Pod Casty For Me

The second half of Soderbergh's unbelievable year 2000 was TRAFFIC, his sprawling adaptation of the 1989 Channel 4 miniseries about the many sides of the drug trade. At the time, it was hailed as a highly nuanced and humane look at narcotics. But how does it look from 2025? Joining us to discuss is professor and author of our much-cited Quick Fixes: Drugs in America from Prohibition to the 21st Century Binge, Benjamin Y. Fong! We talk macroeconomics, "Mexico filter," drug movies, Benicio Del Toro's accent, and a whole lot more. Really fascinating episode, we hope you enjoy! Further Reading: Quick Fixes: Drugs in America from Prohibition to the 21st Century Binge by Benjamin Y. Fong Rebels on the Backlot by Sharon Waxman In Search of Respect: Selling Crack in El Barrio by Philippe Bourgois Steven Soderbergh: Interviews, ed. Anthony Kaufman Further Viewing: "No, Mexico isn't actually that orange. Hollywood is just racist." from Mashable MIKEY AND NICKY (May, 1976) TRAFFIK (Reid, 1989) HIGHWAY PATROLMAN (Cox, 1991) LEAVING LAS VEGAS (Figgis, 1995) ENTER THE VOID (Noe, 2009) THE HOUSE I LIVE IN (Jarecki, 2012) THE SPECTACULAR NOW (Ponsoldt, 2013) EMBRACE OF THE SERPENT (Guerra, 2015) MONOS (Landes, 2019) BLOODY NOSE, EMPTY POCKETS (Ross brothers, 2020)   Follow Benjamin Y. Fong: https://benfong.com/   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

This is a preview of a premium episode from our Patreon feed, Paid Costly For Me! Head over to Patreon.com/PodCastyForMe to hear more for just $5 a month. In the aftermath of DIRTY HARRY, there were plenty of films looking to get in on the semi-legal vigilante craze. One of the most successful of these was Phil Karlson's WALKING TALL, starring the great, recently departed Joe Don Baker as real-life Tennessee lawman Buford Pusser, who was all too willing to tell the world how he beat the corruption out of McNairy County with a fencepost. Except that he was kind of full of hot air, and the whole thing is - at least for Ian - one of the most nakedly fascist films we've ever watched for the show! This episode was a long time coming, so we hope you enjoy. Thanks as always to Jetski for our theme music and Jeremy Allison for our artwork. Community Justice Exchange's Directory of Immigration System Bail Funds Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

Soderbergh finally hit a box-office home run in 2000 with ERIN BROCKOVICH, a Julia Roberts-starring biopic about a paralegal with a big personality and a nose for corporate environmental malfeasance, and the one-two punch of BROCKOVICH and TRAFFIC in a single year cemented him as a truly major filmmaker. This is one of the big ones, so we brought in our friend Carlee from Hit Factory to talk about basically everything: capitalism, the climate, gender, fashion, interpassivity, Todd Haynes, and Sheryl Crow. Great ep! Don't use ChatGPT even as a joke! Further Reading: Superman's Not Coming by Erin Brockovich "Digging For The Truth" by Robert B. Welkos "Ordinary Heroes vs. Failed Lawyers: Public Interest Litigation in 'Erin Brockovich' and Other Contemporary Films" by Michael McCann and William Haltom "Erin Brockovich, 20 Years Later: 'I See So Many of Us Finding That Courage to Stand Up'" by Susan King Further Viewing: A CIVIL ACTION (Zaillian, 1998) LEGALLY BLONDE (Luketic, 2001) FIRST REFORMED (Schrader, 2017) DARK WATERS (Haynes, 2019) EVIL DOES NOT EXIST (Hamaguchi, 2023)   Follow Carlee: https://x.com/deepimpactcrier https://x.com/HitFactoryPod Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart    

This is a preview of a premium episode from our Patreon feed, Paid Costly For Me! Head over to Patreon.com/PodCastyForMe to hear more for just $5 a month. We return to our very slow trip through the films of Sergio Leone with 1971's DUCK, YOU SUCKER!, also known as A FISTFUL OF DYNAMITE, also known as GIÙ LA TESTA, a story of the Mexican Revolution starring Rod Steiger and James Coburn. It's a real humdinger of an episode, as Jake's allergies flare up while he tells a long story about some unpleasant men at the barbershop, Ian explains the Mexican Revolution, and we both read passages from Frantz Fanon. Enjoy! Thanks as always to Jetski for our theme music and to Jeremy Allison for our artwork. https://www.podcastyforme.com/ Follow Pod Casty For Me: https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

In 1999, Steven Soderbergh pushed his formal experimentation even further, rendering a straightforward revenge tale into a modernist masterpiece. In the process, the Terence Stamp/Peter Fonda joint THE LIMEY examines memory, the legacy of the 60s, and inaugurates Sodie's obsession with Cockney rhyming slang. Film writer and podcaster and UK resident Elena Lazic joins us to get limey! Good ep! Further Reading: Getting Away With It by Steven Soderbergh Set the Night on Fire: L.A. in the Sixties by Mike Davis & Jon Wiener Hollywood from Vietnam to Reagan by Robin Wood "Steven Soderbergh on the 20th anniversary of The Limey" by David Fear Commentary track with Steven Soderbergh and Lem Dobbs Further Viewing: POINT BLANK (Boorman, 1967) POOR COW (Loach, 1967) EASY RIDER (Hopper, 1969) GET CARTER (Hodges, 1971) VANISHING POINT (Sarafian, 1971) APRÈS MAI (Assayas, 2012)   Follow Elena: https://x.com/elazic https://linktr.ee/Animus_mag Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

This is a preview of a premium episode from our Patreon feed, Paid Costly For Me! Head over to Patreon.com/PodCastyForMe to hear more for just $5 a month. GET SHORTY and OUT OF SIGHT weren't the only high-profile Elmore Leonard adaptations of the 1990s. Quentin Tarantino's long-awaited follow up to PULP FICTION was a race- and setting-swapped adaptation of Rum Punch retitled JACKIE BROWN, starring exploitation icons Pam Grier and Robert Forster. Podcasting's preeminent Elmore Leonard discusser Jane Altoids returns to the show to talk race, class, and Ray Nicolet in what might be Tarantino's best film! Follow Jane Altoids: https://x.com/staticbluebat Thanks as always to Jetski for our theme music and to Jeremy Allison for our artwork. Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart

It's the OUT OF SIGHT episode, and our guest is Bilge Ebiri. Do we need to sell you on this? OK, fine: in 1998 Steven Soderbergh took a job for hire directing an Elmore Leonard adaptation and ended up finding the style that would define much of his career, minting George Clooney as a movie star, capturing Jennifer Lopez's best-ever performance, working with Don Cheadle and Luis Guzman and a bunch of other people for the first time, and making one of the most watchable films of the 1990s. Jake also read the whole book. We talk about Leonard's moral universe, prison stuff, cop stuff, crime fiction stuff. I mean, come on. It's the OUT OF SIGHT episode with Bilge. Further Reading: Out of Sight by Elmore Leonard Getting Away With It by Steven Soderbergh Steven Soderbergh: Interviews, ed. Anthony Kaufman "Louisiana's Angola: Proving ground for racialized capitalism" by W. T. Whitney, Jr.   Further Viewing: POINT BLANK (Boorman, 1967) DON'T LOOK NOW (Roeg, 1973) GET SHORTY (Sonnenfeld, 1995) JACKIE BROWN (Tarantino, 1997) THE FARM: ANGOLA, USA (Garbus, Rideau & Stack, 1998) "Karen Sisco" (2003) "Justified" (2010)   Follow Bilge Ebiri: https://x.com/BilgeEbiri https://www.vulture.com/author/bilge-ebiri/   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

This is a preview of a premium episode from our Patreon feed, Paid Costly For Me! Head over to Patreon.com/PodCastyForMe to hear more for just $5 a month. We're talking more Gene Hackman and getting into the 1990s Elmore Leonard boom with Barry Sonnenfeld's GET SHORTY, and our friend Forrest Tiffany is here to help! Join us as we plot the line from PULP FICTION to GET SHORTY to JACKIE BROWN to OUT OF SIGHT, sing the praises of the cast, and check in with a particularly juicy Pine Cone Crime Zone. Thanks as always to Jetski for our theme music and to Jeremy Allison for our artwork.   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

What the hell is going on with Steven Soderbergh's 1996 super-low-budget labor of love comedy SCHIZOPOLIS? Our returning guests, the filmmakers and all-around handsome devils Jordan Fish and Ray Tintori of the To The White Sea Podcast, help us get to the bottom of it. Is this quietly a devastating analysis of a failed marriage starring the director and his real-life ex-wife Betsy Brantley? Or is all that drowned out by too much proto-Random Humor and OK Cola-style 90s disaffection? Is Jake even capable of being nice about this movie? Listen to find out!   Further Reading: Getting Away With It by Steven Soderbergh Steven Soderbergh: Interviews, ed. Anthony Kaufman "E Unibus Pluram: Television and U.S. Fiction" by David Foster Wallace "David Lynch Keeps His Head" by David Foster Wallace   Further Viewing: A HARD DAY'S NIGHT (Lester, 1964) MONTY PYTHON'S FLYING CIRCUS (McNaughton/Davies, 1969) PUTNEY SWOPE (Downey, 1969) THE KENTUCKY FRIED MOVIE (Landis, 1977) GRAY'S ANATOMY (Soderbergh, 1996) LOST HIGHWAY (Lynch, 1997)   Follow Jordan and Ray: https://linktr.ee/tothewhitesea   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart    

This is a preview of a premium episode from our Patreon feed, Paid Costly For Me! Head over to Patreon.com/PodCastyForMe to hear more for just $5 a month. One of "the world's favorite movies," starring two guys who won back-to-back Best Supporting Actor Oscars under Clint Eastwood's direction, and Jake's never seen it? You know we had to talk about Frank Darabont's THE SHAWSHANK REDEMPTION, prison abolition, Tim Robbins's legs, and what we think the best films of 1994 are. Thanks as always to Jetski for our theme music and to Jeremy Allison for our artwork. Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart

In 1989, Steven Soderbergh was on top of the world. By 1995, he was underneath...THE UNDERNEATH, that is! We're talking Sodie's very loose remake of the 1949 Robert Siodmak film noir CRISS-CROSS (and the 1934 novel on which it was based), noir in the 1990s, armored cars, and Soderbergh's evolving film language as he becomes the director we all know and love. Nobody's favorite Sodie movie, but maybe somebody's favorite ep? Remains to be seen! Further Reading: Criss Cross by Don Tracy Steven Soderbergh: Interviews ed. Anthony Kaufman Reinventing Hollywood by David Bordwell "Neither Noir" by Jonathan Rosenbaum Further Viewing: THE KILLERS (Siodmak, 1946) KISS OF DEATH (Hathaway, 1947) CRISS CROSS (Siodmak, 1949) THE KILLING (Kubrick, 1956) BLOOD SIMPLE (Coen, 1984) PULP FICTION (Tarantino, 1994)   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

This is a preview of a premium episode from our Patreon feed, Paid Costly For Me! Head over to Patreon.com/PodCastyForMe to hear more for just $5 a month. Today we're talking about the 2005 documentary BUDD BOETTICHER: A MAN CAN DO THAT, which features both Clint Eastwood and Paul Schrader (among others) talking about the elemental western films of Budd Boetticher and his influence on their work. We also talk about some Boetticher films ourselves, and take this moment to go a little deeper on auteur theory - its usefulness, its problems, our relationship to it as a framework. You don't have to watch the doc to enjoy this episode, but it is kind of fun if you can track it down! Thanks as always to Jetski for our theme music and Jeremy Allison for our artwork.   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart

What to do next after KAFKA doesn't quite hit...how about adapting a boyhood memoir by the guy who helped Paul Newman bottle his salad dressing? We continue Soderbergh's less-remembered beginnings with 1993's KING OF THE HILL, a subtly brutal Depression-era bildungsroman in which a boy gets so hungry he eats pictures of food - and joining us is film writer Jason Miller! Listen along for a discussion of cinematographer careers, macroeconomics, proper marbles technique, and Spalding Gray. Good ep, even without Boomhauer and all the rest of those guys! Further Reading: King of the Hill: A Memoir by A.E. Hotchner "King of the Hill: Alone Again" by Peter Tonguette "A Multi-Storied Life" by Susan Wooleyhan Caine Further Viewing: EMPIRE OF THE SUN (Spielberg, 1987) HOPE AND GLORY (Boorman, 1987) THE LONG DAY CLOSES (Davies, 1992)   Follow Jason Miller: https://linktr.ee/millerjeremyjason   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

This is a preview of a premium episode from our Patreon feed, Paid Costly For Me! Head over to Patreon.com/PodCastyForMe to hear more for just $5 a month. We pay tribute to the late Gene Hackman with one of his - or anyone's - greatest films, Arthur Penn's 1975 neo-noir NIGHT MOVES. Shot by longtime Eastwood DP Bruce Surtees and starring Clint co-stars Gene Hackman, Susan Clark, James Woods, and John Crawford, so it's totally fair game. Thanks as always to Jetski for our theme music and Jeremy Allison for our artwork.   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

How do you follow an industry-shaking debut like SEX, LIES, AND VIDEOTAPE? If you're Steven Soderbergh, the answer is obvious: a weird, downer sort-of-biopic of Franz Kafka shot in black and white. We're joined by filmmaker Christopher Jason Bell (MISS ME YET, THE WINDS THAT SCATTER) to talk 1991's KAFKA, Soderbergh's influence, and Chris's outstanding new film FAILED STATE. Great ep! Further Reading: "In the Penal Colony" by Franz Kafka The Trial by Franz Kafka The Castle by Franz Kafka Los Angeles Times article by David Gritten Further Viewing: THE THIRD MAN (Reed, 1949) THE TRIAL (Welles, 1962) AMERICAN GIGOLO (Schrader, 1980) BRAZIL (Gilliam, 1985)   Follow Chris: https://linktr.ee/christopherjasonbell Watch the trailer for FAILED STATE   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

***This is a preview of a premium episode from our Patreon feed, Paid Costly For Me! Head over to Patreon.com/PodCastyForMe to hear more for just $5 a month.*** Around 2011, Clint Eastwood tried to remake A STAR IS BORN with Beyoncé and any of a number of men including Bradley Cooper and maybe Tom Cruise. It didn't pan out, but the project eventually became Cooper's directorial debut and a star vehicle for Lady Gaga, who incidentally has a new album out today. We invited film critic, podcaster, and Lady Gagalogist Nicole Veneto to talk about the film, why Gaga gets under Jake's skin, and whether there's any Clint left in this thing. Check out Nicole's podcast Marvelous! Or, the Death of Cinema here. Thank you to Jetski for our theme music and Jeremy Allison for our artwork.

Steven Soderbergh's first feature, sex, lies, and videotape put him on the map hard. It won the Palme d'Or, made the Sundance Film Festival into an industry unto itself, and helped turn Miramax into a major player - to say nothing of its actual content. Join us as we dig into the film that made Soderbergh an overnight sensation and try to act normal about intimacy. Good ep!   Further Reading: Sex, Lies, and Videotape by Steven Soderbergh Down and Dirty Pictures by Peter Biskind Rebels on the Backlot by Sharon Waxman Further Viewing: FIVE EASY PIECES (Rafelson, 1970) CARNAL KNOWLEDGE (Nichols, 1971)   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

And Sode it berghins! We're kicking off our career retrospective of director Steven Soderbergh with an overview of his early life, career so far, and major thematic concerns. We'll also meet a new voice joining us on our journey... Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

Pull up a chair, folks - it's time for our episode on Paul Schrader's "first post-mortem film," the Russell Banks adaptation OH, CANADA, fresh from the cinema. Joining us to unpack it is Final Boss of the podcast and real-life Canadian person Will Sloan! We talk about what we expect of the personal morality of political artists, Canada's relationship to her neighbor to the south, and the film's place in Schrader's filmography. We also got Will's thoughts on JUROR #2 while we had him on mic, because of course we did. Great conversation, great movie, great ep! Soderbergh episodes coming soon. Further Reading: Foregone by Russell Banks "Paul Schrader Thought He Was Dying. So He Made a Movie About It." by Bilge Ebiri "A Remembered World: On Russell Banks's 'Foregone'" by Rob Latham "Russell Banks, The Art of Fiction No. 152" by Robert Faggen Harry Knowles's review of HOLLYWOOD ENDING Further Viewing: AMERICAN GIGOLO (Schrader, 1980) AFFLICTION (Schrader, 1997) 24 HOURS OR MORE (Groulx, 1973) KANEHSATAKE: 270 YEARS OF RESISTANCE (Obomsawin, 1993) Follow Will Sloan: https://x.com/WillSloanEsq https://www.willsloan.ca/ Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

It's finally here: our episode on Clint Eastwood's latest film, JUROR #2.   Further Reading: "An Abolitionist Summoned to Jury Duty for a Murder Trial" by Luna Nicole "Nullification: Jurors' Secret Weapon Against Harsh Sentencing" by Molly Knefel Jonathan Abrams interview with Indiewire Jonathan Abrams interview with GQ "Why Policing and Prisons Can't End Gender Violence"   Further Viewing: 12 ANGRY MEN (Lumet, 1957) TRUE CRIME (Eastwood, 1999)   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

***This is a preview of a premium episode from our Patreon feed, Paid Costly For Me! Head over to Patreon.com/PodCastyForMe to hear more for just $5 a month.*** We finish all the major pre-PLAY MISTY Clint films with Don Siegel's 1971 Southern gothic psychosexual chamber piece, THE BEGUILED. Thanks as always to Jetski for our theme music and Jeremy Allison for our artwork. Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Music by Jetski: https://jetski0.bandcamp.com Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

We did it, folks. We sat down with filmmaker Paul Schrader for a discussion of his new film OH, CANADA (spoiler-free), political readings of his films, never-made projects, and even a few thoughts on Clint Eastwood. Afterward, the Pod Casty boys talk about the experience. Join us in a few weeks for a full episode on OH, CANADA, which opens December 6th in New York and expands to LA and nationwide on December 13th. Paul Schrader will be doing Q&As in New York and LA. Click here for theaters and showtimes. Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

Well, we've reached the end of our Paul Schrader retrospective - for a couple weeks until OH, CANADA comes out - and it's time to discuss our findings. What did we learn about Schrader? About film? About podcasting? About ourselves? Can we remember all the different ways we got sick and hurt since March? Where are we going next, and when? Thank you to everyone who has followed along on our lonely journey toward transcendence. A very special thanks to all the guests who joined us and made the show listenable whenever we let them get a word in: Aaron and Carlee from Hit Factory, Manuela Lazić, Marya E. Gates, Brandon Streussnig, Bilge Ebiri, Esmé Holden, Comrade Yui, Ryan and Este from Altmania, Robert Rubsam, Jordan Fish, Ray Tintori, Jake Tropila, Jack Sinclair, Jane Altoids, Glenn Heath, Jr., Soraya Sebghati, Nick Wiger, Chadd Harbold, Charles Lyons-Burt, Darryl and Petros from Getting Dafoe You, Roxana Hadadi, Matthew Germenis, and Bob Martin. Another extra special thanks to our Patreon supporters who help us make this whole thing make at least some sense to our families. We still can't believe any of you listen to the show. Can't and don't! We'll see you all in 2025 with a brand new subject - and episodes on OH, CANADA and JUROR #2 before the end of the year. Plus some cool surprises, maybe. Who can know the mind of God?   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

As a little bonus, we talked some more MASTER GARDENER with Jake's old friend and professional New Orleans gardener Bob Martin! Lots of technical gardening chat, native NOLA plants, gardening movies, and some commiseration between friends of Jake that he very quickly shuts down. Enjoy! Check out Bob's band, Bobbi: https://bobbiloves2play.bandcamp.com/album/custom-bobbi Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart    

It's the end of our Schrader project - for a few weeks, at least - as we tackle the final film of his "Man In A Room" trilogy, 2022's MASTER GARDENER. Joining us is New Orleans-based writer Matthew Germenis! We're talking horticulture as both a restorative and reactionary practice, the film's ultimately tangential relationship to far-right movements, reformed Neo-Nazis, the legacy of plantation architecture, and more! Great ep! Don't forget to check out our technical chat with IRL New Orleans gardener Bob Martin, also in this feed! See you next week for a wrap-up of Schrader so far. Further Reading: "Three Bullets in the Gun: Paul Schrader on Master Gardener" by Erik Luers "Paul Schrader: ‘My movies are more on the witty clever side than the drop-your-pants funny side'" by Mark Asch Paul Schrader Interview by Isaac Feldberg "Christian Picciolini: The neo-Nazi who became an anti-Nazi" by Natasha Lipman "I was a neo-Nazi. Then I fell in love with a black woman" by Claire Bates "The Rehabilitation of ‘Pitbull,' a Former Wrestler and Neo-Nazi" by Joseph Goldstein "Land-Grant Eugenics: Spreading an Idea in Rural America" by Joshua Earle Further Viewing: FIRST REFORMED (Schrader, 2017) THE CARD COUNTER (Schrader, 2021) ERASING HATE (Brummell, 2011)   Follow Matthew Germenis: https://x.com/mpgermenis https://matthewgermenis.wordpress.com/   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart    

It's the one you've all been waiting for - our episode on Alfonso Pineda Ulloa's 2014 film THERE ARE NO SAINTS, adapted from an unmade Schrader script, which sat on a shelf for 8 years before getting dumped on VOD after his FIRST REFORMED/CARD COUNTER comeback. What's that? You don't know what this movie is and you don't really want to hear us talk about it? Great news - this episode was recorded live (to tape) at Ian's home in Oaxaca, is mostly about Jake's visit there, and contains shocking revelations that turn much of PCFM's Ian Lore upside down. Plus some talk about neo-exploitation cinema, John Wick riffs, narcocultura, and eating bugs. Fun ep, check it out! Further Reading: Nightmare USA: The Untold Story of the Exploitation Independents by Stephen Thrower "After 'The Canyons,' Strange Tale of 'The Jesuit'" by Paul Schrader Review by Nick Mangigian Further Viewing: ROLLING THUNDER (Flynn, 1977) HARDCORE (Schrader, 1979) JOHN WICK (Stahelski, 2014)   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

Ante up, listeners - we're dealing out another big one this week. Paul Schrader's 2021 follow-up to FIRST REFORMED, the (ostensible) poker drama THE CARD COUNTER, was another "Man in a Room" film, this time exploring the moral weight of past actions. Joining us to talk about Abu Ghraib, Iraq War films, and how much a filmmaker's stated politics really matter compared to what's on screen is writer and critic Roxana Hadadi! Don't worry, there's plenty of Star Wars prequel digression on this one, too. Further Reading: Roxana's review of THE CARD COUNTER Homeland: The War on Terror in American Life by Richard Beck Lynndie England interview in Stern Paul Schrader interview in GQ Paul Schrader interview with The Playlist Further Viewing: STANDARD OPERATING PROCEDURE (Morris, 2008) CAMP X-RAY (Sattler, 2014) FIRST REFORMED (Schrader, 2017) THE REPORT (Burns, 2019) Follow Roxana: https://x.com/roxana_hadadi http://www.roxanahadadi.com/ Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

We're taking a detour this week to talk about some Paul Schrader projects that never made it to the screen - the Montreal-set gangster film QUÉBECOIS!, the Elio Petri remake INVESTIGATION, psychedelic murder mystery THE DOORS OF PERCEPTION, film festival-set stage plays Berlinale and The Cleopatra Club, biopics EIGHT SCENES FROM THE LIFE OF HANK WILLIAMS and GERSHWIN, and the Bret Easton Ellis-scripted shark thriller BAIT. We read PDFs so you don't have to! Unless you want to, in which case they're linked below. Ian also makes a medium-exciting discovery about one of the screenplays he read...listen to find out what the h--- we're talking about. Further Reading: QUÉBECOIS! by Paul Schrader INVESTIGATION by Paul Schrader THE DOORS OF PERCEPTION by Paul Schrader Berlinale by Paul Schrader The Cleopatra Club by Paul Schrader EIGHT SCENES FROM THE LIFE OF HANK WILLIAMS by Paul Schrader GERSHWIN by Paul Schrader BAIT by Bret Easton Ellis   Further Viewing: 24 HOURS OR MORE (Groulx, 1973) INVESTIGATION OF A CITIZEN ABOVE SUSPICION (Petri, 1970) ODYSSEY INTO THE MIND'S EYE (Boydstun, 1996) MISHIMA: A LIFE IN FOUR CHAPTERS (Schrader, 1985) THE CANYONS (Schrader, 2013) INTO THE BLUE (Stockwell, 2005)   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

This is a big one, folks. Paul Schrader's 2017 FIRST REFORMED, a climate-doom riff on WINTER LIGHT and DIARY OF A COUNTRY PRIEST, kicked off a new phase of his career that's still unfolding as we speak. Phases unfold, right? Anyway, to help us unpack both this tremendous work of transcendental cinema and our own crushing despair, we're joined once again by our great friends Aaron and Carlee from the Hit Factory podcast. Is it illegal to describe a bomb vest as a form of prayer? We'll find out together! Further Reading: "Paul Schrader on How ‘First Reformed' Reflects His Own Despair Over Climate Crisis" "Paul Schrader on First Reformed's Provocative Ending and Its Many Influences" IPCC AR6 Synthesis Report, 2023 WWF Backgrounder: Comparing climate impacts at 1.5°C, 2°C, 3°C and 4°C Further Viewing: DIARY OF A COUNTRY PRIEST (Bresson, 1951) WINTER LIGHT (Bergman, 1963)   Follow Hit Factory: https://x.com/HitFactoryPod https://x.com/deepimpactcrier   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

Arf arf, listeners - this week we're talking Paul Schrader's 2016 goofaround crime thriller DOG EAT DOG with Darryl Edge and Petros Patsilivas from the Getting Dafoe You podcast! This film was a form of creative redemption for Schrader and Nicolas Cage after the fiasco of DYING OF THE LIGHT, but is it of any interest to an audience? We report, you decide. We also decide, to be honest. The four of us have now likely given more attention to this film than anyone involved in its production, so I think we've earned the right. Fun ep, check it out! Further Reading: "Paul Schrader: ‘I've made some important films. Dog Eat Dog is not one of them'" "Paul Schrader and Willem Dafoe: 'We thought we should really do the nasty'" "The Goofball Criminals of Paul Schrader's 'Dog Eat Dog'" by Richard Brody Dog Eat Dog by Edward Bunker Education of a Felon by Edward Bunker Further Viewing: STRAIGHT TIME (Grosbard, 1978) AFTER DARK, MY SWEET (Foley, 1990) OUT OF SIGHT (Soderbergh, 1998)   Follow Getting Dafoe You: https://linktr.ee/dafoeyoupod Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

It's two movies for the price of one today! (Podcast remains free.) In 2014, Paul Schrader directed Nicolas Cage and Anton Yelchin in a thriller about a CIA agent with frontotemporal dementia trying to hunt down an old enemy before his mind goes. The money guys took the film away from him, edited it into a totally anonymous Redbox movie themselves, and released it as "A Paul Schrader Film" anyway. He was contractually prohibited from disparaging the result, but Schrader, along with the cast and producer Nicholas Winding Refn, publicly disowned the released version, and Paul drank himself into a stupor. Several years later, during the editing process on First Reformed, he returned to DYING OF THE LIGHT and made it into something between a director's cut and a fascinating work of video collage art called DARK, which is legally unreleasable but available to view for free. It's so nuts, and it changed the course of his career. We're gonna talk about it! Further Reading: "Warning: ‘Dying of the Light' Is Not a Paul Schrader Movie" by Anne Thompson "Paul Schrader's Secret New Movie: How the Director Resurrected a Wild Nicolas Cage Performance Without Permission" by Eric Kohn Further Viewing: DARK (Schrader, 2017) Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

In 2013, Paul Schrader directed deeply troubled recent child actress Lindsay Lohan and porn star/human Quagmire James Deen from a script by literary dolt Bret Easton Ellis in a crowdfunded, low-budget curio about the vapid cruelty of modern Los Angeles. THE CANYONS was widely disregarded on release, but has steadily grown in esteem by some particularly movie-brained folks. Will we be among them? What about our guest, writer Charles Lyons-Burt? You'll have to listen to find out! Spoiler: we both despised the experience of watching this, and reading other people's appreciations of it made us feel insane. But Charles makes some compelling arguments! Good ep, please don't get too mad at us. Further Reading: "In Lindsay's Stardust Orbit" by Braxton Pope "Paul Schrader's 'The Canyons'" by Richard Brody "Here Is What Happens When You Cast Lindsay Lohan in Your Movie" by Stephen Rodrick Paul Schrader interviewed for Salon by Daniel D'Addario Further Viewing: AMERICAN GIGOLO (Schrader, 1980) THE COMFORT OF STRANGERS (Schrader, 1990) THE 15:17 TO PARIS (Eastwood, 2018) THE KILLING OF A CHINESE BOOKIE (Cassavetes, 1976)   Follow Charles Lyons-Burt: https://x.com/aridabyss https://www.slantmagazine.com/author/clyonsburt/   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

Sorry for the late update, everybody - we got trapped in one of those two-person horse costumes for like 48 hours, really really scary. But we're back to talk pretty seriously about Paul Schrader's 2008 literary adaptation ADAM RESURRECTED, the story of a German Jewish clown who becomes a concentration camp commander's human dog and then finds himself the Van Wilder of an Israeli psychiatric facility after the war. It is at once a very relevant and profoundly unhelpful film for the current moment, but we do our best to get to the bottom of the ideas at work here. We recorded this a few weeks ago, so facts about Israel's genocide of the people of Palestine are that many weeks old as we post this, to say nothing of whenever you find yourself listening to it. But, as ever: free Palestine. Further Reading: Adam Resurrected by Yoram Kaniuk "We Are Conquerors" by Adam Shatz "Yoram Kaniuk - The Last Great Zionist" by Yuval Ben-Ami "Israeli Writer Yoram Kaniuk, 83, On Pain And Peace" Palestine: A Socialist Introduction ed. Sumaya Awad and brian bean Further Viewing: ONE FLEW OVER THE CUCKOO'S NEST (Forman, 1975) LIFE IS BEAUTIFUL (Benigni, 1997) THE DAY THE CLOWN CRIED (just kidding)   https://www.podcastyforme.com/ Follow Pod Casty For Me: https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

Paul Schrader concludes his first set of Man In A Room films with 2007's THE WALKER, a bookend to AMERICAN GIGOLO that finds the lonely man working as a literal escort for society women in D.C. But will Carter Page III find meaning outside of managing a few political wives' secrets? Should Woody Harrelson be doing that voice? Is Jake so unceasingly distractible on this episode that it ends the podcast? You'll have to listen to find out! Further Reading: The Razor's Edge by W. Somerset Maugham "The Consummate Chum: Jerome Zipkin Dies at 80" by Mort Sheinman "The Gigolo Grows Up" by Kyle Buchanan Further Viewing: AMERICAN GIGOLO (Schrader, 1980) NOW YOU SEE ME (Leterrier, 2013) NOW YOU SEE ME 2 (Chu, 2016)   https://www.podcastyforme.com/ Follow Pod Casty For Me: https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

The power of 'cast compels you, listener - to enjoy this week's episode! Paul Schrader was hired to replace John Frankenheimer as director of a prequel to THE EXORCIST, and things only got stranger from there. Our pal, and producer of the new film CRUMB CATCHER, Chadd Harbold returns to the show to help us discuss Schrader's DOMINION: PREQUEL TO THE EXORCIST (and Renny Harlin's reworked version, EXORCIST: THE BEGINNING). It's all here: the auteur theory proven correct(???), crises of faith, British imperialism, the theme song from POKEMON: THE FIRST MOVIE. Check it out! Further Reading: "Colonial Possessions: A Fanonian Reading of The Exorcist and its Sequels" by Kevin J. Wetmore, Jr. "'Exorcist' prequel bedeviled from the beginning" Paul Schrader interview on CaptainHowdy.com Further Viewing: THE EXORCIST (Friedkin, 1973) EXORCIST II: THE HERETIC (Boorman, 1977) THE EXORCIST III (Blatty, 1990) EXORCIST: THE BEGINNING (Harlin, 2004)   See CRUMB CATCHER: https://www.musicboxfilms.com/film/crumb-catcher/ Follow Chadd Harbold: https://x.com/chaddwithtwoDs Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

Schmile, listener! This week we're pointing our viewfinders at Paul Schrader's sleazy 2002 Bob Crane biopic AUTO FOCUS with writer and co-host of the Doughboys and Get Played podcasts, Nick Wiger! Join us for a discussion of fame, destructive sexual obsession, smoldering male violence, Willem Dafoe - you know, all the usual Schrader stuff. Plus: we talk the Minions, Tyga bites, and how Bob Crane would have been a podcaster. Also if you're related to either of the hosts of the show, maybe don't listen to this one. For everyone else: great ep, please enjoy! Further Reading: The Murder of Bob Crane: Who Killed the Star of Hogan's Heroes? by Robert Graysmith "Raging Bullshit. Auto Focus Is Not My Dad's Story" by Scotty Crane "Michael Gerbosi on Writing Auto Focus" by Paul Rowlands Further Viewing: SEX, LIES, AND VIDEOTAPE (Soderbergh, 1989) BOOGIE NIGHTS (Anderson, 1997) GUNGAN STYLE (GANGNAM STYLE PARODY) (Wiger, 2012) Follow Nick Wiger: https://headgum.com/doughboys https://headgum.com/get-played   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart    

Somebody call 911 - it's a new episode podcast! Only kidding, there's no emergency. Except you might have some friggin palpitations when you hear our great conversation on Paul Schrader and Martin Scorsese's final collaboration (to date), BRINGING OUT THE DEAD, with film writer and literal rock star Soraya Sebghati! We're talking Cage, we're talking TAXI DRIVER redux, we're talking the novel coronavirus, we're talking blood-soaked dreadlocks, we're talking all kinds of stuff. Great movie, great guest, great ep. Further Reading: Bringing Out the Dead by Joe Connelly Conversations with Scorsese by Richard Schickel "TS Eliot, Y2K, and Street Preaching: A Loose Exploration of the Mythological and Biblical in Bringing Out The Dead" by Soraya Sebghati Further Viewing: TAXI DRIVER (duh) KUNDUN (Scorsese, 1997) AMBULANCE (Bay, 2022) STRANGE DAYS (Bigelow, 1995)   Follow Soraya Sebghati: https://sorayasebghati.substack.com/ https://www.nighttalks.com/ https://x.com/SorayaSpaghetti   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

1999 is one of the great movie years - perhaps because Paul Schrader's FOREVER MINE only technically premiered that year, and didn't see release until 2002 (on Starz, to boot). But is this long-gestating tale of torrid passion the Sirkian romance Schrader claims, or more of a nasty noir pastiche? Is it neither of those things, and instead a very compelling advertisement for The Legendary Pink Palace of St. Pete Beach? What's the deal with Joseph Fiennes? You'll have to listen to find out!    Further Reading: The Erotic Thriller in Contemporary Cinema by Linda Ruth Williams Madame Bovary by Gustave Flaubert Further Viewing: ALL THAT HEAVEN ALLOWS (Sirk, 1995), etc. FAR FROM HEAVEN (Haynes, 2002) "Pitbull - Sexy Beaches (Official Video) ft. Chloe Angelides"   https://www.podcastyforme.com/ Follow Pod Casty For Me: https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart

"AFFLIC" - the Aflac duck if he was talking about this movie! For real, though, a lot of the characters in this film could have used some insurance based on many of the events that take place in Paul Schrader's 1997 Russell Banks adaptation AFFLICTION. Returning to the show to help us discuss this snowbound story of alcoholism and abuse is writer and film programmer Glenn Heath, Jr.! Join us for discussion of small-town authority, proximity, auto-dentistry, and more. Further Reading: Affliction by Russell Banks "'Half A Damn Excuse': Tragic Vigilantism in Paul Schrader's Affliction" by Jason Christian "Sins Of The Father: Josh Zeman talks to Paul Schrader about his new film Affliction" "Production Slate: Affliction" Further Viewing: THE SWEET HEREAFTER (Egoyan, 1997) CHINATOWN (Polanski, 1974) THE SACRIFICE (Tarkovsky, 1986) JENNIFER 8 (Robinson, 1992)   Follow Glenn Heath, Jr.: https://x.com/MatchCuts https://digitalgym.org/   https://www.podcastyforme.com/ Follow Pod Casty For Me: https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

Paul Schrader. Elmore Leonard. Tom Arnold. Dave Grohl. It's like the freaking Traveling Wilburys had a baby! Four babies, I guess. Anyway what I'm saying is Schrader's 1997 faith healer comedy TOUCH involved a weird bunch of people. Luckily we have the great Jane Altoids joining us to sort it all out! We're talking stigmata, daytime TV, self-parody, tonal control, and more. Everything goes very normally on this episode and Jake behaves in a way that is completely fine and actually impressive. Not only does he come across as rhetorically powerful, he also sounds pretty handsome. He doesn't basically start crying when Ian lightly disagrees with him at all. You'll find all this out when you listen to the episode, which you should do! Further Reading: "Touch: Paul Schrader adapts Elmore Leonard's quirky novel of faith & healing" by David Skal Talking Trash: The Cultural Politics of Daytime TV Talk Shows by Julie Engel Manga "The Social Gospel and Socialism" by Jacob H. Dorn The Century of the Holy Spirit : 100 Years of Pentecostal and Charismatic Renewal by Vinson Synan Further Viewing: GET SHORTY (Sonnenfeld, 1995) JACKIE BROWN (Tarantino, 1997) OUT OF SIGHT (Soderbergh, 1998)   Follow Jane Altoids: https://x.com/staticbluebat https://x.com/pacino_pod   https://www.podcastyforme.com/ Follow Pod Casty For Me: https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart    

Now I've heard of a Major Motion Picture...but a Mayor Motion Picture??? Now I'm being carted off to a hospital for having typed that!! Nah, just kidding. We're talking about one of those today: Harold Becker's 1996 not-John-Grisham city politics thriller CITY HALL, on which Paul Schrader was one of four credited writers! Your favorite Pauld Casty boys had a grand old time talking municipal procedure, Al Pacino, Danny Aiello, Donald Manes, David Dinkins, Rudy Giuliani, bongo clubs, and more. Plus, obviously: impressions. Further Reading: Fear City: New York's Fiscal Crisis and the Rise of Austerity Politics by Kim Phillips-Fein "Rudy Giuliani Has Been Peddling Racist Political Tropes for More Than 3 Decades" by John Nichols "White Riot: In 1992, thousands of furious, drunken cops descended on City Hall — and changed New York history" by Laura Nahmias Further Viewing: CITY HALL (Wiseman, 2020) SEA OF LOVE (Becker, 1989) THE FIRM (Pollack, 1993), etc.   https://www.podcastyforme.com/ Follow Pod Casty For Me: https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart    

"Boy, I sure wish there was a sequel to the 1991 HBO Original Movie CAST A DEADLY SPELL, only more of a reboot than a sequel, and with Dennis Hopper taking over the role of detective H. Phillip Lovecraft from Fred Ward, and I hope it's mostly a fumbled metaphor for McCarthyism," you're probably saying to yourself all the time. Well, you will not believe your luck: there is one of those, and for some goddamn reason Paul Schrader directed it! Today we're talking 1994's WITCH HUNT, a film noir pastiche about an alternate postwar Los Angeles where magic is real and the HUAC hearings are about literal witchcraft. Returning to the show from our remarkably similar CASPER episode is Twitter scoundrel Jack Sinclair! Join us for a conversation about, frankly, the 1994 film WITCH HUNT. Wacky ep! Further Reading: "Exorcising His Dark Side" by Daniel Cerone "Once Again, the History of Witch Trials Has Inspired the World's Most Annoying Merch" by Eleanor Janega Snakes In Movies: Witch Hunt (1994) Further Viewing: CAST A DEADLY SPELL (Campbell, 1991)   Follow Jack: https://x.com/LazlosGhost   https://www.podcastyforme.com/ Follow Pod Casty For Me: https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

Wake up, listeners! Should be easy if you're anything like the protagonist of Paul Schrader's 1992 film LIGHT SLEEPER, which we're talking all about today with writer/editor/poster extraordinaire Jake Tropila! Join us for a great conversation about Schrader's "mid-life movie," addictive behavior, actually humanizing the drug trade, 90s New Age stuff, and our favorite jokes. Damn, we should really be charging at least $200 for a show like this. Instead it's free!!! Further Reading: "Movie High" by Scott Macaulay Further Viewing: BAD LIEUTENANT (Ferrara, 1992) PICKPOCKET (Bresson, 1959) (again)   Follow Jake Tropila: https://x.com/JakeTropila   https://www.podcastyforme.com/ Follow Pod Casty For Me: https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

No, you haven't fallen asleep in a Venice alleyway - it's really the podcast! Today we're wandering La Serenissima and monologuing about our fathers as we discuss Paul Schrader's dreamy 1990 literary adaptation THE COMFORT OF STRANGERS with filmmakers and To The White Sea cohosts Jordan Fish and Ray Tintori! And yes, we do figure out which of us is which character from the film. We talk Ian McEwan, Harold Pinter, Gen X masculinity, befriending weirdos, dad stuff, vampires, and much more. Please, listen to our podcast - we insist. Further Reading: The Comfort of Strangers by Ian McEwan "What's Left of Generation X" by Kim Phillips-Fein "Ian McEwan: 'I had the time of my life'" by Rachel Cooke "Pinter's weasels" by David Edgar   Further Viewing: DON'T LOOK NOW (Roeg, 1973) DEATH IN VENICE (Visconti, 1971)   Follow Jordan and Ray: https://x.com/jwordfish https://x.com/raytintori https://linktr.ee/tothewhitesea   https://www.podcastyforme.com/ Follow Pod Casty For Me: https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

Surprise, listeners! Jake went to a Clint-related estate sale recently and we had to tell you all about it ASAP. Ian's hearing all of this for the first time on mic, too. We'll post all the photos over on our Patreon feed, unlocked for everybody. Enjoy! https://www.podcastyforme.com/ Follow Pod Casty For Me: https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

"I want him to stop. I can't take the pain. The voices and the pain." No, those aren't the words of our listeners - they're the words of Jesus Christ as written by Paul Schrader! Understand your confusion, though. Today we're genuflecting before Martin Scorsese's highly controversial 1988 film THE LAST TEMPTATION OF CHRIST, adapted by Schrader from not The Bible, and joining us on our spiritual journey is writer Robert Rubsam. Jake has a bunch of day-one theology questions that Ian and Rob do their best to answer while we all discuss the film's artistic achievements, the Brooklyn of it all, and the enormous backlash. Some crazy French guys blew up a movie theater over this one, gang. The movie, not the episode. Check it out! Further Reading: The Last Temptation of Christ by Nikos Kazantzakis Hollywood Under Siege: Martin Scorsese, the Religious Right, and the Culture Wars by Thomas R. Lindlof Kyrios Christos by Wilhelm Bousset A Theology of Liberation by Gustavo Gutierrez Kazantzakis: Politics of the Spirit by Peter Bien Jesus: A Life in Class Conflict by James Crossley and Robert J. Myles also the freaking Bible duh   Further Viewing: THE GOSPEL ACCORDING TO ST. MATTHEW (Pasolini, 1964) MONTY PYTHON'S LIFE OF BRIAN (Jones, 1979)   Follow Robert Rubsam: https://www.robertrubsam.com/   https://www.podcastyforme.com/ Follow Pod Casty For Me: https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

Death to the fascist insect that preys upon the life of the podcast! Just playing, nobody preys upon us. But we're back in Symbionese Liberation Army territory this week to talk Paul Schrader's 1988 biopic PATTY HEARST! Join us for a spirited conversation about Natasha Richardson, Ving Rhames, the movie's angle on leftism, ideological and physical consent, and Disneyland in 1974. It's a good ep! Content warning: we talk about sexual violence on this episode. Further Reading: An Oral History with Ericka Huggins by Fiona Thompson Black Against Empire by Joshua Bloom and Waldo E. Martin FBI Records: The Vault - COINTELPRO Black Extremist Files Poisoner in Chief: Sidney Gottlieb and the CIA Search for Mind Control by Stephen Kinzer "Who Ran The S.L.A.?" by Dick Russell "How a Band of Yippies Shut Down Disneyland for Just the Second Time in History" by Stephen M. Silverman "Los Angeles Is Burning" by Sasha Frere-Jones Further Viewing: THE ENFORCER (Fargo, 1976) GUERILLA: THE TAKING OF PATTY HEARST (Stone, 2004)   https://www.podcastyforme.com/ Follow Pod Casty For Me: https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

This is an unlocked bonus episode from our Patreon feed, Paid Costly For Me. Here's some hidden gold for ya: the damned Pod Casty For Me Patreon feed! No, for real. Let's be for real now. Today we're finishing up the Man With No Name trilogy with the final and best film of the lot, Sergio Leone's 1966 Civil War Western epic THE GOOD, THE BAD AND THE UGLY. No Oxford comma for Sergio I guess! Well, fair enough. We both loved this one, actually, and had a bang-up time talking about Eli Wallach, the Civil War, cinematographer Tonino Delli Colli, trick shooting, dehydration prosthetics, and all kinds of crazy stuff like we always do. All that twice a month for just $5! They ought to hang us for this. Please! Thanks as always to Jetski for our theme music and to Jeremy Allison for our artwork. https://www.podcastyforme.com/ Follow Pod Casty For Me: https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

1..2..3..4! Pretty rock and roll way to start an episode description, I thought. This week we're absolutely shredding (guitar term) through a discussion of Paul Schrader's understandably underseen 1987 struggling rock band sibling melodrama film, LIGHT OF DAY, and joining us are our great pals Ryan and Este from the Altmania podcast! We talk mom stuff, Bruce Springsteen, Joan Jett and Michael J. Fox's palpable sexual chemistry, the very limited revolutionary potential of popular music, and a lot about the podcast Guys: A Podcast About Guys. You don't have to have heard that or even seen the movie LIGHT OF DAY to enjoy this one, though. We're just a couple of cool rock music types jamming out (music term), podcast-style. Check it out! Further Reading: "Rock Against Racism" by Danny Goldberg Further Viewing: THE COMMITMENTS (Parker, 1991) ONE-TRICK PONY (Young, 1980)   Follow Altmania: https://linktr.ee/altmania   https://www.podcastyforme.com/ Follow Pod Casty For Me: https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart    

Hop on the launch, folks, we're heading to THE MOSQUITO COAST! Peter Weir's 1986 film scripted by Paul Schrader, that is. Join us for a conversation about the unfinished capitalist critique of prepper guys, the problems with Going Back To Nature, and how we are much smarter and better than Allie Fox generally because we have done more reading. Well, Ian has. One time I pitched Ian on a Patreon episode where I just ask him questions about agriculture for an hour, and this basically became that. For free! What a good podcast. Hope you all enjoy! By the way, the podcast I couldn't remember any real details about was this great Upstream episode with Kristen Ghodsee. Further Reading: The Mosquito Coast by Paul Theroux "Billionaires Are Suing The Honduran Government for Blocking Their Profit-Making Scheme" by Grace Blakeley Use of Energy Explained Further Viewing: WALKER (Cox, 1987) PICNIC AT HANGING ROCK (Weir, 1975)   https://www.podcastyforme.com/ Follow Pod Casty For Me: https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

It's the MISHIMA episode. It's also the Mishima episode, in a way. We do our best to discuss both Paul Schrader's 1985 art-biopic MISHIMA: A LIFE IN FOUR CHAPTERS and the man Yukio Mishima with our returning pal Comrade Yui, who has been on a real journey with this film. As you might expect, things get pretty weighty: the nature and purpose of art, Schrader's depiction of the suicide, whether you can be a bodybuilder without being fascist about it. This is a special one, folks. Further Reading: Mishima: Aesthetic Terrorist - An Intellectual Portrait by Andrew Rankin Confessions of a Mask by Yukio Mishima "Mishima, Mon Amour" by Gary Indiana "Sea of Crises" by Brian Phillips Further Viewing: THE STRANGE CASE OF YUKIO MISHIMA (McIntyre, 1985) PATRIOTISM (Mishima, 1966)