Podcasts about Knots Landing

Send us a textYou've never seen a trial quite like this! In "The Trial," Falcon Crest delivers courtroom drama with a corrupt twist as Richard Channing secretly bribes the judge to ensure Lance's conviction. Despite Angela's protests and Lance's emotional testimony about his love for his grandmother, justice hangs in the balance while the truth remains buried. This episode, masterfully directed by Robert Foxworth himself, showcases a remarkable moment when real-life connections elevate on-screen performances. The genuine emotion between Lorenzo Lamas and Jane Wyman—his actual godmother—creates a rare instance of authentic vulnerability in soap opera territory, proving that sometimes the most powerful scenes come from real relationships Meanwhile, heartbreak and opportunity collide for Melissa and Cole when they learn surrogacy might be their only path to another child. Just as they process this news, Melissa's beautiful cousin Robin arrives with perfect timing and unmistakable chemistry with Cole. Is this convenient coincidence or the setup for a complicated entanglement?< The mysterious Cassandra and her brother continue their covert infiltration of the Channing family, harboring secrets about their mother's connection to Angela. Their calculated approach to Richard and Emma suggests a revenge plot years in the making. Similarly, Connie Giannini's interest in Chase appears more personal than professional, creating potential fractures in his marriage to Maggie. Beyond the drama, Falcon Crest continues to surprise with its sophisticated fashion choices that defy the stereotypical 80s aesthetic. The elegant, timeless styling of characters like Angela, Connie, and even the antagonists provides a visual feast that feels surprisingly relevant decades later. What will Lance's fate be? How far will Richard's corruption extend? And what hidden connections tie these newcomers to the Channing dynasty? Pour yourself something "bubbly and bright" and join me as we unravel the tangled web of Falcon Crest's fourth season.

Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen. In a wide-ranging and enjoyable interview with Dr. Elana Levine, we covered a broad array of subjects pertaining to the history, culture, and craft of soap operas. After an initial conversation, I asked her a series of questions about her work and how it resonates with other genres such as the Real Housewives franchise, especially how original housewives (domestic workers as well as suburban housewives of numerous ethnicities and races) represented the viewership of soap opera consumption and support. We talked about the early origins of soap operas, especially with Proctor & Gamble in the early inception of the soap opera genre to now, with the innovative partnership and collaboration between Proctor and Gamble/CBS and the NAACP in debuting the new soap opera, Beyond the Gates.  We discussed the ways in which the viewership of soaps, mostly working women and stay at home women shed light on significant aspects of American Women's and Gender history, women's civic participation (combing public and private space) as well as informs how women viewers, often housewives and domestics, found ways to weave their own life narratives together with those of cast actors, thus contributing to an interpretive lens on life matter,(blurring line between real and imagined), representing both an innovative and inclusive type of Citizenship seasoning process, whereby, via interaction with soap operas stars as both celebrities and everyday people, (as fellow Cinema scholar Anna McCarthy talks about in her work on ways in which 1950s television, functioned as a kind of citizen machine governing America,  championed inclusive democratic practice that engaged citizens in repetitious call and response and back and forth conversation about everyday practices of everyday working people.  Lastly, we talked about the parallels with primetime soap operas like Dallas, Dynasty, Knots Landing, Yellowstone, as well as what Dr. Levine calls a hybrid form of soap opera storytelling found in series like Grey's Anatomy, Scandal, and other primetime television series. We also spoke about the parallels between soap operas as meditations on aspects of good and evil, finding interesting synergy with genres such as wrestling as soap opera drama sport, the drama of superheroes and villains in the DC and Marvel Universe, as well as versions of science fiction. Dr. Elana Levine is Professor of Media, Cinema and Digital Studies in the Department of English at the University of Wisconsin–Milwaukee. She got her PhD, Communication Arts from University of Wisconsin–Madison. Her research areas of interest include Television history, theory, and criticism; gender, sexuality, and media; media industry and production studies; media audience studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen. In a wide-ranging and enjoyable interview with Dr. Elana Levine, we covered a broad array of subjects pertaining to the history, culture, and craft of soap operas. After an initial conversation, I asked her a series of questions about her work and how it resonates with other genres such as the Real Housewives franchise, especially how original housewives (domestic workers as well as suburban housewives of numerous ethnicities and races) represented the viewership of soap opera consumption and support. We talked about the early origins of soap operas, especially with Proctor & Gamble in the early inception of the soap opera genre to now, with the innovative partnership and collaboration between Proctor and Gamble/CBS and the NAACP in debuting the new soap opera, Beyond the Gates.  We discussed the ways in which the viewership of soaps, mostly working women and stay at home women shed light on significant aspects of American Women's and Gender history, women's civic participation (combing public and private space) as well as informs how women viewers, often housewives and domestics, found ways to weave their own life narratives together with those of cast actors, thus contributing to an interpretive lens on life matter,(blurring line between real and imagined), representing both an innovative and inclusive type of Citizenship seasoning process, whereby, via interaction with soap operas stars as both celebrities and everyday people, (as fellow Cinema scholar Anna McCarthy talks about in her work on ways in which 1950s television, functioned as a kind of citizen machine governing America,  championed inclusive democratic practice that engaged citizens in repetitious call and response and back and forth conversation about everyday practices of everyday working people.  Lastly, we talked about the parallels with primetime soap operas like Dallas, Dynasty, Knots Landing, Yellowstone, as well as what Dr. Levine calls a hybrid form of soap opera storytelling found in series like Grey's Anatomy, Scandal, and other primetime television series. We also spoke about the parallels between soap operas as meditations on aspects of good and evil, finding interesting synergy with genres such as wrestling as soap opera drama sport, the drama of superheroes and villains in the DC and Marvel Universe, as well as versions of science fiction. Dr. Elana Levine is Professor of Media, Cinema and Digital Studies in the Department of English at the University of Wisconsin–Milwaukee. She got her PhD, Communication Arts from University of Wisconsin–Madison. Her research areas of interest include Television history, theory, and criticism; gender, sexuality, and media; media industry and production studies; media audience studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen. In a wide-ranging and enjoyable interview with Dr. Elana Levine, we covered a broad array of subjects pertaining to the history, culture, and craft of soap operas. After an initial conversation, I asked her a series of questions about her work and how it resonates with other genres such as the Real Housewives franchise, especially how original housewives (domestic workers as well as suburban housewives of numerous ethnicities and races) represented the viewership of soap opera consumption and support. We talked about the early origins of soap operas, especially with Proctor & Gamble in the early inception of the soap opera genre to now, with the innovative partnership and collaboration between Proctor and Gamble/CBS and the NAACP in debuting the new soap opera, Beyond the Gates.  We discussed the ways in which the viewership of soaps, mostly working women and stay at home women shed light on significant aspects of American Women's and Gender history, women's civic participation (combing public and private space) as well as informs how women viewers, often housewives and domestics, found ways to weave their own life narratives together with those of cast actors, thus contributing to an interpretive lens on life matter,(blurring line between real and imagined), representing both an innovative and inclusive type of Citizenship seasoning process, whereby, via interaction with soap operas stars as both celebrities and everyday people, (as fellow Cinema scholar Anna McCarthy talks about in her work on ways in which 1950s television, functioned as a kind of citizen machine governing America,  championed inclusive democratic practice that engaged citizens in repetitious call and response and back and forth conversation about everyday practices of everyday working people.  Lastly, we talked about the parallels with primetime soap operas like Dallas, Dynasty, Knots Landing, Yellowstone, as well as what Dr. Levine calls a hybrid form of soap opera storytelling found in series like Grey's Anatomy, Scandal, and other primetime television series. We also spoke about the parallels between soap operas as meditations on aspects of good and evil, finding interesting synergy with genres such as wrestling as soap opera drama sport, the drama of superheroes and villains in the DC and Marvel Universe, as well as versions of science fiction. Dr. Elana Levine is Professor of Media, Cinema and Digital Studies in the Department of English at the University of Wisconsin–Milwaukee. She got her PhD, Communication Arts from University of Wisconsin–Madison. Her research areas of interest include Television history, theory, and criticism; gender, sexuality, and media; media industry and production studies; media audience studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen. In a wide-ranging and enjoyable interview with Dr. Elana Levine, we covered a broad array of subjects pertaining to the history, culture, and craft of soap operas. After an initial conversation, I asked her a series of questions about her work and how it resonates with other genres such as the Real Housewives franchise, especially how original housewives (domestic workers as well as suburban housewives of numerous ethnicities and races) represented the viewership of soap opera consumption and support. We talked about the early origins of soap operas, especially with Proctor & Gamble in the early inception of the soap opera genre to now, with the innovative partnership and collaboration between Proctor and Gamble/CBS and the NAACP in debuting the new soap opera, Beyond the Gates.  We discussed the ways in which the viewership of soaps, mostly working women and stay at home women shed light on significant aspects of American Women's and Gender history, women's civic participation (combing public and private space) as well as informs how women viewers, often housewives and domestics, found ways to weave their own life narratives together with those of cast actors, thus contributing to an interpretive lens on life matter,(blurring line between real and imagined), representing both an innovative and inclusive type of Citizenship seasoning process, whereby, via interaction with soap operas stars as both celebrities and everyday people, (as fellow Cinema scholar Anna McCarthy talks about in her work on ways in which 1950s television, functioned as a kind of citizen machine governing America,  championed inclusive democratic practice that engaged citizens in repetitious call and response and back and forth conversation about everyday practices of everyday working people.  Lastly, we talked about the parallels with primetime soap operas like Dallas, Dynasty, Knots Landing, Yellowstone, as well as what Dr. Levine calls a hybrid form of soap opera storytelling found in series like Grey's Anatomy, Scandal, and other primetime television series. We also spoke about the parallels between soap operas as meditations on aspects of good and evil, finding interesting synergy with genres such as wrestling as soap opera drama sport, the drama of superheroes and villains in the DC and Marvel Universe, as well as versions of science fiction. Dr. Elana Levine is Professor of Media, Cinema and Digital Studies in the Department of English at the University of Wisconsin–Milwaukee. She got her PhD, Communication Arts from University of Wisconsin–Madison. Her research areas of interest include Television history, theory, and criticism; gender, sexuality, and media; media industry and production studies; media audience studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen. In a wide-ranging and enjoyable interview with Dr. Elana Levine, we covered a broad array of subjects pertaining to the history, culture, and craft of soap operas. After an initial conversation, I asked her a series of questions about her work and how it resonates with other genres such as the Real Housewives franchise, especially how original housewives (domestic workers as well as suburban housewives of numerous ethnicities and races) represented the viewership of soap opera consumption and support. We talked about the early origins of soap operas, especially with Proctor & Gamble in the early inception of the soap opera genre to now, with the innovative partnership and collaboration between Proctor and Gamble/CBS and the NAACP in debuting the new soap opera, Beyond the Gates.  We discussed the ways in which the viewership of soaps, mostly working women and stay at home women shed light on significant aspects of American Women's and Gender history, women's civic participation (combing public and private space) as well as informs how women viewers, often housewives and domestics, found ways to weave their own life narratives together with those of cast actors, thus contributing to an interpretive lens on life matter,(blurring line between real and imagined), representing both an innovative and inclusive type of Citizenship seasoning process, whereby, via interaction with soap operas stars as both celebrities and everyday people, (as fellow Cinema scholar Anna McCarthy talks about in her work on ways in which 1950s television, functioned as a kind of citizen machine governing America,  championed inclusive democratic practice that engaged citizens in repetitious call and response and back and forth conversation about everyday practices of everyday working people.  Lastly, we talked about the parallels with primetime soap operas like Dallas, Dynasty, Knots Landing, Yellowstone, as well as what Dr. Levine calls a hybrid form of soap opera storytelling found in series like Grey's Anatomy, Scandal, and other primetime television series. We also spoke about the parallels between soap operas as meditations on aspects of good and evil, finding interesting synergy with genres such as wrestling as soap opera drama sport, the drama of superheroes and villains in the DC and Marvel Universe, as well as versions of science fiction. Dr. Elana Levine is Professor of Media, Cinema and Digital Studies in the Department of English at the University of Wisconsin–Milwaukee. She got her PhD, Communication Arts from University of Wisconsin–Madison. Her research areas of interest include Television history, theory, and criticism; gender, sexuality, and media; media industry and production studies; media audience studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen. In a wide-ranging and enjoyable interview with Dr. Elana Levine, we covered a broad array of subjects pertaining to the history, culture, and craft of soap operas. After an initial conversation, I asked her a series of questions about her work and how it resonates with other genres such as the Real Housewives franchise, especially how original housewives (domestic workers as well as suburban housewives of numerous ethnicities and races) represented the viewership of soap opera consumption and support. We talked about the early origins of soap operas, especially with Proctor & Gamble in the early inception of the soap opera genre to now, with the innovative partnership and collaboration between Proctor and Gamble/CBS and the NAACP in debuting the new soap opera, Beyond the Gates.  We discussed the ways in which the viewership of soaps, mostly working women and stay at home women shed light on significant aspects of American Women's and Gender history, women's civic participation (combing public and private space) as well as informs how women viewers, often housewives and domestics, found ways to weave their own life narratives together with those of cast actors, thus contributing to an interpretive lens on life matter,(blurring line between real and imagined), representing both an innovative and inclusive type of Citizenship seasoning process, whereby, via interaction with soap operas stars as both celebrities and everyday people, (as fellow Cinema scholar Anna McCarthy talks about in her work on ways in which 1950s television, functioned as a kind of citizen machine governing America,  championed inclusive democratic practice that engaged citizens in repetitious call and response and back and forth conversation about everyday practices of everyday working people.  Lastly, we talked about the parallels with primetime soap operas like Dallas, Dynasty, Knots Landing, Yellowstone, as well as what Dr. Levine calls a hybrid form of soap opera storytelling found in series like Grey's Anatomy, Scandal, and other primetime television series. We also spoke about the parallels between soap operas as meditations on aspects of good and evil, finding interesting synergy with genres such as wrestling as soap opera drama sport, the drama of superheroes and villains in the DC and Marvel Universe, as well as versions of science fiction. Dr. Elana Levine is Professor of Media, Cinema and Digital Studies in the Department of English at the University of Wisconsin–Milwaukee. She got her PhD, Communication Arts from University of Wisconsin–Madison. Her research areas of interest include Television history, theory, and criticism; gender, sexuality, and media; media industry and production studies; media audience studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Send us a textEver wondered what happens when you finally find your voice but no one's listening? "Best Intentions" delivers a masterclass in the painful evolution of relationships when one partner grows while the other stays stuck in old patterns.The episode weaves together two powerful storylines about women discovering new parts of themselves. Valene uncovers unexpected writing talent through a journalism class assignment that morphs into a 500-page manuscript detailing her experiences with the Ewings. When her mother Lily Mae and neighbor Abby conspire to get it published, Valene must decide whether to embrace this new identity as a potential author, despite Gary's dismissive attitude toward her ambitions.Meanwhile, Laura faces the ultimate dilemma: pregnant with Richard's baby while planning to leave him. Her growing success as a realtor has strengthened her sense of self-worth, making his dismissive behavior increasingly intolerable. Richard's temporary transformation after learning about the pregnancy quickly deteriorates, proving that awareness of one's flaws doesn't automatically create lasting change.The episode brilliantly captures that moment when you realize someone isn't capable of being who you need them to be, no matter how much you wish they would. Laura's ultimate decision to leave despite her pregnancy reflects the painful reality that sometimes even the deepest connections can't survive when growth happens unevenly.What makes this storyline resonate so deeply is the subtle performance work – Laura's face slowly changing as Richard rambles about wine tours, completely missing what she truly needs. It's a masterful portrayal of the moment someone realizes they've outgrown a relationship that once felt essential.Have you ever had to choose between outgrowing someone or shrinking to make them comfortable? Share your thoughts by texting through the link in our show notes or emailing soplorepodcast@gmail.com.

Lauder for Men by Estée Lauder (1985) +  David Jacobs' Knots Landing season 12 +  Noel Black's The Other Victim (1981) with The Eternal Dillards 7/1/25 S7E45 To hear the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

In our newest edition of "Before the Show", we look at the Italian Bowl in Toledo and a hurdler having multiple wardrobe malfunctions in Segment 1. Then, in Segment 2, we are joined by Chico as we discuss the lack of ticket sales of Hulk Hogan's Real American Wrestling at Cleveland State, along with an update on Greg's progress on "Knots Landing", before talking about the selection of movies on Bounce.

Send us a textWhat happens when betrayal, revenge, and real estate collide in California wine country? The aftermath of Cole abandoning Melissa at the altar creates shockwaves through Falcon Crest that nobody could have predicted. Melissa Agretti refuses to play the victim after her public humiliation. Rather than retreating into shame, she transforms her wedding day disaster into an opportunity for reinvention – horseback riding in her couture gown alongside Craig Reardon and setting the stage for what becomes the most jaw-dropping confrontation in Falcon Crest history. When she delivers the first-ever "b*tch" to Angela Channing's face while returning her ruined wedding dress, television history is made in a moment of pure soap opera perfection. Meanwhile, the power struggle over the Giannini vineyard intensifies as Angela and Chase position themselves to control this valuable property. The unexpected arrival of Mary Giannini in a casket rather than on a private jet throws both their schemes into chaos, proving once again that in Tuscany Valley, even the dead play crucial roles in the ongoing vineyard wars. Angela's iconic declaration that her "money is old and strong like the back of my hand" reminds everyone why she remains television's most formidable matriarch. The episode delivers its most surprising wisdom through four-year-old Joseph, whose simple but profound observations about honesty and forgiveness force Cole to reconsider his actions. This leads to an unexpected physical confrontation between Cole and Greg Reardon that somehow transforms into friendship, culminating in an impromptu vineyard wedding where enemies become allies in true soap opera fashion. From Angela's symbolically split red-and-gray outfit to Richard's bizarre reaction to Lorraine's pregnancy, "Recriminations" showcases why primetime soaps of the 1980s created such devoted audiences. If you're nostalgic for the golden age of television melodrama or discovering these classics for the first time, this landmark episode demonstrates precisely why these stories continue to captivate decades later.

This week, I'm welcoming author Christopher Rice back to The Sewers of Paris to talk about his new book, Party of Three — a steamy romance about a gay couple who finds room for a third. On past episodes, I've chatted with Christopher about finding inspiration, for example from soapy shows of the 70s and 80s. This time, we'll go deep on his writing process and the process of psychoanalyzing himself and the characters he creates. Plus, the story of how he once helped solve a murder.We'll have that conversation in just a minute. First — if you're enjoying The Sewers of Paris, I hope you'll consider supporting the show on Patreon. You may also enjoy my YouTube videos about the making of iconic movies and TV shows — I have a new one coming this weekend about the complex legacy of Brokeback Mountain. And check out my weekly livestreams on Twitch, my book Hi Honey, I'm Homo!, and my free email newsletter. There's links to all that in the episode shownotes, and at MattBaume.com.

Send us a textIn "New Beginnings," Dallas delivers one of its most emotionally devastating episodes as characters teeter between hope and heartbreak. The hour opens with celebration at Southfork as the Ewing family gathers to honor Jock and Ellie's reunion and upcoming honeymoon, but beneath the festive exterior, relationships unravel at every turn. Sue Ellen finds herself confronted by her lover's wife in a lunch meeting that changes everything. Rather than the angry confrontation we might expect, Alicia Ogden calmly requests only discretion while sharing her husband. The quiet dignity of this woman who refuses to give up her husband despite knowing he loves another shatters Sue Ellen's illusions about her affair with Clint. Linda Gray masterfully portrays Sue Ellen's transformation as she realizes she cannot continue destroying a marriage where genuine love exists, even if it's one-sided. Meanwhile, JR operates on multiple fronts – manipulating Ray into taking on a business venture beyond his expertise, alienating powerful Westar executives by backing out of a deal to sell Ewing Oil, and planning to divorce Sue Ellen while his parents are away. Larry Hagman brilliantly captures JR's casual cruelty and the fleeting glimpses of genuine emotion that make him such a compelling character. When JR and Sue Ellen share a rare moment of vulnerability, reminiscing about their first attraction, we see what might have been possible between them in another life. Just as reconciliation seems possible, the episode delivers its knockout punch – a phone call from Sue Ellen's sister Kristen announcing she's just given birth to JR's son. The perfect timing of this revelation, immediately following JR's statement that their son John Ross is "the best thing we ever did," showcases Dallas at its dramatic best. As Sue Ellen's face hardens from vulnerable hope to devastated resignation, we're reminded why this series remains the gold standard of primetime soaps. Don't miss our deep dive into this pivotal episode that sets up explosive consequences to come. Subscribe now to catch all our coverage of classic Dallas storylines and join the conversation about television's most iconic family drama.

Send us a textThey say curiosity killed the cat, but in Dynasty's world, it's more likely to cause an all-out brawl in a luxury Hong Kong hotel suite. This episode finally unmasks the tormentor behind those mysterious phone calls to Claudia, sending Krystal and her on a mission of truth. When Mother Blaisdell reluctantly confesses to selling Matthew's recordings for a measly $500 to someone with a grudge, the pieces start falling into place. Blake immediately suspects Alexis, adding another crime to her ever-growing rap sheet of revenge schemes. Meanwhile, Kirby Anders takes a chilling turn toward vengeance. After reviewing her father's suicide note at the police station dressed in innocent white, she transitions back to her "Wednesday Adams" black attire to purchase a gun. Her target? Almost certainly Alexis Carrington, who she believes orchestrated her parents' demise. The episode reaches its spectacular climax in Hong Kong, where Dexter discovers Alexis with a towel-clad Rashid Ahmed. What follows is Dynasty at its most deliciously excessive – a physical confrontation between Alexis and Dex that destroys furniture, shatters glassware, and culminates in a passionate kiss before Dex delivers the final emotional blow: "It's over, Alexis." Their Lex-Dex partnership crumbles as champagne bottles fly and insults land. In the aftermath, a scorned Dex forms an unlikely alliance with the stranded Tracy, convincing her to spy on Alexis while working for her. Meanwhile, Rashid assures Alexis their plan to destroy Blake financially is proceeding perfectly, promising an "explosion" that will devastate the business world. The episode masterfully balances multiple storylines while setting up explosive consequences. Will Kirby use that gun? Can Tracy successfully double-cross Alexis? And what exactly is Rashid planning that will supposedly destroy Blake Carrington forever? Share your Dynasty theories and favorite moments from this episode! Which character do you think is playing the most dangerous game?

Send us a textHave you ever had a beloved childhood toy suddenly turn "creepy" after watching a horror movie? That's exactly what happened with my treasured Cricket doll after my family watched Child's Play, transforming her from best friend to persona non grata overnight. This nostalgic memory perfectly mirrors the emotional journey in Knots Landing Season 3, Episode 14, aptly titled "Cricket." This powerful episode introduces us to Rusty, a down-on-his-luck cowboy who abandons his stepdaughter Cricket at Valene's doorstep. As Valene takes responsibility for this troubled child who steals, gambles, and causes accidents around the cul-de-sac, we witness the complex ripple effects of abandonment spanning three generations. Cricket's desperate attempts to reunite with her stepfather reveal the profound wound of being left behind, while Valene's determination to help stems from her own painful history of being separated from her daughter Lucy. Meanwhile, Karen welcomes her brother Joe, who provides much-needed stability for her son Eric as he questions his future educational path. Gary's jealousy over Rusty's connection to Valene's past reveals both his insecurities and surprising intuition about character. When Valene tracks down Rusty at the rodeo and confronts him about abandoning Cricket, we discover his fear of failing as a single parent—a moment that forces everyone to confront what responsibility truly means. What makes this episode so remarkable is how it examines abandonment from every angle: the abandoned child, the guilt-ridden parent, and those caught in between trying to break the cycle. It captures those painful moments when adults must make impossible choices while showing how childhood trauma shapes who we become. Listen to this emotional breakdown of a classic Knots Landing episode that reveals how our stories—whether from childhood dolls or primetime soaps—help us process our own complicated relationships. What childhood toy holds special memories for you? Share your stories and subscribe for more nostalgic deep dives into the golden age of primetime television.

Send us a textWedding bells turn to funeral dirges in "Forsaken All Others," as Cole and Melissa's long-awaited nuptials end in heartbreak and public humiliation. After years of on-again, off-again romance, shared parenthood, and finally finding their way back to each other, everything shatters when Cole leaves Melissa standing at the altar—all because of a secret Angela Channing strategically revealed at the worst possible moment. The devastation unfolds against the backdrop of Angela's masterful manipulation. Having recently shed rare tears over Julia's return from presumed death, Angela seems determined to compensate by destroying someone else's happiness. Upon discovering Melissa can't have more children due to medical complications, she waits until wedding morning to whisper this information to Cole, knowing exactly how his temperamental nature will respond. The wedding scene itself is absolutely gut-wrenching—Melissa radiant in her gown, Chase proudly walking her down the aisle, little Joseph watching his parents' big moment—only for Cole to fall silent when asked if he takes her as his wife. Meanwhile, the Tuscany Valley vineyard drama continues on multiple fronts. Richard encounters new advertising executive Cassandra Wilder, who firmly establishes professional boundaries despite his interest. Lance takes extreme legal measures to prevent Lorraine from terminating her pregnancy, serving her with papers at the medical clinic itself. And Julia's resurrection from supposed death creates complex legal challenges the family must navigate carefully, with plans to sequester her at a convent where she can continue her wine studies away from prying eyes. What makes this episode particularly powerful is how it exposes the fragility of relationships built on unstable foundations. Despite their shared child and years of connection, Cole's impulsive abandonment of Melissa reveals how easily progress can be undone by secrets, miscommunication, and outside interference. Will Melissa ever forgive him? Can the Channing's protect Julia from legal consequences? And what new schemes will Angela concoct now that she's back to her villainous ways? Tune in next week as the emotional aftermath unfolds and new battle lines are drawn across Tuscany Valley.

Send us a textMiss Ellie Ewing has reached her limit. After 45 years of marriage to oil baron Jock Ewing, she calmly walks into her lawyer's office and requests a divorce with the same level of emotion one might display when ordering coffee. It's not just about the swamp preservation project – it's about decades of putting Ewing Oil before family, watching her favorite son Gary flee the toxicity, and feeling increasingly isolated despite being surrounded by wealth. The courtroom showdown over Swamp Lake pits Jock's "Slightly Dusted But Never Busted Billionaire Boys Club of North Texas" against Ellie's Daughters of the Alamo preservationists. Meanwhile, JR orchestrates backdoor deals with West Star Oil, Sue Ellen contemplates leaving her loveless marriage for Cliff Barnes, and Leslie strategically positions herself to capture JR's wealth without any genuine affection. The chess pieces move across multiple boards as the Ewing empire threatens to fracture from within. Bobby emerges as the unlikely peacemaker, securing a compromise by purchasing a third parcel of land. But the true emotional breakthrough comes from Ray Krebs, whose heartfelt offer to renounce his inheritance to save Jock and Ellie's marriage finally breaks through Ellie's resentment. Barbara Bel Geddes delivers a masterclass in subtle acting as she portrays Ellie's journey from righteous anger to reconciliation, culminating in her acceptance of Ray as a true Ewing. This episode exemplifies primetime soap opera perfection – high stakes family drama, corporate scheming, emotional reconciliation, and the complex psychology of wealth and power. Whether you're new to Dallas or returning to relive its golden age, join us as we unpack every nuanced relationship and calculated move in this pivotal chapter of the Ewing family saga.

Send us a textEver wondered what it's like to walk into a soap opera halfway through? "The Voice, Part Two" drops us into the glittering, treacherous world of Denver's elite, where business deals and bedroom affairs are equally cutthroat.Blake Carrington finds himself in Hong Kong closing a major oil deal when he uncovers Tracy's betrayal – she's been working with his rival all along. The confrontation that follows reveals Blake's sharp business instincts and unwavering boundaries. Meanwhile, Alexis springs into action upon learning of Blake's deal, whisking her questionably effective bodyguard Mark Jennings to Hong Kong for a counter-offensive. Their dynamic raises fascinating questions: Is Mark the ultimate kept man or simply the worst employee in Denver?Back in Denver, psychological drama unfolds as Claudia receives mysterious phone calls that sound eerily like her dead husband Matthew. The torment leaves her increasingly unhinged while those around her grow concerned. Simultaneously, Kirby and Adam make a chilling journey to North Dakota, where they discover her institutionalized mother was released only to die shortly after. The cemetery scene delivers gothic soap opera perfection – complete with a mysterious woman bearing tales of a ragdoll named after Kirby.Throughout the episode, Dynasty masterfully demonstrates why it defined 80s primetime television. The show effortlessly balances high-stakes business dealings with intensely personal consequences, all while characters parade through lavish settings in spectacular fashions (except for poor Kirby, who appears to have wandered in from another dimension in sepia-toned prairie garb).Whether you're a longtime Dynasty devotee or discovering this golden age gem for the first time, join us as we analyze every shoulder pad, side-eye, and corporate takeover. Text us your theories about who's really tormenting Claudia or share your thoughts on the revolving door of Carrington marriages using the link in our show notes!

Send us a text"The Gathering Storm" perfectly captures the escalating tensions threatening to tear apart the Ewing family's carefully constructed facade. This episode of Dallas Season 4 delivers raw emotional confrontations that reveal the true priorities driving each character's decisions. At Southfork, Miss Ellie has reached her breaking point after 45 years of marriage to Jock. "I don't have 45 more years to play this game," she confesses, as their land dispute evolves into a potential divorce that could reshape the future of Ewing Oil itself. The silent scene of Ellie alone at the family dining table, tears streaming as she contemplates what's been lost, speaks volumes without a single word uttered. Meanwhile, Lucy and Mitch's marriage faces its own crisis when her modeling success creates an uncomfortable financial power dynamic. When Lucy declares "I work my model butt off to bring money into this home, and I'm not going to feel bad about it," she firmly rejects traditional expectations that women should diminish their success to protect male egos. Their argument perfectly encapsulates changing gender roles in the early 1980s. The most heartbreaking moment comes when Rebecca attempts to reconnect with her abandoned son Cliff by posing as an old friend of his mother. His devastating response—"If she's not dead, she might as well be"—highlights how some wounds may never heal, regardless of wealth or good intentions. True to form, JR views all these emotional upheavals through the cold lens of business opportunity, plotting to sell Ewing Oil before his mother can claim her share in divorce proceedings. Like father, like son—both men revealing that power trumps family when push comes to shove. Want more insights into the power plays and emotional confrontations of Dallas? Subscribe to Soaplore for deep dives into the soap operas that shaped our understanding of family, wealth, and ambition in America.

Send us a textamily loyalties are tested when the Ewings find themselves on opposite sides of an environmental battle. Miss Ellie and the Daughters of the Alamo are fighting to preserve a natural Texas swampland, while Jock and Ray are determined to transform it into a luxury resort. Caught in the middle is Bobby, who as a newly appointed senator must vote on the very project that has divided his parents.Sue Ellen throws caution to the wind, embarking on a brazen afternoon affair with old flame Clint. Far from hiding her indiscretions, she flamboyantly enters their hotel rendezvous in fur and flashy jewelry—a defiant act from a woman who's endured years of JR's betrayals. Speaking of JR, his obsession with public relations consultant Leslie Stewart reaches new heights when she sabotages him by placing a newspaper ad declaring Ewing Oil's sudden commitment to environmental protection, creating a publicity nightmare that forces him to publicly embrace eco-friendly policies that contradict everything the company stands for.Meanwhile, Pam faces an emotional reunion with her birth mother Rebecca Wentworth, who appears eager to reconnect but hesitant to reveal herself to Cliff. Her complex motivations raise questions about whether she truly wants to make amends or is simply easing her conscience now that her wealthy husband has passed. And at SMU, Mitch struggles with his wife Lucy's growing modeling career and the objectification that comes with it."The Mark of Cane" brilliantly showcases how the personal and political intertwine for the Ewings, where business dealings and bedroom affairs create a complex web of power, resentment, and calculated moves that will ripple through future episodes. Have you ever found yourself trapped between family loyalty and personal integrity? The Ewings' dilemmas might feel surprisingly familiar.

Send us a textFemale friendship takes center stage in "Reunions," as Karen welcomes her college friend Victoria, now a high-powered fashion designer, into the cul-de-sac. What begins as a warm reunion quickly transforms into a complex exploration of roads not taken, as Victoria offers Karen a job opportunity in New York that could completely transform her life as a widow. The episode masterfully examines the subtle tensions between women who've chosen drastically different paths. Victoria's glamorous career represents everything Karen once dreamed of achieving, while Karen's deep community connections and loving family spark unexpected jealousy in her seemingly successful friend. Their confrontation brings raw honesty about success, sacrifice, and what truly constitutes a fulfilling life. Meanwhile, Laura drops a bombshell when we discover she's been having an affair with a man named Scooter and plans to leave Richard entirely. Her cool determination shows a woman confidently pursuing her own happiness, until an unexpected pregnancy complicates everything. The writers treat this storyline with remarkable nuance for early 1980s television, avoiding easy moral judgments. Abby continues her masterful manipulations, attempting to seduce Gary into helping her acquire Karen's car dealership for her methane car business. Their scenes crackle with unresolved tension as Gary tries—and ultimately fails—to maintain professional boundaries. When he admits "I didn't say stop," viewers see his fundamental weakness where Abby is concerned. The episode culminates in a fashion show benefiting battered women, bringing all our cul-de-sac neighbors together in a sequence that balances humor, community connection, and meaningful social commentary. Karen's powerful declaration that "if one woman isn't free, then none of us are free" captures the progressive heart beating beneath the soapy exterior. What makes Knots Landing so compelling all these years later is its honest portrayal of women navigating complex choices about career, family, and independence. Diana's realization of her mother's strength—choosing family without resentment—offers a touching resolution that honors multiple perspectives instead of suggesting one right path. Have you experienced a reunion that made you question your life choices? Share your thoughts in the comments below and subscribe for more vintage soap opera analysis that proves the best dramas are timeless!

Send us a textWhat happens when the relationship that defined your youth no longer fits who you've become? This episode of Soap Lore dives deep into the tangled relationships of Knott's Landing Season 4, where characters find themselves at crossroads between love and personal growth.Gary and Val's marriage takes center stage as we examine whether people who meet at fifteen can truly grow together or if they're destined to grow apart. The aftermath of Gary's passionate encounter with Abby forces us to confront uncomfortable truths: sometimes the people we've loved the longest aren't necessarily our forever matches. As our host puts it, "staying stagnant in this sort of underdeveloped form is never going to be what it could be."Meanwhile, Karen navigates the unfamiliar territory of dating after decades with Sid. Her children's varied reactions – from Diana's encouragement to Michael's resistance – perfectly capture the complex family dynamics that surround moving on after loss. The episode beautifully illustrates that grief isn't linear, and appearing "put together" doesn't mean you're ready for what comes next.Perhaps most compelling is Ginger's journey as she discovers a hidden talent for singing, sparking tension with Kenny about their roles as parents. When Kenny insists she prioritize motherhood while he pursues his career, Ginger delivers the episode's most powerful line: "You have the same baby, the same house, and it's still not enough for you." It's a timeless conflict that resonates just as strongly today as it did in 1982.Subscribe now and join us as we continue unpacking the golden age of primetime soaps – where the fashion might be dated, but the human struggles remain startlingly relevant. What storyline resonates most with your own experiences? We'd love to hear your thoughts!

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Send us a textSometimes a single moment can change everything we thought we knew about our favorite characters. That's exactly what happened in this unexpected reaction episode to Knots Landing Season 3, Episode 11 "Power Play" – a game-changing installment that left me gasping in disbelief and rushing to record my raw, unfiltered thoughts.What begins as Gary's passionate pursuit of a methanol fuel business opportunity quickly spirals into something far more provocative. When Karen refuses to invest the $200,000 needed for the venture, Abby Cunningham strategically positions herself as Gary's biggest supporter – offering money, encouragement, and ultimately, a betrayal that rocks the Ewing household. The seeds of discontent have been subtly planted throughout the season, but watching them bloom into a forbidden attraction in a Mexican barn filled with repurposed moonshine equipment is nothing short of shocking.The real heartbreak comes through watching Valene's genuine attempts to support her husband while maintaining reasonable boundaries. Her thoughtful preparation of a special dinner upon Gary's return, complete with candles and a new dress, juxtaposed with his cold behavior and constant praise of Abby, creates a devastating portrait of a marriage under siege. When Gary ultimately declares he needs "a friend" and doesn't have one in the room, we witness the power play in its most raw form – the calculated manipulation of a man's ambition to drive a wedge between husband and wife.Whether you're a longtime fan of Knots Landing or discovering this dramatic turning point for the first time, this episode analysis captures all the emotional nuance, character motivations, and neighborhood dynamics that make this series so compelling. Join me for an unfiltered reaction that's equal parts analysis and visceral response to one of the most pivotal moments in the show's history. And remember – it's always better to keep your drama on TV!

In this episode Tommy and Lynn discuss and rate episode's 19-21 of Knots Landing season 7.

Send us a textThe power struggle at Falcon Crest reaches new heights when Richard's wine venture is literally poured down the drain by mysterious saboteurs. Convinced either Chase or Angela is responsible, Richard confronts them with wild accusations that culminate in a hilariously shocking moment – Richard swings at Chase, who deftly ducks, sending Angela crashing to the ground with an accidental punch to the face. This physical altercation becomes the catalyst for an unexpected alliance as the three vineyard partners finally piece together that Jean-Louis De Bercy is actually Johan Reedman's son and the mastermind behind the cartel targeting their business. Meanwhile, the romantic entanglements throughout Tuscany Valley grow increasingly complex. Terry's desperate attempt to win the "Manimal's" affection by shoveling horse manure in designer clothing reveals the depths of her misguided devotion. Cole and Melissa learn their son Joseph is being teased at preschool because they aren't married, accelerating their wedding plans and creating an unexpected moment when Lance surprisingly supports their annulment rather than obstructing it. In another corner of the valley, Lorraine discovers she's pregnant with Lance's baby, setting the stage for inevitable conflict with her stepfather Richard.>The episode takes a darker turn when Emma unwittingly reveals crucial information about hidden tunnels under Falcon Crest to De Bercy, who already has Julia captive in his basement. As the families finally recognize the Nazi's son has been monitoring Angela's private conversations through an eagle statue in her study, the stakes escalate dramatically. The hour closes with Angela facing a gun-wielding kidnapper at her door with the shocking revelation that Julia is alive – proving once again that in wine country, family secrets and hidden treasures lead to danger at every turn. Will Angela's unflinching bravery save her daughter, or is she walking into a trap from which not even the formidable matriarch can escape?

Send us a textThe moment I pressed play on Season 3, Episode 10 of Knots Landing, "Three Sisters," I knew something felt different. Five minutes in, it clicked—this wasn't just another drama-filled installment of our favorite primetime soap. This was Knots Landing's bold venture into the supernatural. What begins as a simple road trip transforms into something extraordinary when Laura, Karen, Valene, Lily Mae, Abby, and Ginger arrive at a secluded mansion 100 miles from home. Laura's there on business, tasked with selling the estate, while the others tag along for what they believe will be a pleasant overnight getaway. But from the first unsettling camera angles and mysterious gusts of wind, it's clear this house holds dark secrets. The genius of this episode lies in how it uses paranormal elements to explore profound character truths. Through Abby's research, we learn the mansion's tragic history—three young sisters whose mother was murdered by their father, left abandoned for months before being raised by a governess, never truly growing up as they remained in the house their entire lives. As strange occurrences multiply—windows that freeze to the touch, doors that lock from nowhere, eerie music boxes playing on their own—it's Valene who forms the deepest connection with the ghostly presence. Joan Van Ark delivers a mesmerizing performance as Valene's maternal void (having lost her daughter Lucy years earlier) makes her uniquely receptive to the ghostly children. Her trance-like state and eventual journey to the roof, where she nearly sacrifices herself to "join" the children, creates one of the series' most intense emotional climaxes. It's Lily Mae who ultimately saves her daughter, speaking directly to the spirits and breaking their hold. The final reveal—a Polaroid showing three ghostly girls standing behind Valene—provides the perfect conclusion to this anomalous yet thoroughly satisfying episode. "Three Sisters" stands as bold evidence that even the most grounded dramas can successfully venture into unexpected territory when they remain true to their emotional core. Ready to experience this haunting side of Knots Landing? Grab something bubbly, keep the lights on, and join me for an unforgettable journey into the supernatural edges of 80s television drama. When you're done, share your thoughts—did this paranormal detour surprise you as much as it did me?

Send us a textWhat happens when a woman who's been labeled "crazy" starts receiving messages from her supposedly dead husband? In this riveting episode of Dynasty, we follow Claudia Blaisdel Carrington's desperate journey to South America in search of answers about Matthew and their daughter Lindsay. As she confronts the burned-out jeep where they allegedly perished, the emotional weight is shattering—but nothing prepares her for the mysterious phone call that sends her spiraling.Meanwhile, Jeff Colby makes his move on Fallon during a spontaneous Aspen getaway, attempting to rebrand himself as "dangerous" to win her affection. Their chemistry remains questionable, but a brief romance blooms before Fallon's mysterious headaches interrupt. Is this just another chapter in Jeff's endless pursuit, or something more? As our host brilliantly puts it: "Every time Jeff touches a woman, they go running for the hills." Some relationships were simply never meant to be.The drama intensifies when Krystal discovers she's pregnant—news that Tracy maliciously reveals to Blake before Crystal can tell him herself. As Blake travels to Hong Kong and encounters his old adversary Ahmad Rashid, Alexis proves her cunning by discovering their dealings through impression marks on Adam's notepad. The episode builds to a chilling conclusion when Claudia receives a haunting phone call that sounds exactly like Matthew's voice.This episode raises intriguing questions about who might be manipulating Claudia. Our host presents a compelling theory: could the butler, who consistently delivers these strange messages, be behind it all? The mystery deepens with each scene, leaving us wondering who can be trusted in the Carrington universe.Subscribe to Soap Lore for more deep dives into the golden age of primetime soaps, where we explore the schemes, romances, and power plays that made these shows unforgettable. Share your theories with us—could Matthew actually be alive, or is something more sinister at play?

Send us a text Welcome Back Soap Fiends!!The Carringtons prove once again that family drama is their specialty in this rollercoaster episode that delivers equal parts hilarity and triumph. Fallon's mysterious paralysis has everyone walking on eggshells, though the doctors can find no physical cause for her inability to walk. Jeff Colby swoops in like a knight in pastel cashmere, carrying her over thresholds and organizing elaborate picnics in a transparent attempt to rekindle their relationship during her vulnerable state. While Fallon appreciates the attention, her true healing comes from an unexpected source — when baby Blake toddles dangerously close to the swimming pool, maternal instinct overrides whatever psychological blocks were keeping Fallon wheelchair-bound. Meanwhile, Claudia fights her own psychological battles as mysterious deliveries of violets coincide with her anniversary with Matthew. When a manila envelope containing a childhood photo arrives during Fallon's celebration party, Claudia makes the bold decision to fly to South America and confront whatever ghosts are haunting her. The episode's most jaw-dropping moment comes courtesy of Alexis, who invites Kirby to a manipulative lunch where she reveals that Kirby's mother isn't dead as she was told, but institutionalized after committing murder. This bombshell sends Kirby spiraling as she questions her entire family history while still navigating Adam's intense romantic pursuit. Speaking of Adam, his "rapey vibes" (as our host so eloquently puts it) continue to make everyone uncomfortable, though Kirby seems strangely drawn to his intensity. Even villainous Alexis shows her vulnerable side when she feels excluded from Fallon's celebration, breaking down in Dexter's arms and revealing the wounded mother beneath her scheming exterior. This episode proves once again that in the Carrington world, family ties are both the deepest wounds and the strongest bonds.

04-26-25 Girl Talk with Michele Lee of Knots Landing by

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Send us a textLily Mae Clements dazzles in this unforgettable episode that showcases her remarkable talent for spinning tall tales into gold. When Valene's irrepressible mother meets Jackson Mobley at a retirement home, it's a match made in con-artist heaven. These kindred spirits recognize the hustler in each other immediately, bonding over their shared gift for fabrication and spinning yarns that grow taller by the minute.Their whirlwind romance leads to an impromptu Vegas elopement funded by $200 stolen from Kenny and Ginger's emergency fund. But when their mutual deceptions are revealed – she's not wealthy and he's never managed Patsy Cline – they don't fall apart. Instead, they join forces, with Jackson convincing a Vegas lounge owner that Lily Mae is terminally ill, securing her long-dreamed-of singing opportunity at the Sidewinder Lounge.Meanwhile, young Olivia faces ridicule when classmates taunt her about her father potentially kidnapping her, making the upcoming father-daughter dance particularly painful. Valene suggests Gary step in, leading to entertaining rehearsals for their magic act. But there's something brewing beneath the surface as Abby takes a suspicious interest in the arrangements, culminating in her unexpected insertion into what should be just Gary and Olivia's special night.The episode masterfully balances comedy with subtle romantic tension, revealing Lily Mae as what the host calls "country dumb" – a woman who doesn't miss a thing despite her seemingly naive exterior. Her ability to transform disaster into opportunity showcases why she's become such a fan favorite, while Abby's lingering glances at Gary hint at potential complications that could rock the cul-de-sac in episodes to come. Subscribe now to follow these intertwining tales of deception, ambition, and unexpected romance!

Send us a textGrief manifests differently for everyone, as Karen discovers when she reluctantly attends a support group for those who've lost spouses. There, she meets Bill Medford, a widower who's been navigating life without his wife for over a year. Their connection is immediate, but complicated by Karen's hesitancy to move forward just four months after Sid's death.The episode brilliantly explores how family dynamics shift during periods of loss. Diana, already shouldering more household responsibilities, reacts with hostility when Bill enters their lives. Her resistance isn't simple teenage rebellion but reveals deeper fears about her family's changing structure. The role reversal scenes where mother and daughter interrogate each other about their respective dates highlight how grief disrupts traditional family hierarchies.Meanwhile, Kenny and Ginger find themselves at odds over parenting philosophies for baby Molly. Their conflict represents classic debates between responding immediately to a baby's cries versus allowing self-soothing. When professional advice fails them, they reluctantly accept help from an unexpected source—Valene's mother, Lily Mae, whose folk wisdom about positioning the crib relative to the moon proves surprisingly effective.The episode features a standout performance from Julie Harris as Lily Mae, whose impromptu musical number at the neighborhood gathering mortifies Valene while revealing her long-game strategy to advance her musical aspirations through Kenny's industry connections. For longtime Dallas viewers, there's an additional meta-layer of enjoyment seeing David Ackroyd (the original Gary Ewing) return to the universe as a new character pursuing Karen."Mistaken Motives" ultimately reminds us that healing happens on individual timelines and that the assumptions we make about others' intentions often miss the mark. Whether you're processing loss, navigating new relationships, or just trying to get a baby to sleep through the night, sometimes the most unexpected solutions prove most effective.

Send us a textWelcome back Soap Fiends!!Audacity takes center stage in this riveting dive into Knott's Landing Season 3, Episode 7, "Secrets." Family ties are tested as Karen finds herself in the uncomfortable position of needing her sister-in-law Abby's help with the books at Knott's Landing Motors before an IRS audit. What follows is a masterclass in leverage as Abby—still bitter about being fired—orders the most luxurious meal imaginable on Karen's dime while making her practically beg for assistance.The power play between these two women brilliantly showcases the complex dynamics of family relationships, particularly between siblings (or siblings-in-law). As we discuss in the episode, there's something uniquely satisfying about holding power over an older sibling who has previously held authority—a universal experience that transcends the soap opera world and resonates with our own family stories.Meanwhile, Richard Avery finds himself caught between professional aspirations and his boss's expectations that he'll arrange "entertainment" for visiting Japanese businessmen. This uncomfortable position forces Richard to reckon with his values while trying to advance his career. When circumstances lead to an unexpected overnight stay away from home, his marriage to Laura faces new challenges as both spouses harbor secrets and suspicions about each other's activities.The episode perfectly captures how people wield influence through manipulation, deception, and pure, unfiltered audacity. From Abby's expensive dinner demands to Scooter's ex-wife showing up just to antagonize him, nearly every character demonstrates remarkable boldness in pursuing their desires—often at others' expense.Join us for this examination of relationship power dynamics and the secrets we keep from those closest to us. Have thoughts on our Soap Lore Beauty Pageant for Dudes challenge? Text or email your nominations for who should compete from Dallas, Dynasty, Falcon Crest, and Knott's Landing!Soaplorepodcast@gmail.com

A wonderful must see episode with guests: Extradinary Film Producers/Film and Television Directors/ and Film and TV Actors Bill Duke (Acting in Car Wash, Commando, Predator, American Gigolo, Menace II Society...directing Hoodlum, A Rage in Harlem, Sister Act II films... episodes of Knots Landing, Dallas, Hunter) and Kenya Cagle, whose film MY KING, has won over 70 awards ( other films he have produced/directed, wrote and appeared in include newly released Sin Apple, Dead 2 Right, Killing Joanne). Great episode!

Joan Van Ark stops by to discuss her work in show business, including her 14 year stint on the iconic series "Knots Landing". 

Send us a textWelcome Back Soap Fiends!Christmas brings unexpected reunions and painful revelations to Knots Landing when Karen's first love Teddy suddenly reappears in her life. Just three months after Sid's death, Karen finds herself navigating complicated emotions as the charismatic Teddy charms everyone in the cul-de-sac—particularly her teenage daughter Diana. What begins as a friendly reconnection quickly unravels into something far more complex when Teddy reveals his long-held belief that Diana might actually be his biological daughter. The holiday spirit takes a dramatic turn as Karen must confront a paternity question she never imagined, diving into family albums and memories to determine the truth. When she discovers a Victorian-era photograph of Sid's great-grandmother bearing Diana's exact likeness, Karen faces a moral dilemma: should she share this definitive proof with Teddy, or allow him this comforting possibility during his own family crisis? The revelation that Teddy's children have asked him to sign away his parental rights for their stepfather to adopt them adds poignant complexity to his desperate need for connection. Meanwhile, Valene experiences her own emotional Christmas turbulence when her mother Lily Mae crafts a patchwork quilt as a gift, unaware it triggers Valene's deepest childhood trauma—when her mother abandoned her after her father's death, sending a store-bought quilt instead of coming to retrieve her as promised. Gary's awkward silence knowing both women's perspectives highlights his characteristic conflict avoidance. Across the cul-de-sac, Laura faces a different type of choice when she receives two Christmas cars—one sentimental gift from husband Richard and another practical Mercedes from her boss Scooter, with whom she recently shared a passionate kiss .What makes this episode quintessential vintage primetime drama is how it masterfully intertwines these emotional storylines against the backdrop of holiday festivities, forcing characters to confront uncomfortable truths while maintaining festive appearances. Has Teddy truly returned just for friendship, or is he searching for a family connection he desperately needs? Share your thoughts on which character faced the most difficult Christmas dilemma in the comments below!

Send us a textJoin us on this gripping episode of Soap Lore as we navigate the intricate world of “Knot's Landing”, delving deep into season three, episode five, where the tug-of-war for custody of Abby's children spins an emotional web of manipulation and maternal desire. The episode commences with a moving tribute to Michelle Trachtenberg, illuminating her contributions to childhood television and capturing our nostalgia for a past era. As Abby grapples with her estranged husband Jeff over custody, tensions rise, revealing the challenges faced by parents in strained relationships. The episode artfully balances drama with moments of levity through characters like Richard, who brings humor amidst chaos.Listeners will be compelled to consider themes of morality, familial responsibility, and emotional struggles that affect every character, making it clear how soap operas resonate with audiences across generations. Dive into the rich narrative and uncover what this explosive episode teaches us about love, loss, and the complexities of parenthood. Don't miss it—tune in, share your thoughts, and join our community of fans engaged in the timeless stories of primetime soap operas. Subscribe for future episodes and share your love for the drama with your friends!

Send us a textStep into the world of 1984 primetime soap operas as we unpack pivotal moments and character arcs that captivated audiences during the golden age of television. We dive heart-first into the intricate web of emotions that characters from classics like "Dynasty" and "Knots Landing" portrayed—where love and betrayal go hand in hand, and stakes are perpetually high. Join us as we dissect the riveting transformation of Abby Cunningham, exploring her desperate attempts to reclaim her children amidst chaos. The episode also touches on the poignant loss of Michelle Tretenberg and the emotional turbulence that shadows the characters in these stories. We discuss how the narrative intertwines real human emotions, offering relatable experiences that resonate with viewers. As we unpack the tensions and comic exchanges in "Dynasty," we highlight the complexities of wealth and family feuds that usher in a rich dialogue worthy of reflection. This episode promises to draw in both loyal fans and newcomers with its warm, conversational tone crafted around engaging storylines and beloved characters. You'll learn how the narratives pushed boundaries and remained relevant, illustrating the struggle for survival and redemption within the high-stakes world of soap operas. Tune in for a charming blend of insights that reveal the essence of what makes these shows iconic. Don't forget to subscribe, share with your friends, and leave us a review!

AITA: For secretly paying my girlfriend's debt? DIRT ALERT: Liam Payne details, BOOB TUBE BONANZA: Holly watched "Clean Slate" and Alexis has "Poker Face" Season 2 details. Plus, were is the rest of "Knots Landing?!" Learn more about your ad choices. Visit podcastchoices.com/adchoices

AITA: For secretly paying my girlfriend's debt? DIRT ALERT: Liam Payne details, BOOB TUBE BONANZA: Holly watched "Clean Slate" and Alexis has "Poker Face" Season 2 details. Plus, were is the rest of "Knots Landing?!" Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Boucheron Pour Homme by Boucheron (1991) + David Jacobs' Knots Landing season 11 (1989-90) + Paul Krasny's Terror Among Us (1981) with The Eternal Dillards of Ghost Jail 2/21/25 S7E10 To hear the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

Send us a textWhat if a mojito-flavored sparkling water could spice up a trip down memory lane? Join us on a whimsical adventure as we revisit the iconic world of vintage primetime soap operas. In this episode, we pay homage to Knott's Landing, particularly season three, episode four, exploring how the series reshaped our view of classic soaps. With nostalgic anecdotes and humorous twists, we honor the unforgettable Sid Fairgate and uncover the surprising backstory of Don Murray, the actor who brought him to life. We also celebrate the vibrant fan community, featuring feedback from Oklahoma City about the unsettling Peter DeFillibuster and Kelly K's joy in rediscovering these shows on SoapNet.Sid Fairgate's departure is a focal point, and we delve into the dynamics of his role at Knott's Landing Motors. Known for his charm and unpredictability, Sid became the quintessential soap opera hero, leaving a lasting impact on the show and its audience. We explore how Don Murray's expectations and regrets shaped his exit, with John Pleshette's involvement crafting Sid's dramatic farewell. Meanwhile, Abby's gripping search for her missing children and Valene's struggle with her mother's newfound fame add layers of complexity and tension, highlighting generational divides and familial responsibilities.As we wrap up this episode filled with drama and intrigue, we invite you, our listeners, to share your thoughts and suggestions. We're looking for a new title for Lily Mae, as "Vidalia Onion Queen 2.0" just doesn't cut it anymore! Join us next time for more soapy debauchery, and remember to keep the drama on TV. Stay hydrated, moisturized, and never hold back from speaking your mind. Your voice matters, whether it leads you to your desired destination or not. Until next time, enjoy the chaos from a safe distance!

Send us a textCan unspoken emotions reshape our lives? Join us as we examine the powerful narrative of Season 3, Episode 3 of Knott's Landing, where tragedy forces characters to confront their deepest feelings. We delve into Karen's journey through grief after Sid's passing, capturing her determination to stand strong for her children and community. This episode paints a compelling picture of silent sorrow, particularly in how characters like Laura, Ginger, Val, and Gary express their heartache. Together, we uncover the poignant theme of resilience in the face of loss, as Karen takes on the mantle of leadership at Sid's dealership.Our discussion extends to the complex web of guilt and growth, focusing on Gary's struggles and Valene's remarkable composure. With Karen's unspoken decision to sell Sid's hot rod adding tension to family dynamics, we explore the critical role of communication in navigating grief. As Karen eventually finds a cathartic release, we reflect on the universal necessity of acknowledging and expressing one's emotions. This episode isn't just a narrative but an invitation to embrace vulnerability and the healing power of a heartfelt cry. Tune in and discover the emotional truths that Knott's Landing so beautifully reveals, reminding us all of the strength found in vulnerability.

Send us a textSpoiler Alert!! If you haven't watched this episode , exit NOW!!!! Soap Fiends.......Have you ever wondered how a seemingly simple decision can unravel a web of complexities in relationships? Join us as we explore the intense drama of "Knott's Landing" Season 3, Episode 2, where Gary's choices lead to unexpected consequences and a growing rift with Valene. We unravel the intricacies of Karen's pivotal role in persuading Gary to stay and the unfolding drama surrounding Sid's health, setting the stage for a season brimming with emotional highs and lows.As the plot thickens, we delve into the evolving dynamics of Valene and Gary's relationship, mirrored by Laura and Richard's own struggles. Questions arise about Abby's parenting skills and the societal views on parental abduction during the 1980s. We reflect on the legal entanglements and the tense atmosphere created by Sid's accident, as Abby seeks law enforcement's help to bring her children back home, all while maintaining a focus on the personal sacrifices made by each character.The episode takes a heart-wrenching turn as Sid faces a critical surgery, leading to emotional turmoil for his family. We capture the raw emotion of Sid's tragic demise and his heartfelt message to his wife. The weight of these intense moments is balanced with lighter reflections, emphasizing the importance of self-care and family love. Prepare to be captivated by the raw emotions and complex character arcs that define this unforgettable chapter of "Knott's Landing.

Send us a textWelcome to Season 3 of Knots Landing!!What do you get when you mix intense drama, family ties, and the captivating world of "Knott's Landing"? A season premiere that promises to leave you on the edge of your seat. This episode of our podcast takes you through the intricate web of relationships and scheming that define the beloved show as we revisit the emotional highs and lows of the previous seasons. We reminisce about Gary's scandalous affair and Abby Cunningham's relentless machinations, setting the stage for the thrilling new developments in Season 3. Our journey continues with a deep dive into the hospital drama where Sid's harrowing car accident shakes the foundation of the Knott's Landing community. The suspense is palpable as we navigate the aftermath, with Sid's loved ones caught in a maelstrom of fear and uncertainty. Amidst the chaos, the depth of Karen's and Valene's loyalty shines through, while Abby faces her own turmoil with missing children and an ex-husband whose motives are under scrutiny. We explore the poignant moments that illustrate the strength and complexity of family bonds amidst crisis.Finally, we unpack the emotional rollercoaster of the Season 3 premiere, reflecting on the profound impact it has on both characters and viewers. I share my own experiences with navigating such intense storytelling and offer tips for maintaining mental wellness amidst the drama. From moisturizing to connecting with nature, these self-care insights serve as a reminder of the importance of balancing entertainment with real-life well-being. Join us as we celebrate the rich storytelling of "Knott's Landing" and find solace in the shared experience of its passionate fan community.

In this episode Tommy and Lynn discuss episode's 16-18 of Knots Landing season 7.

This week we talk to screenwriter Tyler Tice about the best Christmas movies of all time. We also discuss the trend of 80's TV shows to go dark out of nowhere. Also, should you be watching ‘Knots Landing'.

Boucheron by Boucheron (1988) + David Jacobs' Knots Landing season 10 (1988-89) + George McCowan's Frogs (1972) with The Eternal Dillards of Ghost Jail 11/22/24 S6E88 To hear the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

The new Lou Pearlman Netflix doc, Joe Biden's Oval Office address, Melinda French Gates new YouTube show, JD Vance v. "childless cat ladies", Tila Tequila, and Jim's Picks: Guilty Pleasures.  Dirty Pop: The Boy Band Scam about Lou Pearlman's crimes premiered on Netflix. We find out what he has in common with the Saudis. Rudy Giuliani owes $180m, but at least he has a sugar daddy in Mike Lindell. Knots Landing's William DeVane really wants you to buy some gold from Rosland Capital. Kamala Harris' step-daughter Ella Emhoff claps back at JD Vance over his childless cat lady comment. Fun fact: she loves her armpit hair and huge bush. Jennifer Aniston is also mad at JD Vance by making it about herself. In response to the right attacking Kamala Harris, Ana Navarro posted a nude pic of Melania Trump. Potential VP candidates and current Senator Mark Kelly's hot daughter cleaned up her social media after posting a pic of weed and molly. Joe Biden gave a speech from the Oval Office last night with Hunter Biden by his side. Some people are saying Joe doesn't really want to step down. Melinda French Gates endorsed Kamala Harris on CBS Mornings after boring the audience to tears talking about her new YouTube show. Joy Mode brings you the Bonerline. Use promo code DREW. Call or text 209-66-Boner to communicate with the show. The Police Synchronicity Box Set is now available. We find out that Drew likes A LOT of solo Sting. Tom Mazawey checks in to talk about how he didn't watch Joe Biden last night, how Tom and Joe are very similar and handsy, University of Michigan's Donald R Shepherd Director of Athletics Warde Manuel won some prestigious award, the Detroit Tigers needing to trade Tarik Skubal to the Baltimore Orioles, and his lack of weekend plans.  It's the 25th Anniversary of Woodstock '99. It couldn't happen in 2024 and not only because it was 1999. What band has the craziest fans/crowd? Also, what happened to Tila Tequila? Jim's Picks: Top 10 Guilty Pleasure Songs leads us down many bad songs that are totally great. Come see us October 25th at The Magic Bag with WATP! Visit Our Presenting Sponsor Hall Financial – Michigan's highest rated mortgage company If you'd like to help support the show… consider subscribing to our YouTube Page, Facebook, Instagram and Twitter (The Drew Lane Show, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).