Podcast appearances and mentions of Rube Goldberg

Through her multifaceted work, the Bulgarian-born, Brooklyn-based writer, reader, and researcher Maria Popova, founder of the “free, ad-free, A.I.-free, fully human” website and newsletter The Marginalian, braids together literature, science, philosophy, poetry, and art in beautiful, alchemical ways. Traversing centuries, she approaches various ideas and thinkers, living and dead, as active references in the expansive, ongoing project of learning what it means to be human. Now, nearly 20 years since the site's founding, she continues to cultivate a singular space on the internet—one devoted not so much to information but to illumination. Her latest book, Traversal, which links figures such as Mary Shelley and Walt Whitman, alongside other writers, poets, physicists, and philosophers, serves as an intellectual journey and an across-time meditation on creativity, consciousness, and interconnectedness. On this episode of Time Sensitive, Popova discusses the idea of “spiritual ancestors,” why today's A.I. debates are fundamentally modern versions of age-old questions about the soul, and the mystery of being alive. Show notes:  Maria Popova [4:58] Traversal (2026) [5:43] René Descartes [6:50] Aristotle [6:50] Susan Sontag [7:03] Alan Lightman [8:16] Mary Shelley [8:16] Walt Whitman [9:42] Frankenstein (1818) [14:08] Frances “Fanny” Wright [17:13] Freeman Dyson [17:13] Maker of Patterns: An Autobiography Through Letters (2018) [16:04] Rube Goldberg [22:26] Nina Simone [23:28] Dan Frank [23:29] Figuring (2019) [34:24] The Marginalian [43:18] T.S. Elliot's “The Love Song of J. Alfred Prufrock” (1915) [55:00] Dacher Keltner's Awe (2023) [45:17] Iris Murdoch [45:33] The Universe in Verse (2024) [45:55] Patti Smith [45:57] Rebecca Elson [45:58] Vera Rubin [47:23] “Urns for Living” [48:54] Sylvia Plath [59:35] Leaves of Grass (1855)

Young podcaster Maxwell Miller interviews Jennifer George, the fashion and jewelry designer and the mastermind behind the current Rube Goldberg Institute.Check out Jennifer's website: https://jennifergeorge-nyc.com/Check out the Rube Goldberg Institute: https://www.rubegoldberg.org/Learn more about the podcast host: Maxwell (Max) Miller is a 12-year-old student from Lewis Center, Ohio who attends the School of Humanity. When he is not podcasting, he enjoys creating music, cooking, and other artistic projects and playing games.Listen to more young innovator podcasts: https://www.buzzsprout.com/1589629 Learn more about Innovation World: https://innovationworld.org/#YouthInnovation #InnovationEducation #YoungInventors #DesignThinking #RubeGoldberg #STEMEducation #StudentVoice #InnovationWorld #FutureInnovators #CreativeThinking

After spending the better part of two decades turning Rube Goldberg murder machines into an art form, the Final Destination Bloodlines series finally does something unexpected: it evolves. Bloodlines still delivers the franchise's trademark chaos—people getting folded, exploded, liquefied and generally punished for existing near household objects—but this time there's an actual emotional hook underneath the carnage. Shockingly, it works. Instead of drowning the audience in endless conversations about “death's design” and convoluted cosmic bookkeeping, the movie streamlines the setup and gets right to the fun while adding a family-centered angle that gives the victims more personality than “future corpse #4.” The family aspect is the smartest thing the franchise has done in years. Watching the curse ripple through generations gives the film a different energy from the usual disposable group-of-teens formula. There's tension not just in who dies, but in how these characters relate to one another before death inevitably hurls an air conditioner through somebody's sternum. The script wisely understands that audiences came for inventive disaster sequences, not a TED Talk from Ali Landry explaining metaphysical loopholes for the ninth time. Bloodlines trims the mythology down to its essentials and benefits immensely from it. It also absolutely nails its comedic timing. The Final Destination films have always flirted with dark comedy, but this one embraces it with confidence. The setup-payoff rhythm during the death sequences is wickedly funny, milking every fake-out and every suspiciously placed kitchen utensil for maximum audience anxiety. You can practically feel crowds bracing themselves for catastrophe while the movie toys with them. When the kills finally happen, they land with a perfect mix of shock, absurdity, and “you've got to be kidding me” escalation. It's the closest the series has come to recapturing the mischievous energy that made the early entries such crowd-pleasers. The visual effects team deserves serious credit here. The large-scale destruction sequences are polished, detailed, and satisfyingly vicious without looking weightless or cartoonish. There's a craftsmanship to the mayhem that elevates the material beyond simple splatter gags. That said, the movie occasionally leans a little too hard into melodrama, especially during some of the family conflict scenes. Whether that works will depend on what you want out of the experience. If you're only showing up to watch fate turn landscaping equipment into instruments of death, the emotional beats may feel a touch overwrought. But for a franchise six movies deep, Bloodlines deserves praise for at least trying to give the audience something fresh while still delivering the gleeful mayhem everybody bought a ticket for.

Magical Big Ben belfry ambience for fighting off procrastination or for mechanically induced focus. 10 hours of Big Ben, clock innards, musical plucks, London street ambience, and classic British broadcasting.____If I were to quickly pitch the episode ingredients: we have a sprinkling of Big Ben, London street ambience, and a 60-year-old BBC episode I found online. Tossed together with all sorts of clocks and drifty stuff. I imagine we are amongst the bells of the belfry with an FM Radio. Enjoying whatever magical clock-mechanic sounds happen all around. (I envision the magic fits between Tinker Bell and Rube Goldberg.)All of the above is meant for procrastination thumping sounds, get a bunch of work done!Ok, so lately I've been listening to What's All This Then, a delightful podcast hosted by two British expats and a guest covering British minutiae. So like beans on toast, why British folks don't rinse their dishes after lathering them in bubbles, et al. During a recent episode, a host mentioned that if you were to stand at the base of the Elizabeth Tower — or, as yanks know it, “Big Ben” and listen to BBC Radio 4, you will hear the live recording of the bell before the sound can travel down from the heights. Radio signals travel faster than sound waves. And that was all I needed to spiral into a manic mini-obsession over Big Ben... Also Big Ben is just the bell?I listened myself to BBC 4—the bell's gong plays at the top of the hour and the ringing is live. I also learned Humpty Dumpty wasn't a cannon(?)I did my best to explain all of the above to my wife over dinner, including the Humpty bit, and she was like, “I thought Humpty was an egg?”Also, I was like, “Hon — did you know A1 is not American? And they've got this whole other brown meat sauce!”She's like, “This is the most boring conversation I've ever had.”I reminded her that she regularly shares the contents of her dreams during meals. The night before, she recounted Six Flags opening a location in our basement and the cat got lost down there. You want to talk boring? Recounting efforts to rescue a cat out of a dream-basement tilt-a-whirl. PS: Nerd stuff — if you guessed that I positioned the hands of the... Big Ben clock(?) to 7:30 as an homage to the late great emcee Big L (from his track Criminal Slang)—you would be correct. "If you 7:30, that mean you crazy..." And the title is referencing a super nerdy mash-up of DJ eccentrics and jazz/funk drummers.Have a nice weekend!

Reposted from Still Slaying: A Buffy-verse podcast which you can find at Still Slaying: a Buffy-verse podcast | Podcastica. Fun, in-depth talk about great TV. “The world you live in is just a sugar-coated topping! There is another world beneath it: the real world. And if you wanna survive it, you better learn to PULL THE TRIGGER!” Note: For this R-Rated film, we've suspended our no swears policy.  Penny is joined by Jason and Renaldy to dive into the iconic vampire movie, “Blade.” The group has so much fun talking through vampire society and politics, Wesley Snipes' career, 90s raves, The Matrix, vampire skincare, Rube Goldberg machines, prophecies, vampire polyamory, Sarah Connor, comparative vampire lore, Mahershala Ali and the delayed Blade MCU movie, Sinners, and all the many similarities in Buffy and Angel.  Next time we'll be covering Angel season 2, episode 1, “Judgement.”  Keep Slaying! News Links/Referenced Links Blade VS Buffy (Marvel VS Buffy the Vampire Slayer) | DEATH BATTLE! —---------------------------------------- Viewing Order BONUS - Blade Angel 2.1: Judgment Buffy 5.1: Buffy vs. Dracula Angel 2.2: Are You Now or Have You Ever Been Buffy 5.2: Real Me Angel 2.3: First Impressions Buffy 5.3: The Replacement Angel 2.4: Untouched Buffy 5.4: Out of My Mind Angel 2.5: Dear Boy Buffy 5.5: No Place Like Home Angel 2.6: Guise Will Be Guise Buffy 5.6: Family Angel 2.7: Darla* Buffy 5.7: Fool for Love* Angel 2.8: The Shroud of Rahmon Buffy 5.8: Shadow Angel 2.9: The Trial Buffy 5.9: Listening to Fear Angel 2.10: Reunion Buffy 5.10: Into the Woods Angel 2.11: Redefinition Buffy 5.11: Triangle Angel 2.12: Blood Money Buffy 5.12: Checkpoint Angel 2.13: Happy Anniversary Buffy 5.13: Blood Ties Angel 2.14: The Thin Dead Line Angel 2.15: Reprise Angel 2.16: Epiphany Buffy 5.14: Crush Angel 2.17: Disharmony Buffy 5.15: I Was Made to Love You Buffy 5.16: The Body Buffy 5.17: Forever Angel 2.18: Dead End Buffy 5.18: Intervention Angel 2.19: Belonging Buffy 5.19: Tough Love Buffy 5.20: Spiral Buffy 5.21: The Weight of the World Buffy 5.22: The Gift Angel 2.20: Over the Rainbow Angel 2.21: Through the Looking Glass Angel 2.22: There's No Place Like Plrtz Glrb Join the conversation! You can email or send a voice message to stillslayingfeedback@gmail.com, or join us at facebook.com/groups/podcastica and Still Slaying A Buffy-verse Podcast where we put up comment posts for each episode we cover.  Join the Zedhead community - https://www.patreon.com/jasoncabassi Theme Music:℗ CC-BY 2020 Quesbe | Lucie G. MorillonGoopsy | Drum and Bass | Free CC-BY Music By Quesbe is licensed under a Creative Commons License. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Lounge Sessions continue as Ben and Trevor play Click Pitch once more, coming up with game designs such as:exploring a new world of alien creatures and mapping their hunting patterns;a beautifully rendered cozy Rube Goldberg machine building game;a world where the stars have been replaced with drones;the incentives for young men to travel to the stars;and more!

When Aristotle wrote that "the whole is greater than the sum of the parts", he most likely did not have crossword constructors Lance Enfinger and John Kugelman in mind. But the thought still applies — these individually talented constructors have crafted an exceptional puzzle, and the proof is as close as your play button.Show note imagery: One of RUBE Goldberg's many, many inventions.We love feedback! Send us a text...Contact Info:We love listener mail! Drop us a line, crosswordpodcast@icloud.com.Also, we're on FaceBook, so feel free to drop by there and strike up a conversation!

This week on The Rotten Horror Picture Show Podcast, Clay and Amanda revisit the sleek, anxiety-inducing franchise starter Final Destination (2000), the film that taught an entire generation that death doesn't need a face—just a plan. Centered on a premonition of a catastrophic plane crash and the survivors who think they've cheated fate, the movie spins a clever web of inevitability, paranoia, and elaborate, Rube Goldberg-style demises. Clay and Amanda dig into what makes the concept so enduring, how it launched a long-running series, and why everyday objects have never felt quite as trustworthy since.Now, I want to make something clear: I'm not afraid of flying. Turbulence? Fine. Takeoff? Thrilling. The idea that I might be part of some elaborate cosmic design where a loose carry-on bag leads to my doom? Manageable. What I am afraid of—what truly fills me with dread—is children on planes.You know the ones. The seat-kickers. The tray-table slammers. The ones who discover, mid-flight, that their lungs are capable of sustained, high-pitched wailing for three straight hours. You can talk about Death's grand design all you want, but try surviving a cross-country flight with a kid repeatedly asking “Are we there yet?” directly into your soul. That's the real test.So while Clay and Amanda break down the terrifying brilliance of Final Destination, I'm sitting here thinking: sure, avoiding a plane explosion is great, but what about avoiding Row 18, Seat B, next to a sugar-fueled toddler with a juice box and no concept of personal space?Still, it's a fantastic episode about a movie that redefined horror for the 2000s. Just remember—Death might be everywhere… but so are kids with sticky hands and unlimited energy. Choose your fear wisely.And be sure to fly on over to patreon.com/thepenskyfile to follow Clay and Amanda as they cover a year of sequels, including Final Destination 2!

Val Kilmer, LL Cool J, and Christian Slater star in Renny Harlin's 2004 thriller Mindhunters—a movie about FBI serial killer profilers who act like the worst people in an escape room. Paul, Jason, and June break down how these profilers don't use any of their profiling skills, Christian Slater's death by Rube Goldberg nitrogen murder machine, the logic behind the training island, if Johnny Lee Miller was assaulted by a clock, June's desire for more fun Navy antics, and so much more. Plus, Paul drops a new sad childhood story about his LL Cool J album. • Go to hdtgm.com for tour dates, merch, FAQs, and more• Have a Last Looks correction or omission? Call 619-PAULASK to leave us a voicemail!• Submit your Last Looks theme song to us here• Join the HDTGM conversation on Discord: discord.gg/hdtgm• Buy merch at howdidthisgetmade.dashery.com/• Order Paul's book about his childhood: Joyful Recollections of Trauma• Shop our new hat collection at podswag.com• Paul's Discord: discord.gg/paulscheer• Paul's YouTube page: youtube.com/paulscheer• Follow Paul on Letterboxd: letterboxd.com/paulscheer• Subscribe to Enter The Dark Web w/ Paul & Rob Huebel: youtube.com/@enterthedarkweb• Listen to Unspooled with Paul & Amy Nicholson: unspooledpodcast.com• Listen to The Deep Dive with June & Jessica St. Clair: thedeepdiveacademy.com/podcast• Instagram: @hdtgm, @paulscheer, & @junediane• Twitter: @hdtgm, @paulscheer, & msjunediane • Jason is not on social media• Episode transcripts available at how-did-this-get-made.simplecast.com/episodesGet access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using the link: siriusxm.com/hdtgm Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

2 hours and 9 minutes The Sponsors Thank you to Underground Printing for making this all possible. Rishi and Ryan have been our biggest supporters from the beginning. Check out their wide selection of officially licensed Michigan fan gear at their 3 store locations in Ann Arbor or learn about their custom apparel business at undergroundshirts.com. Our associate sponsors are: Peak Wealth Management, Matt Demorest - Realtor and Lender, Ann Arbor Elder Law, Michigan Law Grad, Human Element, Sharon's Heating & Air Conditioning, The Sklars Brothers, Champions Circle, Winewood Organics, Community Pest Solutions, Venue by 4M where record this, and Introducing this season: Radecki Oral Surgery, and Long Road Distillers. 1. Just Won a Natty/Indianapolis Vibes Starts at 0:51 No crying this time, but we do think we can have nice things now. You get out of it what you put into it; the UMHoops guys are probably experiencing the highest of highs. The 2023 football championship was a thing no other fanbase has experienced; this is what a normal natty feels like. Some of us survived the 2023-24 team. The story begins with the Ellerbe years, the Beilein era absolutely helped build this. Don't resent the Fab Five, but they unfairly had to represent what Michigan could be. Reconsidering the Juwan era, the heart condition, how badly he needed a GM. Beilein was spiritually (and literally) present for this team; loudest the stadium got before Michigan hit a three was when they showed him. Very unselfish team. Built through the portal—Cronin was never going to be a good fit for Mara, Rez wasn't going to have a role after Illinois got the other Ivisic, Cadeau was struggling in a bad system at UNC, Yaxel used the portal to get here from JUCO via UAB, Roddy Gayle was the national glue guy of the year, Nimari was here three years through two coaching changes, and Will Tschetter was a five-year player who took a smaller role: nobody can make a good faith argument that any of these guys don't belong here. [The rest of the writeup and the player after THE JUMP]  2. The UConn Game Starts at 27:50 Takes hotter than the rims during the final last night. Story of the game was UConn fouling the crap out of Michigan from literally the tip. Miss the first Cadeau and-one, then hit 24 free throws in a row to offset the terrible threes, until Roddy missed his pair. Snakebit shooting because Rez/Mara/Yax kept getting mismatches down low, but Michigan was able to play their bigs together, and that just made it impossible for UConn to score. Felt like Lendeborg was himself on defense; offensively he was obviously hobbled. Their communication was fantastic, and there weren't mismatches for UConn to hunt. A time or two they got Mara versus Karaban on the perimeter or something, but they didn't get backcut once. Tarris was basically shut down by Mara. Only thing they got were those ORebs, which were hat tips to them and also related to Michigan taking way the three. Next year Trey McKenney; graded on a curve he made 2 of Michigan's three jumpers, including the dagger. The Rube Goldberg three. Cadeau vs the Cadeau we thought we were getting. 3. How this Team Came Together Starts at 59:16 Revisiting how the roster came together, May's eye for talent, because every guy he got at FAU wound up a star somewhere. You can't actually build from the portal; if that's the lesson they're taking from this team they're going to get lit up. Cadeau cleaned up the TOs (but still commits them at the end of the game his banana peel). On the human to athlete personality spectrum, Mara is a normal human being, who never should have been paired with Cronin—all little guys who play basketball are born killers because you have to be, but it's common for bigs to be like that. Mara was the best player; he developed into a beast by the end of the year. Transfer teams: if you look at the rest of the top ten four didn't make the Tournament; Michigan was the only protected seed that took a lot of transfers. St. John's and Louisville were the others. Once you're been at a school a year you're not a transfer anymore. Cig vs May: Cignetti relied more on his JMU transfers. It's especially hard to recreate what Michigan did defensively, because at the end these guys won a title by doing the best job of anybody of playing with each other. Introducing the Bobby Hurley Index: How many photos do you look like Jim Carrey in The Mask? 4. Next Year Starts at 1:38:41 Are they looking at the portal list or the list of guys projected to the late 1st/early 2nd round? Mara and Rez are probably done—small chance they get Rez back. Cason going to redshirt. Gayle, Burnett, Yaxel are out of eligibility. Cadeau and McKinney: best backcourt in the country next year? McCoy is Charles Matthews-ish, going to be a major defensive presence; if you get two years out of him he's a big get but he doesn't have a deep shot, might be freshman Darius Morris or what we wanted Rubin Jones (PG who can guard 1-4) to be. Recruited lots of SFs: Grady? Liburd? Brown? All going to be 6'5" gumby-armed switchable guards. Backup PG: can McCoy or McKenney can play point for 10 mpg. Do they have a wing? Want that guy to be switchable; Seth thinks they're going to have a big war chest to find an NBA four who can play the three in addition to two bigs. Goodman will be next year's Tschetter. Need three portal bigs. Is Dusty May the #1 coach you would want to have if you were looking for one right now? UNC search was Tommy Lloyd and Dusty May right? MUSIC: "La Di Da"—Heavy Weighs the King "Don't Be Mad"—PiranhaMob    "Up and Away"—Cursive        “Across 110th Street”—JJ Johnson and his Orchestra   

Final Destination 5 arrives with the same promise every installment in the franchise makes: elaborate Rube Goldberg death traps, a group of attractive but personality-free victims, and the vague hope that maybe—just maybe—this time they'll do something different with the concept. Instead, the film dutifully clocks in for another round of “Death's master plan,” delivering exactly what you expect and little else. It's the cinematic equivalent of a factory resetting itself every ninety minutes. By the fifth go-around, the plot mechanics have become painfully transparent. A premonition saves a handful of people from a spectacular disaster, they try to cheat Death, and then the universe conspires to kill them one by one using household items, loose bolts, and questionable workplace safety standards. The film acts as if it's revealing some grand mystery about Death's rules, but if you've seen even one previous entry you can practically write the script yourself. The series has settled into a rut where the only innovation is how absurdly complicated the next fatal accident can become. And even that's starting to feel tired. The elaborate death sequences still have a certain morbid creativity, but the tension is diluted by the endless fake-outs—every loose screw, dripping liquid, or falling object telegraphs a possible kill before the movie finally decides which one it wants. When the highlight of the film is watching characters stand around while the camera lingers on potential hazards, you start to realize the movie has mistaken suspense for stalling. What really sinks Final Destination 5 is the sludge of dialogue in between these moments. Characters exist solely to explain the rules or panic about them, and the performances rarely rise above that thin material. The result is a sequel that trudges through the same narrative mud the franchise has been stuck in for years. The deaths might be bigger and dumber, but by this point even those feel oddly unfulfilling—like watching the same carnival trick repeated until the novelty finally wears off.

FINALLY, we bite the bullet and talk about the 1930 film "Soup to Nuts," famous for being written by Rube Goldberg of the Rube Goldberg machine and for being the first ever appearance of the comedy trio who would later be known as the three stooges. If you're a real stooge head, you might like this. Normal people will find little amusement in this shambling mess, though. We didn't.

In theory, we were supposed to talk about the Rube Goldberg-penned 1930 film "Soup to Nuts," but we got distracted and instead went through the entire history of the Ruben Award. The important takeaway is that, for a podcast ostensibly dedicated to comic strips, we know remarkably little about comic strips. Mike gets really made about Rhymes with Orange in this episode.

In theory, we were supposed to talk about the Rube Goldberg-penned 1930 film "Soup to Nuts," but we got distracted and instead went through the entire history of the Ruben Award. The important takeaway is that, for a podcast ostensibly dedicated to comic strips, we know remarkably little about comic strips. Mike gets really made about Rhymes with Orange in this episode.

The Final Destination is the point where a once-clever horror concept finally admits it has nothing left to say. By the fourth entry, the franchise's core gimmick—cheating Death via a premonition—has gone from macabre novelty to rote obligation. The film feels less like a continuation and more like a contractual requirement, dutifully shuffling through the motions with no real interest in escalating ideas or tension. The most obvious sign of creative exhaustion is the desperate embrace of 3D. Objects fly at the camera with all the subtlety of a carnival ride, and none of it integrates meaningfully into the storytelling. Instead, scenes pause so a tire iron, lawn mower blade, or random shard of debris can be hurled directly at the audience, reminding you that the movie exists primarily to justify its ticket surcharge. It's not immersive; it's intrusive, and it dates the film almost immediately. Worse, the kills themselves lack the elaborate Rube Goldberg flair that once defined the series. The chain reactions are shorter, sloppier, and often telegraphed so clearly that suspense evaporates well before the payoff. Characters are thin sketches whose sole narrative function is to stand near something dangerous until the script decides it's time for gravity or combustion to intervene. There is, however, one scene that almost feels like effort was expended: a cartoonishly vile Nazi who can't read addresses and somehow gets blackout drunk on three beers. His demise is abrupt, mean-spirited, and oddly satisfying—less because it's clever than because the film briefly aligns audience morality with Death's bookkeeping. He dies, and that's good. Unfortunately, that single moment of grim amusement isn't enough to rescue a sequel that mistakes louder, closer, and more gimmicky for fresh.

One of the most obnoxious sounds in nature is the whine of a Wall Street banker. It's a cross between the tantrum of a peevish brat and the blathering of a sputtering old plutocrat.Consider the long, piteous whimper of Jamie Dimon, potentate of the powerful JPMorgan Chase banking empire. He constantly whines about laws to restrict banker greed, even toting around a Rube Goldberg-style cartoon depicting a tangle of rules that, he squeals, is choking poor Wall Streeters like him.Before you break into tears about Jamie's plight, though, notice that he and his bank are not choking on rules, but gorging on riches. Dimon himself pocketed – get this -- $770 million in personal pay last year.Golly, we should all suffer like poor Jamie!And he's hardly alone in singing the “Talking Banker Blues,” for that elite clique has long pouted that they're paupers compared to the billionaires of high tech. So, mounting an odd boardroom “labor action,” bankers have been getting drastic payhikes. The CEO of Citigroup, for example, recently set a new bottom line expectation for top-floor bankers: A 2025 paycheck of more than $100 million!How can a business lavish such a windfall on one guy? Easy. The CEO slashed tens of thousands of bank employees from Citi's payroll last year, so he got their pay.Woody Guthrie once wrote a parody of such predatory behavior, singing “I am a jolly banker, A jolly banker am I.” Today's Wall Street aristocrats are jolly, too, bloating their extravagant wealth by taking wages and livelihoods from thousands of their own employees. As Woody might sing, that's how inequality “happens.”Do something!Wanna fight the bankers and their rigged systems? Americans for Financial Reform thinks that “the financial system should serve an economy where everyone can thrive, not just enrich a powerful few.” Sounds great to us! Check them out at ourfinancialsecurity.org.Jim Hightower's Lowdown is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit jimhightower.substack.com/subscribe

https://podawful.com/posts/2615 PODAWFUL 16TH ANNIVERSARY. Faceless And Jesse P-S plunder the depths of the most schizoid crimes ever concocted, and take notes for their own future plans. Brian Wells, the infamous "Pizza Bomber", was part of the most autistically elaborate Rube-Goldberg plan ever to rob a bank, but somehow even with all their evil genius planning, Brian managed to blow it. Literally. Now his incredible Fit Check is immortalized forever in a brand new AWFULTECH/GLOBALTERROR collab design. Mersh is tink tink tinking on Jesse to the police again. Comedy Shaman is sending legal threats, Misfit Patriot is threatening to sue Elon Musk, and Sean Kelly is actually too stupid to properly prank. VIDEO: https://youtube.com/live/B8N4_dl-4Ec  Buy A Shirt: http://awful.tech PODAWFUL is an anti-podcast hosted by Jesse P-S

https://podawful.com/posts/2615 PODAWFUL 16TH ANNIVERSARY. Faceless And Jesse P-S plunder the depths of the most schizoid crimes ever concocted, and take notes for their own future plans. Brian Wells, the infamous "Pizza Bomber", was part of the most autistically elaborate Rube-Goldberg plan ever to rob a bank, but somehow even with all their evil genius planning, Brian managed to blow it. Literally. Now his incredible Fit Check is immortalized forever in a brand new AWFULTECH/GLOBALTERROR collab design. Mersh is tink tink tinking on Jesse to the police again. Comedy Shaman is sending legal threats, Misfit Patriot is threatening to sue Elon Musk, and Sean Kelly is actually too stupid to properly prank. VIDEO: https://youtube.com/live/B8N4_dl-4Ec  Buy A Shirt: http://awful.tech PODAWFUL is an anti-podcast hosted by Jesse P-S

The Curve of Time, Chapter 95 — Leaving, in which Saskia begins to roll time backwards.Followed by musings on how Rube Goldberg machines are a good model for many things in life.Explore more at www.writtenbyrufus.com where you can join in a discussion of this chapter at the bottom of the text version of this episode.

Burnie and Ashley discuss chess lessons, carton physics, Rube Goldberg, female members of Jackass, Lego Economics, Home Alone, Zathura, Jumanji, Simpsons Fortnite, Vbucks, Microsoft Points, and virtual currencies.

Who doesn't like a good flush? Certainly not us. Unless it's our $ being flushed into some unscrupulous car dealer's pockets via some newfangled Rube Goldberg device. Ann from Colorado thinks she might be a victim and wants Click and Clack to assuage her fears on this episode of the Best of Car Talk.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Games journalist and PC Gamer editor Jody Macgregor joins Liz and Ben to take control of an oddly Pythonesque Rincewind and discuss the 1995 graphic adventure game Discworld from Teeny Weeny Games and Perfect 10 Productions. A nefarious secret society has summoned a dragon in Ankh-Morpork! It's a suspiciously familiar plot, and of course the only one who can save the city is...Rincewind? This wizard might not know any spells, but he's decidedly snarky and cunning - and accompanied by an inventory window on legs. Together, they'll use petty theft, time travel and logic that would put Rube Goldberg to shame to rid the city of this scaly threat forever...twice! Terry Pratchett was famously an early adopter of computers, and a devoted video game player, so its no surprise that there were other Discworld videogames before...er...Discworld. But this 1995 point-and-click graphic adventure game is by far the most well known and beloved of the lot - despite also being infamous for its difficulty, in a genre known for obscure puzzles with illogical solutions! The player controls a version of Rincewind voiced by Eric Idle, who must travel back and forth all over Ankh-Morpork (and to the edge of the Disc) to collect a variety of random objects to save the city. The plot is loosely based on Guards! Guards!, with some flavour from Moving Pictures and a cast drawn from the early wizards novels. It was followed by two more games from the same team: Discworld II: Missing, Presumed...?!, and Discworld Noir, each with quite different visual styles, and the latter with a brand new protagonist. Sadly, all three are “abandonware” - not only unavailable, but languishing in copyright limbo, with no-one sure enough who currently has the rights to get them published again. Have you had a chance to play Discworld? What do you think of this version of Rincewind, Ankh-Morpork and the Disc? Would you like to hear us do episodes about the two other adventure games? And what other adventure games would you recommend for folks looking for a similar vibe? What other kinds of Discworld videogame would you like to see? Click on Pratchat and choose the question mark icon to join our online conversation, using the hashtag #Pratchat89. Guest Jody Macgregor (he/him) is a journalist who started out writing about music, but now writes mostly about videogames. He's been writing for PC Gamer for about a decade, and is currently the magazine's weekend and Australian editor. You can find out more about him, and read his most recent reviews and articles, by looking up his profile at pcgamer.com. You can find episode notes and errata on our web site. Next month we're catching a train - the Ankh-Morpork Scenic Railway, that is - as we read Terry Pratchett's penultimate Discworld novel, Raising Steam! Send us your questions via email (chat@pratchatpodcast.com), or get on board via your local social media platform using the hashtag #Pratchat90.

In this episode, Patrick McKenzie reads his essay about the financial infrastructure that makes buying windows painless. When a window installer can originate, underwrite, and fund a $25,000 loan in 15 minutes before leaving your house, it's because four parties—window companies, facilitating platforms, specialized banks, and capital providers—have built a system that actually works. Patrick explains how modern consumer lending learned from 2008 to create better underwriting, clearer compliance, and properly distributed risk, all in service of enabling commerce in the real economy.–Full transcript available here: www.complexsystemspodcast.com/home-improvement-lending/–Sponsor: MercuryThis episode is brought to you by Mercury, the fintech trusted by 200K+ companies — from first milestones to running complex systems. Mercury offers banking that truly understands startups and scales with them. Start today at Mercury.comMercury is a financial technology company, not a bank. Banking services provided by Choice Financial Group, Column N.A., and Evolve Bank & Trust; Members FDIC.–Links:Bits about Money: https://www.bitsaboutmoney.com/archive/window-modern-loan-origination/ –Timestamps:(00:00) Intro(02:46) Why not just have banks loan money for home improvement?(06:43) Modern installment loan origination as a service(09:58) Sponsor: Mercury(11:09) Modern installment loan origination as a service (part 2)(15:17) What's the actual product offered?(19:03) How does this pie get divvied up?(24:12) Is this unsecured lending?(26:12) Should we be happy this Rube Goldberg machine exists?

Final Destination 3 marks the point where the series' once-ingenious death-trap premise starts to feel a bit mechanical. The franchise's formula — a character foresees a horrific accident, cheats Death, then scrambles to outwit its unseen design — is intact but beginning to show its age. The opening roller-coaster disaster is spectacularly staged, yet it's also a reminder that we've seen this all before, only with diminishing returns. There are still flashes of the dark humor that made the earlier entries work, particularly in some of the elaborate kill sequences. But here the film seems oddly unsure of whether it wants to play things straight or wink at its own absurdity. Gone is much of the gleeful self-awareness that made Final Destination 2 such a fun, macabre ride; instead, FD3 leans harder into teen angst and pseudo-philosophical dread. Mary Elizabeth Winstead does her best to ground the chaos with a solid performance, and the inventive set-pieces — especially the infamous tanning bed scene — keep things intermittently lively. Still, the connective tissue between the deaths feels more like an obligation than a thrill, with dialogue that takes itself far too seriously for a film about Rube Goldberg-style fatality. By the time Death checks off its last victim, Final Destination 3 feels less like an inevitability and more like repetition. It's not bad, just tired — a middle entry coasting on the momentum of its predecessors rather than carving out a fresh reason to exist.

What happens when music, art, and technology collide in the hands of a true innovator? In this episode of the Innovation Storytellers Show, I sit down with Damian Kulash Jr., frontman and co-founder of OK Go, the Grammy-winning band known for turning creativity into spectacle. From dancing on treadmills to performing in zero gravity, OK Go has redefined what a music video can be, transforming pop songs into visual experiments that blend engineering, art, and unfiltered joy. Damian opens up about the punk roots that shaped his DIY approach to innovation and the thrill of breaking rules in pursuit of authenticity. He reflects on how the band's viral experiments were never about chasing clicks but about creating something so unexpected and so human that it makes people stop and feel wonder again. From silk-screening posters in art school to building massive Rube Goldberg machines in warehouses, his creative journey reveals how experimentation and emotion power real innovation. Together, Damian and I explore how art and technology can amplify empathy, why authenticity resonates more than virality, and how collaboration remains humanity's best innovation. We discuss the parallels between creative risk-taking and corporate invention, the need for radical cooperation in an AI-driven world, and why OK Go's work continues to spark curiosity and connection around the globe. This conversation is full of laughter, honesty, and creative insight, reminding us that innovation does not always come from the lab or the boardroom. Sometimes, it comes from a garage, a camera, and a belief that wonder itself can change the world.  

As our spooky month of scary movie reviews rolls on, we're checking out the newest installment in the horror series that made every millennial afraid of log trucks; Final Destination. Bloodlines is serving Rube Goldberg machines of doom to the next generation, with plenty of nods to its legacy. Can death be outsmarted? Maybe. But not in the presence of an MRI machine.   Music: "Baby You Change Your Mind" by Nouvellas

Lords: * Danny * https://nightbrunchband.com/ * Walker * https://nightbrunchband.com/ Topics: * You Probably Think This Song is About You * The Perfect r/crappymusic Post: An audio tour of Archetypes * https://media24.fireside.fm/file/fireside-uploads-2024/images/3/3597ddeb-e52e-4cda-a59c-c64600489fea/0291r0zf.png * https://www.youtube.com/watch?v=6EIwP0zerbk * Sample-based film scores in the 80s * https://www.tumblr.com/mogwaipoet/786937779224461312/terminator-2-1991-and-the-princess-bride-1987 * Do Not Stand at My Grave and Weep, by Clare Harner actually * https://en.wikipedia.org/wiki/DoNotStandatMyGraveand_Weep * Being a Video Game Newb in Your 40s Microtopics: * Is it a Topic or is it Just Banter? * Cleaning Lords, Lunch Lords and Cat Lords. * Have you heard the good word about the Gaylady? * Night Brunch. * Wearing your own band's t-shirt. * A thing that could happen for a while and then was no longer able to happen. * Hi Cindy! * Motivating yourself to work harder via self loathing. * Feeling the need to act all angsty so that people take you seriously as an artist. * A Touch of Grandiosity. * How many tracks get uploaded to SoundCloud every day? * Continuing to discover music from the 1970s. * It's called "Topic Lords," not "Correct Lords." * Once it becomes impossible to make new music, and we go back and start listening to all the SoundCloud uploads with 0 listens. * All the kids at Rock & Roll Camp getting excited about Lofey. * Pretending a topic is about one thing when it's actually about something else. * Canadian Actor Dave Coulier. * Tuesday at 3:01pm. * Learning a new chord on your Electric Tenor Guitar. * Bringing Pokemon Puzzle League characters into your love song. * Having a whole week to dial in that wub wub patch. * What art is for and what art should be for. * Fun is our only reward. * The objective best pitch wheel range. * The Funky Worm preset. * Synthesizers that can save and load patches but only when plugged into your phone. * Coming up with a Rube Goldberg machine to upload patches from a web server to your CZ-5000. * thisdx7cartridgedoesnotexist.com * In a convex optimization problem, there is no gradient to descend. * Fiddling with the synthesizer sliders until you reach a corner of the parameter space that doesn't make any noise and giving up. * Camp Counselor Grant hastily drawing all the synthesizer waves on the board. * Ask any Geometer, the triangle has three sides. Love triangles are actually just two love segments. * The All Topic Fakeouts episode. * The gulf between how an artist thinks they're presenting themselves and how they're being received. * A Beautiful Rainbow of the Human Experience. * Elderly rappers with excellent flow but terrible drip. * Piling onto propaganda music. * Someone doing their own thing with confidence and authenticity. * Graffiti with immaculate copyediting. * With improved access to art tools, taste is one of the only things left to get wrong. * Only the best crappy music. * Promoting your music in r/crappymusic. * Tori the Clown Rap Gal. * The audacity of extreme autotune. * All Youtube thumbnails converging on the same cognitive attention hacks. * Singing the comments on your last video. * Situations where echo chamber amplification is fun and good for the world. * Obscure Music That Slaps. * Serbian Kolos. * The Ketron Event Chrom. * The Nightmare Klaxon that Represents Dread. * All the Fairlight CMI presets used in the Terminator 2 soundtrack. * Growing up playing samples at every possible speed in Impulse Tracker. * Slowly sucking dog food out of a can to simulate the sound of a mimetic polyalloy passing through steel bars. * It's been a long day and you're ready to go home but you need to slam 1000 more inverted glasses into bowls of yogurt, let's hurry it up guys. * That one sample library squeaking metal door sound that everyone uses. * Calling out comb filtering whenever you hear someone exhale deeply while sitting down at a desk. * The sound guy instructing all the actors when to breathe to minimize comb filtering. * Rubber Baby Knopfler Romplers. * All the things you are after you die. * The purpose of suffering. (So we can write cool poems about it.) * Making art about how trauma used to exist. * Why wireheading will not solve our problems. (Because everything uses bluetooth now.) * Who needs trauma when we have CRISPR? * Shepherding noobs. * Play Any Video Game Day. * Complicated goose controls. * Trying to play Portal as your first 3D game. * Learning video games vs. learning board games. * Trying to get into video game series that don't change. * Looking at the screen and/or ants until it coalesces into an image. * Video games filled with really gross blood squirt sounds. * Jumping on and off of buildings. * Playing Breath of the Wild and just collecting mushrooms and herbs. * Grass simulation in Breath of the Wild vs. in Horizon Zero Dawn. * Putting yourself in the head-space of the protagonist in order to do protagonist stuff. * Spelling brunch the secret way.

In the 1950s, the avant-garde music scene in New York and the movie studios of Los Angeles might have seemed like opposite ends of a cultural spectrum. But they came together (and blew apart) when MGM hired Louis and Bebe Barron to write the score for the sci-fi classic Forbidden Planet. It was the first all-electronic score for a Hollywood film, but not everyone was ready for the future of film music. I talk with Louis' son David Barron, composer Dorothy Moskowitz, University of Chicago associate professor Jennifer Iverson, and broadcaster and writer John Cavanagh about how the Barrons built a Rube Goldberg-style electronic music studio long before electronic music could be generated with the push of a button -- and why it took decades for their work to be fully appreciated. Thanks to Thomas Rhea (author of Electronic Perspectives: Vintage Electronic Musical Instruments) for permission to use audio from his 1998 interview with Bebe Barron. You can learn more about the Louis and Bebe Barron archive at Forgotten Futures. Philip Shorey's orchestra is touring with his new score to the 1925 film The Phantom of The Opera. This episode is sponsored by Remi. Go to shopremi.com/IMAGINARY and use the code IMAGINARY to get up to 50% off your nightguard at checkout. Learn more about your ad choices. Visit podcastchoices.com/adchoices

I made a Go variant that you can play all by your lonesome!Solitaire Go ExamplesJoin the Discord⁠Support Star Point⁠The Star Point Store

Degens Andy S and Brandon Bombay just got off a plane because they had a scary premonition, and then decided to talk about the first installment in a surprisingly hilarious horror franchise, 'Final Destination.' Bombay starts off the "I'm never gonna die" teenage hubris discussion by recalling a running joke he and a friend had in high school about memorial services for fellow classmates who met a grisly end. Then the fellas safety-proof their homes before talking about the film with a premise that was initially mined from an X-Files spec script. This installment in the franchise is almost quaint compared to how ludicrous it would become, but all the tenets are there of wild Rube Goldberg-style deaths, to gut busting lines about youngsters hoping to cheat death. The boys recap their favorite deaths, including the "You can just drop f***ing dead" bus scene that features a Nine Inch Nails song about reaching your final destination. Plus, they recap times in their youth where they narrowly avoided death, and try desperately to make sense of Ali Larter's hot girl goth-welder character. This episode will leave you laughing in the face of death. 

Sometimes horror doesn't need a killer in a mask—it just needs gravity, leaky plumbing, and a loose screw. This week Pete, Tommy, Kynan, and Chelsea dive headlong into the beautifully deranged contraptions of fate in the Final Destination series. We zero in on films one, two, five, and six, skipping the middle entries (with Chelsea reluctantly leaving her beloved roller coaster behind) to track how the franchise evolved from eerie paranoia to glossy spectacle—and sometimes back again.What makes these films so uniquely unnerving? They erase the safe distance of supernatural slashers and drop death right in our kitchens, on our highways, and even at the optometrist. From the infamous log truck pile-up in Final Destination 2 to the unexpectedly brilliant twist of Final Destination 5, the series keeps daring us to see everyday objects as lethal Rube Goldberg machines. Along the way, we debate the rules of death (are they rules or just improv?), celebrate Tony Todd as the connective tissue of the franchise, and wrestle with whether the overpolished look of Bloodlines makes its gore more cartoonish than chilling. And yes, we all pick our favorite kills—expect airbags, bathtubs, and gymnastic mats to come up in conversation.It's a franchise that's as much about philosophy as phobia—existential dread wrapped in popcorn horror, where the fun lies in watching fate toy with its victims like a sadistic game master. Whether you love the paranoia of not knowing which object will strike next or the catharsis of absurd spectacle, Final Destination has a death with your name on it. Join us, as we laugh, squirm, and admit how these movies have ruined car rides, kitchen appliances, and even snow globes forever.Featured FilmsTonight's Quadruple Feature:Final Destination 1 - Apple TV | Amazon | LetterboxdFinal Destination 2 - Apple TV | Amazon | LetterboxdFinal Destination 5 - Apple TV| Amazon | LetterboxdFinal Destination Bloodlines - Apple TV | Amazon | Letterboxd

We're doing a deep dive on the FINAL DESTINATION series, starting with the first three entries! Does pressing play on this episode start a Rube-Goldberg sequence of its own? There's only one way for you to find out... Plus, watch Rob on Twitch .. and we're on Instagram!

Hello Bubblies! I'm back with another minisode but this time I cover a few things that I've watched recently. First up is Andor season 2 along with a bit of Rogue One. Content warning for attempt rape.  After that, I share what I thought of the latest installment of Rube Goldberg deaths with Final Destination: Bloodlines.  And lastly, I talk about a movie that I hadn't planned on covering but after watching it I just kinda felt like I had to bring up The Monkey.  Join me in my bubble for my take on these titles, mini rants, and my unintended theme of today's episode. Thanks for listening and Keep Streaming!   Find, follow, support the pod → https://linktr.ee/mystreamingbubble     Don't forget about Twin It to Win It → https://linktr.ee/twinittowinitpod     

In death there are no accidents, no coincidences, no mishaps, and no escapes…but can death be captured?? The Mouths of Madness are hard at work during the Summer of Madness on a machine that would make Rube Goldberg proud! They hope they can hold Death hostage to make a deal.. maybe there's a way to cheat the blueprint? Final Destination (2000) terrified an older generation but now that it's 25 years later, does it still have the same effect?! Promo: Check out The Bunny and Bear Show from Horror Horde Pictures-https://youtu.be/4lipOQ-i3eQ?si=gPi33I0OYXEIyFppYour Hosts- Kevin, Dan, Bearclaw, and Logan. Produced by Nathan. What are your thoughts on our episode?  Email Us- ThePaddedRoom@outlook.comJoin The Madness!InstagramYouTubeFacebookTikTokLetterboxdMerch“We All Go Mad” Theme Music by Nathan

The Incredible Machine, a series that turned complex cause-and-effect chain reactions into one of the most oddly satisfying puzzle experiences of the '90s and paid homage to the genius of Rube Goldberg and his machines. Hosted on Acast. See acast.com/privacy for more information.

The Incredible Machine, a series that turned complex cause-and-effect chain reactions into one of the most oddly satisfying puzzle experiences of the '90s and paid homage to the genius of Rube Goldberg and his machines. Hosted on Acast. See acast.com/privacy for more information.

Life is like a box of chocolates. Sometimes surprise and change gets the job done, other times it's the road less traveled and other times it's simplicity and execution.

This week, I cashed in a Hall Pass and picked a sequel that's part slasher, part tropical fever dream — "I Still Know What You Did Last Summer." With a new entry in the franchise on the horizon, there's no better time to revisit the wild ride that is winning a mysterious trip to an abandoned island resort during hurricane season.To help unravel this Rube Goldberg chain of Hook Man chaos, we brought back our horror sequel expert Chris Egan. We cover everything from:Why you maybe should tell your family before skipping townThat weird dummy in the roadJeffrey Combs crushing it as the creepiest hotel manager everThe world's worst resort staffAnd of course... Jack Black in dreadlocks (yikes)

Pop stars should have Mousetrap-style Rube Goldberg devices onstage. Vince Neil falls for porn bots and a footwear startup is using the blockchain to generate an A.I. shoe design in space. Full episode on Patreon: https://www.patreon.com/posts/260-beyonce-out-133366378

It's Independence Day here in the USA, but if you're not a fan of fireworks and hot dogs, Elliot and Dan's rundown of the best hacks of the week is certainly something to celebrate. Rest easy, because nothing exploded, not even the pneumatic standing desk that [Matthias] tore into, nor the electroplated 3D prints that [H3NDRIK] took a blowtorch to. We both really loved the Ploopiest knob you've ever seen, which would be even Ploopier in anodized aluminum, as well as an automatic book scanner that takes its job very seriously. We looked into the mysteries of the Smith chart, another couple of fantastic student projects out of Cornell, the pros and cons of service loops, and what happened when the lights went out in Spain last Spring. And what does Janet Jackson have against laptops anyway?  

A chaotic day leads Don into a deep (and entertaining) dive into the futility of market timing, spurred by a recent Morningstar article on Pacer's Trendpilot ETF. Don and Tom break down the mechanics of the fund's strategy, its underperformance compared to a simple 60/40 portfolio, and the long-term cost of trying to avoid downturns. Listener questions bring up diversification, Roth IRAs, and the eternal struggle with ticker symbols. Plus, a special heads-up for federal employees about an upcoming webinar. And yes, kilt ventilation is discussed. 0:04 “It never rains but it pours” rant, helicopters, kilts, and chaos 2:02 Welcome and the evolution from market timing believers to skeptics 3:13 Trendpilot ETF's moving average strategy explained (kind of) 5:45 Morningstar says: strategy failed, underperformed S&P by 5% annually 6:58 97-year 60/40 portfolio beats Trendpilot in return and volatility 8:32 2020 example: Trendpilot missed the 38% rebound—ouch 9:59 Why market timing fails most investors over time 11:05 Loss aversion vs. long-term strategy with fixed income 13:08 Trendpilot's $3.3B in AUM—but it still doesn't justify market timing 14:23 Listener mail: VTEB vs VTBE, Series 65 textbook gems, diversification 18:26 How much in a single stock? Almost none 19:10 Roth IRA allocation question—AVUS, DFIV, AVUV, and maybe just AVGE 22:24 One-fund to rule them all: AVGE breaks it down across 15 funds 24:11 Federal employee webinar pitch – June 7 at appellowealth.com 25:39 Wrapping up with call-in info, dreams about forgetting the phone number, and kilts (again) Learn more about your ad choices. Visit megaphone.fm/adchoices

Questions? Comments?A chaotic day leads Don into a deep (and entertaining) dive into the futility of market timing, spurred by a recent Morningstar article on Pacer's Trendpilot ETF. Don and Tom break down the mechanics of the fund's strategy, its underperformance compared to a simple 60/40 portfolio, and the long-term cost of trying to avoid downturns. Listener questions bring up diversification, Roth IRAs, and the eternal struggle with ticker symbols. Plus, a special heads-up for federal employees about an upcoming webinar. And yes, kilt ventilation is discussed.0:04 “It never rains but it pours” rant, helicopters, kilts, and chaos2:02 Welcome and the evolution from market timing believers to skeptics3:13 Trendpilot ETF's moving average strategy explained (kind of)5:45 Morningstar says: strategy failed, underperformed S&P by 5% annually6:58 97-year 60/40 portfolio beats Trendpilot in return and volatility8:32 2020 example: Trendpilot missed the 38% rebound—ouch9:59 Why market timing fails most investors over time11:05 Loss aversion vs. long-term strategy with fixed income13:08 Trendpilot's $3.3B in AUM—but it still doesn't justify market timing14:23 Listener mail: VTEB vs VTBE, Series 65 textbook gems, diversification18:26 How much in a single stock? Almost none19:10 Roth IRA allocation question—AVUS, DFIV, AVUV, and maybe just AVGE22:24 One-fund to rule them all: AVGE breaks it down across 15 funds24:11 Federal employee webinar pitch – June 7 at appellowealth.com25:39 Wrapping up with call-in info, dreams about forgetting the phone number, and kilts (again)Learn more about your ad choices. Visit megaphone.fm/adchoices

Join Tom, Kevin, Joe, and Matt F Basler as they review Final Destination Bloodlines and its Rube Goldberg-like death sequences. They discuss the franchise's formula and scenes from all the movies, and weigh in on Tony Todd's final role.Watch on YouTube: https://youtu.be/zusP7AzToJISupport this show http://supporter.acast.com/reelspoilers. Hosted on Acast. See acast.com/privacy for more information.

Synopsis In this installment of Final Destination a young woman named Iris defies death while on a romantic date with her boyfriend saving many lives. But death wont be cheated so easily. These sleepy citizens may have lived to see another day, but fate is on a mission to hunt them down. Years later, Iris's children and grandchildren are caught in the crosshairs as death creeps along their bloodline leaving them in…shall we say…sticky situations.  Review of Final Destination: Bloodlines I have never been a fan of the final destination movies. They have one gimmick, and they stick to it no matter what which usually leaves me counting the remaining survivors in an attempt to guess how much longer I have to sit there and watch the movie. I was pleasantly surprised by this film. Don't get it wrong folks, it is exactly the same gimmick as before, but I felt like this movie uses a little more charm than other Final Destination movies I've seen. There are multiple nods and winks to the audience as the film sets up laughably stupid death scenes, just to pull back and be like “just kidding. You really thought we would kill the character off with this stupid trick?” Only for the rug to be pulled as another equally as stupid death scene unravels in a bloody mess. It subverted my expectations a couple times and genuinely caught me off guard with some horrific events that I did not see coming. The red herrings keep the movie interesting, as you can never really know when something is about to happen. The camera is zooming in on this warning label showing a man being crushed by a vending machine. Is that important? No. But for a second you thought it was. The deaths are gruesome but somehow look kind of real. These movies have a history of showcasing the most elaborate Rube Goldberg death scenes that while creative have never felt interesting to me. But this movie felt different. I really liked every death in the movie and I think its worth going to the theatre to experience them on the big screen.  Score 7/10

It's all come to this. Final Destination: Bloodlines hit theaters this past weekend and we have special guest Nikki Carrillo in studio to discuss how it all went down. Is this a worthy return of the franchise after all these years? Find out on this week's brand new episode! Magic Mind: Get 60% off the Magic Mind offer with our link https://magicmind.com/srightsmf and code & SRIGHTS60 magicmind #mentalwealth #mentalperformance Star ratings help us build our audience! Please rate/review/subscribe to us on Spotify, Apple Podcasts or wherever you listen, and share us with your grandma who's been dodging death for YEARS! Email us at sequelrights@gmail.com with feedback or suggestions on future franchises! Special Guest: Nikki Carrillo.

Visit our Substack for bonus content: https://designbetterpodcast.com/p/rewind-ok-go Aarron and Eli are traveling with their families for Spring Break, so we're bringing back one of our favorite episodes from 2023 with the band OK Go. In the time since we recorded the interview, they've come out with a new album, and with several new music videos, including for the track Love, shot with no cuts…just “mirrors, robotics, and a whole lot of planning.” Enjoy! *** Not many bands hire Russian pilots to film a Zero-G video on their cosmonaut training plane, known as the “vomit comet”. But those are the kinds of extremes that OK Go will go to in the pursuit of creativity. Tim Nordwind and Damian Kulash, the band's founders, met at camp as pre-teens in search of a fellow creative nerd, and founded the band in 1998. Over the past 25 years, they've created 3 Grammy-nominated music videos, and won Best Music Video for Here It Goes Again. From the perfectly timed explosions filmed in slow-motion for their song The One Moment, to the immensely elaborate Rube Goldberg contraption they created for This Too Shall Pass, OK Go is almost like a performance-art troupe that just happens to be a fantastic rock band. In this episode on the creative process, we talk to Tim and Damian about how they come up with ideas, the macro and micro elements of their creativity, and achieving the impossible. *** Premium Episodes on Design Better This ad-supported episode is available to everyone. If you'd like to hear it ad-free, upgrade to our premium subscription, where you'll get an additional 2 ad-free episodes per month (4 total). Premium subscribers also get access to the documentary Design Disruptors and our growing library of books, as well as our monthly AMAs with former guests, ad-free episodes, discounts and early access to workshops, and our monthly newsletter The Brief that compiles salient insights, quotes, readings, and creative processes uncovered in the show. Upgrade to paid

Today, we're talking to the man who created the infamous Rube Goldberg machine on Fuller House & all the other wacky props in between... It's prop master Jim Falkenstein! Jim's work on Fuller House (and many other notable shows) is unforgettable. But, there’s something he’s known for on every set: the bright yellow tux that he’d photobomb people in! You’re sure to have some laughs and learn some new things about prop masters in this interview, and it’s all right here on How Rude, Tanneritos! Follow us on Instagram @howrudepodcast & TikTok @howrudetanneritosSee omnystudio.com/listener for privacy information.

Discover all of the podcasts in our network, search for specific episodes, get the Optimal Living Daily workbook, and learn more at: OLDPodcast.com. Episode 3079: Mr. 1500 reflects on the surprising reality of fulfilling a lifelong dream, owning an Acura NSX, only to realize that the joy of possession fades faster than expected. The mental burden of maintaining an expensive car, combined with a shift toward financial flexibility and simplicity, led to the decision to sell. Letting go brought more peace than regret, reinforcing the idea that true happiness isn't found in material things. Read along with the original article(s) here: https://www.1500days.com/why-we-sold-our-fancy-car-the-acura-nsx/ Quotes to ponder: "The pursuit is often more fun than the ownership of it." "In the end, the most important reason is that it just didn't bring us happiness anymore." "There is beauty in simplicity. An internal combustion engine is a Rube Goldberg machine compared to an electric motor." Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1977, a Rube Goldberg-type chain of small events led to the deadliest accident in the history of air travel on the tarmac in Tenerife, Spain. A series of incredibly unfortunate decisions killed nearly 600 people and changed the rules of flying forever. "Strange and Unexplained" is a podcast from Grab Bag Collab & Three Goose Entertainment and is a journey into the uncomfortable and the unknowable that will leave you both laughing and sleeping with the lights on. You can get early and ad-free episodes on the Grab Bag Patreon page.  Follow us on Instagram Episode Sponsors: Cornbread Hemp. Alcohol doesn't have to be the default anymore. Whether you're doing Dry January or just looking for a healthier way to relax and have a guilt-free good time, you've gotta try Cornbread's THC gummies. Right now, Strange and Unexplained listeners can save 30% on their first order! Just head to cornbreadhemp.com/STRANGE and use code STRANGE at checkout. Graza Olive Oil. Take your food to the next level with Graza Olive Oil. Visit https://graza.co/STRANGE and use promo code STRANGE today for 10% off your first order! Beam. The ultimate sleep refresh for the new year: Try Beam's best-selling Dream Powder and get up to 40% off for a limited time when you go to shopbeam.com/STRANGE and use code STRANGE at checkout. Rockey Money. Cancel your unwanted subscriptions and reach your financial goals faster with Rocket Money. Go to RocketMoney.com/unexplained today.

Pre-show: #GALP