Podcasts about digital studies

Today we speak with Rachel Kuo about her book, Movement Media: In Pursuit of Solidarity, recently published by Oxford University Press. This fascinating study understands political activism through a unique perspective, asking the question, how do the choices activists make about how to present their movements to the public indicate key strategic, tactical, and political decisions?  Kuo shows that as they seek to persuade others to join their causes, activists work out their own questions, values, and commitments. Ranging from ‘zines, newsletters, posters, social media and more, Rachel talks about successes, defeats, and moments of burn-out and regrouping. From “BlackLivesMatter” to “#StopAsianHate” we see both moments of exhilaration, and painful self-reflection as movements take shape, change vectors, and imaging.A teaching and discussion guide for the book is here: https://www.rachelkuo.com/movement-media-bookRachel Kuo writes, teaches, and researches on race, social movements, and digital technology. She is currently an Assistant Professor of Gender and Women's Studies and Asian American Studies at the University of Wisconsin-Madison. She is author of Movement Media: In Pursuit of Solidarity (Oxford University Press) and co-editor of We Are Each Other's Liberation: Black and Asian Feminist Solidarities (Haymarket Books). She is a founding member and current affiliate of the Center for Critical Race and Digital Studies and a co-founder of the Asian American Feminist Collective. She also co-edited two special issues on Asian American abolition feminisms for Frontiers: A Journal of Women Studies and guest edited the World Without Cages project with the Asian American Writer's Workshop.  She holds a PhD in Media, Culture, and Communication from New York University.  

Peoples & Things host, Lee Vinsel, talks with Ashleigh Greene Wade, Assistant Professor of Digital Studies with a joint appointment in Media Studies and African American Studies at the University of Virginia, about her book, Black Girl Autopoetics: Agency and Possibility in Everyday Digital Practice. The book examines how black girls use social media posts to fashion self images that express the girls' self-understandings, goals, and worldviews. Vinsel and Wade talk about the research methods and ethics of the project and end by talking about Wade's current project on young social media influencers and how the digital content production and influencer industries are reshaping our conceptions of childhood. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Peoples & Things host, Lee Vinsel, talks with Ashleigh Greene Wade, Assistant Professor of Digital Studies with a joint appointment in Media Studies and African American Studies at the University of Virginia, about her book, Black Girl Autopoetics: Agency and Possibility in Everyday Digital Practice. The book examines how black girls use social media posts to fashion self images that express the girls' self-understandings, goals, and worldviews. Vinsel and Wade talk about the research methods and ethics of the project and end by talking about Wade's current project on young social media influencers and how the digital content production and influencer industries are reshaping our conceptions of childhood. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Peoples & Things host, Lee Vinsel, talks with Ashleigh Greene Wade, Assistant Professor of Digital Studies with a joint appointment in Media Studies and African American Studies at the University of Virginia, about her book, Black Girl Autopoetics: Agency and Possibility in Everyday Digital Practice. The book examines how black girls use social media posts to fashion self images that express the girls' self-understandings, goals, and worldviews. Vinsel and Wade talk about the research methods and ethics of the project and end by talking about Wade's current project on young social media influencers and how the digital content production and influencer industries are reshaping our conceptions of childhood. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Peoples & Things host, Lee Vinsel, talks with Ashleigh Greene Wade, Assistant Professor of Digital Studies with a joint appointment in Media Studies and African American Studies at the University of Virginia, about her book, Black Girl Autopoetics: Agency and Possibility in Everyday Digital Practice. The book examines how black girls use social media posts to fashion self images that express the girls' self-understandings, goals, and worldviews. Vinsel and Wade talk about the research methods and ethics of the project and end by talking about Wade's current project on young social media influencers and how the digital content production and influencer industries are reshaping our conceptions of childhood. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Peoples & Things host, Lee Vinsel, talks with Ashleigh Greene Wade, Assistant Professor of Digital Studies with a joint appointment in Media Studies and African American Studies at the University of Virginia, about her book, Black Girl Autopoetics: Agency and Possibility in Everyday Digital Practice. The book examines how black girls use social media posts to fashion self images that express the girls' self-understandings, goals, and worldviews. Vinsel and Wade talk about the research methods and ethics of the project and end by talking about Wade's current project on young social media influencers and how the digital content production and influencer industries are reshaping our conceptions of childhood. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Peoples & Things host, Lee Vinsel, talks with Ashleigh Greene Wade, Assistant Professor of Digital Studies with a joint appointment in Media Studies and African American Studies at the University of Virginia, about her book, Black Girl Autopoetics: Agency and Possibility in Everyday Digital Practice. The book examines how black girls use social media posts to fashion self images that express the girls' self-understandings, goals, and worldviews. Vinsel and Wade talk about the research methods and ethics of the project and end by talking about Wade's current project on young social media influencers and how the digital content production and influencer industries are reshaping our conceptions of childhood. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Historiographies of Game Studies: What It Has Been, What It Could Be (Punctum Books, 2025) offers a first-of-its-kind reflection on how game studies as an academic field has been shaped and sustained. Today, game studies is a thriving field with many dedicated national and international conferences, journals, professional societies, and a strong presence at conferences in disciplines like computer science, communication, media studies, theater, visual arts, popular culture, and others. But, when did game studies start? And what (and who) is at the core or center of game studies? Fields are defined as much by what they are not as by what they are, and their borderlands can be hotly contested spaces. In this anthology, scholars from across the field consider how the boundaries of game studies have been established, codified, contested, and protected, raising critical questions about who and what gets left out of the field. Over more than two dozen chapters and interviews with leading figures, including Espen Aarseth, Kishonna Gray, Henry Jenkins, Lisa Nakamura, Kentaro Matsumoto, Ken McAllister, and Janet Murray, the contributors offer a dazzling array of insightful provocations that address the formation, propagation, and cultivation of game studies, interrogating not only the field's pasts but its potential futures and asking us to think deliberately about how academic fields are collectively built. Alisha Karabinus (she/her) is Assistant Professor of Writing and Digital Studies at Grand Valley State University.  Carly A. Kocurek (she/her) is Professor of Digital Humanities and Media Studies at the Illinois Institute of Technology.  Cody Mejeur (they/them) is Assistant Professor of Game Studies at University at Buffalo, SUNY.  Emma Vossen (she/her) is an Assistant Professor of Game Studies in the Department of Digital Humanities at Brock University, Canada.  Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master's degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design and game studies at the University of Applied Sciences Neu-Ulm, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal TITEL kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Historiographies of Game Studies: What It Has Been, What It Could Be (Punctum Books, 2025) offers a first-of-its-kind reflection on how game studies as an academic field has been shaped and sustained. Today, game studies is a thriving field with many dedicated national and international conferences, journals, professional societies, and a strong presence at conferences in disciplines like computer science, communication, media studies, theater, visual arts, popular culture, and others. But, when did game studies start? And what (and who) is at the core or center of game studies? Fields are defined as much by what they are not as by what they are, and their borderlands can be hotly contested spaces. In this anthology, scholars from across the field consider how the boundaries of game studies have been established, codified, contested, and protected, raising critical questions about who and what gets left out of the field. Over more than two dozen chapters and interviews with leading figures, including Espen Aarseth, Kishonna Gray, Henry Jenkins, Lisa Nakamura, Kentaro Matsumoto, Ken McAllister, and Janet Murray, the contributors offer a dazzling array of insightful provocations that address the formation, propagation, and cultivation of game studies, interrogating not only the field's pasts but its potential futures and asking us to think deliberately about how academic fields are collectively built. Alisha Karabinus (she/her) is Assistant Professor of Writing and Digital Studies at Grand Valley State University.  Carly A. Kocurek (she/her) is Professor of Digital Humanities and Media Studies at the Illinois Institute of Technology.  Cody Mejeur (they/them) is Assistant Professor of Game Studies at University at Buffalo, SUNY.  Emma Vossen (she/her) is an Assistant Professor of Game Studies in the Department of Digital Humanities at Brock University, Canada.  Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master's degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design and game studies at the University of Applied Sciences Neu-Ulm, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal TITEL kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Historiographies of Game Studies: What It Has Been, What It Could Be (Punctum Books, 2025) offers a first-of-its-kind reflection on how game studies as an academic field has been shaped and sustained. Today, game studies is a thriving field with many dedicated national and international conferences, journals, professional societies, and a strong presence at conferences in disciplines like computer science, communication, media studies, theater, visual arts, popular culture, and others. But, when did game studies start? And what (and who) is at the core or center of game studies? Fields are defined as much by what they are not as by what they are, and their borderlands can be hotly contested spaces. In this anthology, scholars from across the field consider how the boundaries of game studies have been established, codified, contested, and protected, raising critical questions about who and what gets left out of the field. Over more than two dozen chapters and interviews with leading figures, including Espen Aarseth, Kishonna Gray, Henry Jenkins, Lisa Nakamura, Kentaro Matsumoto, Ken McAllister, and Janet Murray, the contributors offer a dazzling array of insightful provocations that address the formation, propagation, and cultivation of game studies, interrogating not only the field's pasts but its potential futures and asking us to think deliberately about how academic fields are collectively built. Alisha Karabinus (she/her) is Assistant Professor of Writing and Digital Studies at Grand Valley State University.  Carly A. Kocurek (she/her) is Professor of Digital Humanities and Media Studies at the Illinois Institute of Technology.  Cody Mejeur (they/them) is Assistant Professor of Game Studies at University at Buffalo, SUNY.  Emma Vossen (she/her) is an Assistant Professor of Game Studies in the Department of Digital Humanities at Brock University, Canada.  Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master's degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design and game studies at the University of Applied Sciences Neu-Ulm, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal TITEL kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist. Learn more about your ad choices. Visit megaphone.fm/adchoices

Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen. In a wide-ranging and enjoyable interview with Dr. Elana Levine, we covered a broad array of subjects pertaining to the history, culture, and craft of soap operas. After an initial conversation, I asked her a series of questions about her work and how it resonates with other genres such as the Real Housewives franchise, especially how original housewives (domestic workers as well as suburban housewives of numerous ethnicities and races) represented the viewership of soap opera consumption and support. We talked about the early origins of soap operas, especially with Proctor & Gamble in the early inception of the soap opera genre to now, with the innovative partnership and collaboration between Proctor and Gamble/CBS and the NAACP in debuting the new soap opera, Beyond the Gates.  We discussed the ways in which the viewership of soaps, mostly working women and stay at home women shed light on significant aspects of American Women's and Gender history, women's civic participation (combing public and private space) as well as informs how women viewers, often housewives and domestics, found ways to weave their own life narratives together with those of cast actors, thus contributing to an interpretive lens on life matter,(blurring line between real and imagined), representing both an innovative and inclusive type of Citizenship seasoning process, whereby, via interaction with soap operas stars as both celebrities and everyday people, (as fellow Cinema scholar Anna McCarthy talks about in her work on ways in which 1950s television, functioned as a kind of citizen machine governing America,  championed inclusive democratic practice that engaged citizens in repetitious call and response and back and forth conversation about everyday practices of everyday working people.  Lastly, we talked about the parallels with primetime soap operas like Dallas, Dynasty, Knots Landing, Yellowstone, as well as what Dr. Levine calls a hybrid form of soap opera storytelling found in series like Grey's Anatomy, Scandal, and other primetime television series. We also spoke about the parallels between soap operas as meditations on aspects of good and evil, finding interesting synergy with genres such as wrestling as soap opera drama sport, the drama of superheroes and villains in the DC and Marvel Universe, as well as versions of science fiction. Dr. Elana Levine is Professor of Media, Cinema and Digital Studies in the Department of English at the University of Wisconsin–Milwaukee. She got her PhD, Communication Arts from University of Wisconsin–Madison. Her research areas of interest include Television history, theory, and criticism; gender, sexuality, and media; media industry and production studies; media audience studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen. In a wide-ranging and enjoyable interview with Dr. Elana Levine, we covered a broad array of subjects pertaining to the history, culture, and craft of soap operas. After an initial conversation, I asked her a series of questions about her work and how it resonates with other genres such as the Real Housewives franchise, especially how original housewives (domestic workers as well as suburban housewives of numerous ethnicities and races) represented the viewership of soap opera consumption and support. We talked about the early origins of soap operas, especially with Proctor & Gamble in the early inception of the soap opera genre to now, with the innovative partnership and collaboration between Proctor and Gamble/CBS and the NAACP in debuting the new soap opera, Beyond the Gates.  We discussed the ways in which the viewership of soaps, mostly working women and stay at home women shed light on significant aspects of American Women's and Gender history, women's civic participation (combing public and private space) as well as informs how women viewers, often housewives and domestics, found ways to weave their own life narratives together with those of cast actors, thus contributing to an interpretive lens on life matter,(blurring line between real and imagined), representing both an innovative and inclusive type of Citizenship seasoning process, whereby, via interaction with soap operas stars as both celebrities and everyday people, (as fellow Cinema scholar Anna McCarthy talks about in her work on ways in which 1950s television, functioned as a kind of citizen machine governing America,  championed inclusive democratic practice that engaged citizens in repetitious call and response and back and forth conversation about everyday practices of everyday working people.  Lastly, we talked about the parallels with primetime soap operas like Dallas, Dynasty, Knots Landing, Yellowstone, as well as what Dr. Levine calls a hybrid form of soap opera storytelling found in series like Grey's Anatomy, Scandal, and other primetime television series. We also spoke about the parallels between soap operas as meditations on aspects of good and evil, finding interesting synergy with genres such as wrestling as soap opera drama sport, the drama of superheroes and villains in the DC and Marvel Universe, as well as versions of science fiction. Dr. Elana Levine is Professor of Media, Cinema and Digital Studies in the Department of English at the University of Wisconsin–Milwaukee. She got her PhD, Communication Arts from University of Wisconsin–Madison. Her research areas of interest include Television history, theory, and criticism; gender, sexuality, and media; media industry and production studies; media audience studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen. In a wide-ranging and enjoyable interview with Dr. Elana Levine, we covered a broad array of subjects pertaining to the history, culture, and craft of soap operas. After an initial conversation, I asked her a series of questions about her work and how it resonates with other genres such as the Real Housewives franchise, especially how original housewives (domestic workers as well as suburban housewives of numerous ethnicities and races) represented the viewership of soap opera consumption and support. We talked about the early origins of soap operas, especially with Proctor & Gamble in the early inception of the soap opera genre to now, with the innovative partnership and collaboration between Proctor and Gamble/CBS and the NAACP in debuting the new soap opera, Beyond the Gates.  We discussed the ways in which the viewership of soaps, mostly working women and stay at home women shed light on significant aspects of American Women's and Gender history, women's civic participation (combing public and private space) as well as informs how women viewers, often housewives and domestics, found ways to weave their own life narratives together with those of cast actors, thus contributing to an interpretive lens on life matter,(blurring line between real and imagined), representing both an innovative and inclusive type of Citizenship seasoning process, whereby, via interaction with soap operas stars as both celebrities and everyday people, (as fellow Cinema scholar Anna McCarthy talks about in her work on ways in which 1950s television, functioned as a kind of citizen machine governing America,  championed inclusive democratic practice that engaged citizens in repetitious call and response and back and forth conversation about everyday practices of everyday working people.  Lastly, we talked about the parallels with primetime soap operas like Dallas, Dynasty, Knots Landing, Yellowstone, as well as what Dr. Levine calls a hybrid form of soap opera storytelling found in series like Grey's Anatomy, Scandal, and other primetime television series. We also spoke about the parallels between soap operas as meditations on aspects of good and evil, finding interesting synergy with genres such as wrestling as soap opera drama sport, the drama of superheroes and villains in the DC and Marvel Universe, as well as versions of science fiction. Dr. Elana Levine is Professor of Media, Cinema and Digital Studies in the Department of English at the University of Wisconsin–Milwaukee. She got her PhD, Communication Arts from University of Wisconsin–Madison. Her research areas of interest include Television history, theory, and criticism; gender, sexuality, and media; media industry and production studies; media audience studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen. In a wide-ranging and enjoyable interview with Dr. Elana Levine, we covered a broad array of subjects pertaining to the history, culture, and craft of soap operas. After an initial conversation, I asked her a series of questions about her work and how it resonates with other genres such as the Real Housewives franchise, especially how original housewives (domestic workers as well as suburban housewives of numerous ethnicities and races) represented the viewership of soap opera consumption and support. We talked about the early origins of soap operas, especially with Proctor & Gamble in the early inception of the soap opera genre to now, with the innovative partnership and collaboration between Proctor and Gamble/CBS and the NAACP in debuting the new soap opera, Beyond the Gates.  We discussed the ways in which the viewership of soaps, mostly working women and stay at home women shed light on significant aspects of American Women's and Gender history, women's civic participation (combing public and private space) as well as informs how women viewers, often housewives and domestics, found ways to weave their own life narratives together with those of cast actors, thus contributing to an interpretive lens on life matter,(blurring line between real and imagined), representing both an innovative and inclusive type of Citizenship seasoning process, whereby, via interaction with soap operas stars as both celebrities and everyday people, (as fellow Cinema scholar Anna McCarthy talks about in her work on ways in which 1950s television, functioned as a kind of citizen machine governing America,  championed inclusive democratic practice that engaged citizens in repetitious call and response and back and forth conversation about everyday practices of everyday working people.  Lastly, we talked about the parallels with primetime soap operas like Dallas, Dynasty, Knots Landing, Yellowstone, as well as what Dr. Levine calls a hybrid form of soap opera storytelling found in series like Grey's Anatomy, Scandal, and other primetime television series. We also spoke about the parallels between soap operas as meditations on aspects of good and evil, finding interesting synergy with genres such as wrestling as soap opera drama sport, the drama of superheroes and villains in the DC and Marvel Universe, as well as versions of science fiction. Dr. Elana Levine is Professor of Media, Cinema and Digital Studies in the Department of English at the University of Wisconsin–Milwaukee. She got her PhD, Communication Arts from University of Wisconsin–Madison. Her research areas of interest include Television history, theory, and criticism; gender, sexuality, and media; media industry and production studies; media audience studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen. In a wide-ranging and enjoyable interview with Dr. Elana Levine, we covered a broad array of subjects pertaining to the history, culture, and craft of soap operas. After an initial conversation, I asked her a series of questions about her work and how it resonates with other genres such as the Real Housewives franchise, especially how original housewives (domestic workers as well as suburban housewives of numerous ethnicities and races) represented the viewership of soap opera consumption and support. We talked about the early origins of soap operas, especially with Proctor & Gamble in the early inception of the soap opera genre to now, with the innovative partnership and collaboration between Proctor and Gamble/CBS and the NAACP in debuting the new soap opera, Beyond the Gates.  We discussed the ways in which the viewership of soaps, mostly working women and stay at home women shed light on significant aspects of American Women's and Gender history, women's civic participation (combing public and private space) as well as informs how women viewers, often housewives and domestics, found ways to weave their own life narratives together with those of cast actors, thus contributing to an interpretive lens on life matter,(blurring line between real and imagined), representing both an innovative and inclusive type of Citizenship seasoning process, whereby, via interaction with soap operas stars as both celebrities and everyday people, (as fellow Cinema scholar Anna McCarthy talks about in her work on ways in which 1950s television, functioned as a kind of citizen machine governing America,  championed inclusive democratic practice that engaged citizens in repetitious call and response and back and forth conversation about everyday practices of everyday working people.  Lastly, we talked about the parallels with primetime soap operas like Dallas, Dynasty, Knots Landing, Yellowstone, as well as what Dr. Levine calls a hybrid form of soap opera storytelling found in series like Grey's Anatomy, Scandal, and other primetime television series. We also spoke about the parallels between soap operas as meditations on aspects of good and evil, finding interesting synergy with genres such as wrestling as soap opera drama sport, the drama of superheroes and villains in the DC and Marvel Universe, as well as versions of science fiction. Dr. Elana Levine is Professor of Media, Cinema and Digital Studies in the Department of English at the University of Wisconsin–Milwaukee. She got her PhD, Communication Arts from University of Wisconsin–Madison. Her research areas of interest include Television history, theory, and criticism; gender, sexuality, and media; media industry and production studies; media audience studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen. In a wide-ranging and enjoyable interview with Dr. Elana Levine, we covered a broad array of subjects pertaining to the history, culture, and craft of soap operas. After an initial conversation, I asked her a series of questions about her work and how it resonates with other genres such as the Real Housewives franchise, especially how original housewives (domestic workers as well as suburban housewives of numerous ethnicities and races) represented the viewership of soap opera consumption and support. We talked about the early origins of soap operas, especially with Proctor & Gamble in the early inception of the soap opera genre to now, with the innovative partnership and collaboration between Proctor and Gamble/CBS and the NAACP in debuting the new soap opera, Beyond the Gates.  We discussed the ways in which the viewership of soaps, mostly working women and stay at home women shed light on significant aspects of American Women's and Gender history, women's civic participation (combing public and private space) as well as informs how women viewers, often housewives and domestics, found ways to weave their own life narratives together with those of cast actors, thus contributing to an interpretive lens on life matter,(blurring line between real and imagined), representing both an innovative and inclusive type of Citizenship seasoning process, whereby, via interaction with soap operas stars as both celebrities and everyday people, (as fellow Cinema scholar Anna McCarthy talks about in her work on ways in which 1950s television, functioned as a kind of citizen machine governing America,  championed inclusive democratic practice that engaged citizens in repetitious call and response and back and forth conversation about everyday practices of everyday working people.  Lastly, we talked about the parallels with primetime soap operas like Dallas, Dynasty, Knots Landing, Yellowstone, as well as what Dr. Levine calls a hybrid form of soap opera storytelling found in series like Grey's Anatomy, Scandal, and other primetime television series. We also spoke about the parallels between soap operas as meditations on aspects of good and evil, finding interesting synergy with genres such as wrestling as soap opera drama sport, the drama of superheroes and villains in the DC and Marvel Universe, as well as versions of science fiction. Dr. Elana Levine is Professor of Media, Cinema and Digital Studies in the Department of English at the University of Wisconsin–Milwaukee. She got her PhD, Communication Arts from University of Wisconsin–Madison. Her research areas of interest include Television history, theory, and criticism; gender, sexuality, and media; media industry and production studies; media audience studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Envisioning queer futures where we lovingly wager everything for the world's children, the planet, and all living beings against all odds, and in increasingly precarious times. Tamara Lea Spira's Queering Families: Reproductive Justice in Precarious Times (U California Press, 2025) traces the shifting dominant meanings of queer family from the late twentieth century to today. With this book, Spira highlights the growing embrace of normative family structures by LGBTQ+ movements--calling into question how many queers, once deemed unfit to parent, have become contradictory agents within the US empire's racial and colonial agendas. Simultaneously, Queering Families celebrates the rich history of queer reproductive justice, from the radical movements of the 1970s through the present, led by Black, decolonial, and queer of color feminist activists. Ultimately, Spira argues that queering reproductive justice impels us to build communities of care to cherish and uphold the lives of those who, defying normativity's violent stranglehold, are deemed to be unworthy of life. She issues the call to lovingly wager a future for the world's children, the planet, and all living beings against all odds, and in increasingly perilous times. Shui-yin Sharon Yam is Professor of Writing, Rhetoric, and Digital Studies at the University of Kentucky. She is the author of Inconvenient Strangers: Transnational Subjects and the Politics of Citizenship and more recently, Doing Gender Justice: Queering Reproduction, Kin and Care (co-authored withe Natalie Fixmer-Oraiz). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Envisioning queer futures where we lovingly wager everything for the world's children, the planet, and all living beings against all odds, and in increasingly precarious times. Tamara Lea Spira's Queering Families: Reproductive Justice in Precarious Times (U California Press, 2025) traces the shifting dominant meanings of queer family from the late twentieth century to today. With this book, Spira highlights the growing embrace of normative family structures by LGBTQ+ movements--calling into question how many queers, once deemed unfit to parent, have become contradictory agents within the US empire's racial and colonial agendas. Simultaneously, Queering Families celebrates the rich history of queer reproductive justice, from the radical movements of the 1970s through the present, led by Black, decolonial, and queer of color feminist activists. Ultimately, Spira argues that queering reproductive justice impels us to build communities of care to cherish and uphold the lives of those who, defying normativity's violent stranglehold, are deemed to be unworthy of life. She issues the call to lovingly wager a future for the world's children, the planet, and all living beings against all odds, and in increasingly perilous times. Shui-yin Sharon Yam is Professor of Writing, Rhetoric, and Digital Studies at the University of Kentucky. She is the author of Inconvenient Strangers: Transnational Subjects and the Politics of Citizenship and more recently, Doing Gender Justice: Queering Reproduction, Kin and Care (co-authored withe Natalie Fixmer-Oraiz). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Envisioning queer futures where we lovingly wager everything for the world's children, the planet, and all living beings against all odds, and in increasingly precarious times. Tamara Lea Spira's Queering Families: Reproductive Justice in Precarious Times (U California Press, 2025) traces the shifting dominant meanings of queer family from the late twentieth century to today. With this book, Spira highlights the growing embrace of normative family structures by LGBTQ+ movements--calling into question how many queers, once deemed unfit to parent, have become contradictory agents within the US empire's racial and colonial agendas. Simultaneously, Queering Families celebrates the rich history of queer reproductive justice, from the radical movements of the 1970s through the present, led by Black, decolonial, and queer of color feminist activists. Ultimately, Spira argues that queering reproductive justice impels us to build communities of care to cherish and uphold the lives of those who, defying normativity's violent stranglehold, are deemed to be unworthy of life. She issues the call to lovingly wager a future for the world's children, the planet, and all living beings against all odds, and in increasingly perilous times. Shui-yin Sharon Yam is Professor of Writing, Rhetoric, and Digital Studies at the University of Kentucky. She is the author of Inconvenient Strangers: Transnational Subjects and the Politics of Citizenship and more recently, Doing Gender Justice: Queering Reproduction, Kin and Care (co-authored withe Natalie Fixmer-Oraiz). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Envisioning queer futures where we lovingly wager everything for the world's children, the planet, and all living beings against all odds, and in increasingly precarious times. Tamara Lea Spira's Queering Families: Reproductive Justice in Precarious Times (U California Press, 2025) traces the shifting dominant meanings of queer family from the late twentieth century to today. With this book, Spira highlights the growing embrace of normative family structures by LGBTQ+ movements--calling into question how many queers, once deemed unfit to parent, have become contradictory agents within the US empire's racial and colonial agendas. Simultaneously, Queering Families celebrates the rich history of queer reproductive justice, from the radical movements of the 1970s through the present, led by Black, decolonial, and queer of color feminist activists. Ultimately, Spira argues that queering reproductive justice impels us to build communities of care to cherish and uphold the lives of those who, defying normativity's violent stranglehold, are deemed to be unworthy of life. She issues the call to lovingly wager a future for the world's children, the planet, and all living beings against all odds, and in increasingly perilous times. Shui-yin Sharon Yam is Professor of Writing, Rhetoric, and Digital Studies at the University of Kentucky. She is the author of Inconvenient Strangers: Transnational Subjects and the Politics of Citizenship and more recently, Doing Gender Justice: Queering Reproduction, Kin and Care (co-authored withe Natalie Fixmer-Oraiz). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Envisioning queer futures where we lovingly wager everything for the world's children, the planet, and all living beings against all odds, and in increasingly precarious times. Tamara Lea Spira's Queering Families: Reproductive Justice in Precarious Times (U California Press, 2025) traces the shifting dominant meanings of queer family from the late twentieth century to today. With this book, Spira highlights the growing embrace of normative family structures by LGBTQ+ movements--calling into question how many queers, once deemed unfit to parent, have become contradictory agents within the US empire's racial and colonial agendas. Simultaneously, Queering Families celebrates the rich history of queer reproductive justice, from the radical movements of the 1970s through the present, led by Black, decolonial, and queer of color feminist activists. Ultimately, Spira argues that queering reproductive justice impels us to build communities of care to cherish and uphold the lives of those who, defying normativity's violent stranglehold, are deemed to be unworthy of life. She issues the call to lovingly wager a future for the world's children, the planet, and all living beings against all odds, and in increasingly perilous times. Shui-yin Sharon Yam is Professor of Writing, Rhetoric, and Digital Studies at the University of Kentucky. She is the author of Inconvenient Strangers: Transnational Subjects and the Politics of Citizenship and more recently, Doing Gender Justice: Queering Reproduction, Kin and Care (co-authored withe Natalie Fixmer-Oraiz). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

Envisioning queer futures where we lovingly wager everything for the world's children, the planet, and all living beings against all odds, and in increasingly precarious times. Tamara Lea Spira's Queering Families: Reproductive Justice in Precarious Times (U California Press, 2025) traces the shifting dominant meanings of queer family from the late twentieth century to today. With this book, Spira highlights the growing embrace of normative family structures by LGBTQ+ movements--calling into question how many queers, once deemed unfit to parent, have become contradictory agents within the US empire's racial and colonial agendas. Simultaneously, Queering Families celebrates the rich history of queer reproductive justice, from the radical movements of the 1970s through the present, led by Black, decolonial, and queer of color feminist activists. Ultimately, Spira argues that queering reproductive justice impels us to build communities of care to cherish and uphold the lives of those who, defying normativity's violent stranglehold, are deemed to be unworthy of life. She issues the call to lovingly wager a future for the world's children, the planet, and all living beings against all odds, and in increasingly perilous times. Shui-yin Sharon Yam is Professor of Writing, Rhetoric, and Digital Studies at the University of Kentucky. She is the author of Inconvenient Strangers: Transnational Subjects and the Politics of Citizenship and more recently, Doing Gender Justice: Queering Reproduction, Kin and Care (co-authored withe Natalie Fixmer-Oraiz). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

Envisioning queer futures where we lovingly wager everything for the world's children, the planet, and all living beings against all odds, and in increasingly precarious times. Tamara Lea Spira's Queering Families: Reproductive Justice in Precarious Times (U California Press, 2025) traces the shifting dominant meanings of queer family from the late twentieth century to today. With this book, Spira highlights the growing embrace of normative family structures by LGBTQ+ movements--calling into question how many queers, once deemed unfit to parent, have become contradictory agents within the US empire's racial and colonial agendas. Simultaneously, Queering Families celebrates the rich history of queer reproductive justice, from the radical movements of the 1970s through the present, led by Black, decolonial, and queer of color feminist activists. Ultimately, Spira argues that queering reproductive justice impels us to build communities of care to cherish and uphold the lives of those who, defying normativity's violent stranglehold, are deemed to be unworthy of life. She issues the call to lovingly wager a future for the world's children, the planet, and all living beings against all odds, and in increasingly perilous times. Shui-yin Sharon Yam is Professor of Writing, Rhetoric, and Digital Studies at the University of Kentucky. She is the author of Inconvenient Strangers: Transnational Subjects and the Politics of Citizenship and more recently, Doing Gender Justice: Queering Reproduction, Kin and Care (co-authored withe Natalie Fixmer-Oraiz). Learn more about your ad choices. Visit megaphone.fm/adchoices

 In this episode of The New AI, John Behrens '83, Director of Technology and Digital Studies, introduces Graham Wolfe, Editor in Chief of The New AI Project's Explained series in a discussion that also features Professor Walter Scheirer and student expert Claire Hill. They dive into topics such as AI's impact on disinformation, the ethical dilemmas faced by developers, regulatory frameworks in different regions, and the role of AI in fostering human flourishing. Additionally, Walter shares insights from his books and emphasizes the importance of virtuous technology use. Tune in for a deep conversation on navigating the evolving digital landscape with AI. Thanks for listening! The ThinkND Podcast is brought to you by ThinkND, the University of Notre Dame's online learning community. We connect you with videos, podcasts, articles, courses, and other resources to inspire minds and spark conversations on topics that matter to you — everything from faith and politics, to science, technology, and your career. Learn more about ThinkND and register for upcoming live events at think.nd.edu. Join our LinkedIn community for updates, episode clips, and more.

Welcome to another episode of the Shame List Picture Show! This week, Michael is joined by special guest Susan Kerns to discuss Fabrice-Ange Zaphirato's Blood Beat, along with their shared love for arthouse horror, bonkers cinema, and Wisconsin-made indie films. Some of our Shame Listeners may remember Susan for her Ph.D. in Media, Cinema, and Digital Studies from UWM, and as an accomplished filmmaker and scholar, she is now the new Executive Director of Milwaukee Film. The post Shame List Picture Show S9E4 — BLOOD BEAT feat. Susan Kerns appeared first on Cinepunx.

When considering what to offer for her ODA practice, Lisa considered chanting or reading from a more traditional Buddhist text such as the Heart Sutra. She found, instead, that reading the words of Audre Lorde resonated more deeply in her body at this time. And co-host Dana Takagi offers some context on Lorde from Lisa before she reads.  Please enjoy, Lisa Nakamura reading an excerpt from "Learning from the 60s", a talk given by Audre Lorde as part of the February 1982 celebration of Malcolm X Weekend at Harvard University. LISA NAKAMURA (she/her) is the Gwendolyn Calvert Baker Collegiate Professor of American Culture and Digital Studies at the University of Michigan, Ann Arbor. She is also a core faculty member of the Asian American Studies Program, the Film, Television and Media department, and the English department at Michigan. Lisa is the author of four books on racism, sexism, and the Internet and her book “The Inattention Economy: Women of Color and the Internet” is forthcoming in Fall 2025 from University of Minnesota Press. She has published research on Asian stereotypes in massively multiplayer online games, the connections between virtual reality, empathy, and racial and disability justice, the overlooked role of indigenous women in postwar electronics manufacture, and on cross-racial and cross-gender role play in anonymous digital environments like chatrooms and games. lisanakamura.net

In the December 2024 edition of Expl(ai)ned, a monthly newsletter by The New AI Project, explore the cutting-edge advancements shaping industries and society, from revolutionary tools like Anthropic's Claude 3.5 Sonnet to the seismic shifts in search engines challenging Google's reign. Unpack the implications of AI in advertising, education, and even policy as the technology redefines creativity and decision-making. Meanwhile, their latest podcast takes the conversation further, featuring a dynamic discussion between Prof. John Behrens '83 and several student experts on AI's disruptive trajectory and its ripple effects across culture and commerce. Whether you're intrigued by the ethical dilemmas of AI-generated art or the potential of ChatGPT's third year, there's something for everyone.The New AI is sponsored on ThinkND by the Technology and Digital Studies Program in the College of Arts & Letters.  This program collaborates with the Computer Science and Engineering Department and other departments around the University to offer the Bachelor of Arts in Computer Science, the Minor in Data Science, and the Idzik Computing & Digital Technologies Minor.Featured Speaker: John Behrens ‘83 is a Professor of the Practice of Technology & Digital Studies and Concurrent Professor of the Practice in the Department of Computer Science and Engineering. He serves as Director of the Office of Digital Strategy in the College of Arts & Letters and Director of the Technologies & Digital Studies Program.Thanks for listening! The ThinkND Podcast is brought to you by ThinkND, the University of Notre Dame's online learning community. We connect you with videos, podcasts, articles, courses, and other resources to inspire minds and spark conversations on topics that matter to you — everything from faith and politics, to science, technology, and your career. Learn more about ThinkND and register for upcoming live events at think.nd.edu. Join our LinkedIn community for updates, episode clips, and more.

LISA NAKAMURA (she/her) is the Gwendolyn Calvert Baker Collegiate Professor of American Culture and Digital Studies at the University of Michigan, Ann Arbor. She is also a core faculty member of the Asian American Studies Program, the Film, Television and Media department, and the English department at Michigan. Lisa is the author of four books on racism, sexism, and the Internet and her book “The Inattention Economy: Women of Color and the Internet” is forthcoming in Fall 2025 from University of Minnesota Press. She has published research on Asian stereotypes in massively multiplayer online games, the connections between virtual reality, empathy, and racial and disability justice, the overlooked role of indigenous women in postwar electronics manufacture, and on cross-racial and cross-gender role play in anonymous digital environments like chatrooms and games. lisanakamura.netYour hostREVEREND DANA TAKAGI (she/her) is a retired professor of Sociology and zen priest, practicing zen since 1998. She spent 33 years teaching sociology and Asian American history at UC Santa Cruz, and she is a past president of the Association for Asian American Studies. 

Adoption has always been viewed as a beloved institution for building families, as well as a mutually agreeable common ground in the otherwise partisan abortion debate. Little attention, however, has been paid to the lives of mothers who relinquish their infants for private adoption. Through the lens of reproductive justice, Relinquished: The Politics of Adoption and the Privilege of American Motherhood reveals adoption to be a path of constrained choice for women who face immense barriers to access abortion, or to parent their children safely. With the overturning of Roe v. Wade, adoption increasingly functions as an institution that perpetuates reproductive injustice by separating families and policing parenthood under the guise of feel-good family building for middle-upper-class white people. Based on hundreds of in-depth interviews, Relinquished centers and amplifies the voices of relinquishing mothers, and fills an important gap in the national conversation about reproductive politics and justice.  Shui-yin Sharon Yam is Associate Professor of Writing, Rhetoric, and Digital Studies, and Affiliate Faculty of Gender and Women's Studies at the University of Kentucky. She is the co-author of Doing Gender Justice: Queering Reproduction, Kin, and Care.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Adoption has always been viewed as a beloved institution for building families, as well as a mutually agreeable common ground in the otherwise partisan abortion debate. Little attention, however, has been paid to the lives of mothers who relinquish their infants for private adoption. Through the lens of reproductive justice, Relinquished: The Politics of Adoption and the Privilege of American Motherhood reveals adoption to be a path of constrained choice for women who face immense barriers to access abortion, or to parent their children safely. With the overturning of Roe v. Wade, adoption increasingly functions as an institution that perpetuates reproductive injustice by separating families and policing parenthood under the guise of feel-good family building for middle-upper-class white people. Based on hundreds of in-depth interviews, Relinquished centers and amplifies the voices of relinquishing mothers, and fills an important gap in the national conversation about reproductive politics and justice.  Shui-yin Sharon Yam is Associate Professor of Writing, Rhetoric, and Digital Studies, and Affiliate Faculty of Gender and Women's Studies at the University of Kentucky. She is the co-author of Doing Gender Justice: Queering Reproduction, Kin, and Care.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Adoption has always been viewed as a beloved institution for building families, as well as a mutually agreeable common ground in the otherwise partisan abortion debate. Little attention, however, has been paid to the lives of mothers who relinquish their infants for private adoption. Through the lens of reproductive justice, Relinquished: The Politics of Adoption and the Privilege of American Motherhood reveals adoption to be a path of constrained choice for women who face immense barriers to access abortion, or to parent their children safely. With the overturning of Roe v. Wade, adoption increasingly functions as an institution that perpetuates reproductive injustice by separating families and policing parenthood under the guise of feel-good family building for middle-upper-class white people. Based on hundreds of in-depth interviews, Relinquished centers and amplifies the voices of relinquishing mothers, and fills an important gap in the national conversation about reproductive politics and justice.  Shui-yin Sharon Yam is Associate Professor of Writing, Rhetoric, and Digital Studies, and Affiliate Faculty of Gender and Women's Studies at the University of Kentucky. She is the co-author of Doing Gender Justice: Queering Reproduction, Kin, and Care.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Adoption has always been viewed as a beloved institution for building families, as well as a mutually agreeable common ground in the otherwise partisan abortion debate. Little attention, however, has been paid to the lives of mothers who relinquish their infants for private adoption. Through the lens of reproductive justice, Relinquished: The Politics of Adoption and the Privilege of American Motherhood reveals adoption to be a path of constrained choice for women who face immense barriers to access abortion, or to parent their children safely. With the overturning of Roe v. Wade, adoption increasingly functions as an institution that perpetuates reproductive injustice by separating families and policing parenthood under the guise of feel-good family building for middle-upper-class white people. Based on hundreds of in-depth interviews, Relinquished centers and amplifies the voices of relinquishing mothers, and fills an important gap in the national conversation about reproductive politics and justice.  Shui-yin Sharon Yam is Associate Professor of Writing, Rhetoric, and Digital Studies, and Affiliate Faculty of Gender and Women's Studies at the University of Kentucky. She is the co-author of Doing Gender Justice: Queering Reproduction, Kin, and Care.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Adoption has always been viewed as a beloved institution for building families, as well as a mutually agreeable common ground in the otherwise partisan abortion debate. Little attention, however, has been paid to the lives of mothers who relinquish their infants for private adoption. Through the lens of reproductive justice, Relinquished: The Politics of Adoption and the Privilege of American Motherhood reveals adoption to be a path of constrained choice for women who face immense barriers to access abortion, or to parent their children safely. With the overturning of Roe v. Wade, adoption increasingly functions as an institution that perpetuates reproductive injustice by separating families and policing parenthood under the guise of feel-good family building for middle-upper-class white people. Based on hundreds of in-depth interviews, Relinquished centers and amplifies the voices of relinquishing mothers, and fills an important gap in the national conversation about reproductive politics and justice.  Shui-yin Sharon Yam is Associate Professor of Writing, Rhetoric, and Digital Studies, and Affiliate Faculty of Gender and Women's Studies at the University of Kentucky. She is the co-author of Doing Gender Justice: Queering Reproduction, Kin, and Care.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Adoption has always been viewed as a beloved institution for building families, as well as a mutually agreeable common ground in the otherwise partisan abortion debate. Little attention, however, has been paid to the lives of mothers who relinquish their infants for private adoption. Through the lens of reproductive justice, Relinquished: The Politics of Adoption and the Privilege of American Motherhood reveals adoption to be a path of constrained choice for women who face immense barriers to access abortion, or to parent their children safely. With the overturning of Roe v. Wade, adoption increasingly functions as an institution that perpetuates reproductive injustice by separating families and policing parenthood under the guise of feel-good family building for middle-upper-class white people. Based on hundreds of in-depth interviews, Relinquished centers and amplifies the voices of relinquishing mothers, and fills an important gap in the national conversation about reproductive politics and justice.  Shui-yin Sharon Yam is Associate Professor of Writing, Rhetoric, and Digital Studies, and Affiliate Faculty of Gender and Women's Studies at the University of Kentucky. She is the co-author of Doing Gender Justice: Queering Reproduction, Kin, and Care.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

Adoption has always been viewed as a beloved institution for building families, as well as a mutually agreeable common ground in the otherwise partisan abortion debate. Little attention, however, has been paid to the lives of mothers who relinquish their infants for private adoption. Through the lens of reproductive justice, Relinquished: The Politics of Adoption and the Privilege of American Motherhood reveals adoption to be a path of constrained choice for women who face immense barriers to access abortion, or to parent their children safely. With the overturning of Roe v. Wade, adoption increasingly functions as an institution that perpetuates reproductive injustice by separating families and policing parenthood under the guise of feel-good family building for middle-upper-class white people. Based on hundreds of in-depth interviews, Relinquished centers and amplifies the voices of relinquishing mothers, and fills an important gap in the national conversation about reproductive politics and justice.  Shui-yin Sharon Yam is Associate Professor of Writing, Rhetoric, and Digital Studies, and Affiliate Faculty of Gender and Women's Studies at the University of Kentucky. She is the co-author of Doing Gender Justice: Queering Reproduction, Kin, and Care.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

Adoption has always been viewed as a beloved institution for building families, as well as a mutually agreeable common ground in the otherwise partisan abortion debate. Little attention, however, has been paid to the lives of mothers who relinquish their infants for private adoption. Through the lens of reproductive justice, Relinquished: The Politics of Adoption and the Privilege of American Motherhood reveals adoption to be a path of constrained choice for women who face immense barriers to access abortion, or to parent their children safely. With the overturning of Roe v. Wade, adoption increasingly functions as an institution that perpetuates reproductive injustice by separating families and policing parenthood under the guise of feel-good family building for middle-upper-class white people. Based on hundreds of in-depth interviews, Relinquished centers and amplifies the voices of relinquishing mothers, and fills an important gap in the national conversation about reproductive politics and justice.  Shui-yin Sharon Yam is Associate Professor of Writing, Rhetoric, and Digital Studies, and Affiliate Faculty of Gender and Women's Studies at the University of Kentucky. She is the co-author of Doing Gender Justice: Queering Reproduction, Kin, and Care.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Adoption has always been viewed as a beloved institution for building families, as well as a mutually agreeable common ground in the otherwise partisan abortion debate. Little attention, however, has been paid to the lives of mothers who relinquish their infants for private adoption. Through the lens of reproductive justice, Relinquished: The Politics of Adoption and the Privilege of American Motherhood reveals adoption to be a path of constrained choice for women who face immense barriers to access abortion, or to parent their children safely. With the overturning of Roe v. Wade, adoption increasingly functions as an institution that perpetuates reproductive injustice by separating families and policing parenthood under the guise of feel-good family building for middle-upper-class white people. Based on hundreds of in-depth interviews, Relinquished centers and amplifies the voices of relinquishing mothers, and fills an important gap in the national conversation about reproductive politics and justice.  Shui-yin Sharon Yam is Associate Professor of Writing, Rhetoric, and Digital Studies, and Affiliate Faculty of Gender and Women's Studies at the University of Kentucky. She is the co-author of Doing Gender Justice: Queering Reproduction, Kin, and Care.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

How do we work through the extreme excitement, confusion, and fear that result from the rapid evolution of generative AI to understand and embrace these tools across the arts and humanities?The third event in The New AI series where we discuss what's happening in the world of AI with cutting edge thought leaders is another step in our journey of understanding the opportunities and challenges of AI with the goal of empowering ourselves to be stewards of, rather than victims of, these new technologies and these new changes. While universities are often criticized for being slow to recognize the pulse of society and the speed at which technology changes in the for-profit sector, the University of Notre Dame is leading the way with a new course called Generative AI in the Wild. John Behrens '83 and Ranjodh Singh Dhaliwal, the Notre Dame professors who co-teach the class talk with Jack Slattery ‘24 and Ahana Sood '21, '24 M.A., who are both Notre Dame seniors and students of the first Generative AI in the Wild class, about the challenges, surprises, and takeaways of this groundbreaking course.The New AI is sponsored on ThinkND by the Technology and Digital Studies Program in the College of Arts & Letters.  This program collaborates with the Computer Science and Engineering Department and other departments around the University to offer the Bachelor of Arts in Computer Science, the Minor in Data Science, and the Idzik Computing & Digital Technologies Minor.Featured Speakers: John Behrens ‘83 is a Professor of the Practice of Technology & Digital Studies and Concurrent Professor of the Practice in the Department of Computer Science and Engineering. He serves as Director of the Office of Digital Strategy in the College of Arts & Letters and Director of the Technologies & Digital Studies Program.Ranjodh Singh Dhaliwal, Ruth and Paul Idzik Collegiate Assistant Professor of Digital Scholarship and English, Concurrent Assistant Professor, Department of Film, Television, and Theatre; Affiliate, Lucy Family Institute for Data & Society; Affiliate, Notre Dame Initiative on Race and Resilience; Affiliate, Idzik Computing and Digital Technologies Program; Affiliate, Notre Dame Technology Ethics Center; Affiliate, the Program in History and Philosophy of ScienceJack Slattery '24, University of Notre Dame senior student majoring in finance in the Mendoza College of Business with a Minor in Computing and Digital TechnologyAhana Sood '21, '24 M.A., received her masters degree in English at the University of Notre Dame and graduated in May 2024Thanks for listening! The ThinkND Podcast is brought to you by ThinkND, the University of Notre Dame's online learning community. We connect you with videos, podcasts, articles, courses, and other resources to inspire minds and spark conversations on topics that matter to you — everything from faith and politics, to science, technology, and your career. Learn more about ThinkND and register for upcoming live events at think.nd.edu. Join our LinkedIn community for updates, episode clips, and more.

We talk a lot on our show about old times. Like, reeeally old times, from many thousands of years ago. But this month, Iyyar, we explore three holidays that commemorate more recent moments in Jewish history: Yom Hazikaron, Israel's Memorial Day, Yom Ha'atzma'ut, Israel's Independence Day, and Yom HaShoa, Holocaust Remembrance Day. And we kibitz with three Kentuckians who help educators teach about the Holocaust in ways that are ethical and engaging: —Janice Fernheimer is Zantker Charitable Foundation Professor of Jewish Studies, Professor of Writing, Rhetoric, and Digital Studies, and James B. Beam Institute for Kentucky Spirits Faculty Fellow at the University of Kentucky, and co-director of the University of Kentucky Jewish Heritage Fund Holocaust Education Initiative. —Karen Petrone is Professor of History and co-director of the UK-JHF Holocaust Initiative and a specialist in Russian and Soviet History. —Alice Goldstein has published widely on demographic studies focusing on population mobility in reaction to modernization, and on contemporary American Jewry. Alice is the author of Ordinary People, Turbulent Times, in which she tells the story of her own family's resilience and escape from Nazi Germany. If you're a middle or high school teacher in Kentucky, you can learn more about the University of Kentucky Jewish Heritage Fund Holocaust Education Initiative and sign up to participate at holocausteducation.uky.edu.

November 30, 2023 marks one year into the ChatGPT era and one of the most pressing concerns we hear from all quarters is: How will this affect the future of work and what the implications are for my job, and the jobs around me? John Behrens ‘83, the director of the Technology and Digital Studies Program and the director of digital strategy for the College of Arts & Letters, and Yong Lee, assistant professor of Technology, Economy, and Global Affairs at Keough School of Global Affairs, explore and examine just what the future may hold.The New AI is sponsored on ThinkND by the Technology and Digital Studies Program in the College of Arts & Letters.  This program collaborates with the Computer Science and Engineering Department and other departments around the University to offer the Bachelor of Arts in Computer Science, the Minor in Data Science, and the Idzik Computing & Digital Technologies Minor.Featured Speakers: Yong Lee is assistant professor of technology, economy, and global affairs at the Keough School of Global Affairs at the University of Notre Dame. He is a faculty affiliate of the Keough School's McKenna Center for Human Development and Global Business and a faculty fellow of the Keough School's Kellogg Institute for International Studies, Pulte Institute for Global Development, and Liu Institute for Asia and Asian Studies.John Behrens ‘83 is a Professor of the Practice of Technology & Digital Studies and Concurrent Professor of the Practice in the Department of Computer Science and Engineering. He serves as Director of the Office of Digital Strategy in the College of Arts & Letters and Director of the Technologies & Digital Studies Program.Thanks for listening! The ThinkND Podcast is brought to you by ThinkND, the University of Notre Dame's online learning community. We connect you with videos, podcasts, articles, courses, and other resources to inspire minds and spark conversations on topics that matter to you — everything from faith and politics, to science, technology, and your career. Learn more about ThinkND and register for upcoming live events at think.nd.edu. Join our LinkedIn community for updates, episode clips, and more.

In episode 157 of Imagine Otherwise, host Cathy Hannabach interviews media scholar and Ideas on Fire author Tamara Kneese about the complex relationship between Big Tech and mortality, specifically how digital media platforms mediate our experiences of death. Tamara is a senior researcher and project director of Data & Society's AIMLab, and her new book Death Glitch: How Techno-Solutionism Fails Us in This Life and Beyond was recently published by Yale University Press. In their conversation, Tamara and Cathy chat about how platform economies built around planned obsolescence shape our experiences of life and death, as well as how gig workers, families, and community organizers are creatively harnessing these tools for progressive possibilities. Tamara shares how in forms like cancer blogs, digital estate planning, online memorializations, and networked mutual aid in the context of COVID-19, communities are reimagining what collaborative online labor and worldbuilding look like. They close out the episode with Tamara's vision for more just afterlives as well as a more just present, where digital technologies are put to use ensuring labor rights, climate justice, and more expansive futures for us all. Transcript and show notes: https://ideasonfire.net/157-tamara-kneese  

In this episode of High Theory, Matthew Kirschenbaum talks about txt, or text. Not texting, or textbooks, but text as a form of data that is feeding large language models. Will the world end in fire, flood, or text? In the full interview, Matthew recommended Tim Maughan's novel Infinite Detail (Macmillan, 2019) as an excellent example of writing about the end of the internet, and Emily St. John Mandel's Station Eleven (Knopf, 2014) as a positive example of a post-internet apocalypse. In the episode he references a paper by Beder et al., “On the Dangers of Stochastic Parrots: Can Language Models Be Too Big?” FAccT '21: Proceedings of the 2021 ACM Conference on Fairness, Accountability, and Transparency (March 2021): 610–623. And several apocalyptic scenarios, including the dead internet theory and the gray goo hypothesis. Matthew Kirschenbaum is Distinguished University Professor of English and Digital Studies at the University of Maryland and Director of the Graduate Certificate in Digital Studies. His books include Track Changes: A Literary History of Word Processing (Harvard UP 2016) and Mechanisms: New Media and the Forensic Imagination (MIT Press, 2008). With Kari Kraus, he co-founded and co-directs BookLab, a makerspace, studio, library, and press devoted to what is surely our discipline's most iconic artifact, the codex book. See mkirschenbaum.net or follow him on Twitter (or X?) as @mkirschenbaum for more. Because we are hoping to encourage the text apocalypse, we made today's image using generative AI. Specifically Saronik made it using the prompt “Text” in Canva's AI interface. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode of High Theory, Matthew Kirschenbaum talks about txt, or text. Not texting, or textbooks, but text as a form of data that is feeding large language models. Will the world end in fire, flood, or text? In the full interview, Matthew recommended Tim Maughan's novel Infinite Detail (Macmillan, 2019) as an excellent example of writing about the end of the internet, and Emily St. John Mandel's Station Eleven (Knopf, 2014) as a positive example of a post-internet apocalypse. In the episode he references a paper by Beder et al., “On the Dangers of Stochastic Parrots: Can Language Models Be Too Big?” FAccT '21: Proceedings of the 2021 ACM Conference on Fairness, Accountability, and Transparency (March 2021): 610–623. And several apocalyptic scenarios, including the dead internet theory and the gray goo hypothesis. Matthew Kirschenbaum is Distinguished University Professor of English and Digital Studies at the University of Maryland and Director of the Graduate Certificate in Digital Studies. His books include Track Changes: A Literary History of Word Processing (Harvard UP 2016) and Mechanisms: New Media and the Forensic Imagination (MIT Press, 2008). With Kari Kraus, he co-founded and co-directs BookLab, a makerspace, studio, library, and press devoted to what is surely our discipline's most iconic artifact, the codex book. See mkirschenbaum.net or follow him on Twitter (or X?) as @mkirschenbaum for more. Because we are hoping to encourage the text apocalypse, we made today's image using generative AI. Specifically Saronik made it using the prompt “Text” in Canva's AI interface. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Matthew Kirschenbaum talks about txt, or text. Not texting, or textbooks, but text as a form of data that is feeding large language models. Will the world end in fire, flood, or text? In the full interview, Matthew recommended Tim Maughan's novel Infinite Detail (Macmillan, 2019) as an excellent example of writing about the end of the internet, and Emily St. John Mandel's Station Eleven (Knopf, 2014) as a positive example of a post-internet apocalypse. In the episode he references a paper by Beder et al., “On the Dangers of Stochastic Parrots: Can Language Models Be Too Big?” FAccT '21: Proceedings of the 2021 ACM Conference on Fairness, Accountability, and Transparency (March 2021): 610–623. And several apocalyptic scenarios, including the dead internet theory and the gray goo hypothesis. Matthew Kirschenbaum is Distinguished University Professor of English and Digital Studies at the University of Maryland and Director of the Graduate Certificate in Digital Studies. His books include Track Changes: A Literary History of Word Processing (Harvard UP 2016) and Mechanisms: New Media and the Forensic Imagination (MIT Press, 2008). With Kari Kraus, he co-founded and co-directs BookLab, a makerspace, studio, library, and press devoted to what is surely our discipline's most iconic artifact, the codex book. See mkirschenbaum.net or follow him on Twitter (or X?) as @mkirschenbaum for more. Because we are hoping to encourage the text apocalypse, we made today's image using generative AI. Specifically Saronik made it using the prompt “Text” in Canva's AI interface. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode of High Theory, Matthew Kirschenbaum talks about txt, or text. Not texting, or textbooks, but text as a form of data that is feeding large language models. Will the world end in fire, flood, or text? In the full interview, Matthew recommended Tim Maughan's novel Infinite Detail (Macmillan, 2019) as an excellent example of writing about the end of the internet, and Emily St. John Mandel's Station Eleven (Knopf, 2014) as a positive example of a post-internet apocalypse. In the episode he references a paper by Beder et al., “On the Dangers of Stochastic Parrots: Can Language Models Be Too Big?” FAccT '21: Proceedings of the 2021 ACM Conference on Fairness, Accountability, and Transparency (March 2021): 610–623. And several apocalyptic scenarios, including the dead internet theory and the gray goo hypothesis. Matthew Kirschenbaum is Distinguished University Professor of English and Digital Studies at the University of Maryland and Director of the Graduate Certificate in Digital Studies. His books include Track Changes: A Literary History of Word Processing (Harvard UP 2016) and Mechanisms: New Media and the Forensic Imagination (MIT Press, 2008). With Kari Kraus, he co-founded and co-directs BookLab, a makerspace, studio, library, and press devoted to what is surely our discipline's most iconic artifact, the codex book. See mkirschenbaum.net or follow him on Twitter (or X?) as @mkirschenbaum for more. Because we are hoping to encourage the text apocalypse, we made today's image using generative AI. Specifically Saronik made it using the prompt “Text” in Canva's AI interface. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In this episode of High Theory, Matthew Kirschenbaum talks about txt, or text. Not texting, or textbooks, but text as a form of data that is feeding large language models. Will the world end in fire, flood, or text? In the full interview, Matthew recommended Tim Maughan's novel Infinite Detail (Macmillan, 2019) as an excellent example of writing about the end of the internet, and Emily St. John Mandel's Station Eleven (Knopf, 2014) as a positive example of a post-internet apocalypse. In the episode he references a paper by Beder et al., “On the Dangers of Stochastic Parrots: Can Language Models Be Too Big?” FAccT '21: Proceedings of the 2021 ACM Conference on Fairness, Accountability, and Transparency (March 2021): 610–623. And several apocalyptic scenarios, including the dead internet theory and the gray goo hypothesis. Matthew Kirschenbaum is Distinguished University Professor of English and Digital Studies at the University of Maryland and Director of the Graduate Certificate in Digital Studies. His books include Track Changes: A Literary History of Word Processing (Harvard UP 2016) and Mechanisms: New Media and the Forensic Imagination (MIT Press, 2008). With Kari Kraus, he co-founded and co-directs BookLab, a makerspace, studio, library, and press devoted to what is surely our discipline's most iconic artifact, the codex book. See mkirschenbaum.net or follow him on Twitter (or X?) as @mkirschenbaum for more. Because we are hoping to encourage the text apocalypse, we made today's image using generative AI. Specifically Saronik made it using the prompt “Text” in Canva's AI interface. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Episode Topic: AI and Education in Practice John Behrens ‘83, the director of the Technology and Digital Studies Program and the director of digital strategy for the College of Arts & Letters, along with Khan Academy's chief learning officer Kristen DiCerbo, explore and examine the benefits and pitfalls of Artificial Intelligence tools and technology in the world of education.Featured Speakers: Kristen DiCerbo, Ph.D. is the chief learning officer at Khan Academy. In this role, she is responsible for driving and communicating the learning strategy for Khan Academy's programs, content, and product to realize deep engagement and better learning outcomes. She leads the design, content, product management, and research teams, ensuring pedagogical coherence and a research-informed design across Khan Academy's offerings. John Behrens ‘83 is a Professor of the Practice of Technology & Digital Studies and Concurrent Professor of the Practice in the Department of Computer Science and Engineering. He serves as Director of the Office of Digital Strategy in the College of Arts & Letters and Director of the Technologies & Digital Studies Program.Read this episode's recap over on the University of Notre Dame's open online learning community platform, ThinkND: go.nd.edu/0f506e.This podcast is a part of the ThinkND Series titled The New AI.Thanks for listening! The ThinkND Podcast is brought to you by ThinkND, the University of Notre Dame's online learning community. We connect you with videos, podcasts, articles, courses, and other resources to inspire minds and spark conversations on topics that matter to you — everything from faith and politics, to science, technology, and your career. Learn more about ThinkND and register for upcoming live events at think.nd.edu. Join our LinkedIn community for updates, episode clips, and more.

In episode 155 of Imagine Otherwise, host Cathy Hannabach interviews disability media studies scholar Meryl Alper. Meryl is the author of 3 books about how kids with disabilities use digital technologies, including her most recent book, ​​Kids Across the Spectrums: Growing Up Autistic in the Digital Age. Kids Across the Spectrums is out now from MIT Press and it is the first book-length ethnography of the digital lives of diverse young people on the autism spectrum. In their conversation, Cathy and Meryl chat about how autistic and neurodivergent youth and their families resist popular assumptions about their media use while also using digital technologies like TikTok, Scratch, and YouTube to build community, explore identity, and learn new skills. Meryl also shares some behind-the-scenes context about how she navigated ethnographic research during the pandemic and found the spark for this current book in some of her earlier research. They delve into why moral panics over how autistic kids use media often index broader cultural anxieties over how technology is altering society and what it means for the actual youth caught in the middle of these debates. Cathy and Meryl close out the episode with how Meryl imagines otherwise to help build a more just future that centers the worldviews, needs, and desires of neurodivergent and disabled youth. Transcript and show notes: https://ideasonfire.net/155-meryl-alper  

Professor Sarah Hammer, Executive Director at the Wharton School of the U. of Penn and leads Wharton Cypher Accelerator and Dr. Philipp Hacker, Chair for Law and Ethics of the Digital Society at the European New School of Digital Studies at European University join this week on In AI We Trust? to debrief their recent #AIforGood Conference. Listen to the discussion for insights on how financial regulation, sustainability in AI, content moderation, and other opportunities for international collaboration around AI will help advance UN SDG goals.—Resources Mentioned This Episode:AI for Good Global SummitAI for Good Global Summit 2023: Input Statement by Professor Philipp HackerRegulating ChatGPT and other Large Generative AI ModelsThe European AI Liability Directives – Critique of a Half-Hearted Approach and Lessons for the FutureTeaching Fairness to Artificial Intelligence: Existing and Novel Strategies Against Algorithmic Discrimination Under EU LawSustainable AI RegulationLegal and technical challenges of large generative AI modelsRegulating ChatGPT and other Large Generative AI Models

Prof. Ulrike Klinger, Professor for Digital Democracy at the European New School for Digital Studies at European University Viadrina, shares her latest research on negative campaigning on social media. We discuss some of the challenges in studying digital communication in the EU, as well as what explains a rise in negative campaigning across two European Parliament elections. Prof. Klinger also shares her research on the UN Global Compact for Migration, where extremist ideas from the Identitarian movement were picked up by the mainstream media. Lastly, we discuss Prof. Klinger's suggestions for increasing researcher data access ahead of the Digital Services Act. Here are links to the studies discussed in the episode:  Are Campaigns Getting Uglier, and Who Is to Blame? Negativity, Dramatization and Populism on Facebook in the 2014 and 2019 EP Election Campaigns (2023)From the fringes into mainstream politics: intermediary networks and movement-party coordination of a global anti-immigration campaign in Germany (2022)Delegated Regulation on Data Access Provided for the Digital Services Act (2023)Political Communication Special Issue: Digital Campaigning in Dissonant Public Spheres (2023)