Podcasts about bach concerto

“This is how I want to make music!” That was Avi Avital's reaction when he first saw Il Giardino Armonico and Giovanni Antonini play live in Jerusalem. Now famed worldwide for his own charismatic and passionate performances, the mandolinist is delighted to be joined by this exciting period-instrument ensemble and its conductor and co-founder on his latest album, entitled simply Concertos. Together they perform three original concertos for mandolin – by Barbella, Paisiello and Hummel – and Avital's own adaptations of concertos by J.S. Bach and Vivaldi. Antonini is the recorder soloist in the Bach, while elaborate recording techniques allow Avital to play all four parts in the Vivaldi. Concertos is set for release by Deutsche Grammophon on 17 November. The Vivaldi concerto and the Andantino of the Barbella are available to stream or download now, while excerpts from the Paisiello and Hummel works will be released on 29 September and 27 October respectively.Track Listing:1 VIVALDI: Concerto for 4 Mandolins, Strings and Basso continuo in B minor /Allegro2 Largo – Larghetto – Adagio – Largo3 Allegro 4 BACH: Concerto for Mandolin, Recorder, Strings and Basso continuo in D minor/ Allegro5 Adagio6 Allegro 7 BARBELLA:Concerto for Mandolin, Strings and Basso continuo in D major 1. Allegro8 Andantino9 Giga. Allegro10 PAISIELLO: Concerto for Mandolin, Strings and Basso continuo in E flat major / Allegro11 Larghetto grazioso12 Giga. Allegro 13 HUMMEL: Concerto for Mandolin and Orchestra in G major / Allegro moderato e grazioso14 Andante con variazioni15 RondoClassical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcast with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

A Filosofia aponta que um dos significados simbólicos de cultura é o "cultivar valores" e de convivência, é a arte de viver em conjunto.  Neste episódio, os professores voluntários buscam refletir como o cultivo de virtudes e potenciais humanos podem auxiliar ao Ser Humano a desenvolver melhor a consciência para viver em conjunto.  Participantes: Danilo Gomes e Emerson Queiroz  Trilha: J. S. Bach - Concerto em G menor, BWV1056 Largo para flauta e Piano

Neste episódio, o professor da Nova Acrópole, Emerson Queiroz, traz uma reflexão sobre o “saber querer”, que nos permite chegar a ser o que queremos, de acordo com a melhor expressão de nossos potenciais humanos. Participantes: Emerson Queiroz e Danilo Gomes Trilha Sonora: J.S. Bach - Concerto de Brandenburg Concerto No. 5 in D maior, BWV 1050

Chillout Classic w Radio Spin #8 "BACH" Odkryjmy magię muzyki Jana Sebastiana Bacha. Poniższa playlista to bardzo okrojony i subiektywny wybór jego kompozycji, bo przecież muzyki pasującej do tej audycji jest bez liku. Na pewno pokłonie się jeszcze tej genialnej muzyce. Bacha można słuchać i słuchać a jego muzyka idealnie nadaje się na chillout w domowym zaciszu, z dala od zgiełku. Późna pora jest ku temu najlepszym czasem...no i oczywiście wygodny fotel 1. J.S. Bach - Aria z Wariacji Golbergowskich, Andras Schiff. 2. J.S. Bach - Toccata i fuga d-moll, BWV 565, aranżacja na orkiestrę Leopold Stokowski. 3. J.S Bach - Preludium i fuga C-dur, BWV 846, Glen Gould. 4. J.S Bach/C.Gounod - Ave Maria, Nigel Kennedy. 5. J.S. Bach - Sonata for Violin Solo a- moll, BWV 1003, Andante, Henryk Szeryng. 6. J.S. Bach - Cello Suite No. 1 G-dur, BWV 1007, Preludium, Yo-Yo Ma. 7. J.S. Bach - Concerto for 2 Violins d-moll, BWV 1043, Largo ma non tanto, Anne Sophie Mutter, Salvatore Accardo, English Chamber Orchestra. 8. J.S. Bach - Preludium i fuga c-moll, BWV 846, Vikingur Ólafsson. 9. J.S. Bach - Kantata BWV 115, Aria "Bete, betę aber auch dabei", Kathleen Battle, Itzhak Perlmann, Orchestra of St. Luke's, John Nelson. 10. J.S. Bach, Aria z Suity D-dur, Jacques Loussier.

Get a sneak peek at the upcoming Stringwood Special Edition Episode with the Stringwood Assistant Faculty and past guests violinists Matt Lammers and Hannah Kennedy, violist Alexandra Sophocleus, and cellist Daniel Kopp. In this snippet, Alexandra shares her experience as a student performing the J.C. Bach concerto in a masterclass and having a revelation regarding overcoming her fear of performing live and the supportive environment at Stringwood. Apply to Stringwood Today! www.stringwood.com @stringwoodcmf A premier summer music festival, Stringwood specializes in connecting young musicians (ages 12-22) from across the United States to chamber music as an art form, and developing expression in a supportive and nurturing environment through collaborative experiences.   The program is enhanced by its location at the Eagle Bluff Environmental Learning Center, home to year round naturalists, organic gardens, eighty acres of pristine woodlands, canoeing, high ropes courses, indoor rock wall, nature hikes, bike trails, and breathtaking views.   The Stringwood schedule provides ample time and space for personal practice, in-depth daily rehearsals and coachings, private lessons with master teachers, and generous interaction with world-class guest artists in an energized and collaborative environment.  --- Support this podcast: https://podcasters.spotify.com/pod/show/haydnmusicstand/support

27 de enero, conmemoración anual en memoria de las víctimas del Holocausto Fuga de la muerte - Paul Celan Negra leche del alba la bebemos al atardecer la bebemos a mediodía y en la mañana y en la noche bebemos y bebemos cavamos una tumba en el aire no se yace estrechamente en él Un hombre habita en la casa juega con las serpientes escribe escribe al oscurecer en Alemania tus cabellos de oro Margarete lo escribe y sale de la casa y brillan las estrellas silba a sus mastines silba a sus judíos hace cavar una tumba en la tierra ordena tocad para la danza Negra leche del alba te bebemos de noche te bebemos en la mañana y al mediodía te bebemos al atardecer bebemos y bebemos Un hombre habita en la casa juega con las serpientes escribe escribe al oscurecer en Alemania tus cabellos de oro Margarete tus cabellos de ceniza Sulamita cavamos una tumba en el aire no se yace estrechamente en él Grita cavad unos la tierra más profunda y los otros cantad sonad empuña el hierro en la cintura lo blande sus ojos son azules cavad unos más hondo con las palas y los otros tocad para la danza Negra leche del alba te bebemos de noche te bebemos al mediodía y la mañana y al atardecer bebemos y bebemos un hombre habita en la casa tus cabellos de oro Margarete tus cabellos de ceniza Sulamita él juega con las serpientes Grita sonad más dulcemente la muerte la muerte es un maestro venido de Alemania grita sonad con más tristeza sombríos violines y subiréis como humo en el aire y tendréis una tumba en las nubes no se yace estrechamente allí Negra leche del alba te bebemos de noche te bebemos a mediodía la muerte es un maestro venido de Alemania te bebemos en la tarde y la mañana bebemos y bebemos la muerte es un maestro venido de Alemania sus ojos son azules te hiere con una bala de plomo con precisión te hiere un hombre habita en la casa tus cabellos de oro Margarete azuza contra nosotros sus mastines nos sepulta en el aire juega con las serpientes y sueña la muerte es un maestro venido de Alemania tus cabellos de oro Margarete tus cabellos de ceniza Sulamita. CRÉDITOS: • Autor: Paul Celan (Rumanía 1920-París 1970) • Poema: Fuga de la muerte, de ‘Amapola y memoria’-1952 • Traducción: José Ángel Valente • MS-J.S. Bach - Concerto in D Minor - II Adagio • Voz y montaje: Manuel Alcaine

Zomergeesten aflevering 6 met televisiemaker en stemacteur Paul Haenen (Margreet Dolman, Dominee Gremdaat en Bert & Ernie) Gast: Paul Haenen Camera: Thomas de Boer Audio nabewerking: Jasper Cremers Mecenas Patreon: Josha Sietsma Steun Zomergeesten / Boze Geesten Podcast

上集邀請到小提琴新生代最受矚目演奏家 Jason 分享他的人生故事， 下集則是樂迷  Hilda 與 Jason 的古典音樂熱情對談！ 溫馨提醒：前半段稍微有比較艱深的音程音律等討論，但很快結束後就有滿滿的音樂及 小故事能欣賞啦

Dans ce troisième épisode, je discute avec Suzanne Cloutier de son retour au violoncelle. Après avoir reçu une formation musicale poussée durant l'enfance et l'adolescence, elle a mis de côté le violoncelle durant plusieurs décennies. Maintenant à la retraite, son rapport avec l'instrument est davantage axé sur le plaisir de jouer que sur le désir de performer. Coups de coeur de Suzanne : - Pablo Casals - Rostropovitch - Yo-Yo Ma - Concerto en Do de Haydn - Suites de Bach - Concerto d'Elgar par Jacqueline du Pré Toujours rêver d'apprendre le violoncelle? Et si c'était possible de le faire à votre propre rythme, dans le confort de votre foyer? Toutes les informations à www.praticocello.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/praticocello/message

Continuando a exposição sobre a essência da música, o professor Octávio expõe neste episódio as características da música barroca e da música clássica, bem como as mudanças ocorridas na filosofia e na sociedade e suas interligações. Para contato e doações (Pix/PayPal): tradtalk [arroba] mail.com Telegram: https://t.me/tradtalk Spotify: https://bit.ly/TradTalkSpot ​Anchor: https://bit.ly/AnchorTrad ​CastBox: http://bit.ly/CastBox1​ Aula mencionada: A Literatura e a Direita (Ir. Anna Maria Fedeli) https://www.youtube.com/watch?v=Td6kHLOjWv0 Músicas mencionadas: Gaspar Fernandes - La Sol Fa Mi Re https://youtu.be/bJOrLSGyIlk Dilermando Reis e Francisco Petrônio - Ontem ao Luar https://youtu.be/hDfzaZI2AGM Alessandro Moreschi (último castrato, gravação de 1902): https://youtu.be/GyodNzbjVkw J.S. Bach - Concerto em Lá menor https://youtu.be/Z-xvW920gqk C. Monteverdi - Pur ti Miro https://youtu.be/tGy9fLI2sz0 A. Vivaldi - Inverno https://youtu.be/nvbfFfwzCqg J.S. Bach - O Cravo Bem Temperado - https://youtu.be/_DyXKEmFthU J.S. Bach - Paixão de São Mateus - https://youtu.be/P21qlB0K-Bs J.S. Bach - Paixão de São João - https://youtu.be/w2LakofZAhw J.S. Bach - Missa em Si menor - https://youtu.be/So704KMhspk J.S. Bach - Concertos de Brandemburgo - https://youtu.be/NCPM8DEsvmc J.S. Bach - Variações Goldberg - https://youtu.be/15ezpwCHtJs Playlist de fugas de Bach - https://www.youtube.com/watch?v=0KTvY0mVKLI&list=PL-kS7b5nXt0K8eaZSakejRbzyVR7JftBi Verdi - Dies Irae https://youtu.be/cHw4GER-MiE Músicas aquáticas de Händel - https://youtu.be/mAyiidg25uE Händel - Messias https://youtu.be/71NCzuDNUcg Coletânea de composições de Henry Purcell https://youtu.be/=2DxwfZ5AKPo Playlist de Lobo de Mesquita - https://www.youtube.com/watch?v=6S9_E6f3jq8&list=PLFWzD2QBAwr0cHQRk8xrew63AWwviyn4U José Maurício Nunes Garcia - Missa de Santa Cecília https://youtu.be/Pj5pfF1tCzg José Maurício Nunes Garcia - Missa de Nossa Senhora da Conceição https://youtu.be/xUcLxn-cbDw Marcos Portugal - Você Trata Amor Em Brinco https://youtu.be/PQBrKaeoDjI Sonata 52 de Haydn https://youtu.be/dbXVTUA5nik Sinfonia 40 de Mozart https://youtu.be/JTc1mDieQI8 Haydn - A Criação https://youtu.be/Hgq3DzPg1hI Haydn - Opus 64, número 5 https://youtu.be/0Ym1iekwf1s Playlist de Concertos de Mozart https://www.youtube.com/watch?v=DI7GkDes1Eo&list=PLxA0fo4jnSpd0Kcb5ao5UnfBe9VaKEG9E Réquiem de Mozart https://youtu.be/XmttZ-BnwaI Beethoven - Concerto para Piano número 5 https://youtu.be/p3qfJQGngQc Beethoven - Nona Sinfonia https://youtu.be/t3217H8JppI Beethoven - Missa Solene https://youtu.be/hbzYR6N2U_4

آهنگ شب شماره شش فصل هشتمFluteTracks : J.S.Bach- Concerto in G Minor Largo - Debussy- La plus que lente - Debussy Syrinx - Saties Gymnopedie No.1پلی لیست آهنگ شب در اسپاتیفایلحظات آرومی براتون آرزو میکنمیک دنیا سپاس که مارو به دوستاتون معرفی میکنیدآهنگ شب کاری از پادکست آهنگسازbuy me a coffee here... حمایت مالی از پادکست آهنگ شب اینستگرام آهنگسازکانال تلگرام اهنگساز Hosted on Acast. See acast.com/privacy for more information.

My friend Tiber suggested that I make a recording of this poem as there seems to be no spoken English version of it to be found yet, so here it is. I hope you enjoy and that it is also useful given the poem's rich conveyed wisdom. Music: J.S. Bach - Concerto in D Minor BWV1043, Largo played by Daniel Estrem Time goes by, time comes along, All is old and all is new; What is right and what is wrong, You must think and ask of you; Have no hope and have no fear, Waves that rise can never hold; If they urge or if they cheer, You remain aloof and cold. To our sight a lot will glisten, Many sounds will reach our ear; Who could take the time to listen And remember all we hear? Keep aside from all that patter, Seek yourself, far from the throng When with loud and idle clatter Time goes by, time comes along. Nor forget the tongue of reason Or its even scales depress When the moment, changing season, Wears the mask of happiness - It is born of reason's slumber And may last a wink as true: For the one who knows its number All is old and all is new. Be as to a play, spectator, As the world unfolds before: You will know the heart of matter Should they act two parts or four; When they cry or tear asunder From your seat enjoy along And you'll learn from art to wonder What is right and what is wrong. Past and future, ever blending, Are the twin sides of same page: New start will begin with ending When you know to learn from age; All that was or be tomorrow We have in the present, too; But what's vain and futile sorrow You must think and ask of you; For the living cannot sever From the means we've always had: Now, as years ago, and ever, Men are happy or are sad: Other masks, same play repeated; Diff'rent tongues, same words to hear; Of your dreams so often cheated, Have no hope and have no fear. Hope not when the villains cluster By success and glory drawn: Fools with perfect lack of luster Will outshine Hyperion! Fear it not, they'll push each other To reach higher in the fold, Do not side with them as brother, Waves that rise can never hold. Sounds of siren songs call steady Toward golden nets, astray; Life attracts you into eddies To change actors in the play; Steal aside from crowd and bustle, Do not look, seem not to hear From your path, away from hustle, If they urge or if they cheer; If they reach for you, go faster, Hold your tongue when slanders yell; Your advice they cannot master, Don't you know their measure well? Let them talk and let them chatter, Let all go past, young and old; Unattached to man or matter, You remain aloof and cold. You remain aloof and cold If they urge or if they cheer; Waves that rise can never hold, Have no hope and have no fear; You must think and ask of you What is right and what is wrong; All is old and all is new, Time goes by, time comes along. "Glossa", by Mihai Eminescu (1883) --- Send in a voice message: https://anchor.fm/armunnrigh/message

Playlist: Emerson Quartet - Dvorak String Quartet No. 12 in F Major, Op. 96 B. 179 "American" IV. Mov Finale (Vivace ma non troppo)James Gourlay , Royal Ballet Sinfonia - Gregson Tuba Concerto: I. Mov Allegro decisoJames Ehnes - Ysaye Sonata No. 3 in D minor Op. 27 : "Ballade": Lento molto sostento - Allegro in tempo giusto e con bravuraTafelmusik - J.S. Bach Concerto in G Major for Oboe D'Amore After BWV. 100, 170, and 30 -Part 2var. Artists - Bernstein West Side Story "America"Charles Dutoit/Orchestre Symphonique de Montreal - Prokofiev Romeo and Juliet, Op. 64 Act 1 Dance of the KnightsLeonard Bernstein & New York Philharmonic - Tchaikovsky 1812 Overture Op. 49, TH. 49

Why We Should Expose Our Kids To Classical Music https://ourtownlive.net #herbw79The Piano Concerto No. 2 in C minor, Op. 18, is a concerto for piano and orchestra composed by Sergei Rachmaninoff between the autumn of 1900 and April 1901. The second and third movements were first performed with the composer as soloist on 2 December 1900. The complete work was premiered, again with the composer as soloist, on 9 November 1901, with his cousin Alexander Siloti conducting. This piece is one of Rachmaninoff's most enduringly popular pieces, and established his fame as a concerto composer.

Poet Wendy Cope joins our editorial assistant Freya Parr over Zoom from her home in Cambridgeshire to discuss how her enduring relationship with classical music has changed throughout the course of her life, with various careers as a primary school teacher, journalist and now poet. Introduced to the piano at the age of five, music has been a constant in Wendy’s life, with many of her poems having now been set by the UK’s leading composers. She tells us all about this fascinating process, and how it feels to hear your words set to music. Website: classical-music.com/podcastsRecordings featured:Mozart: Serenade No. 13 ‘Eine Kleine Nachtmusik’: I. Allegretto (Vienna Philharmonic/Herbert von Karajan Warner Classics 4768762)Bach: ‘Wachet auf, ruft uns die Stimme’ Cantata BWV 140 (English Baroque Soloists, Monteverdi Choir/John Eliot Gardiner Deutsche Grammophon 4807512)Bach: Concerto for Two Violins and Strings in D minor (2nd movement): Isabelle Faust, Bernhard Forck (violins), Akademie für Alte Musik Berlin Harmonia Mundi HMM90233536)Schubert: Im Frühling (Ian Bostridge (tenor), Julius Drake (piano) Warner Classics 5563472)Peter Maxwell Davies: Farewell to Stromness (Peter Maxwell Davies (piano) Naxos 950161)Tibetan Singing Bowls and Ocean Waves Sounds for Relaxation See acast.com/privacy for privacy and opt-out information.

Caroline Séguin mène avec succès depuis son plus jeune âge une carrière de flûtiste professionnelle dans les grands orchestres du Québec. Elle décroche le poste de flûte solo de L'Orchestre de Trois-Rivières et le poste de piccolo de l'Orchestre Métropolitain, le tout dans le tout début de sa vingtaine. Elle a donc le parcours dont la majorité des musiciens rêvent. Elle décide pourtant en 2011 de se lancer dans une autre carrière, celle de coach de PNL. Plus récemment elle décide même de publier son premier livre intitulé "Au delà de la performance, passer de la tête au coeur", recueil de ses textes de blogue du même nom débuté en 2014. Quelles ont été les motivations de ce choix de carrière multiple? Quel regard pose-t-elle maintenant sur son statut d'artiste? Comment concilier ces multiples facettes? Comment affronter le regard de l'autre? Découvrez le parcours original de cette musicienne talentueuse au discours sincère et profondément humain. Pour suivre Caroline :site officielFacebookInstagramLinkedInPour acheter son livre :"Au delà de la performance, passer de la tête au coeur"Extrait musical :C.P.E. Bach / Concerto pour flûte en ré mineur, Wq. 22 (H.425)3ème mouvement (extrait) Allegro di moltoOrchestre Symphonique de Trois-RivièresDirection : Jean-Claude PicardFlûte solo : Caroline SéguinEnregistrement "live" février 2020Les destins imprévusMusique thème, animation et réalisation: Julien CompagneProduction: Entrepren'arts

durée : 00:13:22 - Le Disque classique du jour du lundi 22 juin 2020 - Carl Philipp Emanuel Bach est un compositeur intrigant, différent et Christian Zacharias l'a bien compris ! Ne cherchez pas ce disque en physique car il est vendu uniquement en version dématérialisée. Il s'agit d'une captation de concert donné aux côtés de l'Orchestre National d'Auvergne...

This week's episode of the Phenomenal 50 features Bach's Concerto in G minor for Keyboard, Strings, and Continuo, BWV 1058 in a performance from December 4, 2012 in Alice Tully Hall given by pianist Jeremy Denk, violinists Kristin Lee, Adam Barnett-Hart, Jessica Lee, Erin Keefe, Sean Lee, and Ani Kavafian, violists Richard O'Neill and Paul Neubauer, cellists Nicholas Canellakis and Fred Sherry, and double-bassist Edgar Meyer.

This instrument may seem pretty black and white, but there’s more to the piano than meets the eye. Join David Walliams as he travels inside the piano, discovers its most famous players and explores the unlikely ways it changed music forever. Each episode is also accompanied by a playlist in Apple Music – you can find those here: https://itunes.apple.com/gb/curator/classic-fm/1211395150 Music from: Beethoven: Für Elise – Ronald Brautigam (BIS); Mozart: Piano Sonata No.11 ‘Alla turca’ – Fazil Say (Warner); J. S. Bach: Concerto in G major, BWV 973 – Richard Egarr (Harmonia Mundi); Chopin: Nocturne in E flat major – Ji Liu (Classic FM); Beethoven: Piano Concerto No. 5 ‘Emperor’ – Leif Ove Andsnes (Sony); Liszt: Hungarian Rhapsody No.2 – Georges Cziffra (Warner); Beethoven: Piano Sonata No.23 ‘Appassionata’ – Lang Lang (Sony) Rachmaninov: Piano Concerto No.2 – Leif Ove Andsnes (Warner); Chopin: Piano Sonata No.3 – Martha Argerich (Warner); Round Midnight – Thelonious Monk (Sony/ATV); Gershwin: Rhapsody in Blue – André Previn, London Symphony Orchestra (Warner) Things are Getting Better (Echobass) Beethoven: Piano Sonata No.23 ‘Appassionata’ – Lang Lang (Sony) Each episode is also accompanied by a playlist in Apple Music – you can find those here - https://itunes.apple.com/gb/curator/classic-fm/1211395150

선곡표 1. Tchaikovsky -November:Troika from 2. King, Pete - November Twilight 3. Rubinstein -멜로디 Melodie in F Major Op.3-1 [ 4. Bach -Concerto for 2 violins D minor BWV1043 1. vivace 2. Largo ma non tanto 3. Allegro 5. Rossini -Una voce poco fa(방금 들린 그대 음성) from 세빌리아의 이발사 6. Dvorak -Symphony No 9 E minor 신세계 1. Adagio –allegro molto 2. Largo 7. Boccherini - 첼로 협주곡 4번 Boccherini - Cello Concerto No.4 in C Major G.477 - 2. Adagio 8. 피아졸라 천사의 죽음 La Muerte del Angel 9. Anton Bruckner -Symphony No 8 4. Finale, Feirlich nicnt schnell 10. 청연 - 서쪽하늘

Pianist, Shepherd School of Music professor, and recording artist Jon Kimura Parker – or as we like to call him, Captain Jon Solo – talks about the hidden world of the guest soloist. From the singular experience of performing with an orchestra in one ear and a concert hall in the other, to rehearsal times that will give you stage fright just hearing about them, it’s a behind-the-scenes tell-all exposé of concertic proportions. (That’s a word. We swear.) Music in this episode was recorded live with Jon Kimura Parker in the Geary Performance Studio at Houston Public Media except for: Ludwig van Beethoven: Klavierkonzert Nr. 1 C-Dur, op. 15 played by Martha Argerich and the Bavarian Radio Symphony Orchestra P.D.Q. Bach: Concerto for Two Pianos vs. Orchestra, S. 2 are better than one (P.D.Q. Bach). Audio production by Todd “The Tobogganator” Hulslander with a running start by Dacia Clay.

J.S. Bach's 147th Concerto in (shall we say) C Major tells a triple fold life cycle. A recipe for Mustard-Honey Dressing. And More!!!!

Works by Vivaldi and Bach for orchestra and flute solo performed by Gardner Chamber Orchestra, Paula Robison, and Orlando Cela, flute, and John Gibbons, harpsichord on January 17, 1999.Vivaldi: Concerto (Sinfonia) in G Major "alla Rustica" RV 151Vivaldi: Concerto in C Major RV 533Vivaldi: Concerto in G Minor "La Notte" No. 5, F XIIVivaldi: Concerto in G Major, Rv 437J.S. Bach: Concerto in F Major, BWV 1057 For this podcast, we dug into the archives to resurrect an older recording, of some older music, that we thought you’d like. These concertos breeze by. The first we’ll hear—Vivaldi’s Sinfonia in G Major “alla Rustica”—packs three movements into just four and a half minutes. Then, we get the double flute concerto, with Robison and Cela, in C Major.Then, things shift a bit, for the flute concerto in G minor, played by Robison solo. Dubbed the “nighttime” concerto in Italian, the piece has a couple of evocatively named movements within it as well: after a fast introduction we get a spooky movement called “phantoms,” followed by another quick stretch, and then a slower, harmonically unsettled bit titled “The Dream”—neither really a fantasy nor a nightmare, but somewhere in between. The piece concludes with another quick movement, with the bassoon taking a starring role.We wrap up the podcast with another of Vivaldi’s solo flute concertos—in G Major—followed by J.S. Bach’s Concerto in F Major for both flute soloists, harpsichord, and strings.

David Vickers recommends a version of this ever-popular Bach Concerto.

Works by Bach for chamber orchestra performed by Rebel on November 10, 2013 and solo piano performed by Ji, piano on April 12, 2015. Bach: Concerto in A MajorBach: Toccata, Adagio, and Fuge BWV 564 arr. Ferrucio BusoniIt’s incredible to think just how much influence and resonance the music of Johann Sebastian Bach still has today, three hundred years after it was written. This podcast shows just two of the many examples of ways in which musicians continue to discover new possibilities in this centuries-old music, recreating Bach for different times and instruments.The concerto on this podcast was originally composed for oboe d’amore, and only later adapted and published for harpsichord as the Concerto in A Major, BWV 1055. Centuries later, however, only the harpsichord version remained. So in the 1970s, scholar and editor Wilfried Fischer decided to tackle the task of recreating the original oboe concerto, based on an early manuscript that provided hints about which lines were originally meant for oboe.Perhaps the most radical advance in musical technology since the Baroque era has been in the keyboard family, and Bach’s music is now regularly played on piano—an instrument that did not exist during his lifetime. Following the oboe concerto, we’ll hear Bach’s Toccata, Adagio and Fugue in C major for organ, adapted for the modern piano by Ferruccio Busoni. We’ll hear the piece performed by the young Chinese-born pianist Ji.

  Pianist, Shepherd School of Music professor, and recording artist Jon Kimura Parker – or as we like to call him, Captain Jon Solo – talks about the hidden world of the guest soloist. From the singular experience of performing with an orchestra in one ear and a concert hall in the other, to rehearsal times that will give you stage fright just hearing about them, it’s a behind-the-scenes tell-all exposé of concertic proportions. (That’s a word. We swear.)   Audio production by Todd “The Tobogganator” Hulslander with a running start by Dacia Clay. Music in this episode was recorded live with Jon Kimura Parker in the Geary Performance Studio at Houston Public Media except for: – Ludwig van Beethoven: Klavierkonzert Nr. 1 C-Dur, op. 15 played by Martha Argerich and the Bavarian Radio Symphony Orchestra – P.D.Q. Bach: Concerto for Two Pianos vs. Orchestra, S. 2 are better than one (P.D.Q. Bach). For more about Jon Kimura Parker: www.jonkimuraparker.com

Works for chamber orchestra performed by A Far Cry with guest violist Hellen Callus on February 2, 2014.Bach: Concerto in E Flat Major for Viola, Strings, and Basso ContinuoElgar: Introduction and Allegro, Op, 47The Elgar, though written as an introduction, will come second on our podcast. Clocking in at about 14 minutes, the piece is a rich work of post-Romantic passion, written for string quartet and string orchestra – a sort of modern concerto grosso. In another nod to earlier styles, Elgar also inserts a devilishly difficult fugue, which comes around the middle of the Allegro, in place of a more conventional development section.Before the Elgar, we’ll hear Bach’s Viola Concerto in E-flat Major. This is a somewhat curious piece. There’s substantial evidence that Bach did, in fact, write a viola concerto made up of these movements—or ones very much like them—but the manuscript itself was lost. The score we’ll hear performed is actually a reconstruction, assembled by a contemporary musicologist, from three surviving Bach works that are believed to contain fragments of the lost concerto. The performance we’ll hear of this rediscovered and little-known piece features the sought-after violist Helen Callus, whose performance makes a compelling case for this work’s place in the repertory.

Lyric Chamber Orchestra: Viorel Gheorghe, dir. Camelia Voin, soprano Carol Lisek, alto Robert Zappulla, harpsichord Jenny Kim, harpsichord April 24, 2012