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Rizwan Virk is an MIT-trained computer scientist, video game pioneer, and bestselling author of The Simulation Hypothesis. His work sits at a rare intersection: quantum physics, Eastern mysticism, and the architecture of video games, all pointing toward the same unsettling and strangely liberating conclusion. In this conversation, we explore not the nihilistic version of simulation theory, but the one that actually gives life more meaning rather than less.What We Dive Into:1. The simulation Rizwan describes is not one where you are code running on a server. You are the soul outside the game, choosing an avatar and entering by choice. The body is the character. The player is something more.2. Synchronicities, hunches, recurring patterns, these are not coincidences. Rizwan frames them as messages from a deeper intelligence, perhaps a future self, a guide, or the part of you watching the game from outside. The practice is learning to read them rather than dismiss them.3. In a well-designed game, difficulty scales to keep you engaged and growing. Rizwan applies the same logic to life: the quests that keep returning are the ones not yet completed, and completing them is what the game is actually for.Know Thyself, but not by yourself. A guided space to return home to yourself.https://www.knowthyselfcollective.com✨THANK YOU TO OUR SPONSORS:https://www.im8health.com/knowthyselfcode KNOWTHYSELF for an exclusive offerhttps://drinkLMNT.com/KnowThyselfTry LMNT & get a free sample pack ___________00:00 Intro01:46 NPC vs. RPG: Two Flavors of Simulation Theory07:44 The Universe as Information: It from Bit13:07 The Second Assertion: Information Rendered as Real18:06 Non-Locality, Quantum Entanglement, and the Speed of Light22:32 The Simulation Point: When VR Becomes Indistinguishable26:44 The Third Assertion: The World as Purposeful Illusion35:23 Awakening as Becoming Lucid in the Dream38:52 The Fourth Assertion: You Chose to Play the Game43:42 Life Selection, Forgetfulness, and the Bardo49:28 Savant Children and the Autism-as-Backdoor Hypothesis57:28 The Literal vs. Metaphorical Axis of Simulation Theory1:01:52 Yogananda and the Film Projector Metaphor1:07:34 The Life Review, the Book of Life, and the Karmic Database1:13:47 Samskaras, Vasanas, and Yoga as Cessation of Whirlpools1:17:34 Clues on the Treasure Hunt: Synchronicity and the Quest Path1:22:38 The Simulated Multiverse: Running the Simulation More Than Once1:30:09 The Tiger Swami: External Tigers and Inner Ones1:36:23 Rizwan's Heart Surgery and the Course Correction1:44:14 Karma, Dream Palaces, and the Questing Engine1:48:49 Living the Life Review Before You Die1:57:01 Kindness Is Enforced by the Architecture2:03:17 Epistemic Humility at the Edge of Mystical Claims2:14:22 What Is Outside the Simulation?2:22:54 UFOs: Interstellar, Interdimensional, or Rendered?2:33:09 Closing Message: Challenges Are Integral to the Game___________✨MORE FROM RIZWAN VIRK↳Instagram: https://www.instagram.com/rizcambridge↳YouTube: https://www.youtube.com/@rizwanvirksimulation↳X: https://x.com/Rizstanford↳Buy The Simulation Hypothesis Book: https://www.zenentrepreneur.com/simulationhypothesis↳https://www.zenentrepreneur.com

NEW PAMPHLET: The Israeli-Arab Conflict: Will there be Peace?Link: https://www.amazon.com/dp/B0GZ2FJ78FNEW BOOK: Red-Pilled Social Theory: Cracking the woke mind-virusLINK: https://www.amazon.com/dp/B0GS77TZKRGUEST: Science blogger Michael D. ShawMICHAEL SHAW SUBSTACK: https://mdspov.substack.comCharles Moscowitz LIVEWebsite: https://charlesmoscowitz.comMoscowitz Author Page:https://www.amazon.com/stores/Charles-Moscowitz/author/B00BFLX7S0Buy Me a Coffee, Join me for Coffee: https://www.buymeacoffee.com/moscowitz

The walls didn't fall from a fight. They fell from praise — and the praise came first, not after the win. Click here to read the sermon “Until the Walls Fall Down” Joshua 6:1–21 Oh, thank you, Brother Watson. That was so, so good. Friends, we are in the third and final week of this three-week series we have been in called Onward: Moving Toward the Uncharted. In this series, we have been looking at the story of Joshua's leadership of the people of Israel as they step into new ground, as they step into a brand new season, as they cross over the Jordan River into new lands the Lord has given them but of which they have not yet taken possession. There is a promise God has made to His people, but the people have not yet fully stepped into the promise. Two weeks ago, we saw this picture: that God had confirmed this promise, but it wasn't just a promise — it was a principle. And a principle is a promise that is user dependent, meaning the promise God makes to Joshua is, “I have given you every place the sole of your foot treads” (cf. Josh 1:3, HCSB) [see “A New Dawn, A New Day,” July 12, 2026]. Now that's a beautiful promise, but it also means that if Joshua and the people of Israel stay where they are on the eastern side of the Jordan River, that's all they get. But if they take steps of obedience, if they take steps of faith into a new land, if they follow a new journey and a new path to this new destination, God will be true to His promise to them. So we see it's not just a promise, but a principle — a user dependent promise. And last week, we saw this picture: how the people, after forty years wandering in the wilderness, had finally crossed the Jordan River (cf. Josh 3–4) [see “Walk This Way,” July 19, 2026]. They finally had crossed, and the Jordan River is not a huge river, but the Jordan River was an obstacle in the way of the promise. It was an obstacle in the way of stepping into the fullness of who God had called them to be. And so He gave very specific instructions as to how they were to cross the river, so that God would be praised and the generations to come would know that God is mighty, and He would be teaching the people to walk in wisdom. And so as we conclude today, we're going to do so with a message I have titled “Until the Walls Fall Down.” Until the walls fall down. Shock of all shocks, we're going to be looking at Joshua chapter six and the Battle of Jericho. Now, how many of you grew up in VBS, and you know the Joshua and the Battle of Jericho song? Come on: “Joshua fought the battle of Jericho, Jericho, Jericho. Joshua fought the battle of Jericho, and the walls came tumbling down.” [Congregation sings along.] I want to write each and every one of your names up on the chalkboard and give check marks next to you. I don't think that means anything in heaven, but that's how proud of you I am that you all knew that song so well. Now, here's the thing. Many of us have heard the story of the Battle of Jericho in Sunday school and VBS growing up. But here are some of the things we may not have thought about when we were children hearing this story. Jericho is not a big city. Jericho was actually a relatively small town during this period of time. What Jericho had was two very important things, and in order to demonstrate those things, I need all of my youth in Passport shirts to come back up. I need all of your help. So youth and adults — if you're an adult here in a Passport shirt, I need you too. You are my wall. I need you all right here, right across the front. And by the way, I do want to see that special high five y'all worked on together. All right, so here we go — I've got my Passport teens and adults. This is my wall. Now, here's what's true about having a wall in front of you: I feel a whole lot braver with them in front of me, right? Because you can't get me — I've got the wall in front of me. Now, a wall is really great, but here's the problem: if I've got the wall in front of me and you are the encroaching army, you outnumber me, but I've got a wall, so I can just wait you out. But in order for me to wait you out — the same problem siege warfare has had for thousands of years is this: if you are the larger army and we've got a big wall, you don't have to tear down the wall. You just have to prevent anything I need from coming into the city. So the longer you surround the city, the more trouble I'm in. But Jericho had one thing going for it: Jericho had a spring in the middle of the city. So Jericho had fresh water and a wall. And if you've got fresh water and a wall, you don't need much else, because you can't get past my wall. And as long as I've got some animals and maybe some farming and fresh water, you can just keep hanging out out there — you don't bother me one bit. So, how many of you — raise your hands real quick, and then I'm going to dismiss the wall — how many of you have seen The Odyssey already? How many of you went to the theaters and saw the new Odyssey? Yes, excellent, you get it. So of course it's a bunch of men — Nolan made a new movie — that's how it goes. So here's the beauty of The Odyssey: The Odyssey is what happens after Homer's The Iliad, right? It's what happens after the Battle of Troy. And Troy was a walled city with a spring inside.1 So Troy could just wait out the opposing army — which is where the story comes from of the Trojan horse, because that was the only way you had to get someone to bring something into the city of their own accord. Otherwise, the people would just continue to wait and wait and wait — years waiting — because there was a spring and a wall. Y'all give it up for my wall! We're going to go ahead and let the wall fall down. Y'all can head back. “Joshua fought the battle of Jericho, and the walls came tumbling down.” But anytime you have siege warfare, the goal is to wait out the people inside. In fact, there are a lot of stories of siege warfare throughout history where no battle was ever actually fought — the people inside the city simply ran out of resources and ultimately died without a battle ever occurring. Jericho was not a large city. Jericho was a well-defended city. So we're going to read in Joshua chapter six, verses one and two — we'll go back, please: Now Jericho was strongly fortified because of the Israelites — no one leaving or entering. And the LORD said to Joshua, “Look, I have handed Jericho, its king, and its fighting men over to you.” (Josh 6:1–2, HCSB) Now, they've always had a big wall, but it's “fortified,” meaning they are in a defensive posture. And the reason they're in defensive posture is that suddenly that eighty thousand to a quarter million people — the Israelites who crossed the river — suddenly that group is now surrounding them. So the people of Jericho are shut up inside. No one's entering, no one's leaving. And the Lord said to Joshua, “Look, I have handed Jericho, its king and its fighting men over to you.” And if you're Joshua in that moment, you're thinking, “Not really — they seem to be doing just fine inside their walled city. They seem to be doing okay, God. You say You've delivered them to us, but here we are just hanging out outside. It doesn't look like we've been delivered much.” But this is why it's so important to remember that Jericho was not a big or powerful city — it was just well fortified. It's not a big or powerful city. It's just well fortified. And so this is our first point today that I want you to grab hold of: often in life, our obstacles are not large — they just appear insurmountable. Often our obstacles are not large. Often the obstacles you are facing are not crazy, they're not scary — you've just accepted that you can't do anything about them. Maybe that's where we are today as the church. It's easy to be the church in the world right now and look around and go, “Man, every church is declining.” It's easy to go, “It's not looking good.” And we're not quitting — but we've kind of thrown in the towel on going further. We're still going to show up, we're still going to be faithful, but if we're honest, we've lost a little bit of hope that there's more to come. We've lost a little bit of hope that the best is yet to come. We've lost a little bit of hope that the next generation is going to go further than we ever thought possible. It's not because it's big or scary — we're just looking around at the trends, and it feels insurmountable. But this is why what God says to Joshua next is so important. If we continue reading, we read these words: March around the city with all the men of war, circling the city one time. Do this for six days. Have seven priests carry seven ram's-horn trumpets in front of the ark. But on the seventh day, march around the city seven times while the priests blow the trumpets. (Josh 6:3–4, HCSB) You know, I should have asked about this before — I don't think we have a trumpet here, do we? We have the players, but not the horns. If there are any trumpet players in the room, I want to give you a moment to practice. Will you give me the sound you'd need to create the trumpet sound? Let me hear it — all the trumpet players in the room, any horn players in the room, let me hear it. There we go — it sounds a little bit like an elephant, doesn't it? Sounds a little bit like an elephant. Now here's the thing: I want you to imagine seven of those going off nonstop as an entire army marches around a city seven times. That's big, and it's loud, and it's scary. We continue reading: When there is a prolonged blast of the horn and you hear it sound, have all the people give a mighty shout. (Josh 6:5, HCSB) Let's practice our mighty shout. Here we go — three, two, one. [Congregation shouts.] You scared me! Let's try it again — three, two, one. [Congregation shouts again.] Okay, okay, all right. Now imagine that you are somewhere between fifty thousand and a hundred fifty thousand strong. Imagine that sound. Now, I'm from Florida — we have really great college football teams in Florida, and so that fifty to a hundred fifty thousand people screaming, I've heard a lot of that. Now here in Durham, I imagine we have to associate it more with college basketball — but imagine you're inside Cameron during Duke-UNC. It's tied with three seconds left. Can you imagine what it sounds like in that building? Can you imagine how loud it sounds? There's power in that. But here's what's interesting in God's command here in Joshua 6:3–5: nowhere is there a command to grab a weapon. Nowhere. God doesn't say, “Here's what I want you to do — I want you to spend some time, I want you to build the trebuchet, we're going to take that wall down.” He doesn't say, “I want you to get all the horses you can find, or the chariots you can find” — there's nothing military-related to what we're hearing. It's: walk around the city once a day for six days, and on the seventh day, walk around the city seven times. And what's going to happen? They're going to blow horns. Now, for the people of Israel, blowing horns was part of a celebration — it was part of praise to God. In fact, if you go through the books of Deuteronomy and Leviticus, you're going to find specific instructions for the horns that are supposed to be played during different parts of the worship service and the tabernacle. You're going to find different examples of how you are to worship and praise God.2 God does not command the people of Israel to pick up weapons of violence. He has them pick up weapons of praise. So we're going to skip ahead to verse twelve, and we're going to find out what Joshua does in response to God's command. “Joshua got up early the next morning” (Josh 6:12, HCSB). By the way, notice this in your Bible — whenever you're reading, especially in the Old Testament, you're going to find a continual pattern: when God gives a command to one of His people, the people who are our models of obedience tend to do this — they get up early the next morning. They get up early the next morning. Now, I don't know about you, but I like sleep. I really do — I love sleep. But on days when I'm really excited about something, on days when I know something good is going to happen, I'm that person who can't even stay asleep through my alarm. I'm up an hour earlier. There's so much energy, so much excitement — I'm so ready for what's about to happen. And we see this continually in Scripture: when people are excited about obedience, when they're excited about what God is about to do in their life, they get up early the next morning. They are preparing themselves to experience all that God intends. So Joshua got up early the next morning; the priests took the ark of the LORD, and the seven priests carrying seven trumpets marched in front of the ark of the LORD. And while the trumpets were blowing, the armed troops went in front of them, and the rear guard went behind the ark of the LORD (cf. Josh 6:13, HCSB). On the second day, they marched around the city once and returned to the camp, and they did this for six days. Now imagine — you're the people of Israel. Joshua's received this command from God, Joshua has relayed this command to you, the people. And here you are, day after day, just going for a walk around the city. And you know God has commanded this, but let's be honest — you don't really understand it. And I can't be the only person in the room who has been led by God to do something that didn't really make sense to me. I can't be the only person in the room who has found themselves in a situation where obedience to God seems ridiculous in the face of whatever's going on in your life. And if we're honest, if we're real with one another, I think many of us have come face to face with that struggle. God is asking for obedience, and you're looking at the situation — you're looking at your bank account, you're looking at your relationships, you're looking at your marriage, you're looking at your kids — and you're going, “God, that doesn't seem to make a lot of sense. God, I know You're calling me to be obedient here, but I'm struggling to get it.” And this whole series, this whole three weeks, has really been about the idea that God is calling us into a new land. God is calling us into a new territory. God is calling us into something we did not think was possible before. And so, in order for us to reach that new land, in order for us to reach that new destination, it's going to require some different things from us. And I think, first and foremost, it's going to require a different kind of faith — maybe than we've had before. It's going to require a faith that is deeper, a faith that trusts more. And another way to say that would be a faith that risks more — the kind of faith that says, “If You don't show up here, then I don't have any other options. You've called me into the kind of faith, God, where either You are who You say You are, or I've got nothing.” And if we want to reach a new destination, if we want to be a people who are following a new path, it will require of us a new kind of faith — because following a new path will require a new kind of faith. We've got to trust God enough to continue down a new path toward a new destination, even when it doesn't always make sense to us. In those moments, we've got to trust: God, You know what You're doing. God, You know what You're doing. Because if we're real — and I'm just being honest — I've been in ministry for twenty years, and I'm just telling you what I have experienced: most of the time, my faith looks like one foot in and one foot out. Most of the time, my faith looks like, “God, I'm really hoping You're going to come through, but I've also got a backup plan. God, I'm really trusting that You're going to come through, but please don't ask me to risk too much, or give too much, or do too much. God, don't ask me to take on a position that is outside of my comfort zone. God, don't lead me to volunteer for a ministry where I don't really know what I'm doing.” For most of us, faith looks like, “God, I really, really believe You about sixty percent of the time.” And that's not — please, please don't hear a judgment in that. Please don't hear me say you've only got sixty percent faith. I'm saying I'm there with you. I'm a pastor, and I'm there with you. But what I also know from my own testimony, what I also know from your life, is that the moments your faith has deepened the most have been the moments where you have trusted God in such a way that there was no Plan B. There was no backup. It's “God, I am one hundred percent all in with You. God, I'm not holding anything back. I'm not being careful about what I'm going to do if this doesn't work out. God, I am believing that Your way is the best way. So I'm going to live in such a way that the whole world will know: he really believes that God is faithful.” That's not what my life looks like most of the time. But I know that when God has moved the most powerfully, those are the moments I have trusted Him fully. There's a pastor who passed a few years ago — I mean, we could talk about his influence on my entire generation of Christians. His name was Dr. Charles Stanley. And Dr. Charles Stanley said these words, and I love them: God will take full responsibility of the life fully entrusted to Him.3 And I know in my life, those rare moments — those rare moments where I've had a new kind of faith, those rare moments where I say, “God, I am trusting You fully” — I have seen Him take full responsibility and do more than I ever thought was possible. Church, if we want to reach a new destination, if we want to follow a new path, it will require from us a new kind of faith. As we continue reading, we're going to read verses fifteen and sixteen, and then we're going to skip to twenty: Early on the seventh day, they started at dawn and marched around the city seven times in the same way. That was the only day they marched around the city seven times. After the seventh time, the priest blew the trumpets, and Joshua said to the people, “Shout, for the LORD has given you the city.” (Josh 6:15–16, HCSB) So, church — one more time. We've made our way around this city seven times. The priests have blown the trumpets. Let me be Joshua for a moment, and you be the people of Israel: “Shout, for the LORD has given you the city!” [Congregation responds.] The Lord has given you the fortified city. Let's try it again: “Shout, for the LORD has given you the city!” [Congregation shouts.] So the people shouted, and the trumpets sounded. When they heard the blast of the trumpet, the people gave a great shout, and the wall collapsed. The people advanced into the city, each man straight ahead, and they captured the city. (Josh 6:20, HCSB) Now: seven times around the city, trumpet blasts, the people shout. Trumpet blast, the people shout — and then what happens? “Joshua fought the battle of Jericho, Jericho, Jericho. Joshua fought the battle of Jericho, and the walls came tumbling down.” Now here — Joshua fought the Battle of Jericho? The walls didn't come down because of a fight. The walls came down because of praise. You see, praise — the praise preceded the victory. The praise preceded the victory. And let's be honest — come on — how many of us are waiting for the victory to give the praise? How many of us, time and time again, in every circumstance and situation we face in life, we're waiting for the victory? “God, once You bring me the victory, I'll give You the praise. God, once we have won, I'll give You the praise.” That's not how the Battle of Jericho goes. Praise precedes the victory. Praise precedes the victory. What would your life look like if you brought to mind the biggest obstacle you're facing — if you brought to mind the biggest battle that's ahead of you, if you brought to mind the biggest fear, the biggest anxiety, the biggest worry you have — bring that to the forefront of your mind. And what would happen if right now, here in this place, you said, “God, I'm not waiting for the victory to give You praise. I'm not waiting for the win to declare Your glory. God, I'm not waiting until this church is overflowing with people and we're doing four services — I'm not waiting for that to give You praise right now.” Let's be honest, church, I know where you're at. How about, “God, I'm not waiting until we have it all figured out and all the answers to give You praise.” What would it look like? What would it look like for you to say here and now, “God, You get every bit of my praise. You get every bit of my praise, You get it here and now. I'm not waiting for the victory to give You praise.” Because here's what's true — here's what's true. No matter what battle you are facing in this life, no matter what circumstance you are coming up against, what is true is that death has already been defeated. Sin has already been defeated. The blood of Jesus has already purified you from all unrighteousness. You are covered in the grace of God before a bit of victory has been given in the circumstance you're facing in this moment. You've already got more victory than you could ever ask or imagine. You have already won. So yeah — you might be facing some confusion about what comes next for you as a church. You may be facing some tough decisions in your personal life regarding your finances. You may be battling — I mean, man, at this point, you can be battling just by ordering a salad. It's bad out there, y'all. Whatever battle you are facing — you've already won. Church, hear me when I say this: you've already won. You've already got the victory. Yes, there are situations in your life that you're afraid of. Yes, there are situations in your life you're nervous about. There are circumstances going on in your friends and in your family that you are worried about. But I want to let you know: in the middle of that anxiety, in the middle of that worry, in the middle of the unknowns for what comes next, we can praise God right now — because praise precedes the victory. Praise precedes the victory. And here's what the enemy wants for you: the enemy wants you to forget that you've already won. The enemy wants you to forget you've already been victorious. The enemy wants you to forget what God has already done for you — and to get you so wrapped up with the thing that is five feet in front of you that you become blinded to everything else. That's all the enemy wants. But church — what would happen? What would happen in your life if you said, “I've already won. I am praising God”? And victory may or may not come in this situation, but I'm praising God either way, because I'm already victorious. Church, are you willing? Are you willing to give your praise before the victory? Are you willing to give your praise before the victory? And here's the thing that I don't understand — there's so much in Scripture that I don't get. I don't understand how, in God's economy, ninety percent goes further than a hundred percent. I don't understand how, in God's economy, six days goes further than seven. I don't understand how it is that in God's economy, sometimes when we praise, victory follows. It's backwards to the way the world works. Church, God has called you to be a different kind of people, following a different kind of path, with a different kind of faith. Church, are you willing to give your praise before the victory? Because I believe — I believe for Yates Baptist Church, and I believe for every man, woman, and child in this room right now — I believe if you will give your praise, you have no idea what God will do next. If you will give your praise, I believe there is a victory headed your way, church. I don't want you to miss it. I don't want you to miss it. I don't want you to miss out on the destination. I don't want you to miss out on the new lands. I don't want you to miss out on the life that is ahead of you if you're willing to give your praise first. If you're willing to be a people of praise, no matter the situation, no matter the circumstance, I believe that victory comes quickly on its heels. Let me pray for us. Heavenly Father, Jesus — we give You praise in this place. We give You honor and glory in this place. God, we're going to hear music in this place. God, we're going to sing songs of praise in this place. And so, God, we're not holding back. God, we're going to give You praise today like victory is dependent upon it. We're going to give You praise today as a people who have already won. We're going to give You praise today like a people who know that if we praise until the walls fall down, we will see Your victory. We will experience Your grace and Your mercy and Your goodness. Jesus, we want a taste of Your victory, and so we give You praise here and now. We don't know what the future holds, but You do. We don't know what the next step is, God, but You do. So God, would You give us the kind of faith that praises You before the victory? Would You give us the kind of faith that is obedient in such a way that if You don't come through, God, we have no hope? Would You give us the kind of faith that fully entrusts our lives to You, believing that You will take full responsibility of that life? Jesus, we pray this in Your name. Amen. Endnotes 1 The image of “a spring in the middle of the city” draws loosely on Homer's description of twin springs feeding the Scamander near Troy's walls (Iliad 22.147–152: “κρουνὼ δ' ἵκανον καλλιρρόω· ἔνθα δὲ πηγαὶ / δοιαὶ ἀναΐσσουσι Σκαμάνδρου δινήεντος,” “they came to the two fair-flowing fountains, where well up the two springs that feed eddying Scamander”). Homer locates these springs outside the city walls, on the plain, not within the citadel, and describes two springs (one warm, one cold) rather than one. Archaeological excavation at Hisarlık, the site identified with ancient Troy, has not confirmed a spring inside the fortified citadel matching this Homeric image. Excavated water features there consist chiefly of cisterns and a rock-cut channel rather than a documented intramural spring. 2 The trumpet/horn vocabulary sits in three Pentateuchal locations: Numbers 10:1–10, where the instrument is חֲצוֹצְרָה (chatzotzerah, “[silver] trumpet”) and the war-signal is תְּרוּעָה (teru'ah, “shout, alarm-blast,” Num 10:9); and Leviticus 23:24 and 25:9, where the instrument is שׁוֹפָר (shofar, “ram's horn”), again paired with teru'ah. Joshua 6 itself uses shofar for the priests' horns (שׁוֹפְרוֹת הַיּוֹבְלִים, shofrot ha-yovlim, “ram's-horn trumpets,” 6:4) and teru'ah for the people's shout (תְּרוּעָה גְדוֹלָה, teru'ah gedolah, “a great shout,” 6:5, 20). This is Leviticus's pairing, and the same shofar/teru'ah pairing recurs as a holy-war type-scene in Judges: Ehud sounds the shofar to muster Israel (וַיִּתְקַע בַּשּׁוֹפָר, Judg 3:27); Gideon does the same to summon his army (Judg 6:34), and; At the battle against Midian the shofar blast and accompanying cry again precede the enemy's collapse rather than follow it (Judg 7:16–22) The repeated formula forms the same liturgical praise-before-victory pattern the preacher interprets from Jericho. 3 The challenging line, “God will take full responsibility of the life fully entrusted to Him,” conflates language from two sources rather than quoting either: Andrew Murray (“God is ready to assume full responsibility for the life wholly yielded to Him”), commonly attributed to Murray in devotional compilations though without a confirmed primary-text citation, and Charles Stanley's Life Principle 11 (“God assumes full responsibility for our needs when we obey Him”), as taught through In Touch Ministries. A third variant, “God takes full responsibility for the life wholly devoted to Him,” also circulates under Stanley's name in popular quotation collections. Rendered in the body as the preacher's own synthesis of these related sayings. Works Cited AZQuotes. “God Takes Full Responsibility for the Life Wholly Devoted to Him.” AZQuotes, https://www.azquotes.com/quote/735429. Accessed 26 July 2026. Bible Apologetics. “Andrew Murray – Quotes for a Deeper Walk with Jesus.” Bible Apologetics, 23 Sept. 2024, https://bibleapologetics.org/andrew-murray-quotes-for-a-deeper-walk-with-jesus/. Accessed 26 July 2026. The Holy Bible: Holman Christian Standard Bible. Holman Bible Publishers, 2004. Homer. The Iliad. Translated by A. T. Murray, Loeb Classical Library, Harvard University Press, 1924. The Odyssey. Directed by Christopher Nolan, Universal Pictures, 2026. Stanley, Charles F. “Life Principle 11: His Promise to Provide.” In Touch Ministries, https://www.intouch.org/watch/sermons/life-principle-11-his-promise-to-provide. Accessed 26 July 2026. “Troy: New Data from Old Excavations.” Archaeological Institute of America, 9 Nov. 2023, https://www.archaeological.org/troy-new-data-from-old-excavations/. Accessed 26 July 2026. © 2026 Rob Stone. All rights reserved.

The Gore of Battle and the Sanctity of the Dead. Guest: Professor Emily Wilson. The Iliad features vivid and gory battle scenes that Wilson rendered by consulting with combat veterans to understand the visceral nature of death. Homeremphasizes the specific details of how each man dies, often juxtaposing the brutality of a spear through an eyeball with beautiful similes from the natural world. A major theme is the treatment of the dead; the poem views the corpse as the person, requiring those who loved the warrior to wash, wrap, and lament him. Entire books are dedicated to the struggle of reclaiming a fallen comrade's body, as desecrating a corpse is seen as the ultimate victory over an enemy. Stripping the armor from a victim serves as both an economic prize and a symbol of total dominance. While the gods like Poseidon and Hera intervene to support the Greeks, they also remain distinct from mortals by "bleeding" a substance called ichor. These divine and human elements culminate in the pivotal death of Patroclus, which shifts the direction of the entire war. 6

-The money has simply gotten too big and out of control—credit the NCAA for being somewhat better recently on not letting players getridiculous amounts of years in school to continue to collect NIL money, but it's still not fixed-But if a player who knowingly bet on sports and his own team in years past is allowed to continue to play college sports, what exactly can't youdo to continue to keep playing? The moral compass is lost and it seems like any type of compass at all is gone.Our Sponsors:* Check out Hims and use my code hims.com/EARLYBREAK for a great deal: https://www.hims.com* Check out Progressive: https://www.progressive.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In AI Valley, Gary Rivlin explains how OpenAI transitioned from a $10 million nonprofit endeavor to a multi-billion dollar enterprise. The immense cost of specialized chips and million-dollar salaries for machine learning talent rendered the original nonprofit model unsustainable. Consequently, Altman orchestrated a "for-profit subsidiary" to attract massive capital, notably from Microsoft, which invested $1 billion in 2019 and later an additional $10 billion. Rivlincharacterizes Altman as a charming and brilliant strategist who now prioritizes winning the global AI race over the company's original safety mission. This shift underscores the intense competition to become the next trillion-dollar company in the AI sector. (2/8)1903 SANTA BARBARA

TEXT: LD 15 The work of the Spirit in the life and death of Christ, who as a true man… 1. … learned obedience through what he suffered (Heb 5:8) 2. … Rendered obedience through the Holy Spirit (Heb 9:14)

The “Authentic” Flag on X is a Corporate Scam X's current policy (as of April 2026) defines "Authenticity" as a human being physically interacting with the platform. Using AI doesn't diminish the authenticity of Dale's Angels Inc.; it amplifies it. It allows us to dream bigger, research deeper, and deliver a better experience for you, whether you're looking for travel advice or a new favorite book. We aren't hiding behind the tech; we're using it to break free from the data monopolies that try to gatekeep creativity. We moved our aesthetic to platforms that value creator authenticity over data monopolies. DAI Travel and FB Roasters are about the freedom to explore and the quality of the brew—not feeding a billionaire's ego." GAME ON! DAI Travel & FB Roasters

A new film uses AI to bring back an actor who died last year. AP correspondent Donna Warder reports.

In this episode, we're tackling one of the biggest challenges creative entrepreneurs face: setting sustainable pricing that reflects your true worth. If you've ever felt stuck between knowing your value and actually getting paid for it, this one's for you.We'll break down why traditional pricing models often fail creatives and introduce you to a game-changing approach: value-based pricing. You'll learn how to calculate the real cost of your work (hint: it's way more than just billable hours), how to present multiple pricing tiers that empower clients to choose, and why the "starving artist" mentality is holding you back from the impact you deserve.Plus, get practical strategies for raising your rates with existing clients without losing them, and discover how to prove your ROI so convincingly that premium pricing becomes a no-brainer.Remember: the clients who respect your rates will respect your work. It's time to price accordingly.Want to go deeper on sustainable pricing? Join us in Snacks, our free community space inside Forge, where we expand on these topics with real conversations and actionable insights. Check it out here.

Mary Kissel reports that while Maduro is rendered, his lieutenants maintain control in Caracas, slow-walking transition efforts as Maria Corina Machado plans her return to lead the nation. 10.1828 PERSIA

very short electro session, had more ideas but ran out of energy. Rendered as it was, with almost no mastering. Hopeless.. From the album "It's full of... plenty".

In Mark 12:13-17, strange allies gather in the temple courts with a single aim: to defeat and destroy Jesus. They approach with a simple but loaded question about power, loyalty, and who truly holds authority. What unfolds is far more than a clever escape, but showcases the beauty of our Savior.  

Chapters 4 and 5 from A. A. Milne's beloved collection of short stories following the adventures of an anthropomorphic teddy bear, Winnie-the-Pooh, and his friends Christopher Robin, Piglet, Eeyore, Owl, Rabbit, Kanga, and Roo. Rendered by acclaimed vocal artist Christopher Lane, this episode features signature music by Grammy-recognized trumpeter Markus Rutz and his collaborator on the keys, Adrian Ruiz plus “The Hundred Acre Woods” theme song composed by Richard C. Washer. 

In this open discussion episode, host Jen Van Horn leads a conversation about self-identity, authenticity, and the pressures motion designers face to mask their true selves, with insights from Kendall Hotchkiss, Lee Smalt, Moe Murdock, Sam J, Landon X. Jenkins, and Cameron Butterfield.This episode covers:Mental health and self-identity: How disconnecting from your creative identity during layoffs or industry changes can be catastrophic for mental health, with discussion of practices to maintain authentic creative habitsJob security myths: Why full-time positions aren't truly stable since employees are ultimately numbers to companies, and how freelancers often develop better resilience through managing multiple client relationshipsAI as masking tool: The concerning trend of creatives using AI to craft opinions rather than developing authentic perspectives, with warnings about AI providing false information to please usersGender dynamics in creative work: How women in motion design face unique challenges with over-apologizing, downplaying expertise, and balancing confidence with authenticity in professional settingsScarcity mindset dangers: How fear-based decision making leads to over-promising on deadlines and saying yes to wrong projects, requiring conscious checking of motivationsPractical authenticity exercises: Ten actionable steps for maintaining creative authenticity including truth sketches, honoring creative instincts, sharing works-in-progress, and creating art not meant for postingUpcoming Events:Next week: Open discussion format for November planningVisit MondayMeeting.org for this episode and other conversations from the motion design community!SHOW NOTES:⁠⁠⁠⁠⁠⁠⁠Monday Meeting Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Monday Meeting Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MondayMeeting LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MondayMeeting Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MondayMeeting Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MondayMeeting Newsletter⁠

Chapters 2 and 3 from A. A. Milne's beloved collection of short stories following the adventures of an anthropomorphic teddy bear, Winnie-the-Pooh, and his friends Christopher Robin, Piglet, Eeyore, Owl, Rabbit, Kanga, and Roo. Rendered by acclaimed vocal artist Christopher Lane, this episode features signature music by Grammy-recognized trumpeter Markus Rutz and his collaborator on the keys, Adrian Ruiz plus “The Hundred Acre Woods” theme song composed by Richard C. Washer. 

Nagasaki: The Last Witnesses (Penguin Random House, 2025) is the second volume in a prize-worthy two-book series based on years of irreplicable personal interviews with survivors about each of the atomic bomb drops, first in Hiroshima and then Nagasaki, that hastened the end of the Pacific War. On August 6, 1945, the United States unleashed a weapon unlike anything the world had ever seen. Then, just three days later, when Japan showed no sign of surrender, the United States took aim at Nagasaki.Rendered in harrowing detail, this historical narrative is the second and final volume in M. G. Sheftall's series Embers. Sheftall has spent years personally interviewing hibakusha—the Japanese word for atomic bomb survivors. These last living witnesses are a vanishing memory resource, the only people who can still provide us with reliable and detailed testimony about life in their cities before the use of nuclear weaponry.The result is an intimate, firsthand account of life in Nagasaki, and the story of incomprehensible devastation and resilience in the aftermath of the second atomic bomb drop. This blow-by-blow account takes us from the city streets, as word of the attack on Hiroshima reaches civilians, to the cockpit of Bockscar, when Charles Sweeney dropped “Fat Man,” to the interminable six days while the world waited to see if Japan would surrender to the Allies–or if more bombs would fall. Related Genres: Asian World History, 1950 – Present Military History, World War II Military History Praise for M.G. Sheftall's Embers Series: “Sheftall's meticulous, novelistic recreations are deeply immersive. It's an invaluable contribution to 20th century history.”—Publishers Weekly on Nagasaki (Embers: Volume II) (starred review)“A definitive account of a watershed moment in history.”—Kirkus on Nagasaki (Embers: Volume II)“M.G. Sheftall's Hiroshima presents as a master class in eyewitness storytelling. As poignant as it is powerful, this gripping narrative chronicles one of history's darkest nightmare moments—the atomic bombing of Hiroshima in August 1945—and the memories of its surviving eyewitnesses. As the events fade from living memory, Hiroshima is at once a brilliant tribute and a cautionary tale.”—Annie Jacobsen, author of Nuclear War: A Scenario“An important, deep-dive book into most every detail about the atomic bomb's making and use, in anger. A strong argument for why it must never be allowed to be used for any reason whatsoever. This book adds significantly to the argument that we need to back up fast and return to nuclear arms reduction.”—Charles Pellegrino, author of To Hell and Back: The Last Train from Hiroshima“M.G. Sheftall takes us on a deep dive into one of the most significant and horrific events in world history. Hiroshima is a gripping, moving story of fear and shame, courage and grace, and a powerful argument that we should never, ever use these weapons again.”—Evan Thomas, author of Road to Surrender: Three Men and the Countdown to the End of World War II“A compelling analysis of the suffering endured by the citizens of Hiroshima in the aftermath of the dropping of the nuclear bomb on 6 August 1945. Written by a scholar who lives and works in Japan, and who has interviewed many of the last survivors, this is a book that offers valuable insights into Japanese thinking during the war and the subsequent struggle to rebuild the country.”—Laurence Rees, author of Auschwitz and The Holocaust Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Nagasaki: The Last Witnesses (Penguin Random House, 2025) is the second volume in a prize-worthy two-book series based on years of irreplicable personal interviews with survivors about each of the atomic bomb drops, first in Hiroshima and then Nagasaki, that hastened the end of the Pacific War. On August 6, 1945, the United States unleashed a weapon unlike anything the world had ever seen. Then, just three days later, when Japan showed no sign of surrender, the United States took aim at Nagasaki.Rendered in harrowing detail, this historical narrative is the second and final volume in M. G. Sheftall's series Embers. Sheftall has spent years personally interviewing hibakusha—the Japanese word for atomic bomb survivors. These last living witnesses are a vanishing memory resource, the only people who can still provide us with reliable and detailed testimony about life in their cities before the use of nuclear weaponry.The result is an intimate, firsthand account of life in Nagasaki, and the story of incomprehensible devastation and resilience in the aftermath of the second atomic bomb drop. This blow-by-blow account takes us from the city streets, as word of the attack on Hiroshima reaches civilians, to the cockpit of Bockscar, when Charles Sweeney dropped “Fat Man,” to the interminable six days while the world waited to see if Japan would surrender to the Allies–or if more bombs would fall. Related Genres: Asian World History, 1950 – Present Military History, World War II Military History Praise for M.G. Sheftall's Embers Series: “Sheftall's meticulous, novelistic recreations are deeply immersive. It's an invaluable contribution to 20th century history.”—Publishers Weekly on Nagasaki (Embers: Volume II) (starred review)“A definitive account of a watershed moment in history.”—Kirkus on Nagasaki (Embers: Volume II)“M.G. Sheftall's Hiroshima presents as a master class in eyewitness storytelling. As poignant as it is powerful, this gripping narrative chronicles one of history's darkest nightmare moments—the atomic bombing of Hiroshima in August 1945—and the memories of its surviving eyewitnesses. As the events fade from living memory, Hiroshima is at once a brilliant tribute and a cautionary tale.”—Annie Jacobsen, author of Nuclear War: A Scenario“An important, deep-dive book into most every detail about the atomic bomb's making and use, in anger. A strong argument for why it must never be allowed to be used for any reason whatsoever. This book adds significantly to the argument that we need to back up fast and return to nuclear arms reduction.”—Charles Pellegrino, author of To Hell and Back: The Last Train from Hiroshima“M.G. Sheftall takes us on a deep dive into one of the most significant and horrific events in world history. Hiroshima is a gripping, moving story of fear and shame, courage and grace, and a powerful argument that we should never, ever use these weapons again.”—Evan Thomas, author of Road to Surrender: Three Men and the Countdown to the End of World War II“A compelling analysis of the suffering endured by the citizens of Hiroshima in the aftermath of the dropping of the nuclear bomb on 6 August 1945. Written by a scholar who lives and works in Japan, and who has interviewed many of the last survivors, this is a book that offers valuable insights into Japanese thinking during the war and the subsequent struggle to rebuild the country.”—Laurence Rees, author of Auschwitz and The Holocaust Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Nagasaki: The Last Witnesses (Penguin Random House, 2025) is the second volume in a prize-worthy two-book series based on years of irreplicable personal interviews with survivors about each of the atomic bomb drops, first in Hiroshima and then Nagasaki, that hastened the end of the Pacific War. On August 6, 1945, the United States unleashed a weapon unlike anything the world had ever seen. Then, just three days later, when Japan showed no sign of surrender, the United States took aim at Nagasaki.Rendered in harrowing detail, this historical narrative is the second and final volume in M. G. Sheftall's series Embers. Sheftall has spent years personally interviewing hibakusha—the Japanese word for atomic bomb survivors. These last living witnesses are a vanishing memory resource, the only people who can still provide us with reliable and detailed testimony about life in their cities before the use of nuclear weaponry.The result is an intimate, firsthand account of life in Nagasaki, and the story of incomprehensible devastation and resilience in the aftermath of the second atomic bomb drop. This blow-by-blow account takes us from the city streets, as word of the attack on Hiroshima reaches civilians, to the cockpit of Bockscar, when Charles Sweeney dropped “Fat Man,” to the interminable six days while the world waited to see if Japan would surrender to the Allies–or if more bombs would fall. Related Genres: Asian World History, 1950 – Present Military History, World War II Military History Praise for M.G. Sheftall's Embers Series: “Sheftall's meticulous, novelistic recreations are deeply immersive. It's an invaluable contribution to 20th century history.”—Publishers Weekly on Nagasaki (Embers: Volume II) (starred review)“A definitive account of a watershed moment in history.”—Kirkus on Nagasaki (Embers: Volume II)“M.G. Sheftall's Hiroshima presents as a master class in eyewitness storytelling. As poignant as it is powerful, this gripping narrative chronicles one of history's darkest nightmare moments—the atomic bombing of Hiroshima in August 1945—and the memories of its surviving eyewitnesses. As the events fade from living memory, Hiroshima is at once a brilliant tribute and a cautionary tale.”—Annie Jacobsen, author of Nuclear War: A Scenario“An important, deep-dive book into most every detail about the atomic bomb's making and use, in anger. A strong argument for why it must never be allowed to be used for any reason whatsoever. This book adds significantly to the argument that we need to back up fast and return to nuclear arms reduction.”—Charles Pellegrino, author of To Hell and Back: The Last Train from Hiroshima“M.G. Sheftall takes us on a deep dive into one of the most significant and horrific events in world history. Hiroshima is a gripping, moving story of fear and shame, courage and grace, and a powerful argument that we should never, ever use these weapons again.”—Evan Thomas, author of Road to Surrender: Three Men and the Countdown to the End of World War II“A compelling analysis of the suffering endured by the citizens of Hiroshima in the aftermath of the dropping of the nuclear bomb on 6 August 1945. Written by a scholar who lives and works in Japan, and who has interviewed many of the last survivors, this is a book that offers valuable insights into Japanese thinking during the war and the subsequent struggle to rebuild the country.”—Laurence Rees, author of Auschwitz and The Holocaust Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Nagasaki: The Last Witnesses (Penguin Random House, 2025) is the second volume in a prize-worthy two-book series based on years of irreplicable personal interviews with survivors about each of the atomic bomb drops, first in Hiroshima and then Nagasaki, that hastened the end of the Pacific War. On August 6, 1945, the United States unleashed a weapon unlike anything the world had ever seen. Then, just three days later, when Japan showed no sign of surrender, the United States took aim at Nagasaki.Rendered in harrowing detail, this historical narrative is the second and final volume in M. G. Sheftall's series Embers. Sheftall has spent years personally interviewing hibakusha—the Japanese word for atomic bomb survivors. These last living witnesses are a vanishing memory resource, the only people who can still provide us with reliable and detailed testimony about life in their cities before the use of nuclear weaponry.The result is an intimate, firsthand account of life in Nagasaki, and the story of incomprehensible devastation and resilience in the aftermath of the second atomic bomb drop. This blow-by-blow account takes us from the city streets, as word of the attack on Hiroshima reaches civilians, to the cockpit of Bockscar, when Charles Sweeney dropped “Fat Man,” to the interminable six days while the world waited to see if Japan would surrender to the Allies–or if more bombs would fall. Related Genres: Asian World History, 1950 – Present Military History, World War II Military History Praise for M.G. Sheftall's Embers Series: “Sheftall's meticulous, novelistic recreations are deeply immersive. It's an invaluable contribution to 20th century history.”—Publishers Weekly on Nagasaki (Embers: Volume II) (starred review)“A definitive account of a watershed moment in history.”—Kirkus on Nagasaki (Embers: Volume II)“M.G. Sheftall's Hiroshima presents as a master class in eyewitness storytelling. As poignant as it is powerful, this gripping narrative chronicles one of history's darkest nightmare moments—the atomic bombing of Hiroshima in August 1945—and the memories of its surviving eyewitnesses. As the events fade from living memory, Hiroshima is at once a brilliant tribute and a cautionary tale.”—Annie Jacobsen, author of Nuclear War: A Scenario“An important, deep-dive book into most every detail about the atomic bomb's making and use, in anger. A strong argument for why it must never be allowed to be used for any reason whatsoever. This book adds significantly to the argument that we need to back up fast and return to nuclear arms reduction.”—Charles Pellegrino, author of To Hell and Back: The Last Train from Hiroshima“M.G. Sheftall takes us on a deep dive into one of the most significant and horrific events in world history. Hiroshima is a gripping, moving story of fear and shame, courage and grace, and a powerful argument that we should never, ever use these weapons again.”—Evan Thomas, author of Road to Surrender: Three Men and the Countdown to the End of World War II“A compelling analysis of the suffering endured by the citizens of Hiroshima in the aftermath of the dropping of the nuclear bomb on 6 August 1945. Written by a scholar who lives and works in Japan, and who has interviewed many of the last survivors, this is a book that offers valuable insights into Japanese thinking during the war and the subsequent struggle to rebuild the country.”—Laurence Rees, author of Auschwitz and The Holocaust Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Scott McGill and Susannah Wright rendered Virgil's Aeneid in English iambic pentameter, noting Virgil's sympathy for opponents like Dido. The epic converses with Homer and shows Aeneas's restrained emotion. 1793 VIRGIL READING TO OCTAVIAN, OCTAVIA, LIVIA

Scott McGill and Susannah Wright rendered Virgil's Aeneid in English iambic pentameter, noting Virgil's sympathy for opponents like Dido. The epic converses with Homer and shows Aeneas's restrained emotion. 1500 VIRGIL READING AENEID TO OCTAVIAN AND OCTAVIA 

  Scott McGill and Susannah Wright rendered Virgil's Aeneid in English iambic pentameter, noting Virgil's sympathy for opponents like Dido. The epic converses with Homer and shows Aeneas's restrained emotion. 1500

Scott McGill and Susannah Wright rendered Virgil's Aeneid in English iambic pentameter, noting Virgil's sympathy for opponents like Dido. The epic converses with Homer and shows Aeneas's restrained emotion. 1915 AENEID

This week Glenn and Pierre discuss an era-defining aviation disaster, create their own ‘cryptic crossturds' and relive Glenn's pilates class. Hosted on Acast. See acast.com/privacy for more information.

8/8. The tragic death of Patroclus is a pivotal moment in The Iliad, rendered intensely by Professor Emily Wilson. Despite Achilles's warning, Patroclus, wearing Achilles's armor, pushes too far and is killed by Hector, with Apollo's intervention. This event unleashes Achilles's terrifying rage, propelling him back into battle in new, divine armor crafted by Hephaestus. Achilles's subsequent, relentless slaughter, even against the river god, is driven by his all-consuming quest to avenge Patroclus, culminating in the brutal confrontation with Hector. 1600 HECTOR

What lies at the heart of one of the most revered scriptures of non-dual Tantra?In this episode, we hear a direct reading of the opening and closing verses of the Vijñāna-bhairava-tantra, a text composed over a thousand years ago that frames 112 transformative meditation practices. These verses are far more than an introduction or conclusion—they carry profound insights into the nature of reality, the relationship of Śiva and Śakti, and the ultimate context in which Tantric practice becomes effective. Rendered here in a fresh translation, the words of the Goddess and Bhairava point us beyond ritual and form into the essence of awareness itself. Listeners are invited into the contemplative power of scripture, allowing the poetry of these ancient teachings to speak directly to the heart.Discover a treasure trove of guided meditations, teachings, and courses at tantrailluminated.org.Find out more about the upcoming retreats and pilgrimages at https://www.tantrailluminated.org/calendar. Hosted on Acast. See acast.com/privacy for more information.

Our hosts Paul Black and Kendra McPherson have braved the latest named storm on these fair isles to bring you another week of discourse as we dip the wooden spoon of content deep into the thick and boiling meats of our cultural stew. Join two hosts definitely in their 20s, as they take on the storm, the motorcar and the box Chinese takeaway, this week on Who Agrees? Thanks to our podcast sponsor IOLLA! Check out their latest frames, including those seen on pod at https://iolla.com/?ref=WHOAGREESYou can find new episodes of Who Agrees? every Wednesday, available wherever you get your audio podcasts, and now be sure to subscribe to the Who Agrees Pod YouTube channel for full episodes, also dropping weekly.Find us on socials @WhoAgreesPod including our newly launched TikTok account!Do leave us such a kind review wherever you listen and make sure to subscribe and like and choose us, love us. Hosted on Acast. See acast.com/privacy for more information.

PREVIEW EARLY VENUS: Planetary scientist Simone Marchi reports what collisions may have rendered Venus the volcano dominated planet we find now. More.1940

PREVIEW: Colleague Blaine Holt comments on the challenge of the hardened Fordow site in Iran that must be destroyed or rendered inoperative. More.

The next to last chapter of what is now considered Ernest Hemingway's greatest work, portraying American and British expatriates who travel from Paris to the Festival of San Fermin to watch the running of the bulls and the bullfights.  Rendered by acclaimed vocal artist Christopher Lane, the episode features signature music by Grammy-recognized trumpeter Markus Rutz and his collaborator on the keys, Adrian Ruiz.  Want more? The story continues right here at The Rose Rhapsody.

The introduction and chapter one from A. A. Milne's beloved collection of short stories following the adventures of an anthropomorphic teddy bear, Winnie-the-Pooh, and his friends Christopher Robin, Piglet, Eeyore, Owl, Rabbit, Kanga, and Roo. Rendered by acclaimed vocal artist Christopher Lane, the episode features signature music by Grammy-recognized trumpeter Markus Rutz and his collaborator on the keys, Adrian Ruiz. 

Originally recorded and released on April 30, 2025.Discover the prophetic connection between two powerful thoroughbred symbols that reveal America's destiny, leadership cycles, and divine judgment. America is at a tipping point. Are you awake to the signs?NEW! Prayer Lines now available Mon - Fri, 9am-5pm ET. CALL 845-743-6500 or 845-743-2583BOOK: Amanda Grace is thrilled to announce the release of her debut book, The Revelationary War. Get your copy here: https://buff.ly/4fnuDd7Music Copyright References:-131615741-Awards Inspirational Cinematic Music (Short 3) [Upbeat Nomination Epic Orchestra] Stock Media provided by JadSound / Pond5-21981893-Corporate And Inspirational Cinematic Background Music (1.00 Minutes Version) Stock Media provided by StockAudios / Pond5-151471022-Uplifting Inspirational CorporateStock Media provided by Patrick_Schlebes / Pond5-154756307-Magic Fireflies Loop Version2(Modern And Relaxing Background) Stock Media provided by Lesya_NZ / Pond5-123859534-Successful Product Presentation 60S - P5 Stock Media provided by Wolfgangwoehrle / Pond5-105166597-Believe in You (Inspirational And Uplifting)- P5 Stock Media provided by DivaProductionMusic / Pond5Music License: https://www.pond5.com/legal/license/20230221Purchase ID/Date: 7365245 / 9-29-2023Website: https://arkofgrace.orgPrayer Requests: https://arkofgrace.org/prayer-requestsDonate: https://arkofgrace.org/donatePartners: https://arkofgrace.org/ministry-partners

Beef tallow, aka rendered beef fat, was once a staple in American home cooking and fast-food kitchens throughout much of the 20th century. Though it declined in popularity due to concerns over its saturated fat content, it's now making a comeback. Listen in this week as Dee breaks down the sizzling truth about beef tallow—its nutritional perks, potential pitfalls, and whether it earns a spot in a healthy diet.Reference:Limmatvapirat, C. (2020). Beef tallow consumption and health. The Journal of Chulabhorn Royal Academy, 1(2), 16–34. https://he02.tci-thaijo.org/index.php/jcra/article/view/222030

In an attempt to review motorway services of Britain, we find out that Paul and Rob, perhaps unsurprisingly, have been using them in quite different ways...Support this show http://supporter.acast.com/runningcommentary. Hosted on Acast. See acast.com/privacy for more information.

Chapter 17 of what is now considered Ernest Hemingway's greatest work, portraying American and British expatriates who travel from Paris to the Festival of San Fermin to watch the running of the bulls and the bullfights.  Rendered by acclaimed vocal artist Christopher Lane, the episode features signature music by Grammy-recognized trumpeter Markus Rutz and his collaborator on the keys, Adrian Ruiz.  Want more? The story continues right here at The Rose Rhapsody.

By Jared Samuelson Dr. Jamie L. Jones joins the program to discuss her book, Rendered Obsolete – Energy Culture and the Afterlife of US Whaling. Jamie L. Jones is an Assistant Professor in the Department of English at the University of Illinois at Urbana-Champaign. Her research explores the historic pivot in energy use in the … Continue reading Sea Control 562 – Rendered Obsolete with Dr. Jamie Jones →

In this final hour, Tobin & Leroy give their final thoughts on the Jimmy Butler trade. They wonder of there are any more traded before the 3pm deadline. The Heat made more moves as they traded the recently acquired P.J Tucker for Raptors guard Davion Mitchell. It's a new start for the Heat and the drama is finally over is it sill in "The Godfather" Pat Riley we trust?

Link: Rendered Obsolete - Energy Culture and the Afterlife of US Whaling, by Jamie L. Jones, University of North Carolina Press, 2023. Bios: Jamie L. Jones is an Assistant Professor in the Department of English at the University of Illinois at Urbana-Champaign. Her research explores the historic pivot in energy use in the nineteenth century, when whale oil and other organic energy sources gave way to fossil fuelsTwitter: @JamieLJones8

THIS IS A PREVIEW PODCAST. NOT THE FULL REVIEW. Please check out the full podcast review on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture With its two Oscar nominations for Best Animated Feature and Best International Feature Film, Alyssa Christian, Dan Bayer, Daniel Howat, and I have come together to deliver a proper review for Gints Zilbalodis's animated feature film "Flow." Rendered on the free and open-source software Blender and containing no dialogue, the Latvian film has captivated audiences since its world premiere at the 2024 Cannes Film Festival in the Un Certain Regard section. What did we think of it all these months later, especially considering it's now in the hunt to win the Oscar following wins from the 37th European Film Awards, New York Film Critics Circle, Los Angeles Film Critics Association, National Board of Review, and the 82nd Golden Globe Awards. Please tune in as we discuss the story, animation, music, themes, awards season chances, and more in our SPOILER-FILLED review. Thank you for all your support, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Pre-rendered backgrounds have been disrespected and become a thing of the past in modern video games. That needs to change. Bring them back! We discuss this and more in our latest episode. Remember to subscribe and join us on Patreon! **We're Now On Spotify**: https://open.spotify.com/show/4gIzzvT3AfRHjGlfF8kFW3 **Listen On Soundcloud**: https://soundcloud.com/resonantarc **Listen On iTunes**: https://podcasts.apple.com/us/podcast/state-of-the-arc-podcast/id1121795837 **Listen On Pocket Cast**: http://pca.st/NJsJ Patreon Page: https://www.patreon.com/resonantarc Subscribe Star: https://www.subscribestar.com/resonant-arc Twitter: https://twitter.com/resonantarc Facebook: https://www.facebook.com/resonantarc Instagram: https://www.instagram.com/resonantarc TikTok: https://www.tiktok.com/@resonantarc

Send Everyday AI and Jordan a text messageWhy is no one talking about this ONE feature of Canvas? OpenAI announced Canvas, a new ChatGPT mode and way to code and write. Everyone's trying to compare this to Anthropic's popular Artifacts feature inside of its Claude chatbot. But almost everyone's missing the point by simply comparing it to Artifacts. We'll break it down and tell you 5 things you need to know about OpenAI's new Canvas mode.Newsletter: Sign up for our free daily newsletterMore on this Episode: Episode PageJoin the discussion: Ask Jordan questions on ChatGPT's CanvasUpcoming Episodes: Check out the upcoming Everyday AI Livestream lineupWebsite: YourEverydayAI.comEmail The Show: info@youreverydayai.comConnect with Jordan on LinkedInTopics Covered in This Episode:1. Overview of Canvas Mode2. Technical Details of Canvas Mode3. Using Canvas Mode for Coding4. Live demo of Canvas mode5. Canvas Mode Feature ComparisonTimestamps:02:00 Daily AI News05:50 ChatGPT's Canvas feature08:20 Canvas is based on OpenAI's newest model.13:20 Use GPT-4 Canvas, integrates with other tools.16:19 OpenAI first with split interface, November 2022.17:49 AI feels smart but requires constant correction.22:18 Stop comparing; similar interfaces aren't identical.26:13 Ensure GPT-4o with Canvas is selected first.28:30 Large language models give varied responses often.32:11 Basic features of a text editor demonstrated.36:07 Demo of inline editor for live podcast.38:11 New interface enhances large language model experience.41:51 Button polishes writing for clarity and consistency.47:30 Curious about ChatGPT's bug-fixing process.50:20 Prompt engineering is easier with Canvas mode.54:17 Rendered output reveals coding errors effectively.56:01 Sizable step toward future AI-human collaboration.Keywords:OpenAI, Canvas Mode, ChatGPT, Anthropic's Claude Artifacts, human-AI collaboration, GPT-4o, AI News Updates, Gemini's AI, Google, NVIDIA, Taiwan's largest supercomputer, Geoffrey Hinton, John Hopfield, Nobel Prize in Physics, Microsoft WorkLab podcast, Internet-connected GPT, browsing with Bing, Replit, coding, Augmented Intelligence, inline editor, Large Language models, real-time collaboration, language models, GPT-4, Claude 3, Llama 3.1, Gemini 1.5, AI-generated content, Augmented intelligence concept Get more out of ChatGPT by learning our PPP method in this live, interactive and free training! Sign up now: https://youreverydayai.com/ppp-registration/

Colombe Schneck's THE PARIS TRILOGY is a book—or rather three books, first published separately in French—about growing up, about friendship, about love, about family, about class, about womanhood and the patriarchy…and about swimming. In short, about every side of a life, as it just happens to take place in Paris. Rendered in crisp, fluid English by translators Lauren Elkin and Natasha Lehrer—who joins the conversation— THE PARIS TRILOGY begins with SEVENTEEN, a searingly frank account of the abortion the writer had as a teenager, passes through FRIENDSHIP, the devastating record of a childhood bond cut brutally short, and concludes with SWIMMING: A LOVE STORY, the chronicle of how this particular sport helped her build, and then grieve, a relationship.Buy The Paris Trilogy: https://www.shakespeareandcompany.com/books/the-paris-trilogy*Colombe Schneck is the author of eleven books of fiction and non-fiction, she has received prizes from the Académie Française, Madame Figaro and the Society of French Writers. The recipient of scholarships from the Villa Medicis in Rome and the Institut Français, as well as a Stendhal grant which allows French writers to do research and write abroad, she also spent fifteen years as a broadcaster for Canal Plus, France TV and Radio France. She was born in Paris in 1966 where she still lives, is a graduate of Sciences Po and Université de Paris II with a degree in Public Law.Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Nah, its the election. We advise against supposed bellwethers, and the scrutinization of early exit polls. Plus, the march of progress by so many statistical measures will happen and has happened, no matter who is President. In today's interview, we're joined by Damon Linker for a conversation replete with wisdom and insight regardless of who wins. And it's clear who has already won ... why, it's the North American Elk, who number over a million and have been successfully reintroduced after 19th century hunters depleted populations, as this plaintive flute solo conveys. Produced by Joel Patterson and Corey Wara Email us at thegist@mikepesca.com To advertise on the show, visit: https://advertisecast.com/TheGist Subscribe to The Gist: https://subscribe.mikepesca.com/ Subscribe to The Gist Youtube Page: https://www.youtube.com/channel/UC4_bh0wHgk2YfpKf4rg40_g Follow Mikes Substack at: Pesca Profundities | Mike Pesca | Substack  Learn more about your ad choices. Visit podcastchoices.com/adchoices

PREVIEW: AFTER THE WAR: Professor Nick Lloyd remarks that the Great War rendered Europe worse than ever before -- and we continue today to suffer the damage. More later. 1918 Leland Stanford Ambulances

Send Everyday AI and Jordan a text messageWhy is no one talking about this ONE feature of Canvas? OpenAI announced Canvas, a new ChatGPT mode and way to code and write. Everyone's trying to compare this to Anthropic's popular Artifacts feature inside of its Claude chatbot. But almost everyone's missing the point by simply comparing it to Artifacts. We'll break it down and tell you 5 things you need to know about OpenAI's new Canvas mode. Newsletter: Sign up for our free daily newsletterMore on this Episode: Episode PageJoin the discussion: Ask Jordan questions on ChatGPT's CanvasUpcoming Episodes: Check out the upcoming Everyday AI Livestream lineupWebsite: YourEverydayAI.comEmail The Show: info@youreverydayai.comConnect with Jordan on LinkedInTopics Covered in This Episode:1. Overview of Canvas Mode2. Technical Details of Canvas Mode3. Using Canvas Mode for Coding4. Live demo of Canvas mode5. Canvas Mode Feature ComparisonTimestamps:02:00 Daily AI News05:50 ChatGPT's Canvas feature08:20 Canvas is based on OpenAI's newest model.13:20 Use GPT-4 Canvas, integrates with other tools.16:19 OpenAI first with split interface, November 2022.17:49 AI feels smart but requires constant correction.22:18 Stop comparing; similar interfaces aren't identical.26:13 Ensure GPT-4o with Canvas is selected first.28:30 Large language models give varied responses often.32:11 Basic features of a text editor demonstrated.36:07 Demo of inline editor for live podcast.38:11 New interface enhances large language model experience.41:51 Button polishes writing for clarity and consistency.47:30 Curious about ChatGPT's bug-fixing process.50:20 Prompt engineering is easier with Canvas mode.54:17 Rendered output reveals coding errors effectively.56:01 Sizable step toward future AI-human collaboration.Keywords:OpenAI, Canvas Mode, ChatGPT, Anthropic's Claude Artifacts, human-AI collaboration, GPT-4o, AI News Updates, Gemini's AI, Google, NVIDIA, Taiwan's largest supercomputer, Geoffrey Hinton, John Hopfield, Nobel Prize in Physics, Microsoft WorkLab podcast, Internet-connected GPT, browsing with Bing, Replit, coding, Augmented Intelligence, inline editor, Large Language models, real-time collaboration, language models, GPT-4, Claude 3, Llama 3.1, Gemini 1.5, AI-generated content, Augmented intelligence concept.

I interviewed Marcello Typrin Product Director at Reality Labs, at Meta Connect 2024 about the Hyperscape Demo. See more context in the rough transcript below. This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

Father uses God's answers to Job that renders him silent.

PREVIEW: ILIAD: Comment by Professor Emily Wilson on her new translation of the Iliad regarding the battle scenes filled with gore and corpses that are rendered poetically natural and metaphorical by Homer. More tonight. 1715 Death of Patroclus

Having lost several children to childhood illnesses, Leonarda Cianciulli was very protective of her surviving children and was willing to do anything to protect them. So, when the deeply superstitious Leonarda was warned by a fortune teller that all her children would die at a young age, the forty-six-year-old shopkeeper determined that the best way to keep her son alive was to offer human sacrifices in exchange for Giuseppe's safety. Ove the course of a year, Leonarda murdered three local women and disposed of their bodies with caustic chemicals, using any remaining biological evidence in the creation of soaps, candles, cookies, and cakes, which she shared with others in her community.Thank you to the lovely David White, of Bring Me the Axe podcast, for research assistance :)ReferencesBaltimore Sun. 1946. "Rendered her friends to wax, she says." Baltimore Sun, April 28: 3.Eddy, Cheryl. 2015. The Superstitious Murderer Who Turned Her Victims Into Cake And Soap. June 23. https://gizmodo.com/the-superstitious-murderer-who-turned-her-victims-into-1713486930.Green, Ryan. 2019. The Curse: A Shocking True Story of Superstition, Human Sacrifice and Cannibalism. Unknown: Independent.Museo Criminologico. 2006. The Correggio soap-maker. September 12. http://www.museocriminologico.it/correggio_uk.htm.Ortiz, Genoveva. 2022. The Deadly Soap-Maker of Correggio: The True Story of Leonarda Cianciulli. unknown: True Crime Seven.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.