Podcast appearances and mentions of lindy lee

In Episode 513, Ryan and Jose are joined by David Blair for another Book Club of Blood. This time, we cover "Son of Celluloid".  This is the Clive Barker Podcast, where long-time fans Ryan and Jose interview guests, bring you the news, and take deep dives into Barker-related stuff.  This episode will be available in Podcast Audio and Youtube Video. Sponsor : Don Bertram's Celebrate Imagination | Pinterest | ETSY Store Check out his recent paintings, The Waiting Room II, "Tulips III",   "Date Night", Texas Friends: Don will hbe at an art Show in Pearland, November 22nd at Country Place Soclal Hall Sponsor : Ed Martinez YouTube Channel Hellraiser 2022 Short about the new puzzle box configurations Sponsor : The Now Playing Podcast Patreon (Live Thanks)    Patreon Members Shout-Out (Become a Patron) David Anderson Erik Van T' Holt Daniel Elven Amanda Stewart Bradley Gartz Matthew Batten Bennett Jesse Clara Leslie Timothy Ramakers Terry Murdock Sponsor: Don Bertram's Celebrate Imagination Sponsor, Ed Martinez YouTube Channel Sponsor : The Now Playing Podcast New from Patreon Extended interview with Peter Atkins Texas Frightmare Memories The Lost World of the EctoSphere Kickstarter Update New Sponsor - Now Playing Podcast Survey Needed -  Nathan Smith   Book Club of Blood Discussion: Books. Of Blood Vol. 3 | Son of Celluloid   Show Notes Eclipse Graphic Novel adaptation Les Edwards' Site Son Of Celluloid on Revelations & early attempt at Film Adaptation   Feedback / Questions Thoughts from Reddit Thoughts from Discord Coming Next Hellraiser Revival Discord Interviews and news Book Club of Blood: Rawhead Rex And this podcast, having no beginning will have no end.   web www.clivebarkercast.com Apple Podcasts,  Android,  Amazon Music, Spotify, Pandora, Libsyn, Tunein, iHeart Radio, Pocket Casts, Radio.com, and YouTube and Facebook: | BarkerCast Listeners Group | Occupy Midian  BlueSky | Reddit | Discord Community   Support the show Buy Our Book: The BarkerCast Interviews Occupy Midian  Hardcover | Kindle | Apple Become a Patreon Patron | Buy a T-Shirt   Music is by Ray Norrish   All Links and show notes in their Entirety can be found at https://www.clivebarkercast.com   ----------   AI Summary   The group began transitioning into an in-depth analysis of Clive Barker's "Son of Celluloid," exploring its narrative structure, themes, and character development. They examined various aspects of the story, including its cinematic references, character motivations, and the decline of traditional movie theaters, while sharing personal memories of past theater experiences. The discussion concluded with an exploration of the story's themes of illusions and reality, monster encounters, and the challenges of adapting Barker's work into different media formats.    They then began analyzing Clive Barker's "Son of Celluloid," discussing its narrative structure divided into three acts and its themes of ambition and cancer as metaphors. The story follows Barbario, a fugitive criminal who hides in an old movie theater and watches a Fellini film while bleeding to death, unaware that his cancer is the result of his dangerous lifestyle. The group noted that while the story contains dated references to Marilyn Monroe and John Wayne, it effectively captures the nostalgia of old movie theaters and the magic of cinema.     The group discussed Clive Barker's story about a theater that became haunted after changing from a place of worship to a cinema, with José explaining how the building accumulated decades of audience emotions and became a "cathedral of collective dreams." They explored the character development of Birdie, the ticket lady who is bored and self-conscious about her weight, and how her intelligence becomes her strength when facing the antagonist. The conversation also touched on the decline of cinema attendance and the specific details of the Tron Ares movie, including Bruce Boxleitner's decision not to reprise his role as Tron.   Memories of Classic Movie Theaters The group discussed their memories of old movie theaters, including the smell of cigarettes and popcorn, torn seats, and pre-movie slides advertising local businesses. They shared their first movie theater experiences, with Ryan remembering "Sinbad and the Eye of the Tiger" and Blair recalling "Star Wars" at a drive-in. José shared his fond memories of watching "E.T." as a child and mentioned the original darker treatment for the film. The conversation then shifted to Ricky's investigation of Lindy Lee's boyfriend in the bathroom, where he unexpectedly finds himself in a Western-themed setting. Monster's Failed Illusion Tactics The group discussed the story's themes of illusions manifesting in reality, particularly focusing on a scene where a monster creates a John Wayne illusion to threaten characters. They analyzed how the monster's aggressive approach failed when Ricky punched the illusion, leading to its dissolution. The discussion highlighted Ricky's character contrast with Birdie's correct choices, and noted that the monster would likely try a different tactic after this failed attempt at intimidation. Horror at the Movie Theater The group discussed a horror story involving a movie theater, where Birdie discovers a bloody scene and an unconscious man, while Lindy Lee disappears after seeing a bunny. Birdie attempts to call for help but is thwarted by a mysterious voice that locks the doors, forcing her to retrieve keys from Ricky. Despite her initial fear, Birdie wisely decides to seek help rather than stay trapped, and she eventually finds the body of a victim whose eyes have been violently removed. Marilyn Monster Seduction Analysis The group discussed a scene from a graphic novel where a monster in the form of Marilyn Monroe seduces Ricky, leading to his death. They analyzed the visual and narrative elements, including the use of flickering lights to create the illusion and the monster's need for attention. The conversation touched on themes of immortality through pop culture icons and Ricky's foolish decision to engage with the monster despite the danger. They also briefly mentioned Birdie's attempt to defend herself with a crowbar. Psychic Monster Comic Adaptation The group discussed the comic adaptation of a story involving a monster that feeds on psychic energy from moviegoers. They analyzed key plot points, including Birdie's armed defense against attackers, her escape attempt through a theater fire exit, and her confrontation with the monster. José highlighted the monster's transformation and its connection to the character Barbario, while Ryan and Blair noted the story's exploration of themes like ambition, waste, and the impact of movies on people's lives. The discus Adapting 'Son of Celluloid The group discussed Clive Barker's "Son of Celluloid," focusing on its themes of body horror, celebrity worship, and the dangers of spectatorship. They explored the challenges of adapting the story into a film, particularly regarding the use of real celebrities' likenesses. José shared insights from Barker's early attempts to pitch the story to studios and the eventual difficulties in securing funding. The conversation also touched on the graphic novel adaptation by Steve Niles and Les Edwards, highlighting its painted artwork and the availability of original pages for sale. The group agreed to explore the story further in their next episode, which will focus on "Rawhead Rex."

Send us a textIn this episode of Art Wank, we sit down with one of Australia's most respected – and at times divisive – voices in the art world, John McDonald. Known for his decades-long career as an art critic and columnist, John brings sharp insight, dry humour, and a deep knowledge of art history to the conversation.We discuss the role and relevance of art prizes in today's cultural landscape, including whether they truly reflect quality or simply reinforce trends and institutional biases. John shares his candid thoughts on the Archibald Prize, among others, and questions the criteria by which we measure artistic merit in competitive formats.Our chat turns to the shifting state of the Powerhouse Museum and the controversial changes that have sparked public outcry. John offers a well-informed perspective on how institutions like the Powerhouse serve (or fail to serve) their communities, and what's at stake when decisions are made without proper consultation.We also touch on public art and the recent Lindy Lee sculpture installed at the National Gallery of Australia. While acknowledging her important place in Australian art, John questions the processes behind major commissions and whether spectacle sometimes overshadows substance in large-scale public works.This episode is a lively, thought-provoking conversation about the state of the Australian art world — its politics, pitfalls, and potential — from someone who's spent a lifetime analysing it. Whether you agree or disagree with his views, John McDonald is never boring, and his insights are well worth a listen. If you'd like to read more of John McDonald's writing, subscribe to his Substack, Everything the Art World Doesn't Want You to Know. 

They used to lay-buy contemporary art together when they were low-paid gallery workers, forging a business relationship early on.Now, Ursula Sullivan and Joanna Strumpf are one of Australia's most successful art partnerships in terms of the cultural impact of the artists they represent — Tony Albert, Lindy Lee, Polly Borland, ex de Medici, Sam Leach, and Ramesh Mario Nithiyendran, to name a few. This year, they're celebrating two decades together at the head of Sullivan + Strumpf.What's even more remarkable is that after 20 years in the commercial gallery business they're still friends.

Lindy Lee is one of Australia's most successful, and revered contemporary artists. However, she wasn't always the iconic, confident sculptor we know so well today. A child of Chinese migrants, Lindy grew up under the racism of the White Australia policy. It took Lindy many years, and many careers, to finally find her artistic confidence, but once she started down that path she never looked back. Having spent a lifetime building her toolkit and cultivating her curiosity, Lindy feels like she's only now - in her 70's - coming into her prime.

Lindy Lee's Ouroboros is the most expensive single artwork commission in Australian history. A $14 million, three-tonne, 10-metre wide freestanding shell of mirror-polished stainless steel with 48,000 individually cut plasma-cut perforations: Lindy calls the Ouroboros “her”. Mia Hull talks to artist Lindy Lee, NGA Director Nick Mitzevich, foundry director Eve Willems, haulage “megatrucker” Jon Kelly and legendary pilot driver Nick.

How artist Khaled Sabsabi was picked, and then dumped, from Australia’s Venice Biennale mission - and why his art about Hezbollah and 9/11 have sparked a political and artistic firestorm. Find out more about The Front podcast here. You can read about this story and more on The Australian's website or on The Australian’s app. This episode of The Front is presented by Claire Harvey, produced by Stephanie Coombes, and edited by Tiffany Dimmack. Our team includes Kristen Amiet, Lia Tsamoglou, Joshua Burton and Jasper Leak, who also composed our music. See omnystudio.com/listener for privacy information.

Susie Moore, deputy managing editor at RedState.com; and Lindy Lee, Democratic National Finance Committee, tell us more about who could be accompanying the next president to the White House.

Susie Moore, deputy managing editor at RedState.com and Lindy Lee, Democratic National Finance Committee

Susie Moore, deputy managing editor at RedState.com and Lindy Lee, Democratic National Finance Committee

In this episode, we speak with one of Australia's foremost contemporary artists, Lindy Lee. Throughout her life and practice, Lindy has sought the answer to one of the most fundamental questions - where do I belong? This investigation began in her childhood as a first-generation Chinese-Australian growing up in Brisbane during the 1950s and 60s. During the early years of her art practice, Lindy explored themes of family, personal identity, and history. Later, as Lindy began to engage with Taoism and Ch'an (Zen) Buddhism, this question expanded to examine her place within what she calls 'the cosmos'. Lindy's monumental public sculptures feature prominently outside many of our national institutions. With a career spanning over four decades, Lindy has also achieved widespread international acclaim, showcasing her work in counties such as Canada, China, Hong Kong, Japan, Malaysia, New Zealand, and Singapore. To view Lindy's works of art in Newcastle Art Gallery's collection, visit www.nag.org.au/podcast Conversations from the Collection is a Newcastle Art Gallery podcast. Find new episodes weekly until Wednesday 14 February 2024.  Developed by Newcastle Art Gallery Hosted & Produced by Zana Kobayashi Produced, Edited and Music by Duke's CreationsResearch by Tulleah Pearce Mixed by Sawtooth Studio See omnystudio.com/listener for privacy information.

Conversations from the Collection – a Newcastle Art Gallery podcast.  This six-part summer listening series explores stories from renowned artists who have contributed to Newcastle Art Gallery's iconic collection.  Our second season will include conversations with artists Lottie Consalvo, Janet Fieldhouse, Tina Havelock Stevens, Lindy Lee,  Owen Leong and Jemima Wyman.  Season Two launches on Wednesday 10 January 2024. Listen weekly to new episodes here or find us on your favourite podcast listening app.See omnystudio.com/listener for privacy information.

Welcome to the Soma Collective Podcast, we are thrilled to have with us Lindy Lee, a highly acclaimed artist who has made a significant impact in the world of art. Lindy's work is deeply rooted in Zen Buddhism and is characterised by her exploration of impermanence, intuition and mindfulness. Her art evokes deep emotions and invite the viewer to reflect on their own experiences and journey. In this episode, Lindy sits down with Gary Gorrow for a live recording on the Dome for our community event, Soma Sunday. The conversation is  intimate, raw and full of wisdom, providing listeners with a unique perspective on the intersection of art, spirituality and mindfulness. Lindy Lee's journey and insights will inspire you to find your own flow and to embrace the power of impermanence and the present moment. Let's delve into the world of Zen with Lindy Lee.

As a Chinese-Australian girl growing up in the era of the White Australia Policy, artist Lindy Lee always felt that she didn't belong. When she became a student of Zen Buddhism, big shifts began in her life, and her art (R)

As a Chinese-Australian girl growing up in the era of the White Australia Policy, artist Lindy Lee always felt that she didn't belong. When she became a student of Zen Buddhism, big shifts began in her life, and her art (R)

On this episode of The Curious Capitalist, I speak with Conscious Capitalism Connecticut board member Lindy Lee Gold. Lindy is the Senior Development Specialist for the State of Connecticut and the Department of Economic and Community Development for over 24 years. However, this only tells us half the story of Lindy's incredible impact on the community in Connecticut as she is also on the board of directors for the Housatonic Community College Foundation and a member of the Business Advisory Committee for Bridgeport University and Southern University. She is also the former President of the Gateway Community College Foundation. www.connecticut.consciouscapitalism.org

What do artists think about when making huge public art? Lindy Lee is making the most expensive work commissioned by the NGA, and Judy Watson's bara will grace Sydney's harbour with a giant Gadigal fish hook. Then, the US art lab addressing the problem of confederate monuments to racist causes... and Indigenous artists Julie Gough, Nicholas Galanin and Yhonnie Scarce on Australia's own colonial memorialising.

What do artists think about when making huge public art? Lindy Lee is making the most expensive work commissioned by the NGA, and Judy Watson's bara will grace Sydney's harbour with a giant Gadigal fish hook. Then, the US art lab addressing the problem of confederate monuments to racist causes... and Indigenous artists Julie Gough, Nicholas Galanin and Yhonnie Scarce on Australia's own colonial memorialising.

What do artists think about when making huge public art? Lindy Lee is making the most expensive work commissioned by the NGA, and Judy Watson's bara will grace Sydney's harbour with a giant Gadigal fish hook. Then, the US art lab addressing the problem of confederate monuments to racist causes... and Indigenous artists Julie Gough, Nicholas Galanin and Yhonnie Scarce on Australia's own colonial memorialising.

What do artists think about when making huge public art? Lindy Lee is making the most expensive work commissioned by the NGA, and Judy Watson's bara will grace Sydney's harbour with a giant Gadigal fish hook.Then, the US art lab addressing the problem of confederate monuments to racist causes... and Indigenous artists Julie Gough, Nicholas Galanin and Yhonnie Scarce on Australia's own colonial memorialising.

As a Chinese-Australian girl growing up in the era of the White Australia Policy, artist Lindy Lee always felt that she didn't belong. When she began studying Zen Buddhism, some big shifts began to happen in her life, and her art

As a Chinese-Australian girl growing up in the era of the White Australia Policy, artist Lindy Lee always felt that she didn't belong. When she began studying Zen Buddhism, some big shifts began to happen in her life, and her art

As a Chinese-Australian girl growing up in the era of the White Australia Policy, artist Lindy Lee always felt that she didn't belong. When she began studying Zen Buddhism, some big shifts began to happen in her life, and her art

The great writer and Nobel Prize winner André Gide said, “Art is a collaboration between God and the artist and the less the artist does, the better." On God Forbid, James Carleton explores the relationship between art, humanity and the sacred with creatives Lindy Lee and Rod Pattenden.

What do artists think about when making huge public art? Lindy Lee is making the most expensive work commissioned by the NGA, and Judy Watson's bara will grace Sydney's harbour with a giant Gadigal fish hook. Then, the US art lab addressing the problem of confederate monuments to racist causes... and Indigenous artists Julie Gough, Nicholas Galanin and Yhonnie Scarce on Australia's own colonial memorialising.

What do artists think about when making huge public art? Lindy Lee is making the most expensive work commissioned by the NGA, and Judy Watson's bara will grace Sydney's harbour with a giant Gadigal fish hook. Then, the US art lab addressing the problem of confederate monuments to racist causes... and Indigenous artists Julie Gough, Nicholas Galanin and Yhonnie Scarce on Australia's own colonial memorialising.

What do artists think about when making huge public art? Lindy Lee is making the most expensive work commissioned by the NGA, and Judy Watson's bara will grace Sydney's harbour with a giant Gadigal fish hook. Then, the US art lab addressing the problem of confederate monuments to racist causes... and Indigenous artists Julie Gough, Nicholas Galanin and Yhonnie Scarce on Australia's own colonial memorialising.

What do artists think about when making huge public art? Lindy Lee is making the most expensive work commissioned by the NGA, and Judy Watson's bara will grace Sydney's harbour with a giant Gadigal fish hook.Then, the US art lab addressing the problem of confederate monuments to racist causes... and Indigenous artists Julie Gough, Nicholas Galanin and Yhonnie Scarce on Australia's own colonial memorialising.

The great writer and Nobel Prize winner André Gide said, “Art is a collaboration between God and the artist and the less the artist does, the better." On God Forbid, James Carleton explores the relationship between art, humanity and the sacred with creatives Lindy Lee and Rod Pattenden.

The great writer and Nobel Prize winner André Gide said, “Art is a collaboration between God and the artist and the less the artist does, the better." On God Forbid, James Carleton explores the relationship between art, humanity and the sacred with creatives Lindy Lee and Rod Pattenden.

Dr Shuxia Chen, Curator of the China Gallery at the Chau Chak Wing Museum, joins Dr Craig Barker to welcome the Year of the Ox with two artworks from the collection. Photocopy works by Chinese-Australian artist Lindy Lee and Beijing artist Wang Youshen from the late 1980s and early 1990s are discussed in reference to Shuxia's own art historical research and together we examine how artists were looking for new ways to combine Eastern and Western traditions during that creative and experimental period. Artworks Lindy Lee, Untitled III (after Antonello da Messina), 1987, JW Power Collection, PW1987.18.a-p Wang Youshen, Portrait Series: Document I, 1990, mixed media, University Art Collection, UA2001.34 Guest: Dr Shuxia Chen joined the Chau Chak Wing Museum as its inaugural China Gallery curator in 2019. Her research interests include the relations between art, society and politics, cultural networks and artist groups in Asia. Host: Dr Craig Barker, Head, Public Engagement, Chau Chak Wing Museumand Director, Paphos Theatre Archaeological Excavations. Follow @DrCraig_B on Twitter and Instagram. __ Subscribe to Muse Extra, our monthly newsletter and follow @ccwm_sydney on Instagram, Twitter and Facebook. Learn more about the Chau Chak Wing Museum at sydney.edu.au/museum

Tony Costa won the Archibald prize in 2019 with his stunning painting of contemporary artist Lindy Lee. I caught up with him a few weeks later in his studio in Sydney and our podcast conversation from that day is episode 70 of the podcast. I also recorded video in Tony's studio which I edited down to about 5 minutes, with lots of painting wisdom ending up on the cutting room floor. So in this episode I'm bringing you the full conversation. Tony has been painting for over 50 years. Apart from winning the Archibald prize, in portraiture he is a regular finalist in the Doug Moran and Kilgour prizes as well as many others, but it’s in landscape that he is particularly prolific. He has won the Paddington Art prize for landscape painting and repeatedly returns to the Royal National Park in Sydney’s south where he has found endless inspiration. His first solo exhibition since winning the Archibald opens at Art Atrium in Sydney on 15 May 2021 and will consist of oils, watercolour and ink works based on areas within the Royal National Park. To hear our 2019 conversation click 'play' beneath the above photo of Tony in his studio. You can see the video in Tony's studio below. I also filmed an interview with Tony in the Art Gallery of NSW not long after the Archibald announcement was made and you can see that video below also.  https://www.youtube.com/watch?v=-wmdfFrmK70 Tony Costa talks with me in his studio https://www.youtube.com/watch?v=ybBqm0uLilI Tony Costa talks with me at the Art Gallery of NSW shortly after winning the Archibald Prize One of two drawings Tony made in preparation for his winning portrait The second drawing The hospital bed which serves as the working surface Tools used in painting The one paint brush in the studio Painting palette 'Hacking River No 5 Royal National Park'

Influential artist Lindy Lee reflects on her long career; plus the art collective Still Nomads claiming new space for young African Australian artists.

Influential artist Lindy Lee reflects on her long career; plus the art collective Still Nomads claiming new space for young African Australian artists.

Influential artist Lindy Lee reflects on her long career; plus the art collective Still Nomads claiming new space for young African Australian artists.

Influential artist Lindy Lee reflects on her long career; plus the art collective Still Nomads claiming new space for young African Australian artists.

Influential artist Lindy Lee reflects on her long career; plus the art collective Still Nomads claiming new space for young African Australian artists.

Today on Soul Search, we encounter meditation and stillness in unexpected places. From the streets in the U.S. at the height of the Black Lives Matter protests, to the third floor of Sydney's Museum of Contemporary Art. We meet U.S. activist and Dharma practitioner Dr Rima Vesely-Flad and Lindy Lee, one of Australia’s most significant contemporary artists whose work is saturated in Zen philosophy.

Today on Soul Search, we encounter meditation and stillness in unexpected places. From the streets in the U.S. at the height of the Black Lives Matter protests, to the third floor of Sydney's Museum of Contemporary Art. We meet U.S. activist and Dharma practitioner Dr Rima Vesely-Flad and Lindy Lee, one of Australia’s most significant contemporary artists whose work is saturated in Zen philosophy.

DEFINING MOMENTS LECTURE SERIES: Founding of Gallery 4A and the inaugural exhibition in 1997 with Dr Mikala Tai ABOUT THIS LECTURE: In this lecture, Dr Mikala Tai discusses the founding of Gallery 4A in Sydney and its inaugural exhibition in 1997 featuring three Asian-Australian artists: Emil Goh, Lindy Lee and Hou Leong, curated by Melissa Chiu, 4A’s first curator and director. Tai considers the exhibition and the context in which the organisation launched and how 4A continues to expand and thrive. ABOUT THE SPEAKER: Dr Mikala Tai is the Director of 4A Centre for Contemporary Asian Art, and a curator, researcher and academic specialising in contemporary Asian art and Australian design. Tai has collaborated with local, national and international organisations to strengthen ties between Australia and Asia. As an academic Tai has lectured at both RMIT and the University of Melbourne, and devised and delivered the inaugural Contemporary Asian Art syllabus at RMIT (2012 – ) and the first China Fieldwork Course (2015 – ) with Rebecca Coates and Kate McNeill at the University of Melbourne. Tai was the founder and director of Supergraph – Australia’s Contemporary Graphic Art Fair, which has been held twice at the Royal Exhibition Building in Melbourne and exhibited at Somerset House, London (2015). Tai currently sits on the board of BUS Projects, Melbourne. THANK YOU TO OUR PARTNERS: Presenting Partner Abercrombie & Kent; Research Partner Centre for Visual Art (CoVA); Event Partners Melbourne Gin Company, Capi and City of Melbourne; Media Partners Art Guide Australia, The Saturday Paper, 3RRR FM Produced by Gatherer Media. Further information: acca.melbourne/series/defining-moments/

Kultūros ir meno mėnesinio žurnalo „Kultūros barai“ apžvalga su vyriausiąja redaktore Laima Kanopkiene.Pasaulyje: meno kūrinių medžioklė Paryžiuje, metų muziejus Škotijos miestelyje, Australų menininkė Lindy Lee, Pietų Korėjoje vėl iškilo per taifūną nuniokota skulptūra.Domanto Razausko muzikinės naujienos.Su rubrika „Atminties akmenys“ – Nacionalinės bibliotekos Judaikos tyrimų centro vadovė Lara Lempertienė pristato Vytauto Didžiojo universiteto Semitologijos katedros vadovą Nachmaną Šapirą.„Ši paroda – 2020 metų refleksija. Šie metai išskirtiniai, tiek dėl bendros situacijos, tiek dėl asmeninių išgyvenimų. Darydamas parodą bandysiu atsispirti nuo jau plėtotų temų ir judėti toliau. Parodos pavadinimas „1 mm turi reikšmės“ taikliai įvardija pastarąjį laiką, o apie atstumus ir įvairias ribas jau ilgą laiką mąstau įvairiais aspektais“ – svarsto skulptorius Rimantas Milkintas.LRT Klasikos naujajame sezone pirmadienį debiutuoja kritikas Vaidas Jauniškis su laida „Refleksijos“ ir politikos filosofas Simas Čelutka, vesiantis laidą „Tarp praeities ir ateities“.LRT Klasikos eteryje —Sigito Parulskio detektyvas „Labai triukšminga vieta gyventi“. Pokalbis su radijo pjesės režisieriumi Juozu Javaičiu, garso režisiere Sonata Jadevičiene ir aktoriais.

Gerūta Griniūtė ir Jūratė Katinaitė prisimena vieną ryškiausių Lietuvos operos solistų – bosą Vaclovą Daunorą.Rašytojas ir vertėjas Laurynas Katkus sudarė „dinamiškos ir plėšrios“ Amerikos moderniosios poezijos antologiją „Miestų atsiradimas“.Projekto „Neringos miško architektūra“ sumanytojai Jurga Daubaraitė ir Jonas Žukauskas Nidoje jau pastatė medienos džiovyklą, vienos pušies pagalba aprašė Neringos miško istoriją, o dabar kviečia į nemokamas ekskursijas Kuršių Nerijoje.Pasaulyje: meno kūrinių medžioklė Paryžiuje, metų muziejus Škotijos miestelyje, Australų menininkė Lindy Lee, Pietų Korėjoje vėl iškilo per taifūną nuniokota skulptūra.Teatro kritikės Godos Dapšytės komentaras.Latvijos kino režisierė Laila Pakalnina dokumentikoje „Šaukštas“ pasakoja, kiek resursų išnaudojama vieno vienkartinio šaukšto gamybai ir kaip greitai jis atsiduria šiukšlių dėžėje. Pasakoja Rūta Dambravaitė.Tautodailininkas, skulptorius Rimantas Zinkevičius pamėgo dirbti su už Egipto piramides senesne medžiaga – juoduoju ąžuolu. Kurdamas menininkas nenori nei valgyti, nei gerti, jo darbus saugo Nacionalinis muziejus, o apsilankęs svečiuose R. Zinkevičius ir pliauską prie šeimininkų namų krosnies gali paversti meno kūriniu. Su tautodailininku bendrauja Vita Ličytė.Ved. Juta Liutkevičiūtė

Lindy Lee reflects on what it means to belong as a Chinese Australian artist living and working in Australia today.

Lindy Lee reflects on what it means to belong as a Chinese Australian artist living and working in Australia today.

Lindy Lee reflects on what it means to belong as a Chinese Australian artist living and working in Australia today.

Lindy Lee reflects on what it means to belong as a Chinese Australian artist living and working in Australia today.

What is it like to paint a famous face? What relationship is formed between artist and sitter? And how does a painting go from blank canvas to winning the coveted Archibald Prize? Listen back to Archibald Prize 2019 winner Tony Costa and his subject, the renowned painter and sculptor Lindy Lee, for a deep dive into the artist studio.

Here's your guide to the paintings of the 13 podcast guests whose works were shortlisted in the 2019 Archibald prize. Go to episodes 72 and 73 for the Wynne and Sulman guides! Click here for an overview of how to use this guide Click here for images of the Archibald Prize finalists Click here to see the gallery map below if you are looking at this on your podcast app. Feature Photo: 'Lindy Lee', (detail), oil on canvas, 182.5 x 152cm, Tony Costa, winner of Archibald prize 2019 Click on the artist's name below to go to their podcast episode and see the video. The time marking shows where the artist's work is mentioned in the episode and the number in brackets is the number of the work in the AGNSW. 1:25___ Jude Rae (41) 3:35___ Jonathan Dalton (14) 6:40___Prudence Flint (22) 9:38___Tony Costa (winner) (13) 13:05___Blak Douglas (18) 15:50___Paul Ryan (43) 18:13___Marc Etherington (20) 21.11___Loribelle Spirovski (44) 23:35___Laura Jones (27) 25:10___ Vanessa Stockard (45) 27:54___Natasha Bieniek (5) 29:51___ Natasha Walsh (49) 32:45___Euan Macleod (34)

Tony Costa says winning the Archibald makes the invisible artist visible but you wouldn’t have called him invisible before he won the prize this year.  He’s been painting for over 50 years, and in addition to the Archibald has won several other awards including the Paddington Art Prize for landscape painting and has been shortlisted in others including another three times in the Archibald, in the Doug Moran National Portrait Prize, the Wynne Prize, the Sulman Prize, the Kilgour Prize, and the list goes on. Costa paints in an expressionist style. His whole practice is about trapping energy and a large part of his method is guided by an eastern philosophy - seeking to enter into the world of nothingness and distancing himself from any thought process. This process is applied whether it's a landscape or a portrait. His methods are neither traditional nor predictable and I found our conversation incredibly interesting and eye opening with a good dose of humour thrown in. This podcast interview was recorded in Tony's beautiful studio in Sydney. To hear it, press play beneath the above feature photo. I first met Tony at the Art Gallery of NSW shortly after his win was announced. You can see my 5 minute interview with him on that day here. Scroll down for a short video of Tony Costa talking with Maria Stoljar in his studio. Current shows Archibald, Wynne and Sulman prizes, Art Gallery of NSW, Sydney, current until 8 September 2019Salon des Refusés, S.H.Ervin Gallery, Sydney, current until 28 July 2019 Show Notes Tony Costa at Art AtriumDesiderius OrbanKevin ConnorFred CressJohn Firth SmithColin LanceleySyd BallRodney MilgateIan FairweatherFred WilliamsNeo-expressionismTransavanguardiaMimmo PaladinoEnzo CucchiFrancesco ClementeSandro ChiaRoberta Bell- AllenClement GreenbergLucian FreudPhilip GustonRembrandtJohn PeartLindy LeeClaudia Chan ShawDavid FairbairnBen Quilty Lloyd ReesJeanette Siebols https://youtu.be/-wmdfFrmK70 Tony Costa talks with Maria Stoljar in his studio 'Lindy Lee', 2019, oil on canvas,182.5 x 152cm Winner Archibald Prize 2019 'Fallen Tree Port Hacking River RNP', 2014, gouache on paper, 135 x 114cm Winner Paddington Art Prize 2014 'Claudia Chan Shaw', 2018, oil on canvas, 182.5 x 152cmFinalist Archibald Prize 2018 'Simon Chan', 2017, oil on canvas, 183 x 152cmFinalist Archibald Prize 2017 'David Fairbairn', 2015, oil on canvas, 152 x 122cm Finalist Archibald Prize, 2015 Portraits of David Fairbairn in Costa's studio - finalists in the Archibald Prize, Kilgour Prize and Doug Moran National portrait prizes. 'Hacking River Audley RNP' vinyl on paper, 152 x 114cmSalon des Refusés, S.H Ervin Gallery, 2019 'Angophora RNP', 2014, gouache on paper, 151 x 114cmFinalist Wynne Prize 2014 Costa's first painting created at 13 years of age which he talks about in the opening minutes of the interview

Tony Costa on his Archibald-winning portrait of Lindy Lee, Labor's arts policy, Vincent O'Donnell checks out the Venice Biennale, and ceramicist Nicolette Johnson at BAD.

Tony Costa on his Archibald-winning portrait of Lindy Lee, Labor's arts policy, Vincent O'Donnell checks out the Venice Biennale, and ceramicist Nicolette Johnson at BAD.

Lindy Lee is one of Australia’s most respected contemporary artists, with a career spanning three decades in Australia and internationally. As a first generation Chinese Australian Lindy Lee has always felt ambivalent about where she belonged. Take a listen how her life has influenced her art with Elizabeth Ann Macgregor, Director of the Museum of Contemporary Art.

Lindy Lee is one of Australia’s most respected contemporary artists, with a career spanning three decades in Australia and internationally. As a first generation Chinese Australian Lindy Lee has always felt ambivalent about where she belonged. Take a listen how her life has influenced her art with Elizabeth Ann Macgregor, Director of the Museum of Contemporary Art.

Thank you for listening to this Lunchtime Talk produced by the Art Gallery of South Australia. In this live recording, the Art Gallery's Curator of Contemporary Art, Leigh Robb, discusses the work of Lindy Lee in the 2018 Adelaide Biennial of Australian Art: Divided Worlds. The 2018 Adelaide Biennial of Australian Art: Divided Worlds is on display until 3 June 2018. For more information visit: adelaidebiennial.com.au/2018 Insightful lunchtime floor talks are presented by our curators and invited guests, held every Tuesday at 12:30pm. For more information visit: artgallery.sa.gov.au/agsa/home/Even…and_tours.html

Even though Chinese-Australian artist Lindy Lee has changed and refined her art practice over time, there are certain themes that continually pervade her work; her Chinese heritage, questions of identity and being, spiritual practices, zen buddhism, gesturing towards the cosmos, and the emotions of pain, grief and hope. Lindy discusses these ideas, focusing on the question that she poses to herself and others: “Where is your freedom?” See more at Art Guide Australia online: https://tinyurl.com/y5qm5852

For Lindy the creative process begins with connection to the materials you choose and trusting that, following through and then the deepest questions of the heart are allowed to unfold and reveal themselves to you The post 012: Lindy Lee – The Dark of Absolute Freedom appeared first on Aesha Kennedy | Mindful Creative Living for Soulful Women.