Podcasts about Seesaw

In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work zas a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's next book is Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on sale February 2024. Image: André Coelho, EFE RJ - Río de Janeiro/World Press Photo 2025 Mentioned in this episode: https://www.worldpressphoto.org/calendar/2025/london-uk https://www.rmg.co.uk/whats-on/astronomy-photographer-year/exhibition https://www.eadweardmuybridge.co.uk © Grant Scott 2025

The Phillies continue to roll as their roller coaster season now seems to be on the upturn. With Harper out, can his return maintain this level of play? Have they improved to make a late October run? Don't miss out!

Anthony Saccaro calls energy a “wild card” right now. He talks about the state of the labor market and the “normalizing” of the ratio of jobs to workers – “it's not weak,” he emphasizes, but it has softened from last year. He thinks that tech will “lead us down” if the market falls, but likes it from the standpoint of long-term growth and AI momentum.======== Schwab Network ========Empowering every investor and trader, every market day. Subscribe to the Market Minute newsletter - https://schwabnetwork.com/subscribeDownload the iOS app - https://apps.apple.com/us/app/schwab-network/id1460719185Download the Amazon Fire Tv App - https://www.amazon.com/TD-Ameritrade-Network/dp/B07KRD76C7Watch on Sling - https://watch.sling.com/1/asset/191928615bd8d47686f94682aefaa007/watchWatch on Vizio - https://www.vizio.com/en/watchfreeplus-exploreWatch on DistroTV - https://www.distro.tv/live/schwab-network/Follow us on X – https://twitter.com/schwabnetworkFollow us on Facebook – https://www.facebook.com/schwabnetworkFollow us on LinkedIn - https://www.linkedin.com/company/schwab-network/ About Schwab Network - https://schwabnetwork.com/about

Well, it's first thing here in the office. These are the times that, when I'm in town—we travel quite a bit for work—I like to be able to come in when it's not super busy because you can actually get a lot of things done. But how do you know that you're not really tiptoeing around like a mouse, micromanaging everybody else that's coming in, and making them feel this pressure, like you're constantly looking over their shoulder? We have a tool called the Seesaw of Predictability I wanted to introduce you to. Hey, it's Scott Beebe with Business On Purpose. Make sure you tune in to every episode of the Business On Purpose podcast. Also, two of our guys, Sean and Brandon, have started the Dickie and Donnie Do Business podcast. You want to make sure it's on your radar—go listen to every episode. My kids are listening to it, a lot of our clients are listening to it, and many folks who are not yet clients are listening too. It's a fascinating podcast. So let's talk about this issue of micromanagement. Understanding the fine line between what we call effective leadership on one hand, and micromanagement on the other, is essential for you as a business owner or key leader. That's where the concept of the Seesaw of Predictability comes in. Just imagine a seesaw in your mind. It offers a simple but powerful way to gauge whether you're leading effectively or slipping down that slope of micromanagement. To determine if you're micromanaging, ask yourself a key question—probably good to write this down: Am I asking the right question at the right time? Stop there and really meditate on that. When either of those elements is out of balance, like a seesaw, you're likely micromanaging. Let's consider some scenarios. Scenario 1: Asking the wrong question at the right time. Imagine you're in a team meeting and suddenly request sales figures from 11 years ago. While the timing might be appropriate since it's during a meeting, the question is irrelevant to the current discussion and goals. It throws people off because it's unexpected. Remember the RPMs of great leadership: Repetition, Predictability, and Meaning. Scenario 2: Asking the right question at the wrong time. Let's say you need last week's sales results. Perfectly reasonable request. However, if you text your team at 11:37 PM on a Friday demanding the information, you've crossed into micromanagement. Scenario 3: Asking the right question at the right time. You request last week's sales results during this week's sales meeting. That's spot on. This demonstrates leadership and accountability—exactly what you should be aiming for. There's a time to ask the appropriate question, and there's a time not to. If you can maintain that balance—or what we like to call rhythm—you can lead your entire business with healthy leadership practices. The goal is to equip the team with the knowledge tools they need to handle recurring challenges. By the way, that's a subtle definition of leadership: to equip people. Think of an empty toolbelt—you're giving them tools, equipping them with knowledge and skills to handle recurring problems. Because even if we “solve” a problem, it doesn't disappear forever—it often just retreats, only to reappear somewhere else. That's how chaos works. And chaos won't be fully defeated until much later in life. Additionally, you should proactively begin sharpening those tools, just like you'd sharpen a knife. Ashley and I like to cook meal kits at home. They ship you all the ingredients and make you feel like a chef. One of the first things I always do is sharpen the knife with that little post—whatever they call that. Similarly, part of leadership is proactively sharpening your tools through training and development. When you ask the right questions at the right time, it not only helps you avoid micromanagement but also empowers your team to perform at their best. You create an environment of trust, accountability, and continuous improvement. Those are all hallmarks of effective leadership. Hey, I know a lot of you have questions around this. Go to businessonpurpose.com/ask. If you're a business owner with three or more employees and doing $1M+ in revenue, our coaches reserve slots each week for a 15-minute no-strings-attached call to answer any questions you've got. We call it Ask Us Anything. Go to businessonpurpose.com/ask. To check the health of your business, visit mybusinessonpurpose.com/healthy today! SIGN UP for our Newsletter HERE➡️ https://www.boproadmap.com/newsletter For blogs and updates, visit our site HERE ➡️ https://www.mybusinessonpurpose.com/blog/ LISTEN to the Business On Purpose Podcast HERE ➡️ https://podcasts.apple.com/us/podcast/my-business-on-purpose/id969222210 SUBSCRIBE to our YouTube channel HERE ➡️ https://www.youtube.com/channel/UCbPR8lTHY0ay4c0iqncOztg?sub_confirmation=1

In this episode, Group CEO Greg Newman is joined by Research Associate Vincent Wu and Research Analyst Edward Hayden-Briffett to unpack the mounting pressure across the oil market as physical fundamentals clash with financial positioning. Refinery margins are cracking, Brent time spreads have surged then stalled, and OPEC's headline theatre is wearing thin. Are we approaching a tipping point - or just another seesaw in the market?This episode also covers:The Brent market's $60/bbl floor: real support or short-covering illusion?A look into distillate and naphtha weakness - and what it signals for marginsOPEC's layered cuts, voluntary compliance issues, and Abu Dhabi's Murban pivotCrack spread compression and what it means for global refinery utilisationHedge fund activity, CTA short positioning, and why funds are sitting out the rallyPlus: why the physical oil market is finally starting to behave rationally - and what that means for trading the rest of the year. Want to trade?Get a behind-the-scenes look at how the pros express views with relative value trades, uncorrelated contracts, and smart positioning. This episode is rich in education for newer traders, and deep enough for veterans hunting asymmetric opportunities. All the trades discussed are live on Onyx Markets, where you can practice, simulate, or dive in. Visit https://onyxmarkets.co.uk/

In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Mentioned in this episode: The Power and the Glory https://www.newportstreetgallery.com/exhibition/current/ Gabriel Moses, Selah https://www.180studios.com/selah Photo London https://photolondon.org/ Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work zas a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's next book is Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on sale now. © Grant Scott 2025

TODAY on the show we started off feeling VERY saucy! Dee brought up a conversation he and Sarah had about past relationships and how Sarah should have a reality show called "gotcha girl!" We went over some more hypothetical situations which caused some major laughs and some feelings to get hurt. We got in our Days of the Week and received our MAY Word of the Day. We got into some Sarah B Trending. Sarah shared a sad and weird intimate moment she had the night before. Dee went on an exploration to find the building's brand new vending machines and rate the items inside. We ended the show with a fight about kittens and puppies. TRANSCRIPT100:00:00,000 --> 00:00:07,320Would you rather have to be on top for the rest of your life or on the bottom for the rest of your life?200:00:07,320 --> 00:00:09,680Bottom in what I'm thinking about300:00:09,680 --> 00:00:15,320Pillow princess that's me bottom. Yeah for the rest of your life400:00:15,320 --> 00:00:20,840I mean I had to be a dead fish or do work. Well, it's retired500:00:20,840 --> 00:00:25,760Okay, I see what you're saying you're taking the for the rest of your life. I see what you're doing600:00:25,760 --> 00:00:28,380You're taking the easier way. Yeah, I'm in700:00:28,380 --> 00:00:32,240You're doing nothing you put some thought in this I might have to rethink my I mean vision800:00:32,240 --> 00:00:35,180I'm envisioning the aging process and I'm taking bottom900:00:35,180 --> 00:00:37,940I want to work1000:00:37,940 --> 00:00:42,220I'm pretty sure that the lovely man you end up with will be happy. I think they do1100:00:42,220 --> 00:00:51,180Possibly1200:00:51,180 --> 00:00:54,020Yeah, I guess I gotta go a little lazy angle myself1300:00:54,020 --> 00:00:57,620Yeah, I'm going bottom1400:00:58,620 --> 00:01:00,620Not only you have a choice1500:01:00,620 --> 00:01:07,620He put it down because he's like putting it like I like him come on legs1600:01:07,620 --> 00:01:10,620He's doing something1700:01:10,620 --> 00:01:13,620Here's sassy1800:01:13,620 --> 00:01:25,620Oh, like Ronald over here living 300 pounds weights a night1900:01:25,620 --> 00:01:30,140Trying to be the world strongest bodybuilding woman2000:01:30,140 --> 00:01:35,620That's kind of suspect because it's like a seesaw2100:01:35,620 --> 00:01:37,620I2200:01:37,620 --> 00:01:39,620Oh2300:01:39,620 --> 00:01:41,620*laughs*2400:01:41,620 --> 00:01:43,620Well, see you soon!

This week, I break down why I've filed a lawsuit against Seesaw, one of the most widely used EdTech apps in K–6 classrooms—and what every parent needs to know about how their child's personal data is being harvested, stored, and shared without their consent.Seesaw claims to help track student learning progress. But what I discovered when I requested access to the data they'd collected about my children left me physically sick: thousands of files, photos, videos, audio clips, journal entries, even AI-generated assignments—much of it deeply personal, intimate, and shockingly invasive.Joining me is Attorney Andy Liddell from the Ed Tech Law Center, who walks us through the legal violations at play, how edtech companies are bypassing federal law, and how schools are unintentionally (or knowingly) exposing kids to serious data privacy and safety risks.If you think this couldn't happen to your child—you need to listen. Because if they use school-issued iPads, Chromebooks, or apps like Seesaw, it already is.If you're a parent, teacher, or school leader who wants to understand your rights—and your child's rights—don't miss this episode.Contact Andy and Julie Liddell of EdTech Law Center here.

The spectacular Mary Johnson joins us (via zoom) once again! We do maybe our most inscrutable fight yet with Italian brainrot memes, and then we replace a bunch of our body parts with weaponry.THE FIGHTSItalian Brainrot Wars (00:14:44-00:46:15)Weapon/Body Part Swap (00:46:15-01:23:58)Causes we care about.Fight Court!

#circuitpythonparsec How to read button bitmasks from seesaw boards such as the Gamepad QT. https://github.com/jedgarpark/parsec/blob/main/2025-05-01/code.py https://www.adafruit.com/product/5743 Learn about CircuitPython: https://circuitpython.org Visit the Adafruit shop online - http://www.adafruit.com ----------------------------------------- LIVE CHAT IS HERE! http://adafru.it/discord Subscribe to Adafruit on YouTube: http://adafru.it/subscribe New tutorials on the Adafruit Learning System: http://learn.adafruit.com/ -----------------------------------------

In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Mentioned in this episode: https://turnercontemporary.org/whats-on/resistance/ ]www.worldphoto.org/sony-world-photography-awards https://autograph.org.uk Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work zas a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's next book is Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on sale now. © Grant Scott 2025

In this episode, NBA legend Robert Horry, also known as Big Shot Bob, joins Rob Jenners and the gang for a lively discussion. They kick things off by guessing the top 15 highest-selling NBA jerseys of the season. The conversation shifts to Robert Horry's impressive playoff record, as well as James Harden's remarkable streak of never missing the playoffs. The guys also weigh in on the recent viral moment involving Braves sideline reporter Wiley Ballard, who gained attention for getting a fan's number live on air. They debate whether such actions are appropriate or simply harmless fun. Tune in for insights, laughs, and a fresh perspective on both basketball and broadcasting.   00:47 Top 15 Highest Selling NBA Jerseys 04:08 Mikal Bridges' Ironman Streak 06:40 Ja Morant's Controversial Celebration 08:14 Signature Moves in the NBA 10:28 Sunday at the Masters 12:42 Charlotte Hornets: A Gold Mine? 14:04 Young Team with Potential 14:08 Challenges of Attracting Talent 14:54 Showmanship vs. Winning 15:49 James Harden's Playoff Streak 16:39 Robert Horry's Playoff Record 18:15 Wiley Ballard's Viral Moment 21:01 Debate on Sideline Reporting 24:54 Fun in Baseball Broadcasting

Welcome to this month's Look-See! Penny tunes in to the pulse of the planet, decoding the energetic patterns and evolving mindsets shaping where we're headed. The keyword that came through this time? Seesaw. It immediately brought to mind a month full of highs and lows—a back-and-forth rhythm that may test our balance. So what might that look like for us all? Let's take a closer look.

U.S. stocks are mostly unchanged, as investors analyze the latest batch of first-quarter earnings reports and also enjoy a decline in market turmoil. We'll tell you all you need to know.

This is an Encore Presentation of my December 2021 interview with John Lodge, the longtime bassist, vocalist and composer for The Moody Blues. In 2018 he and the band were inducted into the Rock And Roll Hall Of Fame. He's written many of their hits including “Ride My See-Saw” and “I'm Just a Singer (In A Rock And Roll Band)”. My featured song in this episode is “The Captain Of Her Heart”, the reimagined version of the song by Double, from the album “Play” by my band, Project Grand Slam. Spotify Link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.—----------------------------------------Connect with John:www.johnlodge.com—----------------------------------------ROBERT'S RECENT SINGLES:“ROUGH RIDER” is Robert's latest single. It's got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

ATELIERシーソーのメンバー、藤巻・橋谷・平田が夜な夜な異国の料理を作ってみるやつです。

シーソーのATELIERメンバー、藤巻・橋谷・平田が夜な夜な異国の料理を作ってみるやつです。

ABC's Brian Clark says the term "rollercoaster" is an understatement when describing the markets on Monday. Now, there's promising signs as futures are up Tuesday morning.

When it comes to infidelity: can we have our cake and eat it too? In the following two songs, written by the incomparable Don Covay, this theme is explored. The two men narrating these tales of inconstancy are in turmoil - one cheater feels guilty, while the other betrayer is suffering from hurt pride - because his woman is playing the same game. The soulful bard who created these parables of marital strife covers the gamut here: in the first you'll hear the voice of the creator himself, Mr. Covay, on a special alternate track of “I Was Checking Out While She Was Checking in”; the second song, “I Stole Some Love” features one of his best interpreters, Peter Wolf, of the J. Geils Band.Donald James Randolph, aka Don Covay aka “Superdude” left us in 2015 with a legacy of pungent excavations of the human psyche, often delivered with toe tapping, humorous perfection. Although he was a charismatic performer in his own right, he was known predominantly as a songwriter with an unerring instinct for hits. Starting out in the fifties as a chauffeur and opening act for Little Richard, Covay went on to pen a raft of chart toppers such as Mercy Mercy (recorded by the Stones), See Saw, and Chain of Fools, for which Aretha Franklin won a Grammy. But it was in '72, doubling as an A&R man for Mercury Records, that Don hit performing pay dirt with “Superdude,” which contained the following song-monologue, which we are honored to present here with this alternate take, where the singer ruminates on the irony of his unique situation.In '92, Don suffered a stroke, and Ronnie Wood of the Faces and the Stones, produced a tribute album entitled “Back to the Streets” which contained the Covay classic “I Stole Some Love,” delivered here with characteristic swagger by the one and only Peter Wolf - former front man for the J. Geils Band. 79 years old and still going strong, the ex late night DJ “Woofa Goofa”, turned undeniable Rock Star and raconteur, has recently delivered an engrossing memoir “Waiting on the Man: Artists, Poets, Drifters, Grifters, and Goddesses” about his life's journey, and the iconic artists he's encountered along the way- starting with his stint studying art at Tufts University, and rooming with David Lynch. (He was also married to Faye Dunaway for five years)…, so he knows a lot about a lot of stuff, including failed romance. And, on this cut, his tortured vocal attests to the emotional vise he's caught in.

Stocks on a rollercoaster ride, giving back big early session gains as investors remain cautious about the economy. Nike shares higher in after hours trading after beating wall street's earnings estimates. Oppenheimer's Brian Nagel discusses whether Nike's turnaround is finally in full force. Fedex shares however under pressure after missing profit expectations and lowering its full year forecast. Evercore ISI's Jonathan Chappell weighs in on whether now is the time to buy the stock. And Affirm CEO Max Levchin reacts to rival Klarna taking over its buy now, pay later partnership with Walmart and if he is starting to worry about the state of consumer spending.

New York City is home to dozens of world-famous attractions most visitors are eager to experience. Unfortunately, some of the most popular tourist attractions are not cheap.While some of these are worth the admission fee, we'll lay out cheap (and even free) alternatives to help ease the financial burden of exploring NYC.In this episode, we'll look at five familiar tourist attractions and offer alternatives for traveling on a budget. Here's what we'll cover:Observation Deck AlternativesStatue of Liberty AlternativesPedicab or Horse-Drawn Carriage in Central Park AlternativesBroadway Show AlternativesMuseum AlternativesAnd listen to the end because we're throwing in a bonus alternative you won't find on other recommendation lists.1- Observation Deck Alternatives The public library rooftop at Stavros Niarchos Foundation Library (free) on the corner of 5th Avenue and 40th Street (close to flagship NYPL location)Instead, take the money you'd spend on an observation deck and go to a bar with a view - 2 for 1. Some options include Manhatta, Nubeluz, Overstory, Darling, 230 5thWhitney Museum has beautiful rooftop views of Chelsea and lower ManhattanPier 57 rooftop or Little Island (free)Roof of the Metropolitan Museum of Art (The Met)Brooklyn Bridge Park (free)Central Park (free)2- Statue of Liberty AlternativesView it from the Battery Park area (free)Staten Island Ferry (free)This Episode's You'll Have to Check It Out Segment - Super BurritoMultiple locations in Brooklyn and a spot on Bleecker StreetPhenomenal margaritas with fresh-squeezed lime juiceCozy vibe and friendly staffThere's a live DJ, at least on the weekendWe didn't get a burrito, but they looked (and smelled) amazingCheck out Super Burrito on Bleecker Street here.3- Pedicab or Horse-Drawn Carriage in Central Park AlternativesCentral Park audio guide (free)Take the subway close to specific spots ($2.90 per swipe)Use Citi BikeRent bikes or electric scooters4- Broadway Show AlternativesRush ticketsLottery ticketsOff-broadwaySmaller theater performance groupsCollege performances like Juillard, Columbia, NYU, Fordham (in rare instances, free)5- Museum AlternativesMake friends with a local who will get you in via Pay As You Wish, which gets NY, NJ & CT into many museums at low costArt galleries, especially in Chelsea (free, usually). Use the free See Saw app (only on iOS)Bonus Idea: Live Pro Sports Events AlternativesGo to a bar near the stadium - So many good options near MSG and Yankee Stadium specificallyGo to a sports supporter's bar for your favorite team

www.eastvillageradio.com, www.brianturnershow.comNIHILIST SPASM BAND - Destroy The Nations - No Record (Allied, 1968)THE FALL - Jet Boy (Live Salisbury 5/7/99)THE MARTHA'S VINEYARD FERRIES - Decorations - 7" (Ernest Jennings, 2025)IZ - 阿肯 Aⱪen - BBC - 回忆 Memory (Old Heaven Books, 2025)ERASER - Dinner Roll - Hideout (Siltbreeze, 2025)SALTCHUNKJERRY / RAHIEM SUPREME - Take It Home - Dead Fingers Talk Raps (Riff Pillage, 2024)ANMON - Moon - Deux (Yuku, 2025)BIMBO HELI + KURT KOPTER - Ich Bin Dein Liebster Freund - Es Ist Ihr Recht, Besondres Zu Erwarten (cs, Red Avenger Productions, 1981)CARDIACS - Susannah's Still Alive - 12" (The Alphabet Business Concern, 1988)RICHARD DAWSON - Bullies - End of the Middle (Weird World, 2025)QUINIE - Macaphee Turn the Cattle - Forefowk, Mind Me (Upset the Rhythm, 2025)WEDNESDAY KNUDSEN & WILLIE LANE - Last Flight To Eden - V/A: Hello Sunshine: A Tribute To Relatively Clean Rivers (Raven Sings The Blues, 2025)DUSTBREEDERS - Woodstock Blind Fest. - No Rain (cs, Tanzprocesz, 2025)CHOUK BWA & THE ANGSTRÖMERS - Sala - Ayiti Kongo Dub #2 (Les Disques Bongo Joe, 2022)PINK SIIFU - V12'!Hml'! (feat. Conquest Tony Phillips & Liv.e) - Black'!Antique (NL, 2025)BALLI MARRAFFA BALLI TRIO - 8 Bit Ra - 8 Bit Jazz Furlough (Sonic Belligeranza, 2024)CREATIVE CONSTRUCTION COMPANY - No More White Gloves Pt. 2 - Vol. 2 (Muse, 1976)POBORSK - Laser Doom - Vaag & Poborsk (Evel, 2025)FREIWILLIGE SELBSTKONTROLLE - Mein Erster Freund - Stürmer (Zickzack, 1982)EXO - Ladybug - Exo (La Vida Es En Mus, 2025)YUASA-EXIDE - Spit - V/A: Battle For L.A. (cs, See/Saw, 2025)DUGLASETTES - Belshill's Son - V/A: The Waaaah! CD (Bring On Bull, 1991)DAN MELCHIOR UND DAS MENACE - Pyramids - Natural Anxiety (cs, NL, 2025)BURNIN RED IVANHOE - 2nd Floor, Croydon - W.W.W. (Sonet, 1971)ASTEMIR MARSHENKULOV - Laje - Xurey (Mimizu Izuru, 2025)BURNIN RED IVANHOE - Avez-Vous Kaskelainen? - W.W.W. (Sonet, 1971)

The boys are joined by Sam Fortier of the Washington Post to hear his thoughts on the one position in the draft that can make the team better, Standouts at the combine, and the "Seesaw" of adding or bringing back players. Then they wrap up the show by discussing the Deebo Trade and answering fan questions!!Support the show

Nathan Judah and Liam Keen bring you the latest Wolves poddy in association with the University of Wolverhampton at The Halls. It's a late-night podcast special under the lights of Molineux as the boys analyse the 2-1 defeat to Fulham. There's a few unexpected guests throughout the show with the duo focussing on a three players in particular. Liam's long weekend is on the agenda as well as an FA Cup with huge implications. The relegation run-in is discussed in details and all your questions are answered.

In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work zas a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's next book is Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on sale February 2024. Mentioned in this episode: https://www.tate.org.uk/whats-on/tate-britain/the-80s-photographing-britain https://www.southbankcentre.co.uk/whats-on/linder-danger-came-smiling/ © Grant Scott 2025

The Trump Seesaw & Nancy Mace's Manipulative Speech https://tinyurl.com/propshow https://linktr.ee/bradbinkley 2017 Parody Nails 2020 Woke Culture (Parody of MTV PSA) https://www.propagandafight.com/ https://podcasts.apple.com/us/podcast/the-propaganda-report/id1156744457 Learn more about your ad choices. Visit megaphone.fm/adchoices

I'm joined by Brandt Dolce to recap the Royal Rumble, revisit another up-and-down week for men's hoops and preview UCLA. We also discuss the women continuing their winning ways and look ahead to Penn State.

The progressive and disruptive social movements of the 1960s and 70s had a huge impact on the Broadway Musical and were reflected back into the culture by them. These include the Civil Rights movement, Women's Liberation, Black Power, and the Gay Liberation Movement. The Stonewall Rebellion in 1969 brought gay issues into the mainstream and during the 1970s LGBTQ+ people would become “out, loud, and proud” in significant numbers. Of course, it makes sense that this new visibility and feeling of liberation would be felt on Broadway where there had always been a large representation of queer people throughout the industry, including in positions of leadership. As a result queer characters and stories began appearing on Broadway -- especially in plays -- but also in a few musicals as well. In this episode I explore the growing visibility of openly queer content on Broadway in musicals such as Hair, Coco, Applause, Seesaw, A Chorus Line, La Cage Aux Folles, and the works of William Finn. I also recount the devastating effect that the AIDS Crisis had on Broadway during the 1980s and 90s when a whole generation of creative talent was eliminated or sidelined by the disease.  AIDS claimed the lives of hundreds of actors, singers, musicians, stage managers, production assistants, and designers -- as well as scores of dancers that had been trained by Bennett, Fosse, Champion, and Tune and might have one day become influential directors and choreographers themselves. The devastation of AIDS opened the door to the “British Invasion” that would soon dominate Broadway. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Music Room.Based on a post by FinalStand, in 13 parts. Listen to the ► Podcast at Explicit Novels.  ‘My, oh my,' Taliyah murmured. She had felt the two Samsonov boys pressing in on her, Mikhail behind her and Vlad to the front. She hoped she had them right. With her heart racing and her fervor rising, she wasn't 100% sure. ‘Mikhail,' she looked over her shoulder as she moved her ass up and down his crotch, ‘this is only for you.' Her declaration was in a throaty moan.‘That's unfair,' I chuckled to Taliyah.‘Don't worry,' her head tilted up, ‘I know some tricks Brandy doesn't know.' I didn't know if that was true, or not. Finding out would be fun. I kissed her on the lips. At the same time, my brother nipped down on her shirt-covered shoulder.‘Don't be cruel,' he teased her. ‘You know he was sneaking peeks at the lodge.'‘My body; my rules,' Taliyah insisted somewhat breathlessly.‘Okay. I'll work on changing your mind,' I growled before diving in for another kiss. Our tongues battled. Taliyah placed her hands on either side of my chin, taking control of our passion. In doing so, I sensed her reticence quickly passing.‘Y'alls first time with one girl?' she purred when we came up for air. She knew it was, so I was left trying to figure out her game.For Taliyah this was a totally new experience too. The sense she had such a level of control over the masculine power encompassing her was dizzying. She hated to admit it, but looking into Vlad's eyes felt nice. His gaze was focused on her. His perceptions were seeking out her reactions and her responses, not still hooked on Brandy.In the back of her mind had been the gnawing fear she was a substitute fuck; a Brandy-surrogate in Vlad's mind. She saw none of that. His attention was eating her up and it made her so fucking hot. Even more thrilling: she was soaked, breathing heavy and trembling; and they all three still had their damn clothes on!Taliyah's fingers began fumbling with my belt.‘We've got time,' I stroked her cheek. I caught a quick signal from Mikhail. We both dove down for opposite sides of her neck, suckling, licking and nibbling on her tense muscles from collar to ear lobe. In the process, I managed to pull her shirt out of her skirt; she got my belt buckle undone. Synching our oral attacks with working our shoes off with foot-action alone, we then went straight to loosening our belts and; front first (aka me); yanked off our jeans and underwear in one brutal maneuver.‘Ah,' Taliyah gasped as my lips and tongue played along the crux of her windpipe and chin, ‘you two practice that much?'‘Yeah,' Mikhail chortled. ‘We do.'Taliyah's hand on my shoulders caused me to bring about a pause in our actions.‘Seriously?' she looked over her shoulder at my vigorous triplet.‘Why would I make up something so bizarre?' was his take on things. I could tell Taliyah 'wanted' to know more. But she simply wanted more of us both right now and figured she could interrogate us about our unusual sexual indoctrination later; post-coitus. They began kissing and their kisses became an oral battle replete with growls, rumbles and other hungry sounds.I took the distraction to rapidly unbutton Taliyah's shirt, pull it open and; Lord Hallelujah!; she had on a front-opening bra; and unleash her 'puppies'. I had talked about her preferences with neither Mikhail nor Brandy, but I'd witnessed and rewound (hey, I'm 18 years old) the footage of the lakeside orgy enough times to know she liked her nipples played with.‘Uh; uh; uh; ah; ‘ the dark-skinned beauty moaned. ‘Are you two telepathic?' she said in response to our hands reaching inside her panties and moving along her vulva and perineum, coming at her from different directions at the same time. I wasn't quite sure what inspired us; I put my thumb upon her aroused clit; it felt almost the size of the first digit of my pinkie; and reached around to insert my ring finger against her sphincter.At the same time, Mikhail was working his thumb up her bunghole and rubbing his forefinger into her vagina. She was already wet and getting wetter by the second. By the oily texture of my brother's digits, he'd somehow snuck some lubricant on them while our partner was distracted.The combination of our height differentials, our ministrations and her obvious pleasure forced my brother and I to go to our knees.‘Oh God! I need a picture of this,' Taliyah exulted. ‘Both of you on your knees around me.'‘I promise,' I looked up, ‘we'll do this again.'‘You'd better,' she beamed, looking down at me, wreathed in a cocktail of majesty and carnality. She added to that image by cupping her left breast into a mouth-watering mound. No words were necessary. I licked the rich, dark brown areola before latching onto her stubby, darker nipple. My thumb and finger were working in tandem with Mikhail's over her cunt and anus to bring her to fruition.Taliyah was struggling to keep it together. She fed her other breast to Vlad who attentively latched on and began applying a tantalizing level of suction which was driving her wild.‘Cut loose, Babe,' Mikhail whispered into her ear. He was rising back to his feet at the same time his right hand began to furiously frig her.She shot him a foul look over her shoulder.'As if he can tell me what and when I can; ' she thought to herself.‘We are in a soundproof room for a reason,' he grinned. She sensed the connection. He wasn't out to steal anything from her. Her lover was famished for even more of her sensuality and that desire was showing through. Taliyah looked heavenward; and then Howled!Emptiness Fourth Period Bell.Sultana Berry stumbled into the front of the room first. We were on our knees; Mikhail had his back to the newcomers, Taliyah was on all-fours with Mikhail doing her cunt from behind while she was giving me yet another blowjob. I was looking right at Sultana and the other cheerleaders as they entered.‘I hope this doesn't take too long,' Sultana got out, ‘because I'd; ‘ and her head turned from looking over her shoulder at her fellow cheerleaders in the hallway to the three of us a dozen feet away.‘Holy Shit!' she exclaimed.‘What?' wondered Randi Leigh who was right behind Sultana. Before she could comment, Alondra Lamb, stumbled in, with Brandy herding her and Betty Jo Starling ahead of her. ‘Oh fuck,' gasped Randi Leigh, her surprise turning quickly vindictive, ‘Brandy, your guy seems to be fucking your best friend.'Alondra scanned around seeking direction. Sultana's eyes flicked to Brandy before latching back onto my 'midsection' as Taliyah unleashed my cock from her lips allowing it to sort of sway there; hypnotically.‘'Bout time you got here,' Taliyah slurred happily to Brandy. ‘I'm tapping out.'With that, she slouched down on her left side, head resting on her biceps, serene smile on her face. Earlier we'd spread out the piano cover so we didn't have to deal with the much colder floor. Even as Mikhail let her down gently, his tool came free with a loud 'plop!', revealing its rock-hard, 'full mast' status.‘Hey Brandy, what is Randi Leigh doing here?' I beamed lust-filled affection at my girlfriend. ‘I thought you said she wasn't invited.' According to my Mother (the Evil Psychic Mistress of Misdirection), insinuating to one girl another woman didn't want you close by 'her man' made her want to get close to you. It didn't make much sense to me, but then what did I know about women? Sure enough, Randi Leigh shot Brandy an evil look.Mikhail extended his sweaty body over Taliyah, planted a few feather-light kisses on her shoulder and ear then rose up, right leg first. He quarter-turned their way.‘Alondra,' he emoted wolfishly. The smoky hot young lady blinked in surprise then pointed to herself as if to affirm she was the one he was talking to; as if there was another Alondra in this High School. There wasn't.‘Come here,' he beckoned her with a finger.‘Me?' she gulped.‘I've wanted to kiss you since the first time I saw you,' Mikhail rumbled.‘Me?' she repeated. Alondra wasn't going to win any debates with that level of verbal repertoire.‘Hold on now,' Sultana interposed herself, facing her ladies. Her mistake was taking her eyes off my brother.‘But I think he needs help getting dressed,' Alondra tried to explain. How cute.‘Brandy, what's going on here?' Sultana was looking past Alondra to the Team Co-Captain. Mikhail snuck up on Sultana quickly and quietly. I was right behind him. Randi Leigh was trying to get Sultana's attention. Too late. He moved straight into Sultana's back, driving her face to face with Alondra.‘So you think you are better than Taliyah, do you?' he breathed into Sultana's ear. She recoiled as much as she could, putting a weak elbow into his ribs. She was only partially effective in turning around. For my part, I slipped around them and went directly into Randi Leigh's personal space. Take into account both my brother and I were naked, glistening with sweat, and highly aroused;‘Randi Leigh (apparently middle names were important in cases such as this), why doesn't Brandy want you and I hanging out?' I lied.‘I never said that,' Brandy protested. If someone I had known for more than half my life told me one thing and a near-stranger told me the opposite, I would believe the person I knew well. Mom insisted Randi wouldn't believe Brandy;‘Sure you didn't,' Randi Leigh simmered while reaching down and wrapping a hand around my cock. She gave me a little yank. ‘Not bad.'‘Get off me!' Sultana demanded of Mikhail. She got her wish. Mikhail moved her aside and went after Alondra. He astonished everyone by cupping the chestnut-complexioned girl's jaw romantically in both hands and placing a kiss on her lips.‘Fucking fantastic,' he purred, then went in pursuit of a far more brutal and demanding lip-lock which took hostage the air from deep within Alondra's lungs.‘Hey,' Sultana protested. ‘Stop that.' She tried to separate my brother from his prey. Alondra complicated the issue by entwining one arm behind his head and the other around his waist, keeping him close. Wanton moans echoed from her unfathomed sensual core.Randi Leigh drank in the scene.‘I'm Rashaan's girl now,' she grinned up at me, hand still on my rod.‘I'm not going to tell him a damn thing,' I looked down at her. My left hand went along her right elbow to her shoulder all friendly-like. When Randi Leigh didn't resist, I moved my right from her hip to her ass and began bringing her close.‘I'm not going to fuck you,' her lips insisted at the same time her hand began jacking me off. ‘I don't do White guys.'‘Does cunnilingus count?' I whispered into her ear.‘Ah; ‘ she murmured. ‘Maybe not,' she finished off with a foxy grin of her own.I could begin to see the calculations going off behind those eyes. Perhaps; just perhaps; there was a reason Brandy had risked Darius' wrath to fuck me; on multiple occasions. I let my hand on her ass creep to her cleft.‘Clothes,' I teased her; as she had me on too many occasions. Meanwhile;‘Brandy?' Sultana looked to the functioning Co-Captain for intervention. Brandy had already kicked off her tennis shoes and was currently stripping down out of her jeans and panties. She was also still by the door. Only later would I realize it was because she'd sent Misty Dawn and Betty Jo Starling to escort a semi-crippled Alexander here and the door was locked, so they would need to be let in; thus necessitating her remaining close to the door.Brandy's allies on the squad, Noémie and Amber Lee, were keeping three 'opposing' cheerleaders (Vantrice, Mia and Pearl) preoccupied this lunch period. Dealing with five new cheerleaders would be stressing the three of us guys to our limits. In theory, I guessed that meant we'd pick those other five off later in the week, or on Saturday at Brandy's house.‘Taliyah and I can't keep up with these three,' Brandy exaggerated. ‘I was hoping y'all could help out this one time. Please?'‘But; ‘ Sultana sputtered. I was willing to bet 'they're White' almost spilled forth. But she spared another look to the sexually sated Taliyah instead.‘By all means, leave my Man alone,' Taliyah threatened, then yawned, stretching out like a savannah lioness. ‘I'll leave you Rashaan.'According to Mom, that wasn't an offer, it was a challenge; for Sultana to go after Mikhail. To my naïve way of thinking, he could have made it easier by switching his attention from Alondra to Sultana, who was the more dominant woman anyway. Not only was that 'not' Mikhail, it wasn't what a man did if he wanted a woman's interest. We; the men; had to play hard to get.I'd told Mom I preferred honesty. She'd told me to keep my preferences to myself and do what I was told; and I would somehow end up happier. I truly believe my Mom loves me, so I went along with her madcap advice. It worked gang-busters. The more Mikhail persisted in focusing on Alondra, the harder Sultana worked on enticing and seducing him; because he was a bastard?In comparison, I had it easier. Brandy was clearly horny for me and Randi Leigh got off on thwarting Brandy's lusts by corralling my attentions with her body motions. The more frustrated Brandy became, the more Randi Leigh's inhibitions flew out the window. She had me on my back, hand still on my cock as she guided it into her steamy folds in under two minutes. Putting on a condom? 'No time for that,' or so she claimed. Funny. I thought we had fifty minutes.Here I was feeling bad about leaving Brandy out and here she was with her triumphant smile from over Randi Leigh's shoulder. She had totally suckered Randi Leigh and me with her passionate resistance. She mouthed 'I love you' before scampering off to get the door. Alexander, Misty Dawn and Betty Jo had arrived.Under anything approaching normal group dynamics, at least one of the young ladies could have been expected to bolt this unusual erotic encounter; however the Cheer Squad was used to their Lunch Time and post-Practice orgies. In the immediate post-Darius Era, they hadn't been getting any and suddenly they had three hunky, hot and ready (even if White) guys in front of them, willing to perform.Alexander had it the easiest. He was 'infirm', so Misty Dawn decided to transfer all the gratitude she had for me not getting into a slugfest with Cousin Buck in the Parking Lot this morning to him, thus lavishing him with some intense, solo loving care. Betty Jo, momentarily at loose ends, was called over to Mikhail by Alondra, who insisted she was still trying to get him dressed;If Mikhail felt any reticence over reliving the sexual exploits of his Varangian ancestors, he didn't show it in the slightest. He soon had Alondra and Betty Jo kneeling with their haunches on their heels, licking his balls and cock-shaft while Sultana stood by his side, kissing him longingly as he massaged her pubic mound; no penetration yet. It took me a few seconds to realize he was teasing her; plus, he was able to pat the kneeling lasses on their heads when they particularly pleased him. What a fortuitous pig.I didn't have the time to verbally chastise him. As I began to work in and out of Randi Leigh's love box, twisting my hips during every intrusion, looking to increase her stimulations, she began to get really responsive and incredibly vocal. The combination of the 'aphrodisiacs' Mom had given us, plus my interrupted blowjob with Taliyah, prompted me to begin ejaculating into her womb. Whoops!‘Ugh; ugh; ugh; ugh; ugh; ugh --ugh-ugh-uh-uh-ug!' escaped from her lips and then she went off like no woman I'd ever seen before. Randi Leigh was acting as if she was having a seizure. Her long, brunette hair, normally in a ponytail, but worn loose today, whipped around her head as she thrashed and jerked atop of me. Fingernails drew bloody rivets across my pectorals as her hands scarred me from collar to mid-stomach.Her mahogany skin (she was White, but well-tanned) was more flushed than normal, her small nipples were a bright crimson within her rich reddish-brown half-dollar-sized areolas equally blood-flushed and puff. Her breathing came in staggered gasps. Then she completely locked up perpendicular to my waist, back bowed and her face finally ending up staring down at me in disbelief.All I could think of, looking back up at her, trying to make sense of the electricity spreading like fire through her veins was; 'if you figure out what I just did to you, please let me know what it was; because I may want to be more careful who I do it to in the future'.‘Uwee; ‘ escaped from her tightly constricted airways right before Randi Leigh's eyes rolled back in her head and she collapsed on my chest, utterly spent.‘Brandy?' I looked past the unconscious woman on my chest toward my vastly more experienced lover. She looked stunned. The rest of the room was quiet.‘I think; that was Randi Leigh; having an orgasm,' Brandy gasped.‘You go, Bro!' Mikhail saluted me, slamming his closed-fist over his heart; twice. With the way the three women were looking at him, he should have been more careful. I suspected they were expecting the same treatment.‘Are you sure you are okay with having sex?' Misty Dawn inquired of Alexander, even as she started yanking his pants down.‘For you; sure. I'll get my belt,' he gently caressed her cheek, ‘if you could get my shoes?'I had to push Randi Leigh up, then maneuver us around so I could carry the still blissfully unaware Randi Leigh to the piano cover to be lain beside Taliyah before returning my attentions to Brandy. I caught sight of some worry in her eyes until she realized my eyes were nearly bugged out of my head and my cock was throbbing upright and returning to duty; her completely naked body had that effect on me.‘Oh,' she giggled. ‘You're hurt.'‘It'll heal,' I ignored the pain. We met halfway. My hands went to her right breast and left face cheek to steer her head up to a kiss. Hers went to my cock; still no condom. So much for 'safe' sex.‘Ladies, Sultana's going to ruin our fun, so I gotta take care of her first before I can get back to the both of you,' Mikhail boasted.‘You think so?' Sultana Berry put forth with provocative bravado.‘Yeah,' Mikhail snorted. ‘Alondra and Betty Jo like me, so I'd like to spend some quality time with them. You'd like to think you are better than me, but we both know you aren't. So I'm about to prove it to you.'Seriously? Isn't this the moment the woman slaps the man in the face, throws a drink at him, calls him an 'asshole' (or something even less flattering), then storms out?‘I'm going to ruin you for every other women you ever try to get with,' Sultana rose to the challenge.Okay then;‘If she wasn't such a bitch,' Brandy whispered to me as she followed me to the floor, her riding me cowgirl, ‘I'd warn her.'All I could do was grunt.‘What was that?' Brandy's brow furrowed and her cute nose twitched.Had my Mother not told me this would happen; scary and far beyond weird; I would have thought I was doing something wrong. This was Brandy seeking affirmation.‘You; above me; every time it is so wonderful and new, Brandy Crystal Carson,' I replied in a soft, rich romantic voice. Just because I knew the question was coming, didn't mean I'd rehearsed a response. I went with my gut and by Brandy's near-tearful reaction, I was right on the money. Brandy leaned in, squishing her breasts against me and gave me a famished kiss.‘I feel the same way,' she murmured.‘You like blonde-haired girls with big boobs sitting on top of you too?' I joked.‘Oh,' she sat up, feigning indignation well, ‘Poo!' then she smacked my chest. Then, to further punish me, she flexed her thighs; going up and down; and undulated her vaginal walls; to give my cock a very friendly 'welcome back'.'Yikes!' Man, but that felt really good. Brandy clued in to my pleasure and was looking a bit too pleased with herself, so I pushed up with one arm and went like a lamprey for her right breast.‘Hey!' she gasped. ‘Not so rough.' Which meant 'keep at it'. ‘I said not so rough, Vlad. I'm a bit tender,' she sighed happily, reinforcing her misdirection by placing a hand on the back of my head, keeping my lips and teeth tight to her tit.'Nom-nom-nom-nom,' I happily suckled along for six, or seven minutes until;‘Hey y'all,' Alondra appeared above me/us. ‘Can I join in?'Reluctantly I released Brandy's mammary to get a quick peek at what Mikhail was up to.He was going for some hot-muff action on Sultana where she lay on top of the piano, which was, in turn, on the elevated stage. Her legs were upraised in a 'V' with her hands holding the back of each knee to hold the pose. My brother was alternating between kisses to her clit and slit and teasing her labia with his tongue and teeth; gentle-like for now. When he figured out her sensitive spots, he'd be doubling down on them rapid-fire soon enough.‘Unless my Princess claws me like a scratching post; Hell ya!' I grinned. That was a concession to my Lady's #1 status without making me sound cunt-whipped. Brandy gave a playful harrumph married to her own saucy smile. The problem was;‘Princess? Who is that?' Alondra struggled to concentrate.‘Me,' Brandy seductively wiggled off my cock. ‘He's my Prince, so I'm his Princess.'‘Oh! Like Disney?' Alondra beamed innocent understanding. ‘That's so cool.'‘Yeah,' Brandy shot me a wink. ‘Like Disney. Here, have a seat and share in the 'magic'.'‘Oh goodie!' the tawny athlete mounted my cock which Brandy was 'kind' enough to hold erect for her. She wasn't tight, but, to be honest, Alondra was snugger than my first time with Brandy; which was a thought I'd take to my grave. Her toes were on the floor, knees off the ground, gymnast's thighs like coiled springs and hands splayed on my chest; she got to bounding up and down.‘Yay!' At least I was making someone definitely happy. When I made eye contact; I; felt for Alondra. She had one; no; two marketable commodities; her exotic good looks and a willingness to work hard. Cheerleading was as much of a demanding sport as basketball. She knew the Cheer Squad's routines, and with her limited intellect, that had to mean she truly applied herself when given the chance.What Alondra needed was good friends; and someone, right now, to fuck her.‘I've never fucked a White guy before,' she blithely informed me. ‘I thought you'd be; smaller.'‘Vlad is full of surprises,' Brandy moved to my side, still smiling.‘Don't let me neglect you, Babe,' I offered. She knew what I was saying and took me up on the suggesting.She made a production of standing over my head, facing Alondra then slowly lowering herself down to my waiting mouth.‘How's he going to breath?' Alondra inquired.‘He's got great lungs,' Brandy answered. My tongue was busy sculpting out her vulva and penetrating her labia.My right hand went around the back to massage a luscious ass cheek and tickler her along her tailbone. Then the left went up and rediscovered her breasts. I could almost hate my Mother for keeping us from sex for so long; almost. To be fair, she'd also helped train us to be aggressive, appreciative and attentive lovers.It wasn't like the BBC Masters didn't do cunnilingus. Some did. The difference was we approached it as a facet of a full-on orgasmic orchestra. It wasn't just licking and sucking that clit, or labia pulling. Depending on the partner, it was spreading your attention along the upper thighs, pubic mound perineum and buttocks.Fingers, lips, tongue, nose and even whiskers could be parts of our arsenals. Keep all your senses focused on your lover as well. A twinge, chance in scent, or a stifled gasp could all be clues to what secretly turned them on. Thankfully for this encounter, I already knew Brandy pretty well and Alondra wasn't overly demanding. She wanted a nice, stiff cock and I gave her that in spades; no pun intended.‘Oh fuck, oh fuck, oh fuck,' Sultana began hissing. Taliyah had done wonders for Mikhail's confidence which rebounded into this pattern of quickly overwhelming whatever mental defenses she tried to put up between him and the climax he wished to tear from her.‘Oh Fuck!' she screamed. Yep. Mom's choice of the sound-proof Music Room was prescient.‘Oh; ‘ she moaned. ‘Wait; ‘‘No way,' Mikhail taunted her. ‘I'm not going to stop until you say you'll only do White boys.' Pretty much a complete race reversal, and cruelly pointless.‘Not going to; Oh Fuck!' she began to caterwaul again. I couldn't see what he was doing, but by the sound of moist slapping, I figured he had advanced to screwing her face-to-face and furiously hard.‘What's going on?' Randi Leigh finally rejoined the gathering.‘He fucked you into transcendence, you silly Cunt,' Taliyah mocked the girl.‘I; ah; it wasn't; ‘ Randi Leigh blathered.‘Don't even try,' Taliyah chuckled.‘By all means,' I could feel Brandy twist her upper body around, ‘if you never want to fuck my guy ever again; ‘‘Or mine,' Taliyah tacked on.‘Any of the Samsonov boys ever again,' Brandy dictated, ‘that's fine by me; us.'‘That's damn right,' Taliyah added.‘Oh; I'm getting all tingly,' Alondra sang out.‘When is it going to be my turn?' I had no doubt Betty Jo was pouting over her exclusion by Mikhail's devotion to Sultana.‘Oh fuck, oh fuck, oh fuck,' became a familiar refrain. ‘Oh Fuck!' and Sultana surrendered another orgasm to my bratty younger triplet. ‘No; ‘ she panted.‘Don't break her,' Taliyah sounded a tad jealous as well as cautionary.‘Say it,' he growled.‘Ah; ‘ was all Sultana could emote.‘Say it,' he remained ferocious. I felt obliged to tap Brandy's thigh. She was closing on her own fruition, but I wasn't sure Sultana had the time.‘Give it a rest,' Alexander protested.Brandy dismounted. Mikhail hadn't relented yet.‘Bro, Alondra's over here; dying for a three-way,' I tried a different approach. I wasn't going to swap out Alondra for Betty Jo; that would be treating the ladies like mix-and-match Legos. Betty Jo was still the only girl-neglected, but I knew from our earlier conversation Mikhail had a special hankering for Alondra; which I couldn't bring up directly without being cruel to Taliyah.Mikhail looked over his shoulder, his body still hovering over the slack form of a sated Sultana. His look was volcanic; primal, fiery;‘We aren't done,' was his parting shot to Sultana. Betty Jo was still on her knees where he'd left her. Mikhail didn't spare her a glance, advancing swiftly to us.Meanwhile;‘I do? I am?' Alondra hiccupped both surprised and happy with 'her' suggestion.For a second I was afraid Mikhail would go directly for a face-fuck. Alondra was certainly set up for it. Instead, at the last second he went in for a deep French kiss full of tongue, mutual nose-breathing and finishing with his teeth pulling playfully on her upper lip.‘I'm bouncing on your brother,' Alondra gleefully, breathlessly and pointlessly related.‘I can see,' he chuckled. My youngest triplet didn't have to be an asshole. ‘I think I'm going to be pouncing on you.'Alondra had no comeback. My bet was she didn't know what 'pounce' meant. Mikhail moved behind the medium-brown beauty. It occurred to me the deeply-tanned Brandy and natural-complexioned Alondra were virtually the same skin color.Otherwise they were different enough. Brandy was a natural blonde. Alondra had kinky, black hair with blonde highlights. One with dark-blue eyes and the other hazel. Alondra was taller by a few inches. Brandy had the larger bust and hips. Alondra's buttocks were accentuated to the top while Brandy's were more balanced hemispheres. I couldn't tell whose smile I liked more.‘I like White boys,' she huffed as a way of greeting Mikhail's transition from 'kisser' to man-boy pressing in behind her. There was no way he was going for her ass without causing her a great deal of pain. He had another idea.‘Seesaw?' he looked over her shoulder. Oh!I put my hands under each of her thighs and lifted her up and forward.‘Eep!' she squeaked followed by ‘Hey; No,' when my cock popped out.‘Here you go,' Mikhail soothed her. In his cock went.‘Oh yeah,' she was immediately mollified.‘Why does she get two of them?' Betty Jo complained.‘Yeah,' Randi Leigh grumbled. ‘Why does she get both of them?'‘Because she asked really, really nice,' Mikhail addressed the others. Brandy shot me a curious look. Since she had her back to the others I felt it was safe to share my own confusion.‘When did that happen?' Taliyah pseudo-teased 'us'.At the same time, Alondra rocked forward. When she settled back, it was my cock inside her once more. Taliyah had gotten dual-vaginal and anal after we had 'prepped' her.‘We're telepathic,' Mikhail responded. Alondra didn't care.‘You'd better not be,' Taliyah muttered.Yeah, we had to do something about this. The next time we switched back, I pulled myself further up and away from Alondra. Mikhail picked up on my clues and went to regular doggy-style, his back pressing on hers, his left arm supporting his weight while his right reached under and began to manipulate her clit between two of his fingers in a tender, circular motion.‘Ah-ah-ah Shit!,' Misty Dawn announced her own eruption to all of us. It turned out she and Alexander shared their 'moment'; their synergy further multiplying their sensory overload.I had barely moved into a kneeling position in front of Alondra. We kissed which left me rather unprepared for;‘Now it's my turn,' Betty Jo pushed Brandy aside in her rush to grapple with me. Oh Joy!Mom and Dominique.‘Ms. Malik, there is a Mrs. Samsonov here to see you,' Riley buzzed Madam Mayor. Dominique bit down on her anger; and fear. Chinedu had been so plastered, he couldn't properly remember the events of the previous evening clearly and Taliyah hadn't felt the need to remind him. None of that erased the feel of the middle Samsonov boy's; everything, or the wrongness of those actions.Chief of Police Quinterre had yet to slither through her doorway, though that was something she had to prepare for. The beating Alexander (she wasn't fooled by whatever deception Gayle Fonteneau/Samsonov had perpetrated) took at school had been both troubling and welcome; since it served as a major distraction to 'that night'.Darius'; destruction had been a peal of thunder after Alexander's beating. Now the Arkansas State Police were nosing around and her 'mole' inside the Davis County Sheriff's Department had become reticent to supply her with useful information.‘Tell Mrs. Samsonov I don't have room in my schedule today. Perhaps she can avail herself of our city's website, or attempt an e-mail,' Dom answered.‘She says she'll wait,' Riley replied.'Ah shit; that bitch'; ‘Fine. I will give her five minutes in; thirty.'‘Yes Ma'am,' Riley sang out.Dominique frowned. Riley appeared 'upbeat'. Which black snake was pounding her fat ass and cunt now? Damn it; one more unexpected headache. Thirty minutes rolled around and Gayle hadn't departed like any sane individual would, so Riley showed her in.‘Riley, you can go,' Dom dismissed her White 'Political Assistant'.Riley kept smiling like a fool.‘Yes Ms. Malik,' the girl nodded.‘See you this evening, Riley,' Gayle smiled. Riley's smile deepened into something definitely sensual. Dominique was going to have to school her Jew Ass again. Spending time with Gayle Fonteneau was the opposite of helping out.‘Hi Dom,' Gayle settled into the seat across from Dominique.‘Call me Madam Mayor,' Dom bit back. ‘What do you want?' Gayle's grin turned into a vicious leer. ‘And leave Riley alone, damn you.'‘I was curious if Chinedu's sagging black ball sack has become a suitably dark shade of blue; I see from the look of his two main whores, they have,' Gayle chuckled.‘Bitch,' Dom seethed. ‘What do you; think you have on me?'‘Not a damn thing,' Gayle kept chortling. Dom was more convinced than ever the evil harlot had lost her damn mind. ‘Welcome to dealing with decent human beings, Dom. My boys didn't tell me a fucking thing. They certainly didn't gather any footage of supposed misdeeds.'Dom processed what she was and wasn't being told.<

Well, well, well what do we have here? Have Nate and Laura finally finished their quest to watch ALL of the Saw movies? (Spoiler: they did!) More importantly, did it live up to all of their hopes and dreams? Will they ever be the same after this? Who the hell is Jigsaw in this one? And above everything: does Saw X deserve its 81% score on rotten tomatoes? 

Well, well, well look what we have here: Laura and Nate are hanging out and watching more Saw movies! This time around the Saw universe has expanded with a spinoff: Spiral. In which Chris Rock is a cop and when all the other cops start getting scooped up and killed in very Jigsaw-like fashions its up to him to fix everything. Oh, also Samuel L Jackson plays his dad!!! That's cool! 

The Game Changers podcast celebrates those true pioneers in education who are building schools for tomorrow. In episode 192 (Part 2) of Game Changers, Phil Cummins joins in conversation with Dr Joanne Ladds. Dr Joanne Ladds is an educational consultant and learning space designer with two decades of experience in the education sector. With a lifetime devoted to learning, Joanne's work shows an unwavering dedication to creating thriving educational spaces. As a consultant, researcher, and speaker, Joanne is a valued member of the Noble+Eaton team. Joanne is passionate about educational change and is dedicated to creating strategically designed and inclusive learning spaces. Her approach is deeply rooted in evidence-led and pupil-centric methodologies that foster growth and encourage all students to thrive. The Game Changers podcast is produced by Evan Phillips supported by a School for tomorrow (aschoolfortomorrow.com), and powered by CIRCLE. The podcast is hosted on SoundCloud and distributed through Spotify, Google Podcasts, and Apple Podcasts. Please subscribe and tell your friends you like what you are hearing. You can contact us at gamechangers@circle.education, on Twitter and Instagram via @GameChangersPC, and you can also connect with Phil via LinkedIn and Twitter. Let's go!

It's time for Laura and Nate to watch Saw 8, appropriately titled JIGSAW. In which its once again Cops Vs. Jigsaw only Jigsaw's BEEN dead for a minute at this point. We've done trap room, trap house, trapped insurance agent, so where can we go next? Get ready for TRAP BARN! Where 5 people with deep dark secrets are confronted with the crimes they've committed and never told a soul about. Unluckily for them, Jigsaw knows all!!! 

Send us a textMatt Given is an experienced education technology leader and the CEO of Seesaw, a groundbreaking learning experience platform designed for PreK-5 students. With over 20 years of experience in education and edtech leadership, Matt has held executive roles at Kaplan, Catapult Learning, and EdisonLearning. Known for his expertise in universal design for learning and his ability to bridge the gap between home and classroom, Matt is a driving force behind Seesaw's mission to create accessible and engaging learning tools.

On their venture to watch all 10 Saw movies, Laura and Nate have taken on the side quest of also going to see Saw The Musical: The Unauthorized Parody of Saw. Mission accomplished! Listen to their little romp as they relive their viewing of the live retelling of the first movie (through song! and puppets!). They'll be back soon watching Saw movies again, we promise. 

In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work zas a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's book Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on now. © Grant Scott 2024

How has Elon Musk's deepening relationship with President-elect Donald Trump affected Tesla stock? And why did Big Pharma stocks sell off? Plus, what did Disney and Spotify have to say about trends in streaming? Host Francesca Fontana discusses the biggest stock moves of the week and the news that drove them.  Sign up for the WSJ's free Markets A.M. newsletter.  Learn more about your ad choices. Visit megaphone.fm/adchoices

How has Elon Musk's deepening relationship with President-elect Donald Trump affected Tesla stock? And why did Big Pharma stocks sell off? Plus, what did Disney and Spotify have to say about trends in streaming? Host Francesca Fontana discusses the biggest stock moves of the week and the news that drove them. Sign up for the WSJ's free Markets A.M. newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices

A Photographic Life-337: See/Saw with Fiona Hayes 'Tina Barney, Yasuhiro Ishimoto and Alice Mann' by The United Nations of Photography

This episode is brought to you by Snorkl. As educators, we want students to express and explain their thinking. We want to hear their thoughts on a science question, a story, or a math problem. But listening to each student one-on-one is nearly impossible. Snorkl lets students record their thinking with a virtual whiteboard and uses AI for immediate, personalized feedback. This works for any question at any grade level. Teachers get an immediate summary of student progress. Check out Snorkl.app for an incredible deal for schools to pilot it this year. In this episode, I chat with conference planners, presenters, and participants of the TCEA Area 20 EdTech Conference that took place on Saturday October 5th, 2024 at the Northside Activity Center in San Antonio, Texas. This was the inaugural conference and one that pulled in sponsors including MagicSchool AI, MergeEDU, Canva, Diffit, Adobe, Seesaw, Swivl, Screencastify, Curipod, Padlet, and Purple Up USA. There were sessions that covered a wide variety of content areas, ability levels, and strategies. I had the pleasure of being on the planning committee, being a presenter, and being the Keynote Speaker at this event. I ask fellow planners, presenters, and conference attendees the same question: “How would you sum up this conference in one sentence?” And that is what I did on location. This episode is a collection of these responses stitched together. So if you are interested in planning a conference, take a listen to the responses. If you're going to be attending a conference soon, take a listen to prep yourself. If you have attended a conference in the past, ask yourself if you've answered like these individuals have while attending one. Make sure you share this episode with a friends and colleagues and as always, Buen Provecho! Connect With Gabriel Carrillo EdTech Bites Website: https://edtechbites.com EdTech Bites Twitter: https://twitter.com/edtechbites EdTech Bites Instagram: https://instagram.com/edtechbites EdTech Bites Threads: https://www.threads.net/@edtechbites EdTech Bites Facebook Page: https://facebook.com/edtechbites EdTech Bites YouTube Channel: https://www.youtube.com/@edtechbites Connect With TCEA TCEA Website: https://tcea.org/

In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work zas a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's book Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on now. Mentioned in ths episode: www.vam.ac.uk/exhibitions/fragile-beauty-photographs-from-the-sir-elton-john-and-david-furnish-collection Elton John/David Furnish video discussion with their curator, Newell Harbin www.youtube.com/watch?v=Gl7gHOuOL44 Interview with Elton John www.10magazine.com.au/articles/ten-talks-to-sir-elton-john-david-furnish Billy Name/William John Kennedy exhibition: www.warholkennedyresidence.com/ https://serchiagallery.square.site © Grant Scott 2024

I had the honor of talking to Jessie Ginsburg, the Sensory SLP last spring and I'm so thrilled to bring the conversation back to you!  We talked about the connection between sensory and communication and how the two can create increased engagement and progress for autistic children.  We also chatted about Jessie's book, “Ready, Set, Connect”.  If you don't have your copy yet, grab it today!   THIS is the information that you need if you want to start your new school year off with strategies that truly place compassion over compliance. Topics Discussed: Combining sensory input with communication  Authentic connections with autistic kids Sensory avoiders and sensory seekers Seesaw analogy and optimal learning zone The importance of a proactive approach to regulation Jessie's book titled “Ready, Set, Connect” is published! Jessie Ginsburg is a sensory trained speech-language pathologist, CEO of Pediatric Therapy Playhouse, a top-rated clinic in Los Angeles, and author of Ready Set Connect: A Sensory-Based Approach to Accelerate Connection and Communication in Autistic Children. Through her international publications and talks, and her global Inside Out Sensory Certificate Program, Jessie inspires a new way of thinking about supporting communication development in Autistic children. Book: www.readysetconnectbook.com Sensory Course: www.sensoryslp.com Making the Shift Live Show: www.youtube.com/c/SpeechDudeJessieGinsburg Other Links You May Be Interested In: Autism Little Learners on Instagram Autism Little Learners on Facebook You can also join my free Visual Supports Facebook Group to “hang out” with like-minded educators and parents who want to take action and implement visuals at home or at school. Be sure to subscribe to The Autism Little Learners Podcast so you don't miss future episodes.  Plus, leave a rating & review on iTunes….this will help other educators and parents find this podcast!   CLICK HERE to leave a review on iTunes, then scroll down to “ratings and reviews” and click “write a review”.  THANK YOU!  

Thank you to today's podcast sponsor, Stavvy. Stavvy offers a flexible and fully customizable Loss Mitigation solution. Servicers can easily adapt to regulatory updates and market conditions, providing a seamless, customer-centric digital experience. Stavvy transforms a potentially stressful time for customers into a streamlined, secure process.

It's a new season and new beginnings abound: rousing numbers for the fall from Sweet Charity, The Wiz, 13, Mame, Seesaw, and more.

In Episode 853, "The See-Saw Effect," I dive into the myths of work-life balance inspired by Ari Rastegar's book The Gift of Failure. Discover the transformative approach to daily life by segmenting your day into sessions and focusing 100% on the task at hand. Join me as we explore how prioritizing moments can lead to a more fulfilled, effective lifestyle, leaving behind the chase for elusive balance.

Did international markets overreact to the job data earlier in the week? Or is the United States entering a recession? Also: Adam and Cameron will be doing two live shows next month—one in Washington, D.C., and the other in New York City. Follow the links below for tickets. Sixth & I in Washington, DC, Tuesday, September 17. https://www.sixthandi.org/event/foreign-policys-ones-and-tooze-podcast/ The Caveat in New York City on Wednesday, September 25. https://www.caveat.nyc/events/ones-and-tooze-9-25-2024 Learn more about your ad choices. Visit megaphone.fm/adchoices

The time has come for the seventh Saw installment: Saw 3D where the only thing more cutting edge than Jigsaw's knives is the stunning use of 3D technology.  Laura and Nate are opening yet another bottle of Apothic Red to wind down and see what happens next in the epic tale that is Jigsaw's kingdom of murder. New Jigsaw is not happy with the late Jigsaw's wife and he will do anything to get back at her. Will he win? Will he lose? Who knows! (We do because we watched the movie!) 

Brian is out of town, so Leighton and Jory watched Saw II and did a commentary track for it. Here you will find our discussion from before and after the movie, where we talk about Saw and a bunch of stuff that isn't Saw. The video version of this episode and the accompanying commentary track are on our Patreon at patreon.com/leightonnight. Follow us on Twitter at @leightonnight and on Instagram/TikTok at @leighton_night. You can find Brian on Twitter/Instagram at @bwecht, and Leighton at @graylish (Twitter)/@buttchamps (Instagram).