Podcasts about Muzio Clementi

Reciban un cordial saludo. Desde Cali (Colombia), les habla Sergio Luis López, compartiéndoles un nuevo episodio de "Así la escuché yo..." En 1988 se presentó en las salas de cines la película “Buster” protagonizada por el músico británico Phil Collins, cuya banda sonora incluyó una canción vocalizada por el propio Phil Collins titulada “A groovy kind of love” (Un tipo lindo de amor). Así la escuché yo… Este tema musical es en realidad una nueva versión de la canción escrita por las compositoras estadounidenses Carole Bayer Sager y Toni Wine, la cual fue grabada 23 años antes que la versión de Phil Collins en el álbum "One bye one" de 1965 por las también estadounidenses Dianne and Annita, quienes la publicaron con el título “A groovey kind of love”. Una versión de “A groovy kind of love” que fue muy popular en 1966 es la que interpretó el grupo británico The Mindbenders. Como dato curioso, hay que decir que esta canción está basada en la melodía compuesta por el músico italiano Muzio Clementi, nacido en 1752 y fallecido en 1832, quien es reconocido como el primer músico que escribió obras exclusivas para piano; Clementi publicó su melodía en 1797 bajo el título “Sonatina en SOL Mayor, Opus 36 N° 5”. ¿Y tú, conocías el origen italiano de esta canción? Autor: Música: Muzio Clementi (italiano) - Letra adaptada al inglés: Carole Bayer Sager & Toni Wine (estadounidenses) A groovy kind of love - Phil Collins (1988) "Buster" Movie Soundtrack álbum (1988) Phil Collins (nombre real Philip David Charles Collins, británico) A groovy kind of love - The Mindbenders (1966) “The Mindbenders” álbum (1966) The Mindbenders (banda británica) A groovey kind of love - Dianne and Annita (1965) "One bye one" mini-álbum (1965) Dianne and Annita (nombres reales Diane Hall and Annita Ray, estadounidenses) Basada en “Sonatina in G major, Op. 36 N° 5” - Muzio Clementi (1797) Muzio Clementi (nombre real Muzio Filippo Vincenzo Francesco Saverio Clementi, italiano)   Sonatina in G major, Op. 36 N° 5 - David Garrett (2013) “David Garret in Concert” álbum (2013) David Garret (nombre real David Christian Bongartz Garrett, alemán) ___________________ “Así la escuché yo…” Temporada: 8 Episodio: 80 Sergio Productions Cali – Colombia Sergio Luis López Mora

Muzio Clementi (1752 - 1832) - Sonata per pianoforte in si bemolle maggiore Op. 24 n. 2 (1781)1.       Allegro con brio                     [0:05]2.       Andante quasi allegretto   [5:32]3.       Rondo: Assai allegro            [8:52] Balázs Szokolay, pianoforte ************ W. A. Mozart (1756-1791) - Sonata per pianoforte in do maggiore n. 10 K.330 (1783)1.       Allegro moderato           [10:27]2.       Andante cantabile          [17:02]3.       Allegretto                          [22:12] Vladimir Horowitz, pianoforte

Sunday Worship for March 17, 2024, from Queen Anne Lutheran Church in Seattle, our 10:30 service— Pastor Dan Peterson, presiding; Cantor Kyle Haugen Prelude—Sonatina in D, Muzio Clementi (1752–1832); Neal P., piano • Deux Arabesques, Claude Debussy (1862–1918); Sonia P., piano  • Introit—Psalm 43:1, 2a, 3 • Gathering Hymn—My Song Is Love Unknown, ELW 343 • First Reading—Jeremiah 31:31-34 • Psalm 51:1-12 • Second Reading—Hebrews 5:5-10 • Gospel—John 12:20-33  • Sermon—"You Vote: Three Approaches to Scripture" Pastor Dan Peterson • Hymn of the Day—The Word of God Is Source and Seed, ELW 506 • Distribution Anthem “Christ Be with Me,” Noel Rawsthorne (1929–2019) • Sending Hymn—Lift High the Cross, ELW 660  • Postlude—Sonata II: Fugue in C major, Felix Mendelssohn-Bartholdy (1809–1847) ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Link here to view the bulletin.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoying our worship recordings? Consider giving a gift to our church; ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠go to this link.⁠

Muzio Clementi was respected and praised by most of his contemporaries, especially Beethoven. Mozart paid respects by quoting or borrowing some of his themes, as composers did often in the classical era. Mozart may have been envious of Clementi’s technique and the two were put side by side on a Christman Eve’s concert type competition READ MORE The post 95. Muzio Clementi, The Composers' Composer first appeared on Accelerando Podcast.

Italia es un país con infinitas riquezas musicales, aunque las sinfonías del Clasicismo no aparecen entre las más representadas ni las más populares para el público. Los autores que aparecen en este episodio oscilan entre la fama de Luigi Boccherini y Muzio Clementi y el casi anonimato de Francesco Araia o Pietro Guglielmi. Los otros 3 autores que completan el septeto del programa son Nicolò Piccinni, Nicola Fiorenza y Gaetano Pugnani. Carlos ha seleccionado movimientos rítmicos con otros mucho más íntimos para hacernos una buena idea de la fabulosa música que se hacía en Italia en la segunda mitad del siglo XVIII. Acompáñanos en un viaje apasionante en la nueva entrega de Hoy Toca, el programa de Clásica FM que te quiere sorprender.

Sunday Worship for April 16, 2023, from Queen Anne Lutheran Church in Seattle, our 10:30 service—Pastor Dan Peterson, Cantor Kyle Haugen; Neal Patten, piano. Prelude—selections for organ; on piano: Sonatina in D Major, Muzio Clementi (1752–1832) • Gathering Hymn—Good Christian Friends, Rejoice and Sing!, ELW 385 •  First Reading—Acts 2:14a, 22-32  • Psalm 16 • Second Reading—1 Peter 1:3-9  •  Gospel—John 20:19-31  • Sermon—Pastor Dan Peterson "(Re)Opening Our Doors"  •  Hymn of the Day—We Walk By Faith, ELW 635  •  Distribution Hymn—Day of Delight and Beauty Unbounded, ACS 933   •  Sending Hymn—This Joyful Eastertide, ELW 391  •  Postlude—selections for organ View the bulletin and read the sermon transcript.

Muzio Clementi (1752-1832) – Sinfonia n. 3 "Great National Symphony" in Sol Maggiore1. Andante Sostenuto - Allegro Con Brio2. Andante Un Poco Mosso3. Minuetto (Allegretto)4. Finale (Vivace)*****Muzio Clementi (1752-1832) – Sinfonia n.4 in Re Maggiore1.       Andante Sostenuto - Allegro Vivace2.       Andante Cantabile3.       Minuetto (Allegro Moderato)4.       Finale (Allegro Vivace) Philharmonia OrchestraClaudio Scimone, direttore

Un día como hoy, 24 de enero. Nacen: 1705, Farinelli. 1732, Beaumarchais. 1752, Muzio Clementi. 1776, E.T.A. Hoffmann. 1888, Vicki Baum Fallecen: 1920, Amedeo Modigliani. Conducido por Joel Almaguer Una producción de Sala Prisma Podcast. 2023.

Synopsis On today's date in 1837, the Dublin-born pianist and composer John Field breathed his last in Moscow at the age of 54. Born in 1782 into musical family, Field soon moved to London to study with the Italian composer Muzio Clementi and became a sought-after concert artist at a very tender age. Haydn heard the 13-year perform in London and was impressed. At age 16, Field premiered his own first Piano Concerto. Over the course of his life, John Field would meet, play for, and perform with many other famous composers of his day, including Beethoven, Czerny, Hummel, Moscheles, and Mendelsohn. Field ended up in Saint Petersburg, where he published his own compositions and apparently lived rather extravagantly. It's said he was so well-off that he could afford to turn down a lucrative appointment to the Russian court. In Tolstoy's famous novel WAR AND PEACE, the Countess Rostova even asks a pianist to play her favorite Field nocturne. And it's quite likely that while in Russia, like most of the Russian nobility of the day, Field got by speaking French, not Russian. It's said that on his deathbed when asked what his religion was, Field replied with a French pun: "I am not a Calvinist, but a Claveciniste (French for a harpsichord player). Music Played in Today's Program John Field (1782-1837) Nocturne No. 2 in C Minor John O'Conor Telarc 80199

Who knew classical piano duels could be so entertaining? We cover infamous duels between Beethoven, Daniel Steibelt, Louis Marchand, Johann Sebastian Bach, Mozart, and Muzio Clementi.Support the show

Muzio Clementi (1752 - 1832) - Sonata per pianoforte in si bemolle maggiore Op. 24 n. 2 (1781)1.       Allegro con brio                    [0:05]2.       Andante quasi allegretto     [5:32]3.       Rondo: Assai allegro            [8:52] Balázs Szokolay, pianoforte ************ W. A. Mozart (1756-1791) - Sonata per pianoforte in do maggiore n. 10 K.330 (1783)1.       Allegro moderato              [10:27]2.       Andante cantabile            [17:02]3.       Allegretto                          [22:12] Vladimir Horowitz, pianoforte

Muzio Clementi - Tarantella Dominic Cheli, piano More info about today's track: Naxos 8.573711 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Muzio Clementi (1752-1832) – Sinfonia n. 3 "Great National Symphony" in Sol Maggiore1. Andante Sostenuto - Allegro Con Brio2. Andante Un Poco Mosso3. Minuetto (Allegretto)4. Finale (Vivace) *****Muzio Clementi (1752-1832) – Sinfonia n.4 in Re Maggiore1.      Andante Sostenuto - Allegro Vivace2.      Andante Cantabile3.      Minuetto (Allegro Moderato)4.      Finale (Allegro Vivace) Philharmonia OrchestraClaudio Scimone, direttore

A partire dall'analisi del celebre confronto musicale tra Wolfgang Amadeus Mozart e Muzio Clementi, avvenuto alla corte imperiale di Vienna il 24 dicembre 1781, si riflette sul ruolo del giudizio estetico e musicale nella società attuale.

Guilherme Augusto Araújo Fernandes é um garoto que mora ao lado de um asilo de idosos e é melhor amigo da dona Antônia Maria Diniz Cordeiro. Quando dona Antônia começa a perder a memória, Guilherme Augusto se prontifica a achá-las. De: Mem Fox Ilustrações: Julie Vivas Tradução: Gilda de Aquino Editora: Brinque-book Música: Camille Saint-Saëns, O Carnaval dos Animais (Fosseis), Orquestra Sinfônica Jovem de Seattle (CC BY SA 3.0). Muzio Clementi, Sonatinas N.1 em C maior – III & I (Vivace e Allegro), executadas por Aaron Dunn (www.musopen.org) ____ O Histórias de Pai Para Filha é um podcast que agrada a pais e filhos, com histórias produzidas, escritas ou adaptadas por mim, um pai coruja que quer ensinar à sua filha o gosto pelas histórias e pela língua portuguesa. Os episódios saem a cada duas semanas. Acompanhe o podcast no Youtube (www.youtube.com/historiasdepaiparafilha) onde eu conto algumas histórias por trás das histórias que você escuta aqui! --- Send in a voice message: https://anchor.fm/depaiparafilha/message

Muzio Clementi (1752-1832) – Sinfonia n. 3 "Great National Symphony" in Sol Maggiore1. Andante Sostenuto - Allegro Con Brio2. Andante Un Poco Mosso3. Minuetto (Allegretto)4. Finale (Vivace)*****Muzio Clementi (1752-1832) – Sinfonia n.4 in Re Maggiore1.       Andante Sostenuto - Allegro Vivace2.       Andante Cantabile3.       Minuetto (Allegro Moderato)4.       Finale (Allegro Vivace) Philharmonia OrchestraClaudio Scimone, direttore

Synopsis Following the successful premiere of his First Symphony in 1876, the New England composer John Knowles Paine finished a Second, which he gave a German subtitle: “Im Fruehling” or “In Springtime.” In 19th century America, “serious” music meant German music, and “serious” musicians like Paine all studied in Germany. Returning home, Paine became the first native-born American to win acceptance as a symphonic composer, and, accepting a teaching post at Harvard, became that school's first professor of music. On today's date in 1880, when Paine's “Spring” Symphony was premiered at Sanders Theater, the normally staid Bostonians went nuts. One critic who was present, recalled that “ladies waved their handkerchiefs, men shouted in approbation, and the highly respected John S. Dwight, arbiter in Boston of music criticism, stood in his seat frantically opening and shutting his umbrella as an expression of uncontrollable enthusiasm.” Paine's music remained tremendously popular in his own day. In 1883 George Henschel, then the conductor of the Boston Symphony, was sent the following poetic suggestion about his programming: Let no more Wagner themes thy bill enhance And give the native workers just one chance. Don't give that Dvorák symphony a-gain; If you would give us joy, oh give us Paine! Music Played in Today's Program John Knowles Paine (1839 - 1906) — Symphony No. 2 (New York Philharmonic; Zubin Mehta, cond.) New World 350 On This Day Births 1839 - American composer and organist Dudley Buck, in Hartford, Conn.; 1844 - Spanish composer and violinist Pablo de Sarasate, in Pamplona; 1892 - French composer Arthur Honegger, in Le Harve; 1903 - American composer and jazz cornetist Bix Beiderbecke, in Davenport, Iowa; Deaths 1832 - Italian-born composer Muzio Clementi, age 80, in Evesham, England; 1870 - Czech-born composer and pianist Ignaz Moscheles, age 75, in Leipzig; 1910 - German composer Carl Reinecke, age 85, in Leipzig; 1991 - American composer Elie Siegmeister, age 82, in Manhasset, N.Y.; Premieres 1785 - Mozart: Piano Concerto No. 21 in C, K. 467, at the Burgtheater in Vienna, with the composer as soloist; 1837 - Mercadante: opera "Il Giuramento" (The Oath), in Milan; 1875 - Goldmark: opera "Die Königin von Saba" (The Queen of Sheba), in Vienna at the Court Opera (Hofoper); 1877 - Borodin: Symphony No. 2, in St. Petersburg, by the Russian Musical Society, Eduard Nápravik conducting (Julian date: Feb. 26); 1880 - Paine: Symphony No. 2 ("Spring"), at Sanders Theater in Boston, by the Boston Philharmonic, Bernard Listermann conducting; The following day, the orchestra of the Harvard Musical Association performed the same work downtown at Boston's Musical Hall, with Carl Zerrahn conducting; 1888 - Franck: symphonic poem "Pysché," in Paris; 1912 - Gliere: Symphony No. 3 ("Ilya Murometz") in Moscow (Gregorian date: Mar. 23); 1916 - Granados: "Intermezzo & Epilogue," from "Goyescas," by the Philadelphia Orchestra, Leopold Stokowski conducting; 1922 - Loeffler: "Irish Fantasies" (Nos. 2, 3 & 5 only) for voice and orchestra, by the Boston Symphony, with Pierre Monteux conducting and tenor John McCormack the soloist; 1932 - Wallingford Riegger: "Dichotomy" for orchestra, in Berlin; 1952 - David Diamond: Quintet for clarinet and strings, at Town Hall in New York City, by clarinetist David Oppenheim, Nathan Gordon and Lillian Fuchs (violins), and Aaron Twerdowsky and Bernard Greenhouse (cellos); 1963 - Henze: opera "Il re cervo" (The Stag King), in Kassel at the Staatstheater; This is the 2nd version of Henze's opera "König Hirsch" which was first staged in an abridged version in Berlin on September 24, 1956; The complete original version of the opera was eventually staged in Stuttgart on May 7, 1985; 1964 - John Harbison: "Sinfonia," in Cambridge, Mass., with violinist Rose Mary Harbison and the Bach Society Orchestra of Harvard, Gregory Biss conducting; 1977 - John Harbison: "Diotima" for orchestra, in Boston, with the Boston Symphony, Joseph Silverstein conducting; Others 1937 - Frank Capra's film "The Lost Horizon" opens at the Four Stars Theater in Los Angeles, featuring a classic film score composed by Dmitri Tiomkin (and conducted by Max Steiner). Links and Resources On John Knowles Paine More on Paine at Harvard

Neste programa, o maestro João Mauricio Galindo responde perguntas sobre Muzio Clementi; Cavalgada das Valquírias; 'Gavotte' de François-Joseph Gossec; o musicólogo no estudo do piano; significado de ‘lied'.

Kaum zu glauben, dass Beethovens einziges Violinkonzert bei der Uraufführung so irritierte, dass es für fast vier Jahrzehnte praktisch in der Schublade verschwand. Doch das Werk ist eben kein typisches Virtuosenstück, sondern eine Symphonie der Klangfarben, (Autor: Michael Lohse)

Stuudios on muusikateadlane Tiia Järg.

Synopsis On today's date in 1935, at the Church of Saint François-Xavier in Paris, organist Geneviève de la Salle gave the first complete performance of the three-movement Suite, Op. 5, by the French composer, teacher, and virtuoso organist Maurice Duruflé. If you sing in a choir or are a fan of choral music, you're probably familiar with Duruflé's serene and tranquil “Requiem,” Op. 9, which premiered some 12 years later. Duruflé's Op. 5 premiered in 1935, his Op. 9 in 1947, so you might reasonably conclude the composer was a slow worker – which he was.  He was also a very self-critical perfectionist whose catalog of works is rather small, but exquisitely crafted.  In all, Duruflé's output comprises less than 15 published works, of which seven are for organ. Duruflé's music is firmly embedded in the French tradition of organ composers like César Franck and Louis Vierne, and orchestral composers like Debussy, Ravel, and Duruflé's own composition teacher, Paul Dukas.  The great French organist Marie-Claire Alain, when asked to describe Duruflé's music, replied "it is a perfectly honest art… He was not an innovator but a traditionalist… Duruflé evolved and amplified the old traditions, making them his own."  Music Played in Today's Program Maurice Durufle (1902-1986) — Organ Suite, Op. 5 (Todd Wilson, o (Schudi organ at St. Thomas Aquinas Church in Dallas, Texas)) Delos 3047 On This Day Births 1752 - Italian composer Muzio Clementi, in Rome; 1878 - English composer Rutland Boughton, in Aylesbury; Deaths 1837 - Irish composer John Field, age 54, in Moscow (Julian date: Jan.11); 1908 - American composer and pianist Edward MacDowell, age 47, in New York; 1981 - American composer Samuel Barber, age 70, in New York; Premieres 1724 - Bach: Sacred Cantata No. 73 ("Herr, wie du willst, so schicks mit mir") performed on the 3rd Sunday after Epiphany as part of Bach's first annual Sacred Cantata cycle in Leipzig (1723/24); 1729 - Bach: Sacred Cantata No. 156 ("Ich steh mit einem Fuss im Grabe") probably performed in Leipzig on the 3rd Sunday after Epiphany as part of Bach's fourth annual Sacred Cantata cycle (to texts by Christian Friedrich Henrici, a.k.a. "Picander") during 1728/29; 1895 - MacDowell: Suite No. 2 (":Indian"), at the old Metropolitan Opera House in New York City, by the Boston Symphony, with Emil Paur conducting; On the same program, MacDowell appeared as the soloist in his own Piano Concerto No. 1; 1933 - Bartók: Piano Concerto No. 2, in Frankfurt, with Hans Robaud conducting and the composer as soloist; 1936 - Chavez: "Sinfonia India," on a radio broadcast by the Columbia Symphony, conducted by the composer; 1948 - Diamond: Symphony No. 4, by the Boston Symphony, Leonard Bernstein conducting; 1963 - Peter Mennin: Symphony No. 7, by the Cleveland Orchestra, George Szell conducting; 1973 - Elliott Carter: String Quartet No. 3, in New York City, by the Juilliard String Quartet; This work won the Pulitzer Prize for music in that year (This was Carter's second Pulitzer Prize); 1999 - Thea Musgrave: "Three Women," in San Francisco, by the Women's Philharmonic, A. Hsu conducting; Others 1894 - Czech composer Antonin Dvorák presents a concert of African-American choral music at Madison Square Concert Hall in New York, using an all-black choir, comprised chiefly of members of the St. Philip's Colored Choir; On the program was the premiere performance of Dvorák's own arrangement of Stephen Foster's "Old Folks at Home," which featured vocal soloists Sissierette Jones and Harry T. Burleigh; 1943 - Duke Ellington and his orchestra present their first concert at Carngie Hall in New York, presenting the "official" premiere of Ellington's "Black, Brown and Beige" Suite (This work had received its world premiere at a trial performance the preceding day at Rye High School in Rye, New York). Links and Resources On Dvořák On Ellington

Il duello musicale - The musical duelM. Clementi Vs W. A. Mozart“Non ho mai udito fino ad oggi suonare in maniera così intelligente e aggraziata. Più di tutto mi hanno impressionato un adagio e molte delle variazioni da lui improvvisate il cui tema scelto dall'imperatore, dovevamo variare a turno, mentre l'altro accompagnava”. M. Clementi (Hofburg, 24 dicembre 1781)“Clementi è un bravo pianista e con questo è detto tutto. Suona bene per ciò che riguarda la mano destra, la sua potenza sta tutta nei passaggi di terze. Per il resto non ha un centesimo di sentimento o di gusto, – in una parola è un semplice mechanicus”. W. A. Mozart (Hofburg, 24 dicembre 1781)Muzio Clementi (1752 - 1832) - Sonata per pianoforte in si bemolle maggiore Op. 24 n. 2 (1781)1.Allegro con brio [0:05]2.Andante quasi allegretto [5:32]3.Rondo: Assai allegro [8:52]Balázs Szokolay, pianoforte************W. A. Mozart (1756-1791) - Sonata per pianoforte in do maggiore n. 10 K.330 (1783)1.Allegro moderato [10:27]2.Andante cantabile [17:02]3.Allegretto [22:12]Vladimir Horowitz, pianoforte

Muzio Clementi (1752-1832) – Sinfonia n. 3 "Great National Symphony" in Sol Maggiore1. Andante Sostenuto - Allegro Con Brio2. Andante Un Poco Mosso3. Minuetto (Allegretto)4. Finale (Vivace)*****Muzio Clementi (1752-1832) – Sinfonia n.4 in Re Maggiore1.Andante Sostenuto - Allegro Vivace2.Andante Cantabile3.Minuetto (Allegro Moderato)4.Finale (Allegro Vivace)Philharmonia OrchestraClaudio Scimone, direttore

Synopsis On today's date in 1806, Ludwig van Beethoven wrote to his publishers Breitkopf and Härtel:  “you may have at once three new string quartets.” These were three new works Beethoven had written on commission from the wealthy Russian ambassador to Vienna, Count Andrey Kirillovich Razumovsky. Beethoven was stretching the truth a bit when he told his publisher they could have the quartets “at once,” since as per the Count's commission, Razumovsky had exclusive rights to the music for a full year. But then, Beethoven had also promised the Count that he'd weave authentic Russian melodies in all three quartets but ended up doing so in just two of them.  Today, these “Razumovsky” Quartets rank among Beethoven's most popular chamber works, but initially they were NOT well received. When shown the music prior to publication, a professional Viennese quartet assumed Beethoven was playing a practical joke on them.  The second movement of the first quartet, with its cello solo on just one note, provoked particular disdain. Muzio Clementi, who had seen these quartets in manuscript, remarked to Beethoven “Surely you don't consider these works to be music!” To which Beethoven replied: “Oh, they are not for you, but for a later age.” Music Played in Today's Program Ludwig van Beethoven (1770 – 1827): String Quartet in F, Op. 59, No. 1 (Orford Quartet) CBC 2020

In der sechsten Episode begeben wir uns auf die Spuren eines Komponisten, der zu seiner Zeit einer der berühmtesten Persönlichkeiten der ganzen Musikwelt war: Muzio Clementi. Der in Rom geborene Clementi machte London zu seiner Wahlheimat. Als Kosmopolit sprach er acht Sprachen und eroberte Europas Bühnen. Als wahres Multitalent war er nicht nur ein gefragter Tastenvirtuose, sondern auch Komponist, Kopist, Arrangeur, Dirigent, Klavierlehrer, Musikverleger und Klavierbauer. Nicht nur in Sachen Business und Marketing, der Wahl-Brite aus Italien war ein früher Influencer. Ermittelt wird, wie seine Musik in die Werke Mozarts, Beethovens und der Popmusik kommen konnte. Mozart weist jeden Verdacht von sich: „Es liegt kein Diebstahl vor, dieses Thema befindet sich weiter in Clementis Klaviersonate.“ Als Experte bei den Ermittlungen mit dabei: der Pianist William Youn - Kosmopolit und „Poet am Klavier”

a cura di Massimiliano Samsa.Muzio Clementi (1752 – 1832)Sinfonia n. 4 in Re maggiore, WoO 35I.Andante sostenuto - Allegro vivaceII.Andante cantabileIII.Menuetto: Allegretto moderato e TrioIV.Finale: Allegro vivaceThe Philharmonia Orchestra di LondraDirettore: Francesco d'Avalos

a cura di Massimiliano Samsa.Muzio Clementi (1752 – 1832)Sinfonia in Re maggiore, Op.18, No.2 I. Grave - Allegro assai II.Andante 05:52III.Minuetto (Un poco allegro) - Trio IV.Allegro assai ************Sinfonia n.3 in Sol maggiore "The Great national", WoO 34I. Andante sostenuto - Allegro con brioII.Andante un poco mossoIII.Minuetto: Allegretto – TrioIV.Finale: VivaceThe Philharmonia Orchestra di LondraDirettore: Francesco d'Avalos

a cura di Massimiliano Samsa.Muzio Clementi (1752 – 1832)- Sinfonia in Re maggiore, n. 1, WoO 32- Sinfonia in Sib maggiore, Op.18, No.1 The Philharmonia Orchestra di LondraDirettore: Francesco d'Avalos

A cura di Massimiliano SamsaCarl Czerny (1791-1857) - Sinfonia n. 1 in Do minore, op. 780I. Allegro II. Andante Sostenuto III. Scherzo IV. Finale Staatsorchester Frankfurt (Oder)Nikos Athinäos, direttore*********Johann Baptist Cramer (1771–1858) - Piano Concerto No. 2 in d minor, Op. 16 (c. 1796)1. Allegro non tanto2. Andante cantabile (12:38)3. Rondo. Allegretto (18:38)Prima esecuzione: 18 febbraio 1796 London Mozart PlayersHoward Shelley, pianoforte--------------------Carl Czerny era figlio di un pianista che lo introdusse nel mondo della musica, studiò pedagogia ed all'età di 15 anni era già un insegnante molto apprezzato. Visse a Vienna insegnando pianoforte (tra i suoi allievi Franz Liszt) e fu allievo di Antonio Salieri, Johann Georg Albrechtsberger e di Beethoven, dal 1801 al 1803, che dopo averlo sentito suonare, propose appunto di dargli lezioni private. All'età di dieci anni nel suo repertorio erano presenti la maggior parte delle opere per pianoforte di Mozart, Clementi e di altri compositori dell'epoca. Fu un musicista dotato di una memoria stupefacente, che gli consentì di suonare l'opera integrale delle sonate di Beethoven. Si dedicò con interesse alla didattica pianistica per la quale scrisse numerosi Studi (più di 1000) che da allora vengono considerati alla base dell'insegnamento del pianoforte.Compose anche sinfonie, ouverture, cantate e musiche da camera. Alla morte di Beethoven trascrisse alcune sue importanti opere, come le nove sinfonie, per pianoforte a quattro mani, su incarico di Heinrich Albert Probst.La sua revisione del Clavicembalo ben temperato di Johann Sebastian Bach ebbe un'enorme influenza sull'interpretazione bachiana dei secoli successivi e la pubblicazione parziale delle sonate di Scarlatti sarà fondamentale per la diffusione delle opere di un compositore allora ancora poco noto presso il grande pubblico.Testo tratto da: https://it.wikipedia.org/wiki/Carl_Czerny----------Figlio di Wilhelm Cramer, famoso violinista e direttore d'orchestra londinese, fratello di Franz Cramer, compositore e direttore d'orchestra londinese e proveniva da una famiglia numerosa, Johann Baptist Cramer venne portato a Londra quand'era ancora piccolo e fu proprio lì che si svilupparono le sue capacità musicali. Dal 1782 al 1784 studiò pianoforte con Muzio Clementi e presto divenne noto come pianista professionista sia a Londra che in tutta Europa. Ebbe una reputazione mondiale e fu anche molto apprezzato da Beethoven.Cramer fu anche un importante compositore e fondò nel 1824 la London music-publishing house of Cramer & Co. Ha scritto diverse sonate per pianoforte e altre composizioni, ma gli studi sono il lavoro che più l'hanno reso noto e per cui è conosciuto tuttora. Questi studi sono apparsi in numerose edizioni e sono diventati pezzi fondamentali per lo studio del pianoforte.Testo tratto da: https://it.wikipedia.org/wiki/Johann_Baptist_Cramer

Un día como hoy, 24 de enero. Nacen: 1705, Farinelli. 1732, Beaumarchais. 1752, Muzio Clementi. 1776, E.T.A. Hoffmann. 1888, Vicki Baum Fallecen: 1920, Amedeo Modigliani. Una producción de Sala Prisma Podcast. 2021

Aquesta setmana es commemora el 269

Muzio Clementi Gradus ad Parnassum quarta parte con Alessandro Marangoni

Muzio Clementi Gradus ad Parnassum terza parte con Alessandro Marangoni

Muzio Clementi, Gradus ad Parnassum seconda parte con Alessandro Marangoni

Muzio Clementi, Gradus ad Parnassum prima parte con Alessandro Marangoni

最近勺子有两个朋友都买了电钢琴，开始了成人学琴者生涯。练钢琴，最痛苦的事，莫过于枯燥无味的练习曲——从入门到放弃，就靠它了。 而对于大多数古典音乐爱好者来说，练习曲却又是肖邦的《离别》《革命》，李斯特的《钟》《马捷帕》，如果喜爱炫技流，那听到这些华丽的练习曲，简直有如吃到了东坡肉中油汪汪的大肥肉。 其实练习曲对于钢琴艺术的发展一直起到了很重要的作用，从枯燥无味的劝退神器，到无数爱乐人的心头好，练习曲到底是如何起源、如何发展，就让勺子用两期节目的时间好好跟大家聊聊。 阿 D, 卡尔·车尔尼 Carl Czerny - 钢琴初级教程，作品 599 Erster Wiener Lehrmeister im Pianoforte-Spiel, Op.599: 第 60 首 LXX 格伦·古尔德 Glenn Gould, 约翰·塞巴斯蒂安·巴赫 Johann Sebastian Bach - 第 1 号降 B 大调帕蒂塔，BWV 825 Partita No. 1 in B-Flat Major, BWV 825: 第 1 首，前奏曲 I. Prelude / 第 2 首，阿拉曼德舞曲 II. Allemande / 第 3 首，库朗特舞曲 III. Courante / 第 4 首，萨拉班德舞曲 IV. Sarabande / 第 5 和 6 首，小步舞曲第 1 和 2 首 V & VI. Menuett I & II / 第 7 首，吉格舞曲 VII. Gigue 格伦·古尔德 Glenn Gould, 约翰·塞巴斯蒂安·巴赫 Johann Sebastian Bach - 第 13 首 A 小调二部创意曲，BWV 784 Invention No. 13 in A Minor, BWV 784 / 第 14 首降 B 大调二部创意曲，BWV 785 Invention No. 14 in Flat B Major, BWV 785 / 第 6 首 E 大调三部创意曲，BWV 792 Sinfonia No. 6 in E Major, BWV 792 皮埃尔·瀚代 Pierre Hantaï, 多梅尼科·斯卡拉蒂 Domenico Scarlatti - 大键琴练习 Essercizi per gravicembalo: B 小调奏鸣曲，K.27 Sonate en Si Mineur, K.27: Allegro 达尼埃尔·拉法尔 Danielle Laval, 穆齐奥·克莱门蒂 Muzio Clementi - 名手之道，作品 44 Gradus ad Parnassum, Op.44: 第 2 首，C 大调，流畅而快速地 II. Pièces en ut Majeur: Veloce 郎朗, 克劳德·德彪西 Claude Debussy - 儿童园地，L. 113 Children's Corner, L.113: 第 1 首，博士练习曲 I. Doctor Gradus ad Parnassum 江崎昌子, 卡尔·车尔尼 Carl Czerny - 钢琴流畅练习曲，作品 849 30 Études de mécanisme, Op.849: 第 13 首 XIII / 第 26 首 XXVI 马西米利亚诺·杰诺特 Massimiliano Génot, 卡尔·车尔尼 Carl Czerny - 钢琴快速练习曲，作品 299 The School of Velocity, Op.299: 第 26 首 XXVI / 第 37 首 XXXVII / 第 39 首 XXXIX / 第 36 首 XXXVI 帕斯卡·罗杰 Pascal Rogé, 克里斯蒂娜·欧提兹 Cristina Ortiz, 夏尔·迪图瓦 Charles Dutoit, 乐团：伦敦小交响乐团 London Sinfonietta, 卡密尔·圣桑 Camille Saint-Saëns: 动物狂欢节，R. 125 Le carnaval des animaux, R.125: 第 3 首，野驴 III. Hémiones (animaux véloces) / 第 11 首，钢琴家 XI. Pianistes 玛格丽特·奥特维尔 Margaret Otwell, 弗里德里希·布格缪勒 Franz Burgmüller - 钢琴进阶练习 25 首，作品 100 25 Études faciles et progressives, Op.100: 第 2 首，阿拉伯风 II. L'arabesque / 第 5 首，天真烂漫 V. Innocence / 第 7 首，清澈的溪水 VII. Le courant limpide 弗拉基米尔·菲尔兹曼 Vladimir Feltsman, 罗伯特·舒曼 Robert Schumann - 少儿曲集，作品 68 Album für die Jugend, Op.68: 第 1 首，旋律 I. Melodie / 第 2 首，士兵进行曲 II. Soldatenmarsch / 第 8 首，粗犷的骑士 VIII. Wilder Reiter / 第 10 首，快乐的农夫 X. Fröhlicher Landmann, von der Arbeit zurückkehrend 伊沃·波格雷里奇 Ivo Pogorelich, 弗雷德里克·肖邦 Frédéric Chopin - 第 2 号钢琴奏鸣曲，作品 35 Piano Sonata No.2, Op.35: 第 4 乐章，终曲，急板 IV. Finale. Presto 巴拉兹·索科莱 Balazs Szokolay, 穆齐奥·克莱门蒂 Muzio Clementi - 六首小奏鸣曲，作品 36，第 1 首，C 大调小奏鸣曲 6 Piano Sonatinas, Op.36, No.1, Sonatina in C major: 第 1 乐章，快板 I. Allegro

Donald Macleod delves into the life and work of piano prodigy Muzio Clementi. Muzio Clementi was one of the 18th and 19th century’s most revered musicians – a star performer, a composer admired by Czerny, Beethoven and Chopin and an astute musical businessman. However, he also had his detractors in his own time and history hasn’t been as kind to him as to the greater names of his time – Haydn, Mozart and Beethoven. Today his name is unfamiliar to most but it is certainly better known than the music he wrote. He was fortunate to have interactions with perhaps the world's three greatest composers, but this fortune may have also worked against him - putting him in direct competition with them. Across the episode, Donald Macleod explores Clementi’s contact with the greatest composers of his day, reassessing the life and music of the man known as the “father of the piano” in the light of these encounters. We’ll hear the stories of his musical duel with Mozart, stage-sharing with Haydn, brushes with Beethoven and dispute with John Field over a hat. Music featured: Symphony No 3 (Finale) Musical Characteristics, Op 19 Piano Sonata in A flat Major, WoO 13 Sonata for piano, Op 2 No 4 Duetto in C Major, Op 3 No 3 (Presto) Mozart (arr. Clementi): Symphony no. 40 in G minor, K 550 (Finale) Sonata in G minor, Op 7 No 3 Toccata in B flat Major, Op 11 No 2 Sonata in B flat major, Op 24 No 2 Variations on Mozart’s Batti, batti, o bel Masetto from Don Giovanni, WoO 10 Sonata in E flat major, Op. 8 No 2 (II. Larghetto con espressione) Symphony in B flat major, Op 18 No 1 (I. Allegro Assai) Sonata in G minor, Op 9 No 2 Overture in D Major Symphony No 4 Capriccio in F major, Op 34 No 2 Monferinas selection Sonata, Op 34 No 2 Concerto for piano and orchestra (II. Adagio e cantibile) Piano Sonata in F minor, Op 13 No 6 (III. Presto) Adagio sostenuto in F major (Gradus ad Parnassum, Book I, No 14) Sonata in B minor, Op 40 No 2 (II. Largo) Symphony No 2 in D major ( Finale) Symphony No 1 in C major (III. Minuet and Trio) Piano Sonata in G minor, Op 50 No 3 “Didone abbandonata” Presented by Donald Macleod Produced by Sam Phillips for BBC Wales For full tracklistings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Muzio Clementi https://www.bbc.co.uk/programmes/m0009bdq And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Nuestros compañeros nos hablan de la vida y obra del compositor Muzio Clementi.

Helga Óskarsdóttir, ritstýra vefritsins Artzine, segir okkur frá verkunum sem breyttu lífi hennar. Á Listasafni Íslands er Birta Guðjónsdóttir að setja upp sýningu á verkum Elinu Bortherus. Hin finnska Brotherus er af mörgum talin vera einn mikilvægasti ljósmyndari samtímans og BIrta segir okkur betur frá verkunum á sýningunni sem öll eru tekin á síðastliðnum tveimur árum. Við segjum eilítið frá hljómsveitarstjóranum Osmo Vänska, sem var aðalhljómsveitarstjóri Sinfóníuhljómsveitar Íslands um skeið á 10. áratugnum, en hann stýrir sveitinni á tónleikum í kvöld og annað kvöld. Og hvað skyldi nú tengja átjándu aldar tónskáldið Muzio Clementi og popptónlistarmanninn Phil Collins? Arndís Björk Ásgeirsdóttir leiðir okkur í allan sannleikan um þau tengsl í sínum fyrsta pistli fyrir Víðsjá. Arndís mun héðan í frá flytja okkur reglulega pistla um forvitnilega atburði úr tónlistarsögunni. Og Bergþóra Snæbjörnsdóttir segir okkur frá ljóðabók sinni Flórída, sem er bók vikunnar ár Rás1.

Laidos pradžioje trumpai pasveikinsime kompozitorių Osvaldą Balakauską 80-osios gimimo dienos proga. Vėliau rubrikoje „Rūgštynės“ išgirsime apie Wolfgango Amadėjaus Mozarto ir Muzio Clementi dvikovą. „Retro“ skiltyje skambės Editos Piaf atliekamos dainos. O laidai įsibėgėjus klausysimės Šiaurės šalių kompozitorių muzikos.

Laidos pradžioje trumpai pasveikinsime kompozitorių Osvaldą Balakauską 80-osios gimimo dienos proga. Vėliau rubrikoje „Rūgštynės“ išgirsime apie Wolfgango Amadėjaus Mozarto ir Muzio Clementi dvikovą. „Retro“ skiltyje skambės Editos Piaf atliekamos dainos. O laidai įsibėgėjus klausysimės Šiaurės šalių kompozitorių muzikos.

Dediquem els primers minuts del nostre programa a una nova entitat que es va presentar p

„Naujienų pulse“ – Lietuvos muzikologų apdovanojimai, britų atlikėjo Stingo planai debiutuoti Tanglewoodo festivalyje JAV ir Ellos Fitzgerald 100 metų sukaktis. Skiltyje „Meduolis melomanui“ lankysis garso operatorius ir didžėjus, kaupiantis muzikos įrašus ir noriai besidalinantis jais su klausytojais, Ignas Vasiliauskas. Gerai atlikta muzika ir aukšta garso kokybė - Ignui ypač svarbūs kriterijai. Studijoje 100-ąsias džiazo karalienės Ellos Fitzgerald gimimo metines minėsime su radijo laidų vedėja, džiazologe Laima Slepkovaite. O rubrikoje „Rūgštynės“ sužinosime apie Muzio Clementi ir Wolfgango Amadejaus Mozarto varžybas.

Symphonie Nr. 1 C-Dur, WoO 32 | Symphonie Nr. 2 D-Dur, WoO 33 | Symphonie Nr. 3 G-Dur, WoO 34 "The Great National" | Symphonie Nr. 4 D-Dur, WoO 35 | Mozarteumorchester Salzburg | Leitung: Ivor Bolton

Classical, 1752-1832: Muzio Clementi was called the "father of the pianoforte." He earned this title, not because he played the instrument first, but because he played it best out of his generation.

Muzio Clementi is often called the “Father of the Piano” and is known for his sonatinas. But as it turns out, this smarty pants single-handedly changed classical music and made it what we know today. Jeremy Eskenazi, founder of the Muzio Clementi Society, tells all about the quiet mover and shaker in this episode – from a Tardisin Australia (seriously!). Jeremy Eskenazi, founder of the Muzio Clementi Society. Photo courtesy of the Society. Audio production for this episode by Todd “Tall Texan” Hulslander with smiles for miles by Dacia Clay. Music in this episode: (By Muzio Clementi) Toccata op.11 in Bb major Sonata op.34 no.1 3rd movement in C major Sonata op.7 no.3 3rd mvt on clementi piano Symphony no.3, 2nd movement (Not by Muzio Clementi) Theme song from Doctor Who, 11th Doctor edition

I've finally completed the last Sonatina in Clementi's Opus 36! I actually recorded this over a year ago and am just barely getting around to releasing it. I apologize for the long delay. I hope that you will enjoy my recording of this work!

The rise of immigrant musicians in Georgian England. Suzy Klein and Christian Curnyn look at the enterprising musicians including Muzio Clementi.

The next in the Clementi Sonatina set that I've been working on. This was actually recorded many months ago, but I haven't had time to publish it :-) This performance did not turn out great. I would label it as "sloppy" and "rushed" in many parts. However, I am just as human and prone to fallibility as the next pianist (perhaps more so!)... I hope that you will enjoy this recording of Clementi's Sonatina Op. 26, No. 5!!!

Donald Macleod explores the life and work of the Italian-born composer Muzio Clementi, popularly regarded as 'the father of the pianoforte'

Here is the next recording in the set of 6 sonatinas by Muzio Clementi - Op. 36 No. 4. Just two more to go! I hope that you enjoy the recording.

This is the 3rd Sonatina in Clementi's Op. 36. I admit that I am not too pleased with how I played this piece and it is definitely one of those that I may have to re-record in the future. But for now, I hope that somebody out there benefits from this release. Enjoy!

As requested by a listener, this is No. 2 of Clementi's Six Sonatinas Op. 36. Recorded on my Steinway AIII. I hope that you enjoy this latest recording.

Recorded by Marina in 2010 (Composed by: Muzio Clementi)

Recorded by Marina in 2010 (Composed by: Muzio Clementi)

This is my first recording of a work by Muzio Clementi. I thank one of the visitors to my Facebook page for suggestion a recording by Clementi! Clementi wrote many, many Sonatas (and Sonatinas) for the piano and was considered the first great composer for the piano (or pianoforte). His works were inspirational to many great musicians and composers including Beethoven. I hope that you will enjoy my recording of this complete Sonatina (all three movements).

In this episode: Familiae Catholicae Centesimus Pars, Catholic Family Operetta (thank you Jennifer, Greg, Fr. Bill, Dr. Paul, Fr. Roderick, Mac, the Sweeney kids and Muzio Clementi for contributing), Ike report, laying grass, kids in the rain,  Swallows and Amazons, changes in the podcast, Chorus of Choirs, Exulatation of the Cross, your wishes and feedback. Final [...]

Beautiful Sonatina by Muzio Clementi, Opus 36, No. 2, piano solo played by Gina Shetty, student of Cynthia Marie VanLandingham at TallyPiano & Keyboard Studios in Tallahasse, Florida. http://www.tallypiano.com