell as Peter Warne, and Miriam Hopkins as Ellie Andrews. With their exceptional performances, these actors brought the beloved characters of the film to life in a new and engaging format. The radio play captured the essence of the original story, showcasing the wit, humor, and romance that made "It Happened One Night" a classic. Don't miss this remarkable episode of Vintage Classic Radio's "Sunday Night Playhouse". Immerse yourself in the magic of the golden age of radio drama, where suspense and romance intertwine. Tune in and be captivated by Miriam Hopkins, Orson Welles, and the remarkable cast, as they take you on an unforgettable journey into the world of "It Happened One Night."

Book Vs. Movie: The Children's HourThe 1934 Play Vs. the 1936 ("These Three") & 1961 AdaptationLillian Hellman's first play, The Children's Hour, caused a sensation in 1934 when it debuted on Broadway with the tale of two schoolteachers accused of being lesbians when homosexuality was illegal in much of the U.S. The show was so scandalous that a Chicago run was canceled. Hellman always stated that the play's moral was about the power of lies and how they can affect an entire community. In 1936, Hellman wrote the screenplay for its first adaptation, These Three, starring Merle Oberon, Miriam Hopkins, and Joel McRea, jettisoning the lesbian subplot. It was directed by William Wyler, who reluctantly allowed the changes due to the Hays Code but was eager to take on the material again one day. In this episode, the Margos talk about the 1936 & 1961 adaptations with most of the original script intact, both directed by Wyler. The story takes place in New England with two friends who run an all-girls boarding school and have a student who gossips about their relationship. While the parents are upset about having lesbians around their children, Karen and Martha fight for their careers and reputation. What are the other differences between the original play and the film? Which version did the Margos like better? Have a listen!In this ep the Margos discuss:Playwright Lillian Hellman and her politicsThe censoring of the original work to filmThe cast of the 1961 film: Audrey Hepburn (Karen,) Shiley MacLaine (Martha,) James Garner (Joe,) Miriam Hopkins (Lily,) Fay Bainter (Amelia,) Karen Balkin (Mary,) Veronica Cartwright (Rosalie,) and Mimi Gibson as Evelyn.Clips used:Aunt Lily confronts MarthaThese Three trailer (1936)The Children's Hour (1961 trailer)BBC 1971 playMary and Cousin Joe talkThe coming-out sceneKaren announces her wedding dayMusic: Alex NorthBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupFollow us on Twitter @bookversusmovieInstagram: Book Versus Movie https://www.instagram.com/bookversusmovie/Email us at bookversusmoviepodcast@gmail.com Margo D. Twitter @BrooklynMargo Margo D's Blog www.brooklynfitchick.com Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok https://www.tiktok.com/@margodonohuebrooklynfitchick@gmail.comYou can buy your copy of Filmed in Brooklyn here! Margo P. Twitter @ShesNachoMamaMargo P's Instagram https://www.instagram.com/shesnachomama/Margo P's Blog https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5406542/advertisement

Book Vs. Movie: The Children's HourThe 1934 Play Vs. the 1936 ("These Three") & 1961 AdaptationLillian Hellman's first play, The Children's Hour, caused a sensation in 1934 when it debuted on Broadway with the tale of two schoolteachers accused of being lesbians when homosexuality was illegal in much of the U.S. The show was so scandalous that a Chicago run was canceled. Hellman always stated that the play's moral was about the power of lies and how they can affect an entire community. In 1936, Hellman wrote the screenplay for its first adaptation, These Three, starring Merle Oberon, Miriam Hopkins, and Joel McRea, jettisoning the lesbian subplot. It was directed by William Wyler, who reluctantly allowed the changes due to the Hays Code but was eager to take on the material again one day. In this episode, the Margos talk about the 1936 & 1961 adaptations with most of the original script intact, both directed by Wyler. The story takes place in New England with two friends who run an all-girls boarding school and have a student who gossips about their relationship. While the parents are upset about having lesbians around their children, Karen and Martha fight for their careers and reputation. What are the other differences between the original play and the film? Which version did the Margos like better? Have a listen!In this ep the Margos discuss:Playwright Lillian Hellman and her politicsThe censoring of the original work to filmThe cast of the 1961 film: Audrey Hepburn (Karen,) Shiley MacLaine (Martha,) James Garner (Joe,) Miriam Hopkins (Lily,) Fay Bainter (Amelia,) Karen Balkin (Mary,) Veronica Cartwright (Rosalie,) and Mimi Gibson as Evelyn.Clips used:Aunt Lily confronts MarthaThese Three trailer (1936)The Children's Hour (1961 trailer)BBC 1971 playMary and Cousin Joe talkThe coming-out sceneKaren announces her wedding dayMusic: Alex NorthBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupFollow us on Twitter @bookversusmovieInstagram: Book Versus Movie https://www.instagram.com/bookversusmovie/Email us at bookversusmoviepodcast@gmail.com Margo D. Twitter @BrooklynMargo Margo D's Blog www.brooklynfitchick.com Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok https://www.tiktok.com/@margodonohuebrooklynfitchick@gmail.comYou can buy your copy of Filmed in Brooklyn here! Margo P. Twitter @ShesNachoMamaMargo P's Instagram https://www.instagram.com/shesnachomama/Margo P's Blog https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine

Miriam Hopkins jumped from the Broadway stage to the silver screen with well-received performances in Dr. Jekyll and Mr. Hyde and Trouble in Paradise. But her film roles began to decline in the 1940s, and she embraced the new medium of television. We'll hear her as a woman who incurs the wrath of a demented housemate in "The Rose Garden" (originally aired on CBS on October 5, 1950). Plus, she co-stars with William Powell in a Campbell Playhouse production of "It Happened One Night" (originally aired on CBS on January 28, 1940).

Kristen is out this week but Samantha and Emily hold down the fort with Miriam Hopkins biographer Allan R. Ellenberger. The trio celebrate the 90th anniversary of the still controversial Story of Temple Drake. Hear about Miriam Hopkins' revolutionary role, the men she almost worked opposite, and why she didn't get an Oscar for this.   Kristen's written a book for TCM and Running Press called But Have You Read the Book? all about film adaptations! You can buy it wherever you buy books. Reviews matter and you can help us out by giving us 5 stars on Apple Podcasts! Also, tell your friends to like and subscribe to our Patreon, Instagram, Twitter, and TikTok channels!   Buy Allan's book Miriam Hopkins: Life and Films of a Hollywood Rebel wherever you get books.   This episode created thanks to our Patrons: Debbi Lynne Ali Moore Christine Mier Danny David Floyd Jacob Haller mcf Beverly Christina Lane Jeffrey Peter Bryant Peter Dawson Sofia Copilled Ann Foster Brittany Brock Cat Cooper Donna Hill Fuckbois of Literature Harry Holland Laura Neill Peter Blitstein Rosa Melanie Amy Hart Nicholas Weerts Kayla Rhodes Andrew Hoppe Lucy Soles

Lux Radio Theatre, a classic radio anthology series, was broadcast on the NBC Blue Network (1934–35) (owned by the National Broadcasting Company, later predecessor of American Broadcasting Company in 1943–1945); CBS Radio network (Columbia Broadcasting System) (1935–54), and NBC Radio (1954–55). Initially, the series adapted Broadway plays during its first two seasons before it began adapting films. These hour-long radio programs were performed live before studio audiences. The series became the most popular dramatic anthology series on radio, broadcast for more than 20 years and continued on television as the Lux Video Theatre through most of the 1950s. The primary sponsor of the show was Unilever through its Lux Soap brand. Broadcasting from New York, the series premiered at 2:30 pm, October 14, 1934, on the NBC Blue Network with a production of Seventh Heaven starring Miriam Hopkins and John Boles in a full-hour adaptation of the 1922–24 Broadway production by Austin Strong. The host was the show's fictional producer, Douglass Garrick (portrayed by John Anthony). Doris Dagmar played another fictional character, Peggy Winthrop, who delivered the Lux commercials. Each show featured a scripted session with Garrick talking to the lead actors. Anthony appeared as Garrick from the premiere 1934 episode until June 30, 1935. Garrick was portrayed by Albert Hayes from July 29, 1935, to May 25, 1936, when the show moved to the West Coast. Famed studio executive and film producer and director Cecil B. DeMille took over as the host on June 1, 1936, continuing until January 22, 1945. That initial episode with DeMille featured stars Marlene Dietrich and Clark Gable in The Legionnaire and the Lady. On several occasions, usually when he was out of town, he was temporarily replaced by various celebrities, including Leslie Howard and Edward Arnold. Lux Radio Theatre strove to feature as many of the original stars of the original stage and film productions as possible, usually paying them $5,000 an appearance. In 1936, when sponsor manufacturer Lever Brothers (who made Lux brand soap and detergent) moved the show from New York City to Hollywood, the program began to emphasize adaptations of films rather than plays. The first Lux film adaptation was The Legionnaire and the Lady, with Marlene Dietrich and Clark Gable, based on the film Morocco. That was followed by a Lux adaptation of The Thin Man, featuring the movie's actual stars, Myrna Loy and William Powell.

Cine en la March: Protagonistas del Hollywood Pre-Code (II). Presentación de "Un ladrón en la alcoba" (1932) de Ernst Lubitsch. Andrea Morán. Un ladrón en la alcoba (Trouble in Paradise, 1932, EE. UU.) de Ernst Lubitsch, con Miriam Hopkins, Kay Francis y Herbert Marshall. Presentación: Andrea Morán Lily (Miriam Hopkins), carterista que se hace pasar por condesa, conoce al famoso ladrón Gaston Monescu y se enamoran. Cerca de un año después, en París, roban un bolso con diamantes a la viuda Mariette Colet, la cual ofrecerá una recompensa para recuperarlo. Las artes de la seducción y del intercambio amoroso, con dinero de por medio, se despliegan aquí con toda la elegancia, capacidad alegórica y potencia metafórica de Ernst Lubitsch en una verdadera obra maestra de la screwball comedy. El sábado se proyecta el vídeo de la presentación del día anterior. Explore en canal.march.es el archivo completo de Conferencias en la Fundación Juan March: casi 3.000 conferencias, disponibles en audio, impartidas desde 1975.

Un ladrón en la alcoba (Trouble in Paradise, 1932, EE. UU.) de Ernst Lubitsch, con Miriam Hopkins, Kay Francis y Herbert Marshall. Presentación: Andrea Morán Lily (Miriam Hopkins), carterista que se hace pasar por condesa, conoce al famoso ladrón Gaston Monescu y se enamoran. Cerca de un año después, en París, roban un bolso con diamantes a la viuda Mariette Colet, la cual ofrecerá una recompensa para recuperarlo. Las artes de la seducción y del intercambio amoroso, con dinero de por medio, se despliegan aquí con toda la elegancia, capacidad alegórica y potencia metafórica de Ernst Lubitsch en una verdadera obra maestra de la screwball comedy. El sábado se proyecta el vídeo de la presentación del día anterior.Más información de este acto

The Edgar Bergen and Charlie McCarthy Show was a radio comedy variety show broacast from 1936 to 1955. The show featured ventriloquist Edgar Bergen, and his beloved puppet, Charlie McCarthy. It was first introduced in The Rudy Vallee Hour, and later became a part of the Chase and Sandborn Radio Hour. It then went on to become a major hit, even ranking best radio show for a decade. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. ***PLEASE NOTE*** GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate, and give you a glimpse into the past.

Warner Bros executive George Feltenstein is joined by horror expert and filmmaker Constantine Nasr to discuss the October 2022 Blu-ray releases from the Warner Archive.  We kick off the discussion with a revisit of the 1957 Hammer Horror classic  THE CURSE OF FRANKENSTEIN" starring Peter Cushing, Christopher Lee, and directed by Terence Fisher.  Constantine Nasr reviews the extras he produced for this release during the height of COVID and George explains the reason for the 2-disc Special Edition.Next, we discuss the restoration of the 1935 horror classic "Mark of the Vampire" starring Lionel Barrymore, Lionel Atwill, Bela Lugosi as the Vampire, and directed by Tod Browning.  This film has been described as a remake of Brownings lost 1927 silent film "London After Midnight."  And finally, we discuss the restoration and historical importance of the pre-code horror classic "Dr. Jekyll and Mr. Hyde" (1931) starring Fredric March who won an Oscar for his portrayal of both Jekyll and Hyde, Miriam Hopkins, and Rose Hobart. George provides background on the restoration and history behind the film, including the ground-breaking direction by Rouben Mamoulian.  Film historian Constantine previews his audio commentary with Dr. Steve Haberman, which is new to the release and provides fascinating revelations about missing scenes, risqué visuals actually cut from the film for many years, and the importance of this film along with Dracula and Frankenstein, in ushering in a new age of horror to the talkies.Purchase on Amazon:Dr. Jekyll and Mr. Hyde (1931) Blu-rayMark of the Vampire (1935) Blu-rayThe Curse of Frankenstein Blu-rayOtaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers.  Contact us today to see how we can work together to achieve your goals.  www.otakumedia.tv

Welcome to It's A Wonderful Podcast!! Taking the show back to the ever fascinating Pre-Code period on this week's episode as Morgan and Jeannine talk one of the most effortlessly enjoyable rom-coms of the 1930s, Ernst Lubitsch's TROUBLE IN PARADISE (1932) starring Miriam Hopkins, Herbert Marshall & Kay Francis!! A delightful supporting cast including the ever hilarious Edward Everett Horton, Charlie Ruggles & C. Aubrey Smith round out this story of a charming pick-pocketing couple and the heiress they plan to steal from!! Our Youtube Channel for Monday Madness on video, Watchalongs, Live Discussions & more: https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow The It's A Wonderful Podcast Theme by David B. Music. Donate: https://www.buymeacoffee.com/ItsAWonderful1 Join our Patreon: https://www.patreon.com/ItsAWonderful1 IT'S A WONDERFUL PODCAST STORE: https://its-a-wonderful-podcast.creator-spring.com/ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: https://twitter.com/ItsAWonderful1 Morgan: https://twitter.com/Th3PurpleDon Jeannine: https://twitter.com/JeannineDaBean Keep being wonderful!! --- Send in a voice message: https://anchor.fm/itsawonderfulpodcast/message Support this podcast: https://anchor.fm/itsawonderfulpodcast/support

Welcome to It's A Wonderful Podcast!! A return to a story previously covered on the show but a rather different, grander, star-studded and perhaps less creative version that its counterpart from 10 years before!! Morgan and Jeannine are here this week to talk Victor Fleming's adaptation of DR JEKYLL & MR HYDE (1941) starring Spencer Tracy, Ingrid Bergman, Lana Turner & Donald Crisp, comparing it to its Pre-Code cousin starring Fredric March and Miriam Hopkins!! The It's A Wonderful Podcast Theme by David B. Music. Join our Patreon: https://www.patreon.com/ItsAWonderful1 IT'S A WONDERFUL PODCAST SHIRTS: https://www.teepublic.com/user/g9design Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: https://twitter.com/ItsAWonderful1 Morgan: https://twitter.com/Th3PurpleDon Jeannine: https://twitter.com/JeannineDaBean Keep being wonderful!! --- Send in a voice message: https://anchor.fm/itsawonderfulpodcast/message Support this podcast: https://anchor.fm/itsawonderfulpodcast/support

This week, Gavia and Morgan discuss the delightful Pre-Code romantic comedy "Design for Living," directed by Ernst Lubitsch and starring Miriam Hopkins, Fredric March, and the incomparable Gary Cooper in a hopeless love triangle. Topics include the film's startling candid approach to sex, the contrasting star personas of its actors, and director Lubitsch's famous je-ne-sais-quoi.

In the third episode of Season 6 (Heists, Cons, & Grifters) Kyle is joined by script supervisor Katy Baldwin and screenwriter David Gutierrez to discuss the incredibly delightful blend of sexual innuendo and screwball rhythms amongst the nouveau poor in Ernst Lubitsch's fleecing of the rich in Trouble in Paradise.

Bette Davis is the "nice guy" in this 1943 dramedy co-starring Miriam Hopkins as her nicesty (nice+nasty) BFFL. These two play rivals in everything ranging from men, motherhood and money. And, the vitriol seems so real because their off screen bitter feud translated so well on screen. YouTube Facebook

This week on And the Runner-Up Is, Kevin welcomes Manish Mathur of It Pod to be You and Queer and Now to discuss the 1935 Oscar race for Best Actress, where Bette Davis won for her performance in "Dangerous," beating Elisabeth Bergner in "Escape Me Never," Claudette Colbert in "Private Worlds," Katharine Hepburn in "Alice Adams," Miriam Hopkins in "Becky Sharp," and Merle Oberon in "The Dark Angel." We discuss all of these performances and discuss why the confirmed runner-up was the runner-up. 0:00 - 14:43 - Introduction 14:44 - 30:04 - Elisabeth Bergner 30:05 - 43:18 - Claudette Colbert 43:18 - 1:00:43 - Katharine Hepburn 1:00:44 - 1:12:57 - Miriam Hopkins 1:12:58 - 1:26:10 - Merle Oberon 1:26:11 - 1:37:04 - Bette Davis 1:37:05 - 1:51:44 - Why Bette Davis won / Twitter questions 1:51:45 - 1:58:54 - Why was ____ the runner-up? Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis! Follow Kevin Jacobsen on Twitter Follow Manish Mathur on Twitter Follow And the Runner-Up Is on Twitter and Instagram Theme/End Music: "Diamonds" by Iouri Sazonov Additional Music: "Storming Cinema Ident" by Edward Blakeley Artwork: Brian O'Meara

November 11, 1934 - In this early episode Jack Benny plays the Chinese detective Charlie Chan from the film series of the same name. References include the record breaking streamline train, California Governor Frank Merriam, Popeye the sailor, Babe Ruth visiting Japan (ballplayers Dizzy Dean, Daffy Dean, Hack Wilson and Frankie French), Senator Huey Long getting a black eye, boxers Max Baer and Jack Dempsey, comedian Lou Holtz, the Marx brothers (Harpo in particular), the song "Carioca", orchestras Fred Waring and his Pensilvanians, Guy Lombardo and his Royal Canadians, Abe Lyman's Californians, and movie stars John Barrymore, Mirna Loy, Greta Garbo, Joan Crawford, Gloria Swanson, Kay Francis and Miriam Hopkins. Not to mention mention "Charlie Chan in London".

In this episode we talk with Allen Ellenberger about his bio on legendary actress Miriam Hopkins. http://allanellenberger.com/miriam-hopkins/Thanks for listening!

Well everyone, we are here! Marc and B are wrapping up FRIENDS OF DOROTHY, the DANCE, DOROTHY, DANCE spin-off series dedicated to the films of Arzner's frequent collaborators, for the time being. But before they do, they're going out with Akins' most acclaimed work: her Pulitzer-winning play THE OLD MAID. Marc and B look at the 1939 adaptation directed by Edmund Golding and starring Bette Davis and Miriam Hopkins, as well as two radio adaptations: a 1939 recording featuring Loretta Young and Miriam Hopkins, and a 1946 recording featuring the original Broadway stars Helen Menken and Judith Anderson. We hope you enjoy, and thank you for your time. It has been a pleasure. NOTE: This podcast was originally released on Patreon on May 28th, 2021.

"Old Acquaintances" Lux Radio Theatre - May 29, 1944 Staring: Alexis Smith, Miriam Hopkins, Otto, Kruger, Robert Bailey, and Gloria Fischer --- Send in a voice message: https://anchor.fm/waldina/message

Introduction to the story gives background information on the actors in this Lux Ratio Theatre adaptation of a 1937 popular film. Our stars our Claude Rains, Anne Shirley, Richard Greene, and Miriam Hopkins. A cabaret singer sees a man kiss a woman and manages to shoot him before he gets out of the club. In court she refuses to admit why she shot this man... who is he? What was their relationship? Listen to this intriguing story and find out the answers to these questions... This program will live in the "Drama" Playlist on this podcast.

One night, Temple Drake loses the security and privilege she has always known when a date takes her to a bootlegger's den in the woods. After being penned like an animal and sexually assaulted, Temple summons the courage and fortitude to rise above the brutality she experienced. Instead of hiding behind tradition which would sacrifice a man's life to spare her honour, Temple has a moral awakening during courtroom testimony. Miriam Hopkins gives the performance of her life as Temple Drake.

In this episode we talk to retro entertainer, the lovely Jeannie Von Jazz about the 1931 horror film Dr. Jekyll and Mr. Hyde starring Fredric March and Miriam Hopkins. We talk about the themes, actors, and production of the film. Jeannie Von Jazz is a wonderful singer and award winning  model. Follow her page if you can. https://www.facebook.com/jeannievonjazzThanks for listening!

For the first episode of this podcast, I discussed 1932's Trouble in Paradise with, noted Academy Awards enthusiast, Eoin Daly. We went deep on why Kay Francis is largely forgotten today, the wonder of Miriam Hopkins in the many different phases of her career and the surprising complexity of the relationship dynamics in this romantic comedy. I apologize for the outdated message at the end of the podcast. You can contact me through these avenues. Twitter twitter.com/Zita_Short https://twitter.com/300Passions Letterboxd https://letterboxd.com/eoindaly2k14/ letterboxd.com/catherineshort/ Grant Zepernick provided the artwork for this podcast. Please rate and review the podcast in order to increase its visibility. Thanks for listening.

Born on this Day: is a daily podcast hosted by Bil Antoniou, Amanda Barker & Marco Timpano. Celebrating the famous and sometimes infamous born on this day. Check out their other podcasts: Bad Gay Movies, Bitchy Gay Men Eat & Drink Every Place is the Same My Criterions The Insomnia Project Marco's book: 25 Things I Wish I Knew Before I Started My Podcast OCTOBER 18 Today is Person's Day Zac Efron, Jean-Claude Van Damme, Tyler Posey, Dawn Wells, Freida Pinto, Peter Boyle, George C. Scott, Chachi, Erin Moran , Pam Dawber, Martina Navratilova, Joe Morton , Vincent Spano, Arliss Howard , Klaus Kinski, Chuck Lorre, Chuck Berry, Howard Shore, Miriam Hopkins , Melina Mercouri , Om Puri, Lotte Lenya, Pierre Elliott Trudeau David Twohy --- Send in a voice message: https://anchor.fm/born-on-this-day-podcast/message

Dr. Jekyll and Mr. Hyde 1941 film (starring Spencer Tracy and Ingrid Bergman) is a remake of the 1931 film (starring Fredric March and Miriam Hopkins). DJ Finley and her co-host Essie watched both of them in one night. (Kind of) The question is how do they stand as adaptations of the 1886 book? Follow on Facebook: https://www.facebook.com/kiarakaihorowitzwriter Email: seriesoflivesinc@gmail.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Lux Radio Theatre, sometimes spelled Lux Radio Theater, a classic radio anthology series, was broadcast on the NBC Blue Network (1934–35) (owned by the National Broadcasting Company, later predecessor of American Broadcasting Company [ABC] in 1943–1945); CBS Radio network (Columbia Broadcasting System) (1935–54), and NBC Radio (1954–55). Initially, the series adapted Broadway plays during its first two seasons before it began adapting films. These hour-long radio programs were performed live before studio audiences. The series became the most popular dramatic anthology series on radio, broadcast for more than 20 years and continued on television as the Lux Video Theatre through most of the 1950s. The primary sponsor of the show was Unilever through its Lux Soap brand. Broadcasting from New York, the series premiered at 2:30 pm, October 14, 1934, on the NBC Blue Network with a production of Seventh Heaven starring Miriam Hopkins and John Boles in a full-hour adaptation of the 1922–24 Broadway production by Austin Strong. The host was the show's fictional producer, Douglass Garrick (portrayed by John Anthony). Doris Dagmar played another fictional character, Peggy Winthrop, who delivered the Lux commercials. Each show featured a scripted session with Garrick talking to the lead actors. Anthony appeared as Garrick from the premiere 1934 episode until June 30, 1935. Garrick was portrayed by Albert Hayes from July 29, 1935, to May 25, 1936, when the show moved to the West Coast. Famed studio executive and film producer and director Cecil B. DeMille took over as the host on June 1, 1936, continuing until January 22, 1945. That initial episode with DeMille featured stars Marlene Dietrich and Clark Gable in The Legionnaire and the Lady. On several occasions, usually when he was out of town, he was temporarily replaced by various celebrities, including Leslie Howard and Edward Arnold. Lux Radio Theatre strove to feature as many of the original stars of the original stage and film productions as possible, usually paying them $5,000 an appearance. In 1936, when sponsor manufacturer Lever Brothers (who made Lux brand soap and detergent) moved the show from New York City to Hollywood, the program began to emphasize adaptations of films rather than plays. The first Lux film adaptation was The Legionnaire and the Lady, with Marlene Dietrich and Clark Gable, based on the film Morocco. That was followed by a Lux adaptation of The Thin Man, featuring the movie's actual stars, Myrna Loy and William Powell.

Lux Radio Theatre, a classic radio anthology series, was broadcast on the NBC Blue Network (1934–35) (owned by the National Broadcasting Company, later predecessor of American Broadcasting Company in 1943–1945); CBS Radio network (Columbia Broadcasting System) (1935–54), and NBC Radio (1954–55). Initially, the series adapted Broadway plays during its first two seasons before it began adapting films. These hour-long radio programs were performed live before studio audiences. The series became the most popular dramatic anthology series on radio, broadcast for more than 20 years and continued on television as the Lux Video Theatre through most of the 1950s. The primary sponsor of the show was Unilever through its Lux Soap brand. Broadcasting from New York, the series premiered at 2:30 pm, October 14, 1934, on the NBC Blue Network with a production of Seventh Heaven starring Miriam Hopkins and John Boles in a full-hour adaptation of the 1922–24 Broadway production by Austin Strong. The host was the show's fictional producer, Douglass Garrick (portrayed by John Anthony). Doris Dagmar played another fictional character, Peggy Winthrop, who delivered the Lux commercials. Each show featured a scripted session with Garrick talking to the lead actors. Anthony appeared as Garrick from the premiere 1934 episode until June 30, 1935. Garrick was portrayed by Albert Hayes from July 29, 1935, to May 25, 1936, when the show moved to the West Coast. Famed studio executive and film producer and director Cecil B. DeMille took over as the host on June 1, 1936, continuing until January 22, 1945. That initial episode with DeMille featured stars Marlene Dietrich and Clark Gable in The Legionnaire and the Lady. On several occasions, usually when he was out of town, he was temporarily replaced by various celebrities, including Leslie Howard and Edward Arnold. Lux Radio Theatre strove to feature as many of the original stars of the original stage and film productions as possible, usually paying them $5,000 an appearance. In 1936, when sponsor manufacturer Lever Brothers (who made Lux brand soap and detergent) moved the show from New York City to Hollywood, the program began to emphasize adaptations of films rather than plays. The first Lux film adaptation was The Legionnaire and the Lady, with Marlene Dietrich and Clark Gable, based on the film Morocco. That was followed by a Lux adaptation of The Thin Man, featuring the movie's actual stars, Myrna Loy and William Powell.

Trouble in Paradise (Lubitsch, 1932) is a frothy, bubbly, and sumptuous perennial delight. With his famed “Lubitsch touch”, director Ernst Lubitsch brought a winking and earthy European sensibility to all his films. He reminded us to not be too serious about anything. Miriam Hopkins and Herbert Marshall are lovers and… The post Episode 138 – Trouble in Paradise appeared first on The Magic Lantern.

MGM, 1933. Two very different movies: Penthouse, a crime drama and romantic comedy directed by W. S. “One-Take Woody” Van Dyke, and King Vidor's hard-to-find The Stranger's Return, an agrarian family melodrama reputed to have been Ozu's favourite movie. Myrna Loy, as an unflappable and lovable party girl, with her Thin Man director and producer for the first time, and an uncharacteristically relaxed Miriam Hopkins as a city girl who becomes the actual and spiritual heir of Lionel Barrymore's estate. This time Elise manages to talk to about Jane Austen and not Henry James, so she apologizes if she ruined your drinking game.   Time Codes: 0h 01m 00s:       Penthouse (dir. W.S. Van Dyke) 0h 36m 01s:       The Stranger’s Return (dir. King Vidor) 1h 27m 06s:       Elise Goes Wilder III +++ * Check out our Complete Upcoming Episode Schedule * Catch up with Dave’s fledgling Précis du cinema efforts on the Anagramsci Blog or on Letterboxd * Find Elise’s latest film piece on Depression era film romance *And Read lots of Elise’s Writing at Bright Wall/Dark Room, Cléo, and Bright Lights.* Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com Theme Music: “What’s Yr Take on Cassavetes?” – Le Tigre

Ashley & Matt discuss another movie that's available from the Criterion Collection. It's 1949's The Heiress, directed by William Wyler, and starring Olivia de Havilland, who won her second Oscar for her performance in this film.

Our original episode 107 was lost to the sound gods so we've kept the Hot Date chosen at the end of that podcast and move forward with the Vanity Fair adaptation Becky Sharp from 1935 starring Miriam Hopkins and directed by Rouben Mamoulian.  The film was the very first to employ the three strip Technicolor process which allowed for the full spectrum of color to be represented on film.  Your podcast hosts, recording remotely after weeks of sound issues, check in on each other during the continued pandemic and recent social uprisings.  In addition to Becky Sharp, they share their thoughts on things they've been watching including the Young Vic production of Streetcar Named Desire with Gillian Andersen, documentaries on Roger Vadim and Jane Fonda, and films including Dr. Jekyll and Mr. Hyde, Get In, League of Gentleman, The Crimson Kimono, Tea and Sympathy, and The Lovebirds. Hot Date 107: Becky Sharp.  Have a listen and leave us feedback on our social media.  Check out our website at hotdatepod.com.

Today's show is called the tale of the sisters. The stars on the show are 5 great actresses who not only made their appreciate on the big screen. But also went behind the microphone and started on such shows as suspense inner sanctum mysteries and many others. There names are Ida lupino,Agnes moorehead,Nancy Kelly,Claire Trevor and Miriam Hopkins these actresses are have appeared in many films throughout their careers good. I hope you enjoy the tale of the sisters and these five amazing actresses and their performances on the show tonight. Please stay tuned as we bring to the show tonight Ms Frances Landford and Mr Don amche in the NBC comedy show the Bickersons. mr. Gene Kelly, mr. And mrs. Ozzie Nelson and Miss Agnes moorehead and many others. I hope you enjoyed the podcast so far please comment and subscribe thanks.

To go along with TCM's #MarchMadness tribute to Fredric March the Ticklish Trio discuss his Oscar-winning turn in the 1931 adaptation of Dr. Jekyll & Mr. Hyde. We discuss who could pull off a modern-day interpretation, our love for Miriam Hopkins, and Drea comes up with more new terms.   Want access to exclusive content, early episodes, and merch? Check out the Ticklish Business Patreon!   Next Time: With the TCM Classic Film Festival around the corner we're sharing our picks, tips and tricks. Send us your questions related to the fest, TCM, or classic film in general for this makeshift mailbag episode!   CREDITS: Creator and Host: Kristen Lopez (@Journeys_Film) Co-hosts: Drea Clark (@thedreaclark) and Samantha Ellis (@classicfilmgeek) 

Madeline Brumby joins Jim in a discussion about 1931's classic tale of Good vs Evil, "Dr. Jekyll & Mr. Hyde," adapted from the book by Robert Louis Stevenson and starring Fredrick March, Miriam Hopkins, Ruth Hobart, Holmes Herbert and Edgar Norton. March won the Best actor Oscar for his portrayal of a man of science who explores man's darker side in an experiment that goes horribly wrong. It is a classic tale of a man opening the proverbial "Pandora's Box" on this week's episode of "Monster Attack!"

Welcome to episode #27- #76 Design for Living (1933) directed by Ernst Lubitsch

Miriam Hopkins stars in this elegant screwball classic. She plays a starving architect who falls for Joel McCrea. Miriam always let you know when her characters were gasping for it, and she could make a Peter Pan collar look as sexy as a silk bias-cut gown. I close the episode with an excerpt from Vincent Sherman's memoir where he talks about directing Miriam Hopkins and Bette Davis in Old Acquaintance (1943).

Old Hollywood REALNESS - Join Kathleen Noll and Philip Estrada to gab, gush and recap the Warner Bros. Classic Western "Virginia City" (1940) starring Erroll Flynn, Miriam Hopkins, Randolph Scott, and Humphrey Bogart. Erroll Flynn stars as an escaped Union Soldier working to thwart Randolph Scott's Confederate gold smuggling plan. Directed by Michael Curtiz with Costumes by Orry-Kelly.

Joreth reviews Design For Living, a movie about an MFM triad filmed in the 1930s, starring Gary Cooper, Frederic March and Miriam Hopkins.

Pre-code sex farce/ romantic comedies are the focus of this week's show, both starring Miriam Hopkins and both directed with the Ernst Lubitsch "touch," 1932's TROUBLE IN PARADISE and 1933's DESIGN FOR LIVING. Also #AllTheirMovies, Amy Adams edition. Also also Clay misidentifies Fredric March as having been in ALL ABOUT EVE, and begs your forgiveness. 

Hedda Hopper's Hollywood. December 3, 1940. CBS net. Sponsored by: Sunkist. The program originates from New York. Part #1 of "The Life Story Of Dorothy Lamour" (who is portrayed by Jeanette Nolan and does not appear on this broadcast). Gossip about Jeanette MacDonald, Brian Ahern, Charlie Chaplin, Miriam Hopkins, Ina Claire. Hedda Hopper, John King (announcer), Jeanette Nolan.