Podcasts about Independent media

In this episode of The Truth In This Art, the guest is Simone Phillips!About Simone Phillips: Award-winning content creator and event curator behind Charm City Table, Baltimore's popular food and beverage platform with more than ten million impressions per month. She's become a trusted voice in Baltimore's culinary scene, highlighting the people, places, and stories that shape the city's food culture. She also curates vertical videos for the Maryland Film Festival and works closely with Parkway Theater.In our conversation, Phillips walks through her journey from starting Charm City Table in 2017 as a hobby to journal her dining experiences. Growing up, she didn't eat out much—Golden Corral and IHOP at church functions, but never exploring Baltimore's dining scene. After graduating college and moving back to Baltimore, she started exploring Harbor East, Fells Point, the Inner Harbor, Canton, and fell in love with all the options. That curiosity became her whole life.She shares her humanitarian approach to content creation—thinking about the restaurant owners and their feelings as creatives, but also the people spending their money who see something and get excited about visiting. We get into what it takes to build a sustainable brand voice rather than chasing virality, why Baltimore remains her intentional focal point even as she partners with national brands in New York, Chicago, and California, and what she believes is missing from Baltimore's food scene to take it to the next level: elevated service as an art form.Be sure to follow Charm City Table on Instagram, Facebook, TikTok, and YouTube Shorts.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

Tucker Carlson has spent the past few days doubling down on his break with Donald Trump and the Republican establishment, while pushing both his independent media projects and his idea of a new, anti‑war political force. The most prominent new development is his extended interview with Mishal Husain, released by Bloomberg and transcribed by SingjuPost, where Carlson attacks Trump over the Iran war and U.S. policy toward Israel. In that conversation, he accuses Trump of being “weak,” says Israel is steering U.S. foreign policy to America's detriment, and argues that the Iran conflict has “gravely hurt the United States.” He also predicts that Republicans will get “spanked” in the upcoming midterms because they have abandoned voters in favor of foreign entanglements, and describes the GOP as a party that no longer represents its base. At the same time, outlets like Responsible Statecraft and IsraelPalestineNews.org report that Carlson is now openly promoting the creation of a third, anti‑war political party or “third force.” He says he has left the Republican Party, does not plan to run for office himself, but wants to help build a coalition that unites disaffected conservatives and progressives around opposition to endless wars and high military spending, and a renewed focus on domestic economic issues. On the media front, recent coverage from the Washington Post, New York Times, and industry publications such as Variety and the Hollywood Reporter emphasizes that Carlson is continuing to expand his independent “Tucker Carlson Network” model. He is leaning on long‑form interviews and direct‑to‑audience distribution, adding episodes that target topics like U.S. surveillance technology and Christian Zionism. Substack posts and commentary note his recent segments attacking AI‑driven license plate readers and broader surveillance infrastructure, portraying them as a serious threat to civil liberties. These moves are generating intense reaction. Progressive and Jewish advocacy groups, including CAMERA, have criticized Carlson for platforming figures who advance hostile narratives about Jews and for spreading distortions about Christian Zionism and Israel. Meanwhile, conservative commentators like Victor Davis Hanson are publicly debating his sharp turn against Trump and Israel, arguing that Carlson is misreading both the U.S.–Israel relationship and the strategic situation with Iran. Politically focused outlets such as Politico and Axios continue to treat Carlson as a significant, if polarizing, force in the 2026 GOP primary environment. They point out that, even after leaving Fox News, his interviews and monologues are still widely circulated in right‑wing media, shaping activist talking points on foreign policy, immigration, and distrust of U.S. institutions. At the same time, legal and contractual disputes with Fox have largely faded from the headlines, with no major new filings or public clashes emerging in the past few days. Thanks for listening to the Tucker Carlson News Tracker podcast, and please remember to subscribe. This has been a Quiet Please production, for more check out quietplease dot ai. For more http://www.quietplease.ai Get the best deals https://amzn.to/3ODvOta

Disinformation is impacting our lives. Much of it is being pushed by unregulated Silicon Valley tech companies and their billionaires owners. But people in Europe are pushing back.In this episode, co-host Michael Fox goes to Spain, to look at how members of the Spanish far right have been inspired by Charlie Kirk. Then we look at grassroots organizing against Big Tech in Ireland, media education initiatives in Finland, and European measures regulating Big Tech. “This has now been a topic of discussion very much in Europe,” says Finish educator Saara Salomaa, “Should we actually trust any U.S. tech companies or should we try to get rid of U.S. tech companies as soon as possible?”Michael is joined in the episode by Laura Flanders. She is the host of Laura Flanders and Friends — on public television — formerly known as the Laura Flanders show.The Battle for Free Speech Podcast is a production of The Real News Network. Hosted by Michael Fox and Marc Steiner. Theme music by Michael Fox, Jordan Klein and Daniel Nuñez. Other music from Blue Dot Sessions and Epidemic Sound. Production and Sound Design by Michael Fox and Stephen Frank. Editorial support by Kayla Rivara. Research by Ben Schweiger. Guests: Sergio VillanuevaJude FarrellSaara SalomaaIva NenadicMany thanks, also to Ilona Taimela, for also taking the time to speak with me about media education in Finland.Resources: Here is a link to TikTok about the Puchaina Avocado videosFollow The Battle For Free Speech on Spotify or Apple PodcastsSupport Michael Fox's reporting at patreon.com/mfox. Never miss an episode — sign up for The Real News newsletter at therealnews.com.The Battle for Free Speech is a production of The Real News Network.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-real-news-podcast--2952221/support.Help us continue producing radically independent news and in-depth analysis by following us and becoming a monthly sustainer.Follow us on:Bluesky: @therealnews.comFacebook: The Real News NetworkTwitter: @TheRealNewsYouTube: @therealnewsInstagram: @therealnewsnetworkBecome a member and join the Supporters Club for The Real News Podcast today!

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In this powerful episode of Soulfood and Lemonade, Delroy Souden takes a deep and emotional look at xenophobia in South Africa and the painful reality of Africans turning against fellow Africans.This episode goes beyond the headlines. It explores the deeper wounds caused by poverty, unemployment, political scapegoating, misinformation, colonial history, apartheid's legacy, and the social pressures that can cause struggling people to blame immigrants, refugees, and foreign nationals for problems they did not create.When brothers become targets, the entire African family is wounded.Delroy reflects on what it means when Black Africans are attacked in another African nation while trying to survive, work, feed their families, and build a better life. He challenges listeners to think about African unity, Pan-African responsibility, human dignity, and the danger of allowing fear and frustration to turn neighbors into enemies.This conversation is not about blaming one people. It is about asking difficult questions, seeking truth, rejecting violence, and calling for healing within the African continent and the Black diaspora.Soulfood and Lemonade continues to create space for honest conversations about justice, identity, resilience, history, faith, and the human condition. This episode is a call to remember that African lives matter everywhere, Black lives matter everywhere, and unity must be more than a slogan. It must become a responsibility.Listen, reflect, share, and join the conversation.Food for the Mind. Hope for the Soul.Tags / Keywords:South Africa, Xenophobia, African Unity, Pan-Africanism, Black Diaspora, African Immigrants, Human Rights, Apartheid Legacy, African Politics, Social Justice, Immigration, Black Voices, Independent Media, Soulfood and Lemonade, Delroy Souden, TubeVieu, African History, Diaspora Conversations, Stop Xenophobia, Africa Unite

Is AI Already Biased? Who's Really Programming Your Future? | The Karel Cast Yesterday Is AI Already Biased? Who's Really Programming Your Future? | The Karel Cast Can artificial intelligence ever be truly neutral, or is it already reflecting the beliefs, priorities, and agendas of the people and governments building it? AI is growing at an astonishing pace, but someone is teaching it how to think. Tech companies, programmers, regulators, and now governments are all helping shape the future of artificial intelligence. As AI becomes more deeply connected to politics, business, and society, one question becomes impossible to ignore: Can we trust AI to be objective? Today, Karel explores how AI is trained, why bias may be unavoidable, and whether artificial intelligence is becoming the world's most powerful influence—or simply another reflection of human flaws. Also on today's show:

Brian Tyler Cohen joins Don Lemon to discuss his new book, The Day After: How to Wield Power in a Post-Trump World, and what Democrats must do differently if they hope to win back power. They break down the latest political headlines, the future of independent media, why traditional journalism is losing trust, and whether the left is finally learning how to fight back. It's a candid conversation about the future of American politics and the battle over who gets to shape it. Get Brian's new book here: https://www.harpercollins.com/pages/thedayafter Learn more about your ad choices. Visit podcastchoices.com/adchoices

Trump's Thursday Speech: New 2020 Election Claims, Democracy Fears & The Satellite Company That Could Change Earth Forever President Donald Trump is preparing a major national address Thursday night centered on newly declassified intelligence and renewed claims about the 2020 election. Reports indicate he plans to discuss alleged foreign interference and voting machine vulnerabilities, despite years of investigations, audits, and court rulings finding no evidence that foreign interference changed the outcome of the 2020 election. What could this speech mean for the future of American elections? Could it become part of a broader push for new federal election laws, including proof-of-citizenship voting proposals? And what role will Congress and the courts play if constitutional questions arise? Then, a story almost no one is talking about: Reflect Orbital. The startup wants to beam sunlight to Earth from space. Is it a technological breakthrough…or the beginning of a future with permanently illuminated skies, environmental consequences, and unintended risks? Join Karel as he breaks down the day's biggest political and science stories with history, context, and analysis you won't hear anywhere else.

In this episode of The Truth In This Art, the guest is Louis-Antoine Gilbert!About Louis-Antoine Gilbert: French-American painter and artist known for his acrylic on canvas works that create the illusion of depth, living in Washington, DC for nearly a decade, creating colorful acrylic cityscapes inspired by brutalist and modernist architecture, art deco design, and graphic novels by Moebius, François Schuiten, and Benoît Peeters. His cubist-influenced work draws from M.C. Escher and Wassily Kandinsky, and he's also a musician, beat maker, and painting instructor.In our conversation, Gilbert talks through growing up in Paris with parents who brought him to free museums and concerts, first wanting to be an artist at age four after seeing an orchestra, and starting with graffiti following older kids in the streets. He connects his journey from Parisian punk bands to DC's basement show scene and digs into how DC's greenery—particularly Rock Creek Park—has transformed his gray, Parisian-inspired compositions into more hopeful work with vegetation. As he puts it, discovering DC made him realize "both cities, both of them have brutalist and modern buildings in them."He recalls meeting artist Autumn Spears early in his DC years, shares stories from selling affordable original drawings at the Little DuPont flea market every six weeks, and discusses learning that French house music actually originated from Detroit. We get into the realities of teaching painting in summers, the influence of graphic novels from his dad's collection, and how nearly a decade in DC has made him rethink the art deco shapes he loved from Paris.Be sure to follow Louis-Antoine Gilbert on Instagram at @antoine_paints to keep up with his work and future projects.Photo courtesy of subject.All views expressed by Louis-Antoine Gilbert are his own and not those of the Law Library of Congress or the Library of Congress The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

The GOP is Dropping D E A D Is the GOP in Crisis? Plus Parasites Invade Your Food! The political landscape is shifting fast. Following the reported death of Senator Lindsey Graham, questions are mounting about the future of Republican leadership, the aging U.S. Senate, and whether America should finally have age limits for elected officials. With Mitch McConnell absent from public view amid ongoing health concerns, is Washington prepared for a generational change—or simply refusing to confront reality? Meanwhile, tensions in the Middle East continue to escalate as Iran challenges U.S. policy and global shipping through the Strait of Hormuz faces renewed uncertainty. Are we heading toward yet another prolonged conflict, and what could it mean for Americans? Also on today's show: Cyclospora outbreaks are making headlines. Should you stop eating fresh fruits and vegetables? Absolutely not—but there are smart precautions everyone should take. I'll explain how to reduce your risk while still enjoying a healthy diet. And finally, I'll share the story behind the biggest Instagram post of my life—why it resonated with so many people, and what it revealed about the moment we're living through. Join me live for news, commentary, and conversation that goes beyond the headlines. Support independent media by becoming a patron at Patreon.com/ReallyKarel. Watch live and subscribe on YouTube at YouTube.com/ReallyKarel. Listen wherever you get your podcasts, including Apple Podcasts, Spotify, iHeartRadio, and Spreaker. Live Monday–Thursday at 10:30 AM Pacific. Broadcasting from Las Vegas with my faithful service dog, Ember. #Politics, #BreakingNews, #USPolitics, #Senate, #Congress, #Republicans, #LindseyGraham, #MitchMcConnell, #DonaldTrump, #MiddleEast, #Iran, #StraitOfHormuz, #WorldNews, #CurrentEvents, #FoodSafety, #Cyclospora, #HealthNews, #PublicHealth, #Commentary, #Progressive, #IndependentMedia, #TheKarelCast, #ReallyKarel, #YouTubeNews, #Podcast, #LiveShow, #PoliticalCommentary, #NewsAnalysis, #EmberTheServiceDog, #LasVegas https://youtube.com/live/fmEB9ftSP2A

The book “North Stars of Emancipation: California's Diverse Food and Farming Movements in Times of Racial Reckoning” traces the recent evolution of California's food movements towards a more liberatory model grounded in diverse radical traditions. The books author, Antonio Roman Acalá, talks about his new book and his upcoming visit to The Sanctuary for Independent Media on Tueday July 21 with Ellie Irons. Learn more about the upcoming event here: https://www.mediasanctuary.org/event/north-stars-of-emancipation/

Today, on the Hudson Mohawk Magazine, First, Greg Giorgio brings us a selection of stories on labor, trade union actions and recent ICE-related court sentences issued to protesters in Texas. Then, Ellie Irons talks with Antonio Roman-Acalá, about “North Stars of Emancipation: California's Diverse Food and Farming Movements in Times of Racial Reckoning” his newly published book which he will give a talk on at The Sanctuary for Independent Media on July 21. Later on, retired National Weather Service meteorologist Hugh Johnson joins us for this week's weather segments. After that, Yi Lu speaks with Aiden Wan, about his family's immigration story to the US and his barbershop business in this week's Everybody Moves segment. Finally, we hear RiverKeeper talk about their organization and their work in clean water.

In this episode of The Truth In This Art, the guest is Zoë Poindexter!About Zoë Poindexter: Documentary filmmaker, producer, and director based in Washington, DC. She attended journalism graduate school at Georgetown University, where she continues to work as a documentary teacher's assistant, and specializes in nonfiction storytelling.In our conversation, Poindexter walks through her journey to A Revolution Called Love, a feature documentary inspired by Black Love Day—a holiday created in DC in the nineties by Mama Ayo Handy-Kendi. After living in DC for almost ten years without ever hearing about it, she called the founder and asked to attend. She showed up in purple—the colors of Black Love Day, which happens to be her favorite color—stayed for the entire seven-hour ceremony, and came back saying, "Yes, this needs to be made into a film." The documentary is structured around the holiday's five tenets: love for the creator, love for yourself, love for family, love for community, and love for the Black diaspora. We explore how she's weaving community voices throughout—filming interviews with Black Washingtonians defining what those tenets mean to them, with select responses used as voiceover narration in the feature.She shares her commitment to telling positive stories that aren't clichés—"We have way too many clichéd stories about Black people, Black communities. I often ask myself, why do we need this again? Who is this actually being made for?" She hopes the film sparks conversation around what we think love is—a deeper dialogue about intention, community, and making work that's truly for us. This conversation came about through a shared passion for storytelling—and the belief that the stories we tell should actually be made for us.Be sure to follow the project (@blacklovedocfilm on Instagram, Black Love Documentary Film on Facebook) and visit BlackLoveDocumentary.com to learn more and support the crowdfund. Both Defining Love: Voices of Black DC (a short oral history film funded in part by Humanities DC) and A Revolution Called Love are currently in production.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

Neal the Seal Is Breaking the Internet!

Madonna is 68. Her new music reflects something all of us eventually face: mortality. After decades of projecting strength and invincibility, she's speaking more openly about aging, loss, and what it means to grow older after losing her brother. It raises a question we all spend too much time avoiding: Why do we devote so much of our lives to things that ultimately don't matter? Politics. Social media outrage. Money. Fame. Status. We chase all of it while the one thing none of us can stop is time. One of the world's most famous biohackers spent millions trying to reverse aging—only to develop a serious autoimmune disease. It's a reminder that no amount of money, technology, or science can make us immortal. So if we can't beat death…how should we live? Today's episode explores the only issue every human being shares: how to make the most of the time we have before it's gone. Also on today's show: • Why aren't Democrats demanding more answers about Mitch McConnell's health? • Is it finally time for Graham Platner to step aside? If this episode makes you think, please LIKE, SUBSCRIBE, and SHARE. Your support helps independent voices survive. Support The Karel Cast on Patreon: patreon.com/reallykarel

In this episode of The Truth In This Art, the guest is Paloma Vianey!About Paloma Vianey: Interdisciplinary artist from Ciudad Juarez, Mexico, now based in Washington, DC. She holds an MFA from Cornell University and has created large-scale public art installations along the US-Mexico border, with work exhibited at major museums and galleries internationally. She is primarily a painter and educator, teaching at the collegiate level.In our conversation, Vianey walks through her artistic journey from beginning to paint as a teenager when Juarez was labeled "the most dangerous city in the world," using art as catharsis during years of violence. She recounts completing a groundbreaking 72-foot-wide community-funded border bridge mural in 2018, depicting a girl blowing bubbles with each bubble representing emblematic images of Juarez including a tribute to femicide victims. We dig into her signature "Chamara" paintings—labor-intensive works where she hand-sews canvas jackets with industrial zippers over oil-painted urban landscapes of Juarez, creating what she calls "portraits of the city." One painting captured a pink house she'd see every time crossing the border—until one visit when she discovered it had been painted white. "That was a little heartbreaking for me," she shares, explaining how these works archive the changing memory of her hometown through a lens of resilience and hope.She shares insights on finding community in DC after moving six times in five years, her love for the U Street corridor (particularly Taqueria Xochi for authentic Mexican food), and how DC has been generous in giving her platforms to show her work. This conversation came about after I encountered Vianey's work at Umbrella Art Fair—a chance discovery that sparked a deeper dialogue about representation, resilience, and the power of challenging negative narratives through art.Be sure to follow Paloma Vianey (@palomavianey on Instagram) and visit palomavianey.com to keep up with her work and future projects. Her exhibition "Un Mismo Cielo Entre Washington y Juarez" is on display at the Mexican Cultural Institute in Washington, DC until July 25th.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

America at 250: Heat, Hate & Division | Is This Really Who We've Become? America turned 250 years old—but instead of a celebration of unity, the anniversary exposed just how divided the country has become. This week on The Karel Cast, I look at the stories that defined America's birthday: record-breaking heat fueled by a changing climate, political fear campaigns, extremist groups marching openly in Washington, D.C., and a nation increasingly unable to agree on even the most basic facts. As neighborhoods filled with fireworks, many Americans celebrated while others worried about frightened pets, traumatized veterans, wildfire risks, and the growing sense that we've lost sight of one another. What should have been a historic milestone became a reflection of a country wrestling with polarization, political theater, and competing visions of what America is—and what it should become. And because sometimes reality feels stranger than fiction… we'll also talk about the internet's latest obsession involving Taylor Swift and Travis Kelce. Do you think America is stronger at 250—or more divided than ever? Join the conversation in the comments.

Today, on the Hudson Mohawk Magazine we feature a special episode featuring a community reading of Frederick Douglass's speech commonly known as “What to the Slave is the Fourth of July?” This community reading took place at The Sanctuary for Independent Media on February 28, 2026 in partnership with Underground Railroad Education Center (UREC), with moderation from historian Lacey Wilson, Teen Museum Studies Program Manager of UREC. She was joined in a panel discussion by UREC Co-Founder Paul Stewart and Charles Clark III, the curator of The Black Experience in the Adirondacks exhibition at the Adirondack Experience, The Museum on Blue Mountain Lake. Thanks to all who participated in this reading!

In this episode of The Truth In This Art, the guest is Miles Johnson!About Miles Johnson: Miles Johnson is a self-described "unclassically untrained oil painter" and mechanical engineer based in the DMV area. In over 4 years—starting with over a year on iPad before transitioning to oils 3 years ago—he has created numerous pieces. His late grandmother was a painter herself who created approximately 300 pieces and inspired his creative path. Miles first painted her portrait last summer for his solo show.Growing up, Miles would run cross-country to the Smithsonian, where Thomas Cole's four-part series "Voyage of Life" gave him a revelation: "I never thought that paintings were like almost manga panels." He also draws inspiration from Little Black Goat, incorporating anime-style faces into his work. Miles applies his engineering background with painting by creating bullet-point lists and maintaining over 200 pages of documentation in Google Docs. His research process studies figures like Fannie Lou Hamer—someone who was "born into sharecropping and ended up dying with a foundation that gave a million acres of land across Mississippi."Later we discussed Miles working on Common People Ain't Common, a 2025 undertaking. He made 100 pieces dedicated to celebrating the small moments in life and of the people he has observed.  His goal was to make this art affordable for the everyday people who supported him on his art journey. His aim is that these pieces will serve as a great investment for first-time collectors. His Instagram handle @MJonthewall pays homage to Michael Jackson's "Off the Wall" album. Connect with Miles on Instagram and TikTok at @MJonthewall or visit MJonthewall.com.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

The Rebel News podcasts features free audio-only versions of select RebelNews+ content and other Rebel News long-form videos, livestreams, and interviews. Monday to Friday enjoy the audio version of Ezra Levant's daily TV-style show, The Ezra Levant Show, where Ezra gives you his contrarian and conservative take on free speech, politics, and foreign policy through in-depth commentary and interviews. Wednesday evenings you can listen to the audio version of The Gunn Show with Sheila Gunn Reid the Chief Reporter of Rebel News. Sheila brings a western sensibility to Canadian news. With one foot in the oil patch and one foot in agriculture, Sheila challenges mainstream media narratives and stands up for Albertans. If you want to watch the video versions of these podcasts, make sure to begin your free RebelNewsPlus trial by subscribing at http://www.RebelNewsPlus.com

Republican Meltdown STOPS Congress | Taylor Swift's Multi-Million Dollar Wedding | The Truth About “Chalance” Congress is in chaos…again. House Republicans abruptly shut down votes on several major bills after members of their own party revolted on the House floor, forcing leadership to cancel the legislative schedule and send lawmakers home for nearly two weeks. Instead of governing, Congress heads into another recess after failing to move key legislation—including an attempt to attach President Trump's voting proposal to the defense budget. What's really behind the latest Republican meltdown, and what does it mean for Americans? Then, a surprising new dating trend is taking over social media. It's called “Chalance,” and after hearing what it is, I realized I've been doing it for years. Is this the secret to modern relationships, or just another viral buzzword? Plus, Taylor Swift's lavish wedding celebration is reportedly costing millions. But research suggests the more couples spend on a wedding, the greater their chances of divorce. Is there really a connection between extravagant weddings and lasting marriages? Join me live as we break down the day's biggest headlines with news, opinion, humor, and conversation you won't find anywhere else.

In this episode of The Truth In This Art, the guest is Bernard Feinsod!About Bernard Feinsod: Editor, producer, writer, director, sound designer, and voice actor with over 17 years of experience in comedy, documentary, news, variety entertainment, and live events. A Baltimore-raised, Brooklyn-based creative who started at NBC's Today Show at 21, spent eight years at Vice Media, and is now navigating the independent content creator landscape.In our conversation, Feinsod talks through his 17-year journey in post-production—from the NBC mail room to creative producer, working with Sony, Field and Stream, and Huckberry across television, film, and new media. He connects his Baltimore DIY roots to his New York work and digs into how transitioning from Vice staffer to freelancer reshaped his creative approach. As he puts it, "it's easy to get complacent when you have like a day job that's holding you down so well."He recalls his time at Vice Media as "the best job I ever had," shares stories from editing Bret Raybould's comedy special, and discusses heading into a new self-starting phase. We get into the realities of working from a Brooklyn apartment edit suite for six years, the mass exodus from Vice, and how the last two years as an independent have pushed him toward more passion-driven, project-based creative work.Be sure to follow Bernard Feinsod to keep up with his work and future projects.Photo credit: Dan St. Ours The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

America at 250: Is the American Dream Falling Apart? America turns 250 this week—but is there really anything to celebrate? As the United States reaches its 250th birthday, the nation finds itself more divided than many Americans can remember. Political battles dominate Washington, global conflicts continue to create economic uncertainty, homeownership remains out of reach for millions, and many people wonder whether democracy itself is under unprecedented strain. While official celebrations take place in Washington, many Americans are asking a different question: Who is this celebration really for? At the same time, Pride Month closes amid heightened political tension, growing cultural conflict, and renewed debates over LGBTQ rights across the country. Meanwhile, extreme heat is becoming a deadly reality around the world, with Europe experiencing record-breaking temperatures and heat-related deaths, raising even more questions about the future we are building. At 250 years old, America stands at a crossroads. Can the country find common purpose again, or is division becoming its defining feature? Join Karel as he examines the biggest stories shaping America today and asks the difficult questions many politicians refuse to answer. Support The Karel Cast: Patreon.com/ReallyKarel

In this episode of The Truth In This Art, the guest is Jacob Ming-Trent!About Jacob Ming-Trent: Acclaimed performer, playwright, and one of American Theater's people to watch. A celebrated artist bringing his solo play, How Shakespeare Saved My Life, to Washington, DC's Folger Theater, and later to The Public Theater in New York with Red Bull producing.In our conversation, Ming-Trent walks through his journey from a rough childhood in an abusive home to moving to New York at seventeen—having been homeless the previous year and recently dropped out of high school. He recalls the pivotal moment Shakespeare entered his life: at six years old, his father, an English major, mentioned the Bard alongside Amiri Baraka. Years later, he accidentally walked into the wrong classroom and was asked to read a Shakespeare speech. "It felt like home to me," he says. "The words were big enough to give context to my emotions that were inside."He digs into the origins of How Shakespeare Saved My Life, a play that poured out of him unexpectedly while working on a different project. The solo show follows a kid with a tough childhood who discovers Shakespeare and tries to use it to navigate his world—sometimes it works, sometimes it fails. "It's a raucous ride, it's outrageous, it's funny, it's sad, and in the end we experience some black joy," Ming-Trent shares. We discuss his decision to leave theater at 35 after feeling treated like "an affirmative action hire," his pivot to television in LA, and how a call from director Saheem Ali brought him back to the stage to lead Shakespeare in the Park in Merry Wives—which ultimately led to writing this play. He reflects on the influence of figures like Biggie, Tupac, James Baldwin, and Basquiat—all artists trying to save their lives through their work. He also talks about audience interaction, the differences between performing in Berkeley and DC, and why vulnerability and fear are necessary parts of telling personal stories.Be sure to follow Jacob Ming-Trent and catch How Shakespeare Saved My Life, running until July 5th at Folger Theater (201 East Capitol Street SE, Washington, DC). Tickets start at $20. The play is also published by Bloomsbury Publishing. After DC, the show heads to The Public Theater in New York. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

Today on Uncommon Sense, we're taking a deeper look at the Israel-Iran conflict, the continuing questions surrounding the Epstein files, and the assassination of Charlie Kirk. We'll discuss why these stories continue to dominate public conversation, explore the political and geopolitical questions people are asking, and examine why these events should be viewed together rather than in isolation.--https://www.youversion.com/bible-app

In this episode of The Truth In This Art, the guest is Solana Rostick!About Solana Rostick: Registrar and Collections Manager at Clark Atlanta University Art Museum. An emerging museum professional dedicated to ensuring underrepresented groups are reflected within institutional collection holdings. Born in Atlanta, raised in Tampa, Florida, and recently completed her Master's in Museum Studies from the University of Florida.In our conversation, Rostick walks through her journey into the museum world—from early childhood memories of making art with shaving cream on windows at age three to being inspired by her father, one of the few Black professional photographers in the Tampa area. She recalls a pivotal museum visit where seeing Mickalene Thomas's " Ain't I a Woman " became a moment of revelation: "for the first time, I'm seeing myself represented in art." That moment sparked her decision to pursue art history and museum work.She digs into her graduate thesis on Gallery 32, a groundbreaking Black-owned art space run by Suzanne Jackson in 1960s Los Angeles during the Black Arts Movement. We discuss her first six months as Registrar at Clark Atlanta University Art Museum, the challenges of transitioning from "internship mode" to being the person colleagues turn to for direction, and practical steps for diversifying museum collections. As she puts it, representation matters: "whose voices are we missing from this collection?"She shares insights on podcast listening habits, the Atlanta art scene, the importance of in-person connections over social media, and why she believes real conversations—not just memes—build community.Be sure to follow Solana Rostick and Clark Atlanta University Art Museum (@CAUArtMuseum on Instagram) to keep up with her work and future projects.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

Trump's Petty Politics? Why No One Stops Him | The Karel Cast Is the presidency becoming more about personal grudges than public service? Today, Karel examines a week of escalating political drama as Donald Trump reportedly lashes out at members of his own party, refuses to support housing legislation, and makes claims without publicly presented evidence. Is this simply politics as usual—or something more concerning? Why would a president oppose a bill designed to help Americans buy homes? Why attack members of his own party for exercising congressional oversight? And why do so many elected officials continue to tolerate behavior that would end most political careers? Karel explores the power, politics, and personality behind the headlines—and explains why he believes so many people continue to look the other way. Plus: • The latest health headlines • Entertainment news to kick off your weekend • Commentary you won't hear anywhere else

Doommaxxing: How Fear Became a Billion-Dollar Business AI is taking your job. The economy is collapsing. A new virus is around the corner. Democracy is ending. Or is it? In this episode of The Karel Cast, we examine the rise of “Doommaxxing”—the business model of keeping people scared, anxious, and constantly engaged. From social media algorithms to cable news, from political campaigns to tech billionaires, fear has become one of the most profitable commodities on Earth. Throughout history, powerful institutions have used fear to control attention. Today, smartphones and social media have made that process faster, more personal, and more profitable than ever before. Who benefits when we're constantly told disaster is just around the corner? Is AI really coming for everyone's job? Are we being manipulated into living in a permanent state of crisis? And what does all of this mean for our mental health, our politics, and our future? Plus: • Trump's latest claim about algae in the Reflecting Pool and why experts disagree. • The FCC's unprecedented challenge to Disney/ABC station licenses, including KGO-TV San Francisco. • Why media freedom advocates are sounding the alarm. Fear keeps us scrolling. Fear keeps us clicking. Fear keeps us watching. But who profits? The Karel Cast is supported by viewers like you. Please like, subscribe, and share. Watch live Monday through Thursday at 10:30 AM Pacific. Follow Karel: YouTube: youtube.com/reallykarel Website: reallykarel.com #Doommaxxing, #FearEconomy, #MediaManipulation, #SocialMedia, #BigTech, #ArtificialIntelligence, #AI, #DonaldTrump, #Politics, #NewsAnalysis, #CurrentEvents, #FCC, #ABCNews, #KGO, #MediaFreedom, #Propaganda, #FearMarketing, #Psychology, #MentalHealth, #BreakingNews, #Economy, #TechNews, #Commentary, #PoliticalCommentary, #MediaLiteracy, #NewsMedia, #CultureWar, #IndependentMedia, #TheKarelCast, #ReallyKarel https://youtube.com/live/DPE62hPNVSM

Today, on the Hudson Mohawk Magazine, First, EP talks to Dierdre about a sales pitch meeting hosted by the Rensselaer County Sheriff's Office where Flock Safety pitched their drone products meant to respond to 911 calls. Then, Andrea Cunliffe speaks with Veronica Rountree, founder of the anti-violence “Mother to Son” project, about violence, challenges to social solutions, representation in government, and the importance of the VOTE. Later on, Hugh Johnson joins us to discuss the weeks weather and the recent tornado watch. After that, Bashir Chedrawee the founder of Simone's Kitchen talks to Jasmeet Kaur about his migration story from Lebanon and how his experiences inspired the founding of his restaurant. Finally, Arbor Mae talks with Collar City Pride about the documentary film “1946: The Mistranslation That Shifted Culture” which they will be screened at The Sanctuary for Independent Media on Thursday June 25th about the origins of the anti-gay Christian movement.

Welcome back to Neph 2 America, the show where cultural commentary, current events, conspiracy research, biblical worldview, and unapologetic humor collide.In this episode, David Lee Corbo (The Raven) and TopLobsta break down a wide range of topics shaping the modern world—from immigration and demographic shifts to UFO disclosure narratives, media manipulation, online culture, censorship, race politics, propaganda, and the spiritual implications behind today's headlines.The conversation also includes discussion surrounding the upcoming Brohemian Grove gathering, independent media personalities, alternative research communities, biblical perspectives on current events, and why discernment is more important than ever in an age of information warfare.If you're looking for long-form discussions that challenge mainstream narratives while examining the world through a biblical lens, this episode is for you.

In this episode of The Truth In This Art, I sit down with Tyreek Morrison!About Tyreek Morrison: Tyreek Morrison is an Atlanta-based collage artist who describes himself as "dad first, collage artist second." Born in New Jersey and raised in Atlanta, Morrison uses collage, found materials, paper, paint, and drawing to explore Black American life through memory, identity, and everyday experiences. His daughter just turned one, and this episode was recorded right before his first Father's Day. His father is an oil and acrylic painter, and Morrison grew up watching him work through the night blasting Wu-Tang Clan—those early memories shaped his understanding of what it means to be a working artist.We talk about how becoming a parent has completely transformed his relationship with time and work. On days with his daughter, he's fully present—no phone, no studio. But when she's not with him, his work schedule becomes insanely focused. He doesn't leave the studio. Even when he's not actively creating, he's studying. Morrison discusses the three-generation legacy of creativity in his family and how his work ethic was reinforced when he toured with Lil Wayne after high school, witnessing firsthand how relentless dedication translates to success.Morrison explains his philosophy that collage is parallel to Black American traditions of making something from scraps—whether soul food in the kitchen or sampling in hip-hop. He talks about his influences, including Barkley Hendricks and the artist behind Gorillaz, and how skateboarding played the biggest role in his creative thinking. We also talk about the expectations placed on Black artists to constantly discuss identity and trauma, the competitive-yet-supportive creative energy between him and his father, why he views Instagram as "a big buffet of artists you could bite off of," and his upcoming projects including Atlanta Fine Art Fair with Mason Fine Art, Scope Miami, a solo exhibition in New York City in spring 2027, and his Future Fair baseball piece incorporating real dirt.Follow Tyreek Morrison on Instagram at money team to see his work.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In This Art, I sit down with Maurice Scarlett III!About Maurice Scarlett III: Maurice Scarlett III is a Baltimore-based visual artist and multi-disciplinary creative named after his father from West Baltimore. He is of Jamaican heritage and specializes in figurative art characterized by darker, alluring tones that capture the essence of Black figures. His journey began in 2010 with photography—documenting friends who were musicians, DJs, and clothing designers right after graduating high school. In 2017, fashion designer Kirby Jean-Raymond of Pyer Moss discovered him on Instagram and invited him to collaborate for New York Fashion Week, a pivotal moment that pushed him to take painting seriously.We talk about his evolution from photography to painting and how his work has become more grounded, immersive, and soulful—"more of his essence in it." Scarlett discusses his use of dark tones rooted in life experiences, grief, and learning to use pain as power. He explains his philosophy of embracing imperfections, quoting Miles Davis: "If you mess up on a key, keep that because that can make the song better."Scarlett describes his approach to portraying Black people in a "re-imagined way"—highlighting them beyond repetitive narratives of politics, slavery, and trauma. He shares how Baltimore shows up in his work subconsciously, with subtle cues that come naturally from growing up in the city. He introduces the word he associates with Baltimore art: grit—the do-it-yourself mentality of creatives who carved their own lane without waiting for platforms. His advice for artists: "Find your own lane, carve your own lane and stay within it, but at the same time experiment and stay curious—doing what's true to you."We also talk about the importance of living life to create soulful work, the danger of comparing yourself to other artists on social media, learning to pace yourself as a creator, his studio on North Avenue, and why Baltimore is a "cool melting pot" slowly getting its recognition.Follow Maurice Scarlett III on Instagram at https://www.instagram.com/mauricescarlett to see his work, including recent pieces "Smokey" (2024), "The Scene" (2025), and "Wu-tang Is For The Children" (2025).Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

Police Kill 10,000 Dogs Every Year… Why Does Nobody Care? POLICE KILL 10,000 DOGS EVERY YEAR… WHY DOES NOBODY CARE? A family was celebrating a big Knicks victory when police arrived over a noise complaint. Minutes later, their beloved dog was dead. The owner sat on the ground sobbing while officers stood nearby. No arrests. No charges. No consequences. And here's the shocking part: this isn't rare. Experts estimate that police kill more than 10,000 dogs every year in America — roughly 25 to 30 every single day. That's nearly ten times the number of people killed annually by police. Many of these animals are family pets on their own property. Animal welfare groups, including the ASPCA, have called for mandatory reporting, better training, and accountability when officers use deadly force against animals. So why is this still happening? Because dogs have no legal rights of their own. They can't sue. They can't testify. And in the eyes of the law, they're often treated as property rather than family members. Today, Karel asks a difficult question: Why are police allowed to kill thousands of beloved pets every year with little oversight or accountability? PLUS: • Are bars and clubs using facial recognition technology to collect your personal information without your knowledge? • Why are businesses scanning your face and storing your data for weeks? • What Toy Story 5 reveals about childhood, imagination, friendship, and our growing dependence on screens. The Karel Cast is heard on Apple Podcasts, Spotify, iHeartRadio, Spreaker, and all major podcast platforms. Watch live Monday through Thursday at 10:30 AM Pacific on YouTube. Please like, subscribe, share, and support independent media. Support the show: Patreon.com/reallykarel Karel is a history-making broadcaster, entertainer, and commentator broadcasting from Las Vegas alongside his faithful service dog, Ember. #PoliceDogs,#DogLivesMatter,#AnimalRights,#DogLovers,#PoliceAccountability,#CivilRights,#PetSafety,#JusticeForPets,#AnimalWelfare,#DogsOfYouTube,#BreakingNews,#PoliceReform,#PetOwners,#FamilyDogs,#ASPCA,#DogAdvocate,#PetProtection,#FacialRecognition,#PrivacyRights,#Surveillance,#ToyStory5,#Parenting,#Technology,#SocialCommentary,#CurrentEvents,#NewsAnalysis,#IndependentMedia,#TheKarelCast,#ReallyKarel,#YouTubeNews https://www.youtube.com/live/fK0UhkEA8gc?si=UvuwJ2om9taVKAcY

Today on Uncommon Sense, we're discussing the ongoing controversy surrounding the Epstein files, its blackmail, the political implications of Charlie Kirk's assassination, and the growing conflict between Israel and Iran. We'll also talk about the influence of powerful Israeli interests on American foreign policy and ask whether the United States is being drawn into another Middle Eastern war against the will of its own citizens (and at our cost, yet again).--https://www.youversion.com/bible-app

1946: The Mistranslation That Shifted Culture documents the discovery of the biblical mistranslation that started the anti-LGBTQ+ movement 80 years ago. Taylor Philippi, Collar City Pride board member and advocate for the LGBTQIA+ and interfaith communities, joins Hudson Mohawk Magazine to discuss the film. You can join us for the film screening at the Sanctuary for Independent Media on June 25th from 7 pm - 9 pm. Register today at www.mediasanctuary.org

In this episode of The Truth In This Art, returning guest Kris Fulton is back!About Kris Fulton: Kris Fulton is a self-described coffee nerd, Baltimore-based coffee roaster, and co-owner of Sophomore Coffee, a neighborhood coffee shop in Charles Village. He opened Sophomore Coffee in April 2019, just months before the pandemic, and has spent seven years building it into a trusted community fixture. His journey in coffee began at a local café and evolved through his pivotal role at the Four Seasons Baltimore in 2011, where he honed his skills in luxury hospitality and elevated service that would shape Baltimore's food and beverage scene.We talk about his evolution from "punk kid working coffee on the side" to wearing multiple hats—plumber, janitor, counselor, delivery driver—as a small business owner who opened Sophomore Coffee without knowing all the ins and outs of running a business. He discusses the meaning behind the name "Sophomore"—embracing the second attempt, learning, and growth—and his philosophy of focusing on two pillars: coffee quality and service quality. He shares insights on surviving the pandemic, which forced him to start roasting coffee himself when wholesale partnerships became uncertain, and how that challenge became an unexpected opportunity.Fulton reveals his approach to being a reliable neighborhood fixture—open every single day, even in bad weather—and how that consistency earns trust and bandwidth in the community. He discusses his collaboration with other food and beverage professionals, his work with Tarleton, and his decision to keep Sophomore Coffee hyper-local rather than expanding. He introduces his advice for aspiring coffee shop owners: "Just be a sponge"—work in a coffee shop first, absorb as much information as possible, and understand that owning a café means you'll be working in it, not just managing from afar.We also talk about the importance of intention in coffee-making, why third spaces like cafés are indicators of a community's health, his newsletter as a way to connect directly with customers, and why physical presence and in-person experience still matter more than what can be displayed on social media in an increasingly digital world.Photo credit The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

This Gay Week: The Flag That Annoys The World It's Pride Month, but in some parts of the United States, the United Kingdom, and beyond, flying a Pride flag has become a political statement, a cultural battleground, and sometimes even a target. Why does a rainbow flag generate so much controversy? Is the outrage genuine, or is it being manufactured by politicians, media personalities, and culture-war influencers looking for the next fight? This week, Karel and Scott Jacobsen of The Good Men Project examine the growing backlash against Pride visibility and what it says about LGBTQ rights in 2026. Also on this episode:

Trumped Up Tomatoes Cost 40% More Tomatoes are about to get a lot more expensive, and most Americans have no idea why. This week, I retreat to the kitchen to make a comforting vegan tomato soup, but even there, politics has a way of finding us. The biggest inflation story in food right now isn't beef, eggs, or milk—it's tomatoes. Prices are rising fast, and policy decisions could make them climb even higher. So while we chop, stir, blend, and cook, we'll also talk about the real-world impact of politics on your grocery bill, along with the latest headlines from entertainment, current events, and the never-ending news cycle. Sometimes the best way to survive a chaotic week is with a warm bowl of soup and an honest conversation.

Outrage Is America's Favorite Addiction A simple Pride Month post from HelloFresh sparked outrage, boycotts, angry comments, and endless social media debates. But the real story isn't HelloFresh. It's why so many people seem permanently angry about everything. Why does a Pride post generate thousands of comments demanding a “Straight Pride Month”? Why are immigrants, LGBTQ people, trans people, teachers, homeless people, and other vulnerable groups constantly blamed for problems they didn't create? Somewhere along the way, outrage became an industry. Politicians profit from it. Media outlets profit from it. Influencers profit from it. Entire movements are built around convincing people that someone else is responsible for their frustrations. From Pride Month backlash to election conspiracies to culture-war outrage, we're living in an era where anger often replaces understanding and blame replaces accountability. In this episode, Karel examines the growing culture of grievance, victimhood politics, and why some people seem determined to stay angry no matter what issue dominates the headlines. A

Today on Uncommon Sense, we're discussing the tragic state of the modern world.From the protests in Ireland to growing frustration across Western nations, many people feel as though their voices are no longer being heard by the institutions that claim to represent them. I'll share why I support the right of people to protest and why I believe the demonstrations in Ireland have resonated with so many people around the world.We'll also discuss what I see as a deeper spiritual crisis affecting modern society. Many of the political, cultural, and social problems we face today are symptoms of a broader moral and spiritual decline, one that cannot be solved through politics alone.In this episode:My thoughts on the protests in IrelandWhy so many citizens now feel disconnected from their governmentsThe growing divide between ordinary people and powerful institutionsThe role of faith, morality, and personal responsibility in rebuilding societyWhy I believe many of today's crises point to a deeper spiritual battleWhether you agree or disagree, this episode is an invitation to think critically about the direction of our culture, our governments, and our future.--https://www.youversion.com/bible-app

Robin Anderson joins This Is Hell! to talk about her her new book “The Complicit Lens: US Media Coverage Of Israel's Genocide In Gaza” published by OR Books. https://orbooks.com/catalog/the-complicit-lens/ Robin Andersen is professor emerita of media studies at Fordham University and an award-winning author of a dozen single- and co-authored books. Her work examines film, television, and media coverage of war, the environment, politics, and elections. She edits the Routledge Focus Book Series on Media and Humanitarian Action, serves as a Project Censored Judge, and contributes to the annual State of the Free Press. Andersen is on the Board of Directors of Fairness and Accuracy in Reporting (FAIR), where she also writes regularly, and is an Izzy Award Judge for the Park Center for Independent Media. Her writing has appeared in CounterPunch, LA Progressive, The Progressive, Salon, Common Dreams, and ScheerPost, among others. Help keep This Is Hell! completely listener supported and access bonus episodes by subscribing to our Patreon: www.patreon.com/thisishell

Robin Anderson joins This Is Hell! to talk about her her new book “The Complicit Lens: US Media Coverage Of Israel's Genocide In Gaza” published by OR Books. https://orbooks.com/catalog/the-complicit-lens/ Robin Andersen is professor emerita of media studies at Fordham University and an award-winning author of a dozen single- and co-authored books. Her work examines film, television, and media coverage of war, the environment, politics, and elections. She edits the Routledge Focus Book Series on Media and Humanitarian Action, serves as a Project Censored Judge, and contributes to the annual State of the Free Press. Andersen is on the Board of Directors of Fairness and Accuracy in Reporting (FAIR), where she also writes regularly, and is an Izzy Award Judge for the Park Center for Independent Media. Her writing has appeared in CounterPunch, LA Progressive, The Progressive, Salon, Common Dreams, and ScheerPost, among others. We will have new installments of Rotten History and Hangover Cure. We will also be sharing your answers to this week's Question from Hell! from Patreon. Help keep This Is Hell! completely listener supported and access bonus episodes by subscribing to our Patreon: www.patreon.com/thisishell

In this episode of The Truth In This Art, returning guest Megan Elcrat is back!About Megan Elcrat: Megan Elcrat is the founding principal of Present Company, a Baltimore-based architecture and design firm where she specializes in urban revitalization, adaptive reuse, and creative workspace design. She co-founded the innovative Co-Lab Baltimore co-working space in Old Goucher, which houses both an architecture firm and a design-focused bookstore. Her work is rooted in the belief that architecture is fundamentally about experience and place-making.We talk about her formative memories of her father's mathematics department office at Wichita State University—the chalkboards, terrazzo floors, and dark wood finishes that shaped her early understanding of how spaces create meaning. She discusses her hyper-local approach to architecture, working within walking distance of her office and building authentic relationships with neighbors, clients, and community partners like the Franciscan Center and Sophomore Coffee. She shares insights on adaptive reuse—the art of giving historic buildings new life while preserving their essence—and how her firm approaches projects by asking what experience people want to have in a space.Elcrat reveals details about her work on Station North's North Avenue Market, reconnecting the north and south halves of the building through arcades to create a multi-use cultural hub with storefronts, studios, and food and beverage spaces. She discusses co-owning the Laverne nightclub with Catherine Borg and Ami Dang as part of the Neon Eon complex, emphasizing cultural preservation—not just preserving facades, but preserving how spaces made people feel. She introduces the concept of dancing and physical movement as the purest form of joy and why bringing people together in person still matters.We also talk about her collaboration with artist collective Wickerham/Lomax on the Soft Gym installation at the Y-Not Lot as part of Inviting Light, the importance of avoiding design trends like "gentrification gray," the value of having fun in architecture, and why she believes authenticity and human connection are more important than expanding for expansion's sake in an increasingly digital world.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

The HelloFresh Controversy Reveals A Bigger Problem A Pride Month social media post from HelloFresh has sparked outrage, backlash, boycotts, and endless debate. Was it a bad joke? Probably. But the reaction to it may reveal something much bigger about where we are as a society in 2026. After spending 30 minutes discussing the controversy on GB News in the UK, one thing became clear: the conversation isn't really about HelloFresh. It's about LGBTQ visibility, Pride Month, and why so many people are still uncomfortable when queer people are included in mainstream culture. Meanwhile, Elon Musk and Donald Trump continue to push claims and conspiracies that dominate headlines. But are Americans still listening? Why is every election called “rigged” when one side loses and “fair” when the other side wins? And a new poll raises a troubling question: Is American exceptionalism fading? Fewer Americans than ever believe the United States stands above the rest of the world. What happened to the confidence that once defined the country, and what does it say about our future? In this episode, Karel connects the dots between culture wars, political outrage, conspiracy thinking, and a changing America struggling to define itself.

The Great Disconnect: Record Wealth, Record Hardship The economy is supposedly thriving. The stock market is breaking records. Corporate profits are soaring. Yet millions of Americans are struggling to pay rent, buy groceries, fill up their gas tanks, and save for the future. How can oil companies post enormous profits while gas prices remain painfully high? Why are food giants reporting strong earnings while grocery bills continue to climb? Why are hotels charging resort fees and parking fees on top of already expensive rooms? And how did a modest California home that once sold for $27,000 end up costing nearly $900,000? Meanwhile, political rhetoric grows more disconnected from reality. Claims of election fraud, accusations of rigged systems, and endless partisan battles leave many wondering whether common sense has completely disappeared from public life. In this episode, Karel takes a hard look at the contradictions defining modern America: record corporate profits, record asset values, and record financial anxiety for everyday people. Has the world stopped making sense, or are we finally paying attention to how the system really works? Join the conversation and tell us what you think in the comments below. Support independent media: Patreon: patreon.com/reallykarel Watch and subscribe: YouTube: youtube.com/reallykarel Listen everywhere: Apple Podcasts, Spotify, iHeartRadio, Spreaker, and all major podcast platforms. The Karel Show streams LIVE Monday through Thursday at 10:30 AM Pacific. Karel is a history-making broadcaster, entertainer, journalist, and commentator broadcasting from Las Vegas alongside his faithful service dog, Ember. #Economy,#Inflation,#CostOfLiving,#GasPrices,#HousingCrisis,#CorporateGreed,#CorporateProfits,#StockMarket,#Rent,#FoodPrices,#MiddleClass,#WorkingClass,#AmericanEconomy,#EconomicReality,#FinancialStress,#WealthGap,#IncomeInequality,#Politics,#CurrentEvents,#NewsCommentary,#KarelShow,#ReallyKarel,#IndependentMedia,#Commentary,#PoliticalDiscussion,#EconomicCrisis,#America,#LifeInAmerica,#YouTubePolitics,#Podcast https://youtube.com/live/x7px5_nIyo0

Join us Tuesday, June 9th, at Macro ‘n Chill, the online gathering where we'll listen to and discuss this episode. 8pm ET/5pm PT. Register with this link: https://us06web.zoom.us/meeting/register/L40tjKhOSCGCJTR-R-QJvwThe title of Robin Andersen's upcoming book (published next week) is The Complicit Lens: US Media Coverage of the Genocide in Gaza. You can see why Steve wanted to talk with her. Their conversation looks at how the corporate media helped manufacture consent for Israel's war on Gaza by erasing historical context. It is tasked with enforcing cultural hegemony à la Gramsci, and defending the interests of the imperial core.Robin goes into examples of how the media has been used to erase Palestinian history and justify war crimes. Terms like "occupation," "apartheid," and "genocide" are scrubbed from discourse to maintain ideological control. It allows the ongoing dispossession and ethnic cleansing of Palestinians to go unchallenged.As MMTers we understand – and Steve emphasizes – how state resources are mobilized without hesitation for war and geopolitical control, while austerity is imposed at home as a political choice rather than an economic necessity.In this time where journalists are under attack (literally) the episode urges solidarity with truth-tellers like Francesca Albanese who confront imperialist violence.Robin Andersen is professor emerita of media studies at Fordham University and an award-winning author of a dozen single- and co-authored books. Her work examines film, television, and media coverage of war, the environment, politics, and elections. She edits the Routledge Focus Book Series on Media and Humanitarian Action, serves as a Project Censored Judge, and contributes to the annual State of the Free Press. Andersen is on the Board of Directors of Fairness and Accuracy in Reporting (FAIR), where she also writes regularly, and is an Izzy Award Judge for the Park Center for Independent Media. Her writing has appeared in CounterPunch, LA Progressive, The Progressive, Salon, Common Dreams, and ScheerPost, among others.@MediaPhiled on X

In this episode of The Truth In This Art, the guest is Dr. David O. Fakunle II!About Dr. David O. Fakunle II: Dr. David Fakunle II is a Baltimore native, academic, and self-described mercenary for change and celestial body for change who has spent 25 years using art and storytelling for liberation. He is an assistant professor at Morgan State University in the School of Community Health and Policy and associate faculty at Johns Hopkins Bloomberg School of Public Health. He serves as director of the TEACH Division (Transforming Equity through Arts, Culture and Health) at the National Great Blacks in Wax Museum, working intentionally at the intersection of arts, culture, and health.We talk about his evolution as a mercenary and celestial body for change, his role in developing the Urban Cipher game (originally called the Game of Appreciation) during his postdoc at Morgan State University —a Monopoly-style game that models how inequities are built into systems. He discusses his contribution to the paper "Life as We Tell It: A Revolution Through Narratives and Creative Expression," which explores narrative as a determinant of health, and his framework for understanding data: stories are qualitative data that answer "how" and "why," while quantitative data answers "who, what, where, when."Fakunle shares insights from his recent work at the National Academy of Medicine in DC on a national initiative to build trust between communities and health science. He reflects on teaching his 16-person qualitative research class and helping students understand that AI cannot replicate context—only humans can bring meaning and circumstances to statistics. He introduces his concept of the "existential determinants of health"—five universal virtues all humans want: to be acknowledged, appreciated, respected, understood, and loved. He emphasizes the need to embrace stories, not just tolerate them, because "in the stories are your answers," and discusses how storytellers preserve and uplift context in ways that institutions and policy makers need to understand.We also talk about what this work has taught him, the importance of time as the greatest teacher, showing up in person, trusting others to tell his story, and why physical presence still matters in an increasingly digital world.Photo courtesy of subject.  The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

Hawk walks through Jonathan V. Last's Bulwark newsletter "The Murder of 60 Minutes," a deep look at how Barry Weiss and the Ellisons are systematically dismantling CBS News and 60 Minutes to appease Donald Trump and clear the path for billion-dollar media mergers. 60 Minutes generated $206 million in advertising revenue in 2024, yet CBS's corporate parent Paramount SkyDance is willing to destroy a profitable and iconic institution. David Ellison paid $150 million for Barry Weiss's Free Press website and installed her at CBS News, where the ratings have cratered across the board. Correspondents Sharon Alphonse and Cecilia Vega were pushed out. Producers Tanya Simon and Drag Mihalovich were fired. Leslie Stahl was bypassed for a Netanyahu interview she had worked on for months. Hawk connects this to the broader pattern of corporate surrender: law firms, universities, media companies, and figures like Jeff Bezos publicly capitulating to Trump in exchange for favorable regulatory treatment. Larry Ellison has reportedly already discussed what he plans to do to CNN anchors Trump dislikes, with Warner Brothers Discovery in Ellison's sights next. SUPPORT & CONNECT WITH HAWK- Support on Patreon: https://www.patreon.com/mdg650hawk - Hawk's Merch Store: https://hawkmerchstore.com - Connect on TikTok: https://www.tiktok.com/@mdg650hawk7thacct - Connect on TikTok: https://www.tiktok.com/@hawkeyewhackamole - Connect on BlueSky: https://bsky.app/profile/mdg650hawk.bsky.social - Connect on Substack: https://mdg650hawk.substack.com - Connect on Facebook: https://www.facebook.com/hawkpodcasts - Connect on Instagram: https://www.instagram.com/mdg650hawk - Connect on Twitch: https://www.twitch.tv/mdg650hawk ALL HAWK PODCASTS INFO- Additional Content Available Here: https://www.hawkpodcasts.comhttps://www.youtube.com/@hawkpodcasts- Listen to Hawk Podcasts On Your Favorite Platform:Spotify: https://spoti.fi/3RWeJfyApple Podcasts: https://apple.co/422GDuLYouTube: https://youtube.com/@hawkpodcastsiHeartRadio: https://ihr.fm/47vVBdPPandora: https://bit.ly/48COaTB

Ralph speaks to independent investigative journalist Lylla Younes to discuss her reporting on Israel's assault on southern Lebanon. Then, Ralph and media studies professor Robin Andersen discuss her new book "The Complicit Lens: US Media Coverage of the Genocide in Gaza."Lylla Younes is a Beirut-based journalist. She is an editor at The Public Source, and a frequent contributor to Drop Site News.What we've seen in the past several days is really an escalation of what's been happening since March 2nd (when the US-Israeli assault on Iran took off) and then obviously the ceasefire… What we see is a campaign of ethnic cleansing from the Israeli military in Lebanon. And that has looked like the Gaza playbook sped up, you could say, in southern Lebanon. It's looked like invading and bulldozing homes; tearing up roads; destroying, booby-trapping, and detonating entire villages and cultural sites. It's looked like targeting medical personnel—killing, at this point, over 100 since March 2nd (this is in addition to the 130 or so who were killed in the last round of fighting in 2024). In addition to that, the targeting and killing of journalists who are reporting near the border. I think it's important to note there's practically no one left in the border region. Having a press vest on and a microphone and a camera is basically like having a target on your back at this point.Lylla YounesThe pager attack was, I think it's fair to say, one of the darker days of Lebanese history. I think regardless of people's feelings about Hezbollah, the fact that you are setting men alight literally in the streets in cities all across the country, killing children, maiming children—the mark of the pager attack was that these pagers that Hezbollah members were carrying exploded in their faces and blinded them. So you have thousands of blinded people, people missing fingers. And again, some of these are relatives of Hezbollah members. It was a massive event that overwhelmed hospitals across the country. And it also marked the beginning of that 66 day [period] of escalated fighting. And it showed how deeply infiltrated Hezbollah was in an intelligence capacity. This was quite a feat by the Israeli Mossad.Lylla YounesRobin Andersen is professor emerita of media studies at Fordham University and an award-winning author of a dozen single- and co-authored books. She serves as a Project Censored Judge, and contributes to the annual State of the Free Press. She is on the Board of Directors of Fairness and Accuracy in Reporting (FAIR), where she also writes regularly, and is an Izzy Award Judge for the Park Center for Independent Media. Her latest book is The Complicit Lens: US Media Coverage of Israel's Genocide in Gaza.In my book, I look at the directives of the New York Times and CNN, and then I compare it to media coverage. And I found that, in fact, these were the ways [the directives that were passed down] in which the media was presenting the genocide in Gaza…But in terms of the Israeli directives, CNN was putting their copy through their Jerusalem bureau and the IDF was looking at it. The New York Times was simply going along with Israeli talking points. So we did find that. And the real telling part was when they finally did say that Israel dropped the bomb, it was only when Israel had admitted—or put their propaganda to the next level, which was to claim that they had killed a Hamas commander or a fighter or somebody involved in Hamas. And we found that also in the BBC. So those were direct things that came from Israel. And abandoning their journalistic mission, the US media was basically following the dictates of a foreign government.Robin AndersenTheir form of censorship was basically murder. They knew that as the genocide wore on (and Israel controlled the narrative for a very long time, and then it started to collapse) as over time we saw on the internet, we saw on our handheld devices the documentation of what was happening [they'd lose control of the narrative]. And so in a total propaganda environment, what we have to have is no noise, no opposition, no alternative information. And Israel really was trying to achieve a total propaganda environment. It wasn't enough that they had establishment in legacy media and those media were allowing outside influences to direct their editorial decisions. That wasn't quite enough.Robin AndersenNews 5/29/26* This week, Democratic Socialist Mayor of New York City Zohran Mamdani unveiled his plan to construct 200,000 new rent-stabilized homes in the city over the next decade, PIX 11 reports, making good on a campaign promise that many supposedly savvy political observers doubted. In addition to the new construction, Mamdani vowed to “preserve and stabilize” an additional 200,000 via New York City Housing Authority (NYCHA) repairs, increased housing code enforcement, and a special focus on development in the Bronx. In his announcement, Mamdani said “We are the largest city in the nation. We have the resources, the talent, and the will to achieve this.”* In the federal government, one of the most controversial members of the Trump administration – former Democratic Congresswoman and presidential candidate Tulsi Gabbard – has resigned her position as Director of National Intelligence (DNI). The BBC reports Gabbard is citing her husband's recent bone cancer diagnosis as the reason for her departure, but also notes that Gabbard “has largely been out of public view even as the US took military action against Iran, put pressure on Cuba, and…removed Venezuela's president.” In theory, these would all require a substantial degree of participation from and coordination with the DNI, but Gabbard seemed pointedly out of the loop. The actions of the administration have also been diametrically opposed to Gabbard's past foreign policy positions, defined by her 2020 slogan “no more regime change wars.” Others have noted that Gabbard now joins former Attorney General Pam Bondi, Labor Secretary Lori Chavez-DeRemer and DHS Secretary Kristi Noem as high-profile women ousted from the Trump administration while glaringly incompetent men like Pete Hegseth remain in their posts.* Turning to Texas, this week saw a political bloodbath in the runoffs for the primaries held back in March. The topline of course is that scandal-plagued Texas Attorney General Ken Paxton, backed by Trump, triumphed over powerful longtime incumbent Senator John Cornyn. With the backing of the president, Paxton wiped the floor with Cornyn, winning around two-thirds of the vote. Yet Paxton goes into the general election against James Talarico very weak. 35% of those polled “Disapprove Strongly” of Paxton with only 15% saying they “Strongly Approve” according to the Texas Politics Project and even the National Republican Senatorial Committee (NRSC) condemned Paxton's “lies” “incompetence” personal scandals and corruption in now-deleted press releases. Further down the ballot, incumbent Democratic Members of Congress Al Green and Julie Johnson have been defeated in their primary run-offs, after being forced into Member-on-Member races by the Texas redistricting scheme.* Meanwhile in Michigan, NOTUS reports the Working Families Party (WFP) has endorsed progressive Senate hopeful Abdul El-Sayed. This primary campaign, with El-Sayed running against moderate Congresswoman Haley Stevens and liberal state Sen. Mallory McMorrow, has become a bruising tripartite affair pitting the three major factions within the Democratic Party against one another. Recently, El-Sayed has taken the lead in this race, which WFP hopes to help consolidate, saying it is prepared to go “all in” on this race. WFP is feeling confident following their role in helping to ensure victory for Chris Rabb in Pennsylvania and Analilia Mejia in New Jersey.* In the Garden State, Senator Andy Kim was caught in a cloud of pepper spray this week as he joined protestors outside of a privately-run ICE detention facility, NJ.com reports. The protests began as a result of an ongoing hunger strike inside of the facility, which has led many high-profile New Jersey Democrats – including Governor Mikie Sherill and Congressman Robert Menendez Jr. in addition to Senator Kim – to call for the facility's closure. Following the confrontation, Kim stated that “What we saw here is unfortunately just what we see all over the country…It's sad…sad day.” At another point, Kim said “The cruelty that you see behind me, this is the point…Right now, I'm trying to have them not point guns at us.”* In another case of outrageous overreach by the Trump administration, Fox reports the Treasury Department has served subpoenas to CodePink activist Medea Benjamin and political streamer and influencer Hasan Piker seeking “financial, logistical and communications information” regarding their recent humanitarian voyage to Cuba. According to this story, the Treasury probe – handled through their Office of Foreign Assets Control – is primarily concerned with whether the convoy “violated U.S. sanctions laws through the financing, coordination or delivery of goods to Cuba, including potential contacts with Cuban government personnel or entities on the island.” The Council on American-Islamic Relations (CAIR) has condemned the probe, writing that “Weaponizing the Treasury Department to target Americans for exercising their constitutional right to support human rights is unacceptable.” CAIR went on to call the investigation “performative and politically-motivated,” contending that “Every American who believes in the rule of law and human rights should stand in solidarity with Medea and demand that the Treasury Department drop its McCarthyite witch hunt.”* The Democrats meanwhile are once again conspiring against one another. The Bulwark reports the campaign to unseat Democratic National Committee Chair Ken Martin is back on – and now includes viable alternatives. Previously, discontent was mounting but there did not appear to be any other options. Presently though, the list circulating in Democratic circles consists of New Mexico Gov. Michelle Lujan Grisham, former EMILY's List president Stephanie Schriock, former president of the Service Employees International Union Mary Kay Henry, former Texas Rep. Beto O'Rourke, former Secretary of Housing and Urban Development Julián Castro, former chair of the Michigan Democratic Party Lavora Barnes, and former Wisconsin party chair Ben Wikler. Wikler, who revitalized the Beaver State party and placed second against Martin in the DNC Chair election, has “rebuffed discussions about leading the DNC, saying he wants nothing to do with effort to remove Martin and isn't interested in replacing him.” Yet even with no obvious alternative, calls are mounting for Martin to step aside. This piece cites statements by progressive Wisconsin Rep. Mark Pocan, as well as a new initiative by the Progressive Change Campaign Committee on one side, alongside statements by more moderate Reps. Marc Veasey and Seth Moulton to the same effect. Still, many state parties and an equally ideologically diverse coalition is standing by Martin, so he will likely remain in place, at least for the time being.* Looking southward, this week Mexican President Claudia Sheinbaum announced that her country will host the Iranian team ahead of the FIFA World Cup. Per Al Jazeera, the United States, which is hosting many of the matches, including all three the Iranian team was scheduled to play in, expressed that they did not think it “appropriate” for Iranian team members to be in the country, “for their own life and safety.” FIFA approached Mexico as an alternative. In her daily press conference, Sheinbaum stated that “We have no reason to deny them the possibility of staying in Mexico.” The Iranian team has also announced they will be moving their training base from Tucson to Tijuana, but still plan to enter the United States to play their games – with Trump saying they will be “welcome,” despite the fact American authorities have yet to issue the necessary visas.* Our final two stories involve the Pope. First, AP reports that this week Pope Leo XIV made an historic apology not only for the Catholic Church's role in legitimizing slavery, but its failure to condemn the practice for centuries afterwards. Pope Leo called this a “wound in Christian memory.” Leo, the first American Pope, can point to both enslaved people and slave owners in his familial lineage, a remarkable vantage point from which to issue this statement in his first ever encyclical ”Magnifica Humanitas.”* Yet, for how historic this section of the encyclical is, it is not the portion of it that drew the most attention. That would be the section on Artificial Intelligence. Pope Leo writes “Humanity, created by God in all its grandeur, is today facing a pivotal choice: either to construct a new Tower of Babel or to build the city in which God and humanity dwell together.” Leo goes on to make the critical point that “technology is never neutral, because it takes on the characteristics of those who devise, finance, regulate, and use it.” He further goes on to state that “the pressure of new ideologies or certain highly powerful interests” can reduce the human person to “a resource to be used and exploited” or evaluated “on what they achieve or produce,” whereas God creates each individual person in His image and imbues them with inherent dignity. It is impossible to say whether the Pontiff's words will move the titans of the tech industry to change their ways, but his moving rhetoric is sure to significantly influence the world's view of AI, both today and for students of history.This has been Francesco DeSantis, with In Case You Haven't Heard. Get full access to Ralph Nader Radio Hour at www.ralphnaderradiohour.com/subscribe

The collapse in trust of the mainstream corporate press in the aftermath of the COVID-19 era was to be expected, with many people finally waking up to the propaganda. Finding sources of authentic news has become more difficult as organizations are throttled out of existence on video platforms or hidden away by the algorithm.Indie has been curating subversive content at Indie News Now by dangerous writers, fearless journalists, and independent content creators for years. His network of shows bridges the gap from deep state politics to light non-state comedy.—Guest LinksIndie: www.IndieNewsNow.com—Video ChannelsWatch the video version of Macroaggressions:Rumble: https://rumble.com/c/Macroaggressions YouTube: https://www.youtube.com/@MacroaggressionsPodcastBrighteon: https://www.brighteon.com/channels/macroaggressions/—MACRO & Charlie Robinson LinksHypocrazy Audiobook: https://amzn.to/4aogwmsThe Octopus of Global Control Audiobook: https://amzn.to/3xu0rMmWebsite: www.Macroaggressions.ioMerch Store: https://macroaggressions.dashery.com/ Link Tree: https://linktr.ee/macroaggressionspodcast—Activist Post FamilySign up for the Activist Post Newsletter: https://activistpost.kit.com/emailsActivist Post: www.ActivistPost.comNatural Blaze: www.NaturalBlaze.com —Support Our SponsorsGround Luxe Grounding Mats: https://GroundLuxe.com/MACROReplace Your Mortgage: www.WipeOutYourMortgageNow.comC60 Power: https://go.ShopC60.com/PBGRT/KMKS9/ | Promo Code: MACROChemical Free Body: https://ChemicalFreeBody.com/macro/ | Promo Code: MACROWise Wolf Gold & Silver: https://Macroaggressions.Gold/ | (800) 426-1836LegalShield: www.DontGetPushedAround.comEMP Shield: www.EMPShield.com | Promo Code: MACROChristian Yordanov's Health Program: www.LiveLongerFormula.com/macroAbove Phone: https://AbovePhone.com/macro/Van Man: https://VanMan.shop/?ref=MACRO | Promo Code: MACROThe Dollar Vigilante: https://DollarVigilante.spiffy.co/a/O3wCWenlXN/4471Nesa's Hemp: www.NesasHemp.com | Promo Code: MACROAugason Farms: https://AugasonFarms.com/MACRO—