Podcast appearances and mentions of thomas chatterton

Part two of our episode on Horace Walpole gets into the gothic literature and gothic castles his life is associated with, including his own eclectic and impressive home, Strawberry Hill. Research:  "Horace Walpole." Encyclopedia of World Biography Online, vol. 38, Gale, 2018. Gale In Context: U.S. History, link.gale.com/apps/doc/K1631010882/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=37ba7a42. Accessed 23 Sept. 2024. "Walpole, Horace." American Revolution Reference Library, edited by Barbara Bigelow, et al., vol. 2: Biographies, Vol. 2, UXL, 2000, pp. 459-465. Gale In Context: U.S. History, link.gale.com/apps/doc/CX3411900071/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=9d8ef915. Accessed 23 Sept. 2024. Bladen, “Anne Seymour Damer: the 'Sappho' of sculpture.” ArtUK. 2/7/2020. https://artuk.org/discover/stories/anne-seymour-damer-the-sappho-of-sculpture Britannica, The Editors of Encyclopaedia. "Horace Walpole". Encyclopedia Britannica, 20 Sep. 2024, https://www.britannica.com/biography/Horace-Walpole. Accessed 2 October 2024. Chapman, Caroline. “Horace to Horace.” History Today. May 2014. Ellis, Kate. “Female Empowerment: The Secret in the Gothic Novel.” Phi Kappa Phi Forum. Fall 2010. Exploring Surrey's Past. “Horace Walpole (1717-1797).” https://www.exploringsurreyspast.org.uk/themes/people/notable_residents/walpole/ Haggerty, George E. “Queering Horace Walpole.” Studies in English Literature, 1500-1900, Summer, 2006. Via JSTOR. https://www.jstor.org/stable/3844520 Jane Austen & Company. “Six Interesting Facts About Horace Walpole.” 12/9/2021. https://www.janeaustenandco.org/post/six-interesting-facts-about-horace-walpole Lewis, Wilmark S. “Horace Walpole Reread.” The Atlantic. July 1945. https://www.theatlantic.com/magazine/archive/1945/07/horace-walpole-reread/655855/ Open Anthology of Literature in English. “Horace Walpole.” https://virginia-anthology.org/horace-walpole/ Plumb, John. "Robert Walpole, 1st earl of Orford". Encyclopedia Britannica, 30 Sep. 2024, https://www.britannica.com/biography/Robert-Walpole-1st-Earl-of-Orford. Accessed 2 October 2024. Reeve, Clara. “The old English baron, by C. Reeve; also The castle of Otranto, by H. Walpole.” 1883. Scott, Walter. “Introduction.” From Castle of Otranto: A Gothic Story. James Ballantine and Company. 1811. https://play.google.com/books/reader?id=QXw4AAAAYAAJ Silver, Sean R. “Visiting Strawberry Hill: Horace Walpole's Gothic Historiography.” Eighteenth Century Fiction, Volume 21, Number 4, Summer 2009, pp. 535-564 (Article). https://doi.org/10.1353/ecf.0.0079 Stuart, Dorothy Margaret. “Horace Walpole.” New York, Macmillan, 1927. https://archive.org/details/horacewalpole0000stua_d6s4/ Thorpe, Vanessa. “Letters reveal the dispute that pushed poet Thomas Chatterton to the brink.” The Guardian. 10/29/2023. https://www.theguardian.com/books/2023/oct/29/letters-reveal-the-dispute-that-pushed-poet-thomas-chatterton-to-the-brink Vickery, Amanda. “Horace Walpole and Strawberry Hill.” The Guardian. 2/19/2010. https://www.theguardian.com/artanddesign/2010/feb/20/horace-walpole-strawberry-hill Viseltear, A J. “The last illnesses of Robert and Horace Walpole.” The Yale journal of biology and medicine vol. 56,2 (1983): 131-52. https://www.ncbi.nlm.nih.gov/pmc/articles/PMC2589702/ Walker, Susan. “24. Choice 14: Walpole's Chattertoniana.” Horace Walpole at 300. https://campuspress.yale.edu/walpole300/tag/thomas-chatterton/ Walpole, Horace and L.B. Seeley. “Horace Walpole and his world.” New York, C. Scribner's Sons. 1895. https://archive.org/details/horacewalpolehis00wal Walpole, Horace. “A description of the villa of Mr. Horace Walpole, youngest son of Sir Robert Walpole Earl of Orford, at Strawberry-Hill near Twickenham, Middlesex : with an inventory of the furniture, pictures, curiosities, &c.” Strawberry-Hill : Printed by Thomas Kirgate. 1784. https://archive.org/details/descriptionofvil00walp_0/page/n175/mode/1up Walpole, Horace. “Letters to Sir Horace Mann.” Vol. IV. London, 1843. https://archive.org/details/letterstosirhor00walpgoog/ Wood, Betty. "Slavery in Colonial Georgia." New Georgia Encyclopedia, 19 September 2002, https://www.georgiaencyclopedia.org/articles/history-archaeology/slavery-in-colonial-georgia/. See omnystudio.com/listener for privacy information.

Horace Walpole is best known for his gothic novel "The Castle of Otranto," but he lived a lot of life before that. The first part of this two-parter covers his early life, his travels with his friend Thomas Gray, and his time in Parliament.  Research: "Horace Walpole." Encyclopedia of World Biography Online, vol. 38, Gale, 2018. Gale In Context: U.S. History, link.gale.com/apps/doc/K1631010882/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=37ba7a42. Accessed 23 Sept. 2024. "Walpole, Horace." American Revolution Reference Library, edited by Barbara Bigelow, et al., vol. 2: Biographies, Vol. 2, UXL, 2000, pp. 459-465. Gale In Context: U.S. History, link.gale.com/apps/doc/CX3411900071/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=9d8ef915. Accessed 23 Sept. 2024. Bladen, “Anne Seymour Damer: the 'Sappho' of sculpture.” ArtUK. 2/7/2020. https://artuk.org/discover/stories/anne-seymour-damer-the-sappho-of-sculpture Britannica, The Editors of Encyclopaedia. "Horace Walpole". Encyclopedia Britannica, 20 Sep. 2024, https://www.britannica.com/biography/Horace-Walpole. Accessed 2 October 2024. Chapman, Caroline. “Horace to Horace.” History Today. May 2014. Ellis, Kate. “Female Empowerment: The Secret in the Gothic Novel.” Phi Kappa Phi Forum. Fall 2010. Exploring Surrey's Past. “Horace Walpole (1717-1797).” https://www.exploringsurreyspast.org.uk/themes/people/notable_residents/walpole/ Haggerty, George E. “Queering Horace Walpole.” Studies in English Literature, 1500-1900, Summer, 2006. Via JSTOR. https://www.jstor.org/stable/3844520 Jane Austen & Company. “Six Interesting Facts About Horace Walpole.” 12/9/2021. https://www.janeaustenandco.org/post/six-interesting-facts-about-horace-walpole Lewis, Wilmark S. “Horace Walpole Reread.” The Atlantic. July 1945. https://www.theatlantic.com/magazine/archive/1945/07/horace-walpole-reread/655855/ Open Anthology of Literature in English. “Horace Walpole.” https://virginia-anthology.org/horace-walpole/ Plumb, John. "Robert Walpole, 1st earl of Orford". Encyclopedia Britannica, 30 Sep. 2024, https://www.britannica.com/biography/Robert-Walpole-1st-Earl-of-Orford. Accessed 2 October 2024. Reeve, Clara. “The old English baron, by C. Reeve; also The castle of Otranto, by H. Walpole.” 1883. Scott, Walter. “Introduction.” From Castle of Otranto: A Gothic Story. James Ballantine and Company. 1811. https://play.google.com/books/reader?id=QXw4AAAAYAAJ Silver, Sean R. “Visiting Strawberry Hill: Horace Walpole's Gothic Historiography.” Eighteenth Century Fiction, Volume 21, Number 4, Summer 2009, pp. 535-564 (Article). https://doi.org/10.1353/ecf.0.0079 Stuart, Dorothy Margaret. “Horace Walpole.” New York, Macmillan, 1927. https://archive.org/details/horacewalpole0000stua_d6s4/ Thorpe, Vanessa. “Letters reveal the dispute that pushed poet Thomas Chatterton to the brink.” The Guardian. 10/29/2023. https://www.theguardian.com/books/2023/oct/29/letters-reveal-the-dispute-that-pushed-poet-thomas-chatterton-to-the-brink Vickery, Amanda. “Horace Walpole and Strawberry Hill.” The Guardian. 2/19/2010. https://www.theguardian.com/artanddesign/2010/feb/20/horace-walpole-strawberry-hill Viseltear, A J. “The last illnesses of Robert and Horace Walpole.” The Yale journal of biology and medicine vol. 56,2 (1983): 131-52. https://www.ncbi.nlm.nih.gov/pmc/articles/PMC2589702/ Walker, Susan. “24. Choice 14: Walpole's Chattertoniana.” Horace Walpole at 300. https://campuspress.yale.edu/walpole300/tag/thomas-chatterton/ Walpole, Horace and L.B. Seeley. “Horace Walpole and his world.” New York, C. Scribner's Sons. 1895. https://archive.org/details/horacewalpolehis00wal Walpole, Horace. “A description of the villa of Mr. Horace Walpole, youngest son of Sir Robert Walpole Earl of Orford, at Strawberry-Hill near Twickenham, Middlesex : with an inventory of the furniture, pictures, curiosities, &c.” Strawberry-Hill : Printed by Thomas Kirgate. 1784. https://archive.org/details/descriptionofvil00walp_0/page/n175/mode/1up Walpole, Horace. “Letters to Sir Horace Mann.” Vol. IV. London, 1843. https://archive.org/details/letterstosirhor00walpgoog/ Wood, Betty. "Slavery in Colonial Georgia." New Georgia Encyclopedia, 19 September 2002, https://www.georgiaencyclopedia.org/articles/history-archaeology/slavery-in-colonial-georgia/. See omnystudio.com/listener for privacy information.

Everything I'm about to share with you happened in England and France during the lifetime of Thomas Jefferson, while America still had its “new baby” smell.The English poet Samuel Taylor Coleridge gave us “The Rime of the Ancient Mariner” in 1798, while Napoleon sailed to Egypt to fight the Battle of the Pyramids and famously discover the Rosetta Stone.Coleridge died of heart failure due to his opium addiction.Wordsworth gave us “The Rainbow” in 1802, while the people of France enthusiastically approved a new constitution that elevated Napoleon to dictator for life.Wordsworth died of a lung infection.Shelley gave us “Ozymandias,” the tale of a fallen and forgotten emperor, in 1818, while Napoleon languished in exile on the island of Saint Helena in the Atlantic.Shelley died in a boating accident at the age of 29.Keats gave us “La Belle Dame sans Mercy” in 1819, while Napoleon continued to languish on Saint Helena.Keats died of tuberculosis at the age of 25.“Le Belle Dame sans Mercy” in English means “The Beautiful Girl without Mercy,” but you and I know her as Fame and Fortune.You've often heard the names of Coleridge, Wordsworth, Shelley, and Keats, but did you know that each of these English Romantic poets was inspired by an imaginary 15th-century monk named Thomas Rowley?But imaginary through he was, Thomas Rowley re-ignited the flames of romantic literature in England during the colorful years that he lived in the mind of an adolescent boy in poverty.That boy, Thomas Chatterton, was born 15 weeks after his father died in 1752, when Thomas Jefferson was just 9 years old. Napoleon would not be born for another 3 years.Little Thomas spent his days with his uncle, the sexton of the church of St Mary, Redcliffe, where he would crawl through the attic of that vast, ancient building, examining the contents of oak chests stored there since 1185, where documents as old as the War of the Roses lay forgotten.By the time he was 6, young Thomas Chatterton had learned his alphabet from the illuminated capitals of those documents. By the time he was 11, Thomas had become so well-versed in the language and legends of earlier centuries that he began sending poems to “Felix Farley's Bristol Journal,” claiming they were transcribed from the writings of a monk named Thomas Rowley who had lived 300 years earlier.Aside from the hundreds of poems written by this imaginary monk, Chatterton wrote political letters, song lyrics, operas and satires in verse and in prose. He became known to the readers of the Middlesex Journal as Decimus, a rival of Junius, that author of the forever infamous Letters of Junius. Chatterton was also a contributor to Hamilton's Town and Country Magazine, and the Freeholder's Magazine, political publications supportive of liberty and rebellion.While the brilliant submissions of Thomas Chatterton were happily accepted by editors across England, he was paid little or no money for them.On the 17th of April, 1770, 17-year-old Thomas Chatterton penned a satire he called his “Last Will and Testament.” In it, he hinted that he was planning to end his life the following day.That famous poem by John Keats, “La Bella Dame sans Mercy,” may well have been written with Thomas Chatterton in mind. For the beautiful, merciless girl in that poem is a fairy – let us call her Fame & Fortune – who makes love to a medieval knight in his dreams, then leaves him sick and dying on a cold hillside when she...

(NOTAS Y ENLACES DEL CAPÍTULO AQUÍ: https://www.jaimerodriguezdesantiago.com/kaizen/164-marta-fernandez-confesiones-embarazosas-mentiras-valientes-y-un-texto-erotico-casi-mortal/)La entrevista de esta semana es seguramente diferente a la mayoría de las que he hecho hasta ahora. Por distintos motivos, además.El primero es que esta grabación fue una especie de experimento porque tenía muchas ganas de retomar las entrevistas presenciales, porque creo que se genera una química especial. Aunque, dado que ahora en mi casa manda una pequeña dictadora, que no respeta mucho los horarios ni los silencios necesarios para grabar un podcast, hacerlo era un poco reto. Así, confieso que le eché un poco de morro y pregunté en twitter si alguien me dejaría un espacio para grabar y resulta que la gente es maravillosa. Me ofrecieron como 10 o 12 sitios en Madrid y algunos más fuera. Muchas gracias desde aquí a todos y, en especial a mi admirado José Luis Antúnez, porque a través de él surgió la posibilidad de grabar donde acabamos haciéndolo: en el Instituto Tramontana, uno de los lugares más especiales que conozco. Allí se respira el gusto por el diseño y la comunicación en cada rincón. Así que para allá me fui yo con la grabadora, los micros, trípodes y un par de móviles; porque el experimento consistía también en grabarlo en vídeo. Y creo que ha quedado inesperadamente bien para ser la primera vez que lo hacía así. Si te animas a verlo en YouTube ya me contarás. Pero esta entrevista es diferente también por otra razón. Por lo general, cuando invito a alguien al podcast tengo bastante claro por qué lo hago y de qué quiero que charlemos. En esta ocasión, sin embargo, de lo único de lo que estaba seguro era de que me apetecía hablar con mi invitada, aunque no sabía muy bien sobre qué. Si no sabía cómo abordar la conversación fue, en parte, por una anécdota muy tonta que le cuento al principio de nuestra charla y que no te voy a desvelar aún. Pero, sobre todo, el motivo por el que no tenía claro cómo enfocar la charla era que Marta Fernández no es fácilmente clasificable. Porque la primera tentación es, sin duda, hablar con ella de su experiencia en los medios. ¿O no querrías tú hacerle preguntas a una persona que ha estado más de 20 años trabajando en algunos de los principales informativos de España? Marta fue la cara visible de los informativos de CNN+, Cuatro y Telecinco y tuvo que dar noticias de todo tipo, incluídos algunos momentos fundamentales de nuestra historia moderna, como los atentados del 11S, y otros que son fundamentales para mí y cuatro más, como la demanda que las empresas de autobús puso a BlaBlacar. Por dar, Marta llegó a dar hasta unas campanadas de fin de año. Y, sin embargo, por apasionante que pueda ser ese mundo periodístico y televisivo, creo que la Marta más interesante no es esa. Porque hay otra. O, mejor dicho, hay otras muchas. Detrás de quien nos contaba las noticias estaba, para empezar, una escritora. Alguien que necesita escribir para ser ella misma y que lo ha hecho en libros y en artículos de los que se desprende un enorme amor por la literatura, el cine, la música y el arte, en general. Su último libro, además, se titula La mentira y lo ha dedicado a historias de grandes mentirosos y embaucadores. Entre otros, curiosamente, aquel Gregor McGregor del que te hablé en el capítulo 152, en la que es una de mis historias de timos e irracionalidad colectiva favorita. En el mundo de las mentiras, de los cobardes, de la escritura, de los medios, de nuestros recuerdos de adolescencia y en otras muchas cosas nos sumergimos en nuestra charla. Incluso, a lo largo de la conversación con Marta yo hago un par de confesiones un poco embarazosas, que quise mantener en secreto para ella hasta que habláramos, para ver cómo reaccionaba durante la entrevista y de las que nos reímos juntos. Ahora, dicho todo esto, vamos a lo importante de verdad: espero que disfrutes mucho de esta conversación con Marta Fernández. 

The Rowley Poems

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The conception moment for Romanticism took place on this day, August 24th, 1770. This Today in London History podcast tells the tale. TRANSCRIPT London calling. London Walks connecting. London Walks here with your daily London fix. Story time. History time. It's one of the great sob stories in English Literature. But it ain't true. I'm […]

This week I met with Professor Nick Groom, to discuss the life, work and reputation of the Bristolian poet Thomas Chatterton. Born in Redcliffe in 1752, Chatterton was a precocious talent. In just seventeen years of life he produced a great body of poems, plays, prose works and a collection of medieval writings that he attributed to a fictional 15th century monk named Thomas Rowley. We discussed the details of Chatterton's short life and the myths that surround his posthumous reputation.

We're covering the flash of tragic poetic brilliance that was Thomas Chatterton. We explore his history and influence along with a healthy dollop of literary forgery! Chatterton inspired the likes of Rossetti, Keats, and Oscar Wilde himself! Join us to learn more about the short life of an extraordinary poet! 

When John Keats died a yet unheralded, English romantic poet Percy Bysshe Shelley linked him with another died-to-soon poet Thomas Chatterton. A century later Black poet Anne Spencer extended that tradition by adding the name of a fellow Afro-American, Paul Laurence Dunbar, to the chain of hallowed poets. This is the latest in our re-release of some of our favorite early Parlando Project musical pieces for for National Poetry Month. More Parlando pieces are at frankhudson.org, including other pieces by Dunbar and Spencer.  

In this episode we talk to the delightful Dr. Lotte Reinbold, professor of Medieval Literature!  We ask her all our weirdest questions about chivalry, old manuscripts, and which historical figure she'd most want to date, and in return she grants us knowledge.  Topics include: Dungeons & Dragons, Sir Gawain & the Green Knight, Robert Cotton, Tide PODS, Lord of the Rings (as usual), The Canterbury Tales, forgery, Thomas Chatterton, female sexuality, Margery Kempe, Julian of Norwich, Christian mysticism, co-option of Medieval symbolism, The Princess Bride, Daniel Radcliffe, The Knight Before Christmas, young Stalin, Oscar Wilde, Jane Austen, and Joe Rogan.   References and recommendations:  Check out Erik Kwakkel (@erik_kwakkel) on Twitter to see the cat footprints! Misogyny Is Everywhere by Phyllis Rackin A Knight's Tale is the Best Medieval Film (No, Really) by Michael Livingston  https://www.tor.com/2018/11/16/a-knights-tale-is-the-best-medieval-film-no-really/ Doomsday Book by Connie Willis

Episode 59 Anastasia and Other ImpostersVortigern (Shakespeare's Lost Play)https://d.lib.rochester.edu/camelot/text/ireland-vortigern“Inspired' by Mary Shelley's “The Fortunes of Perkin Warbeck,” this episodes examines 4 fascinating imposters - Perkin Warbeck, Thomas Chatterton, Henry Ireland, and Anna Alexander (Anastasia)00:00 Introduction00:39 Perkin Warbeck, School, and Poe04:14 Historical account of Warbeck08:22 Thomas Chatterton11:46 Henry Ireland (“lost” Shakespeare play?)14:57 Background and life in Europe17:49 Life and marriage in Virginia23:21 Mystery of Anastasia solved25:59 Sources26:57 Future EpisodesLearn about Perkin Warbeck - a major pretender to the throne of EnglandLearn about Thomas Chatterton and his counterfeitsLearn about Henry Ireland and “Shakespeare's Lost Play”Learn about Anna Alexander and her attempts to prove she was a Russian princessLearn how the identity of Anastasia was determined

Contre le flux mortifère des chaînes d'info en continu, l'élégant groupe de rock parisien propose d'instaurer « le jeudi des bonnes nouvelles », constitué d'authentiques trouvailles et exploits de l'espèce humaine, pour « remettre de la gaieté sur le monde ».Sur Monde nouveau, leur dernier single sorti en janvier, prélude à l'album Palais d'argile à paraître le 12 mars, les cinq allumettes mélancoliques de Feu ! Chatterton ne semblent guère consumées d'espoir concernant la survie de l'humanité dans la fournaise de l'effondrement à venir. « La glace fondait dans les Spritz, c'est à n'y comprendre rien. Tout le monde se plaignait en ville du climat subsaharien, on n'avait pas le moral, mais on répondait à tous les mots les traits d'esprit du grand serveur central. Monde nouveau, on en rêvait tous. Que savions-nous faire de nos mains ? Presque rien. »Produit par Arnaud Rebotini, ce troisième disque de soixante-six minutes, où la belle voix éraillée d'Arthur Teboul appelle à l'aide sans savoir « ni qui ni pourquoi », a été écrit avant la pandémie et son cortège quotidien de mauvaises nouvelles. Y figure une très grande chanson, Ecran Total, qui se demande « sur quel pied danser » dans un écrin club de toute beauté, symptomatique de nos enfermements (« Derrière leur écran total, les gens se régalent (…) Mais où sont les enfants et les clairières d'opale ? »), tout en étant possiblement inspirée par la révolte des Gilets Jaunes, qui rêve « de grand final, de feu de Bengale ». Au cœur de ce conte mordant, où le spectre de Léo Ferré semble s'immiscer dans une scène coupée de 120 battements par minute, on entend Arthur chanter, puis hurler : « Le grand président, sanglots de reptile, s'adresse aux sans-dents, ouais, bien à l'abri dans son palais d'argile avec tous ses descendants. Mais il pleut sur la ville et on le sait, l'argile mollit, eh oui. (…) C'est génial, on le lynche sur la place publique, on piétine le pacte civique. Ah, TU FAIS MOINS LE MALIN. ESSAIE PAS DE T'ENFUIR AVEC TES TALONNETTES À QUATRE MILLE BOULES. »En attendant de voir cette révolution à la télé, l'élégant groupe de rock parisien, en activité depuis 2011 après leur rencontre au lycée Louis-le-Grand, dont le nom renvoie au poète anglais Thomas Chatterton ayant préféré se suicider à l'arsenic à 17 ans plutôt que de mourir de faim en 1770, propose d'instaurer « le jeudi des bonnes nouvelles », un JT constitué de « faits divers de bonté », d'authentiques trouvailles et exploits de l'espèce humaine, antidote au flux mortifère des chaînes d'info en continu, le tout dans l'objectif de « remettre de la gaieté sur le monde ».Sur le pont de notre Arche, le chanteur de Feu ! Chatterton s'est donc lui-même prêté à l'exercice en sélectionnant cinq bonnes nouvelles survenues ces derniers jours, ainsi promu journaliste de la joie.Pour écouter Monde nouveau, c'est ici : https://www.youtube.com/watch?v=-3KQ5k7k0ws&ab_channel=FeuChattertonRéalisation : Mathieu Boudon.Image : Présentateur vedette : la légende de Ron Burgundy, d'Adam McKay (2004). See acast.com/privacy for privacy and opt-out information.

Un parcours passionnant autour de la création, qu'elle soit musicale, mathématique ou photographique. Son groupe Feu! Chatterton est incontournable sur la scène française et vous découvrirez dans cet épisode une partie des raisons de son succès.  À réécouter sans modération :). Suivez le podcast sur Instagram  Suivre le fil 00:00:39 Son parcours00:18:47 Ses projets00:40:55 Pourquoi ce nom ?00:54:09 Ses inspirations et aspirations  Nous parlons de La musique de sa jeunesse : Les Beatles, Joan Baez, Eric Clapton (et son unplugged), Jimi Hendrix Le groupe Radiohead et OK Computer et Nigel Godrich Les Beatles avec Georges Martin Les Pink Floyd et Alan Parsons Le livre Les Coulisses de la Création de Cédric Villani et Karol Beffa L'exposition Vasarely à Beaubourg Les groupes Rage Against The Machine, Red Hot Chili Peppers, Radiohead Le poète Thomas Chatterton, le tableau représentant sa mort, et la pièce d'Alfred de Vigny, la chanson de Gainsbourg, l'album de Bashung La couverture de l'album des Baby Shambles, la reprise de Gainsbourg par Seu Jorge L'artiste Julien Doré L'instrument de musique le mellotron Le compositeur Alexandre Desplat Le synthétiseur Moog L'exposition au Bal de Dave Heath, Dialogue avec la Solitude Le groupe de musique Catastrophe et les musiciens Flavien Berger, Michelle Blades Le livre La chambre Claire:Notes sur la photographie de Roland Barthes  Retrouvez Clément sur Son groupe de musique Feu!Chatterton Le long métrage La forêt des quiconces de Grégoire Leprince-Ringuet Le court-métrage Le Grand Bain de Valérie Leroy  A propos de l'animateur Je suis Alexandre Soubrier, réalisateur de films graphiques. Vous pouvez me trouver sur twitter, facebook, instagram, vimeo. J'ai même un site sur lequel je poste quelques réalisations et sur lequel vous pouvez me contacter. Le court extrait de musique vient du magnifique album de Wax Taylor "Tales of Forgotten Melodies".

Why does the image of the forlorn and abandoned poet Thomas Chatterton haunt us today?

durée : 01:48:40 - Le Grand Atelier - par : Vincent Josse - Depuis son Goncourt, Leïla Slimani fait partie des stars de la littérature française qui s’exportent. Elle est une de nos ambassadrices. « Chanson douce », chez Gallimard, s’est vendu à un million d’exemplaires. Il est traduit dans quarante langues. - invités : Leïla Slimani, Christiane TAUBIRA, Judith Perrignon, Thomas CHATTERTON, Judith Chemla - Leïla SLIMANI, Christiane TAUBIRA, Judith PERRIGNON (Producteur) journaliste à Libération, Thomas CHATTERTON, Judith CHEMLA

Thomas Chatterton (1752-1770) wrote tons of moving and intelligent verse all before he was 20 years old. His life-story and scandal is worth investigating for sure, but move past it and actually read some of his Rowley poems. There is a reason the Romantics valued him so highly.  He is also known for the painting of his death by Henry Wallis, the Pre-Raphaelite, which hangs, if I remember correctly, in the Tate Britain and which is among the most moving of images in that whole treasure-horde.  More information about the reader can be found at his website: www.mischawillett.com

Berlioz originally presented an early version of The Shepherd's Farewell - part of The Childhood of Christ, at this year's Proms - as the work of ‘Ducré’. It soon emerged that Ducré was not a forgotten 17th century composer, but a hoax created to satirize Parisian high society. Shahidha Bari presents an exploration of the literary hoax - from Thomas Chatterton's invented 15th century monk to faked Shakespeare deeds and a racy "discovered" diary. She is joined Nick Groom, Professor of English at Exeter University and author of "The Forger's Shadow", to guide us through this long and rich tradition. Clive Hayward brings these fraudsters, forgeries and fabulations to life with readings from some of the most creative and audacious examples. Producer: Ciaran Bermingham

Musique, mathématiques, poésie, photographie Est-ce que tu prends du plaisir ? J'espère un petit peu quand tu écoutes ce podcast, mais quand tu arrives à ton lieu de travail ? Quand tu rentres chez toi ? Quand arrive le dimanche soir ? Est-ce que ton activité principale dans la vie te comble de bonheur ? Si oui, alors tu seras ravi d'écouter cet épisode car il parle du plaisir d'entreprendre justement. Il parle des choix risqués que tu peux prendre. Et si la réponse est non, alors j'espère qu'il te fera prendre conscience de l'importance de s'amuser pour se réaliser. Et s'amuser ne veut pas dire jouer à des jeux vidéos toute la journée, non, s'amuser, ça veut dire s'éclater dans la recherche musicale ou mathématique, ça veut dire découvrir, ça veut dire partir à l'aventure... En tout cas, pour mon invité, c'est comme ça qu'il s'amuse. Et il peut en prendre car il nous en donne avec son groupe Feu!Chatterton, dont il est le guitariste et cofondateur. J'ai nommé Clément Doumic ! Nouveau : Suivez le podcast sur Instagram Suivre le fil 00:00:39 Son parcours 00:18:47 Ses projets 00:40:55 Pourquoi ce nom ? 00:54:09 Ses inspirations et aspirations Nous parlons de La musique de sa jeunesse : Les Beatles, Joan Baez, Eric Clapton (et son unplugged), Jimi Hendrix Le groupe Radiohead et OK Computer et Nigel Godrich Les Beatles avec Georges Martin Les Pink Floyd et Alan Parsons Le livre Les Coulisses de la Création de Cédric Villani et Karol Beffa L'exposition Vasarely à Beaubourg Les groupes Rage Against The Machine, Red Hot Chili Peppers, Radiohead Le poète Thomas Chatterton, le tableau représentant sa mort, et la pièce d'Alfred de Vigny, la chanson de Gainsbourg, l'album de Bashung La couverture de l'album des Baby Shambles, la reprise de Gainsbourg par Seu Jorge L'artiste Julien Doré L'instrument de musique le mellotron Le compositeur Alexandre Desplat Le synthétiseur Moog L'exposition au Bal de Dave Heath, Dialogue avec la Solitude Le groupe de musique Catastrophe et les musiciens Flavien Berger, Michelle Blades Le livre La chambre Claire:Notes sur la photographie de Roland Barthes Retrouvez Clément sur Son groupe de musique Feu!Chatterton Le long métrage La forêt des quiconces de Grégoire Leprince-Ringuet Le court-métrage Le Grand Bain de Valérie Leroy A propos de l'animateur Je suis Alexandre Soubrier, réalisateur de films graphiques. Vous pouvez me trouver sur twitter, facebook, instagram, vimeo. J'ai même un site sur lequel je poste quelques réalisations et sur lequel vous pouvez me contacter. Le court extrait de musique vient du magnifique album de Wax Taylor "Tales of Forgotten Melodies".

Today I'll be working through the very challenging romantic poem "The Three Minstrels' By Thomas Chatterton. Remember, our aim is not to "appreciate" art but to understand it.

Today I'll be working through the very challenging romantic poem "The Three Minstrels' By Thomas Chatterton. Remember, our aim is not to "appreciate" art but to understand it.

Mika Ross-Southall and Michael Caines look at the enduring appeal of Thomas Chatterton, an icon of thwarted Romantic genius, and how he became a figure of especial importance for Oscar Wilde. See acast.com/privacy for privacy and opt-out information.

In a society which rewards brains over brawn, who better than a prodigy to place your bets on? The answer may surprise you. Bobby Fischer was terrible at everything except chess. His entire life was punctuated by extreme paranoia, bouts of seclusion, and cascading, erratic behavior. Ted Kaczynski, a child math and science prodigy… I don't have to tell you how that one worked out. Thomas Chatterton was writing publishable poetry by the age of 12, and in the immediately ensuing years, wrote work that left its mark on the literature and influenced the romantic movement. He took his own life with arsenic three months shy of 18. Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.