Podcasts about parnassum

 De '50', el número 50 de su discografía y con el que el trompetista Herb Alpert celebra además 50 años casado con la cantante Lani Hall, 'Dancing down 50th street', 'Are you lonesome tonight', 'Baubles, bangles and beads', 'Corcovado' y 'Morning mist'. El acordeonista Richard Galliano acaba de publicar 'Around Gershwin', un disco en solitario, con obras de Claude Debussy ('Doctor Gradus ad Parnassum'), Erik Satie ('Gymnopédie nº1'), Maurice Ravel ('Pavane pour une infante défunte') o George Gershwin ('But not for me', 'The man I love', 'Rhapsody in blue'). Para la despedida, Steen Rasmussen con 'Ton to ton'.  Escuchar audio

Bassoonist Amy Harman and Wolf Hall composer Debbie Wiseman are today's studio guests, as Linton Stephens sits in for Cerys Matthews alongside Jeffrey Boakye. This episode takes us from Samuel Coleridge-Taylor to Glenn Miller's wartime smash hit.Producer Jerome Weatherald Presented, with music direction, by Jeffrey Boakye and Linton StephensThe five tracks in this week's playlist:Nonet, Op.2 ‘Gradus ad Parnassum': 1st movement by Samuel Coleridge-Taylor Nobody Knows (Ladas Road) by Loyle Carner Adagio from Piano Sonata in G minor by Clara Schumann If I Ain't Got You by Alicia Keys In the Mood by Glenn MillerOther music in this episode:Top Hat, White Tie and Tails by Irving Berlin Moondance by Van Morrison Symphony No. 6 in B minor by Pyotr Ilyich Tchaikovsky Nobody Knows by Pastor T L Barrett & The Youth for Christ Choir Tar Paper Stomp by Wingy Manone

Der französische Cembalist Jean Rondeau, ein großartiger Virtuose auf seinem Instrument, hat nun Werke aus verschiedenen Epochen eingespielt, die zumindest vordergründig einen didaktischen Zweck verfolgen.

A blend of Pacific and Mediterranean of ancient and right now, is promised in a new dance film series shot by Daniel Belton and scored by Dame Gillian Whitehead.

A blend of Pacific and Mediterranean of ancient and right now, is promised in a new dance film series shot by Daniel Belton and scored by Dame Gillian Whitehead.

This week, we start out with a rousing round of Back to the Future AKA Retrogradus ad Parnassum, and then we move on to our three topics:MUSICIANS FIRED FROM THEIR OWN QUARTETNonprofit board fires DaPonte String Quartet musicians, changes mission (Portland Press Herald)CHINA-NK FRIENDSHIP CONCERTFull Performance of North Korean Artists in Beijing (YouTube)RAVEN CHACON WINS 2022 PULITZER IN MUSICFull performance (Vimeo)Meet Raven Chacon, the first Native American to win the Pulitzer Prize for music (NPR)Commentary: Raven Chacon's ‘Voiceless Mass' magnifies unsung voices into the realm of the sacred (LAT)The Pulitzer Prize Winner That Emerged Out of a Time of Quietness (NYT)CLASSICAL MIXTAPEThe full playlistTiffanyFarrenc, Symphony No. 3, mvmt. 3WillBloch, Baal ShemGabeBeethoven, arr. Roman Kim: Symphony No. 5THINK YOU CAN STUMP US? GO AHEAD AND TRY!Google Form for “Name that Tune: Stump the Hosts Edition” You can reach us at classicalgabfest@gmail.com and on social media:FacebookTwitterInstagram

This week, we start out with a rousing round of Back to the Future AKA Retrogradus ad Parnassum and then we move on to our three topics:LOUISVILLE CREATORS CORPSLO Creators Corps Homepage (LO)Louisville Orchestra Reveals Innovative Creative Program (Billboard)“THE CONDUCTOR”Stream the Documentary on PBSBRIGHT SHENG FIASCO AT UMICHIGANAfter the Sheng Fiasco, Music and Arts Education Can No Longer Profess Colorblindness (Musicology Now)What I See In the Latest Blackface Scandal (NYT) Playing a Blackface Video Isn't Fireable. It Shouldn't Be Okay (Sammy Sussman)CLASSICAL MIXTAPEThe full playlistTiffanyChristopher Cerrone, New AddressesWillVerdi, Otello, Act III: BallabileKenshoLera Auerbach, Frozen DreamsTHINK YOU CAN STUMP US? GO AHEAD AND TRY!Google Form for “Name that Tune: Stump the Hosts Edition” You can reach us at classicalgabfest@gmail.com and on social media:FacebookTwitterInstagram

Jocelyn Hagen joins us for episode 13 of the Composer Happy Hour. Jocelyn is a prolific composer with many fabulous works, but what I think I admire most about her are her passion and enthusiasm for poetry, and her strong interest in collaboration. Her collaborations with hip-hop artist Dessa and electronic musician Spearfisher bring unexpected voices to choral music, and she performs together with her husband (choral composer Tim Takach) as Nation, an a cappella duo that often performs "pop" music. Her love of poetry is readily apparent just by seeing the poets she has illuminated in her choral music, but hearing her talk about the poems (or even read them aloud) reveals sincere admiration for the work of these other artists. On this episode, we discuss poetry, pop music, and whether or not Frasier is suitable binging material. Jocelyn Hagen composes music that has been described as “simply magical” (Fanfare Magazine) and “dramatic and deeply moving” (Star Tribune, Minneapolis/St. Paul). She is a pioneer in the field of composition, pushing the expectations of musicians and audiences with large-scale multimedia works, electro-acoustic music, dance, opera, and publishing. Her first forays into composition were via songwriting, still very evident in her work. The majority of her compositions are for the voice: solo, chamber and choral. Her melodic music is rhythmically driven and texturally complex, rich in color and deeply heartfelt. In 2019 and 2020, choirs and orchestras across the country premiered her multimedia symphony The Notebooks of Leonardo da Vinci that includes video projections created by a team of visual artists, highlighting da Vinci's spectacular drawings, inventions, and texts. Hagen describes her process of composing for choir, orchestra and film simultaneously in a Tedx Talk given at the Walker Art Center in Minneapolis, now available on YouTube. Her dance opera collaboration with choreographer Penelope Freeh,Test Pilot, received the 2017 American Prize in the musical theater/opera division as well as a Sage Award for “Outstanding Design.” The panel declared the work “a tour de force of originality.” In 2013 Hagen released an EP entitled MASHUP, in which she performs Debussy's “Doctor Gradus ad Parnassum” while singing Ed Sheeran's “The A Team.” She is also one half of the band Nation, an a cappella duo with composer/performer Timothy C. Takach, and together they perform and serve as clinicians for choirs from all over the world. Hagen's commissions include Conspirare, the Minnesota Opera, the Minnesota Orchestra, the International Federation of Choral Music, the American Choral Directors Association of Minnesota, Georgia, Connecticut and Texas, the North Dakota Music Teachers Association, Cantus, the Boston Brass, the Metropolitan Symphony Orchestra and the St. Olaf Band, among many others. Her work is independently published through JH Music, as well as through Graphite Publishing, G. Schirmer, ECS Publishing, Fred Bock Music Publishing, Santa Barbara Music Publishing, and Boosey and Hawkes. www.jocelynhagen.com All Recordings Used by Permission of the Composer: "I Started Out Singing" University of Toledo Rocket Choristers "Look Out Above" Macalester College "Load Poems Like Guns" Conspirare

This week, we start out with a rousing round of Back to the Future AKA Retrogradus ad Parnassum, and then we move on to our three topics:UNFINISHEDBeethoven didn't know how to read a metronomeAre there snakes in the AlpsThe New York Metropolitan OperaUnion negotiationsDallas SO / NFTsNo kids at the MET this fallCompetition judges only watch 22 seconds of online videoJarod Impichchaachaaha Tate named US Cultural AmbassadorWill's new group name!www.harmoniaseattle.org CHICAGO SYMPHONY SEASON (P)REVIEWhttps://order.cso.org/events?view=listing&startdate=2021-09-01JOHN WILLIAMS' NEW VIOLIN CONCERTOhttps://youtu.be/fl_-JKB21b0 CLASSICAL MIXTAPEThe full playlistKenshoAugusta Holmès - La Nuit et l'amour (1888)TiffanyFranck, “Ce qu'on entend sur la montagne"WillSchnittke, Movement 1 Cadenza for the Beethoven Violin ConcertoTHINK YOU CAN STUMP US? GO AHEAD AND TRY!Google Form for “Name that Tune: Stump the Hosts Edition” https://forms.gle/NbCgtefUXkNgF7c49You can reach us at classicalgabfest@gmail.com and on social media:FacebookTwitterInstagram

Today we've got a special crossover episode of the podcast featuring The Classical Gabfest. After one of their hosts appeared on Podium Time (Kensho Watanabe, PT102), they invited Jeremy on to play a game at the beginning of this episode. Following that is a full episode of the Classical Gabfest featuring stories on Curtis entering the Arts Management game, Glenn Gould's program on "How Mozart Became a Bad Composer," and an interview with composer Dale Trumbore. They round it all off with the Classical Mixtape, where each host shares their suggested listening for this week.I really hope that you enjoy this episode of the podcast and will go subscribe on your preferred podcast platform. You can find all their episodes at https://cgf.buzzsprout.com/1313269--This week, we start out with a rousing round of Back to the Future AKA Retrogradus ad Parnassum with Jeremy D. Cuebas of the Podium Time podcast, and then we move on to our three topics:CURTIS WADES INTO THE ARTIST MANAGEMENT GAMEFacebook announcementGLENN GOULD’S “HOW MOZART BECAME A BAD COMPOSER”https://youtu.be/1pR74rorRxs DALE TRUMBORE ON “STAYING COMPOSED”Dale TrumboreBuy the bookCLASSICAL MIXTAPEThe full playlistDaleReena Esmail, Piano Trio, mvmt. 3WillSchnittke, Concerto for Mixed Chorus, mvmt. 1KenshoHaydn, String Quartet in D major, No.5, mvmt. 4. FinaleTiffanyLiszt, “Consolation” No. 3THINK YOU CAN STUMP US? GO AHEAD AND TRY!Google Form for “Name that Tune: Stump the Hosts Edition” You can reach us at classicalgabfest@gmail.com and on social media:FacebookTwitterInstagram--Find this and all other episodes at PodiumTimePod.com. Subscribe and download Podium Time on your favorite podcast player and connect with us on Facebook, Twitter, and Instagram at @PodiumTimePod. You can also join our Facebook Group, the Podium Time Inner Circle to ask questions and continue the conversation after every episode. Want to send us an email? Use the contact page on our website! If you’d like to support the podcast monetarily and get bonus content, consider joining our Patreon community at Patreon.com/PodiumTimePod. If you’re in the market for a new baton, use our promo code “PodiumTime” at Pagubatons.com for 20% off your first order. Support the show (https://patreon.com/podiumtimepod)

This week, we start out with a rousing round of Back to the Future AKA Retrogradus ad Parnassum with Jeremy D. Cuebas of the Podium Time podcast, and then we move on to our three topics:CURTIS WADES INTO THE ARTIST MANAGEMENT GAMEFacebook announcementGLENN GOULD'S “HOW MOZART BECAME A BAD COMPOSER”https://youtu.be/1pR74rorRxs DALE TRUMBORE ON “STAYING COMPOSED”Dale TrumboreBuy the bookCLASSICAL MIXTAPEThe full playlistDaleReena Esmail, Piano Trio, mvmt. 3WillSchnittke, Concerto for Mixed Chorus, mvmt. 1KenshoHaydn, String Quartet in D major, No.5, mvmt. 4. FinaleTiffanyLiszt, “Consolation” No. 3THINK YOU CAN STUMP US? GO AHEAD AND TRY!Google Form for “Name that Tune: Stump the Hosts Edition” You can reach us at classicalgabfest@gmail.com and on social media:FacebookTwitterInstagram

This week, we start out with a rousing round of Back to the Future AKA Retrogradus ad Parnassum and then we move on to our three topics:TULSA OPERA “DECOMISSIONS” COMPOSER DANIEL ROUMAINGuardian articleOperawire (includes full aria text)Daniel Roumain's tweetMOVIE CLUB: “LE CONCERT”Watch the film on YouTube!DOUGLAS SHADLE ON DVORAK'S NEW WORLD SYMPHONYAntonin Dvorak's “New World Symphony” (OUP)Let's Make the Future That the ‘New World' Symphony Predicted (NYT)Douglas ShadleCLASSICAL MIXTAPEThe full playlistDougNkeiru Okoye, Harriet Tubman: When I Crossed That Line to Freedom: “I am Moses the Liberator”KenshoDvorak, The Golden Spinning Wheel WillBronislau Kaper, Auntie Mame: Title SequenceTiffanyDvorak, Serenade for StringsTHINK YOU CAN STUMP US? GO AHEAD AND TRY!Google Form for “Name that Tune: Stump the Hosts Edition” https://forms.gle/NbCgtefUXkNgF7c49You can reach us at classicalgabfest@gmail.com and on social media:FacebookTwitterInstagram

This week, we start out with a rousing round of Back to the Future AKA Retrogradus ad Parnassum, and then we move on to our three topics:MUSIC AT THE BIDEN INAUGURATION WITH COL. JASON FETTIGThe US Marine Band “Inaugural Soundtrack” (YouTube)TIKTOK SEA SHANTIESSea Shanties Like “The Wellerman Song” Are Trending on TikTok (Vox)Adam Neely's Sea Shanty ExplainerTHE STATE OF THE NEA WITH PROF. MICHAEL SY UYTrump Tried to End Federal Arts Funding; It Grew (NYT) Ask The ExpertsMichael Sy UyCLASSICAL MIXTAPEThe full playlistMichaelVijay Iyer, “A Song for Flint”WillPurcell, Dido & Aeneas: “Come away fellow sailors”KenshoGrieg, Violin Sonata No. 1 in F Major, mvmt. 1TiffanyBarber, Second Essay for OrchestraTHINK YOU CAN STUMP US? GO AHEAD AND TRY!Google Form for “Name that Tune: Stump the Hosts Edition” You can reach us at classicalgabfest@gmail.com and on social media:FacebookTwitterInstagram

We’re back for series 3! When a petulant princess loses her golden ball, an overly friendly frog comes to the rescue. But when he tries to hop in her bed the princess has other ideas.Another classic story brought to you by Grimm Reading, but this is not the tale you think you know! Who is iron Henry? Why isn’t he the frog prince? And where is that famous froggy kiss? Discover the answers to all this and more, in our opening episode The Frog King.We’ve also launched a competition! Here’s our story leaderboard: https://grimmreading.podbean.com/p/2020-competition-story-scores/And you can sign up to Pook Press's newsletter and see their bookshop here: http://ow.ly/7VRY50Bau0z And here's a link to the Jingle Bells video Adam mentioned: https://bit.ly/3i7uLPF  Twitter Facebook Instagram Patreon grimmreadingpodcast@gmail.com Theme music: Bicycle Waltz by Goodbye Kumiko Other Music: Chopin's Opus 32 No. 2 in A flat Major performed by Willem Wim // Chopin's Etude Op. 10, no. 8 in F major // Debussy's Children's Corner, Doctor Gradus ad Parnassum

Muzio Clementi Gradus ad Parnassum quarta parte con Alessandro Marangoni

Muzio Clementi Gradus ad Parnassum terza parte con Alessandro Marangoni

Muzio Clementi, Gradus ad Parnassum seconda parte con Alessandro Marangoni

Muzio Clementi, Gradus ad Parnassum prima parte con Alessandro Marangoni

最近勺子有两个朋友都买了电钢琴，开始了成人学琴者生涯。练钢琴，最痛苦的事，莫过于枯燥无味的练习曲——从入门到放弃，就靠它了。 而对于大多数古典音乐爱好者来说，练习曲却又是肖邦的《离别》《革命》，李斯特的《钟》《马捷帕》，如果喜爱炫技流，那听到这些华丽的练习曲，简直有如吃到了东坡肉中油汪汪的大肥肉。 其实练习曲对于钢琴艺术的发展一直起到了很重要的作用，从枯燥无味的劝退神器，到无数爱乐人的心头好，练习曲到底是如何起源、如何发展，就让勺子用两期节目的时间好好跟大家聊聊。 阿 D, 卡尔·车尔尼 Carl Czerny - 钢琴初级教程，作品 599 Erster Wiener Lehrmeister im Pianoforte-Spiel, Op.599: 第 60 首 LXX 格伦·古尔德 Glenn Gould, 约翰·塞巴斯蒂安·巴赫 Johann Sebastian Bach - 第 1 号降 B 大调帕蒂塔，BWV 825 Partita No. 1 in B-Flat Major, BWV 825: 第 1 首，前奏曲 I. Prelude / 第 2 首，阿拉曼德舞曲 II. Allemande / 第 3 首，库朗特舞曲 III. Courante / 第 4 首，萨拉班德舞曲 IV. Sarabande / 第 5 和 6 首，小步舞曲第 1 和 2 首 V & VI. Menuett I & II / 第 7 首，吉格舞曲 VII. Gigue 格伦·古尔德 Glenn Gould, 约翰·塞巴斯蒂安·巴赫 Johann Sebastian Bach - 第 13 首 A 小调二部创意曲，BWV 784 Invention No. 13 in A Minor, BWV 784 / 第 14 首降 B 大调二部创意曲，BWV 785 Invention No. 14 in Flat B Major, BWV 785 / 第 6 首 E 大调三部创意曲，BWV 792 Sinfonia No. 6 in E Major, BWV 792 皮埃尔·瀚代 Pierre Hantaï, 多梅尼科·斯卡拉蒂 Domenico Scarlatti - 大键琴练习 Essercizi per gravicembalo: B 小调奏鸣曲，K.27 Sonate en Si Mineur, K.27: Allegro 达尼埃尔·拉法尔 Danielle Laval, 穆齐奥·克莱门蒂 Muzio Clementi - 名手之道，作品 44 Gradus ad Parnassum, Op.44: 第 2 首，C 大调，流畅而快速地 II. Pièces en ut Majeur: Veloce 郎朗, 克劳德·德彪西 Claude Debussy - 儿童园地，L. 113 Children's Corner, L.113: 第 1 首，博士练习曲 I. Doctor Gradus ad Parnassum 江崎昌子, 卡尔·车尔尼 Carl Czerny - 钢琴流畅练习曲，作品 849 30 Études de mécanisme, Op.849: 第 13 首 XIII / 第 26 首 XXVI 马西米利亚诺·杰诺特 Massimiliano Génot, 卡尔·车尔尼 Carl Czerny - 钢琴快速练习曲，作品 299 The School of Velocity, Op.299: 第 26 首 XXVI / 第 37 首 XXXVII / 第 39 首 XXXIX / 第 36 首 XXXVI 帕斯卡·罗杰 Pascal Rogé, 克里斯蒂娜·欧提兹 Cristina Ortiz, 夏尔·迪图瓦 Charles Dutoit, 乐团：伦敦小交响乐团 London Sinfonietta, 卡密尔·圣桑 Camille Saint-Saëns: 动物狂欢节，R. 125 Le carnaval des animaux, R.125: 第 3 首，野驴 III. Hémiones (animaux véloces) / 第 11 首，钢琴家 XI. Pianistes 玛格丽特·奥特维尔 Margaret Otwell, 弗里德里希·布格缪勒 Franz Burgmüller - 钢琴进阶练习 25 首，作品 100 25 Études faciles et progressives, Op.100: 第 2 首，阿拉伯风 II. L'arabesque / 第 5 首，天真烂漫 V. Innocence / 第 7 首，清澈的溪水 VII. Le courant limpide 弗拉基米尔·菲尔兹曼 Vladimir Feltsman, 罗伯特·舒曼 Robert Schumann - 少儿曲集，作品 68 Album für die Jugend, Op.68: 第 1 首，旋律 I. Melodie / 第 2 首，士兵进行曲 II. Soldatenmarsch / 第 8 首，粗犷的骑士 VIII. Wilder Reiter / 第 10 首，快乐的农夫 X. Fröhlicher Landmann, von der Arbeit zurückkehrend 伊沃·波格雷里奇 Ivo Pogorelich, 弗雷德里克·肖邦 Frédéric Chopin - 第 2 号钢琴奏鸣曲，作品 35 Piano Sonata No.2, Op.35: 第 4 乐章，终曲，急板 IV. Finale. Presto 巴拉兹·索科莱 Balazs Szokolay, 穆齐奥·克莱门蒂 Muzio Clementi - 六首小奏鸣曲，作品 36，第 1 首，C 大调小奏鸣曲 6 Piano Sonatinas, Op.36, No.1, Sonatina in C major: 第 1 乐章，快板 I. Allegro

Donald Macleod delves into the life and work of piano prodigy Muzio Clementi. Muzio Clementi was one of the 18th and 19th century’s most revered musicians – a star performer, a composer admired by Czerny, Beethoven and Chopin and an astute musical businessman. However, he also had his detractors in his own time and history hasn’t been as kind to him as to the greater names of his time – Haydn, Mozart and Beethoven. Today his name is unfamiliar to most but it is certainly better known than the music he wrote. He was fortunate to have interactions with perhaps the world's three greatest composers, but this fortune may have also worked against him - putting him in direct competition with them. Across the episode, Donald Macleod explores Clementi’s contact with the greatest composers of his day, reassessing the life and music of the man known as the “father of the piano” in the light of these encounters. We’ll hear the stories of his musical duel with Mozart, stage-sharing with Haydn, brushes with Beethoven and dispute with John Field over a hat. Music featured: Symphony No 3 (Finale) Musical Characteristics, Op 19 Piano Sonata in A flat Major, WoO 13 Sonata for piano, Op 2 No 4 Duetto in C Major, Op 3 No 3 (Presto) Mozart (arr. Clementi): Symphony no. 40 in G minor, K 550 (Finale) Sonata in G minor, Op 7 No 3 Toccata in B flat Major, Op 11 No 2 Sonata in B flat major, Op 24 No 2 Variations on Mozart’s Batti, batti, o bel Masetto from Don Giovanni, WoO 10 Sonata in E flat major, Op. 8 No 2 (II. Larghetto con espressione) Symphony in B flat major, Op 18 No 1 (I. Allegro Assai) Sonata in G minor, Op 9 No 2 Overture in D Major Symphony No 4 Capriccio in F major, Op 34 No 2 Monferinas selection Sonata, Op 34 No 2 Concerto for piano and orchestra (II. Adagio e cantibile) Piano Sonata in F minor, Op 13 No 6 (III. Presto) Adagio sostenuto in F major (Gradus ad Parnassum, Book I, No 14) Sonata in B minor, Op 40 No 2 (II. Largo) Symphony No 2 in D major ( Finale) Symphony No 1 in C major (III. Minuet and Trio) Piano Sonata in G minor, Op 50 No 3 “Didone abbandonata” Presented by Donald Macleod Produced by Sam Phillips for BBC Wales For full tracklistings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Muzio Clementi https://www.bbc.co.uk/programmes/m0009bdq And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Fist-pumping highs to tear-jerking lows - Bobby Friction from BBC Asian Network finds it all in this week's playlist as he discovers a powerful emotional virus lurking in the music of French composer Claude Debussy but says [spoiler] NO NO NOT NOT NOT NO NO to Dvorak. Bobby's playlist in full Bernstein: Candide Overture Couperin: Les Baricades Misterieuses (arranged by Thomas Ades) Debussy: Doctor Gradus ad Parnassum (from Children’s Corner) Dvorak: String Quartet in F AKA "American" Purcell: Music for a While (from Oedipus) Smetana: Vltava (from Ma Vlast) Bonus tracks Ravi Shankar's Raga Piloo The Humma Song from OK Jaanu

Counterpoint, the art of combining two or more independent melodic lines, is a practice that has been around for hundreds of years. However, not a lot of musicians are familiar with the term. In this episode, part 1 of 2, we will discuss it's origins, it's usefulness and the many rules that revolve around it's process. We will build a cantus firmus, based on these rules. We will also learn what a cantus firmus is! Finally, we will tease part 2 of this series with a brief discussion of species counterpoint.

durée : 01:58:30 - Souffle de mer - par : Renaud Machart - **Programme musical** **Claude Debussy:** _Children's Corner_, L. 113 - "Doctor Gradus ad Parnassum" Michel Dalberto (piano) Aparté AP111 **Franz Schmidt:** Symphonie n°2 - 1. _Lebhaft_ Vienna Philharmonic Orchestra Semyon Bychkov (direction) Sony 88985355522 **Peter Maxwell Davis:** _The Last Island_, Op. 301 pour sextuor à cordes Hebrides Ensemble Delphian DCD34178 **Franz Schubert:** Quintette pour cordes, Op. 163, D 956 - 2. Adagio Melos Quartet et Mstislav Rostropovich (violoncelle) DG 4776357 **Dimitri Chostakovitch:** Concerto pour piano n° 2 : 2. Andante Alexander Melnikov (piano) Mahler Chamber Orchestra Teodor Currentzis (direction) Harmonia Mundi HMC902104 **Aubert Lemeland:** _Time Landscapes_ op.153 Carole Farley (soprano) Cordes de l'ensemble instrumental de Grenoble Marc Tardue (direction) Skarbo D SK 5994 **Benjamin Britten:** _Night – Night Piece – Notturno_ Stephen Hough (piano) coffret de 37 CD EMI2175262 **Benjamin Britten:** _Peter Grimes_, Op. 33, "Four Sea Interludes" Boston Symphony Orchestra Leonard Bernstein (piano) Deutsche Grammophon 431 768-2 Dernier concert public de L. Berstein 19 août 1990 à Tanglewood - réalisé par : Laurent Lefrançois

音乐是财富是一种心情、是一个改变自己的方式。 它能表达出你的心情，释放你的压力，找到你的共鸣！

Que représente cette peinture ? Une pyramide, la montagne des muses ou le Niesen ? Découvrez ce tableau et son artiste, Paul Klee, dont l’œuvre protéiforme a joué un rôle essentiel dans l’art du XXe siècle. Un podcast de la série sur les œuvres phares de la collection du Musée des Beaux-Arts de Berne.

What is depicted in this work: a pyramid, the mountain of the Muses, or Niesen of the Swiss Alps? Learn more about the painting and its artist Paul Klee, who decisively influenced 20th-century art with his highly diverse work. From the podcast series featuring highlights of the Kunstmuseum Bern’s collection.

Was ist in diesem Werk zu sehen, eine Pyramide, der Berg der Musen oder der Niesen? Erfahren sie mehr über das Bild und seinen Künstler Paul Klee, der durch seine vielseitigen Werke das 20. Jahrhundert entscheidend mit prägte. Aus der Podcast-Serie zu Highlights aus der Sammlung des Kunstmuseums Bern.