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Disney Turned All Their Boy Brands Into Girl Brands and Doesn’t Know How To Fix Them This week on the podcast, Alien: Earth episode 3, and how Disney got rid of half the audience of their acquired brands (Marvel and Star Wars). Episode Index Intro: 0:07 K-Pop Demon Hunters: 3:00 Disney’s Boy Problems: 9:00 Alien Earth: 40:36 Disney's Boy Trouble: Studio Seeks Original IP to Win Back Gen-Z Men Amid Marvel, Lucasfilm Struggles https://variety.com/2025/film/news/disney-marvel-lucasfilm-gen-z-1236494681/ Leadership at Walt Disney Studios has been pressing Hollywood creatives in recent months, multiple sources tell Variety, for movies that will bring young men back to the brand in a meaningful way. “Young men” is defined here by sources as ages 13-28, aka Gen Z. Alien: Earth (FX/Hulu) Episode 3 – “Metamorphosis” Summary: Nibs questions Curly about why the hybrids are all named after Peter Pan characters and why Marcy gets to be Wendy. Kavalier orders the specimens be brought to Neverland Island for study, despite objections from Kirsh and Dame Sylvia. Morrow finds Smee and Slightly guarding the Xenomorph eggs and interrogates them, suspicious of their childlike behavior. He downloads the specimen data from the Maginot and plants a device on Slightly before escaping. Meanwhile, Wendy and Hermit fight the Xenomorph with a meat hook, and Wendy kills it, although both sustain serious injuries. Returning to the island, Hermit undergoes surgery, and the Sylvias tend to Wendy. Kavalier inspects the specimens until Kirsh removes him for his own protection. Atom Eins questions Smee and Slightly about their encounter with Morrow. Having escaped into New Siam, Morrow calls Yutani and insists on retrieving the specimens despite being ordered to return home. Curly confronts Kavalier about his favoritism towards Wendy, believing herself to be the best hybrid. Morrow contacts Slightly via the embedded device, convincing him to be his friend. Kirsh, Tootles, and Curly dissect a facehugger and introduce its larvae to Hermit’s lung, removed during surgery. Wendy awakens, seemingly intercepting signals from the Xenomorph eggs, which cause her pain. She ultimately collapses in the laboratory containing the eggs. Writer(s) / Director / Release Info: Written by Noah Hawley and co-creator Bob DeLaurentis, directed by Dana Gonzales. Aired August 19, 2025, on FX and FX on Hulu. Cast Highlights: Features guest appearances by Sandra Yi Sencindiver (Yutani), Kit Young (Tootles), and others central to ongoing intrigue. Rating / Viewership: Drew approximately 0.441 million U.S. households with a 0.10 rating in the 18–49 demo—an increase over Episode 2. Critics widely praised its tension, production, and heavy themes. Out of 5 Corporate Smiles and Acid Spores: The Future Looks Funs Darryl: 3.1/5 Brian: 3.1/5 Contact Us The Infamous Podcast can be found wherever podcasts are found on the Interwebs, feel free to subscribe and follow along on social media. And don't be shy about helping out the show with a 5-star review on Apple Podcasts to help us move up in the ratings. @infamouspodcast facebook/infamouspodcast instagram/infamouspodcast stitcher Apple Podcasts Spotify Google Play iHeart Radio contact@infamouspodcast.com Our theme music is ‘Skate Beat’ provided by Michael Henry, with additional music provided by Michael Henry. Find more at MeetMichaelHenry.com. The Infamous Podcast is hosted by Brian Tudor and Darryl Jasper, is recorded in Cincinnati, Ohio. The show is produced and edited by Brian Tudor. Subscribe today!

This episode of The Burt Selleck Podcast is a chaotic, rambling triumph of nonsense that somehow becomes weirdly endearing the longer you stay with it. From the opening argument about music intros and podcast rankings to the absurd speculation about podcast playoff structures, the show luxuriates in its own lack of direction. It's like being trapped in a dorm room with three comedians who drank too much coffee and forgot they were recording.The tone swerves between earnestness and outright stupidity—one moment, they're debating pirate justice and praying mantis parasites; the next, they're fantasizing about interviewing Obama or running the perfect podcast football playbook. Ian, notably absent, becomes both a scapegoat and a saint, repeatedly mocked and mourned.Highlights include the sustained pirate tangent (complete with historically accurate keel-hauling trivia), the unhinged Kanye rant, and a surprisingly heartfelt discussion about fatherhood and college-age children—proving that even the most chaotic bros have soft spots.Would I recommend this episode? Yes, but only to those who can stomach two hours of derailed conversation punctuated by moments of sharp humor and bizarre insight. It's not for everyone, but it is definitively, unapologetically them.

It's time for episode three of Alien: Earth, and the title of the episode is 'Metamorphosis'. Which is a reference to our showgirl, of course, but also the Lost Boys, Morrow, and humanity itself in this show about making machines, becoming machines, putting children into machines ("this is fine" - the ethics board, distractedly), and sometimes thinking about machines when an alien comes along and tail-whips you into cutlets. Turn and face the strange, children. Which reminds us - that spinning eye octopus is back this week, certainly in the thoughts of Nibs. Other areas of discussion include Wendy and Joe's fight with a xenomorph (whose Opta stats take a beating this episode), Smee and Slightly saying "bro", Kirsh vs Morrow, Blade Runner vibes, and the fact we're suddenly all really bloody excited about where this show is going.Let us know what you think of this episode by emailing us at redshirtcinemaclub@gmail.com and support us on Patreon at patreon.com/redshirtcinemaclub for access to two bonus episodes per month as well as our newsletter, The Civilian Observer. Hosted on Acast. See acast.com/privacy for more information.

Watching Now: Alien Earth is a Watching Now podcast from Couch Soup. Join us for reactions, reviews, and excitement about all things Xenomorph. We love this universe, so join us for some laughs and ultra-nerdy discussion!

Hello and Welcome to Master Piece Audio Theatre! This year for the dog days of podcasting 2025, we’re just so busy this year, this may be the only one. If you’d like to contact us, please send your emails to: … Continue reading → The post DDOP2025 MPAT Studios One and Done? appeared first on NIMLAS Studios.

When Your Child Downloads Feelings and Your Pet Alien Downloads You This week on the podcast, Brian and Darryl are talking Alien: Earth. Episode Index Intro: 0:07 Alien: Earth:12:30 Alien: Earth (FX/Hulu) Out of 10 When Your Child Downloads Feelings, and Your Pet Alien Downloads You Darryl: 6.8/10 Brian: 7.34/10 Episode 1 – “Neverland” Summary: In 2120, five companies control Earth and the colonized Solar System, including the recently founded Prodigy Corporation. The USCSS Maginot, a Weyland-Yutani C-class deep space research vessel, approaches Earth after a 65-year expedition to obtain extra-terrestrial specimens, among them facehuggers. On Earth, at Prodigy’s Neverland research island, a terminally ill child named Marcy Hermit becomes the first hybrid, having her consciousness transferred to an adult synthetic, and renames herself Wendy. Adjusting to her new body with the assistance of synthetic mentor Kirsh, Wendy oversees several other children who undergo the procedure. A malfunction compromises the Maginot’s navigation, placing it on a collision course with Earth. Some specimens get loose, and a grown Xenomorph kills most of the crew. It crashes into a tower in Prodigy City, New Siam, where Wendy’s human brother Joe Hermit works as a medic and corporate soldier. CEO Boy Kavalier asserts that Maginot’s contents now belong to Prodigy, and deploys Kirsh, Wendy, and the other hybrids to assist with search and rescue to test their enhanced capabilities. Security officer Morrow, who survived the crash in a reinforced panic room, moves to protect the cargo and detains two Prodigy soldiers, who are killed by a leech-like specimen. Wendy remarks to Kirsh that she wants to save her brother from death. Writer & Director: Crafted and helmed by series creator Noah Hawley. Cast: Sydney Chandler as Wendy, the first hybrid (a person who has their human consciousness transferred into a synthetic body) and Joe’s sister, formerly known as Marcy Florence Bensberg as Marcy, a terminally ill 11-year-old, and Wendy’s original human form Alex Lawther as Private Joseph D. Hermit, a medic for the Prodigy Corporation Security Service, and Wendy’s brother Essie Davis as Dame Sylvia, an employee of the Prodigy Corporation and Arthur’s wife Samuel Blenkin as Boy Kavalier, the CEO of the Prodigy Corporation and the world’s youngest trillionaire Babou Ceesay as Morrow, the USCSS Maginot’s cyborg (human with some synthetic parts) security officer Adarsh Gourav as Slightly, a hybrid Rishi Kuppa as Aarush, a terminally ill 12-year-old from Mumbai, and Slightly’s original human form Erana James as Curly, a hybrid Lily Newmark as Nibs, a hybrid Jonathan Ajayi as Smee, a hybrid David Rysdahl as Arthur Sylvia, a scientist and Dame Sylvia’s husband Diêm Camille as Siberian, a Prodigy Corporation Security Service soldier Moe Bar-El as Rashidi, a Prodigy Corporation Security Service soldier Adrian Edmondson as Atom Eins, a senior employee of the Prodigy Corporation Timothy Olyphant as Kirsh, the Prodigy Corporation’s synthetic chief scientist, who serves as Wendy’s mentor and trainer Air Date: August 12, 2025—simultaneously on FX and FX on Hulu. Rating & Viewership: Nielsen: Approx. 0.589 million U.S. households; 0.11 share among 18–49 demographic. Critical reception: overwhelmingly positive—IGN praised its franchise integration, Vulture gave a perfect 5/5 stars, Collider rated it 9/10, TV Fanatic also 5/5. Episode 2 – “Mr. October” Summary: Boy tells his colleague, Dame Sylvia, that he formed the Hybrid project to compete with artificial intelligence, and has granted Wendy additional abilities as he wishes to create a person smarter than him. He declines Weyland-Yutani’s request to secure Maginot’s proprietary contents, warning any incursion on his territory will be considered a hostile act. Joe is chased by a Xenomorph and separated from his colleagues. It tracks him to the higher floors of the tower, killing another soldier and massacring an apartment of wealthy residents who refused to evacuate. He is saved by Morrow, who tasers him and the Xenomorph, but it regains consciousness and escapes after killing numerous other soldiers, sparing Morrow. Arriving in Prodigy City, Hybrids Tootles, Smee, Nibs, and Curly encounter two other dangerous extraterrestrial specimens. Wendy locates her brother with Slightly, a fellow Hybrid, but Joe does not recognize her. Slightly reveals her true identity to a shocked Joe, who believed Wendy/Marcy had died. The three encounter several Xenomorph eggs and are ordered by Kirsh to contain them until a HazMat team arrives. Joe is dragged away by the Xenomorph, and Wendy chases after. Writer & Director: Written by Noah Hawley and directed by EP Dana Gonzales. Cast (Guest Appearances): Sandra Yi Sencindiver (Yutani) Kit Young (Tootles) Amir Boutrous (Rahim) Karen Aldridge (Chibuzo) David Bark‑Jones (Wealthy Resident) Lloyd Everitt (Hoyt) Jamie Bisping (Malachite) Air Date: Aired alongside Episode 1 on August 12, 2025—FX and FX on Hulu. Rating & Viewership: Nielsen: Approx. 0.380 million U.S. households; 0.07 share among 18–49 demographic (a 36% drop from Episode 1). Critics leaned positive, praising the production design and Xenomorph scenes. Ratings ranged from IGN's praise for its strong start, A.V. Club's B–, to Collider's 8/10, TV Fanatic's 5/5, Vulture's 4/5, and more. Content Title Contact Us The Infamous Podcast can be found wherever podcasts are found on the Interwebs. Feel free to subscribe and follow along on social media. And don't be shy about helping out the show with a 5-star review on Apple Podcasts to help us move up in the ratings. @infamouspodcast facebook/infamouspodcast instagram/infamouspodcast stitcher Apple Podcasts Spotify Google Play iHeart Radio contact@infamouspodcast.com Our theme music is ‘Skate Beat’ provided by Michael Henry, with additional music provided by Michael Henry. Find more at MeetMichaelHenry.com. The Infamous Podcast is hosted by Brian Tudor and Darryl Jasper, is recorded in Cincinnati, Ohio. The show is produced and edited by Brian Tudor. Subscribe today!

ALIEN EXPERIMENTS!! Alien Earth Full Episode Reaction Watch Along:   / thereelrejects   Grab Our New XENOMORPHIN' TIME Tee!! https://www.rejectnationshop.com/ Visit https://huel.com/rejects to get 15% off your order Alien Romulus Reaction:    • ALIEN: ROMULUS (2024) MOVIE REACTION! FIRS...   Alien (1979) Reaction:    • ALIEN (1979) MOVIE REACTION!! FIRST TIME W...   Alien Earth Reaction, Recap, Commentary, Analysis, Breakdown, & Spoiler Review!! Coy Jandreau (DC Studios), Tara Erickson, & Aaron Alexander are BACK to React to Alien: Earth Episode 3, "Metamorphosis." Alien: Earth the first ever TV series to carry on the Alien franchise from showrunner Noah Hawley (Fargo, Legion), set in 2120 just two years before Ridley Scott's 1979 classic! Episode 3 sees Wendy & Joe in a harrowing fight against a rogue Xenomorph, leaving both barely alive as the specimen is collected for Prodigy Corporation CEO, Boy Kavalier. Meanwhile, Smee & Slightly run afoul of Morrow amidst a host of Alien Eggs, dropping crucial information & fueling Morrow's pursuit of his lost "children." Elsewhere, Curly vies for Kavalier's favor & Kirsh begins a chilling dissection of the Alien Egg & Facehugger, revealing a chilling potential connection between Wendy & the Creatures... Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Follow Coy Jandreau:  Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter:  https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram:  https://www.instagram.com/taraerickson/ Twitter:  https://twitter.com/thetaraerickson Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Watching Now: Alien Earth is a Watching Now podcast from Couch Soup. Join us for reactions, reviews, and excitement about all things Xenomorph. We love this universe, so join us for some laughs and ultra-nerdy discussion!

Einon's Journal Summary: Upon understanding the true extent of what lies ahead at Fort Utrecht, we were forced to make great haste. Kade taught someone the finer points of working our train. Maxine was determined to teach Smee a new trick. I happened upon an old traveling partner of mine. The new town where we found ourselves seemed lovely, but a dark secret gave us quite a chill. ------ Content Warning: Language ------ You can support The Critshow through our Patreon to get more weekly TTRPG Actual Play content, access to our discord community, and much more! Follow The Critshow on twitter, join our subreddit, and follow us on Instagram.   Get two free MotW mysteries and some Keeper tips from Rev by signing up on our website! Check out what's coming up on our monthly publication calendar  And don't forget to check out our wonderful sponsors!  This episode of The Critshow featured Megan as Maxine Hollis, Rev as Arkady Atwater, Tass as Einon Kerning, and Jake as the GM This episode was edited and produced by Brandon (Rev) Wentz with music by Jake Pierle. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Property Perspectives Topic: What you need to know about co-living, co-investing and shared property models Guest: Grant Smee, CEO of Only Realty Property Group.

Hails Reeves (host of Gabbing the Pod) drops in to chat about making a podcast to keep a friendship alive. Then Thomas and Kevin go toe-to-toe in a pirate freestyle.Hails then gets their party planner on and the trio concoct their ideal dinner party with famous guests.00:00 Intro & Check Ins14:55 Freestyle23:31 Dinner PartyGabbing:https://open.spotify.com/show/5iqYVZYmuZ4KfVfXbo0yrt?si=977249a9640346bb&nd=1&dlsi=efc4fd77f89e4e15On Instagram:www.instagram.com/gabbingthepodTrigger Happy:https://www.instagram.com/triggerhappycomedy/Secret Family Sketch (Chicago):https://www.instagram.com/secretfamilysketch/The Revival (Chicago) - Camp Whatsitsname:https://www.the-revival.com/showsCheck out our DnD show: 'What We Do in the Basement': https://podcasts.apple.com/ca/podcast/what-we-do-in-the-basement/id1552947049Smee (with Hails Reeves) - Oops All Segments - 139

Use What You Got pt3 - Guest Craig Smee by Ray Jensen

God has already given you what you need to serve in His kingdom, but are you utilizing it?

Christian, you already have what you need to work in God's Kingdom.

BURNING CITIES CONTINUED, THEN AND NOW.  1/8: Paris in Ruins: Love, War, and the Birth of Impressionism by  Sebastian Smee  (Author) 1871 PARIS   https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

BURNING CITIES CONTINUED, THEN AND NOW.  2/8: Paris in Ruins: Love, War, and the Birth of Impressionism by  Sebastian Smee  (Author) 1870 Bucharest  https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

BURNING CITIES CONTINUED, THEN AND NOW.  3/8: Paris in Ruins: Love, War, and the Birth of Impressionism by  Sebastian Smee  (Author) 1870 SCHWEINFURT https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

BURNING CITIES CONTINUED, THEN AND NOW.  4/8: Paris in Ruins: Love, War, and the Birth of Impressionism by  Sebastian Smee  (Author) 1870 PARIS PRUSSIAN BOMBARDMENT   https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

BURNING CITIES CONTINUED, THEN AND NOW.  5/8: Paris in Ruins: Love, War, and the Birth of Impressionism by  Sebastian Smee  (Author) 1870 PARIS https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

BURNING CITIES CONTINUED, THEN AND NOW.  6/8: Paris in Ruins: Love, War, and the Birth of Impressionism by  Sebastian Smee  (Author) 1870 PARIS COMMUNE https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

BURNING CITIES CONTINUED, THEN AND NOW.  7/8: Paris in Ruins: Love, War, and the Birth of Impressionism by  Sebastian Smee  (Author) 1871 PARIS https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

BURNING CITIES CONTINUED, THEN AND NOW.  8/8: Paris in Ruins: Love, War, and the Birth of Impressionism by  Sebastian Smee  (Author) 1870 PARIS CLAUDE MONET 1840-1926 https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

In this episode, Rivers Langley is back in his hometown of Auburn, Alabama chillin' out with TWO of our all-time favorites, Auburn legend Miles Bugg and comedian Nick Morgan-Moore!  We kick this one off by sampling an Atlanta-based energy drinkc alled "Rap Star". We also talk about their founder, Johnny "Kassflo" Thomas, and all of his weird business ventures.  Then, we talk about a recent story out of the UK involving a pirate shanty band called the "Old Time Sailors" who are allegedly doing modern day slavery.  Nick tells us about some Australian outlaw heroes and Nickelback's "How You Remind Me" is our JAM OF THE WEEK!  Give us a listen. We love you! Follow Miles Bugg on Instagram @BioBugg  Follow Nick on social media @NickWMM  Follow our show @TheGoodsPod  Rivers is @RiversLangley  Sam is @SlamHarter  Carter is @Carter_Glascock  Subscribe on Patreon for the UNCUT video version of this episode as well as TONS of bonus content!  http://patreon.com/TheGoodsPod   Pick up a Goods from the Woods t-shirt here:  http://prowrestlingtees.com/TheGoodsPod

Namibië sal gasheer wees vir die tweede Bi-nasionale Kommissie-vergadering tussen Namibië en Botswana, wat onder voorsitterskap van die twee staatshoofde sal wees. Die datum van die vergadering moet nog bepaal word. President Netumbo Nandi-Ndaitwah en Botswana se president Duma Boko het gesprekke gevoer in Gaborone, waar Nandi-Ndaitwah op 'n amptelike besoek was. Boko sê dat hulle ooreengekom het om gereeld onderling gesprekke te voer.

Welcome to the place where we get to let our geek flags fly and talk about all things geek. Basically a fuzzy guide to life, the universe, and everything but mostly geek stuff. This level of the podcast takes a villainous turn or I should be more clear and say that Blue and I spent a couple hours chatting all about some of our favorite villains. Join us as we converse about:Plankton / Don Carnage / Ursula / Sideshow Bob / Crasher (Go Bots) / David Xanatos / Tai Lung / The Beast (Over the Garden Wall) / Gaston Legume /  Sid Phillips / Wrath-Amon / Dick Dastardly & Muttley / Hades / Skullmaster / Mojo Jojo / Judge Claude Frollo / Brilliant Dynamites Neon (Trigun) / Storm Shadow / Chernabog / Emperor Beld (Record of Lodoss War) / Soundwave /  Grigori Rasputin / Lordgenome aka The Beast King (Gurren Lagann) / Aku (Samurai Jack) / Toro the Carnataurus / The Lich (Adventure Time) / Yosemite Sam / Bill CipherHonorable Mentions: The Rat King (TMNT), Darth Maul, Shere Khan (Tail Spin), Rocksteady & Bebop, Shockwave. The Juggernaut, Mr Freeze, Poison Ivy, The Monarch (Venture Bros), Wile E Coyote, Destro, Phantasm, Grand Admiral Thrawn, Count Dooku, The Joker, Hopper, Ice King, Captain Hook & Smee, Professor Doofenschmirtz, Gru, Emperor Zurg, Henry J Waternoose III, Scar, Megatron, Oogie Boogie, The Grinch, Boris Badenov and Natasha FataleCongrats on completing Level 443 of the podcast! Think positive, test negative, stay safe, wash your hands, wear a mask, and good luck out there. Feel free to contact me on social media (@wookieeriot). You can also reach the show by e-mail, laughitupfuzzballpodcast@gmail.com. All other links are easily findable on linktr.ee/laughitupfuzzball for merch, the Facebook group, etc. I'd love to hear from you. Subscribe to the feed on Spotify, Apple podcasts, Google podcasts, or any of the apps which pull from those sources. Go do your thing so I can keep doing mine. If you feel so inclined, drop a positive rating or comment on those apps. Ratings help others find the madness. Tell your friends, geekery is always better with peers. Thank YOU for being a part of this hilarity! There's a plethora of ways to comment about the show and I look forward to seeing your thoughts, comments, and ideas. May the force be with us all, thanks for stopping by, you stay classy, be excellent to each other and party on dudes! TTFN… Wookiee out!

******Support the channel******Patreon: https://www.patreon.com/thedissenterPayPal: paypal.me/thedissenterPayPal Subscription 1 Dollar: https://tinyurl.com/yb3acuuyPayPal Subscription 3 Dollars: https://tinyurl.com/ybn6bg9lPayPal Subscription 5 Dollars: https://tinyurl.com/ycmr9gpzPayPal Subscription 10 Dollars: https://tinyurl.com/y9r3fc9mPayPal Subscription 20 Dollars: https://tinyurl.com/y95uvkao ******Follow me on******Website: https://www.thedissenter.net/The Dissenter Goodreads list: https://shorturl.at/7BMoBFacebook: https://www.facebook.com/thedissenteryt/Twitter: https://x.com/TheDissenterYT This show is sponsored by Enlites, Learning & Development done differently. Check the website here: http://enlites.com/ Dr. John Odling-Smee is Emeritus Research Fellow at the Mansfield College at the University of Oxford. Prior to retirement, he lectured in Biological Anthropology at Oxford. He is the author of Niche Construction: How Life Contributes to Its Own Evolution. In this episode, we focus on Niche Construction. We start by talking about physics and the second law of thermodynamics, what life is, the origin of life on Earth, living organisms as active and purposeful systems, and information and knowledge-gaining processes. We then discuss niche construction, how organisms coevolve with their environments, the origin and evolution of ecosystems, teleology, and developmental and sociocultural processes in social species. Finally, we talk about how humans are currently contributing to the evolution of life on Earth, and the extended evolutionary synthesis.--A HUGE THANK YOU TO MY PATRONS/SUPPORTERS: PER HELGE LARSEN, JERRY MULLER, BERNARDO SEIXAS, ADAM KESSEL, MATTHEW WHITINGBIRD, ARNAUD WOLFF, TIM HOLLOSY, HENRIK AHLENIUS, FILIP FORS CONNOLLY, ROBERT WINDHAGER, RUI INACIO, ZOOP, MARCO NEVES, COLIN HOLBROOK, PHIL KAVANAGH, SAMUEL ANDREEFF, FRANCIS FORDE, TIAGO NUNES, FERGAL CUSSEN, HAL HERZOG, NUNO MACHADO, JONATHAN LEIBRANT, JOÃO LINHARES, STANTON T, SAMUEL CORREA, ERIK HAINES, MARK SMITH, JOÃO EIRA, TOM HUMMEL, SARDUS FRANCE, DAVID SLOAN WILSON, YACILA DEZA-ARAUJO, ROMAIN ROCH, DIEGO LONDOÑO CORREA, YANICK PUNTER, CHARLOTTE BLEASE, NICOLE BARBARO, ADAM HUNT, PAWEL OSTASZEWSKI, NELLEKE BAK, GUY MADISON, GARY G HELLMANN, SAIMA AFZAL, ADRIAN JAEGGI, PAULO TOLENTINO, JOÃO BARBOSA, JULIAN PRICE, EDWARD HALL, HEDIN BRØNNER, DOUGLAS FRY, FRANCA BORTOLOTTI, GABRIEL PONS CORTÈS, URSULA LITZCKE, SCOTT, ZACHARY FISH, TIM DUFFY, SUNNY SMITH, JON WISMAN, WILLIAM BUCKNER, PAUL-GEORGE ARNAUD, LUKE GLOWACKI, GEORGIOS THEOPHANOUS, CHRIS WILLIAMSON, PETER WOLOSZYN, DAVID WILLIAMS, DIOGO COSTA, ALEX CHAU, AMAURI MARTÍNEZ, CORALIE CHEVALLIER, BANGALORE ATHEISTS, LARRY D. LEE JR., OLD HERRINGBONE, MICHAEL BAILEY, DAN SPERBER, ROBERT GRESSIS, JEFF MCMAHAN, JAKE ZUEHL, BARNABAS RADICS, MARK CAMPBELL, TOMAS DAUBNER, LUKE NISSEN, KIMBERLY JOHNSON, JESSICA NOWICKI, LINDA BRANDIN, GEORGE CHORIATIS, VALENTIN STEINMANN, ALEXANDER HUBBARD, BR, JONAS HERTNER, URSULA GOODENOUGH, DAVID PINSOF, SEAN NELSON, MIKE LAVIGNE, JOS KNECHT, LUCY, MANVIR SINGH, PETRA WEIMANN, CAROLA FEEST, MAURO JÚNIOR, 航 豊川, TONY BARRETT, BENJAMIN GELBART, NIKOLAI VISHNEVSKY, STEVEN GANGESTAD, TED FARRIS, AND ROBINROSWELL!A SPECIAL THANKS TO MY PRODUCERS, YZAR WEHBE, JIM FRANK, ŁUKASZ STAFINIAK, TOM VANEGDOM, BERNARD HUGUENEY, CURTIS DIXON, BENEDIKT MUELLER, THOMAS TRUMBLE, KATHRINE AND PATRICK TOBIN, JONCARLO MONTENEGRO, NICK GOLDEN, CHRISTINE GLASS, IGOR NIKIFOROVSKI, AND PER KRAULIS!AND TO MY EXECUTIVE PRODUCERS, MATTHEW LAVENDER, SERGIU CODREANU, ROSEY, AND GREGORY HASTINGS!

Peter Pan By James Barrie词汇提示1.creek 溪2.plank 木板3.cabin 船舱原文CHAPTER SIX: The Jolly RogerThere is a yellow moon in the night sky.The folly Roger is in the bay near Kidd's Creek.The children are on the pirate ship.They are prisoners of Captain Hook and his cruel pirates.Captain Hook looks at them and says, 'This time it's Peter Pan or me! You idiots! Peter Pan can't save you now.'Hook laughs and then calls Smee.'Smee, get the plank ready!''Yes sir!' says Smee.'Now listen to me,' says Hook. 'You must all walk the plank!''Walk the plank?' asks John.'Yes!First you walk the plank and then you fall into the sea with the crocodile. It will eat you! Ha, ha!' laughs Hook.'But I can save two of you. I want two young pirates. Who wants to be a pirate?'The Lost Boys look at John.John looks at Michael and says, 'The life of a pirate is exciting. I don't want to walk the plank. I don't want to be food for the crocodile. Let's be pirates!'Michael looks at his brother.Then they look at Wendy.She doesn't like their idea.Captain Hook laughs and moves his hook in front of their faces.'Do you want to be pirates, yes or no?' he asks.John and Michael say, 'Never!'Captain Hook is angry and says, 'Then you must walk the plank and die!'Wendy is afraid.She loves her brothers and the Lost Boys.She has tears in her eyes.The boys stand near the plank and Wendy watches them.A pirate asks, 'Who is the first to walk the plank?'At that moment there is a loud noise. 'Tick! Tock! Tick! Tock!'Captain Hook's face is white.He says, 'The crocodile is here. He wants ME!'He runs to his cabin and hides there.'Who is the first to walk the plank?' asks a pirate. 'Come on! Let's go! The crocodile is hungry.'Suddenly Peter Pan appears on the pirate ship.Tinker Bell follows him.Wendy and the boys cheer.They are very happy to see their young hero.Hook and his pirates are furious.Hook takes his sword and says, 'I want to fight you, Pan! Tonight you will die!'Hook fights with his long sword and with his hook.Peter fights courageously.He pushes Hook to the back of the ship.It is a terrible fight.John,Michael and the Lost Boys fight the pirates.After a long fight they throw the pirates into the sea.Peter and Hook move all around the big ship.Theirs words make a loud noise.Suddenly Peter takes Hook's sword and pushes him into the sea!Hook shouts, 'OH, NO!'He falls into the sea and into the mouth of the hungry crocodile.'Oh,Peter, we are proud of you!' says Wendy.She kisses him on the cheek.The boys cheer.Peters miles and says, 'The Jolly Roger is ours now. Let's go home!'翻译第六章：快乐罗吉号夜空中有一轮黄色的月亮。快乐罗吉号在基德溪附近的海湾里。孩子们在海盗船上。他们是胡克船长和他残忍海盗们的俘虏。胡克船长看着他们说：“这次不是彼得·潘就是我！白痴!彼得·潘现在救不了你了。”胡克笑了，然后叫斯密。“斯密，把木板准备好！”“是的,先生!”斯密说。“现在听我说，”胡克说。“你们都必须走跳板！”“走跳板？”约翰问。“是的!你先走跳板，然后和鳄鱼一起掉进海里。它会吃掉你的！哈哈!”胡克笑着说。“但我能救你们两个。我要两个小海盗。谁想当海盗？”迷路的男孩们看着约翰。约翰看着迈克尔说：“海盗的生活很刺激。我不想走跳板。我不想成为鳄鱼的食物。让我们当海盗吧！”迈克尔看着他的弟弟。然后他们看着温迪。她不喜欢他们的想法。胡克船长笑着在他们面前挥动钩子。“你想不想当海盗，是还是不是？”他问。约翰和迈克尔说：“决不！”胡克船长生气地说：“那你就必须走下木板去死！”温迪很害怕。她爱她的兄弟和迷失的男孩。她眼里含着泪水。男孩们站在木板附近，温迪看着他们。一个海盗问：“谁是第一个走上木板的？”就在这时，有一声巨响。“滴答！滴答！”胡克船长脸色苍白。他说：“鳄鱼来了。他要找我！”他跑回他的小屋，躲在那里。“谁是第一个走跳板的人？”一个海盗问。“来吧!我们走吧!鳄鱼饿了。”突然，彼得·潘出现在海盗船上。叮叮铃跟着他。温迪和男孩们欢呼起来。他们很高兴看到他们的小英雄。胡克和他的海盗们非常愤怒。胡克拿起他的剑说：“我想和你决斗，潘！今晚你会死的！”胡克用他的长剑和钩子战斗。彼得勇敢地战斗。他把胡克推到船尾。这是一场可怕的战斗。约翰、迈克尔和迷失的男孩们与海盗作战。经过长时间的战斗，他们把海盗扔进了海里。彼得和虎克在大船周围走来走去。他们的剑发出巨大的响声。突然，彼得拿起胡克的剑，把他推到海里！胡克喊道：“哦，不！”他掉进了海里，掉进了饥饿的鳄鱼嘴里。“哦，彼得，我们为你感到骄傲！”温迪说。她吻了他的脸颊。男孩们欢呼起来。彼得笑着说：“快乐罗吉号现在是我们的了。”我们回家吧！”

Peter Pan By James Barrie词汇提示1.Mermaid's lagoon 美人鱼泻湖2.comb 梳理3.prisoner 囚犯4.imitates 模仿5.furious 生气6.horrid 讨厌的7.courageously 生气的原文CHAPTER FOUR: The Mermaid's LagoonOne summer evening Peter, Wendy, John, Michael and the Lost Boys go to the Mermaid's Lagoon.Beautiful mermaids live here and they are Peter's friends.They swim and play in the blue lagoon.Then they sit on Marooner's Rock to comb their long hair.They sit in the sun and laugh.The children like the mermaids and John says, 'I want to catch one!'He tries, but the mermaid jumps into the water.Peter says, 'It is very difficult to catch a mermaid.'Suddenly someone says, 'Look, the pirates are coming!'A small boat with two pirates is coming to the lagoon.John,Michael and the Lost Boys jump off the rock and swim away.But Wendy stays with Peter.They hide behind the rock.Peter sees Tiger Lily.She is sitting in the small boat.Poor Tiger Lily is a prisoner of the pirates.'Let's leave her on this rock. When the sea rises, she will die!' says Smee.The two pirates laugh.It is already night and it is very dark.Peter wants to save Tiger Lily and thinks of something intelligent.He imitates Captain Hook's voice and says, 'Cut the ropes and let her go! Do as I say, you idiots! Let her go!'The two pirates are amazed.'Can you hear Hook's voice?' asks Smee.'Yes,but what do we do?' asks Starkey.'We must obey him and cut the ropes,' says Smee.They cut the ropes and Tiger Lily is free.She quickly jumps into the water and swims away.Captain Hook sees everything and he is furious.'That horrid Peter Pan! This time I must attack him,' he says.He swims to the rock and fights with Peter.It is a long fight.The Captain hurts Peter with his hook, but Peter fights courageously.At last, Peter wins the fight and Hook swims back to the Jolly Roger.Peter is now alone on the rock with Wendy.'The sea is rising and we are in great danger here. We must leave this rock,' says Peter.'Oh,Peter, I am very tired and I cannot swim or fly.'He sees a big kite with a long tail.It is flying slowly over the lagoon.He takes the tail of the kite and says, 'Wendy, hold on to this tail and fly away with the kite.'Wendy flies away.The sea is rising.'I must fly away,' Peter thinks.When he gets home everyone is happy to see him especially Wendy.翻译第四章：美人鱼的泻湖一个夏天的晚上，彼得、温迪、约翰、迈克尔和迷路的男孩们去美人鱼泻湖。美丽的美人鱼住在这里，它们是彼得的朋友。他们在蓝色的泻湖里游泳和玩耍。然后他们坐在流放者岩上梳理他们的长发。他们坐在阳光下欢笑。孩子们喜欢美人鱼，约翰说：“我想抓一只！”他试了试，但是美人鱼跳进了水里。彼得说：“要抓住美人鱼是非常困难的。”突然有人说：“看，海盗来了！”一艘小船载着两个海盗来到了泻湖。约翰、迈克尔和迷路的男孩们跳下岩石游开了。但是温迪和彼得呆在一起。他们躲在岩石后面。彼得看到了虎莉莉。她正坐在小船上。可怜的虎莉莉是海盗的俘虏。“我们把她留在这块岩石上吧。等海水涨起来，她就死了！”斯密说。两个海盗笑了。已经是晚上了，天很黑。彼得想救虎莉莉，想出了一个聪明的办法。他模仿胡克船长的声音说：“割断绳子，放她走！照我说的做，你们这些白痴！放开她！”两个海盗都惊呆了。“你能听到胡克的声音吗？”斯密问。“是的，但我们该怎么办呢？”斯塔奇问。“我们必须服从他，割断绳子，”斯密说。他们割断了绳子，虎莉莉自由了。她迅速跳进水里，游走了。虎克船长看到了这一切，非常愤怒。“那个可怕的彼得·潘！”他说，“这次我必须攻击他。”他游到岩石和彼得打架。这是一场漫长的战斗。船长用钩子刺伤了彼得，但彼得勇敢地反抗。最后，彼得赢得了战斗，胡克游回了海盗船。彼得现在和温迪单独在岩石上。“海平面在上涨，我们在这里非常危险。我们必须离开这块岩石。”彼得说。“哦，彼得，我很累，我不会游泳，也不会飞。”他看到一只长尾巴的大风筝。它正缓慢地飞过泻湖。他抓住风筝的尾巴说：“温迪，抓住这条尾巴，带着风筝飞走。”温迪飞走了。海平面在上升。“我必须飞走，”彼得想。当他回家时，每个人都很高兴看到他，尤其是温迪。

5/8: Paris in Ruins: Love, War, and the Birth of Impressionism Hardcover – September 10, 2024 by  Sebastian Smee  (Author) 1870 SIEGE OF PARIS https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

6/8: Paris in Ruins: Love, War, and the Birth of Impressionism Hardcover – September 10, 2024 by  Sebastian Smee  (Author) 1870 SIEGE OF PARIS https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

7/8: Paris in Ruins: Love, War, and the Birth of Impressionism Hardcover – September 10, 2024 by  Sebastian Smee  (Author) 1871 PARIS https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

8/8: Paris in Ruins: Love, War, and the Birth of Impressionism Hardcover – September 10, 2024 by  Sebastian Smee  (Author) 1870 PARIS  https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

4/8: Paris in Ruins: Love, War, and the Birth of Impressionism Hardcover – September 10, 2024 by  Sebastian Smee  (Author) 1870 PARIS https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionis

3/8: Paris in Ruins: Love, War, and the Birth of Impressionism Hardcover – September 10, 2024 by  Sebastian Smee  (Author) 1870 PARIS https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

2/8: Paris in Ruins: Love, War, and the Birth of Impressionism Hardcover – September 10, 2024 by  Sebastian Smee  (Author) 1870 PARIS https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

1/8: Paris in Ruins: Love, War, and the Birth of Impressionism Hardcover – September 10, 2024 by  Sebastian Smee  (Author) 1870 PARIS https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

Die Namibiese Professionele Jagvereniging, Napha, het Namibië by drie groot internasionale jagkonvensies verteenwoordig. Dit was die Dallas Safari Club Convention in Georgia, die Safari Club International Convention in Tennessee, en Jagd & Hund in Dortmund, Europa se grootste jagskou. Maar dit is nog nie verby nie en Oostenryk kom ook die week onder die loep. Kosmos 94.1 Nuus het met Napha-president Axel Cramer gesels, wat baie positief is oor vooruitsigte vir die komende jaar. 

This was a fine Monday crossword by Jack Scherban, and we're not just saying that because it referenced our phonetically favorite pirate, 60A, Captain Hook's right-hand man, SMEE, nor our favorite dessert, 37D, Black-and-white dessert that's sliced, OREOPIE. Rather, it was the theme, which brought back nostalgic memories (as well as a short-lived and, come to think of it, largely imaginary coughing spell

Get ready to groove to the timeless beats of funk and disco as Carolyn Smee spins the classics that keep your heart filled with good times and the positive vibes alive!For more info visit: https://thefaceradio.com/green-gold-music/Tune into new broadcasts of Green Gold, the 4th Wednesday 10 - 12 PM EST / 3- 5 AM GMT. (Thursday)//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

For the 34th episode of "Reading the Art World," host Megan Fox Kelly speaks with Sebastian Smee, Pulitzer Prize-winning art critic for The Washington Post and author of "Paris in Ruins: Love, War, and the Birth of Impressionism,” published by W. W. Norton.This fascinating conversation explores the violent political upheavals of 1870-71 Paris — the Siege of Paris and the Paris Commune — and how they influenced the Impressionist movement. Smee shares insights into the lives of the artists who survived these dramatic days, including Edgar Degas, Édouard Manet and Berthe Morisot, who were trapped in Paris; Pierre-Auguste Renoir and Frédéric Bazille, who joined regiments outside of the capital; and Claude Monet and Camille Pissarro, who fled the country just in time.Through rigorous research into personal letters and historical documents, Smee illuminates the human context behind familiar masterpieces of light created during this dark period. He offers a fresh perspective on why the Impressionists, with their newfound sense of the fragility of life, turned toward transient subjects of modern life, leisure, fleeting moments and the impermanence of all things in the aftermath of such devastating events.ABOUT THE AUTHOR Sebastian Smee is an art critic for The Washington Post and winner of the 2011 Pulitzer Prize for Criticism. His previous works include "The Art of Rivalry" and books on Mark Bradford and Lucian Freud. He was awarded the Rabkin Prize for art journalism in 2018 and was a MacDowell Fellow in 2021.PURCHASE THE BOOK https://wwnorton.com/books/9781324006954SUBSCRIBE, FOLLOW AND HEAR INTERVIEWS:For more information, visit meganfoxkelly.com, hear our past interviews, and subscribe at the bottom of our Of Interest page for new posts.Follow us on Instagram: @meganfoxkelly"Reading the Art World" is a live interview and podcast series with leading art world authors hosted by art advisor Megan Fox Kelly. The conversations explore timely subjects in the world of art, design, architecture, artists and the art market, and are an opportunity to engage further with the minds behind these insightful new publications. Megan Fox Kelly is an art advisor and past President of the Association of Professional Art Advisors who works with collectors, estates and foundations.Music composed by Bob Golden

There you are, listener! This week, we eat hot dogs and colorful cupcakes before discussing Hook (1991). Captain Hook and Smee steal the show and Peter's children. This would be a great movie about the gay power couple named after the fabulous captain. Alas, it's loosely about Peter's need to become a better father. The film has some moments of endearment mixed in with nonconsensual kisses and strange generational love. Watch this film as an adult and you start to see behind the creepy curtain but with a child's eyes, it's bangerang. RIP Rufio.

Jod betrayed us all and courageous Wim has learned nothing. The penultimate episode of Skeleton Crew left us shocked (Jod killed a defenseless man?!) and dismayed (please don't pull an Anakin 2.0, Jod!!). Why is hologram technology so prevalent? Is this the best heel turn in modern television history? How did Jod get on the Onyx Cinder? Star Wars TV, is it getting better? Rosie and Jason ponder these questions and the end of Skeleton Crew season one. Follow Jason: twitter.com/netw3rk Follow Rosie: IG & Letterboxd Follow X-Ray Vision on Instagram Join the X-Ray Vision DiscordSee omnystudio.com/listener for privacy information.

It's the final Green Gold Music show of the year! Join Carolyn Smee as she showcases a selection of Australian releases (plus a sneaky one from New Zealand) from 2024, including 'Artist of the Month,' Don West, who brings a modern flair to a timeless sound. For more info visit: https://thefaceradio.com/green-gold-music/Tune into new broadcasts of Green Gold, the 4th Wednesday 10 - 12 PM EST / 3- 5 AM GMT. (Thursday)//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

We kick straight off with ANOTHER Christmas tale called... SMEE. Narrated by Hannah. This one gets insanely creepy... would you play this game?  Expect chaos as per usual, screams of 'salmon', more cinema psychos, Brenda Ford and expect a ghost huns short film on the 2025 slate...  Creep of the Week is from - Haley! A wholesome tale that comes with MUSIC (Thunder Rider!) Love it, thank you Haley sending loads of love. This eppy rounds off with PRESENTS!!!!! OooOoo! Hope you've all had a merry squiffy xmas everyone, ENJOY!xoxo JOIN OUR PATREON! EXTRA bonus episodes AND a monthly ghost hunt for just £4.50! Or £6 for AD-FREE EPS and weekly AGONY HUNS! We'll solve your problems huns! Sign up here:www.patreon.com/GhostHuns

One of the most "Christmas Ghost Story" ghost stories for Christmas that I've ever come across. Smee tells of a night of holiday revelry turned chilling and mysterious by the appearance of an unexpected attendee at the festivities.You can read along with the ebook by purchasing it here. (affiliate Link)Read more about A. M. Burrage if you like. (Wikipedia)Art for this episode is by one of my progeny. -BBecome a supporter of this podcast: https://www.spreaker.com/podcast/monstertalk--6267523/support.

Penny and Midge read aloud another popular Christmas ghost story: Smee by A.M. Burrage. Find out how a game of hide and seek can take a turn for the spooky in this haunting tale. Follow the ghouls in Instagram at @ghoulsnightinpod Shop Ghouls Night In merch Cover art by Alex Zimdars

We review episode 4 (Can't Say I Remember No At Attin) of Skeleton Crew! Topics include: Are we seeing remnants of Operation Cinder? Where are all the adult women on At Acchran? Neel got game Smee = ratatouille Where do they go next? New theories on the Supervisor In our Question of the Week, we walk through all your theories on Jod Na Nawood's origin story. All this and more! Episode Time Stamps: 02:06 - Question of the Week - Jod Na Nawood's origin story 10:24 - Skeleton Crew - Episode 4 Review 29:46 - Speculation and What's Next Please subscribe, rate and review our show and chat us up on Twitter or in email. Twitter: @facpapod BlueSky: @facpapod.bsky.social Threads: @facpapod Web site: http://FromACertainPointAskew.com Merch store: https://teespring.com/stores/facpapod  Podawan Podcast Network: @podawans Intro/Outro - Galactic by Seb Jaeger (via https://filmstro.com/music)  

Sebastian Smee is the author of Paris in Ruins: Love, War, and the Birth of Impressionism, available from W.W. Norton & Co. Smee is a Pulitzer Prize-winning art critic at the Washington Post and the author of The Art of Rivalry. Formerly the chief art critic at the Boston Globe and national art critic for the Australian, he has also written for the Daily Telegraph, Guardian, Financial Times, and the Independent, among other publications. He lives in Boston. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch Twitter Instagram  TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Geoff, Gavin and Andrew talk about Andrew's reboot continued, the non-existent blue raspberry, discontinued draft, curly whirly squirrely accents, video stores, 31 flavors challenge, restaurant ordering, the cat piss room, gin, contact sunglasses, auction update, the tuxedo, The Crow, Soapbox derby, cheese vs tires, Spummer Summer, and Geoff's Facts. Sponsored by FÜM. Thanks FÜM! Get a free gift with your Journey Pack tryfum.com/REGULATION Also sponosred by MyBookie. Go to mybookie.website/REGULATION and use promo code REGULATION to sign up for free and double your first deposit up to $2,000 plus a $10 Casino Chip. Support us directly at http://patreon.com/theregulationpod Stay up to date, get exclusive supplemental, and connect with other Regulation Listeners. Learn more about your ad choices. Visit megaphone.fm/adchoices