Podcasts about Independent media

This Gay Week: The Flag That Annoys The World It's Pride Month, but in some parts of the United States, the United Kingdom, and beyond, flying a Pride flag has become a political statement, a cultural battleground, and sometimes even a target. Why does a rainbow flag generate so much controversy? Is the outrage genuine, or is it being manufactured by politicians, media personalities, and culture-war influencers looking for the next fight? This week, Karel and Scott Jacobsen of The Good Men Project examine the growing backlash against Pride visibility and what it says about LGBTQ rights in 2026. Also on this episode:

Trumped Up Tomatoes Cost 40% More Tomatoes are about to get a lot more expensive, and most Americans have no idea why. This week, I retreat to the kitchen to make a comforting vegan tomato soup, but even there, politics has a way of finding us. The biggest inflation story in food right now isn't beef, eggs, or milk—it's tomatoes. Prices are rising fast, and policy decisions could make them climb even higher. So while we chop, stir, blend, and cook, we'll also talk about the real-world impact of politics on your grocery bill, along with the latest headlines from entertainment, current events, and the never-ending news cycle. Sometimes the best way to survive a chaotic week is with a warm bowl of soup and an honest conversation.

Outrage Is America's Favorite Addiction A simple Pride Month post from HelloFresh sparked outrage, boycotts, angry comments, and endless social media debates. But the real story isn't HelloFresh. It's why so many people seem permanently angry about everything. Why does a Pride post generate thousands of comments demanding a “Straight Pride Month”? Why are immigrants, LGBTQ people, trans people, teachers, homeless people, and other vulnerable groups constantly blamed for problems they didn't create? Somewhere along the way, outrage became an industry. Politicians profit from it. Media outlets profit from it. Influencers profit from it. Entire movements are built around convincing people that someone else is responsible for their frustrations. From Pride Month backlash to election conspiracies to culture-war outrage, we're living in an era where anger often replaces understanding and blame replaces accountability. In this episode, Karel examines the growing culture of grievance, victimhood politics, and why some people seem determined to stay angry no matter what issue dominates the headlines. A

Today on Uncommon Sense, we're discussing the tragic state of the modern world.From the protests in Ireland to growing frustration across Western nations, many people feel as though their voices are no longer being heard by the institutions that claim to represent them. I'll share why I support the right of people to protest and why I believe the demonstrations in Ireland have resonated with so many people around the world.We'll also discuss what I see as a deeper spiritual crisis affecting modern society. Many of the political, cultural, and social problems we face today are symptoms of a broader moral and spiritual decline, one that cannot be solved through politics alone.In this episode:My thoughts on the protests in IrelandWhy so many citizens now feel disconnected from their governmentsThe growing divide between ordinary people and powerful institutionsThe role of faith, morality, and personal responsibility in rebuilding societyWhy I believe many of today's crises point to a deeper spiritual battleWhether you agree or disagree, this episode is an invitation to think critically about the direction of our culture, our governments, and our future.--https://www.youversion.com/bible-app

Robin Anderson joins This Is Hell! to talk about her her new book “The Complicit Lens: US Media Coverage Of Israel's Genocide In Gaza” published by OR Books. https://orbooks.com/catalog/the-complicit-lens/ Robin Andersen is professor emerita of media studies at Fordham University and an award-winning author of a dozen single- and co-authored books. Her work examines film, television, and media coverage of war, the environment, politics, and elections. She edits the Routledge Focus Book Series on Media and Humanitarian Action, serves as a Project Censored Judge, and contributes to the annual State of the Free Press. Andersen is on the Board of Directors of Fairness and Accuracy in Reporting (FAIR), where she also writes regularly, and is an Izzy Award Judge for the Park Center for Independent Media. Her writing has appeared in CounterPunch, LA Progressive, The Progressive, Salon, Common Dreams, and ScheerPost, among others. Help keep This Is Hell! completely listener supported and access bonus episodes by subscribing to our Patreon: www.patreon.com/thisishell

Robin Anderson joins This Is Hell! to talk about her her new book “The Complicit Lens: US Media Coverage Of Israel's Genocide In Gaza” published by OR Books. https://orbooks.com/catalog/the-complicit-lens/ Robin Andersen is professor emerita of media studies at Fordham University and an award-winning author of a dozen single- and co-authored books. Her work examines film, television, and media coverage of war, the environment, politics, and elections. She edits the Routledge Focus Book Series on Media and Humanitarian Action, serves as a Project Censored Judge, and contributes to the annual State of the Free Press. Andersen is on the Board of Directors of Fairness and Accuracy in Reporting (FAIR), where she also writes regularly, and is an Izzy Award Judge for the Park Center for Independent Media. Her writing has appeared in CounterPunch, LA Progressive, The Progressive, Salon, Common Dreams, and ScheerPost, among others. We will have new installments of Rotten History and Hangover Cure. We will also be sharing your answers to this week's Question from Hell! from Patreon. Help keep This Is Hell! completely listener supported and access bonus episodes by subscribing to our Patreon: www.patreon.com/thisishell

In this episode of The Truth In This Art, returning guest Megan Elcrat is back!About Megan Elcrat: Megan Elcrat is the founding principal of Present Company, a Baltimore-based architecture and design firm where she specializes in urban revitalization, adaptive reuse, and creative workspace design. She co-founded the innovative Co-Lab Baltimore co-working space in Old Goucher, which houses both an architecture firm and a design-focused bookstore. Her work is rooted in the belief that architecture is fundamentally about experience and place-making.We talk about her formative memories of her father's mathematics department office at Wichita State University—the chalkboards, terrazzo floors, and dark wood finishes that shaped her early understanding of how spaces create meaning. She discusses her hyper-local approach to architecture, working within walking distance of her office and building authentic relationships with neighbors, clients, and community partners like the Franciscan Center and Sophomore Coffee. She shares insights on adaptive reuse—the art of giving historic buildings new life while preserving their essence—and how her firm approaches projects by asking what experience people want to have in a space.Elcrat reveals details about her work on Station North's North Avenue Market, reconnecting the north and south halves of the building through arcades to create a multi-use cultural hub with storefronts, studios, and food and beverage spaces. She discusses co-owning the Laverne nightclub with Catherine Borg and Ami Dang as part of the Neon Eon complex, emphasizing cultural preservation—not just preserving facades, but preserving how spaces made people feel. She introduces the concept of dancing and physical movement as the purest form of joy and why bringing people together in person still matters.We also talk about her collaboration with artist collective Wickerham/Lomax on the Soft Gym installation at the Y-Not Lot as part of Inviting Light, the importance of avoiding design trends like "gentrification gray," the value of having fun in architecture, and why she believes authenticity and human connection are more important than expanding for expansion's sake in an increasingly digital world.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

The HelloFresh Controversy Reveals A Bigger Problem A Pride Month social media post from HelloFresh has sparked outrage, backlash, boycotts, and endless debate. Was it a bad joke? Probably. But the reaction to it may reveal something much bigger about where we are as a society in 2026. After spending 30 minutes discussing the controversy on GB News in the UK, one thing became clear: the conversation isn't really about HelloFresh. It's about LGBTQ visibility, Pride Month, and why so many people are still uncomfortable when queer people are included in mainstream culture. Meanwhile, Elon Musk and Donald Trump continue to push claims and conspiracies that dominate headlines. But are Americans still listening? Why is every election called “rigged” when one side loses and “fair” when the other side wins? And a new poll raises a troubling question: Is American exceptionalism fading? Fewer Americans than ever believe the United States stands above the rest of the world. What happened to the confidence that once defined the country, and what does it say about our future? In this episode, Karel connects the dots between culture wars, political outrage, conspiracy thinking, and a changing America struggling to define itself.

Today, on the Hudson Mohawk Magazine, First, Tandra La-Grone of In Our Own Voices talks with us about this year's BIPOC Pride festival. Then, Mark Dunlea has a report on a forum hosted by Break the Bond Campaign who talked with two of the candidates for NYS Comptroller. Later on, we hear from some artists of the Global Performance + Sound Lab cohort during their visit to The Sanctuary for Independent Media. After that, it is time for the Albany Comedy Corner this week Greg Creft who talks with Ryan Shipley about the Comedy Tsunami happening on June 12th. Finally, Thom Francis welcomes poet Don Levy who shared his work at the 2024 Word Fest Open Mic. Hosts:Lavender and Caelan McPherson Engineer: Caelan McPherson

The Great Disconnect: Record Wealth, Record Hardship The economy is supposedly thriving. The stock market is breaking records. Corporate profits are soaring. Yet millions of Americans are struggling to pay rent, buy groceries, fill up their gas tanks, and save for the future. How can oil companies post enormous profits while gas prices remain painfully high? Why are food giants reporting strong earnings while grocery bills continue to climb? Why are hotels charging resort fees and parking fees on top of already expensive rooms? And how did a modest California home that once sold for $27,000 end up costing nearly $900,000? Meanwhile, political rhetoric grows more disconnected from reality. Claims of election fraud, accusations of rigged systems, and endless partisan battles leave many wondering whether common sense has completely disappeared from public life. In this episode, Karel takes a hard look at the contradictions defining modern America: record corporate profits, record asset values, and record financial anxiety for everyday people. Has the world stopped making sense, or are we finally paying attention to how the system really works? Join the conversation and tell us what you think in the comments below. Support independent media: Patreon: patreon.com/reallykarel Watch and subscribe: YouTube: youtube.com/reallykarel Listen everywhere: Apple Podcasts, Spotify, iHeartRadio, Spreaker, and all major podcast platforms. The Karel Show streams LIVE Monday through Thursday at 10:30 AM Pacific. Karel is a history-making broadcaster, entertainer, journalist, and commentator broadcasting from Las Vegas alongside his faithful service dog, Ember. #Economy,#Inflation,#CostOfLiving,#GasPrices,#HousingCrisis,#CorporateGreed,#CorporateProfits,#StockMarket,#Rent,#FoodPrices,#MiddleClass,#WorkingClass,#AmericanEconomy,#EconomicReality,#FinancialStress,#WealthGap,#IncomeInequality,#Politics,#CurrentEvents,#NewsCommentary,#KarelShow,#ReallyKarel,#IndependentMedia,#Commentary,#PoliticalDiscussion,#EconomicCrisis,#America,#LifeInAmerica,#YouTubePolitics,#Podcast https://youtube.com/live/x7px5_nIyo0

In December the government announced plans to invest £500m in the country's youth services – which were gutted during austerity – and create 50 major new and revitalised youth hubs – including at Docklands in St Paul's. Shockingly this is the first time there has been a national youth strategy in a couple of decades. Our guest today is a man who – like your host Neil – has a long history of working with young people. He's the outspoken Ben Carpenter, founder and CEO of local youth and community organisation Grassroot Communities.The pair reflect on the state of youth services, and whether the government's plans go far enough. We get into the massive new Youth Zone opening in south Bristol this month – what are the pros and cons of these kinds of places? And with young people facing massive challenges from financial insecurity to online harms to knife crime, we ask what services should be there for them in an ideal world. Enjoy…The Bristol Cable is Bristol's community-owned cooperative newsroom – fiercely independent journalism that puts people before profit. Since 2014, we've been holding power to account through investigative reporting, community campaigns, and democratic media ownership. Because when journalism serves the community, not shareholders, real change becomes possible.Support independent journalism and help us bring more vital conversations to Bristol: become a Bristol Cable member.

Join us Tuesday, June 9th, at Macro ‘n Chill, the online gathering where we'll listen to and discuss this episode. 8pm ET/5pm PT. Register with this link: https://us06web.zoom.us/meeting/register/L40tjKhOSCGCJTR-R-QJvwThe title of Robin Andersen's upcoming book (published next week) is The Complicit Lens: US Media Coverage of the Genocide in Gaza. You can see why Steve wanted to talk with her. Their conversation looks at how the corporate media helped manufacture consent for Israel's war on Gaza by erasing historical context. It is tasked with enforcing cultural hegemony à la Gramsci, and defending the interests of the imperial core.Robin goes into examples of how the media has been used to erase Palestinian history and justify war crimes. Terms like "occupation," "apartheid," and "genocide" are scrubbed from discourse to maintain ideological control. It allows the ongoing dispossession and ethnic cleansing of Palestinians to go unchallenged.As MMTers we understand – and Steve emphasizes – how state resources are mobilized without hesitation for war and geopolitical control, while austerity is imposed at home as a political choice rather than an economic necessity.In this time where journalists are under attack (literally) the episode urges solidarity with truth-tellers like Francesca Albanese who confront imperialist violence.Robin Andersen is professor emerita of media studies at Fordham University and an award-winning author of a dozen single- and co-authored books. Her work examines film, television, and media coverage of war, the environment, politics, and elections. She edits the Routledge Focus Book Series on Media and Humanitarian Action, serves as a Project Censored Judge, and contributes to the annual State of the Free Press. Andersen is on the Board of Directors of Fairness and Accuracy in Reporting (FAIR), where she also writes regularly, and is an Izzy Award Judge for the Park Center for Independent Media. Her writing has appeared in CounterPunch, LA Progressive, The Progressive, Salon, Common Dreams, and ScheerPost, among others.@MediaPhiled on X

Today on Uncommon Sense, we're discussing what may be the most consequential political moment of Donald Trump's career. With Trump's approval ratings slipping, the Iran conflict escalating, renewed questions surrounding the Epstein files, and the assassination of Charlie Kirk continuing to reverberate through the conservative movement, many Americans are asking whether these events are isolated, or part of a much larger story.In this episode, I examine the connections I believe may exist between these developments, including my view that the Epstein files may have been used as leverage against powerful political figures and that foreign interests have exerted significant influence over American policy in the Middle East.We'll discuss:Trump's declining support among his baseThe growing controversy surrounding U.S. involvement with IranThe unanswered questions surrounding the Epstein filesThe political impact of Charlie Kirk's assassination and its aftermathWhy I believe these stories intersect in ways the mainstream media refuses to exploreMy goal is not to tell you what to think, but to encourage you to question narratives, follow incentives, and examine who benefits from the decisions being made in Washington.--https://www.bible.com/

Tucker Carlson's most recent news cycle has centered on his ongoing independent media operation, new interviews with polarizing figures, and the political ripples those appearances continue to create. According to the New York Times and Washington Post, Carlson remains focused on his “Tucker Carlson Network,” a subscription-based platform built around long-form video interviews and commentary, in addition to the show he distributes on X. He has continued to use X as his primary mass-audience outlet, releasing episodic monologues and sit-downs with culture war figures, populist politicians, and contrarian experts, positioning himself as an outsider alternative to legacy cable news. In the last few days, political outlets including Politico and Axios report that Carlson has been back in the headlines for his commentary on the U.S. presidential race, immigration, and the direction of the Republican Party. He has amplified criticisms of Republican leadership he sees as too accommodating to establishment interests, and he has continued to praise right-populist movements in Europe and North America, which keeps him central in debates over the future ideological direction of the right. Recent interviews highlighted by outlets like the Daily Mail and Newsweek include conversations with controversial foreign leaders and nationalist thinkers, reinforcing his image as a broadcaster willing to platform voices that traditional U.S. networks either avoid or frame more critically. These appearances have drawn a fresh round of criticism from media commentators at CNN and MSNBC, who argue that Carlson is normalizing authoritarian politics, while sympathetic commentators on conservative sites such as the Daily Caller and the Federalist describe him as one of the few American hosts willing to challenge U.S. foreign policy orthodoxy. On the professional and legal front, major legal developments tied directly to Carlson himself have been relatively quiet compared with the fallout that followed his departure from Fox News and the Dominion defamation settlement. Coverage in outlets like the Wall Street Journal and Variety notes that the bigger unresolved storyline is still the long-term impact of those events: Fox's programming shifts, the network's ratings recalibration after losing its top host, and the way Carlson's independent success on X and via subscription is encouraging other media personalities to consider leaving traditional cable platforms. Media critics in publications such as the Atlantic and Columbia Journalism Review continue to debate Carlson's influence, especially his role in blurring lines between journalism, entertainment, and movement politics. Supporters credit him with challenging elite narratives and building a new right-wing media ecosystem outside corporate control, while detractors argue his framing of issues like immigration, Ukraine, and election legitimacy contributes to polarization and distrust of democratic institutions. Across social platforms, Carlson's interactions with other high-profile figures—from politicians seeking his audience to online influencers eager for cross-promotion—underscore that he remains a power center in conservative media, even without a cable slot. His endorsements or critiques, delivered through interviews or offhand remarks, are still treated as meaningful signals within Republican politics and the broader populist right. Thanks for listening to the Tucker Carlson News Tracker podcast, and don't forget to subscribe. This has been a Quiet Please production, for more check out quiet please dot ai. For more http://www.quietplease.ai Get the best deals https://amzn.to/3ODvOta

In this episode of The Truth In This Art, the guest is Dr. David O. Fakunle II!About Dr. David O. Fakunle II: Dr. David Fakunle II is a Baltimore native, academic, and self-described mercenary for change and celestial body for change who has spent 25 years using art and storytelling for liberation. He is an assistant professor at Morgan State University in the School of Community Health and Policy and associate faculty at Johns Hopkins Bloomberg School of Public Health. He serves as director of the TEACH Division (Transforming Equity through Arts, Culture and Health) at the National Great Blacks in Wax Museum, working intentionally at the intersection of arts, culture, and health.We talk about his evolution as a mercenary and celestial body for change, his role in developing the Urban Cipher game (originally called the Game of Appreciation) during his postdoc at Morgan State University —a Monopoly-style game that models how inequities are built into systems. He discusses his contribution to the paper "Life as We Tell It: A Revolution Through Narratives and Creative Expression," which explores narrative as a determinant of health, and his framework for understanding data: stories are qualitative data that answer "how" and "why," while quantitative data answers "who, what, where, when."Fakunle shares insights from his recent work at the National Academy of Medicine in DC on a national initiative to build trust between communities and health science. He reflects on teaching his 16-person qualitative research class and helping students understand that AI cannot replicate context—only humans can bring meaning and circumstances to statistics. He introduces his concept of the "existential determinants of health"—five universal virtues all humans want: to be acknowledged, appreciated, respected, understood, and loved. He emphasizes the need to embrace stories, not just tolerate them, because "in the stories are your answers," and discusses how storytellers preserve and uplift context in ways that institutions and policy makers need to understand.We also talk about what this work has taught him, the importance of time as the greatest teacher, showing up in person, trusting others to tell his story, and why physical presence still matters in an increasingly digital world.Photo courtesy of subject.  The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

Trump Is Losing. Why Does America Feel Like It's Losing Too? Donald Trump keeps taking hits. His proposed projects are stalling. Legal troubles continue to mount. Poll numbers are sliding. Key initiatives face growing opposition. Even on major international issues, his answers seem increasingly detached from the realities Americans face every day. By many measures, Donald Trump is losing. But if Trump is losing, why does it feel like America is losing too? For millions of Americans, life is becoming harder, not easier. Housing costs remain out of reach. Grocery prices continue to strain family budgets. Political divisions are deeper than ever. Washington remains gridlocked while everyday people struggle to build stable, secure lives. So what happens if Trump's setbacks don't translate into victories for the rest of us? Today, Karel examines the uncomfortable reality that one politician's losses don't automatically become America's wins. More importantly, we'll explore what real success looks like for ordinary Americans—and how we can create it regardless of who occupies the White House. Are we trapped in a cycle where everyone loses? Or is there a path forward that neither political party seems willing to discuss? Join the conversation. Support independent media at Patreon.com/ReallyKarel Subscribe for more daily commentary on politics, culture, entertainment, and the issues shaping our lives: YouTube.com/ReallyKarel The Karel Show streams Monday through Thursday and is available on Apple Podcasts, Spotify, iHeartRadio, Spreaker, and all major podcast platforms. #Trump, #DonaldTrump, #Politics, #PoliticalNews, #America, #USPolitics, #BreakingNews, #CurrentEvents, #Democrats, #Republicans, #ProgressivePolitics, #LiberalPolitics, #PoliticalCommentary, #Election2028, #WhiteHouse, #Congress, #Economy, #Inflation, #CostOfLiving, #MiddleClass, #AmericanDream, #NewsAnalysis, #PoliticalAnalysis, #TrumpNews, #Government, #Voters, #IndependentMedia, #TheKarelShow, #NewsPodcast, #PoliticalPodcast https://youtube.com/live/y6Ui7PIINDc

Today, on the Hudson Mohawk Magazine, First, Sal Rochelle reports from a rally for the release of an Albany father and daughter from Immigration and Customs Enforcement. Then, Mark Dunlea reports on the continued push to urge NYS lawmakers to pass the NY for All Act, much of which was not included in the immigrant protections package. Later on, we speak with William Talen, the persona behind Reverend Billy, who will be at The Sanctuary for Independent Media with his Stop Shopping Choir this Saturday June 6th. After that, this week on Albany Comedy Corner Craig Neslor talks with Tyler Artis about his upcoming show. Finally, Thom Francis welcomes poet, author, and artist Elizabeth Gordon who shared her work at the Year in Review event at The Linda Hosts: Sina Basila Hickey and Caelan McPherson Engineer: Caelan McPherson

Hawk walks through Jonathan V. Last's Bulwark newsletter "The Murder of 60 Minutes," a deep look at how Barry Weiss and the Ellisons are systematically dismantling CBS News and 60 Minutes to appease Donald Trump and clear the path for billion-dollar media mergers. 60 Minutes generated $206 million in advertising revenue in 2024, yet CBS's corporate parent Paramount SkyDance is willing to destroy a profitable and iconic institution. David Ellison paid $150 million for Barry Weiss's Free Press website and installed her at CBS News, where the ratings have cratered across the board. Correspondents Sharon Alphonse and Cecilia Vega were pushed out. Producers Tanya Simon and Drag Mihalovich were fired. Leslie Stahl was bypassed for a Netanyahu interview she had worked on for months. Hawk connects this to the broader pattern of corporate surrender: law firms, universities, media companies, and figures like Jeff Bezos publicly capitulating to Trump in exchange for favorable regulatory treatment. Larry Ellison has reportedly already discussed what he plans to do to CNN anchors Trump dislikes, with Warner Brothers Discovery in Ellison's sights next. SUPPORT & CONNECT WITH HAWK- Support on Patreon: https://www.patreon.com/mdg650hawk - Hawk's Merch Store: https://hawkmerchstore.com - Connect on TikTok: https://www.tiktok.com/@mdg650hawk7thacct - Connect on TikTok: https://www.tiktok.com/@hawkeyewhackamole - Connect on BlueSky: https://bsky.app/profile/mdg650hawk.bsky.social - Connect on Substack: https://mdg650hawk.substack.com - Connect on Facebook: https://www.facebook.com/hawkpodcasts - Connect on Instagram: https://www.instagram.com/mdg650hawk - Connect on Twitch: https://www.twitch.tv/mdg650hawk ALL HAWK PODCASTS INFO- Additional Content Available Here: https://www.hawkpodcasts.comhttps://www.youtube.com/@hawkpodcasts- Listen to Hawk Podcasts On Your Favorite Platform:Spotify: https://spoti.fi/3RWeJfyApple Podcasts: https://apple.co/422GDuLYouTube: https://youtube.com/@hawkpodcastsiHeartRadio: https://ihr.fm/47vVBdPPandora: https://bit.ly/48COaTB

Ralph speaks to independent investigative journalist Lylla Younes to discuss her reporting on Israel's assault on southern Lebanon. Then, Ralph and media studies professor Robin Andersen discuss her new book "The Complicit Lens: US Media Coverage of the Genocide in Gaza."Lylla Younes is a Beirut-based journalist. She is an editor at The Public Source, and a frequent contributor to Drop Site News.What we've seen in the past several days is really an escalation of what's been happening since March 2nd (when the US-Israeli assault on Iran took off) and then obviously the ceasefire… What we see is a campaign of ethnic cleansing from the Israeli military in Lebanon. And that has looked like the Gaza playbook sped up, you could say, in southern Lebanon. It's looked like invading and bulldozing homes; tearing up roads; destroying, booby-trapping, and detonating entire villages and cultural sites. It's looked like targeting medical personnel—killing, at this point, over 100 since March 2nd (this is in addition to the 130 or so who were killed in the last round of fighting in 2024). In addition to that, the targeting and killing of journalists who are reporting near the border. I think it's important to note there's practically no one left in the border region. Having a press vest on and a microphone and a camera is basically like having a target on your back at this point.Lylla YounesThe pager attack was, I think it's fair to say, one of the darker days of Lebanese history. I think regardless of people's feelings about Hezbollah, the fact that you are setting men alight literally in the streets in cities all across the country, killing children, maiming children—the mark of the pager attack was that these pagers that Hezbollah members were carrying exploded in their faces and blinded them. So you have thousands of blinded people, people missing fingers. And again, some of these are relatives of Hezbollah members. It was a massive event that overwhelmed hospitals across the country. And it also marked the beginning of that 66 day [period] of escalated fighting. And it showed how deeply infiltrated Hezbollah was in an intelligence capacity. This was quite a feat by the Israeli Mossad.Lylla YounesRobin Andersen is professor emerita of media studies at Fordham University and an award-winning author of a dozen single- and co-authored books. She serves as a Project Censored Judge, and contributes to the annual State of the Free Press. She is on the Board of Directors of Fairness and Accuracy in Reporting (FAIR), where she also writes regularly, and is an Izzy Award Judge for the Park Center for Independent Media. Her latest book is The Complicit Lens: US Media Coverage of Israel's Genocide in Gaza.In my book, I look at the directives of the New York Times and CNN, and then I compare it to media coverage. And I found that, in fact, these were the ways [the directives that were passed down] in which the media was presenting the genocide in Gaza…But in terms of the Israeli directives, CNN was putting their copy through their Jerusalem bureau and the IDF was looking at it. The New York Times was simply going along with Israeli talking points. So we did find that. And the real telling part was when they finally did say that Israel dropped the bomb, it was only when Israel had admitted—or put their propaganda to the next level, which was to claim that they had killed a Hamas commander or a fighter or somebody involved in Hamas. And we found that also in the BBC. So those were direct things that came from Israel. And abandoning their journalistic mission, the US media was basically following the dictates of a foreign government.Robin AndersenTheir form of censorship was basically murder. They knew that as the genocide wore on (and Israel controlled the narrative for a very long time, and then it started to collapse) as over time we saw on the internet, we saw on our handheld devices the documentation of what was happening [they'd lose control of the narrative]. And so in a total propaganda environment, what we have to have is no noise, no opposition, no alternative information. And Israel really was trying to achieve a total propaganda environment. It wasn't enough that they had establishment in legacy media and those media were allowing outside influences to direct their editorial decisions. That wasn't quite enough.Robin AndersenNews 5/29/26* This week, Democratic Socialist Mayor of New York City Zohran Mamdani unveiled his plan to construct 200,000 new rent-stabilized homes in the city over the next decade, PIX 11 reports, making good on a campaign promise that many supposedly savvy political observers doubted. In addition to the new construction, Mamdani vowed to “preserve and stabilize” an additional 200,000 via New York City Housing Authority (NYCHA) repairs, increased housing code enforcement, and a special focus on development in the Bronx. In his announcement, Mamdani said “We are the largest city in the nation. We have the resources, the talent, and the will to achieve this.”* In the federal government, one of the most controversial members of the Trump administration – former Democratic Congresswoman and presidential candidate Tulsi Gabbard – has resigned her position as Director of National Intelligence (DNI). The BBC reports Gabbard is citing her husband's recent bone cancer diagnosis as the reason for her departure, but also notes that Gabbard “has largely been out of public view even as the US took military action against Iran, put pressure on Cuba, and…removed Venezuela's president.” In theory, these would all require a substantial degree of participation from and coordination with the DNI, but Gabbard seemed pointedly out of the loop. The actions of the administration have also been diametrically opposed to Gabbard's past foreign policy positions, defined by her 2020 slogan “no more regime change wars.” Others have noted that Gabbard now joins former Attorney General Pam Bondi, Labor Secretary Lori Chavez-DeRemer and DHS Secretary Kristi Noem as high-profile women ousted from the Trump administration while glaringly incompetent men like Pete Hegseth remain in their posts.* Turning to Texas, this week saw a political bloodbath in the runoffs for the primaries held back in March. The topline of course is that scandal-plagued Texas Attorney General Ken Paxton, backed by Trump, triumphed over powerful longtime incumbent Senator John Cornyn. With the backing of the president, Paxton wiped the floor with Cornyn, winning around two-thirds of the vote. Yet Paxton goes into the general election against James Talarico very weak. 35% of those polled “Disapprove Strongly” of Paxton with only 15% saying they “Strongly Approve” according to the Texas Politics Project and even the National Republican Senatorial Committee (NRSC) condemned Paxton's “lies” “incompetence” personal scandals and corruption in now-deleted press releases. Further down the ballot, incumbent Democratic Members of Congress Al Green and Julie Johnson have been defeated in their primary run-offs, after being forced into Member-on-Member races by the Texas redistricting scheme.* Meanwhile in Michigan, NOTUS reports the Working Families Party (WFP) has endorsed progressive Senate hopeful Abdul El-Sayed. This primary campaign, with El-Sayed running against moderate Congresswoman Haley Stevens and liberal state Sen. Mallory McMorrow, has become a bruising tripartite affair pitting the three major factions within the Democratic Party against one another. Recently, El-Sayed has taken the lead in this race, which WFP hopes to help consolidate, saying it is prepared to go “all in” on this race. WFP is feeling confident following their role in helping to ensure victory for Chris Rabb in Pennsylvania and Analilia Mejia in New Jersey.* In the Garden State, Senator Andy Kim was caught in a cloud of pepper spray this week as he joined protestors outside of a privately-run ICE detention facility, NJ.com reports. The protests began as a result of an ongoing hunger strike inside of the facility, which has led many high-profile New Jersey Democrats – including Governor Mikie Sherill and Congressman Robert Menendez Jr. in addition to Senator Kim – to call for the facility's closure. Following the confrontation, Kim stated that “What we saw here is unfortunately just what we see all over the country…It's sad…sad day.” At another point, Kim said “The cruelty that you see behind me, this is the point…Right now, I'm trying to have them not point guns at us.”* In another case of outrageous overreach by the Trump administration, Fox reports the Treasury Department has served subpoenas to CodePink activist Medea Benjamin and political streamer and influencer Hasan Piker seeking “financial, logistical and communications information” regarding their recent humanitarian voyage to Cuba. According to this story, the Treasury probe – handled through their Office of Foreign Assets Control – is primarily concerned with whether the convoy “violated U.S. sanctions laws through the financing, coordination or delivery of goods to Cuba, including potential contacts with Cuban government personnel or entities on the island.” The Council on American-Islamic Relations (CAIR) has condemned the probe, writing that “Weaponizing the Treasury Department to target Americans for exercising their constitutional right to support human rights is unacceptable.” CAIR went on to call the investigation “performative and politically-motivated,” contending that “Every American who believes in the rule of law and human rights should stand in solidarity with Medea and demand that the Treasury Department drop its McCarthyite witch hunt.”* The Democrats meanwhile are once again conspiring against one another. The Bulwark reports the campaign to unseat Democratic National Committee Chair Ken Martin is back on – and now includes viable alternatives. Previously, discontent was mounting but there did not appear to be any other options. Presently though, the list circulating in Democratic circles consists of New Mexico Gov. Michelle Lujan Grisham, former EMILY's List president Stephanie Schriock, former president of the Service Employees International Union Mary Kay Henry, former Texas Rep. Beto O'Rourke, former Secretary of Housing and Urban Development Julián Castro, former chair of the Michigan Democratic Party Lavora Barnes, and former Wisconsin party chair Ben Wikler. Wikler, who revitalized the Beaver State party and placed second against Martin in the DNC Chair election, has “rebuffed discussions about leading the DNC, saying he wants nothing to do with effort to remove Martin and isn't interested in replacing him.” Yet even with no obvious alternative, calls are mounting for Martin to step aside. This piece cites statements by progressive Wisconsin Rep. Mark Pocan, as well as a new initiative by the Progressive Change Campaign Committee on one side, alongside statements by more moderate Reps. Marc Veasey and Seth Moulton to the same effect. Still, many state parties and an equally ideologically diverse coalition is standing by Martin, so he will likely remain in place, at least for the time being.* Looking southward, this week Mexican President Claudia Sheinbaum announced that her country will host the Iranian team ahead of the FIFA World Cup. Per Al Jazeera, the United States, which is hosting many of the matches, including all three the Iranian team was scheduled to play in, expressed that they did not think it “appropriate” for Iranian team members to be in the country, “for their own life and safety.” FIFA approached Mexico as an alternative. In her daily press conference, Sheinbaum stated that “We have no reason to deny them the possibility of staying in Mexico.” The Iranian team has also announced they will be moving their training base from Tucson to Tijuana, but still plan to enter the United States to play their games – with Trump saying they will be “welcome,” despite the fact American authorities have yet to issue the necessary visas.* Our final two stories involve the Pope. First, AP reports that this week Pope Leo XIV made an historic apology not only for the Catholic Church's role in legitimizing slavery, but its failure to condemn the practice for centuries afterwards. Pope Leo called this a “wound in Christian memory.” Leo, the first American Pope, can point to both enslaved people and slave owners in his familial lineage, a remarkable vantage point from which to issue this statement in his first ever encyclical ”Magnifica Humanitas.”* Yet, for how historic this section of the encyclical is, it is not the portion of it that drew the most attention. That would be the section on Artificial Intelligence. Pope Leo writes “Humanity, created by God in all its grandeur, is today facing a pivotal choice: either to construct a new Tower of Babel or to build the city in which God and humanity dwell together.” Leo goes on to make the critical point that “technology is never neutral, because it takes on the characteristics of those who devise, finance, regulate, and use it.” He further goes on to state that “the pressure of new ideologies or certain highly powerful interests” can reduce the human person to “a resource to be used and exploited” or evaluated “on what they achieve or produce,” whereas God creates each individual person in His image and imbues them with inherent dignity. It is impossible to say whether the Pontiff's words will move the titans of the tech industry to change their ways, but his moving rhetoric is sure to significantly influence the world's view of AI, both today and for students of history.This has been Francesco DeSantis, with In Case You Haven't Heard. Get full access to Ralph Nader Radio Hour at www.ralphnaderradiohour.com/subscribe

America at 250: What Exactly Are We Celebrating? | Kitchen Talk With Karel America is about to celebrate its 250th birthday… but what exactly are we celebrating? This week, a massive American flag was draped across Hoover Dam to launch the America 250 festivities. But as drought, climate change, political division, attacks on civil rights, and economic anxiety continue to reshape the country, Karel asks the uncomfortable question many Americans are quietly thinking: Is America truly something to celebrate right now? Broadcasting from the kitchen, Karel mixes food, commentary, politics, history, and real talk as he prepares soup and dives into the contradictions of modern America. From the drying of Lake Mead to the growing divide in the nation, this episode of Kitchen Talk is part cooking show, part social commentary, and completely unfiltered. What does patriotism even mean in 2026? And can a country celebrate freedom while so many feel left behind? Support the show at Patreon: patreon.com/reallykarel Subscribe on YouTube: youtube.com/reallykarel Watch live Monday through Thursday at 10:30am PST. #America250, #FourthOfJuly, #AmericanPolitics, #KitchenTalk, #TheKarelShow, #HooverDam, #LakeMead, #ClimateChange, #PoliticalCommentary, #CurrentEvents, #ProgressiveTalk, #America, #USPolitics, #Drought, #LasVegas, #NewsCommentary, #LiberalTalk, #CivilRights, #AmericanHistory, #Patriotism, #CookingShow, #SoupRecipe, #Politics, #SocialCommentary, #YouTubePodcast, #IndependentMedia, #PoliticalDiscussion, #CultureWar, #RealTalk, #Podcast https://youtube.com/live/zVAPT8CDAMg

The News Is Broken—And It's Breaking Your Brain BREAKING NEWS!” Every alert is urgent. Every headline is a crisis. Every story is supposedly the end of the world. But what if the real problem isn't the news… it's the way the news is built? Today on The Karel Show, we dive into the nonstop outrage machine that modern media has become. Fear, anger, panic, urgency—it's all engineered to keep you watching, clicking, doom-scrolling and emotionally exhausted. Are we finally tuning out because the news itself is broken? We'll look at today's biggest headlines and ask: * Which stories truly matter? * Which are manufactured outrage? * And how much of “breaking news” is actually broken journalism? Also: Primm, Nevada—the once-iconic stop between Las Vegas and California—is becoming a modern ghost town. So what killed it? Bad planning? Changing travel habits? Corporate greed? We'll break down the slow collapse of a desert landmark. And the Pope issues a massive warning about Artificial Intelligence in a 43,000-word address—and the tech world immediately shrugs it off. Is the Vatican overreacting… or seeing something Silicon Valley refuses to admit? The Karel Show streams live Monday through Thursday at 10:30 AM PST. Support the show at patreon.com/reallykarel Watch and subscribe at youtube.com/reallykarel Available on Apple Podcasts, Spotify, iHeartRadio, Spreaker, TikTok and Instagram. #BreakingNews, #MediaBias, #NewsMedia, #DoomScrolling, #MainstreamMedia, #KarelShow, #TheKarelShow, #NewsCommentary, #CurrentEvents, #PoliticalCommentary, #PrimmNevada, #LasVegas, #GhostTown, #AI, #ArtificialIntelligence, #PopeFrancis, #TechNews, #MediaCulture, #CableNews, #Journalism, #ModernMedia, #FearMongering, #YouTubeNews, #IndependentMedia, #ViralNews, #TrendingNews, #NewsAnalysis, #DigitalCulture, #PodcastShow, #EntertainmentNews, #LGBTQ, #Vegan, #LasVegas https://youtube.com/live/B7hgi4oK08s

**Will we see you at Macro ‘n Chill on Tuesday? You're invited to join our online gathering where we listen to the episode together and share our insights and questions. May 26 at 8pm ET/5pm PT. Use this link to register https://us06web.zoom.us/meeting/register/UHE6NoSDRbibqXYAeJJ8gQ Disinformation is neither an accident nor excess; it is the normal functioning of late capitalism's media apparatus. Our friend Mickey Huff, executive director of Project Censored, talks with Steve about the machinery of modern propaganda, algorithmic control, and billionaire-owned media ecosystems. Their conversation highlights key tensions of a base and superstructure in decay. Mickey lays out the historical continuity of media manipulation, and they bring up surveillance as a class weapon and electoral distraction as a dead end. (Mickey may be the first guest to mention Gilens and Page before Steve does.)From Silicon Valley oligarchs and tech monopolies to the collapse of local journalism and the rise of curated realities, Steve and Mickey frame today's information war as a struggle over who gets to shape “common sense.” Critical media literacy is not about neutral fact-checking but about exposing whose interests a narrative serves.Mickey Huff is Executive Director of Project Censored, President of the nonprofit Media Freedom Foundation, and Distinguished Director of the Park Center for Independent Media at Ithaca College Find his full bio at https://www.projectcensored.org/mickey-huff/@ProjectCensored on X

In this episode of The Truth In This Art, the guest is Amir Browder and Maxwell Young!About the guests: Amir Browder is the curator, creative director, and founder of Homme Gallery in DC. Maxwell Young is the founder of the Art Shopping Network, a writer, and works on projects that socialize art buying and support living artists, nonprofit institutions, and galleries.We talk about Acquired Taste and what it does: a catalog and platform that socializes art buying through Polaroids from the host's personal archive, prints, editorial interviews and essays, and curated first‑access opportunities that prioritize context and history over speculation. Acquired Taste also runs a virtual component — online catalog materials, digital/3D renderings, and remote programming that operate alongside in‑person activations. Browder and Young explain how conversational, low‑barrier events help people connect with artists as humans, not just names on a wall.They compare running physical programming with online initiatives. Young stresses repurposing existing tools and trying imperfect, practical approaches instead of waiting for something polished; Browder centers collaboration and working together toward shared goals. The roster features alumni from The Truth In This Art, including Xenia Gray, Maurice James, and Esteban Whiteside. They discuss how Acquired Taste and the Art Shopping Network aim to support living artists, artist‑run spaces, and nonprofit institutions, and how local markets and gatherings can strengthen the broader art ecosystem.We also talk about why in‑person gatherings matter and how to make room for artists whose work challenges and expands community conversation.Acquired Taste is a two‑day live auction and exhibition presented by @artshoppingnetwork, arriving at @HOMMEDC on May 29–30. Free RSVP! Join us in DC or tune in live at artshoppingnetwork.com.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

On today's episode of Uncommon Sense with Ginny Robinson, we discuss the political attacks surrounding Thomas Massie, growing concerns over foreign lobbying influence in American politics, and why millions of Americans feel their government no longer represents them.We also discuss the continued secrecy surrounding the Epstein case and why the American people are demanding full transparency, the complete unredacted Epstein files, and lawful accountability for every individual involved regardless of status or political connections.As corruption, manipulation, and moral decay continue spreading through powerful institutions, Americans must hold tightly to their God-given Constitutional rights, speak truth boldly, and refuse to surrender their freedoms out of fear.Truth matters. Justice matters. And no one should be above the law.--https://www.bible.com/

In Indonesia, many alternative and independent media have been born, amid a mass of media that is increasingly feared to be declining in quality. - Di Indonesia banyak lahir media-media alternatif dan independen, di tengah kepungan media yang semakin dikhawatirkan mengalami penurunan kualitas.

In her new book, The Complicit Lens, media scholar Robin Anderson reveals how legacy media in the US presented Israel's genocidal violence in Gaza as defensive and justified, casting doubt on IDF bombings, employing passive language to deflect blame for atrocities, and repeating Israeli talking points, often word-for-word. In this episode of The Marc Steiner Show, Marc speaks with Anderson about the ways US media has systematically run interference for Israel's ongoing genocide in Gaza, aligning its coverage with Israeli military narratives while downplaying—and even condoning—the wholesale massacre of Palestinians. Guests:Robin Andersen is professor emerita of media studies at Fordham University and an award-winning author of a dozen single- and co-authored books. Her work examines film, television, and media coverage of war, the environment, politics, and elections. Anderson edits the Routledge Focus Book Series on Media and Humanitarian Action, serves as a Project Censored Judge, and contributes to the annual State of the Free Press. Andersen is on the Board of Directors of Fairness and Accuracy in Reporting (FAIR), where she also writes regularly, and is an Izzy Award Judge for the Park Center for Independent Media. Her writing has appeared in a range of outlets, including CounterPunch, LA Progressive, The Progressive, Salon, Common Dreams, and ScheerPost.Additional links/info: Robin Anderson, OR Books, The Complicit Lens: US Media Coverage of Israel's Genocide in GazaCredits:Producer: Rosette SewaliStudio Production: David HebdenAudio Post-Production: Stephen FrankBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-real-news-podcast--2952221/support.Help us continue producing radically independent news and in-depth analysis by following us and becoming a monthly sustainer.Follow us on:Bluesky: @therealnews.comFacebook: The Real News NetworkTwitter: @TheRealNewsYouTube: @therealnewsInstagram: @therealnewsnetworkBecome a member and join the Supporters Club for The Real News Podcast today!

In her new book, The Complicit Lens, media scholar Robin Anderson reveals how legacy media in the US presented Israel's genocidal violence in Gaza as defensive and justified, casting doubt on IDF bombings, employing passive language to deflect blame for atrocities, and repeating Israeli talking points, often word-for-word. In this episode of The Marc Steiner Show, Marc speaks with Anderson about the ways US media has systematically run interference for Israel's ongoing genocide in Gaza, aligning its coverage with Israeli military narratives while downplaying—and even condoning—the wholesale massacre of Palestinians. Guests:Robin Andersen is professor emerita of media studies at Fordham University and an award-winning author of a dozen single- and co-authored books. Her work examines film, television, and media coverage of war, the environment, politics, and elections. Anderson edits the Routledge Focus Book Series on Media and Humanitarian Action, serves as a Project Censored Judge, and contributes to the annual State of the Free Press. Andersen is on the Board of Directors of Fairness and Accuracy in Reporting (FAIR), where she also writes regularly, and is an Izzy Award Judge for the Park Center for Independent Media. Her writing has appeared in a range of outlets, including CounterPunch, LA Progressive, The Progressive, Salon, Common Dreams, and ScheerPost.Additional links/info: Robin Anderson, OR Books, The Complicit Lens: US Media Coverage of Israel's Genocide in GazaCredits:Producer: Rosette SewaliStudio Production: David HebdenAudio Post-Production: Stephen FrankBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-marc-steiner-show--4661751/support.Follow The Marc Steiner Show on Spotify and Apple Podcasts.Help us continue producing The Marc Steiner Show by following us and becoming a monthly sustainer.Sign up for our newsletterFollow us on BlueskyLike us on FacebookFollow us on TwitterDonate to support this podcast

In this episode of The Truth In This Art, the guest is Sarah B. McCann!About Sarah B. McCann: Sarah is an artist, curator, and founder of SBM Gallery in Baltimore's Highlandtown Arts District. Her text-based mosaics, prints, and multimedia work has been shown nationally. She spent 15 years curating exhibitions nomadically before opening her own space this year.We talk about launching SBM Gallery and what it means to her to support artists working with love and justice—artists using their work to push for change and move us closer to where we could be. She walks through the gallery's programming: an Artists in Conversation speaker series, collector coffees, and events around Highlandtown's First Friday Art Walks. Sarah also shares how she builds real community among her artists—she hosts dinners before group shows so people actually connect as humans, not just as names hanging on the same walls.Sarah talks about shifting from nomadic curating to having her own space. She remembers unwrapping the first painting during COVID in 2021—the color, texture, and smell of that moment reminded her why we still need to show up in person. We get into how running an independent gallery lets her support artists who might not get institutional backing, upcoming shows like "All My Errors Are Human" about making mistakes in an AI world, and her own return to painting and clay after years of focusing on everyone else's work.We also talk about what it takes to build an art space with intention, why physical gatherings still matter, and how to make room for artists whose work pushes us to be better.Visit sbmgallery.com to explore the full exhibition lineup and programming through July.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

The collapse in trust of the mainstream corporate press in the aftermath of the COVID-19 era was to be expected, with many people finally waking up to the propaganda. Finding sources of authentic news has become more difficult as organizations are throttled out of existence on video platforms or hidden away by the algorithm.Indie has been curating subversive content at Indie News Now by dangerous writers, fearless journalists, and independent content creators for years. His network of shows bridges the gap from deep state politics to light non-state comedy.—Guest LinksIndie: www.IndieNewsNow.com—Video ChannelsWatch the video version of Macroaggressions:Rumble: https://rumble.com/c/Macroaggressions YouTube: https://www.youtube.com/@MacroaggressionsPodcastBrighteon: https://www.brighteon.com/channels/macroaggressions/—MACRO & Charlie Robinson LinksHypocrazy Audiobook: https://amzn.to/4aogwmsThe Octopus of Global Control Audiobook: https://amzn.to/3xu0rMmWebsite: www.Macroaggressions.ioMerch Store: https://macroaggressions.dashery.com/ Link Tree: https://linktr.ee/macroaggressionspodcast—Activist Post FamilySign up for the Activist Post Newsletter: https://activistpost.kit.com/emailsActivist Post: www.ActivistPost.comNatural Blaze: www.NaturalBlaze.com —Support Our SponsorsGround Luxe Grounding Mats: https://GroundLuxe.com/MACROReplace Your Mortgage: www.WipeOutYourMortgageNow.comC60 Power: https://go.ShopC60.com/PBGRT/KMKS9/ | Promo Code: MACROChemical Free Body: https://ChemicalFreeBody.com/macro/ | Promo Code: MACROWise Wolf Gold & Silver: https://Macroaggressions.Gold/ | (800) 426-1836LegalShield: www.DontGetPushedAround.comEMP Shield: www.EMPShield.com | Promo Code: MACROChristian Yordanov's Health Program: www.LiveLongerFormula.com/macroAbove Phone: https://AbovePhone.com/macro/Van Man: https://VanMan.shop/?ref=MACRO | Promo Code: MACROThe Dollar Vigilante: https://DollarVigilante.spiffy.co/a/O3wCWenlXN/4471Nesa's Hemp: www.NesasHemp.com | Promo Code: MACROAugason Farms: https://AugasonFarms.com/MACRO—

The Breakout YouTube National Security Star on How Do We Know What's True? The Drone War is War Now. Independent Media and War Coverage. Air Force Saves 11 After Plane Crash. Who can we believe on national security? That's the question driving this conversation. Paul sits down with Preston Stewart — West Point grad, two-tour Afghanistan combat veteran, field artillery officer, and the independent national security analyst who has built a million-plus YouTube following by cutting through the spin. They open with Iran, where the ceasefire is buying time but solving nothing, where Iran's missile and drone capacity is far less degraded than the White House claims, and where the Strait of Hormuz remains a loaded gun aimed at the global economy. Then they widen the aperture to Xi Jinping flexing on Taiwan, a Chinese regime that plays a hundred-year game while Washington burns through munitions in months. From there it's Ukraine — where, for the first time since 2022, Kyiv has the momentum, hammering Russian air defense, oil refineries, and logistics deep behind the lines with homegrown long-range drones. Preston breaks down the kinetic sanctions strategy, the magazine-depth problem haunting the Pentagon, the terrorism threat we've quietly back-burnered, and the domestic deployments Trump is telegraphing for the World Cup summer. It's a no-BS conversation about what's actually happening on the modern battlefield, why independent veteran voices are filling the vacuum corporate media left behind, and why staying focused — on Iran, on Ukraine, on Taiwan — is now an act of citizenship. -WATCH full video of this episode here. -Join IVA and stand up to Trump's Forever Wars. -Learn more about Paul's work to elect a new generation of independent leaders with Independent Veterans of America. -Learn more about American Veterans for Ukraine here. -Remember Independent is an Attitude. -Learn more about The Headstrong Project for Veterans, Tragedy Assistance Program for Survivors (TAPS), and Department of Veterans Affairs resources in your area. Seeking support is not a sign of weakness. It's a show of strength. If you or a loved one are in immediate crisis, dial 988 and press 1, or text 838255. Connect with Independent Americans: Subscribe on YouTube, Spotify, Apple Podcasts, and all podcast platforms Read more at Substack Support ad-free episodes at Patreon  Connect: Instagram  • X/Twitter • BlueSky • Facebook  Follow on social: @PaulRieckhoff on X, Instagram, Threads, and Bluesky -Join the movement. Hook into our exclusive Patreon community of Independent Americans. Get extra content, connect with guests, meet other Independent Americans, attend events, get merch discounts, and support this show that speaks truth to power.  -And get cool IA and Righteous hats, t-shirts and other merch now in time for the new year.  Independent Americans is powered by veteran-owned and led Righteous Media.  And now part of the BLEAV network!  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

THE TRUTH IS NOW CONTROVERSIAL — And That Should Terrify You 26-78 We live in a time where outrage is entertainment, misinformation spreads faster than facts, and absurdity is rewarded with clicks, followers and fame. But tell the truth? That's where the real danger begins. In this episode of The Karel Show, Karel explores why honesty has become the most controversial thing in modern life. Why are people punished for uncomfortable truths while lies thrive online? Why has truth become something people fear instead of value? From social media algorithms to modern politics, outrage culture to entertainment, we've built a world where being loud matters more than being right. And when someone dares to say what's real, they risk censorship, backlash and isolation. Plus, Karel reacts to the controversy surrounding The Boys and the reaction after commenting on the fate of the show's bi character — and why representation in film and television still comes with consequences. Watch, like and subscribe to The Karel Show on YouTube and support independent media at Patreon. #Truth, #Censorship, #TheKarelShow, #FreeSpeech, #MediaBias, #Politics, #SocialMedia, #CultureWar, #CancelCulture, #TheTruth, #Commentary, #NewsAnalysis, #EntertainmentNews, #TheBoys, #LGBTQ, #RepresentationMatters, #Hollywood, #StreamingTV, #CurrentEvents, #Podcast, #IndependentMedia, #TruthMatters, #ViralCulture, #ModernSociety, #PoliticalCommentary, #YouTubePolitics, #CulturalCommentary, #TrendingNews, #NewsPodcast, #Karel https://youtube.com/live/50LSk76qakk

Today, on the Hudson Mohawk Magazine, First, Ruth Foster of Divest NY speaks on Comptroller DiNapoli's investments in Big Oil. Then, Willie Terry covers the NY Statewide Senior Action Council, "2026 Annual Senior Grassroots Advocacy Day" in Albany. Later on, Diane Mbombo-Tite speaks on growing up in the Democratic Republic of Congo and her immigration story on another episode of Triple E's. After that, we hear about “Storytime from Palestine,” part of the “Sowing seeds for Palestine” event taking place at Yesfolk Tonics on May 23. Finally, we hear from Guinean musician Natu Camara ahead of her performance at The Sanctuary for Independent Media on May 15 at 7pm!

In this episode of The Truth In The Art, I sit down with Sam Furnish—founder of Bemo's Clothing and the guy behind Baltimore's "born in Baltimore" premium civvies movement.About Sam Furnish: Sam launched Bemo's Clothing in 2025 after years in the outdoor industry learning product development and manufacturing. The brand name comes from his father's childhood nickname—"Bemo"—given by Sam's grandpa in 1950s Midwest America alongside nicknames like "Peavy" and "Muley." When Sam moved to Baltimore and locals said "B-more," it sounded just like his dad's name. Bemo's Clothing is his homage to both the man and the city that raised him.We talk about that origin story and why it matters—how family legacy and Baltimore identity aren't just branding, they're the foundation of everything he makes. Sam's creating what he calls "premium civvies" and "born in Baltimore" pieces: clothing that reminds you of that perfect shirt or jacket you found in your parents' attic that suddenly became your go-to. Vintage-inspired but made with modern materials and finishes.We get into his design philosophy: he'd rather make a few story-driven pieces than chase endless inventory. We discuss the realities of sourcing and manufacturing as an independent brand, how he's building community through collaborations with BMore Flea and Broadway Market, and why his clothing is meant to spark conversations and serve as wearable representations of Baltimore itself.We also dig into what it means to build a brand with intention in an industry obsessed with scale and constant drops, how he thinks about creating pieces meant to last generations, and why quality and meaning trump volume.Sam's mission: make clothing that carries real stories, celebrate what makes Baltimore unique, and build a brand that brings people together—not just fills closets.Follow along at https://www.instagram.com/bemosclothing/ or check out https://bemosclothing.com/.Listeners can use code THETRUTHINITSART for 30% off. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

Why Are Conservatives SO Triggered By Pride Flags? | Trump, FIFA & The Culture War Explained Pride Month is here, and once again the culture war is raging over one thing: the rainbow flag. Iran wants FIFA to ban Pride flags, Trump allies want them removed from public spaces, and cities across America are fighting over Pride displays and even rainbow sidewalks. But why does a symbol of inclusion make so many people so angry? Today on The Karel Show, Karel breaks down the real reason Pride flags trigger certain conservatives, the politics behind the outrage, and why LGBTQ visibility still scares so many in 2026. Plus: * Trump prepares for a very different showdown with China's leader Xi Jinping — and this isn't Putin. * FDA turmoil erupts as Marty Makary reportedly clashes with Trump-world over flavored vape policies. * Why vaping is far more dangerous than people admit. * And on The Boys, Sister Sage proves a painful truth liberals often forget: intelligence without strategy can still lose. The culture wars aren't slowing down — they're escalating. Support independent media and The Karel Show at: Patreon Watch and subscribe: YouTube Channel Streaming everywhere including Apple Podcasts, Spotify, iHeartRadio and Spreaker. #PrideFlag, #PrideMonth, #LGBTQ, #Trump, #FIFA, #RainbowFlag, #CultureWar, #Politics, #GayRights, #Pride2026, #Conservative, #Liberal, #TheBoys, #SisterSage, #XiJinping, #China, #FDA, #Vaping, #News, #CurrentEvents, #PoliticalCommentary, #LGBTQRights, #Equality, #Podcast, #YouTubePolitics, #DonaldTrump, #Pride, #CultureWars, #IndependentMedia, #TheKarelShow https://youtube.com/live/Zy3yAlj2gEY

Trump's Food Stamp Cuts Are Leaving Americans STARVING | Arizona Crisis Spreads Nationwide From https://www.nbcnews.com/news/us-news/trump-food-stamp-cuts-children-arizona-hungry-big-beautiful-bill-rcna343922 Children and families in Arizona are going hungry — and many say Donald Trump's policies are to blame. Food stamp cuts, rising costs, and corporate greed are pushing working Americans to the edge while billionaires continue collecting tax breaks and corporate welfare. If this can happen in Arizona, your state could be next. In this episode of The Karel Show, heartbreaking stories reveal the real human cost of SNAP and food assistance cuts, and why millions of Americans are one emergency away from disaster. Why are we allowing this in the richest country on Earth? Plus, real estate expert David Etheridge from Keller Williams Orlando joins the show to discuss whether NOW is the right time to buy a house, how Iran tensions could impact the economy and housing market, mortgage fears, interest rates, and what buyers and sellers should expect next. Also, new developments in Savannah Guthrie's mother's case may finally bring answers. What did investigators discover, and why does it feel like we already know how this story ends?

My Undesirable Friends: Part I—Last Air in Moscow (2024) is Russian-language American documentary film written and directed by Julia Loktev (with co-director Anna Nemzer). The film describes the effort to maintain press freedoms in Putin's Russia in the period leading up to the full-scale invasion of Ukraine in February 2022. The documentary provides an intimate portrait of independent Russian journalists—mainly young women—who risk everything to pursue truth and accountability amidst escalating repression under the Putin regime. Filmed in late 2021 and early 2022, the documentary captures how the legal machinery of censorship, surveillance, and state-harassment converged to crush internal dissent and incapacitate civil society. It not only provides a profoundly disturbing account of what has occurred in Russia but also serves as a broader warning about the fragility of press freedoms and in a time of rising authoritarianism worldwide. Timestamps:0:00      Introduction2:45       How the film came about5:25       A primer on Russian censorship and repression15:15      “Foreign agents” and “undesirable organizations”23:32     Social marginalization through the creation of an enemies list 28:46     State persecution of TV Rain and other independent media 32:45     The manipulation of language36:30     Identifying the pivotal moment 43:36     How the film captures the elimination of press freedoms48:26     Courts and lawyers53:27     The Kremlin's public mobilization to support the war in Ukraine58:53     Independent journalism in exile1:02:17   Parallels to the United States under TrumpFurther reading:Chang, Justin, “‘My Undesirable Friends: Part I' Is a Staggering Portrait of Russian Journalists in Dissent,” New Yorker (Aug. 14, 2025)Edel, Anastasia, “Putin vs. the Press,” Foreign Policy (Oct. 3, 2025)Human Rights Watch, Russia's Legislative Minefield: Tripwires for Civil Society Since 2020 (2024)Human Rights Watch, Disrupted, Throttled, and Blocked State Censorship, Control, and Increasing Isolation of Internet Users in Russia (2025)Krupskiy, Maxim, “The Impact of Russia's ‘Foreign Agents' Legislation on Civil Society,” Fletcher Russia & Eurasia Program (2023)Troinovski, Anton & Safronova, Valeriya, “Russia Takes Censorship to New Extremes, Stifling War Coverage,” New York Times (May 18, 2022)Yablokov, Ilya & Gatov, Vasily, “Broadcasting through the (New) Iron Curtain: Practices, Challenges, and Legacies of Russia's Independent Media in Exile,” Journalism Studies (Feb. 11, 2025)Law on Film is created and produced by Jonathan Hafetz. Jonathan is a professor at Seton Hall Law School. He has written many books and articles about the law. He has litigated important cases to protect civil liberties and human rights while working at the ACLU and other organizations. Jonathan is a huge film buff and has been watching, studying, and talking about movies for as long as he can remember. For more information about Jonathan, here's a link to his bio: https://law.shu.edu/profiles/hafetzjo.htmlYou can contact him at jonathanhafetz@gmail.comYou can follow him on X (Twitter) @jonathanhafetz You can follow the podcast on X (Twitter) @LawOnFilmYou can follow the podcast on Instagram @lawonfilmpodcast

One Casualty of the Trump Era: America Is Losing Its Inspiration Has America lost its ability to dream, create, and feel inspired? This week on The Karel Show, Karel shares a deeply personal realization after spending hours in a camera store for the first time in nearly 50 years. What started as a search for a new camera became something much bigger: a conversation about creativity, burnout, fear, politics, and why so many Americans are desperate to reconnect with inspiration again. A 70-year-old woman searching for a camera to reignite her love of night photography. Musicians upgrading studios to create again. Artists trying to unplug from endless chaos, war, inflation, and division. The message was everywhere: People are exhausted by survival mode and want their lives back. In this episode: * Why inspiration is becoming one of the biggest casualties of modern America * The emotional toll of nonstop politics, war, and economic anxiety * How rising prices and uncertainty are crushing creativity * Why people are searching for hobbies, art, music, photography, and meaning again * UK voters send a warning shot to leadership as global frustration grows * Iran, Ukraine, Putin, Trump, and the nonstop pressure of the modern news cycle Plus: Why creating art may now be an act of resistance.

Happy Mother's Day to all of the incredible mothers out there. Today's episode is a deeper conversation about the urgent need for stronger, more biblical men and women in our culture, people willing to stand for truth, protect the vulnerable, and refuse to stay silent in the face of evil.We discuss the ongoing outrage surrounding the Epstein files, the lack of accountability for powerful people, and the broader cultural failure to protect victims from wicked and predatory individuals. But this conversation goes beyond headlines. It's about morality, courage, justice, faith, and what happens when societies stop valuing strong families, strong character, and biblical principles.This episode is ultimately about hope too, because evil does not win forever. Real justice matters, truth matters, and good people still have a responsibility to speak up.

Robin Andersen's latest book, The Complicit Lens: US Media Coverage of Israel's Genocide in Gaza (OR Books, 2026), is a forensic and unflinching examination of how establishment media abandoned journalistic integrity to manufacture consent for the genocide in Gaza, creating an environment in which unprecedented escalations and war crimes have become a terrifying new normal. Since October 7th 2023, the story of what was to become the genocide in Gaza was immediately shaped by the mobilisation of a very particular narrative: one of unprovoked terror, of Israel's right to defend itself, of a war between equals. What was not made clear, and what Andersen's book documents in meticulous detail, was the extent to which those attacks would be used by Western elites, the global military industrial complex, and US legacy media to condone a full-scale genocide, including horrors that continue as this book goes to print, despite a ceasefire. The Complicit Lens is published by OR Books in collaboration with the Institute for Palestine Studies, and features an introduction by the Palestinian historian Rashid Khalidi, who writes: "This book does not make for easy reading. Andersen walks us through the mainstream media's misleading coverage, its bland and unquestioning repetition of lies and distortions by spokespersons for the Israeli and US governments, and its racist defamation of the Palestinians, when it is not ignoring their voices entirely. In analyzing this dereliction of the most basic duties of journalists, she offers detailed alternative and independent media accounts of Israel's massacres, its intentional destruction of the infrastructure necessary for normal life, and its starvation of over two million people, obscured by this almost universal mainstream media malpractice." About the Author Robin Andersen is professor emerita of media studies at Fordham University and an award-winning author of a dozen single- and co-authored books. Her work examines film, television, and media coverage of war, the environment, politics, and elections. She edits the Routledge Focus Book Series on Media and Humanitarian Action, serves as a Project Censored Judge, and contributes to the annual State of the Free Press. Andersen is on the Board of Directors of Fairness and Accuracy in Reporting, where she also writes regularly, and is an Izzy Award Judge for the Park Center for Independent Media. About the Host Stuti Roy is currently an editor at Oxford University Press. She has recently graduated with an MPhil in Modern South Asian Studies from the University of Oxford and holds a BA in Political Science from the University of Toronto. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Robin Andersen's latest book, The Complicit Lens: US Media Coverage of Israel's Genocide in Gaza (OR Books, 2026), is a forensic and unflinching examination of how establishment media abandoned journalistic integrity to manufacture consent for the genocide in Gaza, creating an environment in which unprecedented escalations and war crimes have become a terrifying new normal. Since October 7th 2023, the story of what was to become the genocide in Gaza was immediately shaped by the mobilisation of a very particular narrative: one of unprovoked terror, of Israel's right to defend itself, of a war between equals. What was not made clear, and what Andersen's book documents in meticulous detail, was the extent to which those attacks would be used by Western elites, the global military industrial complex, and US legacy media to condone a full-scale genocide, including horrors that continue as this book goes to print, despite a ceasefire. The Complicit Lens is published by OR Books in collaboration with the Institute for Palestine Studies, and features an introduction by the Palestinian historian Rashid Khalidi, who writes: "This book does not make for easy reading. Andersen walks us through the mainstream media's misleading coverage, its bland and unquestioning repetition of lies and distortions by spokespersons for the Israeli and US governments, and its racist defamation of the Palestinians, when it is not ignoring their voices entirely. In analyzing this dereliction of the most basic duties of journalists, she offers detailed alternative and independent media accounts of Israel's massacres, its intentional destruction of the infrastructure necessary for normal life, and its starvation of over two million people, obscured by this almost universal mainstream media malpractice." About the Author Robin Andersen is professor emerita of media studies at Fordham University and an award-winning author of a dozen single- and co-authored books. Her work examines film, television, and media coverage of war, the environment, politics, and elections. She edits the Routledge Focus Book Series on Media and Humanitarian Action, serves as a Project Censored Judge, and contributes to the annual State of the Free Press. Andersen is on the Board of Directors of Fairness and Accuracy in Reporting, where she also writes regularly, and is an Izzy Award Judge for the Park Center for Independent Media. About the Host Stuti Roy is currently an editor at Oxford University Press. She has recently graduated with an MPhil in Modern South Asian Studies from the University of Oxford and holds a BA in Political Science from the University of Toronto. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Robin Andersen's latest book, The Complicit Lens: US Media Coverage of Israel's Genocide in Gaza (OR Books, 2026), is a forensic and unflinching examination of how establishment media abandoned journalistic integrity to manufacture consent for the genocide in Gaza, creating an environment in which unprecedented escalations and war crimes have become a terrifying new normal. Since October 7th 2023, the story of what was to become the genocide in Gaza was immediately shaped by the mobilisation of a very particular narrative: one of unprovoked terror, of Israel's right to defend itself, of a war between equals. What was not made clear, and what Andersen's book documents in meticulous detail, was the extent to which those attacks would be used by Western elites, the global military industrial complex, and US legacy media to condone a full-scale genocide, including horrors that continue as this book goes to print, despite a ceasefire. The Complicit Lens is published by OR Books in collaboration with the Institute for Palestine Studies, and features an introduction by the Palestinian historian Rashid Khalidi, who writes: "This book does not make for easy reading. Andersen walks us through the mainstream media's misleading coverage, its bland and unquestioning repetition of lies and distortions by spokespersons for the Israeli and US governments, and its racist defamation of the Palestinians, when it is not ignoring their voices entirely. In analyzing this dereliction of the most basic duties of journalists, she offers detailed alternative and independent media accounts of Israel's massacres, its intentional destruction of the infrastructure necessary for normal life, and its starvation of over two million people, obscured by this almost universal mainstream media malpractice." About the Author Robin Andersen is professor emerita of media studies at Fordham University and an award-winning author of a dozen single- and co-authored books. Her work examines film, television, and media coverage of war, the environment, politics, and elections. She edits the Routledge Focus Book Series on Media and Humanitarian Action, serves as a Project Censored Judge, and contributes to the annual State of the Free Press. Andersen is on the Board of Directors of Fairness and Accuracy in Reporting, where she also writes regularly, and is an Izzy Award Judge for the Park Center for Independent Media. About the Host Stuti Roy is currently an editor at Oxford University Press. She has recently graduated with an MPhil in Modern South Asian Studies from the University of Oxford and holds a BA in Political Science from the University of Toronto. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

Natu Camara feeds energy from her audience. Her recent album DIMEDI infuses her Guinean roots with Malian sounds and was recorded in Salif Keita's studio. She spoke with Sina Basila Hickey as said the album turned out just as she wanted: "mellow, sweet, and also easy to change on stage, so I can play a soft album into a fire album on stage." Natu also said that concert attendees should bring their dancing shoes but to also be ready for emotion. Natu Camara will perform at The Sanctuary for Independent Media on May 15, 2026. Learn more and get your tickets here https://www.mediasanctuary.org/event/natu-camara/

In this episode of The Truth In This Art, Rachel Mijares-Fick returns to the program.About: Rachel Mijares-Fick is the co-founder of Future Fair, an art fair in New York. She co-founded it in 2020 during the pandemic with Rebeca Laliberte. Future Fair is a trade show where art galleries, artist collectives, and independent curators from all over the world come and set up exhibitions. The fair focuses on emerging and under-recognized voices in the art world. Future Fair has launched careers of artists and art dealers over six years and is a fabric of the New York art world.The conversation covers the fair's sixth edition at Chelsea Industrial, a ground floor venue on the corner of 28th and 11th in Chelsea, New York City. Exhibitors include Wondering People (London, UK), under the pale blue (Ridgewood, NY), and Wishbone Gallery (Montreal, Canada). Mijares-Fick discusses Future Talks, a new conversations program supported by ArtLogic, a business management platform for galleries, artists, and collectors. Future Talks features rising thought leaders in the art world—artists, collectors, curators, dealers, and funders—having conversations about topics like "The Future Economy of the Artist Studio," which examines how artists are sustaining their practices today as traditional models of patronage, institutional support, and market driven income continue to shift.The discussion also touches on the physicality of art and why people want to see the hand that painted a piece or feel the physicality of objects that artists create. There's the magic that happens when people are physically in space together at art exhibitions. Future Fair creates a warm, welcoming, and open environment with intentionality, intimacy, and accessibility that makes the contemporary art experience conversational.Future Fair runs May 13-16, 2026 (Wednesday through Saturday) at Chelsea Industrial, corner of 28th and 11th in Chelsea — FutureFairs.com---If you're in New York this May, check out Future Fair, the forward-thinking contemporary art fair returning to Chelsea for its sixth edition, May 13 to 16, 2026. This year's fair brings together 68 exhibitors from around the world, with a strong focus on curatorial vision, emerging and under-recognized voices, and a community-driven approach. The Truth in This Art listeners can get 30% off tickets with the code TITA2026 at futurefairs.com.  The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In The Art, the guest is Omri D. Cohen!Who is Omri D. Cohen: Author of Questions to Humanity — a collection born from five months backpacking South America — Omri has spent six years asking one question to 700 people across 50+ nationalities, documenting stories and street/landscape photography that reached millions.Omri D. Cohen talks about his journey leaving home to backpack South America, the process of gathering perspectives for his book Questions to Humanity, building a video series from those encounters, and how storytelling and photography can foster curiosity and connection across cultures. We also dig into the logistics of long-form travel projects, publishing the book, and bringing strangers' wisdom into public conversation.His aim throughout: to inspire curiosity, celebrate diverse voices, and create moments of belonging through questions and stories.For updates, follow https://www.instagram.com/qtohumanity/ and check out QuestionsToHumanity.com. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

Richie is joined by the legendary Gerald Celente, the Jazz Man of the Independent Media. Gerald is the publisher and editor of The Trends Journal. With a 40-year track record of identifying, tracking and forecasting trends, he is renowned as the Number 1 Trend Forecaster. On today's show Gerald discusses the royal visit to the US, why he believes the war on Iran might go on and on, Israel's nukes, the death of civil liberties and much more. Don't miss this show. https://trendsjournal.com/https://www.youtube.com/@trendsjournal

  Aaron is joined by Robin Andersen, author of The Complicit Lens: US Media Coverage of Israel's Genocide in Gaza. Robin Andersen is professor emerita of media studies at Fordham University and an award-winning author of a dozen single- and co-authored books. Her work examines film, television, and media coverage of war, the environment, politics, and elections. She edits the Routledge Focus Book Series on Media and Humanitarian Action, serves as a Project Censored Judge, and contributes to the annual State of the Free Press. Andersen is on the Board of Directors of Fairness and Accuracy in Reporting (FAIR), where she also writes regularly, and is an Izzy Award Judge for the Park Center for Independent Media. Her writing has appeared in CounterPunch, LA Progressive, The Progressive, Salon, Common Dreams, and ScheerPost, among others. American Exception followers on Patreon, regardless of the tier, get first access to new episodes! Paid subscribers enjoy access to the entire library of the best historical analysis of deep events on the American Exception podcast.  Subscribe to our Patreon at https://patreon.com/americanexception Special thanks to: Dana Chavarria, production Casey Moore, graphics Michelle Boley, animated intro Mock Orange, music

Earlier this month, Donald Trump posted an AI picture that seemed to depict him as Jesus Christ. On the week's On the Media, why the image drew so much ire from Trump's own followers. Plus, why The Onion, a satirical newspaper, is taking over the website of conspiracy theorist Alex Jones. [01:00] Host Brooke Gladstone sits down with David Gilbert, reporter at WIRED covering disinformation and online extremism, to discuss the backlash among MAGA supporters to some of President Trump's recent Truth Social posts, and how he is seeing more anger toward Trump in rightwing media spaces.  [15:49] Host Micah Loewinger speaks with Ben Collins, CEO of Global Tetrahedron–the parent company of the satirical newspaper The Onion–about the long saga of trying to buy right-wing conspiracist Alex Jones' media empire, InfoWars. Then, Micah chats with Tom Heidecker, newly named creative director of InfoWars, about how he plans to turn the website and studio into a place for comedy. [30:55] Micah talks with Amy Goodman, host of Democracy Now!, about “Steal This Story, Please!,” a new documentary about her forty-year career as an investigative journalist, radio host, and trailblazer of independent media. Plus, they discuss the often-blurred lines between activism and journalism, and why she prioritizes truth over access in her reporting.    Further reading / watching: “Staunch Trump Supporters Are Now Asking if He's the Antichrist,” by Makena Kelly and David Gilbert “MAGA Is Starting to Look Beyond Trump,” by David Gilbert “At Long Last, InfoWars Is Ours,” by Bryce P. Tetraeder “Steal This Story, Please!” (documentary)   Hi On The Media listeners, we want to hear from you! Taking this podcast survey takes about 20 minutes and your feedback will help us make our podcast better! There are no wrong answers, just your honest take. Take the survey here (onthemedia.org/survey).On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Bluesky, TikTok and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.

In this episode of The Truth In This Art, the guest is Alex Jennings!Who is Alex Jennings: Author, poet, and former standup comedian who lived in New Orleans for nearly 20 years—now working on his second novel from Chicago. You might remember Alex from my New Orleans series where we discussed his book, The Ballad of Perilous Graves, here. In our conversation, Jennings talks through his new book Dead End Boys—set in an alternate New Orleans where communicating with the dead is the main industry. He connects the project to comedy and digs into how moving from Louisiana to Chicago reshaped his rhythm. As he puts it, the book is "a chance to say something about blackness, about the pandemic and about the creep of fascism."He recalls discovering Henry Dumas and heading back to New Orleans for the Tolodano Comedy Festival. We get into living in one place longer than anywhere else, balancing graduate degrees with novel writing, and how that shift shaped his voice.Be sure to follow Alex Jennings to keep up with his work and future projects.Photo courtesy of subject The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

Stay informed on current events, visit www.NaturalNews.com  - Introduction and Initial Reports (0:12) - Geopolitical Tensions and US Military Strategy (2:56) - White House Theatrics and Fake News (11:22) - Mathematical Discovery and Its Implications (18:09) - NAND Gates in Opto Electronics and Light-Based Computing (36:59) - Light as the Computational Backbone of the Universe (39:53) - Critique of Lululemon and Toxic Clothing (57:19) - Empire Terminating Event and US Military Decline (1:13:19) - Currency Consequences and US Dependence on Petro Dollar (1:16:45) - Iran's Control Over the Strait and Currency Issues (1:17:00) - The Role of the Dollar and the Petro-Dollar (1:24:26) - The Decline of NATO and U.S. Global Influence (1:28:33) - The Future of U.S.-China Relations and U.S. Arrogance (1:31:30) - The Role of Independent Media and the Importance of Knowledge (1:35:52) Watch more independent videos at http://www.brighteon.com/channel/hrreport  ▶️ Support our mission by shopping at the Health Ranger Store - https://www.healthrangerstore.com ▶️ Check out exclusive deals and special offers at https://rangerdeals.com ▶️ Sign up for our newsletter to stay informed: https://www.naturalnews.com/Readerregistration.html Watch more exclusive videos here:

It's the 50th anniversary of Project Censored, so we had another great discussion w/ its director Mickey Huff of Project about the history of muckraking and how it evolved into the corporate media we have today. We also discussed evolution of media in the Vietnam, Watergate eras and after toward a more complicit approach with government which has led us to the current moment of Trump's threats and intimidation of the media. Finally , we talked about the importance of independent media and investigative journalism. Guest Bio// Mickey Huff is the director of Project Censored (founded in 1976) and is the president of the nonprofit Media Freedom Foundation. Huff is the Distinguished Director of the Park Center for Independent Media and Professor of Journalism at Ithaca College. He is also the executive producer and co-host of The Project Censored Show on KPFA, Pacifica Radio, in Berkeley CA, and airs on more than 50 stations around the US and is also a podcast online.-------------------