Podcast appearances and mentions of Peter Gelb

[@4 min] Alright, this week...we go Inside the Huddle with Timothy Murray. The American baritone is having a breakout season which includes his debut at the Met and singing a title role at Opera Omaha this spring! Later this month, he brings his celebrated Don Giovanni to Opera Philadelphia... [@29 min] And then…as classically trained church singers head into the busiest week of the year, a galvanizing essay makes us all wonder if our acceptance of the status quo makes us are part of the problem. [@41 min] Plus, in the "Two Minute Drill"…bouncing back from his loss at the Oscars, Ralph Fiennes goes after an International Opera Award, and Anita Rachvelishvili takes Peter Gelb to court, and we're not talking tennis here. GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 operaboxscore.bsky.social

[@ 2 min] This week, Frederica von Stade, a living legend, takes a Free Throw on the role of the Mother in Dead Man Walking and reveals the heartbreak of being a mother working in opera. [@ 16 min] Then…we go Inside the Huddle with tenor Gwilym Bowen, who is setting his voice to Christmas Oratorio and Messiah mode as we enter into the most magical season of all[@ . [@39 min] Plus, in the ‘Two Minute Drill'…Peter Gelb is jockeying for a cabinet position with a promise to make opera great again. GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 @operaboxscore IG operaboxscore

[@ 5 min] We go 'Inside the Huddle' with composer Melissa Dunphy to excavate 250 years of Philadelphia history, discovering broken pottery, the music of ghosts, and why cricket isn't actually a boring sport… [@ 29 min] Plus, PJ files a field report from Carnegie Hall's "Song Studio" in the 'Listener Mailbag'... [@ 31 min] In the 'Two Minute Drill'… you know that meme? The one with the dog in the house on fire saying “This is fine?” Maybe don't send that one to Peter Gelb right now… GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 @operaboxscore IG operaboxscore

Wer das größte Opernhaus der USA durch die Coronakrise bringt, muss ein knallharter Manager sein. Peter Gelb hatte den Mut, dafür das ganze Orchester gegen sich aufzubringen, einen Streit mit den Gewerkschaften auszufechten und Publikum wie Mäzene der traditionell konservativen Metropolitan Opera New York mit mehr Zeitkritik zu konfrontieren. Seit dem Krieg in der Ukraine zeigt die bislang unpolitische Met durch Peter Gelb ganz klar Haltung. Antje Passenheim hat ihn an seinem kulissenreichen Arbeitsplatz getroffen. Von Antje Passenheim.

Peter Gelb, der Direktor der Metropolitan Opera in New York, braucht derzeit Humor und Selbstironie. Gleichzeitig muss der, der das größte Opernhaus der USA durch die Krise bringt, ein knallharter Manager sein. Gelb hatte den Mut, dafür das ganze Orchester gegen sich aufzubringen, einen Streit mit den Gewerkschaften auszufechten und das alternde Publikum und die Mäzene des traditionell konservativen Hauses mit mehr Zeitkritik zu konfrontieren. Seit dem Krieg in der Ukraine zeigt die bislang unpolitische Met dank Peter Gelb ganz klar Haltung. Antje Passenheim hat ihn an seinem Arbeitsplatz getroffen.

Sanctions, boycotts, bans, cancellations: from the Bolshoi to Eurovision - how the international arts world is responding to Russia's invasion of Ukraine, and the tension when arts meets politics. From world leading classical music, opera and ballet, to art, funding, film, pop concerts and streaming - how the international arts world has acted both inside and outside Russia. Peter Gelb of New York's Metropolitan Opera on the institution's decision to respond to the conflict. The Eurovision Song Contest: with Russia now banned, and Ukraine performing as favourites – we look at Ukraine and Russia at the world's biggest televised song contest. We speak to Kalush Orchestra - the all-male band given permission to leave Ukraine to represent their country in Italy – and to Dr Dean Vuletic, leading academic expert on the history of Eurovision. Plus BBC Russian Service Arts and Culture Correspondent Alexander Kan explains the far-reaching scope of measures, and the push against bans. (Photo: The Ukrainian flag outside The Metropolitan Opera. Credit: Angela Weiss/AFP/Getty)

Ahead of a new production of Britten's Peter Grimes at the Royal Opera House, Sara Mohr-Pietsch hears from members of the creative team bringing this compelling tale of an outsider to life, in a post-pandemic, 21st-century context. The composer Anna Clyne also talks to Sara about her latest work, including a Handel-inspired piece to be premiered later this month by the Academy of Ancient Music and the National Youth Choir of Great Britain. As the situation in Ukraine continues, Sara looks talks to Peter Gelb, general manager of the Metropolitan Opera in New York, about the company's parting of ways with Russian soprano Anna Netrebko, and to conductor Thomas Sanderling about the decision to leave his post at the Novosibirsk Philharmonic Orchestra, asking the question of how one effectively balances art and politics. And the phenomenally successful Italian composer Ludovico Einaudi joins Sara from his home studio in the Italian Alps, where the pandemic allowed a break in his usual hectic schedule to reappraise his creative process. Producer: Sam Hickling Image: Ludovico Einaudi (c) Duet Postscriptum

Ein Gespräch mit Peter Gelb, dem Chef der New Yorker Met, über den Umgang mit Künstlern, Traditionen und Geld.

durée : 01:58:08 - Musique matin du vendredi 19 mars 2021 - par : Jean-Baptiste Urbain - Le directeur général du Metropolitan Opera de New York, Peter Gelb, répond aux questions de Laurent Valière, sur la situation financière et la précarité de l'institution lyrique américaine fermée depuis un an, mais aussi sur les négociations avec les employés très inquiets pour leur avenir. - réalisé par : Yassine Bouzar

Am Ende stellte sich Dorothea Figueroa mit ihrem Cello in den Central Park. „Vor der Pandemie hätte ich mir das nicht vorstellen können, als Straßenmusikerin zu arbeiten“, sagt die Dresdnerin, die seit 19 Jahren zum Ensemble der Metropolitan Opera in New York gehört. Doch die weltberühmte Oper strauchelt. Chef Peter Gelb streitet mit dem Orchester und der Gewerkschaft um die Lohnfortzahlung, solange es keine Vorstellungen vor Publikum gibt. Frühestens im September soll es wieder losgehen.

Wanna know what the OBS team looks like? Check out the video version of our show on The Dallas Opera Network… [@ 3 min] This week… Oliver goes ‘Inside the Huddle’ with baritone Kenneth Overton, the creator of Black Opera Live. Find out not only how history was made when the Met inadvertently featured four Black sopranos in leading roles in one performance of “The Marriage of Figaro”, but also which of those sopranos is Kenneth Overton’s tennis buddy… [@ 38 min] In the ‘Two Minute Drill’... even Kanye West is having a hard time paying his opera performers and crew, and he can’t blame Peter Gelb for it… operaboxscore.com dallasopera.org/tdo_network_show/opera-box-score facebook.com/obschi1 @operaboxscore IG operaboxscore

durée : 01:59:26 - Musique matin du vendredi 13 novembre 2020 - par : Jean-Baptiste Urbain - Après l'annonce de la fermeture du Metropolitan Opera, c'est au tour de Broadway et de l'Orchestre Philharmonique de New York d'annuler leur saison 2020-2021. Entre financement privé et crise culturelle, Peter Gelb, directeur du Metropolitan Opera, s'exprime au micro de Jean-Baptiste Urbain. - réalisé par : Yassine Bouzar

Join us as we head to Manhattan, NY to talk with the General Director of the Metropolitan Opera, Peter Gelb, about the future of this beloved opera house, the struggle of keeping it alive, and our collective way forward. https://www.metopera.org/

Marla Diamond speaks with Peter Gelb. See omnystudio.com/listener for privacy information.

Team OBS bids farewell and good riddance to OBS co-founder and co-host Tobias Wright. They talk with Tobias about his career change, watch with horror as he inducts himself into the OBS Hall of Fame, listen to some of his favorite singers and recap the highlights and lowlights of his own checkered career on the airwaves... Plus, in ‘The Two Minute Drill’, who do you think gets paid more, Peter Gelb at the Met or Dominique Meyer at the Vienna State Opera...? www.facebook.com/OBSCHI1 www.operaboxscore.com www.wnur.org/popup

durée : 00:06:39 - Classique info du mardi 26 novembre 2019 - par : Sofia Anastasio - Pour la première fois de son histoire, l’Opéra de Vienne va jouer une œuvre composée par une femme ; Peter Gelb prolongé à la tête du Metropolitan Opera de New York ; reportage : le marché du livre-disque ; le CNSM de Paris célèbre la classe de saxophone de Claude Delangle.

durée : 00:25:11 - « Two Boys » de Nico Muhly - par : Anne-Charlotte Rémond - "Two boys" (deux garçons), de Nico Muhly est le premier opéra commandé par Peter Gelb, directeur du Metropolitan Opera de New York depuis 2006. Dans Musicopolis, Anne-Charlotte se penche sur la genèse de cette œuvre dont l'intrigue se passe sur internet… - réalisé par : Philippe Petit

durée : 01:59:17 - Musique matin du lundi 07 octobre 2019 - par : Jean-Baptiste Urbain - Ce lundi 7 octobre, nous recevons Peter Gelb, directeur général du Metropolitan Opera à New York, pour le lancement de la saison. Malgré la distance, vous pourrez assister à de nombreuses représentations grâce aux retransmissions Pathé Live au cinéma, à retrouver également sur France musique. - réalisé par : Yassine Bouzar

Peter Mattei är en av vår tids största operasångare, med titelrollen i Mozarts "Don Giovanni" som ett av sina paradnummer. I den här dokumentären hör vi Mattei sjunga redan som 6-åring. Lyssna på alla avsnitt i Sveriges Radio Play. Peter Mattei har gjort ”Don Giovanni” åtskilliga gånger med olika regissörer. Bland dem finns den engelske teaterlegendaren Peter Brook i Aix-en-Provence 1998, då Peter Mattei fick sitt stora internationella genombrott. Matteis scenkonst kännetecknas av äkta sångarglädje, en sagolik barytonröst och ett härligt skådespeleri, och han sjunger lika entusiastiskt när han exempelvis tolkar sånger av Mahler och Schubert som amerikanska evergreens och argentinsk tango på turné i Norrbotten. I den här dokumentären utvecklar han sina tankar om sången och rösten, om det hårda arbetet som ligger bakom olika rolltolkningar och om samarbetet med olika regissörer, däribland Michael Haneke. Dokumentären är en mosaik av en nygjord och ett antal äldre intervjuer som kulturjournalisten Kerstin Berggren gjort med den idag 53-årige Mattei under 25 år - i New York, Paris, Wien, Aix-en-Provence och på andra ställen, för att inte tala om Luleå de drygt fyra milen norr om Piteå där han föddes en sommardag 1965. I programmet medverkar också Metropolitanoperans chef Peter Gelb och den franske regissören Patrice Chéreau. En P2 Dokumentär av Kerstin Berggren.

Peter Mattei är en av vår tids största operasångare, med titelrollen i Mozarts "Don Giovanni" som ett av sina paradnummer. I den här dokumentären hör vi Mattei sjunga redan som 6-åring. Peter Mattei har gjort Don Giovanni åtskilliga gånger med olika regissörer. Bland dem finns den engelske teaterlegendaren Peter Brook i Aix-en-Provence 1998, då Peter Mattei fick sitt stora internationella genombrott. Matteis scenkonst kännetecknas av äkta sångarglädje, en sagolik barytonröst och ett härligt skådespeleri, och han sjunger lika entusiastiskt när han exempelvis tolkar sånger av Mahler och Schubert som amerikanska evergreens och argentinsk tango på turné i Norrbotten. I den här dokumentären utvecklar han sina tankar om sången och rösten, om det hårda arbetet som ligger bakom olika rolltolkningar och om samarbetet med olika regissörer, däribland Michael Haneke. Dokumentären är en mosaik av en nygjord och ett antal äldre intervjuer som kulturjournalisten Kerstin Berggren gjort med den idag 53-årige Mattei under 25 år - i New York, Paris, Wien, Aix-en-Provence och på andra ställen, för att inte tala om Luleå de drygt fyra milen norr om Piteå där han föddes en sommardag 1965. I programmet medverkar också Metropolitanoperans chef Peter Gelb och den franske regissören Patrice Chéreau. En P2 Dokumentär av Kerstin Berggren.

Sam talks is joined by Peter Gelb, General Manager of the Met Opera House, to discuss the brand new documentary The Opera House and the history of live cinema broadcast as pioneered by the Met. Peter offers up some hot tips for must-sees in the next Met season. The Opera House, a new film by award-winning documentary filmmaker Susan Froemke, surveys a remarkable period of the Metropolitan Opera’s rich history and a time of great change for New York. Featuring rarely seen archival footage, stills, recent interviews, and a soundtrack of extraordinary Met performances, the film chronicles the creation of the Met’s storied home of the last 50 years, against the backdrop of the artists, architects, and politicians who shaped the cultural life of New York City in the ’50s and ’60s. Among the notable figures in the film are famed soprano Leontyne Price, who opened the new Met in 1966 in Samuel Barber’s Antony and Cleopatra; Rudolf Bing, the Met’s imperious General Manager, who engineered the move from the old house to the new one; Robert Moses, the unstoppable city planner who bulldozed an entire neighborhood to make room for Lincoln Center; and Wallace Harrison, whose quest for architectural glory was never fully realized.

Metropolitan Opera general manager Peter Gelb tells Jim Zirin of his new film "The Opera House," which documents the trials and triumphs of closing the opera’s old home in 1966, and constructing a new location at Lincoln Center, where it lives today.

Tonight in ‘Chalk Talk’: the gloves are off as James Levine sues Peter Gelb and the Metropolitan Opera for defamation and breach of contract. We’ll get you up to speed on the “Face Denter at Lincoln Center”... And then, ‘Pop Quiz’ returns as Oliver and Matt face off in naming the 25 most performed operas in the 2016-2017 season... Plus, we open up the Listener Mailbag and respond to your responses about the Dodson Scale™... And later, it’s the ‘Two Minute Drill’: everything you need to know from the past week in Operaland, and our hot takes on those stories... www.facebook.com/OBSCHI1/

Mr. Gelb, General Manager of the Metropolitan Opera, will connect the opera world with traditional hazzanut and everything in between, in conversation with Cantor Schwartz and Music Director Colin Fowler. Prior to joining the Met, Peter Gelb served as President of the Sony Classical record label and as President of CAMI Video. Under his leadership, the Met has launched several new initiatives, including The Met: Live in HD; a new opera commissioning program; and a 24-hour Met Radio station on Sirius XM. Mr. Gelb has won Emmy, Grammy, and Peabody Awards, the Sanford Prize from the Yale School of Music, and France’s Chevalier de la Légion d’Honneur.

Nina Stemme spelar huvudrollen som Isolde när Metropolitan i New York sänder sin hundrade föreställning live till biografer över hela världen. Kerstin Berggren har varit med från starten. I tio år har Metropolitan i New York sänt opera live till biografer runt om i världen.  Från början var det sju länder inblandade- idag är det 70. Säsongens  premiär, Wagners Tristan och Isolde  som sänds den 8 oktober med Nina Stemme i rollen som Isolde. Det  blir den hundrade operan som direktsänds på bio från Met. Den 22 oktober sänds Mozarts Don Giovanni ut via HD-live, då med svenska Malin Byström i huvudrollen.Nina Stemme och Malin Byström medverkar i det här avsnittet av Spotlight, liksom operachefen Peter Gelb som berättar om tankarna bakom hela HD-livesatsningen.

(http://www.advanceyourart.com/wp-content/uploads/2016/06/imgres.jpg) Kevin Depinet (http://www.kevindepinetstudio.com/) is a Chicago based Set designer. He has designed shows for Steppenwolf, The Goodman Theatre, Chicago Shakespeare, The National Theatre of Great Britain, The Royal George Theatre, Brooklyn Academy of Music, The McCarter Theatre, The Court Theatre, The Arden Theatre, Milwaukee Repertory, Denver Theatre Center, Writers Theatre, Drury Lane, Yale Repertory, Indiana Repertory, American Players Theatre, Chicago Children’s Theatre, The Mark Taper Forum, Glimmer Glass Opera, Cincinnati Playhouse in the Park, The Paramount Theatre, Victory Gardens, Chicago Dramatists, and Saint Louis Repertory Theatre. He also designed scenery for Michael Mann’s Film Public Enemies (Universal Studios). He was the Associate designer for the original tony award winning August: Osage County and recently Mother Fucker with a Hat, and Of Mice and Men on Broadway. Kevin Will be designing Bob Falls Iceman Cometh at the Brooklyn Academy of Music this winter and Recently designed Detroit at London's National Theatre. He is also an adjunct professor of design at DePaul University. He studied at Ball State University and the Yale School of Drama. Kevin Depinet has numerous upcoming productions lined up this year including La Boheme at Glimmerglass Opera Co. in June, Ragtime National tour in October, and many more. To learn more, visit his personal website at www.kevindepinetstudio.com (http://www.kevindepinetstudio.com/) . http://xlscenic.com (http://xlscenic.com/) / XL Scenic is a Chicago based stage design production company founded by two award winning theatrical scenic designers, Kevin Depinet and Todd Rosenthal, to create unique, immersive theatrical environments that enthrall and teach. Kevin Depinet's successful examples Les Miserables at Paramount Theatre directed by Jim Corti "This is mostly due to a truly breathtaking setting from Kevin Depinet — who treats the ever-willing Paramount like it's Peter Gelb's Metropolitan Opera" - Chris Jones, Chicago Tribune "The production’s staggeringly grand and complex set, the work of Kevin Depinet and Jeffrey D. Kmiec (wonderfully lit by Jesse Klug), sets the tone. With a turntable sage, a sweeping staircase that at moments rotates into a massive city wall, and a giant “halo” suspended from the rafters that serves as a revolving catwalk, it suggests the nine circles of Hell as described by Dante." - Hedy Weiss, Chicago Sun-Times http://www.kevindepinetstudio.com/#/les-miserables/ (http://www.kevindepinetstudio.com/#/les-miserables/) MythBusters Exhibition Behind the Scenes: Design and Graphics Accustomed to working with theater sets, Todd Rosenthal, John Dalton and Kevin Depinet describe the particular challenges -- and advantages -- of designing MythBusters: The Explosive Exhibition. https://youtu.be/2Yri5TkYbpo (https://youtu.be/2Yri5TkYbpo) MARY POPPINS | KEVIN DEPINET INTERVIEW Kevin Depinet talks about the creative process and how he managed many renowned shows at the Paramount Theatre in Chicago, including Marry Poppins, Cats, . https://www.youtube.com/watch?v=8m-Bo58H9A0 (https://www.youtube.com/watch?v=8m-Bo58H9A0) Podcast file Show Notes How Kevin Depinet would introduce himself in a party [00:00] Kevin Depinet's advice on how to pull a successful networking [00:55] The story behind how Kevin Depinet became a set designer [01:57] Inspirations from education guidance [03:18] Interest in business aside from theatre training [04:50] Influences to get in to business [05:13] Entrepreneurial skills he learned [05:59] The power of people management [06:13] Experiential Learning after finishing school [07:20] How Kevin Depinet established his personal and professional growth with great opportunities [08:00] Suggested practices for overcoming fears [09:46] Kevin...

Peter Gelb and James Levine walk into a doctor's office...Castleton Festival goes on hiatus...The Vienna Opera Ball...Renee Fleming hints at retirement...Make opera more relevant (blah). This week on Oliver's Corner: The inimitable Roberta Alexander and rising stars Noah Stewart and J'nai Bridges. Plus, Guess Who Died? This week features Michael, The OC, Doug Dodson, the return of Jenny and special guest, director Paul Curran.

Världsstjärnan Peter Mattei gör ständigt avtryck på de stora operascenerna. Som Don Juan har han rivit ner La Scalas ridå och blivit utkastad från en skyskrapa i Paris. Don Juan är ett av Peter Matteis paradnummer men han har förstås gjort en lång rad andra roller. 2013 debuterade han som Amfortas i Wagners opera Parsifal. Peter Gelb, chef för Metropolitan i New York prisar i Spotlight Peter för insatsen. - Peter Mattei är kanske den bäste Amfortas i alla tider, säger Gelb. Kerstin Berggren gjorde sin första intervju med Peter Mattei 1993 och nu träffas de i Wien och nystar i gemensamma minnestrådar. Som t ex samarbetet med Michael Haneke i Paris och när Peter som Don Juan rev ner ridån på La Scala i Milano. Och så förstås skivan med Peters amerikanska favoriter- Stardust, My way, Send in the clowns… Men också bandet med Peter när han som femåring på lekis i Luleå sjunger en bel canto på italienska. Vi får också veta varför det kan vara viktigt att köpa fel sorts chips på en bensinmack i Wien.

Members of the stagehands union were advised this week to prepare for a picket at the Metropolitan Opera in anticipation of a lockout. And according to one union source involved in the current talks between the Met and 12 of its unions, "there's virtually no chance of a deal" this week. The Met has pushed its contract deadline to Sunday night while a third-party financial analyst has been examining its books for over a week. But sources independently confirmed that the parties remain far apart on monetary and philosophical issues. If talks break down, a lockout could happen as early as Monday. So where will the Met labor dispute end up? And how are the different parties making their cases? In this podcast, three views: James Jorden, editor of the opera blog Parterre Box and a contributor to the New York Observer. Drew McManus, an arts consultant who writes the blog Adaptistration. Lois S. Gray, a Professor of Labor Management Relations Emeritus at Cornell University. Subscribe to Conducting Business on iTunes Segment Highlights: Why not continue to talk and prepare for the season without a contract? McManus: "All of this circles around using deadlines as bargaining leverage. There's no way that playing and talking can continue indefinitely." Gray: "One of the reasons why the Met is forcing an early deadline before the season starts is that during the season, the leverage would be on the part of the union, to call a strike while the production is on." Why haven't the company's stars been more vocal in the dispute? Jorden: "From what I hear, there's a real division in AGMA [the singers' union] between the principals and chorus, stage managers and other groups. AGMA is basically a chorus union. I don't think there would be that much enthusiasm on the part of the principals to say, 'oh yes, we really need to support AGMA.'" How is the union's P.R. strategy of attacking general manager Peter Gelb working for them? McManus: "It's worth pointing out that the animosity that's being directed toward Gelb has not been directed towards the organization's board of directors. They've been pretty much been off-limits. You have to have a way for either side to save face. In this case, by not attacking the board and focusing on Gelb instead, it doesn't target the board's reputation for governance. If they decide to meet the musicians on Gelb's management style, that's more oversight." Has the Met effectively made its case to the public, that it needs to save money through cuts to labor costs? Gray: "Does the Met have to cut costs or does it have to raise more money? This is an issue for symphony orchestras throughout the United States and it's true of the whole cultural sector." McManus: "The Met's strategy so far has been a zero-sum bargaining strategy: 'Here's the percentage of cuts and we're willing to talk about where the cuts have to happen.' If the Met continues to adopt that policy, the likelihood for a lockout is very high." Listen to the full segment above and tell us what you think of negotiations in the comments box below.

Det har nu gått sju år sedan direktsändningarna från Metropolitanoperan i New York till digitala biografer i hela världen startade . Då kunde ingen ana vilken enorm succé som var på väg att födas. Idag är mer än 1.975 biografer i 64 länder med i kulturutbytet och det innefattar såväl storstäder som små byar på avlägsna orter. 14 miljoner operabiljetter har Metropolitan sålt och idag är det inte bara opera som sprids över världen utan teater, dans, musik har hittat ut till en intresserad och engagerad publik som slukar det mesta i biomörkret. Nu har även de stora museerna i världen gett sig in i leken och gjort det möjligt för en stor publik att ta del av de mest spektakulära konstutställningar. I dagens Kulturdokumentär tar Kerstin Berggren med lyssnarna till en rad nyckelpersoner inom HD-liveverksamheten. Bland annat får lyssnarna träffa Metropolitanoperans chef Peter Gelb som var den som startade alltihop 2006. Även de ansvariga på National Theatre i London liksom den svenska operachefen Birgitta Svendén hör till de medverkande

Peter Gelb, General Manager of The Metropolitan Opera, discusses his revitalization of this massive cultural organization's repertory with new productions of classic operas, staged by some of the most prominent theater directors of today.