Podcasts about television history

In today's Classic Episode we take a look at an episode that I have a lot to say about! Original Air Date: May 7, 2021 Patreon (Get ad-free episodes, Patreon Discord Access, and more!) https://www.patreon.com/user?u=18482113 PayPal Donation Link https://tinyurl.com/mrxe36ph MERCH STORE!!! https://tinyurl.com/y8zam4o2 Amazon Wish List https://www.amazon.com/hz/wishlist/ls/28CIOGSFRUXAD?ref_=wl_share Dead Rabbit Radio Archive Episodes https://deadrabbitradio.blogspot.com/2025/07/episode-archive.html   Help Promote Dead Rabbit! Dual Flyer https://i.imgur.com/OhuoI2v.jpg "As Above" Flyer https://i.imgur.com/yobMtUp.jpg “Alien Flyer” By TVP VT U https://imgur.com/gallery/aPN1Fnw “QR Code Flyer” by Finn https://imgur.com/a/aYYUMAh   Links: EP 1478 - The Bride Of The Beast https://deadrabbitradio.libsyn.com/ep-1478-the-bride-of-the-beast   EP 468 - The Marconi Systems "Suicides" https://deadrabbitradio.libsyn.com/ep-468-the-marconi-systems-suicides-0https://deadrabbitradio.libsyn.com/ep-468-the-marconi-systems-suicides-0   EP 52: Golf Rumors https://deadrabbitradio.libsyn.com/ep-52-golf-rumors   EP 1000 - The Snuff Film From Outer Space https://deadrabbitradio.libsyn.com/ep-1000-the-snuff-film-from-outer-space   EP 18 - Hobbit Hooligans https://deadrabbitradio.libsyn.com/ep-18-hobbit-hooligans   Those Conspiracy Guys https://thoseconspiracyguys.com/   Sofa King Podcast https://sofakingpodcast.com/   The Last Podcast On The Left https://www.lastpodcastontheleft.com/   Mysterious Universe https://mysteriousuniverse.org/   June O'Brien, ‘Today' Show Guest, Says Her Toaster Is Possessed By The Devil In 1984 Clip (VIDEO) https://www.huffpost.com/entry/toaster-possessed-devil-june-obrien-today_n_2118538   I Don't Believe in Ghosts But I Want to Believe in the Haunted Toaster https://paleofuture.gizmodo.com/i-dont-believe-in-ghosts-but-i-want-to-believe-in-the-h-1819983081   The Curious Case Of June O'Brien's Possessed Toaster https://www.strangerdimensions.com/2020/11/26/june-obrien-possessed-toaster/   28 Years Ago, The Today Show Aired the Greatest Interview in Television History https://gawker.com/5959783/28-years-ago-the-today-show-aired-the-greatest-interview-in-television-history   Toaster From Hell - Today Show 1988 Full segment https://www.youtube.com/watch?v=lmxEFs12xn4&ab_channel=JoeKainz   Haunted Toast Section https://www.youtube.com/watch?v=4dZLVY9wyGk&ab_channel=NBCUniversalArchives   How to Summon a Demon and Become Insanely Rich https://exemplore.com/paranormal/How-To-Summon-The-Money-Demon-And-Become-Insanley-Rich-Without-A-Soul   Meet Mammon, A Demon Who Can Make You Rich If You're Willing To Play https://www.ranker.com/list/how-to-summon-mammon/jacob-shelton?ref=rr_popular_lists&li_source=LI&li_medium=desktop-popular-lists   List of demons in the Ars Goetia https://en.wikipedia.org/wiki/List_of_demons_in_the_Ars_Goetia   Agares https://en.wikipedia.org/wiki/Agares   Ose (demon) https://en.wikipedia.org/wiki/Ose_(demon)   Bifrons (demon) https://en.wikipedia.org/wiki/Bifrons_(demon)   The Lesser Key of Solomon https://en.wikipedia.org/wiki/The_Lesser_Key_of_Solomon   Dictionnaire Infernal https://en.wikipedia.org/wiki/Dictionnaire_Infernal   List of Demon Names https://www.gods-and-monsters.com/list-of-demon-names.html   Gamigin https://en.wikipedia.org/wiki/Gamigin ---------------------------------------------- Logo Art By Ash Black Opening Song: "Atlantis Attacks" Closing Song: "Bella Royale" Music By Simple Rabbitron 3000 created by Eerbud Thanks to Chris K, Founder Of The Golden Rabbit Brigade Dead Rabbit Archivist Some Weirdo On Twitter AKA Jack YouTube Champ: Stewart Meatball Reddit Champ: TheLast747 The Haunted Mic Arm provided by Chyme Chili Forever Fluffle: Cantillions, Samson, Gregory Gilbertson, Jenny The Cat Discord Mods: Mason, Rudie Jazz   http://www.DeadRabbit.com Email: DeadRabbitRadio@gmail.com Twitter: https://twitter.com/DeadRabbitRadio Facebook: www.Facebook.com/DeadRabbitRadio TikTok: https://www.tiktok.com/@deadrabbitradio Dead Rabbit Radio Subreddit: https://www.reddit.com/r/DeadRabbitRadio/ Paranormal News Subreddit: https://www.reddit.com/r/ParanormalNews/ Mailing Address Jason Carpenter PO Box 1363 Hood River, OR 97031 Paranormal, Conspiracy, and True Crime news as it happens! Jason Carpenter breaks the stories they'll be talking about tomorrow, assuming the world doesn't end today. All Contents Of This Podcast Copyright Jason Carpenter 2018 - 2025  

Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen. In a wide-ranging and enjoyable interview with Dr. Elana Levine, we covered a broad array of subjects pertaining to the history, culture, and craft of soap operas. After an initial conversation, I asked her a series of questions about her work and how it resonates with other genres such as the Real Housewives franchise, especially how original housewives (domestic workers as well as suburban housewives of numerous ethnicities and races) represented the viewership of soap opera consumption and support. We talked about the early origins of soap operas, especially with Proctor & Gamble in the early inception of the soap opera genre to now, with the innovative partnership and collaboration between Proctor and Gamble/CBS and the NAACP in debuting the new soap opera, Beyond the Gates.  We discussed the ways in which the viewership of soaps, mostly working women and stay at home women shed light on significant aspects of American Women's and Gender history, women's civic participation (combing public and private space) as well as informs how women viewers, often housewives and domestics, found ways to weave their own life narratives together with those of cast actors, thus contributing to an interpretive lens on life matter,(blurring line between real and imagined), representing both an innovative and inclusive type of Citizenship seasoning process, whereby, via interaction with soap operas stars as both celebrities and everyday people, (as fellow Cinema scholar Anna McCarthy talks about in her work on ways in which 1950s television, functioned as a kind of citizen machine governing America,  championed inclusive democratic practice that engaged citizens in repetitious call and response and back and forth conversation about everyday practices of everyday working people.  Lastly, we talked about the parallels with primetime soap operas like Dallas, Dynasty, Knots Landing, Yellowstone, as well as what Dr. Levine calls a hybrid form of soap opera storytelling found in series like Grey's Anatomy, Scandal, and other primetime television series. We also spoke about the parallels between soap operas as meditations on aspects of good and evil, finding interesting synergy with genres such as wrestling as soap opera drama sport, the drama of superheroes and villains in the DC and Marvel Universe, as well as versions of science fiction. Dr. Elana Levine is Professor of Media, Cinema and Digital Studies in the Department of English at the University of Wisconsin–Milwaukee. She got her PhD, Communication Arts from University of Wisconsin–Madison. Her research areas of interest include Television history, theory, and criticism; gender, sexuality, and media; media industry and production studies; media audience studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen. In a wide-ranging and enjoyable interview with Dr. Elana Levine, we covered a broad array of subjects pertaining to the history, culture, and craft of soap operas. After an initial conversation, I asked her a series of questions about her work and how it resonates with other genres such as the Real Housewives franchise, especially how original housewives (domestic workers as well as suburban housewives of numerous ethnicities and races) represented the viewership of soap opera consumption and support. We talked about the early origins of soap operas, especially with Proctor & Gamble in the early inception of the soap opera genre to now, with the innovative partnership and collaboration between Proctor and Gamble/CBS and the NAACP in debuting the new soap opera, Beyond the Gates.  We discussed the ways in which the viewership of soaps, mostly working women and stay at home women shed light on significant aspects of American Women's and Gender history, women's civic participation (combing public and private space) as well as informs how women viewers, often housewives and domestics, found ways to weave their own life narratives together with those of cast actors, thus contributing to an interpretive lens on life matter,(blurring line between real and imagined), representing both an innovative and inclusive type of Citizenship seasoning process, whereby, via interaction with soap operas stars as both celebrities and everyday people, (as fellow Cinema scholar Anna McCarthy talks about in her work on ways in which 1950s television, functioned as a kind of citizen machine governing America,  championed inclusive democratic practice that engaged citizens in repetitious call and response and back and forth conversation about everyday practices of everyday working people.  Lastly, we talked about the parallels with primetime soap operas like Dallas, Dynasty, Knots Landing, Yellowstone, as well as what Dr. Levine calls a hybrid form of soap opera storytelling found in series like Grey's Anatomy, Scandal, and other primetime television series. We also spoke about the parallels between soap operas as meditations on aspects of good and evil, finding interesting synergy with genres such as wrestling as soap opera drama sport, the drama of superheroes and villains in the DC and Marvel Universe, as well as versions of science fiction. Dr. Elana Levine is Professor of Media, Cinema and Digital Studies in the Department of English at the University of Wisconsin–Milwaukee. She got her PhD, Communication Arts from University of Wisconsin–Madison. Her research areas of interest include Television history, theory, and criticism; gender, sexuality, and media; media industry and production studies; media audience studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen. In a wide-ranging and enjoyable interview with Dr. Elana Levine, we covered a broad array of subjects pertaining to the history, culture, and craft of soap operas. After an initial conversation, I asked her a series of questions about her work and how it resonates with other genres such as the Real Housewives franchise, especially how original housewives (domestic workers as well as suburban housewives of numerous ethnicities and races) represented the viewership of soap opera consumption and support. We talked about the early origins of soap operas, especially with Proctor & Gamble in the early inception of the soap opera genre to now, with the innovative partnership and collaboration between Proctor and Gamble/CBS and the NAACP in debuting the new soap opera, Beyond the Gates.  We discussed the ways in which the viewership of soaps, mostly working women and stay at home women shed light on significant aspects of American Women's and Gender history, women's civic participation (combing public and private space) as well as informs how women viewers, often housewives and domestics, found ways to weave their own life narratives together with those of cast actors, thus contributing to an interpretive lens on life matter,(blurring line between real and imagined), representing both an innovative and inclusive type of Citizenship seasoning process, whereby, via interaction with soap operas stars as both celebrities and everyday people, (as fellow Cinema scholar Anna McCarthy talks about in her work on ways in which 1950s television, functioned as a kind of citizen machine governing America,  championed inclusive democratic practice that engaged citizens in repetitious call and response and back and forth conversation about everyday practices of everyday working people.  Lastly, we talked about the parallels with primetime soap operas like Dallas, Dynasty, Knots Landing, Yellowstone, as well as what Dr. Levine calls a hybrid form of soap opera storytelling found in series like Grey's Anatomy, Scandal, and other primetime television series. We also spoke about the parallels between soap operas as meditations on aspects of good and evil, finding interesting synergy with genres such as wrestling as soap opera drama sport, the drama of superheroes and villains in the DC and Marvel Universe, as well as versions of science fiction. Dr. Elana Levine is Professor of Media, Cinema and Digital Studies in the Department of English at the University of Wisconsin–Milwaukee. She got her PhD, Communication Arts from University of Wisconsin–Madison. Her research areas of interest include Television history, theory, and criticism; gender, sexuality, and media; media industry and production studies; media audience studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen. In a wide-ranging and enjoyable interview with Dr. Elana Levine, we covered a broad array of subjects pertaining to the history, culture, and craft of soap operas. After an initial conversation, I asked her a series of questions about her work and how it resonates with other genres such as the Real Housewives franchise, especially how original housewives (domestic workers as well as suburban housewives of numerous ethnicities and races) represented the viewership of soap opera consumption and support. We talked about the early origins of soap operas, especially with Proctor & Gamble in the early inception of the soap opera genre to now, with the innovative partnership and collaboration between Proctor and Gamble/CBS and the NAACP in debuting the new soap opera, Beyond the Gates.  We discussed the ways in which the viewership of soaps, mostly working women and stay at home women shed light on significant aspects of American Women's and Gender history, women's civic participation (combing public and private space) as well as informs how women viewers, often housewives and domestics, found ways to weave their own life narratives together with those of cast actors, thus contributing to an interpretive lens on life matter,(blurring line between real and imagined), representing both an innovative and inclusive type of Citizenship seasoning process, whereby, via interaction with soap operas stars as both celebrities and everyday people, (as fellow Cinema scholar Anna McCarthy talks about in her work on ways in which 1950s television, functioned as a kind of citizen machine governing America,  championed inclusive democratic practice that engaged citizens in repetitious call and response and back and forth conversation about everyday practices of everyday working people.  Lastly, we talked about the parallels with primetime soap operas like Dallas, Dynasty, Knots Landing, Yellowstone, as well as what Dr. Levine calls a hybrid form of soap opera storytelling found in series like Grey's Anatomy, Scandal, and other primetime television series. We also spoke about the parallels between soap operas as meditations on aspects of good and evil, finding interesting synergy with genres such as wrestling as soap opera drama sport, the drama of superheroes and villains in the DC and Marvel Universe, as well as versions of science fiction. Dr. Elana Levine is Professor of Media, Cinema and Digital Studies in the Department of English at the University of Wisconsin–Milwaukee. She got her PhD, Communication Arts from University of Wisconsin–Madison. Her research areas of interest include Television history, theory, and criticism; gender, sexuality, and media; media industry and production studies; media audience studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen. In a wide-ranging and enjoyable interview with Dr. Elana Levine, we covered a broad array of subjects pertaining to the history, culture, and craft of soap operas. After an initial conversation, I asked her a series of questions about her work and how it resonates with other genres such as the Real Housewives franchise, especially how original housewives (domestic workers as well as suburban housewives of numerous ethnicities and races) represented the viewership of soap opera consumption and support. We talked about the early origins of soap operas, especially with Proctor & Gamble in the early inception of the soap opera genre to now, with the innovative partnership and collaboration between Proctor and Gamble/CBS and the NAACP in debuting the new soap opera, Beyond the Gates.  We discussed the ways in which the viewership of soaps, mostly working women and stay at home women shed light on significant aspects of American Women's and Gender history, women's civic participation (combing public and private space) as well as informs how women viewers, often housewives and domestics, found ways to weave their own life narratives together with those of cast actors, thus contributing to an interpretive lens on life matter,(blurring line between real and imagined), representing both an innovative and inclusive type of Citizenship seasoning process, whereby, via interaction with soap operas stars as both celebrities and everyday people, (as fellow Cinema scholar Anna McCarthy talks about in her work on ways in which 1950s television, functioned as a kind of citizen machine governing America,  championed inclusive democratic practice that engaged citizens in repetitious call and response and back and forth conversation about everyday practices of everyday working people.  Lastly, we talked about the parallels with primetime soap operas like Dallas, Dynasty, Knots Landing, Yellowstone, as well as what Dr. Levine calls a hybrid form of soap opera storytelling found in series like Grey's Anatomy, Scandal, and other primetime television series. We also spoke about the parallels between soap operas as meditations on aspects of good and evil, finding interesting synergy with genres such as wrestling as soap opera drama sport, the drama of superheroes and villains in the DC and Marvel Universe, as well as versions of science fiction. Dr. Elana Levine is Professor of Media, Cinema and Digital Studies in the Department of English at the University of Wisconsin–Milwaukee. She got her PhD, Communication Arts from University of Wisconsin–Madison. Her research areas of interest include Television history, theory, and criticism; gender, sexuality, and media; media industry and production studies; media audience studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen. In a wide-ranging and enjoyable interview with Dr. Elana Levine, we covered a broad array of subjects pertaining to the history, culture, and craft of soap operas. After an initial conversation, I asked her a series of questions about her work and how it resonates with other genres such as the Real Housewives franchise, especially how original housewives (domestic workers as well as suburban housewives of numerous ethnicities and races) represented the viewership of soap opera consumption and support. We talked about the early origins of soap operas, especially with Proctor & Gamble in the early inception of the soap opera genre to now, with the innovative partnership and collaboration between Proctor and Gamble/CBS and the NAACP in debuting the new soap opera, Beyond the Gates.  We discussed the ways in which the viewership of soaps, mostly working women and stay at home women shed light on significant aspects of American Women's and Gender history, women's civic participation (combing public and private space) as well as informs how women viewers, often housewives and domestics, found ways to weave their own life narratives together with those of cast actors, thus contributing to an interpretive lens on life matter,(blurring line between real and imagined), representing both an innovative and inclusive type of Citizenship seasoning process, whereby, via interaction with soap operas stars as both celebrities and everyday people, (as fellow Cinema scholar Anna McCarthy talks about in her work on ways in which 1950s television, functioned as a kind of citizen machine governing America,  championed inclusive democratic practice that engaged citizens in repetitious call and response and back and forth conversation about everyday practices of everyday working people.  Lastly, we talked about the parallels with primetime soap operas like Dallas, Dynasty, Knots Landing, Yellowstone, as well as what Dr. Levine calls a hybrid form of soap opera storytelling found in series like Grey's Anatomy, Scandal, and other primetime television series. We also spoke about the parallels between soap operas as meditations on aspects of good and evil, finding interesting synergy with genres such as wrestling as soap opera drama sport, the drama of superheroes and villains in the DC and Marvel Universe, as well as versions of science fiction. Dr. Elana Levine is Professor of Media, Cinema and Digital Studies in the Department of English at the University of Wisconsin–Milwaukee. She got her PhD, Communication Arts from University of Wisconsin–Madison. Her research areas of interest include Television history, theory, and criticism; gender, sexuality, and media; media industry and production studies; media audience studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

 History's Craziest Failed Predictions: Why the Experts Got It Hilariously WrongThink you can predict the future? Think again! In this episode of An Ounce, we dive into history's biggest and funniest prediction fails. Discover why experts confidently declared airplanes impossible, dismissed the telephone, called personal computers pointless, and even predicted rock ‘n' roll's quick demise.History has never been so amusingly wrong!

It may seem like you were just watching some of these shows yesterday, but they are now, somehow, forty years old. Today, we look back on the TV shows of 1985, a year that gave us some of the very best of the decade. They include several beloved animated classics, a few era-defining sitcoms, and one of the biggest action-adventure shows of the decade.  Extended episode covering 8 additional shows: Patreon.com/80s  

Explore the intriguing world of television in 1993, a year packed with groundbreaking debuts and exciting developments. This year marked the advent of memorable series such as 'Doctor Quinn-Medicine Woman', 'Monday Night RAW', 'Living Single', 'Lois and Clark', and 'Seaquest'. It also introduced a fresh take on the beloved 'Saved By The Bell' series. Join us as we delve into the significant TV shows, related news, and events of 1993. What shows captured your attention that year? Share your thoughts in the comments! #1993 #television #DoctorQuinn-MedicineWoman #MondayNightRAW #LivingSingle #LoisandClark #Seaquest #SavedByTheBell See show notes: https://inlet.fm/weird-history/episodes/67f28a7575bc2855a4fe2ac0 Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hollywood in the Movies, Children's Games, Xs and Os, The Longest Running Game Shows in Television History, and Genius Level Trivia!

Send us a textIn today's episode, Sandy shares her go-to film genre for those much-needed escape moments.  The enchanting "Moana 2" is lighting up the holiday box office, outshining "Red One," "Wicked," and "Gladiator 2."  In exciting news, Amazon MGM has secured Julia Cox's heartfelt spec script, 'Love of Your Life,' for around $2 million!Research for this episode included:Amazon MGM Wins Battle For Julia Cox Spec Script ‘Love Of Your Life' For Around $2 Million By Mike Fleming Jr, Justin Krollhttps://deadline.com/2024/10/amazon-mgm-wins-julia-cox-spec-script-love-of-your-life-for-around-2-million-1236164029/The PAGE International Screenwriting Awards sponsors the WRITERS' HANGOUT.Executive Producer Kristin OvernExecutive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

Send us a textThe holiday season box office excitement has kicked off with the launch of Amazon's "RED ONE," featuring the talented Dwayne Johnson and Chris Evans! This action-packed adventure revolves around the thrilling kidnapping of Santa Claus, played by J.K. Simmons, and our heroic duo, The Rock and Chris Evans, is on a mission to save him just in time for Christmas. Plus, it comes with a staggering budget of $250 million!Research for the episode includesBox Office: ‘Red One' Has Itself a Fairly Little Opening Day With $10.9 Million by J. Kim Murphy

Dr. Sheri Chinen Biesen is Professor of Film History at Rowan University and author of Through a Noir Lens: Adapting Film Noir Visual Style (Columbia University Press, 2024), Blackout: World War II and the Origins of Film Noir (Johns Hopkins University Press, 2005), Music in the Shadows: Noir Musical Films (Johns Hopkins University Press, 2014), and Film Censorship: Regulating America's Screen (Columbia University Press, 2018). She received her Ph.D. at the University of Texas at Austin, M.A. and B.A. at the University of Southern California School of Cinema-Television and has taught at USC, University of California, University of Texas, and in England. She has contributed to the BBC documentary The Rules of Film Noir, Turner Classic Movies' Public Enemies, NPR, Warner Bros. Gangster Collection, Film Criticism, Historical Journal of Film, Radio and Television, Film and History, Film Noir: The Directors, The Netflix Effect: Technology and Entertainment in the 21st Century, Hollywood on Location, Literature/Film Quarterly, Netflix Nostalgia, Quarterly Review of Film and Video, Film Noir: The Encyclopedia, Gangster Film Reader, Film Noir Reader 4, The Historian, Television and Television History, Popular Culture Review, served as Secretary of the Literature/Film Association, Founding Chair of the ‘Stars & Screen' Film & Media History Conference, serves on the editorial board of Film Criticism, and edited The Velvet Light Trap.

The Writers' Hangout is thrilled to provide an update on Elisabeth Finch, who produced and wrote for Grey's Anatomy for eight seasons. Once a captivating grifter, she was later uncovered for lying on an epic scale. Previously, we released four episodes based on Elisabeth Finch: Episode 17 The Unbelievable Story of Elisabeth Finch: Part 1Episode 18 The Unbelievable Story of Elisabeth Finch: Part 2Episode 48 Update - Elisabeth Finch The GREY'S ANATOMY Writer Accused Of Faking CancerEpisode 70 Rewind The Unbelievable Story of TV Writer Elisabeth Finch and Grey's Anatomy – Combines all episodes for an easy listen.In today's episode, we dive into the Peacock-exclusive documentary ANATOMY OF LIES, a three-part docu-series investigating Elisabeth Finch's life. And the Instagram post released by Elisabeth Finch on the same day the docu-series debuted on Peacock. As a bonus, we have included Episode 70 and all three previous episodes, diving deep into Elizabeth's unbelievable story.  

Get ready for an enlightening conversation on Episode 121 of The Letterman Podcast, featuring television historian Allison Lips. With a profound interest and deep knowledge of the history of the medium, Allison joins us for a deep dive into the world of late-night television. During our discussion, Allison shares her love, appreciation, and expertise for the late-night genre, past, and present, highlighting the impact of iconic figures like David Letterman and Conan O'Brien. We explore the highlights of their respective careers and compare the legacies of these two giants of late-night comedy. In addition to her passion for television history, Allison is a multifaceted professional, having served as an Adjunct Professor at Rowan University, where she taught Television History and Appreciation, focusing on the dynamic era of the 1960s-1970s. Also, at the time of this recording she is a millennial in her early 30's. How did she develop such a passion for this stuff? Ya gotta watch/listen to find out! With experience as a Data Analyst and Content & Pop Culture Writer, Allison's expertise has been featured in Toastmaster Magazine and HowStuffWorks. Join us for an engaging conversation with Allison Lips as we explore the rich tapestry of late-night television history and its enduring impact on popular culture. And don't forget to visit hello-deli.com, your one-stop shop for official Late Show with David Letterman merchandise, curated by the legendary Rupert Jee! Like, share, and subscribe to The Letterman Podcast to stay updated on all our latest episodes and interviews!

This is our after show interview with Tommy Johnagin (That 90s Show, Man With A Plan) about his pilot You're Only Young Twice. Tommy tells us about starting his stand up career at the age of 19, inspired by David Letterman.  How he went from being a touring comedian to writing on a television show. Andrew shares some good insight from his time on Friends and they both spend time figuring out a better second act complication for Tommy's pilot. This is a great one! Enjoy it!For more Dead Pilots Society episodes and information about our live shows, please subscribe to the podcast!Make sure to like us on Facebook, follow us on Instagram, and Twitter, and visit our website at deadpilotssociety.com    

Episode 503: Adam Banks talks about the following in this episode:1. Adam's Upcoming 36th Birthday -General Birthday Facts2. The 75th Primetime Emmy Awards 3.  The Best Monologues in Television History 4.  Brittney Spears is Leaving the Music Business for Good. 5. Celebrities Who Quit The Entertainment Industry for Good. 6. Quote of the Week Follow OFF THE CUFF WITH ADAM BANKS:FB: @offthecuffwithadambanksIG:@offthecuffwithadambanksTwitter:@theadambanksIG:@theadambanksSubscribe on Apple Podcasts, Spotify, YouTube!**and all other major podcasting platforms**http://linktr.ee/offthecuffwithadambanks

▶️ Today's Episode▶️Voiceover as we know it, truly began in 1928 with “Steamboat Willie” but Emile Cohl, won the prize for first hand-drawn animation in 1908 with Fantasmagorie; the first Cartoon ever made. Learn about this - AND MORE - in today's episode.⏱️IN THIS VIDEO⏱️IntroductionSnow WhiteAdriana CaselottiHanna BarberaDon LaFontaineWarner Bros Cartoons Inc.Conclusion & Outro

Television History for $500, please! The answer is: This couple revitalized a broken format by developing one of the most popular quiz shows of all time: Jeopardy! Though one man is credited with the show's creation, its famous answer/question format was actually an idea from his wife! Unfortunately, the fame and fortune rocked the foundation of this couple's marriage.If you said “Julann and Merv Griffin,” then I'm sorry, your response must be in the form of a question. Don't worry, you'll still be going home with a copy of this episode!See omnystudio.com/listener for privacy information.

Academy and Emmy Award-winning writer/director/producer Alan Ball is among our generation's most important creative voices. Born in Atlanta, Ball studied Theatre Arts at Florida State University. In March 2000, AMERICAN BEAUTY, Ball's first screenplay to get produced, won five Academy Awards, including Best Picture and Best Original Screenplay.Ball went on to create and executive produce the groundbreaking HBO drama SIX FEET UNDER. The series ran for five seasons and received two Golden Globes, six Emmys, and an Emmy and DGA Award for Ball's direction of the pilot.Ball made his feature film directorial debut with TOWELHEAD, distributed by Warner Independent Pictures. In 2008, Ball continued his successful collaboration with HBO by creating and executive producing the series TRUE BLOOD.The series received two Golden Globe nominations for Best Television Drama Series, as well as an Emmy nomination for Outstanding Drama Series, a Producer's Guild nomination, and a Grammy soundtrack nomination for Ball.Then, in 2018, he created, and executive produced HERE AND NOW for HBO. Most recently, in 2020, Ball wrote, directed, and produced UNCLE FRANK for Amazon Studios, which was nominated for an Emmy.Please enjoy my conversation with Alan Ball.

Academy and Emmy Award-winning writer/director/producer Alan Ball is among our generation's most important creative voices. Born in Atlanta, Ball studied Theatre Arts at Florida State University. In March 2000, AMERICAN BEAUTY, Ball's first screenplay to get produced, won five Academy Awards, including Best Picture and Best Original Screenplay.Ball went on to create and executive produce the groundbreaking HBO drama SIX FEET UNDER. The series ran for five seasons and received two Golden Globes, six Emmys, and an Emmy and DGA Award for Ball's direction of the pilot.In 2007, Ball made his feature film directorial debut with TOWELHEAD, distributed by Warner Independent Pictures. In 2008, Ball continued his successful collaboration with HBO by creating and executive producing the series TRUE BLOOD.The series received two Golden Globe nominations for Best Television Drama Series, as well as an Emmy nomination for Outstanding Drama Series, a Producer's Guild nomination, and a Grammy soundtrack nomination for Ball.Then, in 2018, he created, and executive produced HERE AND NOW for HBO. Most recently, in 2020, Ball wrote, directed, and produced UNCLE FRANK for Amazon Studios, which was nominated for an Emmy.Ball was also one of the executive producers of the Cinemax series Banshee.Please enjoy my conversation with Alan Ball.

Another monthly bonus book episode and this one is NOT to be missed with the cutest Christmas romance that filled Stauney and Sadie with absolute yuletide glee. "Faking Christmas" by Cindy Steel is a highly rated and self-published adorable new release this year that details a cute Christmas romance and we adored it. We discuss our love for the book, our Romance Novel episode that is criminally underrated, and also discuss the immense empire of hallmark movies that are unpretentious fun - something we could all use a bit more of during this holiday season. Listen to our Romance Novel Episode Read Faking Christmas by Cindy SteelFollow Us on Instagram @morethanamuse.podcast

A greeting from Rich announcing the date of Season 2. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hosts Richard Speight, Jr. and Rob Benedict share their favorite moments from season 1 of Supernatural and season 1 of the podcast. Details about what to expect with season 2 of the podcast are shared. Plus you'll hear some Fun Facts about Rob and Rich that even they didn't know about each other. Producer Steve Hein and editor Trae Budde join the conversation. Chaos reigns!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Jim Beaver joins the podcast for the Season 1 finale, Devil's trap. He shares fun behind-the-scenes stories, tells us his Supernatural origin story, and details on the name "Bobby Singer." Ivan Hayden pops-in to share a story about the climactic fight scene between John Winchester and the Yellow-Eyed Demon. Also, Kevin Parks details how the Baby and truck crash at the end was a happy accident. We made it to the end of season one!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Guest Star Erin Karpluk shares stories about being strapped to the ceiling and the first times she met Jared Padalecki and Jensen Ackles. Plus find out which Canadian city has the best food, Vancouver or Toronto. Rob Benedict and Richard Speight, Jr. share their perspective on what makes this episode special. Season 1 is coming to a close soon!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

1st Assistant Director and co-producer Kevin Parks is a walking encyclopedia of Supernatural knowledge. Hear firsthand about how they had to stop filming because someone thought there was a sniper in the area. He shares plenty of great behind-the-scenes stories. Rob and Rich teach us a little something about vampires and tell us why Eric Kripke wanted to avoid vampires at first. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Guest Star Taylor Cole (Sarah Blake) shares stories about fighting a haunted painting with Sam and Dean. She talks about getting the giggles with Jared and Jensen. Hear about her crazy scream. Rob and Rich share some real-life stories of haunted paintings. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Longtime Supernatural producer Todd Aronauer comes back to the podcast to share insights about how Something Wicked came together, behind-the-scenes stories, and learn about more of the crew that made the show happen. Kim Rhodes joins Rob and Rich for the review. We learn about her tattoo rating system. This is a wicked cool episode!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Who's ready to face ghosts!?! Guest stars AJ Buckley and Travis Wester join the podcast to talk about their introduction to the Supernatural universe and the entry of their characters. They share details about what was improvised and what wasn't, and what a joy it was to be on the set. They fellas even jump ahead a little to Ghostfacers. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Brad, the guy literally closest to the action, joins the show. Brad shot on Supernatural for all 15 seasons, at times even substituting as Cinematographer. He shares stories of working with Jared, Jensen, and Nicki Aycox, stories of making shadow monsters (spoiler, it wasn't monkeys), and why you should be careful when you eat calzone. Rob and Rich talk about first meeting Brad and how he was their first friend on set. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Actress Jessica Steen joins the podcast and talks about shooting nights, how creepy Missy Bender is, and how she doesn't like getting locked in cages. Matt Cohen (the OG 1970s John Winchester) joins Rob and Rich to review the episode. Rob and Rich learn that the Benders are inspired by a true-life murderous family. "Demons I get. People are crazy."See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Director of this episode, Phil Sgriccia, returns to the podcast. Hear stories about getting the sets to feel authentic, how Phil uses real magic to create the special effects, and find out what a "cut out car" is. Rich and Phil connect over all the rules for how directors should cover hunters in certain situations.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Composer Jay Gruska joins the show and shares his Supernatural origin story, and how he enjoyed collaborating with Christopher Lennertz to design the musical landscape. He discusses the performances in the episode and the loyalty of the Supernatural community. Rob and Rich ponder Dean's awkwardly long sex scene. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Guest Star Julie Benz joins the podcast. She shares stories about how she got started in acting, how much she loved working with Jensen Ackles and Jared Padalecki, who from the show she got to kiss, and what it was like working in mud. Plus Jared and Jensen pop-in to have some fun with Rob and Rich. Don't fear the reaper!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Executive Producer Bob Singer and Production Designer Jerry Wanek (two titans of television) return to talk about Scarecrow, one of Season 1's scariest episodes. Hear about how the town wasn't a real-sized town, who came up with the look of the scarecrow, shooting in the fog, and how much everyone loved shooting Nicki Aycox, for the debut of Meg. Take a break from and listen.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

EPISODE 166 | Which criminal trial throughout history was truly the 'Trial of the Century'? Nick and guest sidekick host, true crime podcaster Rebekah Sebastian, attempt to uncover the truth in this episode covering the trials that most captivated the world. It's the Top 10ish Most-Watched Criminal Court Trials in Television History, based on global viewership. PLUS: common themes among the Top 10, who got away with murder, being a public defender, factors that lead to a guilty verdict, serial killers, crazy tall hair, and MUCH more. IMAGES DISCUSSED: The crazy hair in court from #5: https://www.nme.com/wp-content/uploads/2016/10/phil_spector_paphotos_L140409_01-1.jpg #5's mugshot: https://static.independent.co.uk/s3fs-public/thumbnails/image/2014/09/24/13/Phil-Spector.jpg?width=1200 ---------------------------------------------- Hear more from Rebekah on her podcasts, DIE-ALOGUE and CRIMINALITY. DIE-ALOGUE is a true crime podcast featuring interviews with experts in the true crime and criminal justice space; CRIMINALITY is a podcast for those of us who love reality TV, true crime, and want to hear all the juicy stories where the two genres intersect. Get more info and listen now at https://www.rebekahsebastian.com. EPISODES WE MENTIONED: Nick joins Rebekah to discuss the Top 10 Modern Cults You Probably Haven't Heard Of Interview with Kirk Nurmi, defense attorney for #1 Interview with Kathy Kleiner, survivor from #11 ---------------------------------------------- NEWSLETTER: https://www.10ishpod.com/newsletter REDDIT: https://www.reddit.com/r/10ishPod YOUTUBE: https://www.youtube.com/10ishpodcast TWITTER: https://www.twitter.com/10ishpod INSTAGRAM: https://www.instagram.com/10ishpod ---------------------------------------------- You could have been listening to this very episode EARLY and 100% AD-FREE as a 10ish Pod+ member. Sign up now to get future episodes before anyone else, with zero ads; you'll also get monthly bonus episodes not available anywhere else, free swag, and more. Get more info at https://www.10ishpod.com/plus. ---------------------------------------------- 10ish Podcast Theme Music:  Hackbeat by Kevin MacLeod (incompetech.com)  Licensed under Creative Commons: By Attribution 3.0 License: https://filmmusic.io/standard-license 10ish Podcast Ad Music (10ish Pod+): Funk Game Loop by Kevin MacLeod (incompetech.com)  Link: https://incompetech.filmmusic.io/song/3787-funk-game-loop License: http://creativecommons.org/licenses/by/4.0 Background Music during 10ish Podcast Reviews: Monkeys Spinning Monkeys by Kevin MacLeod https://incompetech.filmmusic.io/song/4071-monkeys-spinning-monkeys Learn more about your ad choices. Visit podcastchoices.com/adchoices

Director Guy Bee and Producer and Post Supervisor Todd Aronauer join the show to talk about the super creepy episode, Asylum. Guy has directed several episodes of Supernatural, and Todd is one of the few people that worked on the pilot and then went on to work on the series for years. We get details about how they shot at an actual abandoned asylum and how they accomplished many of the super freaky ghost effects. Also, hear why Todd had to sleep on Kripke's couch. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Visual Effects Supervisor Ivan Hayden joins the podcast. Hear details about the visual effects craft and hear Rob and Rich's theories about Missouri Moseley and the reasons the boys return home. Everything is on fire!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Guest star Tyler Johnston and co-writer Rachel Nave Dworkin discuss Bugs with hosts Richard Speight, Jr. and Rob Benedict. Hear stories about Tyler getting into a strange white van and how Rachel got cheated out of a toaster oven. Jared Padalecki and Jensen Ackles pop in to share a story from the set. Bugs, it isn't as bad as you remember.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Executive Producer McG talks about how he first met Eric Kripke and heard the pitch for Supernatural. He shares secrets behind some of the special effects of the episode. Jane McGregor who played Lori Sorenson also joins the episode and shares why they had to do re-shoots and that her dogs didn't get along with Jared's dogs. And of course Rob and Rich crack jokes. Supernatural Then and Now continues with never before heard insights from the cast, crew and producers.Follow Story Mill Media on Instagram: https://www.instagram.com/storymillmedia/And Twitter: https://twitter.com/StoryMillMediaSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Jerry Wanek, Production Designer, Producer and Director, shares details about this super gross episode. Rob Benedict, Richard Speight, Jr. and Jerry's talk about the sewer, the rats, and peeling ones skin off. Here about why most sets had to be built, and how the brothers were almost stuck staying in Motel 6s across the country. Plus, a very special surprise guest calls in. Supernatural Then and Now continues with never heard insights from the cast.Follow Story Mill Media on Instagram: https://www.instagram.com/storymillmedia/And Twitter: https://twitter.com/StoryMillMediaSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Director and Producer Phil Sgriccia and Composer Chris Lennertz share details about music, editing, and the creative process. Jovanna Burke (Bloody Mary) pops in and shares some great BTS stories about the make-up and special FX. This episode is packed and super fly!Supernatural Then and Now continues with never before heard insights from the cast, crew and producers.Follow Story Mill Media on Instagram: https://www.instagram.com/storymillmedia/And Twitter: https://twitter.com/StoryMillMediaSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Director of Photography Serge Ladouceur talks about the look he developed for the show and shares details about Phantom Traveler with hosts Rob Benedict and Richard Speight, Jr. Also, Serge and Bob Singer talk about working together and with Jared and Jensen. Jensen pops in and shares a funny story about working with Bob as a director. This baby is full!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Bob Singer, Supernatural's 15 year Executive Producer, tells us how he got involved in the show, describes his directing style and shares some great behind-the-scenes stories about shooting with kids and water. Bob spends some time with hosts Rob Benedict and Richard Speight, Jr. remembering Kim Manners, who directed Dead In The Water and a bunch of other episodes but passed away in season 4. Amy Acker who was the guest star in Dead In The Water pops in and tells us some crazy stories about the bathtub scene. Find out what "faked" means. This is a ride you don't want to miss!Supernatural: Then and Now continues with never before heard insights from the cast, crew and producers.Follow StoryMill Media on Instagram: https://www.instagram.com/storymillmedia/And Twitter: https://twitter.com/StoryMillMediaSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Jared Padalecki and Jensen Ackles join the conversation with hosts Richard Speight Jr. and Rob Benedict for the premiere episode of Supernatural: Then & Now. The road trip begins with Sam and Dean Winchester themselves here to discuss the pilot episode of Supernatural, written by Eric Kripke and directed by David Nutter. The boys join us to talk about auditioning and meeting, what goes into a pilot, lighting ceilings on fire, and much more as we get this show on the road.Follow StoryMill Media on Instagram: https://www.instagram.com/storymillmedia/And Twitter: https://twitter.com/StoryMillMediaSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Jensen Ackles and Jared Padalecki are back again with hosts Rob Benedict and Richard Speight Jr. as our journey continues. The actors behind Sam and Dean Winchester are here to discuss the second episode of Supernatural, season one, “Wendigo,” written by Eric Kripke with a story by Ron Milbauer, and directed by David Nutter. Join Rob, Rich, and the boys, to recall their first episode shot in Vancouver, setting the tone of the show, becoming brothers on-screen and off, the origin of “Saving people, hunting things, the family business.” Supernatural: Then and Now continues with never before heard insights from the cast.Follow StoryMill Media on Instagram: https://www.instagram.com/storymillmedia/And Twitter: https://twitter.com/StoryMillMediaSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome to Supernatural Then and Now, a weekly rewatch podcast about the iconic fantasy series from The CW. Join hosts Rob Benedict (Chuck Shurley/God) and Richard Spight Jr (Gabriel and director of many episodes) on a road trip back in time as they share stories from behind the scenes and dive deep into the longest-running genre show in American history with guest appearances from Jared Padalecki, Jensen Ackles, and more.Remember for this ride: Driver picks the podcast, shotgun shuts his cakeholeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.