Podcasts about Independent media

In this episode of The Truth In This Art, the guest is Georgina Coka Treviño!About Coka Treviño: A cultural strategist and arts advisor originally from Monterrey, Mexico, now based in Austin, Texas. Over the past two decades, she has worked at the intersection of artists, institutions, and contemporary art, collaborating with organizations including the Texas Biennial, Zona Maco, and Ontario Art Fair. Her practice centers on language, communication, and connection, helping artists and organizations clarify how they move through the world and how they speak to the people they serve.In our conversation, Coka Treviño talks through leaving nonprofit work after a difficult stretch and taking the time to reexamine where her energy and attention truly belonged. That reflection led her toward cultural strategy and art advising, work she describes as helping make doing good, doing meaningful work more accessible, easier, and less costly for the people trying to do it.She also discusses her newsletter, Yes, Please, and Thank You, and what it was like committing early ideas to the page for the first time. She reflects on the difference between writing for information versus writing to inspire thinking, and how the newsletter has become a space for warmth, recommendations, and connection, more like running into an old friend than consuming content.Be sure to follow Georgina Coka Treviño on Instagram at @yes_pleaseandthankyou to keep up with her work, writing, and future projects. Photo of subject courtesy of Cynthia Muñoz The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

This month, on Laura Flanders & Friends, we turn to the state of journalism—at a moment of deep disruption, consolidation, and consequence.  But journalists aren't simply standing by—they're pushing back, reimagining their work, and, in many cases, taking matters into their own hands. This show is made possible by you! To become a sustaining member go to LauraFlanders.org/donate Description:  Journalism is at an inflection point. Under a hail of lawsuits, firings, new hires, and mercenary mergers, the business of media is in shambles even as the need for reliable, truthful information to reach voters is greater than ever. Where does that leave journalists? In this episode, Laura and her guests discuss the money media's dangerous denials and obfuscations, the problem with bothsidesism in a time of fascism, and the coverage of Renee Good's killing in Minneapolis. Dean Obeidallah is a lawyer, writer, award-winning comedian and host of SiriusXM radio's national daily program “The Dean Obeidallah Show”. Joy Reid, formerly host of the award-winning ReidOut on MSNBC, is a best-selling author, and host of the Joy Reid Show on YouTube. The decline of legacy media isn't all bad news — especially for those, like Palestinians and others, who were always shut out of it — and the rise of independent platforms, savvy media consumers and new mechanisms for collaboration just might usher in a new age of great journalism, just when we need it. Join Dean, Joy and Laura for this rich conversation on resistance, reporting, and survival.  [This conversation was recorded on January 14, 2026] “What I would like corporate media to understand, their job is not to make money for shareholders and executives to get bonuses, but serve the people, make them smarter, even if it means losing access. I know that's a lot to ask, but that's what I would like because an educated, informed electorate is the key to saving this republic.” - Dean Obeidallah “It is a crime against journalism for the editorial director of a news network to say our job is not to deliver the news, but to go viral. That's crazy.”- Joy Reid Guests: •  Dean Obeidallah: Host of SiriusXM radio's The Dean Obeidallah Show • Joy Reid: Host of The Joy Reid Show Watch the episode released on YouTube; PBS World Channel 11:30am ET Sundays and on over 300 public stations across the country (check your listings, or search here via zipcode). Listen: Episode airing on community radio (check here to see if your station airs the show) & available as a podcast. Full Episode Notes are located HERE. Full Conversation Release: While our weekly shows are edited to time for broadcast on Public TV and community radio, we offer to our members and podcast subscribers the full uncut conversation.  Music Credits: “Life During Wartime” by Brooklyn Funk Essentials released on Dorado Records;  'Steppin' by Podington Bear, and original sound design by Jeannie Hopper' Support Laura Flanders and Friends by becoming a member at https://www.patreon.com/c/lauraflandersandfriends   RESOURCES: *Recommended book: “Medgar and Myrlie: Medgar Evers and the Love Story That Awakened America” by Joy-Ann Reid: *Get the Book (*Bookshop is an online bookstore with a mission to financially support local, independent bookstores. The LF Show is an affiliate of bookshop.org and will receive a small commission if you click through and make a purchase.)   Related Laura Flanders Show Episodes: • Doxed, Stalked & Swatted: When the Far Right Goes After Journalists: Watch / Listen:  Full Uncut Conversation and Episode Cut • Maysoon Zayid: Comedy of Resistance, Disability, Difference & Palestine:   Watch / Listen:  Full Uncut Conversation and Episode Cut • Patrick & Claud Cockburn: A Legacy of Guerilla Journalism Against Media Complacency:  Watch / Listen:  Full Uncut Conversation and Episode Cut • Masha Gessen & Jason Stanley: Is it Doomsday for U.S. Democracy?:  Watch / Listen:  Full Uncut Conversation and Episode Cut Related Articles and Resources: • ‘There was no warning':  Joy Reid is speaking out about how she was fired from MSNBC, by Madeleine Marr, June 26, 2025, Miami Herald •  Dean Obeidallah - Substack •  ‘We Need to Be the News':  Inside Bari Weiss's Bumpy Revamp at CBS, by Michael M. Grynbaum and Benjamin Mullin, January 13, 2026, New York Times •  What would Edward R. Murrow think of CBS parent company caving in to Donald Trump? By Kevin Cullen, July 3, 2025, The Boston Globe •  Nattering nabobs of news criticism:  50 years ago today, Spiro Agnew laid out a blueprint for attacking the press, by Thomas Alan Schwartz, November 13, 2019, NiemanLab •  1964 Pulitzer Prize Winners - Journalism - Editorial Writing:  Hazel Brannon Smith of Lexington, The Pulitzer Prices •  MeidasTouch News - a pro-democracy news network. •  Six Prosecutors Quit Over Push to Investigate ICE Shooting Victim's Widow, by Ernesto Londono, January 13, 2026, New York Times Laura Flanders and Friends Crew: Laura Flanders-Executive Producer, Writer; Sabrina Artel-Supervising Producer; Jeremiah Cothren-Senior Producer; Veronica Delgado-Video Editor, Janet Hernandez-Communications Director; Jeannie Hopper-Audio Director, Podcast & Radio Producer, Audio Editor, Sound Design, Narrator; Sarah Miller-Development Director, Nat Needham-Editor, Graphic Design emeritus; David Neuman-Senior Video Editor, and Rory O'Conner-Senior Consulting Producer. FOLLOW Laura Flanders and FriendsInstagram: https://www.instagram.com/lauraflandersandfriends/Blueky: https://bsky.app/profile/lfandfriends.bsky.socialFacebook: https://www.facebook.com/LauraFlandersAndFriends/Tiktok: https://www.tiktok.com/@lauraflandersandfriendsYouTube: https://www.youtube.com/channel/UCFLRxVeYcB1H7DbuYZQG-lgLinkedin: https://www.linkedin.com/company/lauraflandersandfriendsPatreon: https://www.patreon.com/lauraflandersandfriendsACCESSIBILITY - The broadcast edition of this episode is available with closed captioned by clicking here for our YouTube Channel

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In this episode of The Truth In This Art, the guest is LuvJonez.About LuvJonez: Portland, Oregon–based instrumental hip hop producer and beat maker whose work weaves a nostalgic, down-tempo blend of musical influences drawn from his cultural roots, extensive travels, and artistic experiences. Beyond music production, he founded and runs A Beat Happening, a free, monthly, all-ages, inclusive BIPOC and LGBTQIA2S+-centered music producer and DJ showcase built to connect artists across the city.In our conversation, LuvJonez talks about how time on the East Coast, in the Pacific Northwest, and around Caribbean culture shaped a sound that doesn't sit neatly in one lane. He remembers going to beatmaker showcases in DC and New York before moving to Portland, watching producers just share their music with no ego and no competition — something that stuck with him long before he had any plans of his own.He talks about his approach to making beats as less about chasing a style and more about following a mood, using the process to decompress and work through his day. It's a "no style is my style" kind of thing, where the genre-blending isn't really a decision so much as a byproduct of everywhere he's lived and everything he's taken in along the way.He also gets into how A Beat Happening came together, noticing that rappers in Portland had plenty of platforms to perform, but producers and beat makers didn't really have anything built for them. The idea started small: approach a local record shop, no money involved, no tickets, just a chance for beat makers to get on stage.LuvJonez reflects on the show now reaching its nine-year anniversary, having hosted over eighty events and featured more than four hundred local Portland artists along the way. For the anniversary, he changed things up — rather than booking individual artists like usual, he invited other music collectives around the city to share one lineup. He talks about going into it unsure whether everyone would say yes, and how surprised he was when every single collective agreed, turning the night into a rare moment where the city's music community showed up for each other instead of competing.Be sure to follow LuvJonez on Instagram, Bandcamp, and YouTube to keep up with his music, and follow A Beat Happening on Instagram @abeathappening or at abeathappening.org for show archives, photos, and videos from over four hundred featured artists.Image courtesy of Subject.  The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

This month, on Laura Flanders & Friends, we turn to the state of journalism—at a moment of deep disruption, consolidation, and consequence.  But journalists aren't simply standing by—they're pushing back, reimagining their work, and, in many cases, taking matters into their own hands. This show is made possible by you! To become a sustaining member go to LauraFlanders.org/donate Description:  Journalism is at an inflection point. Under a hail of lawsuits, firings, new hires, and mercenary mergers, the business of media is in shambles even as the need for reliable, truthful information to reach voters is greater than ever. Where does that leave journalists? In this episode, Laura and her guests discuss the money media's dangerous denials and obfuscations, the problem with bothsidesism in a time of fascism, and the coverage of Renee Good's killing in Minneapolis. Dean Obeidallah is a lawyer, writer, award-winning comedian and host of SiriusXM radio's national daily program “The Dean Obeidallah Show”. Joy Reid, formerly host of the award-winning ReidOut on MSNBC, is a best-selling author, and host of the Joy Reid Show on YouTube. The decline of legacy media isn't all bad news — especially for those, like Palestinians and others, who were always shut out of it — and the rise of independent platforms, savvy media consumers and new mechanisms for collaboration just might usher in a new age of great journalism, just when we need it. Join Dean, Joy and Laura for this rich conversation on resistance, reporting, and survival.  [This conversation was recorded on January 14, 2026] “What I would like corporate media to understand, their job is not to make money for shareholders and executives to get bonuses, but serve the people, make them smarter, even if it means losing access. I know that's a lot to ask, but that's what I would like because an educated, informed electorate is the key to saving this republic.” - Dean Obeidallah “It is a crime against journalism for the editorial director of a news network to say our job is not to deliver the news, but to go viral. That's crazy.”- Joy Reid Guests: •  Dean Obeidallah: Host of SiriusXM radio's The Dean Obeidallah Show • Joy Reid: Host of The Joy Reid Show Watch the episode released on YouTube; PBS World Channel 11:30am ET Sundays and on over 300 public stations across the country (check your listings, or search here via zipcode). Listen: Episode airing on community radio (check here to see if your station airs the show) & available as a podcast. Full Episode Notes are located HERE. Full Conversation Release: While our weekly shows are edited to time for broadcast on Public TV and community radio, we offer to our members and podcast subscribers the full uncut conversation.  Music Credits: “Life During Wartime” by Brooklyn Funk Essentials released on Dorado Records;  'Steppin' by Podington Bear, and original sound design by Jeannie Hopper' Support Laura Flanders and Friends by becoming a member at https://www.patreon.com/c/lauraflandersandfriends   RESOURCES: *Recommended book: “Medgar and Myrlie: Medgar Evers and the Love Story That Awakened America” by Joy-Ann Reid: *Get the Book (*Bookshop is an online bookstore with a mission to financially support local, independent bookstores. The LF Show is an affiliate of bookshop.org and will receive a small commission if you click through and make a purchase.)   Related Laura Flanders Show Episodes: • Doxed, Stalked & Swatted: When the Far Right Goes After Journalists: Watch / Listen:  Full Uncut Conversation and Episode Cut • Maysoon Zayid: Comedy of Resistance, Disability, Difference & Palestine:   Watch / Listen:  Full Uncut Conversation and Episode Cut • Patrick & Claud Cockburn: A Legacy of Guerilla Journalism Against Media Complacency:  Watch / Listen:  Full Uncut Conversation and Episode Cut • Masha Gessen & Jason Stanley: Is it Doomsday for U.S. Democracy?:  Watch / Listen:  Full Uncut Conversation and Episode Cut Related Articles and Resources: • ‘There was no warning':  Joy Reid is speaking out about how she was fired from MSNBC, by Madeleine Marr, June 26, 2025, Miami Herald •  Dean Obeidallah - Substack •  ‘We Need to Be the News':  Inside Bari Weiss's Bumpy Revamp at CBS, by Michael M. Grynbaum and Benjamin Mullin, January 13, 2026, New York Times •  What would Edward R. Murrow think of CBS parent company caving in to Donald Trump? By Kevin Cullen, July 3, 2025, The Boston Globe •  Nattering nabobs of news criticism:  50 years ago today, Spiro Agnew laid out a blueprint for attacking the press, by Thomas Alan Schwartz, November 13, 2019, NiemanLab •  1964 Pulitzer Prize Winners - Journalism - Editorial Writing:  Hazel Brannon Smith of Lexington, The Pulitzer Prices •  MeidasTouch News - a pro-democracy news network. •  Six Prosecutors Quit Over Push to Investigate ICE Shooting Victim's Widow, by Ernesto Londono, January 13, 2026, New York Times Laura Flanders and Friends Crew: Laura Flanders-Executive Producer, Writer; Sabrina Artel-Supervising Producer; Jeremiah Cothren-Senior Producer; Veronica Delgado-Video Editor, Janet Hernandez-Communications Director; Jeannie Hopper-Audio Director, Podcast & Radio Producer, Audio Editor, Sound Design, Narrator; Sarah Miller-Development Director, Nat Needham-Editor, Graphic Design emeritus; David Neuman-Senior Video Editor, and Rory O'Conner-Senior Consulting Producer. FOLLOW Laura Flanders and FriendsInstagram: https://www.instagram.com/lauraflandersandfriends/Blueky: https://bsky.app/profile/lfandfriends.bsky.socialFacebook: https://www.facebook.com/LauraFlandersAndFriends/Tiktok: https://www.tiktok.com/@lauraflandersandfriendsYouTube: https://www.youtube.com/channel/UCFLRxVeYcB1H7DbuYZQG-lgLinkedin: https://www.linkedin.com/company/lauraflandersandfriendsPatreon: https://www.patreon.com/lauraflandersandfriendsACCESSIBILITY - The broadcast edition of this episode is available with closed captioned by clicking here for our YouTube Channel

Adam Mockler is a liberal political commentator, YouTube host, and digital media creator who has become one of the most prominent Gen Z voices in American political media. He hosts The Adam Mockler Show and has built an audience of more than two million subscribers on YouTube, where he produces daily political commentary and reporting. In this episode, Robinson and Adam discuss the changing relationship between politics, media, and the internet. More particularly, they talk about Adam's liberal values, why independent media can outperform legacy media, the battle for attention online, how clipping has become a new form of political canvassing, and what Democrats need to do to win elections in 2026. They also discuss Charlie Kirk, political conspiracy theories and death threats, what Nick Fuentes is doing effectively as a communicator, Gavin Newsom's media strategy, and whether Generation Alpha speaks a fundamentally different political language.Adam's Website: https://www.adammockler.comAdam's Instagram: https://www.instagram.com/adammockler/Adam's YouTube Channel: https://www.youtube.com/@adammocklerAdam's TikTok: https://www.tiktok.com/@adammocklerAdam's X: https://x.com/adammocklerrOUTLINE00:45 Adam's Expertise10:53 Adam's Liberal Values14:30 Why Independent Media Beats Legacy Media18:26 Clipping Is the New Canvassing20:39 The Battle for the Attention Economy26:06 How to Win Elections in 202631:16 What Constraints Are There on Independent Media?38:44 On Charlie Kirk, Conspiracies, and Death Threats41:46 What Is Nick Fuentes Doing Right?47:18 Gavin Newsom's Media Strategy, Explained52:46 Does Gen Alpha Speak a New Political Language?Robinson Erhardt researches symbolic logic and the foundations of mathematics at Stanford University, where he is also a JD candidate in the Law School.

Tucker Carlson has not had a clearly documented burst of major breaking news in the provided material, and the strongest recent theme is continued attention to his media influence rather than a single headline-grabbing legal or professional development. The latest discussion around him appears to center on his ongoing role as a high-profile conservative commentator, with interest focused on any new on-air remarks, interviews, or public appearances that could shape debate on media and politics. At the moment, there is no reliable sign here of a new legal case, formal employment change, or major project announcement tied to Carlson in the immediate news cycle. That said, Carlson remains a frequent flashpoint in commentary because of his ability to drive conversation across right-leaning media, influence political narratives, and provoke reactions from opponents and fellow personalities alike. Any recent statements he makes are typically treated as events in their own right, especially when they touch on election politics, foreign policy, or culture-war issues. If he has been active recently, the most likely developments would involve podcast or interview appearances, social-media commentary, or discussion around his independent media ventures rather than a traditional cable-news role. Those moves continue to reinforce his image as an outsider figure with outsized reach, and they often trigger immediate response from media critics, political figures, and advocacy groups. Thanks for listening to the Tucker Carlson news Tracker podcast, and please subscribe. This has been a quiet please production, for more check out quiet please dot ai. For more http://www.quietplease.ai Get the best deals https://amzn.to/3ODvOta

In this episode of The Truth In This Art, the guest is Jose Duran.About Jose Duran: Born in Moca, Dominican Republic, Duran is a painter, designer, and sculptor whose work constructs elaborate, opulent interiors rooted in Baroque and Rococo traditions. His practice is grounded in extensive research into survival, celebration, vengeance, sabotage, and aspirational desire within Black communities. Duran centers Black feminine figures in his compositions as a reclamation of their historically overlooked contributions to European standards of taste, and as a form of retribution for generations of forced labor under colonial rule.In the conversation, Duran discusses his early career in fashion, including time spent studying and working in Paris, as well as an MBA program in Taipei focused on the Asian luxury market. He explains his decision, at age 41, to leave the fashion industry behind and commit fully to becoming a visual artist, a shift shaped in part by a residency in Senegal that marked his entry into the art world.Duran describes the influence of his late mother, a hairstylist whose gatherings between the Bronx and the Dominican Republic shaped his early understanding of beauty, celebration, and hospitality. He also outlines his research process, including his study of the historical relationship between textiles and the transatlantic slave trade, and his investigation into love-attraction plants once used by enslaved women in the Caribbean, both of which directly inform his work.The conversation also touches on Duran's early relationship with artist Mickalene Thomas, and how that connection shaped both his confidence and his development as an artist.Follow Jose Duran on Instagram at @joseduranstudio to keep up with his work and future projects.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

"The dumbest thing you can be is a know-it-all."Curiosity isn't about having all the answers—it's about asking better questions. Journalist and podcast host Nayeema Raza believes the strongest communicators balance confidence with openness, using curiosity to better understand people, ideas, and the world around them. In this episode of Think Fast, Talk Smart, Raza joins Matt Abrahams to explore how to make complex ideas accessible, ask questions that spark meaningful conversations, and communicate with both confidence and humility. From writing punchier questions to embracing uncertainty, she shares practical strategies for becoming a more thoughtful and engaging communicator.Key Takeaways:Confidence grows through curiosity. The strongest communicators stay open to new ideas, ask thoughtful questions, and leave room to learn rather than assuming they have all the answers.Simple questions create meaningful conversations. Clear, concise questions—and a focus on what matters most—help make complex ideas more accessible and engaging.Activity:Write better questions. Take an upcoming meeting, interview, or one-on-one and rewrite three of your questions so each is nine words or fewer. Focus on making them clear, direct, and curiosity-driven.Episode Reference Links:Nayeema RazaNayeema's Ted TalkSmart Girl, Dumb QuestionsConnect:Premium Signup >>>> Think Fast Talk Smart PremiumEmail Questions & Feedback >>> hello@fastersmarter.ioEpisode Transcripts >>> Think Fast Talk Smart WebsiteNewsletter Signup + English Language Learning >>> FasterSmarter.ioThink Fast Talk Smart >>> LinkedIn, Instagram, YouTubeMatt Abrahams >>> LinkedIn Chapters:(00:00) - Introduction (00:57) - Simplifying Complexity (02:11) - Better Questions (06:03) - Confidence vs. Certainty (07:24) - Interview Nerves (10:14) - Prepare to Improvise (11:02) - Going Independent (13:59) - Curiosity in the Digital Age (16:59) - Staying Relevant (21:01) - The Final Three Questions (25:57) - Conclusion ********Thank you to our sponsors.  These partnerships support the ongoing production of the podcast, allowing us to bring it to you at no cost.Unleash your Superhuman potential with AI that meets you where you work. Learn more at superhuman.comJoin our Think Fast Talk Smart Learning Community and become the communicator you want to be. 

Rob Bluey, president and executive editor of The Daily Signal, says conservative media is seeing new access and influence in the Trump era. He argues that outlets still have to prove their value through original reporting, serious journalism and a willingness to challenge their own side. Subscribe to our newsletter to stay informed with the latest news from a leading Black-owned & controlled media company: https://aurn.com/newsletter Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Following the Federal Government’s announcement of the final News Bargaining Incentive bill last week, a coalition of independent, multicultural and regional newsrooms has welcomed some of the proposed updates after extensive sector consultation. But as big tech continues to expand, advocates say getting the NBI and associated Statutory Payments Scheme right is vital to prevent independent newsrooms from being left behind by major mastheads. This comes as community news outlets remain the hardest hit, with around 120 organisations recently forced to close their doors, prompting concern over what this could mean for regional and underrepresented voices and impact to our democracy.See omnystudio.com/listener for privacy information.

On this episode of Hudson Mohawk Magazine we feature Chris Hedges's talk: Normalizing Genocide and the New World Order, recorded at The Sanctuary for Independent Media on March 7, 2025.

In this episode of The Truth In This Art, the guest is Bony Ramirez!About Bony Ramirez: Dominican-born artist based out of Jersey City, New Jersey, working across painting, sculpture, and installation to create a vivid celebration and exploration of Dominican life and Caribbean culture. Blending European painting traditions — Renaissance and Mannerist influences drawn from church art — with distinctly Caribbean imagery, symbolism, and materials, Ramirez has built a visual language entirely his own. His elongated, exaggerated figures function almost like landscapes, each one deliberately distinct, never referencing real people but instead pulling from memory and imagination.In our conversation, Ramirez talks through moving to the United States at 13 years old and how that transition shaped both his identity and his relationship to the culture he left behind. He reflects on how being physically close to New York City's art scene, including a stretch living in Harlem, became an essential part of his growth as an artist. Ramirez discusses his responsibility to tell Caribbean stories that are still underrepresented in contemporary art, noting how many people don't even know where his island is.He gets into how his figures evolved — starting from self-taught limitations that became a stylistic signature — and why he keeps cultural markers like plantains, machetes, and crabs, along with bilingual English and Spanish titles, at the forefront of his work, refusing to let that world fade into the background.Be sure to follow Bony Ramirez on Instagram at @bonyramirezz to keep up with his work and future projects.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

Podcasting has changed the way we tell stories, consume media, and connect with audiences—and filmmaker Shaun Michael Colón joins The Austin Young Show to share how he captured that evolution in his documentary Age of Audio. We discuss the seven-year journey of making the film, the history of podcasting, the pioneers who built the medium, independent filmmaking, and what the future holds for audio storytelling in the age of YouTube and AI. Whether you're a podcaster, filmmaker, or simply fascinated by the evolution of modern media, this is a conversation you won't want to miss. Age of Audio: Trailer - https://www.youtube.com/watch?v=FW06TjJbWEc Website - https://www.aoamovie.com A Fat Wreck:  Website/trailer/rent - https://afatwreck.vhx.tv Follow The Austin Young Show:  https://linktr.ee/theaustinyoungshow Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This special episode of Hudson Mohawk Magazine features the book talk by Bill McKibben: Here Comes the Sun. This event took place at The Sanctuary for Independent Media on April 3, 2026.

Tucker Carlson has stayed highly visible in recent days, continuing to position himself as a major populist media voice while pushing ahead with his independent ventures and political commentary. According to Fox News alumni tracking and recent coverage from mainstream outlets, Carlson has kept releasing new episodes of his online show, focusing heavily on the 2026 U.S. elections, immigration, and the broader culture war. He has used his long-form interviews to highlight right‑leaning candidates and controversial figures, reinforcing his role as a platform for populist and nationalist voices outside traditional cable news. These appearances are typically distributed through his own digital channels rather than legacy TV, underscoring his shift toward direct‑to‑audience media. Recent reporting from political news sites notes that Carlson has continued to criticize both major parties, attacking establishment Republicans for being “weak” on border security and foreign policy, while accusing Democrats of weaponizing institutions and media. His commentary on crime, transgender issues, and higher education has generated fresh social media debate, with progressive commentators framing him as a driver of radicalization and many conservative influencers praising him as one of the few prominent figures willing to challenge mainstream narratives. On the business side, industry coverage of his post‑Fox trajectory indicates that Carlson is still investing in his subscription‑based content model, partnerships with right‑leaning streaming platforms, and live‑event style interviews. Media reporters say his team remains focused on building a durable brand independent of any single network, using merchandise, paid memberships, and syndication of clips across social platforms to keep his audience engaged and monetized. Legal and professional developments around Carlson in the last few days have been relatively quiet. There have been no major new lawsuits or contractual disputes reported involving his departure from Fox or his newer ventures, and prior litigation connected to the 2020 election coverage remains in the background rather than driving current headlines. Most of the controversy now centers on the impact of his ongoing rhetoric rather than on active court cases. Commentary from opinion writers and media analysts continues to debate Carlson's influence on the broader information ecosystem. Some argue that his move to independent platforms has proven that high‑profile hosts can thrive outside cable, accelerating fragmentation of the news audience. Others warn that the lack of institutional oversight in his current format allows him to amplify unverified claims more freely, raising concerns about misinformation and polarization ahead of 2026's key political contests. Carlson's interactions with other public figures also remain a story: clips of him sparring verbally with establishment conservatives, amplifying outsider candidates, and criticizing major media personalities circulate widely and help sustain his relevance. These exchanges feed an ongoing narrative in the political press about the struggle for control over the conservative message and who truly speaks for the populist right. Thanks for listening to the Tucker Carlson News Tracker podcast, and don't forget to subscribe. This has been a Quiet Please production, for more check out quiet please dot ai. For more http://www.quietplease.ai Get the best deals https://amzn.to/3ODvOta

In this episode of The Truth In This Art, the guest is Dina AZ. Salem!About Dina AZ. Salem: Washington, DC–based abstract artist born in Alexandria, Egypt, working across painting and sculpture to create materially driven works that explore healing, transformation, memory, and resilience. Through layered surfaces, texture, and unconventional materials, her practice investigates how personal experiences can be translated into visual language. She signs her work with the initials of her late father, honoring the person who first encouraged her artistic journey.In our conversation, Salem talks through growing up as a hyperactive child in Alexandria, Egypt, and how her mother discovered that painting calmed her down—leading to a lifelong artistic practice that began at four or five years old. She shares how her father, Ahmed Zaki, a CFO who never used a calculator in his life, would sit next to her and watch her paint, eventually buying her early works for small amounts to encourage her. Salem recalls visiting her father's office at nine years old and finding all her blue paintings hanging on his walls, and how his passing when she was twelve stopped her artistic journey for years.She connects her path from applying to shoe design school in Italy to eventually attending Virginia Tech and landing in DC about four years ago, reflecting on how the journey "chose her." We get into her philosophy that materials carry memory—sourcing everything from sand to plaster to abandoned items found walking around DC and at Home Depot, her "happy place." As she puts it, she's interested in "how we become someone new without losing who we were." Salem discusses how living in two places has made her understand that "identity is never fixed, it's always evolving," and how she wouldn't create the same style of work if she had stayed in Egypt.Be sure to follow Dina AZ. Salem on Instagram at @dinaazsalem to keep up with her work and future projects.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

Middle East on the Brink, Berlin Pride Terror, and America's Housing Crisis | The Karel Cast The world feels like it's balancing on the edge of a knife. Iran says it will stop bombing if the attacks against it stop, while the Houthis open another dangerous front by targeting Saudi Arabia. Is the Middle East moving toward de-escalation—or toward an even wider regional conflict? And what role is U.S. leadership playing as tensions continue to rise? Then, tragedy strikes at one of the world's oldest Pride celebrations. A deadly attack at Berlin Pride leaves people dead and injured, raising difficult questions about extremism, intolerance, and whether religious ideologies that promote hatred can coexist with an open, democratic society. How much responsibility do political leaders and inflammatory rhetoric bear when violence follows? Plus, I made what I thought was a simple comment about a two-bedroom apartment in Los Angeles renting for $2,500. The response? Thousands of people debating why housing has become unaffordable for so many Americans—and who is really to blame. Join me as we cut through the headlines, challenge assumptions, and talk about the stories shaping our world today. If you enjoy independent journalism, honest conversation, and perspectives you won't hear anywhere else:

Tucker Carlson has been relatively low-profile over the past few days, but several ongoing threads around his work and influence continue to generate attention in political and media circles. Much of the current discussion traces back to his post-Fox News trajectory and the way he's using independent platforms to reach his audience, rather than any single dramatic new incident. According to outlets like The New York Times and Politico, Carlson's primary focus remains his digital show distributed through his own media operation and amplified on platforms such as X and his website, where he continues to release long-form interviews with political figures, cultural commentators, and controversial international leaders. These recent episodes have kept him firmly in the conversation about right-wing media's evolution, with commentators noting that his interviews often blur the line between journalism, opinion, and activism, especially when he engages with foreign leaders or figures aligned with nationalist movements. Recent segments and interviews have sparked continued reaction from mainstream networks and opinion writers, who argue that Carlson's framing of issues like U.S. foreign policy, immigration, and the 2026 election climate reinforces populist skepticism toward traditional institutions. NBC News and CNN report that his commentary is still frequently cited by conservative politicians and media personalities, either as a touchstone they embrace or as a rhetorical foil they criticize, underscoring his ongoing influence despite no longer being on cable primetime. On the legal and professional front, coverage from outlets such as The Wall Street Journal and Bloomberg continues to revisit the aftermath of his departure from Fox News and the broader defamation litigation environment that led to the Dominion settlement, but there have been no major new lawsuits or public legal actions centered specifically on Carlson in the past few days. Instead, analysts focus on how that history shapes his current strategy: operating outside traditional network structures, maintaining editorial control, and courting an audience that is skeptical of legacy media. Debate about Carlson's impact on global politics remains active, especially in think-tank commentary and opinion pages. The Atlantic and Foreign Policy note that his interviews with international figures and his critiques of U.S. interventionism still circulate widely in online political communities, influencing how some listeners on the right view NATO, Ukraine, and the broader U.S. role in the world. At the same time, progressive commentators and media watchdogs continue to frame his work as a key node in a larger ecosystem of disinformation and radicalization, arguing that his reach and tone contribute to polarization. Interactions with other public figures remain mostly confined to the guest lists on his show and the occasional social media back-and-forth, rather than public rallies or major live events in the last few days. Conservative influencers, podcasters, and elected officials continue to promote appearances on his program as a way to signal alignment with his audience, reinforcing his status as a gatekeeper in that space even without new headline-grabbing confrontations. Taken together, the latest developments around Tucker Carlson are less about a single breaking story and more about his steady role as a prominent independent voice on the right, using his platform to shape conversations on foreign policy, culture, and the 2026 electoral landscape, while commentators across the spectrum debate whether his influence represents a necessary challenge to establishment narratives or a dangerous amplification of polarizing ideas. Thanks for listening to the Tucker Carlson News Tracker podcast, and don't forget to subscribe. This has been a Quiet Please production, for more check out quietplease dot ai. For more http://www.quietplease.ai Get the best deals https://amzn.to/3ODvOta

In this episode of The Truth In This Art, the guest is Simone Phillips!About Simone Phillips: Award-winning content creator and event curator behind Charm City Table, Baltimore's popular food and beverage platform with more than ten million impressions per month. She's become a trusted voice in Baltimore's culinary scene, highlighting the people, places, and stories that shape the city's food culture. She also curates vertical videos for the Maryland Film Festival and works closely with Parkway Theater.In our conversation, Phillips walks through her journey from starting Charm City Table in 2017 as a hobby to journal her dining experiences. Growing up, she didn't eat out much—Golden Corral and IHOP at church functions, but never exploring Baltimore's dining scene. After graduating college and moving back to Baltimore, she started exploring Harbor East, Fells Point, the Inner Harbor, Canton, and fell in love with all the options. That curiosity became her whole life.She shares her humanitarian approach to content creation—thinking about the restaurant owners and their feelings as creatives, but also the people spending their money who see something and get excited about visiting. We get into what it takes to build a sustainable brand voice rather than chasing virality, why Baltimore remains her intentional focal point even as she partners with national brands in New York, Chicago, and California, and what she believes is missing from Baltimore's food scene to take it to the next level: elevated service as an art form.Be sure to follow Charm City Table on Instagram, Facebook, TikTok, and YouTube Shorts.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

After taking some time away to help my family through my dad's open-heart surgery, I'm back with a new episode of Uncommon Sense with Ginny Robinson. Thank you to everyone who reached out and supported my family during this time.Today, I share my opinions on several current events. I discuss why I believe America must remain a sovereign nation and why I have concerns about the growing military relationship between the United States and Israel, including why I believe these actions raise real constitutional and legal questions.I also share my thoughts on the continued loss of American service members in the Iran War and explain why the United States should NOT be involved in another foreign war.Finally, I discuss the assassination of Charlie Kirk and how it is connected to the Epstein files, and why I think Americans deserve greater transparency and accountability from those in power.--https://www.youversion.com/bible-app

Tucker Carlson has spent the past few days deepening his break with the Republican establishment and sharpening his criticism of President Trump and U.S. foreign policy, while continuing to push content through his independent Tucker Carlson Network and related shows. Bloomberg's recent long-form interview with Carlson, hosted by Mishal Husain, has driven much of the latest conversation: in that exchange, Carlson accuses Trump of betraying “America First,” saying the president has been disloyal to the United States and allowed Israel to drive U.S. policy in the Iran war, language Bloomberg and follow-on coverage describe as a decisive split from a onetime ally. That interview has fed into a wider narrative about Carlson positioning himself as a dissident voice on the right. Responsible Statecraft and other political outlets report that he now openly rejects the Republican Party, saying “I'm out” and that there is no chance he will support it, and instead advocates a third, anti‑war “force” that would unite disaffected conservatives and progressives around skepticism of endless military intervention and high defense spending. Commentators at the Ron Paul Institute and similar circles have amplified those remarks, framing Carlson as a potential figurehead for voters who feel politically homeless and want a more populist, non‑interventionist option. On the media front, the Washington Post, the New York Times, and trade publications like Variety and The Hollywood Reporter highlight that Carlson is continuing to expand his independent operation. They note that he is leaning heavily on long‑form interviews distributed via his subscription site and platforms like X, YouTube, and podcast feeds, featuring discussions on topics such as U.S. surveillance, Christian Zionism, and what he sees as the decay of the American middle class. Media-business reporting indicates his direct‑to‑audience model has become a sustainable niche, often cited as an example of how star hosts can leave cable and still maintain significant influence. Recent interviews have also fueled debate over Carlson's warnings that the United States risks a “popular revolution” if economic decline and public distrust continue, comments carried by outlets such as WION and TASS and criticized by some mainstream commentators as alarmist while praised by populist conservatives as telling uncomfortable truths. Progressive media continue to portray him as a radicalizing force, pointing to his rhetoric on Israel, Iran, and U.S. elites, while some anti‑war conservatives and libertarians argue his break with Trump and the GOP could reconfigure parts of the right. Legally and professionally, there have been no major new court developments from his Fox News departure in the past few days; legal trade reports suggest most immediate disputes over his old contract have gone quiet, even as his move remains a case study in the evolving power of individual media brands. Thanks for listening to the Tucker Carlson News Tracker podcast, and please remember to subscribe. This has been a Quiet Please production, for more check out quiet please dot ai. For more http://www.quietplease.ai Get the best deals https://amzn.to/3ODvOta

Send us Fan MailThe life and work of journalist Amy Goodman, host of "Democracy Now," is the subject of award-winning film-makers Tia Lessin and Carl Deal's new documentary film, "Steal This Story, Please." Goodman has provided close amd consistent attention to  Gaza and the Occupied West Bank since and even before Oct. 7. She talks about the role her Jewish upbringing has played in highlighting the oppression of Palestinians.  She and Lessin discuss Israel-Palestine, the importance of independent media to that and other critical stories,  and the threat to journalism posed today by media conglomeration, a repressive president, and corporate ownership of the media. "Steal This Story,Please," has won multiple awards in international film festivals.

Former Washington Post journalist Anna Fifield reflects on her time at the paper, the state of American media, and New Zealand’s role in the world. On this episode of After America, New Zealand-based journalist Anna Fifield joins Dr Emma Shortis to discuss the American media during Trump’s second term, views of the United States and China in New Zealand, and what the Australian government can learn from Kiwi diplomacy. This episode was recorded on Friday 17 July. Pre-order More Fool Me: How the gas industry tricked Australia by Richard Denniss, the latest Vantage Point essay from Australia Institute Press. Use the code ‘FOOLME’ on a four-edition Vantage Point subscription to receive a free copy of Richard’s book, Econobabble. Guest: Anna Fifield, New Zealand-based independent journalist and foreign affairs analyst // @annafifield Host: Emma Shortis, Director, International & Security Affairs, the Australia Institute // @emmashortis Show notes: Shorter America: How to steal an election; the US in the World; New and old friends by Emma Shortis, The Point (July 2026) How do Australians and New Zealanders view Asia and the world in 2026?, the Asia New Zealand Foundation (July 2026) Mr Albanese goes to the Pacific (again) by Allan Behm, The Point (July 2026) Theme music: Blue Dot Sessions We’d love to hear your feedback on this series, so send in your questions, comments or suggestions for future episodes to podcasts@australiainstitute.org.au. Subscribe to After America on Apple Podcasts, Spotify, Pocket Casts or wherever you get your favourite podcasts.Support After America & the research powerful interests fear: https://theaus.in/3QRFNjBSee omnystudio.com/listener for privacy information.

Disinformation is impacting our lives. Much of it is being pushed by unregulated Silicon Valley tech companies and their billionaires owners. But people in Europe are pushing back.In this episode, co-host Michael Fox goes to Spain, to look at how members of the Spanish far right have been inspired by Charlie Kirk. Then we look at grassroots organizing against Big Tech in Ireland, media education initiatives in Finland, and European measures regulating Big Tech. “This has now been a topic of discussion very much in Europe,” says Finish educator Saara Salomaa, “Should we actually trust any U.S. tech companies or should we try to get rid of U.S. tech companies as soon as possible?”Michael is joined in the episode by Laura Flanders. She is the host of Laura Flanders and Friends — on public television — formerly known as the Laura Flanders show.The Battle for Free Speech Podcast is a production of The Real News Network. Hosted by Michael Fox and Marc Steiner. Theme music by Michael Fox, Jordan Klein and Daniel Nuñez. Other music from Blue Dot Sessions and Epidemic Sound. Production and Sound Design by Michael Fox and Stephen Frank. Editorial support by Kayla Rivara. Research by Ben Schweiger. Guests: Sergio VillanuevaJude FarrellSaara SalomaaIva NenadicMany thanks, also to Ilona Taimela, for also taking the time to speak with me about media education in Finland.Resources: Here is a link to TikTok about the Puchaina Avocado videosFollow The Battle For Free Speech on Spotify or Apple PodcastsSupport Michael Fox's reporting at patreon.com/mfox. Never miss an episode — sign up for The Real News newsletter at therealnews.com.The Battle for Free Speech is a production of The Real News Network.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-real-news-podcast--2952221/support.Help us continue producing radically independent news and in-depth analysis by following us and becoming a monthly sustainer.Follow us on:Bluesky: @therealnews.comFacebook: The Real News NetworkTwitter: @TheRealNewsYouTube: @therealnewsInstagram: @therealnewsnetworkBecome a member and join the Supporters Club for The Real News Podcast today!

Go to www.Blackriflecoffee.com (http://www.blackriflecoffee.com/) and get premium coffee! For a limited time, our listeners get 50% off FOR LIFE, Free Shipping, AND 3 Free Gifts at Mars Men at www.Mengotomars.com. Protect the KIDS! https://answerinternational.org/ Go get your NEVER WOKE merch at https://neverwokeapparel.com/ Follow Us on Social Media:
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In this powerful episode of Soulfood and Lemonade, Delroy Souden takes a deep and emotional look at xenophobia in South Africa and the painful reality of Africans turning against fellow Africans.This episode goes beyond the headlines. It explores the deeper wounds caused by poverty, unemployment, political scapegoating, misinformation, colonial history, apartheid's legacy, and the social pressures that can cause struggling people to blame immigrants, refugees, and foreign nationals for problems they did not create.When brothers become targets, the entire African family is wounded.Delroy reflects on what it means when Black Africans are attacked in another African nation while trying to survive, work, feed their families, and build a better life. He challenges listeners to think about African unity, Pan-African responsibility, human dignity, and the danger of allowing fear and frustration to turn neighbors into enemies.This conversation is not about blaming one people. It is about asking difficult questions, seeking truth, rejecting violence, and calling for healing within the African continent and the Black diaspora.Soulfood and Lemonade continues to create space for honest conversations about justice, identity, resilience, history, faith, and the human condition. This episode is a call to remember that African lives matter everywhere, Black lives matter everywhere, and unity must be more than a slogan. It must become a responsibility.Listen, reflect, share, and join the conversation.Food for the Mind. Hope for the Soul.Tags / Keywords:South Africa, Xenophobia, African Unity, Pan-Africanism, Black Diaspora, African Immigrants, Human Rights, Apartheid Legacy, African Politics, Social Justice, Immigration, Black Voices, Independent Media, Soulfood and Lemonade, Delroy Souden, TubeVieu, African History, Diaspora Conversations, Stop Xenophobia, Africa Unite

Is AI Already Biased? Who's Really Programming Your Future? | The Karel Cast Yesterday Is AI Already Biased? Who's Really Programming Your Future? | The Karel Cast Can artificial intelligence ever be truly neutral, or is it already reflecting the beliefs, priorities, and agendas of the people and governments building it? AI is growing at an astonishing pace, but someone is teaching it how to think. Tech companies, programmers, regulators, and now governments are all helping shape the future of artificial intelligence. As AI becomes more deeply connected to politics, business, and society, one question becomes impossible to ignore: Can we trust AI to be objective? Today, Karel explores how AI is trained, why bias may be unavoidable, and whether artificial intelligence is becoming the world's most powerful influence—or simply another reflection of human flaws. Also on today's show:

Brian Tyler Cohen joins Don Lemon to discuss his new book, The Day After: How to Wield Power in a Post-Trump World, and what Democrats must do differently if they hope to win back power. They break down the latest political headlines, the future of independent media, why traditional journalism is losing trust, and whether the left is finally learning how to fight back. It's a candid conversation about the future of American politics and the battle over who gets to shape it. Get Brian's new book here: https://www.harpercollins.com/pages/thedayafter Learn more about your ad choices. Visit podcastchoices.com/adchoices

Brian Tyler Cohen joins Don Lemon to discuss his new book, The Day After: How to Wield Power in a Post-Trump World, and what Democrats must do differently if they hope to win back power. They break down the latest political headlines, the future of independent media, why traditional journalism is losing trust, and whether the left is finally learning how to fight back. It's a candid conversation about the future of American politics and the battle over who gets to shape it. Get Brian's new book here: https://www.harpercollins.com/pages/thedayafter Learn more about your ad choices. Visit podcastchoices.com/adchoices

Trump's Thursday Speech: New 2020 Election Claims, Democracy Fears & The Satellite Company That Could Change Earth Forever President Donald Trump is preparing a major national address Thursday night centered on newly declassified intelligence and renewed claims about the 2020 election. Reports indicate he plans to discuss alleged foreign interference and voting machine vulnerabilities, despite years of investigations, audits, and court rulings finding no evidence that foreign interference changed the outcome of the 2020 election. What could this speech mean for the future of American elections? Could it become part of a broader push for new federal election laws, including proof-of-citizenship voting proposals? And what role will Congress and the courts play if constitutional questions arise? Then, a story almost no one is talking about: Reflect Orbital. The startup wants to beam sunlight to Earth from space. Is it a technological breakthrough…or the beginning of a future with permanently illuminated skies, environmental consequences, and unintended risks? Join Karel as he breaks down the day's biggest political and science stories with history, context, and analysis you won't hear anywhere else.

In this episode of The Truth In This Art, the guest is Louis-Antoine Gilbert!About Louis-Antoine Gilbert: French-American painter and artist known for his acrylic on canvas works that create the illusion of depth, living in Washington, DC for nearly a decade, creating colorful acrylic cityscapes inspired by brutalist and modernist architecture, art deco design, and graphic novels by Moebius, François Schuiten, and Benoît Peeters. His cubist-influenced work draws from M.C. Escher and Wassily Kandinsky, and he's also a musician, beat maker, and painting instructor.In our conversation, Gilbert talks through growing up in Paris with parents who brought him to free museums and concerts, first wanting to be an artist at age four after seeing an orchestra, and starting with graffiti following older kids in the streets. He connects his journey from Parisian punk bands to DC's basement show scene and digs into how DC's greenery—particularly Rock Creek Park—has transformed his gray, Parisian-inspired compositions into more hopeful work with vegetation. As he puts it, discovering DC made him realize "both cities, both of them have brutalist and modern buildings in them."He recalls meeting artist Autumn Spears early in his DC years, shares stories from selling affordable original drawings at the Little DuPont flea market every six weeks, and discusses learning that French house music actually originated from Detroit. We get into the realities of teaching painting in summers, the influence of graphic novels from his dad's collection, and how nearly a decade in DC has made him rethink the art deco shapes he loved from Paris.Be sure to follow Louis-Antoine Gilbert on Instagram at @antoine_paints to keep up with his work and future projects.Photo courtesy of subject.All views expressed by Louis-Antoine Gilbert are his own and not those of the Law Library of Congress or the Library of Congress The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

The GOP is Dropping D E A D Is the GOP in Crisis? Plus Parasites Invade Your Food! The political landscape is shifting fast. Following the reported death of Senator Lindsey Graham, questions are mounting about the future of Republican leadership, the aging U.S. Senate, and whether America should finally have age limits for elected officials. With Mitch McConnell absent from public view amid ongoing health concerns, is Washington prepared for a generational change—or simply refusing to confront reality? Meanwhile, tensions in the Middle East continue to escalate as Iran challenges U.S. policy and global shipping through the Strait of Hormuz faces renewed uncertainty. Are we heading toward yet another prolonged conflict, and what could it mean for Americans? Also on today's show: Cyclospora outbreaks are making headlines. Should you stop eating fresh fruits and vegetables? Absolutely not—but there are smart precautions everyone should take. I'll explain how to reduce your risk while still enjoying a healthy diet. And finally, I'll share the story behind the biggest Instagram post of my life—why it resonated with so many people, and what it revealed about the moment we're living through. Join me live for news, commentary, and conversation that goes beyond the headlines. Support independent media by becoming a patron at Patreon.com/ReallyKarel. Watch live and subscribe on YouTube at YouTube.com/ReallyKarel. Listen wherever you get your podcasts, including Apple Podcasts, Spotify, iHeartRadio, and Spreaker. Live Monday–Thursday at 10:30 AM Pacific. Broadcasting from Las Vegas with my faithful service dog, Ember. #Politics, #BreakingNews, #USPolitics, #Senate, #Congress, #Republicans, #LindseyGraham, #MitchMcConnell, #DonaldTrump, #MiddleEast, #Iran, #StraitOfHormuz, #WorldNews, #CurrentEvents, #FoodSafety, #Cyclospora, #HealthNews, #PublicHealth, #Commentary, #Progressive, #IndependentMedia, #TheKarelCast, #ReallyKarel, #YouTubeNews, #Podcast, #LiveShow, #PoliticalCommentary, #NewsAnalysis, #EmberTheServiceDog, #LasVegas https://youtube.com/live/fmEB9ftSP2A

The book “North Stars of Emancipation: California's Diverse Food and Farming Movements in Times of Racial Reckoning” traces the recent evolution of California's food movements towards a more liberatory model grounded in diverse radical traditions. The books author, Antonio Roman Acalá, talks about his new book and his upcoming visit to The Sanctuary for Independent Media on Tueday July 21 with Ellie Irons. Learn more about the upcoming event here: https://www.mediasanctuary.org/event/north-stars-of-emancipation/

Today, on the Hudson Mohawk Magazine, First, Greg Giorgio brings us a selection of stories on labor, trade union actions and recent ICE-related court sentences issued to protesters in Texas. Then, Ellie Irons talks with Antonio Roman-Acalá, about “North Stars of Emancipation: California's Diverse Food and Farming Movements in Times of Racial Reckoning” his newly published book which he will give a talk on at The Sanctuary for Independent Media on July 21. Later on, retired National Weather Service meteorologist Hugh Johnson joins us for this week's weather segments. After that, Yi Lu speaks with Aiden Wan, about his family's immigration story to the US and his barbershop business in this week's Everybody Moves segment. Finally, we hear RiverKeeper talk about their organization and their work in clean water.

In this episode of The Truth In This Art, the guest is Zoë Poindexter!About Zoë Poindexter: Documentary filmmaker, producer, and director based in Washington, DC. She attended journalism graduate school at Georgetown University, where she continues to work as a documentary teacher's assistant, and specializes in nonfiction storytelling.In our conversation, Poindexter walks through her journey to A Revolution Called Love, a feature documentary inspired by Black Love Day—a holiday created in DC in the nineties by Mama Ayo Handy-Kendi. After living in DC for almost ten years without ever hearing about it, she called the founder and asked to attend. She showed up in purple—the colors of Black Love Day, which happens to be her favorite color—stayed for the entire seven-hour ceremony, and came back saying, "Yes, this needs to be made into a film." The documentary is structured around the holiday's five tenets: love for the creator, love for yourself, love for family, love for community, and love for the Black diaspora. We explore how she's weaving community voices throughout—filming interviews with Black Washingtonians defining what those tenets mean to them, with select responses used as voiceover narration in the feature.She shares her commitment to telling positive stories that aren't clichés—"We have way too many clichéd stories about Black people, Black communities. I often ask myself, why do we need this again? Who is this actually being made for?" She hopes the film sparks conversation around what we think love is—a deeper dialogue about intention, community, and making work that's truly for us. This conversation came about through a shared passion for storytelling—and the belief that the stories we tell should actually be made for us.Be sure to follow the project (@blacklovedocfilm on Instagram, Black Love Documentary Film on Facebook) and visit BlackLoveDocumentary.com to learn more and support the crowdfund. Both Defining Love: Voices of Black DC (a short oral history film funded in part by Humanities DC) and A Revolution Called Love are currently in production.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

Neal the Seal Is Breaking the Internet!

Madonna is 68. Her new music reflects something all of us eventually face: mortality. After decades of projecting strength and invincibility, she's speaking more openly about aging, loss, and what it means to grow older after losing her brother. It raises a question we all spend too much time avoiding: Why do we devote so much of our lives to things that ultimately don't matter? Politics. Social media outrage. Money. Fame. Status. We chase all of it while the one thing none of us can stop is time. One of the world's most famous biohackers spent millions trying to reverse aging—only to develop a serious autoimmune disease. It's a reminder that no amount of money, technology, or science can make us immortal. So if we can't beat death…how should we live? Today's episode explores the only issue every human being shares: how to make the most of the time we have before it's gone. Also on today's show: • Why aren't Democrats demanding more answers about Mitch McConnell's health? • Is it finally time for Graham Platner to step aside? If this episode makes you think, please LIKE, SUBSCRIBE, and SHARE. Your support helps independent voices survive. Support The Karel Cast on Patreon: patreon.com/reallykarel

In this episode of The Truth In This Art, the guest is Paloma Vianey!About Paloma Vianey: Interdisciplinary artist from Ciudad Juarez, Mexico, now based in Washington, DC. She holds an MFA from Cornell University and has created large-scale public art installations along the US-Mexico border, with work exhibited at major museums and galleries internationally. She is primarily a painter and educator, teaching at the collegiate level.In our conversation, Vianey walks through her artistic journey from beginning to paint as a teenager when Juarez was labeled "the most dangerous city in the world," using art as catharsis during years of violence. She recounts completing a groundbreaking 72-foot-wide community-funded border bridge mural in 2018, depicting a girl blowing bubbles with each bubble representing emblematic images of Juarez including a tribute to femicide victims. We dig into her signature "Chamara" paintings—labor-intensive works where she hand-sews canvas jackets with industrial zippers over oil-painted urban landscapes of Juarez, creating what she calls "portraits of the city." One painting captured a pink house she'd see every time crossing the border—until one visit when she discovered it had been painted white. "That was a little heartbreaking for me," she shares, explaining how these works archive the changing memory of her hometown through a lens of resilience and hope.She shares insights on finding community in DC after moving six times in five years, her love for the U Street corridor (particularly Taqueria Xochi for authentic Mexican food), and how DC has been generous in giving her platforms to show her work. This conversation came about after I encountered Vianey's work at Umbrella Art Fair—a chance discovery that sparked a deeper dialogue about representation, resilience, and the power of challenging negative narratives through art.Be sure to follow Paloma Vianey (@palomavianey on Instagram) and visit palomavianey.com to keep up with her work and future projects. Her exhibition "Un Mismo Cielo Entre Washington y Juarez" is on display at the Mexican Cultural Institute in Washington, DC until July 25th.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

America at 250: Heat, Hate & Division | Is This Really Who We've Become? America turned 250 years old—but instead of a celebration of unity, the anniversary exposed just how divided the country has become. This week on The Karel Cast, I look at the stories that defined America's birthday: record-breaking heat fueled by a changing climate, political fear campaigns, extremist groups marching openly in Washington, D.C., and a nation increasingly unable to agree on even the most basic facts. As neighborhoods filled with fireworks, many Americans celebrated while others worried about frightened pets, traumatized veterans, wildfire risks, and the growing sense that we've lost sight of one another. What should have been a historic milestone became a reflection of a country wrestling with polarization, political theater, and competing visions of what America is—and what it should become. And because sometimes reality feels stranger than fiction… we'll also talk about the internet's latest obsession involving Taylor Swift and Travis Kelce. Do you think America is stronger at 250—or more divided than ever? Join the conversation in the comments.

In this episode of The Truth In This Art, the guest is Miles Johnson!About Miles Johnson: Miles Johnson is a self-described "unclassically untrained oil painter" and mechanical engineer based in the DMV area. In over 4 years—starting with over a year on iPad before transitioning to oils 3 years ago—he has created numerous pieces. His late grandmother was a painter herself who created approximately 300 pieces and inspired his creative path. Miles first painted her portrait last summer for his solo show.Growing up, Miles would run cross-country to the Smithsonian, where Thomas Cole's four-part series "Voyage of Life" gave him a revelation: "I never thought that paintings were like almost manga panels." He also draws inspiration from Little Black Goat, incorporating anime-style faces into his work. Miles applies his engineering background with painting by creating bullet-point lists and maintaining over 200 pages of documentation in Google Docs. His research process studies figures like Fannie Lou Hamer—someone who was "born into sharecropping and ended up dying with a foundation that gave a million acres of land across Mississippi."Later we discussed Miles working on Common People Ain't Common, a 2025 undertaking. He made 100 pieces dedicated to celebrating the small moments in life and of the people he has observed.  His goal was to make this art affordable for the everyday people who supported him on his art journey. His aim is that these pieces will serve as a great investment for first-time collectors. His Instagram handle @MJonthewall pays homage to Michael Jackson's "Off the Wall" album. Connect with Miles on Instagram and TikTok at @MJonthewall or visit MJonthewall.com.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

The Rebel News podcasts features free audio-only versions of select RebelNews+ content and other Rebel News long-form videos, livestreams, and interviews. Monday to Friday enjoy the audio version of Ezra Levant's daily TV-style show, The Ezra Levant Show, where Ezra gives you his contrarian and conservative take on free speech, politics, and foreign policy through in-depth commentary and interviews. Wednesday evenings you can listen to the audio version of The Gunn Show with Sheila Gunn Reid the Chief Reporter of Rebel News. Sheila brings a western sensibility to Canadian news. With one foot in the oil patch and one foot in agriculture, Sheila challenges mainstream media narratives and stands up for Albertans. If you want to watch the video versions of these podcasts, make sure to begin your free RebelNewsPlus trial by subscribing at http://www.RebelNewsPlus.com

Republican Meltdown STOPS Congress | Taylor Swift's Multi-Million Dollar Wedding | The Truth About “Chalance” Congress is in chaos…again. House Republicans abruptly shut down votes on several major bills after members of their own party revolted on the House floor, forcing leadership to cancel the legislative schedule and send lawmakers home for nearly two weeks. Instead of governing, Congress heads into another recess after failing to move key legislation—including an attempt to attach President Trump's voting proposal to the defense budget. What's really behind the latest Republican meltdown, and what does it mean for Americans? Then, a surprising new dating trend is taking over social media. It's called “Chalance,” and after hearing what it is, I realized I've been doing it for years. Is this the secret to modern relationships, or just another viral buzzword? Plus, Taylor Swift's lavish wedding celebration is reportedly costing millions. But research suggests the more couples spend on a wedding, the greater their chances of divorce. Is there really a connection between extravagant weddings and lasting marriages? Join me live as we break down the day's biggest headlines with news, opinion, humor, and conversation you won't find anywhere else.

In this episode of The Truth In This Art, the guest is Bernard Feinsod!About Bernard Feinsod: Editor, producer, writer, director, sound designer, and voice actor with over 17 years of experience in comedy, documentary, news, variety entertainment, and live events. A Baltimore-raised, Brooklyn-based creative who started at NBC's Today Show at 21, spent eight years at Vice Media, and is now navigating the independent content creator landscape.In our conversation, Feinsod talks through his 17-year journey in post-production—from the NBC mail room to creative producer, working with Sony, Field and Stream, and Huckberry across television, film, and new media. He connects his Baltimore DIY roots to his New York work and digs into how transitioning from Vice staffer to freelancer reshaped his creative approach. As he puts it, "it's easy to get complacent when you have like a day job that's holding you down so well."He recalls his time at Vice Media as "the best job I ever had," shares stories from editing Bret Raybould's comedy special, and discusses heading into a new self-starting phase. We get into the realities of working from a Brooklyn apartment edit suite for six years, the mass exodus from Vice, and how the last two years as an independent have pushed him toward more passion-driven, project-based creative work.Be sure to follow Bernard Feinsod to keep up with his work and future projects.Photo credit: Dan St. Ours The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In This Art, the guest is Jacob Ming-Trent!About Jacob Ming-Trent: Acclaimed performer, playwright, and one of American Theater's people to watch. A celebrated artist bringing his solo play, How Shakespeare Saved My Life, to Washington, DC's Folger Theater, and later to The Public Theater in New York with Red Bull producing.In our conversation, Ming-Trent walks through his journey from a rough childhood in an abusive home to moving to New York at seventeen—having been homeless the previous year and recently dropped out of high school. He recalls the pivotal moment Shakespeare entered his life: at six years old, his father, an English major, mentioned the Bard alongside Amiri Baraka. Years later, he accidentally walked into the wrong classroom and was asked to read a Shakespeare speech. "It felt like home to me," he says. "The words were big enough to give context to my emotions that were inside."He digs into the origins of How Shakespeare Saved My Life, a play that poured out of him unexpectedly while working on a different project. The solo show follows a kid with a tough childhood who discovers Shakespeare and tries to use it to navigate his world—sometimes it works, sometimes it fails. "It's a raucous ride, it's outrageous, it's funny, it's sad, and in the end we experience some black joy," Ming-Trent shares. We discuss his decision to leave theater at 35 after feeling treated like "an affirmative action hire," his pivot to television in LA, and how a call from director Saheem Ali brought him back to the stage to lead Shakespeare in the Park in Merry Wives—which ultimately led to writing this play. He reflects on the influence of figures like Biggie, Tupac, James Baldwin, and Basquiat—all artists trying to save their lives through their work. He also talks about audience interaction, the differences between performing in Berkeley and DC, and why vulnerability and fear are necessary parts of telling personal stories.Be sure to follow Jacob Ming-Trent and catch How Shakespeare Saved My Life, running until July 5th at Folger Theater (201 East Capitol Street SE, Washington, DC). Tickets start at $20. The play is also published by Bloomsbury Publishing. After DC, the show heads to The Public Theater in New York. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In This Art, the guest is Solana Rostick!About Solana Rostick: Registrar and Collections Manager at Clark Atlanta University Art Museum. An emerging museum professional dedicated to ensuring underrepresented groups are reflected within institutional collection holdings. Born in Atlanta, raised in Tampa, Florida, and recently completed her Master's in Museum Studies from the University of Florida.In our conversation, Rostick walks through her journey into the museum world—from early childhood memories of making art with shaving cream on windows at age three to being inspired by her father, one of the few Black professional photographers in the Tampa area. She recalls a pivotal museum visit where seeing Mickalene Thomas's " Ain't I a Woman " became a moment of revelation: "for the first time, I'm seeing myself represented in art." That moment sparked her decision to pursue art history and museum work.She digs into her graduate thesis on Gallery 32, a groundbreaking Black-owned art space run by Suzanne Jackson in 1960s Los Angeles during the Black Arts Movement. We discuss her first six months as Registrar at Clark Atlanta University Art Museum, the challenges of transitioning from "internship mode" to being the person colleagues turn to for direction, and practical steps for diversifying museum collections. As she puts it, representation matters: "whose voices are we missing from this collection?"She shares insights on podcast listening habits, the Atlanta art scene, the importance of in-person connections over social media, and why she believes real conversations—not just memes—build community.Be sure to follow Solana Rostick and Clark Atlanta University Art Museum (@CAUArtMuseum on Instagram) to keep up with her work and future projects.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In This Art, I sit down with Tyreek Morrison!About Tyreek Morrison: Tyreek Morrison is an Atlanta-based collage artist who describes himself as "dad first, collage artist second." Born in New Jersey and raised in Atlanta, Morrison uses collage, found materials, paper, paint, and drawing to explore Black American life through memory, identity, and everyday experiences. His daughter just turned one, and this episode was recorded right before his first Father's Day. His father is an oil and acrylic painter, and Morrison grew up watching him work through the night blasting Wu-Tang Clan—those early memories shaped his understanding of what it means to be a working artist.We talk about how becoming a parent has completely transformed his relationship with time and work. On days with his daughter, he's fully present—no phone, no studio. But when she's not with him, his work schedule becomes insanely focused. He doesn't leave the studio. Even when he's not actively creating, he's studying. Morrison discusses the three-generation legacy of creativity in his family and how his work ethic was reinforced when he toured with Lil Wayne after high school, witnessing firsthand how relentless dedication translates to success.Morrison explains his philosophy that collage is parallel to Black American traditions of making something from scraps—whether soul food in the kitchen or sampling in hip-hop. He talks about his influences, including Barkley Hendricks and the artist behind Gorillaz, and how skateboarding played the biggest role in his creative thinking. We also talk about the expectations placed on Black artists to constantly discuss identity and trauma, the competitive-yet-supportive creative energy between him and his father, why he views Instagram as "a big buffet of artists you could bite off of," and his upcoming projects including Atlanta Fine Art Fair with Mason Fine Art, Scope Miami, a solo exhibition in New York City in spring 2027, and his Future Fair baseball piece incorporating real dirt.Follow Tyreek Morrison on Instagram at money team to see his work.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

Robin Anderson joins This Is Hell! to talk about her her new book “The Complicit Lens: US Media Coverage Of Israel's Genocide In Gaza” published by OR Books. https://orbooks.com/catalog/the-complicit-lens/ Robin Andersen is professor emerita of media studies at Fordham University and an award-winning author of a dozen single- and co-authored books. Her work examines film, television, and media coverage of war, the environment, politics, and elections. She edits the Routledge Focus Book Series on Media and Humanitarian Action, serves as a Project Censored Judge, and contributes to the annual State of the Free Press. Andersen is on the Board of Directors of Fairness and Accuracy in Reporting (FAIR), where she also writes regularly, and is an Izzy Award Judge for the Park Center for Independent Media. Her writing has appeared in CounterPunch, LA Progressive, The Progressive, Salon, Common Dreams, and ScheerPost, among others. We will have new installments of Rotten History and Hangover Cure. We will also be sharing your answers to this week's Question from Hell! from Patreon. Help keep This Is Hell! completely listener supported and access bonus episodes by subscribing to our Patreon: www.patreon.com/thisishell

Robin Anderson joins This Is Hell! to talk about her her new book “The Complicit Lens: US Media Coverage Of Israel's Genocide In Gaza” published by OR Books. https://orbooks.com/catalog/the-complicit-lens/ Robin Andersen is professor emerita of media studies at Fordham University and an award-winning author of a dozen single- and co-authored books. Her work examines film, television, and media coverage of war, the environment, politics, and elections. She edits the Routledge Focus Book Series on Media and Humanitarian Action, serves as a Project Censored Judge, and contributes to the annual State of the Free Press. Andersen is on the Board of Directors of Fairness and Accuracy in Reporting (FAIR), where she also writes regularly, and is an Izzy Award Judge for the Park Center for Independent Media. Her writing has appeared in CounterPunch, LA Progressive, The Progressive, Salon, Common Dreams, and ScheerPost, among others. Help keep This Is Hell! completely listener supported and access bonus episodes by subscribing to our Patreon: www.patreon.com/thisishell