Podcasts about winding refn

Nicolas Winding Refn was in a pretty awkward place after releasing Only God Forgives. The popularity he amassed when he made Drive seemed to implode with the follow-up. So what did he do? He doubled down on the weirdness and released a biting, irreverent satire about the L.A. modeling scene. Listen to Alex & Julio discuss THE NEON DEMON with the help of Ryan & Bartek from the Spit & Polish podcast! Can we collectively succeed in making naysayers understand Winding Refn's genius?TIMELINE00:01:24 The Neon Demon00:14:48 Contrarians Corner- Wanna know how we really feel about THE NEON DEMON? Check out the Real Talk (RT) episode, on your feed RIGHT NOW!- Interested in more Contrarians goodness? Join THE CONTRARIANS SUPPLEMENTS on our Patreon Page! Deleted clips, extended plugs, bonus episodes free from the Tomatometer shackles… It's everything a Contrarians devotee would want!- Our YouTube page is live! Get some visual Contrarians delight with our Contrarians Warm-Ups and other fun videos!- Contrarians Merch is finally here! Check out our RED BUBBLE MERCH PAGE and buy yourself something nice that's emblazoned with one of our four different designs!- THE FESTIVE YEARS have been letting us use their music for years now and they are amazing. You can check out their work on Spotify, on Facebook or on their very own website.- Our buddy Cory Ahre is being kind enough to lend a hand with the editing of some of our videos. If you like his style, wait until you see what he does over on his YouTube Channel.- THE LATE NIGHT GRIN isn't just a show about wrestling: it's a brand, a lifestyle. And they're very supportive of our Contrarian endeavors, so we'd like to return the favor. Check out their YouTube Channel! You might even spot Alex there from time to time.- Hans Rothgiesser, the man behind our logo, can be reached at @mildemonios on Twitter or you can email him at mildemonios@hotmail.com in case you ever need a logo (or comics) produced. And you can listen to him talk about Peruvian politics on his own podcast, NACION COMBI. Aaaaand you can also check out all the stuff he's written on his own website. He has a new book: a sort of Economics For Dummies called MARGINAL. Ask him about it!

With the Contrarians gimmick set aside, this Real Talk segment features a wide range of opinions regarding Nicolas Winding Refn and his work. Longtime listeners know how Alex feels about Drive and The Neon Demon — or at least how he felt before this rewatch. And we've hinted to Ryan's actual Neon Demon feelings fairly strongly. But that's only half the panel, and that alone already gives us all plenty to argue about. Listen to find out what's the final verdict on Elle Fanning's misadventures in L.A.!TIMELINE00:01:00 Now on Patreon00:09:12 Real Talk01:03:01 The Future & Perennial Plugs- Interested in more Contrarians goodness? Join THE CONTRARIANS SUPPLEMENTS on our Patreon Page! Deleted clips, extended plugs, bonus episodes free from the Tomatometer shackles… It's everything a Contrarians devotee would want!- Our YouTube page is live! Get some visual Contrarians delight with our Contrarians Warm-Ups and other fun videos!- Contrarians Merch is finally here! Check out our RED BUBBLE MERCH PAGE and buy yourself something nice that's emblazoned with one of our four different designs!- THE FESTIVE YEARS have been letting us use their music for years now and they are amazing. You can check out their work on Spotify, on Facebook or on their very own website.- Our buddy Cory Ahre is being kind enough to lend a hand with the editing of some of our videos. If you like his style, wait until you see what he does over on his YouTube Channel.- THE LATE NIGHT GRIN isn't just a show about wrestling: it's a brand, a lifestyle. And they're very supportive of our Contrarian endeavors, so we'd like to return the favor. Check out their YouTube Channel! You might even spot Alex there from time to time.- Hans Rothgiesser, the man behind our logo, can be reached at @mildemonios on Twitter or you can email him at mildemonios@hotmail.com in case you ever need a logo (or comics) produced. And you can listen to him talk about Peruvian politics on his own podcast, NACION COMBI. Aaaaand you can also check out all the stuff he's written on his own website. He has a new book: a sort of Economics For Dummies called MARGINAL. Ask him about it!Up next, we welcome Brian De Palma back to the show as we tackle his last big studio production, THE BLACK DAHLIA! Until then, let us know what you thought of The Neon Demon: Redemption for a divisive filmmaker? More of the same Winding Refn claptrap? More of the same Winding Refn genius? E-mail us at wearethecontrarians@gmail.com or tweet at us or facebook us and share your thoughts!

For our 2nd turn on the long and winding road of Winding Refn we rewind to 2019's STREAMING OPUS Too Old To Die Young #TOTDY #NWR with the help of my brothers (1 by blood, 1 in spirit) Gavin Blanchard and Sunshine Mayfield, join us won't you?!... Intro : "Pile Driver" by nARK Bumper : "Martinez" by nARK Outro : "Pile Driver" by nARK Produced By : Noah Blanchard Released By : The ARK of E Network Contact : thearkofe@gmail.com , @thearkofenetwork

Hello and welcome to Re-Winding Refn, A New Limited Series from The ARK of E Network, exploring the work of Nicolas Winding Refn, in reverse. In our inaugural episode I'm joined by longtime friend of the pod, and just plain longtime friend Brendan Reilly, who luckily was totally game for being thrown in the deep end of this project, listen for details and stick around, won't you? Intro : "letOH" by nARK Bumper : "Martinez" by nARK Outro : "HitIT" by nARK Produced By : Noah Blanchard Released By : The ARK of E Network Contact : thearkofe@gmail.com , @thearkofenetwork

Nella puntata caratterizzata da un annuncio del Castelli che fa tremare l'establishment internazionale, facciamo un po' il punto su quello che ci siamo lasciati indietro nella settimana di vacanza che ci siamo presi. Tra questo c'è anche Kaleidoscope di Netflix, con polemichetta annessa. Poi arrivano due procedurali di cui non sentivamo la mancanza e una serie che è ambientata in mezzo al mare, ha del sovrannaturale, ma non è 1899. A proposito: addio 1899, è stato a tratti bello, ma la vita è difficile e pure Netflix sta diventando piuttosto crudele (o giusta?). Ah, a proposito di Netflix: arrivano anche Copenhagen Cowboy di Winding Refn e Mayfair Witches, tratta da Anne Rice e con Alexandra D'Addario per la prima volta (prima volta?) protagonista assoluta. Ecco le serie arrivate in queste settimane e in arrivo nei prossimi sette giorni: Venerdì 30 dicembre -Alpha Males (Netflix) Domenica 1 gennaio -Kaleidoscope (Netflix) Martedì 3 gennaio -Will Trent (ABC) Mercoledì 4 gennaio -La vita bugiarda degli adulti (Netflix) Giovedì 5 gennaio -Copenhagen Cowboy (danese di Netflix) Venerdì 6 gennaio -The Rig (prime Video) Domenica 8 gennaio -Alert (FOX) -Mayfair Witches (AMC+) Lunedì 9 gennaio -Koala Man (Disney+) Giovedì 12 gennaio -The Makanai: Cooking for the Maiko House (giapponese di Netflix) -Velma (HBO Max) -Vikings Valhalla, seconda stagione (Netflix)

Un vistazo a los datos curiosos y del vestuario de este film de Nicolás Winding Refn. Dirección de vestuario de Erin Benarch. Protagonizada por Elle Fanning.

Al programa d'esta setmana, a més de les estrenes més destacades de sales de cinema (Valhalla Rising, Hijos del Sol...) i de les plataformes (Oxygen, Love Death & Robots...), ens aturem en tres grans temes: El projecte rus DAU, una sèrie de pel·lícules i altres formats audiovisuals, de 700 hores de rodatge, en un "reality" que juga entre la ficció i el documental, i que té molta obscuritat i incertesa al seu darrere. Nicolas Winding Refn és el nostre segon protagonista del dia. Repassem la seua filmografia, gràcies al treball (i l'amor que li té) de Manu Salmerón. Aprofitem la secció anterior per a parlar del gran compositor per a cinema Cliff Martínez, qui ha treballat a l'últim cinema de Winding Refn, a més d'altres grans directors com Steven Soderbergh. Secció musical per a fer-nos una idea de l'estil musical de Martínez. Cinestèsia és un programa enregistrat a Ràdio Godella i produït per la Xarxa d'Emissores Municipals Valencianes.

Nicolas Winding Refn, el director dan

История Too Old To Die Young обрывается на получасовом эпизоде "The World", что повествует о двух главных женщинах сериала. Диана наполняет свою чашу и готовится к апокалипсису. Яритца буднично несёт в мир правосудие, оставляя позади себя огонь и кровь. Пути этих женщин уходят в вечность, и самому Николасу Виндингу Рефну не дано охватить всю траекторию их путешествия по жестокой истории человечества. Он может лишь гадать и фантазировать о том, что произошло дальше. Финал оставляет позади не только нас, но и самого Рефна. Оставляет наедине с реальностью, которая, в общем то, и является логическим продолжением этой 13-часовой мускулинно-фемининной одиссеи.

Шокирующее видение вызовет креативный блок. Мать и любовница соединятся в едином лице. Женственное начало откроет дорогу к успеху. Будущее потонет в крови. Ангел мести продолжит бороться, благодаря любви своей матери.

Наконец поняв кем он является, Мартин уходит из полиции и избирает делом своей жизни войну против грязи этого мира и защиту единственного дорогого ему человека. Диана всматривается в будущее Мартина, но видит там лишь серую пелену неопределённости. Совсем как океан, выбрасывающий на берег осколки прошлой, более счастливой жизни Джейни.Солнце не всегда светит там, где мы этого ждём. Смерть и жизнь играют в бесконечную эстафету.

Amb tanta calor, cal buscar un raconet del món més fresquet. I si a més fan cinema, i del bó, doncs millor encara. Això ocorre amb Dinamarca i la seua indústria cinematogràfica: des de Carl Theodor fins a Winding Refn, passant pel famós Dogma 95 amb Trier i Vinterberg de capos. Documentals, sèries i pel·lícules, totes elles daneses, que vos duguem Andrea Casino i Pablo Plaza per augmentar la vostra llista de "must" per a este estiu cinèfil. LEV KINEMAEN!

Albert delves into Thalassophobia (the intense and persistent fear of the ocean, abyssal depths, and the unknown), as well as the themes of water, woman and womb. (Jan 24, 2018) Time Stamps: [2:18 skip intro] [3:16 skip regular rundown] [4:46 our week in DS / RobinGaming] [11:17 The Shape of Water / intro to thalassophobia & rotifer] [26:50 structure of the show] [28:55 Winding-Refn] [31:55 MGS Survive] [40:50 reddit rundown] [1:17:59 no women in-game / motherhood] [1:26:35 hourglass “theory”] [1:31:59 Thalassophobia / fear of the ocean & fear in general] [1:47:50 Humans pushing the boundaries of what is known / opposing their natural habitat] [2:04:37 Norman Reduus podcast / part about DS] [2:07:15 turning Norman into Sam] [2:11:16 DS will not be isolating experience] [2:22:21 outro] [2:25:40 bloopers] - http://www.albertchessa.com --- Send in a voice message: https://anchor.fm/albertchessa/message

This week Dom & JD give you their HORROR MOVIE MINOR CHARACTERS BATTLE ROYALE. We take some of our favorite horror movie background characters and put them against each other in hand to hand combat in a fight to the death. In addition, there is some horror news and the good and bad movies of the week.http://www.postmortemshow.comhttp://www.patreon.com/postmortemshow

После продолжительной паузы, наш с Павлом рикэп Too Old To Die Young продолжается. В эпизоде номер 5, "The Fool", Мартин преследует семейство порнографистов из Нью Мексико, что приводит к самой оригинальной сцене погони со времён Дороги Ярости.

Вигго показывает Мартину мир, каким он его видит своим единственным глазом. Своё видение прошлого, настоящего и будущего человеческой расы. Проникнувшись речью Вигго и его мировоззрением, Мартин начинает делать первые шаги на пути к обретению достойной цели собственного существования в этом мире на пороге хаоса.Присоединяйтесь к нам в обсуждении четвёртого эпизода Too Old To Die Young - "The Tower".

"The Hermit" (c англ. "отшельник") знаменует собой окончание вводной части фильма. Здесь мы знакомимся с третьей стороной треугольника истории TOTDY, в лице отставного агента ФБР, а ныне тихого виджиланти, Вигго, и медиума Дианы, что по совместительству является "координатором" и другом Вигго. Их тайное предприятие оказывается под угрозой раскрытия, когда на след Вигго нападает недавно повышенный в звании Мартин Джонс...

В 27 эпизоде RJ/Podcast, я и Павел Перепелица продолжаем обсуждать американо-мексиканский пред-апокалиптический криминальный триллер Николаса Виндинга Рефна и Эда Брюбейкера. Второй эпизод Too Old To Die Young переносит нас по ту сторону границы и позволяет пристально вглядеться в её самых опасных (и сексуальных) обитателей. Prepare for war.

Новый фильм Николаса Виндинга Рефна длится 13 часов. В ходе этого рикэпа, я и мой со-ведущий Павел Перепелица будем методично разбирать и анализировать каждую его сцену. Time to meet the Devil.

Dette er en spesialpodkast fra filmfestivalen i Cannes! Lars Ole Kristiansen fra Montages og Filmfrelst forteller om de beste filmene fra festivalens første dager, mens Birger Vestmo anmelder Pedro Almodóvars "Pain and Glory" og Nicolas Winding Refns Amazon Prime-serie "Too Old To Die Young". Winding Refn forteller hvorfor dette ikke er en serie, men en 13 timer lang film, mens hovedrolleinnehaver Miles Teller forteller hvorfor dialogen har så lange pauser. Produsent Nina Barbosa, regissør Johanna Pyykkö og hovedrolleinnhaver Øyvind Brandtzæg fra den norske kortfilmen "The Manila Lover" forteller om sine inntrykk fra Cannes, og regissør Tonje Hessen Schei forklarer hvorfor hun presentere sin nye dokumentarfilm "iHuman" i Cannes før den er ferdig!

This week Andy lays some eggs, The 80's Jeff PR Firm gets a new client and Torgo promotes himself to executive in Red Light/Green Light. We also talk about Won't You Be My Neighbor, Mission Impossible: Fallout, Yakuza 6, Questworld, updates on the James Gunn debacle, FantasticLand, Disney is now Fox is now Disney, MoviePass burps, Winding Refn's personal streaming service bynwr.com, Jones chooses Rogue Trooper, Black Panther in the Smithsonian, Netflix syndicates to cable, Blade Runner continues, Time Bandits, Quantum and Woody, Heart of Darkness (in space), Downey v AI, and Years and Years. So let those things roll downhill, it's time for a Geek Shock!

Our final Spike Lee joint is 2015's CHI-RAQ: based on an Ancient Greek play, and set in modern-day gangland Chicago, this is both very different from and yet — at least in terms of its racial politics — remarkably similar to last week's film. We have contrasting reviews of the film, but go on to talk about the contemporary resonances of the movie, what it tries but fails to do with some of its characters, and how watching Spike Lee's genius over this past month has been eye-opening for both of us!Next WeekNext we embark on a new director: Nicolas Winding Refn. Our first Winding Refn picture is 1996's PUSHER, available here (remember we're only looking at the first film): https://www.amazon.co.uk/Pusher-Trilogy-DVD-Jesper-Salomonsen/dp/B000FH8TZ6.This Week's MediaXXIII OLYMPIC WINTER GAMES (2018)MUM (2018): Stefan Golaszewski, Lesley Manville, Peter MullanRecommendationsMR AND MRS SMITH (2005): Doug Liman, Brad Pitt, Angelina JolieROMEO + JULIET (1996): Baz Luhrmann, Leonardo DiCaprio, Claire DanesGROSSE POINTE BLANK (1997): George Armitage, John Cusack, Minnie Driver BLADE (1998): Stephen Norrington, Wesley Snipes, Stephen Dorff FootnotesFirstly, soberingly, Rob mentions the Parkland, FL shooting as a recent touchstone for the film: https://edition.cnn.com/2018/02/15/us/florida-shooting-victims-school/index.html. Then, the play on which the narrative is based is the Aristophanes comedy LYSISTRATA: https://en.wikipedia.org/wiki/Lysistrata. In our discussion of John Cusack's role in the film, we talk about the ‘white saviour' complex: https://en.wikipedia.org/wiki/White_savior_narrative_in_film. Bagger Vance and Adonis Johnson are two movie characters that we mention, at opposite ends of the ‘people of colour on film' narrative spectrum: http://www.imdb.com/title/tt0146984, http://www.imdb.com/title/tt3076658. Finally, here's that line from Joseph Heller (don't ask why, but I could only find this on Ricky Gervais's Twitter…): https://twitter.com/rickygervais/status/152820326600945664?lang=en.

Por primera ocasión se podrá ver en una copia restaurada en 4k de la primera cinta hecha por El Santo: Santo vs Hombres Infernales, la cual se filmó a la par de Santo vs El Cerebro del Mal, en Cuba. La cinta de Joselito Rodríguez se presentará el viernes 27 en la Plaza Benito Juárez, como parte de las exhibiciones gratuitas al aire libre del FICM, teniendo una función posterior al día siguiente en Cinépolis Centro.La importancia de esta labor quizás no venga tanto por la historia mostrada en la pantalla, sino por lo que ocurre detrás, al representar a uno de los íconos máximos de la cultura popular mexicana gracias a la ardua labor de Viviana García Besné, Nicolás Winding Refn, la Misma Academia y la labor incansable hecha en Permanencia Voluntaria Archivo Cinematográfico.

Drive - There’s squish and there’s also crunch. The return of Special Guest Merlin Mann! Host Joe Rosensteel and Dan Sturm with Merlin Mann.

A film about the modelling industry and vampiric pagan cults? Well let's try and unpack the Neon Demon this week. Josh and Damian talk about Winding Refn's latest film and whether it's even good.

Hola amigos de Variete! en este capitulo revisamos brevemente Drive una película de Winding Refn y anunciamos el final de la primer temporada.

The films of director Nicolas Winding Refn (DRIVE, ONLY GOD FORGIVES) are known for their distinctive visual style and their often graphic depictions of violence. His latest - THE NEON DEMON - is no exception. DEMON stars Elle Fanning as a young model new to Los Angeles. Carnage ensues. This week, Adam talks with Winding Refn and Fanning, and he and Josh share a review of DE PALMA, a new documentary that reconsiders the work and career of another director whose films depict their share of carnage - Brian De Palma. 0:00-3:43 - Billboard / Donations 3:43-28:12 - Interview: Nicolas Winding Refn and Elle Fanning Music: Case Lang Veirs, "Atomic Number" 40:25-56:50 - Notes / Massacre Theatre 56:50-1:20:24 - Review: "De Palma" 1:20:24-1:36:52 - Close / Hot Mics Learn more about your ad choices. Visit megaphone.fm/adchoices

All hands are on deck as we talk sequels on Trailer Park Podcast episode 58. Nathan, Daniel, Amanda, Chelsea and yes, even The Intern congregate to discuss whether Dory will find... well... herself? Will Dwayne Johnson be able to provide Kevin Hart with that elusive smash hit he has been so desperately trying to obtain? Will The Neon Demon be Winding Refn's horror masterpiece or just another pretentious failure? Why was Now You See Me 2 not called "Now You Don't" and who should be fired after not even including it after a colon in the title? Finally after 20 years Independence Day gets a sequel and there has never been a sequel to a Roland Emmerich movie before.. will there ever be another one? All this and don't forget the Burden List and the Intern Archive Update!

Cannes giorno 9. S. Pen , N. Winding Refn e il corto italiano

Action Movie Anatomy hosts Ben Bateman and Andrew Ghai break down Drive! Drive is a 2011 American neo-noir crime thriller film directed by Nicolas Winding Refn. The screenplay by Hossein Amini is based on the 2005 novel of the same name by James Sallis. It stars Ryan Gosling, Carey Mulligan, Bryan Cranston, Christina Hendricks, Ron Perlman, Oscar Isaac and Albert Brooks. Like the book, the film is about an unnamed Hollywood stunt performer(Gosling) who moonlights as a getaway driver. Prior to its September 2011 release, it had been shown at a number of film festivals. At the 2011 Cannes Film Festival, Drive was praised and received a standing ovation. Winding Refn won the festival's Best Director Award for the film. Reviews from critics have been positive, with many drawing comparisons to work from previous eras. The film was nominated for Best Film and Best Direction at the 65th British Academy Film Awards. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Edición número 78 de La Gran Evasión, 29/3/2016. Nos subimos al coche de Nicolas Winding Refn en esta ocasión, nuestro conductor es el Driver, el chico que trabaja de mecánico y de especialista en escenas de conducción por el día y por las noches es el conductor, el que te saca del sitio que hayas robado, el profesional que elude a la policía, el mejor conductor para los bajos fondos...una película estrenada en el 2011 por este danés loco que ya es una obra de culto, una historia negra, de estética y de una brutalidad apabullante... Drive no es sólo la sangrienta venganza de un conductor sin nombre, es algo más, es un conflicto interior, es la imposibilidad de escapar del pasado, es la negra estrella que se cierne sobre un grupo de vidas solitarias, es una historia de robos y sus consecuencias, es el retrato clásico de unos perdedores, pero sobre todo es una historia de amor, es una vida que se escapa en un parpadeo, pues la vida es movimiento, cambio, agitación, ya sabemos que solo los afortunados olvidan...contada con estética y pausa, con amor por el cine y riesgo por fusionar nuevas formas de conmover, pues al final es eso, si una peli te conmueve, te deja dando vueltas a la historia, si tienes ganas de volverla a ver, es que es cine, con letras mayúsculas y para mi Drive lo es. Impecable elenco de actores, un frío y oscuro Ryan Gosling, la inocente y dulce Carey Mulligan, el asesino amable y cansado que hace Albert Brooks, el perdedor por excelencia que borda Bryan Cranston, en fin, Christina Hendricks, la voluptuosa pelirroja... Destacar la gran banda sonora, un trabajo exquisito de Cliff Martínez, recuperando temas ochenteros y creando el ambiente, la música es más que un acompañamiento, forma parte de la historia y de los protagonistas... Una atmósfera impecable, tempo pausado, un montaje lleno de elipsis, dejando que el espectador entre en la historia y la complete, una obra brutal y violenta, tan sublime y delicada a la vez, que la mezcla de dolor y belleza se vuelve arte, se vuelve cine. Escapamos esta noche acurrucados en el asiento trasero de un Ford Thunderbird trucado, mientras el Driver nos saca de la torre de Radiopolis que acabamos de desvalijar.....a la dirección José MIguél Moreno, contertulios Raúl Gallego, Gervi Navío y atrapado en el ascensor, con el rostro ensangrentado por Melville, Scorsese, Leone, Huston...con la cabeza despachurrada y pisoteada de David Lynch en un rincón..... nuestro crítico César Bardés.

Sapete qual è stato il primo film visto da Rossana Rossanda? Se volete scoprirlo ascoltate l'intervista di Mariuccia Ciotta e del "nostro" Roberto Silvestri, grandi firme de Il manifesto che fu. Una puntata da non perdere per conoscere i segreti e i gusti, anche cinematografici, di uno dei personaggi più importanti della nostra cultura. E poi l'incontro con Nicolas Winding Refn e Alejandro Jodorowsky: un grande e un quasi grande a confronto! In conduzione Alberto Crespi e Maurizio Ponzi.

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Kino är på stockholms filmfestival den här veckan - och möter några av filmskaparna som är aktuella där. En av Stockholms filmfestivals hetaste filmer är Drive. Filmens regissör, Nicholas Winding Refn, belönades med regipriset för Drive i Cannes tidigare i år, och sedan dess har den gjort ett segertåg över hela världen. Kinos Lisa Bergström fick träffa både regissören Winding Refn och huvudrollsinnehavaren Ryan Gosling på filmfestivalen i Toronto tidigare i år. Ett par vars bromans skapat kärleksbarnet Drive. Nicholas Winding Refn är inte den enda skandinaviska regissör som gjort internationell karriär. Festivalens öppningsfilm i Stockholm var ju Tomas Alfredsons internationella debut, Tinker, Tailor, Soldier, Spy. En film som utspelas under det kalla kriget på den brittiska underrättelsetjänsten, där ett rykte plötsligt sprids om att det finns en dubbelagent - en mullvad - i organisationens topp. Filmen bygger på en roman av John Le Carré som regissören Tomas Alfredson själv tyckte var klurig att förvandla till långfilm, berättade han när Roger Wilson mötte honom. Två av årets festivalfilmer tar på olika sätt upp fenomenet hysteri, denna märkliga diagnos som sattes på kvinnor för lite mer än hundra år sedan. Det är dels David Cronenbergs A Dangerous Method och dels den romantiska komedin Hysteria av amerikanskan Tanya Wexler. Kinos Lisa Bergström har ringt upp Viggo Mortensen som spelar Freud i A Dangerous Method, och träffat Hysteria-regissören Tanya Wexler. Och första frågan till Tanya blev...hur kom du på idén att göra en komedi om hysteri, onani och vibratorer i viktoriansk miljö. Programledare: Roger Wilson Producent: Lisa Bergström Just nu pågår Sveriges Radios satsning "Den orättvisa skolan". Under tre veckor så granskas och diskukteras den svenska skolan i ett trettiotal program där alla tacklar frågan på sitt sätt. Här i Kino har vi med jämna mellanrum besökt skolgården. Bland annat har vi diskuterat jämställdheten i skolan förr och nu när vi jämförde Peter Schildts långfilm Tusen gånger starkare från 2010 med tv-serien tjejerna gör uppror från 1977. Ett klassiskt skräckexempel från filmens värld som ofta lyfts fram när kunskap och lärande ska diskuteras är Alf Sjöbergs film "Hets" från 1944 med Stig Järrel som ondskefull magister, med rynkade ögonbryn och pekpinnen som vapen. Det är ingen slump att han fått öknamnet Caligula av klassen. Här på Kino har vi denna vecka fördjupat oss i en annan, betydligt vänligare lärarfigur, nämligen Magister Flykt, Peter Cohens och Olof Landströms tecknade barnserie-klassiker från 1984. Serien visas just nu i SVTs Barnkanalen och Nina Asarnoj träffade Peter Cohen för att prata om Magister Flykt och vårt förhållande till skolan.