Podcast appearances and mentions of Trevor Pinnock

durée : 00:06:29 - Le Bach du matin du lundi 24 février 2025 - Notre Bach du matin est un Bach orchestré ! Le compositeur Thomas Oehler propose une orchestration de ma deuxième partita pour claviers du compositeur, ici interprétée par les solistes de l'Académie Royale de Musique de Londres dirigé par Trevor Pinnock

durée : 00:06:29 - Le Bach du matin du lundi 24 février 2025 - Notre Bach du matin est un Bach orchestré ! Le compositeur Thomas Oehler propose une orchestration de ma deuxième partita pour claviers du compositeur, ici interprétée par les solistes de l'Académie Royale de Musique de Londres dirigé par Trevor Pinnock

J. S. Bach (1685-1750) – Concerto per clavicembalo in re maggiore, BWV 1054 1.       Allegro 2.       Adagio e piano sempre (07:42)3.       Allegro (14:30)The English Concert Trevor Pinnock, conductor e cembalo ********** J. S. Bach (1685-1750) - Concerto per violino n.1 in la minore, BWV 1041 1.       Allegro (17:07)2.       Andante (21:07)3.       Allegro assai (28:03) Hilary Hahn, violino Deutsche Kammerphilharmonie BremenOmer Meir Wellber, conductor

Interpreten: Alison Balsom, Pinnock's Players, Trevor Pinnock Label: Warner Classics EAN: 5021732273291 Es muss nicht immer zwingend Originalklang sein – das dachte sich Trevor Pinnock, als er gemeinsam mit Alison Balsom das Konzept für die aktuelle CD Baroque Concertos entwickelt hat. Herausgekommen ist ein hervorragender Klangkompromiss, von dem sich Michael Gmasz begeistert zeigt. Der Originalklangspezialist Trevor Pinnock und Trompeterin Alison Balsom arbeiten schon seit vielen Jahren gemeinsam und haben auch schon die eine oder andere CD aufgenommen. Bisher hat die Trompetenvirtuosin Balsom dafür ebenso zu historischen Instrumenten gegriffen, um dem Original so nahe wie möglich zu kommen. Für die neue CD allerdings wollte Balsom auf einer modernen Piccolo Trompete spielen, die weit mehr Möglichkeiten bietet, Trevor Pinnock ist sofort auf den Zug aufgesprungen und hat mit den Pinnock's Players auch gleich ein neues Ensemble gegründet. Mit dem Dirigenten und Organisten Simon Wright wurde ein ausgezeichneter Arrangeur gefunden, und so stand dem neuen Projekt nichts mehr im Wege. „Die Möglichkeit, chromatische und virtuosere Musik aufzuführen, wie sie ursprünglich für Solovioline oder Oboe geschrieben wurde, hat mich und meine Trompetenkollegen seit den Tagen des großen Maurice André in ihren Bann gezogen“, sagt Alison Balsom im Beiheft der neuen CD. So sind es hier also keine barocken Trompetenkonzerte sondern Bearbeitungen von Oboen- und Violinkonzerten von Telemann, Händel, Vivaldi, Albinoni und Marcello, denen Balsom neuen Glanz verleiht. Von gestochen scharf bis samtig weich ist dabei ihr Ton, scheinbar unendlich ihr Luftstrom in den langsamen Sätzen, hoch virtuos und rasant schnell im Tempo ihr Spiel in den flotten. Doppel- oder gar Tripelzunge? Ach wo … Manche der Werke klingen in diesen Bearbeitungen so, als ob sie nie für andere Instrumente geschrieben wurden. So denke ich, hätte Antonio Vivaldi sicher seine Freude gehabt, wenn er das 9. Violinkonzert aus der Sammlung L‘estro armonico einmal in dieser feierlichen Version gehört hätte. Da er das nicht mehr kann, bleibt die Freude ganz uns überlassen! (mg)

durée : 00:04:18 - Le Bach du matin du mardi 08 octobre 2024 - Un Bach à deux ce matin, pour clavecin et flûte, dans une sonate vraisemblablement écrite en 1736 à Leipzig.

durée : 00:04:18 - Le Bach du matin du mardi 08 octobre 2024 - Un Bach à deux ce matin, pour clavecin et flûte, dans une sonate vraisemblablement écrite en 1736 à Leipzig.

A subtle extremist, in his Symphony no.51 Haydn throws down some extraordinary challenges to his horn players - can they beat the ‘immutable forces of nature'? Listening time 30 mins (podcast 9′, music 21′) Music here on YouTube, Spotify and [with links to first movement only] on Apple and Amazon played by The English Concert, conducted by Trevor Pinnock. They're playing on 'period instruments' which Haydn would recognise including valveless natural horns played by Anthony Halstead and colleague. You can buy the recording as a download from Presto music (on its own or with a whole bunch of other Haydn symphonies)   What do you think? Tell me with a comment below! I'd love to hear from you!   Check out the playlist of 126 pieces by different women composers from the 32 countries that played in last year's  Women's World Cup of Classical Music: https://youtube.com/playlist?list=PLCXUbmBaA9Orj2ENFMutv-X1u6DO162hA&si=nw23RYztmTC-ntyr If you'd like to support Cacophony there are easy, great, ways:   – help with the costs of running it (and me) with a one-off contribution  or with a regular payment at ko-fi.com. https://ko-fi.com/cacophonyonline – share this episode with someone you know – share the 100 second trailer: http://cacophonyonline.com/trailer – subscribe/ review and keep listening!   More episodes at: www.cacophonyonline.com/   Thanks for listening!

durée : 00:21:58 - Disques de légende du lundi 22 avril 2024 - Jean-Sébastien Bach composa les Concertos brandebourgeois dans les années 1718 à 1721, qui marquèrent le sommet de sa carrière de Kapellmeister à la Cour de Coethen.

SynopsisToday, we note two anniversaries concerning Handel and his music in London.On today's date in 1710, the German-born composer's music was performed in London for the first time when excerpts from his opera Rodrigo were used as incidental music during a revival of Ben Jonson's comic play The Alchemist, written 100 years earlier.It's a nice historical touch that in addition to writing satirical comedies such as The Alchemist, Jonson had supplied the poetic texts for elaborate masques staged at the court of King James I. Masques were a kind of precursor of the lavish Baroque operas such as Handel's Rodrigo, which debuted in Italy just three years before its tunes were recycled for use on the British stage.By 1713, the vogue for Italian operas had reached London, and Handel was on hand to write and stage them. On today's date in 1713, his opera Teseo had its premiere at the Queen's Theatre in London. And, just to show that off-stage events could prove every bit as dramatic as those on-stage, the theater manager, a certain Owen Swiney, ran off to Italy with the box office receipts after the second night's performance!Music Played in Today's ProgramGeorge Frederic Handel (1685-1757) Bourrée, from Rodrigo; Hallé Orchestra; John Barbirolli, cond. EMI 63956George Frederic Handel (1685-1757) Overture to Teseo; English Concert; Trevor Pinnock, cond. Archiv 419 219

Chillout Classic w Radiu Spin #37 "Świątecznie" z dnia 21 grudnia. 1. J.S. Bach - Aria z Wariacji Golbergowskich oraz wariacje 3 i 12, Tymoteusz Bies. 2. A. Corelli - Concerto grosso g-moll, op.6, nr 8 "Na Boże Narodzenie", cz.1 Vivace - Grave, cz.3 Adagio- Allegro, cz.6 Pastorale: Largo, The English Concert, Trevor Pinnock. 3. Sting - Now Winter Comes Slowly. 4. J.S.Bach - Oratorium na Boże Narodzenie BWV 248 Part I, nr 5 Chorał, nr 6 Evangelista, nr 7 Chorał i Recitativ(bass), English Baroque Soloists, John Eliot Gardiner 5. R. Korsakov - Christmas Eve: Procesja Oksany i Wakuły. 6. P. Czajkowski - Dziadek do Orzechów: Uwertura, Dekorowanie choinki, Taniec arabski , Taniec chiński, Berliner Philharmoniker, Sir Simon Rattle. 7. Danny Elfman -Making Christmas. 8. Christmas Love Song - Scott Hamilton. 9. Driving Home for Christmas - Chris Rea.

Chillout Classic w Radiu Spin #29 "Straszny dworzec" z dnia 26 pazdziernika 2023. Audycja w przededniu Halloween oraz dedykowana spotkaniom z kryminalem i horrorem w dniach 4-7 listopada "Straszny dworzec" w Straszynie. 1. J.S. Bach - Aria z Wariacji Golbergowskich, Trevor Pinnock. 2. Bernard Herrmann - Murder from Psycho with special effeckts, Cincinnati Pop Orchestra, Erich Kuncel. 3. Krzysztof Penderecki - De Natura Sonoris No.1, Polish National Radio Symphony Orchestra. 4. Jerry Goldsmith - Face Hugger from Alien. 5. John Williams - The Raptor Attack from Jurassic Park. 6. John Williams - The Rooftops of the Hanamachi from Geisha. 7. John Williams - Temat glowny z filmu Szczeki. 8. Camille Saint-Saens - Danse Macabre, Philharmonia Orchestra, Charles Dutoit. 9. Niccolo Paganini - kaprys nr 13, Gil Shaham, Jonathan Feldman. 10. Hector Berlioz - Symfonia fantastyczna cz. 5 Sabat czarownic, Chicago Symphony Orchestra, Claudio Abbado. 11. Krzysztof Komeda - Kolysanka z filmu Dziecko Rosemary, Mia Farrow. 12. Sting - Moon Over Bourbon Street, Live In Berlin/2010.

This episode is a kind of birthday podcast in honour of the well-known and popular harpsichordist and conductor Trevor Pinnock and the ensemble he founded 50 years ago: The English Concert. To mark the occasion, DG has released a collection of their complete recordings on Archiv Produktion in a box set of 100 discs. Trevor and Sarah chat about making recordings, being period instrument pioneers and how the heart is connected to Baroque music.

Met de feestdagen voor de deur zitten veel concertzalen tot de laatste stoel vol. Elk jaar weer laten duizenden mensen zich meevoeren op de klanken van Bach, Händel en Mahler. Redacteur klassieke muziek Mischa Spel zocht uit hoe het komt dat we juist naar die componisten luisteren. Waarom hebben hun stukken het tot kerstklassiekers geschopt?Lees hier Mischa's recensie van de twee uitvoeringen van het Weihnachtsoratorium die ze dit jaar bezocht.Verder luisteren?Hier vind je het door NPO Radio 4 (NTR's Avondconcert) uitgezonden Weihnachtsoratorium van Bach. In de uitvoering van het Nederlands Kamerkoor en Les Talens Lyriques o.l.v. Christophe Rousset, m.m.v. Zachary Wilder (tenor, Evangelist), Johanna Winkel (sopraan), Sophie Harmsen (alt), Krešimir Stražanac (bas).Hier meer carols door het koor van het King's College uit Cambridge.Hier Händels Messiah door The English Concert & Choir o.l.v. Trevor Pinnock.En hier verschillende werken van Mahler door het Concertgebouworkest o.l.v. Bernard Haitink.Gast: Mischa SpelPresentatie: Egbert KalseRedactie: Ignace SchootMontage: Jair Stein en Jennifer PetterssonCoördinatie: Henk Ruigrok van der WervenHeeft u vragen, suggesties of ideeën over onze journalistiek? Mail dan naar onze ombudsman via ombudsman@nrc.nlZie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

British keyboardist and director Chad Kelly has a very long list of credits to his name. He has been living in Australia less than two years, but has already performed with the Australian Chamber Orchestra, the Victorian Opera, and with the Sydney and Tasmanian Symphony Orchestras. Earlier this year, he joined Opera Australia. His commitment to historically informed performance practice has led him to perform with Sir John Elliot Gardiner and Trevor Pinnock, and his enduring collaboration with violinist Rachel Podger has recently culminated in them recording an album together of JS Bach's Goldberg Variations, due for release in 2023. He will be guest directing the Australian Haydn Ensemble for CPE Bach: Universe of Harmony, their final concert of the year, from the 11th to the 14th of December. In this conversation, Chad gives us a preview of the concert and his unique perspectives on historically informed performance practice, and he shares a diverse selection of works which have played different roles in his life.

- W wykonawstwie jestem raczej prowadzony przez uczucie, bezpośredni kontakt z muzyką niż przez analityczną procedurę. Są różne typy muzyków: niektórzy próbują ująć muzykę od strony analitycznej, a niektórzy od strony uczuciowej. Moja muzyka wypływa z trzewi - mówił w Dwójce Trevor Pinnock, światowej sławy angielski klawesynista i dyrygent, który wystąpił podczas przedostatniego dnia (30.08) 18. festiwalu "Chopin i jego Europa".

Val McDermid joins Nikki Bedi and Richard Coles. The award-winning crime writer was inspired to write after reading Agatha Christie as a child. After attending Oxford University, Val started her career as a journalist and has drawn on these experiences in her latest thriller 1989. Kristin Mcilquham's father suffered from a serious brain injury (three aneurysms) when she was child which changed her dad's personality. Now an actor, she is performing her one-woman show Headcase about the impact this had on her life growing up, on her family and on her dad. Eileen Fitzgerald befriended The Rolling Stones as a teenager and exchanged letters with the fledgling rockers. Years later she sold the correspondence to help pay for her PhD. Trumpeter Alison Balsom shares her Inheritance Tracks: JS Bach: Brandenburg Concerto No. 5 by Trevor Pinnock with The English Concert and Con Alma by Dizzy Gillespie. Nihal Arthanayake started out as a recording artist before becoming an award-winning broadcaster. He talks about life growing up and why in his new book Let's Talk he's encouraging everyone to have better conversations. Producer: Claire Bartleet

J.S. Bach's famous Well-Tempered Klavier, Book 2A MUST for anyone serious about the keyboard.Brilliantly performed by Trevor Pinnock on the Harpsichord.Purchase the music (without talk) at:Bach: The Well-Tempered Clavier, Book 2 (classicalsavings.com)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Katy Solomon from Morahana Arts and Media.

Cembalist, Organist, Dirigent: Trevor Pinnock zählt zu den wichtigsten Vertretern der historischen Aufführungspraxis. Längst dirigiert der Brite allerdings auch moderne Klangkörper. Nicht Authentizität, sondern Lebendigkeit ist sein Credo. Am 16. Dezember wird er 75 Jahre alt.

Synopsis Today is the Feast Day of St. Cecilia, an early Christian martyr. Her story dates back to Roman times, when the new religion was still punishable by death. It wasn't until the 15th century, however, that St. Cecilia became the patron saint of music and musicians. Over time her Feast Day came to be celebrated with special works composed in her honor, all extolling the power of music. Of these, pieces by three British composers are the most famous. In the 17th century, Henry Purcell wrote four cantatas, or “Odes” for St. Cecilia's Day. The most famous of these, entitled “Hail! Bright Cecilia!” was written in 1692. The British poet John Dryden, a contemporary of Purcell's, wrote two poems in praise of St. Cecilia. These attracted the attention of the great British composer of the following century, George Frederick Handel. The first of these, “Alexander's Feast” premiered in 1736, oddly enough not on St. Cecilia's Day, but proved so popular that Handel set Dryden's other Ode to St. Cecilia, entitled “From Harmony, Heavenly Harmony,” and performed both pieces on today's date in 1739. The great 20th century British composer, Benjamin Britten was actually born on St. Cecilia's Day in 1913. In the early 1940s, the British poet W.H. Auden wrote a piece entitled "Anthem for St. Cecilia's Day" especially for Britten, who set it to music in 1942. Music Played in Today's Program Henry Purcell (1659 – 1695) — Hail Bright Cecilia! (Gabrieli Consort; Paul McCreesh) Archiv 445 882 George Frederic Handel (1685 – 1759) — Ode for St. Cecilia's Day (English Concert; Trevor Pinnock, cond.) Archiv 419 220 Benjamin Britten (1913 –1976) — Hymn to St. Cecilia (London Sinfonietta Voices) Virgin 90728

Was jij erbij, bij één van de blijde intredes van koning Filip en koningin Mathilde in 2013? De kans is klein, want de opkomst was bijzonder mager. Dat was in de 18e eeuw wel even anders! Toen was de inhuldiging van een nieuwe vorst een belevenis die je je leven lang bijbleef. Een stad als Gent was tot vier dagen lang compleet in de ban van pronkerige optochten doorheen versierde straten, van klokkengelui en trompetgeschal en van grootse plechtigheden. Maar voor het gewone volk was een inhuldiging ook een welkome gelegenheid om eens goed uit de bol te gaan: de wijn vloeide rijkelijk en de hele stad verkeerde in een feestroes. Knaldrang in de 18e eeuw! Maar zo'n inhuldiging was natuurlijk veel meer dan een goed feestje. Dr. Klaas Van Gelder legt uit wat de diepere betekenis was van zulke ceremonies en rituelen in een tijd toen macht nog heel ongrijpbaar was. Afbeelding: Archief Gent, Oud archief, Atlas Goetghebuer, (Lade 125 nr. 117). Waterverf-schilderij, vermoedelijk door P.J. Goetghebuer zelf, gebaseerd op een schilderij van Ingelbert Lievens van Sieliers. Muziek: G.F. Händel: Amadigi di Gaula, HWV 11, Act III: Aria. "Sento la gioia, ch'in sen mi brilla" (Arr. Pinnock) Alison Balsom, The English Concert, Trevor Pinnock. “Sound the Trumpet”, Warner Classics. G.F. Händel: Atalanta, HWV 35 Ouverture. Largo – Allegro. Alison Balsom, The English Concert, Trevor Pinnock. “Sound the Trumpet”, Warner Classics. G.F. Händel: Music for the Royal Fireworks, HWV 351 I. Ouverture (Adagio), II. Allegro – Lentement – Allegro, III. Bourrée – Lentement – Allegro, IV. La Paix (Largo alla siciliana), V. La Réjouissance, VII. Menuet 2. Alison Balsom, Balsom Ensemble, Simon Wright. “Royal Fireworks” Warner Classics. G.F. Händel: Semele, HWV 58, Ouverture to Act 1. John Eliot Gardiner, English Baroque Soloists. Warner Classics. J.J. Fux: Te Deum, K.271, Te Deum. Collegium 1704 Václav Lux H. Purcell: The Faerie Queen, Z629. Act 5: No 41, Prelude. Alison Balsom, The English Concert, Trevor Pinnock. EMI/Warner Classics. A. Vivaldi: Vioolconcerto nr 4 in f, op. 8, RV 297. “Le quattro stagioni”. L'invierno: Allegro non molto. Stuttgart Chamber Orchestra, Martin Sieghart, Rainer Kussmaul. Night Light by Blue Dot Sessions https://app.sessions.blue/browse/track/61475 Basketliner by Blue Dot Sessions https://app.sessions.blue/browse/track/61478

durée : 01:58:26 - Relax ! du mercredi 16 juin 2021 - par : Lionel Esparza - On commence avec une programmation de musique légère réalisée par Florent, un fidèle auditeur ! En disque du jour, la très belle orchestration des Variations Goldberg de Bach par Trevor Pinnock, et à 16h on écoute le premier volume de l'intégrale Mozart de Kristian Bezuidenhout, déjà légendaire... - réalisé par : Antoine Courtin

Synopsis If you wanted to make up a name for a patriotic conductor, bandmaster, impresario, and music publisher from the era of the American Revolution, you probably couldn’t top the name “Josiah Flagg.” Believe it or not, a real-life Colonial-Era musician named Josiah Flagg was born on today’s date in 1737, in Woburn, Massachusetts. He was a business associate of the legendary Paul Revere, who engraved the plates for Flagg’s first big collections of hymn-tunes, published in 1764. Although the music was all by a British composer, it was–symbolically–the first to be printed on AMERICAN-made paper. Acting as an impresario, Flagg also organized concerts in Boston for about a decade and gave some of the first Boston performances of music by Georg Frideric Handel. In the fall of 1773, Flagg presented a gala concert at Boston’s Faneuil Hall, which proved to be his last. He included excerpts from Handel’s “Messiah,” but closed with his band’s rendition of the “Song of Liberty,” the marching hymn of the Boston patriots. Soon after, Flagg moved to Providence, served as a colonel in the Rhode Island regiment during the American Revolution, and disappeared from our early music history. Music Played in Today's Program John Greenwood The Hessian Camp First Michigan Colonial Fife and Drum Corps Private release G.F. Handel (1685 – 1757) Water Music English Concert; Trevor Pinnock, cond. DG 439 147

durée : 01:59:18 - Musique matin du jeudi 01 avril 2021 - par : Jean-Baptiste Urbain - Le chef et claveciniste Trevor Pinnock, légende du baroque, reconnu notamment pour The English Concert dont il fut le chef pendant 30 ans, sortait au printemps 2020 le Livre I du Clavier Bien Tempéré de Bach au clavecin. - réalisé par : Yassine Bouzar

Podcast de la meditación que escribí para Adelante Día a Día. Mi abuelita, Laura Montes, me ayudó leyendo las lecturas y preguntas.Selecciones de música:Te Deum - Joseph HaydnInterpretación del English Concert and Choir, dirigidos por Trevor Pinnock

Ok, ok......this is not the new guest we promised in this week’s episode BUT it is a whole extra bonus edition with internationally renowned countertenor and star of episode 43, Iestyn Davies. Total bonus right?!As you will hear in Seb and Verity’s opening waffle, the past few weeks have been tricky to say the least. However, there are exciting episodes and events afoot which they share with you as well as an insight into the wonderful, wide ranging benefits of becoming a Three In A Bar Patreon (link below).The main feature of this edition is the previously ‘Patreon only’ Iestyn Davies extras. Iestyn chats about the fateful end to his oboe playing days, they share less than impressive piano lesson stories and Seb tells Iestyn about first hearing the countertenor voice.Seb and Verity are back next week with a new guest, that’s a promise! For the time being we hope you enjoy this extra slice of Iestyn Davies!Excerpt at the end from "Eternal Source of Light Devine", performed by Iestyn Davis, Alison Balsom, Trevor Pinnock and The English Concert. Listen in full here: https://open.spotify.com/track/5GuVpZJpX4C0nQzF63qnsi?si=3xoOy3uVR1Cj3DMH9sr8xQSUPPORT THREE IN A BAR ON PATREONThis show is purely funded by our patrons. Join our Members’ Club for a bonus podcast feed plus many more rewards.Click here: https://www.patreon.com/threeinabarMEZZO PIANO PATRONSLeonie HirstAnita Philpott Click here to join the Members' Club on Patreon! See acast.com/privacy for privacy and opt-out information.

Chatting with Trevor Pinnock was both fascinating and fun and what a lovely person he is. I discovered some of his very interesting views on period performance and orchestral seating, what he learned by watching Leonard Bernstein teach at Tanglewood, and I found out how he got into trouble at school with Sir Mark Elder! If you would like to financially support the podcast, why not subscribe at https://www.patreon.com/amiconthepodium, and for a monthly fee starting from just £5 a month, you can access two new series of interviews, group Zoom meeting with other fans of the podcast and myself, a monthly bulletin about the podcast and my own career as well as articles and much more. Alternatively, if you would prefer to make a one-off donation, go to https://www.justgiving.com/crowdfunding/a-mic-on-the-podium and any donation you make will be greatly appreciated and help the podcast live on into the future.

durée : 00:17:40 - Disques de légende du lundi 01 février 2021 - Enregistré en 1991 par The English Concert et son chef, le claveciniste Trevor Pinnock enregistrent pour le label Archiv Produktion le semi-opéra "King Arthur" de Purcell, avec une belle distribution de chanteurs : Nancy Argenta, Mark Tucker, Brian Bannatyne-Scott ou encore Gerald Finley.

durée : 01:58:20 - Walter Legge (1/5) - par : Lionel Esparza - On entame notre portrait en cinq épisodes du célèbre producteur de disques Walter Legge, qui fut aussi le fondateur du Philharmonia Orchestra en 1945, et le mari de la soprano Elisabeth Schwarzkopf. Et à 16h, notre disque de légende est l'opéra "King Arthur" de Purcell, version Trevor Pinnock. - réalisé par : Antoine Courtin

Ansambel The English Concert esitab Trevor Pinnocki juhatusel William Boyce'i (1711 - 1779) sümfooniaid. See on originaalpillidel tehtud 1986. aasta salvestuse uusväljalase.

Ansambel The English Concert esitab Trevor Pinnocki juhatusel William Boyce'i (1711 - 1779) sümfooniaid. See on originaalpillidel tehtud 1986. aasta salvestuse uusväljalase.

durée : 00:27:18 - Les cordes pincées et virtuoses du clavecin - Si pour le piano, les cordes sont frappées par des marteaux, pour le clavecin, les cordes sont pincées. Voici quelques œuvres phares écrites pour cet instrument par Haendel, Bach et Carl Philipp Emanuel Bach, interprétées par Trevor Pinnock et Andreas Staier.

durée : 01:58:34 - Le Bach du dimanche du dimanche 14 juin 2020 - par : Corinne Schneider - Au programme de cette 125e émission : les Suites pour violoncelle de Sonia Wieder-Atherton (à paraître chez Alpha-Outhere) ; le Clavier bien tempéré (Livre I) de Trevor Pinnock (nouveauté Deutsche Grammophon) et un petit tour en Auvergne à la 22e édition du festival Bach-en-Combrailles (15-16 août). - réalisé par : Céline Parfenoff

durée : 00:07:00 - Le Disque classique du jour du jeudi 04 juin 2020 - Le claveciniste et chef de choeur Trevor Pinnock enregistre pour la première fois, à 73 ans, ce monument de la littérature pianistique.

durée : 01:57:18 - En pistes ! du jeudi 04 juin 2020 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au menu du jour également : des mélodies italiennes du XVIIIe siècle par la soprano américaine Robin Johannsen; le chef Teodor Currentzis électrise la 5ème Symphonie de Beethoven; le quatuor Thymos convie son mentor, le pianiste Christoph Eschenbach, pour un enregistrement de la Truite de Schubert. - réalisé par : Davy Travailleur

durée : 01:58:24 - Relax ! du vendredi 29 mai 2020 - par : Lionel Esparza - tout autant claveciniste que chef d'orchestre, Trevor Pinnock, à la tête de son ensemble The English Concert, accomplit dans les années 60-80 un travail approfondi sur le répertoire ancien et enregistre des disques à la modernité toujours vivace. - réalisé par : Antoine Courtin

Og hvorfor er græsset grønt og ikke blåt? Sonja, Laila, Nora og Sigrid har kastet Radionauterne ud på en farverig mission, hvor vi kommer omkring ALLE regnbuens farver - selv dem vi ikke kan se! Så hvis du også er nysgerrig på hvor farverne egentlig kommer fra, og hvilke farver den røde legoklods elsker at spise - så skynd dig ind og hør Radionauternes nye afsnit: Medvirkende: Sonja på 8 år fra København, Laila på 7, Nora på 11 fra Schweiz og Sigrid på 12 år fra Hjørring. Derudover Christoffer Karoff, som er astrofysiker ved Århus Universitet. Musik: Regnvejrsdag i November, The Quiggs; Arcangelo Corelli, Concerto grosso in G minor, Op.6, No.8 “fatto per la notte la notte di Naltale”: 3. Adagio - Allegro - Adagio. The English Concert, Trevor Pinnock; Regnvejrsdag i November, Søren Bødker Madsen, Spil Guitar Året Rundt. Afsnittet er tilrettelagt og redigeret af Karen Birkegaard og Lisa Bay. Podcasten Radionauterne er produceret af Karen Birkegaard og Lisa Bay med støtte fra Novo Nordisk Fonden.

durée : 01:59:16 - Le Bach du dimanche du dimanche 13 octobre 2019 - par : Corinne Schneider - Une programmation 100% british pour cette 94e émission : avec James Bowman, John Butt, Michael Chance, Charles Daniels, Alfred Deller, Richard Egarr, John Eliot Gardiner, Peter Harvey, Christopher Hogwood, Emma Kirby, Paul Mac Creesh, Andrew Manze, Trevor Pinnock, Rachel Podger, Carolyn Sampson … - réalisé par : Céline Parfenoff

Kirnberger was een leerling van Bach, en werd de leraar van Prinses Amalia van Pruisen. Een groot muziekliefhebster, voor wie Wilhelm Friedemann Bach ook muziek componeerde. Als je eenmaal in de geschiedenis van Kirnberger duikt, kom je gelukkig van alles tegen. Johann Philipp Kirnberger Musikalisches Vielerley: Komm, Gott, Schöpfer, Heiliger Geist Laurence Dean, traverso Andrew Lawrence-King, orgel Christophorus CHE0214-2 3’30’’ Johann Sebastian Bach Koraalbewerking voor orgel BWV.694, “Wo soll ich fliehen hin” Jacques van Ootmerssen, orgel Challenge Classics CC72061 4’29’’ Wilhelm Friedemann Bach Fuga’s F.31, nr.7 in Bes gr.t. Christophe Rousset, klavecimbel Harmonia Mundi 901305 0’50’’ Anna Amalia, Prinses van Pruisen Sonate voor fluit en b.c. – deel I. “Adagio” Emanuel Pahud, fluit Jonathan Manson, cello Trevor Pinnock, klavecimbel EMI Classics 0842202 2’58’’

Meistaraverk Mozarts eru tíu systurþættir þáttaraðarinnar Mozart: Misskilinn snillingur sem er í umsjón Árna Heimis Ingólfssonar og má finna í þessari hlaðvarpsröð. 1. þáttur: Leopold Mozart: Sinfonia da camera fyrir horn, fiðlu, strengi og fylgibassa, 1. þáttur (Stefán Jón Bernharðsson, Una Sveinbjarnardóttir, Kammersveit Reykjavíkur); Sónata fyrir píanó og fiðlu, K. 9 (Gary Cooper og Rachel Podger); Sjö tilbrigði í D-dúr K. 25 um hollenska lagið Willem af Nassau (Ronald Brautigam) Sinfónía nr. 6 (The English Concert, Trevor Pinnock stj.) Amoretti, aría úr La finta semplice (Barbara Hendricks, Carl Philipp Emanuel Bach kammersveitin, Peter Schreier stj.).

Meistaraverk Mozarts eru tíu systurþættir þáttaraðarinnar Mozart: Misskilinn snillingur sem er í umsjón Árna Heimis Ingólfssonar og má finna í þessari hlaðvarpsröð. Fimmti þáttur: Verk sem Mozart samdi á árunum 1779 og 1780, sem voru síðustu árin sem hann var búsettur í fæðingarbæ sínum, Salzburg: Sinfónía nr. 34, 1. kafli (The English Concert, Trevor Pinnock, stj.); Krýningarmessan, Agnus Dei (Barbara Bonney, Catherine Wyn Rogers, Jamie MacDougall og Stephen Gadd, The English Concert, Trevor Pinnock stj.,), Ruhe sanft, mein holdes Leben (Sandrine Piau, Barokkhljómsveit Freiburgar, Gottfried van der Goltz, stj.); Sinfonia concertante fyrir fiðlu og víólu (Rachel Podger, Pavlo Besnoziuk, Hljómsveit upplýsingaraldarinnar).

Meistaraverk Mozarts eru tíu systurþættir þáttaraðarinnar Mozart: Misskilinn snillingur sem er í umsjón Árna Heimis Ingólfssonar og má finna í þessari hlaðvarpsröð. Sjötti þáttur: Tónverk frá fyrstu árum Mozarts í Vínarborg: Sónata fyrir 2 píanó K. 448 (Martha Argerich og Alexandre Rabinovich, píanó). Messa í c-moll K. 427: Kyrie, Gratias agimus tibi og Qui tollis (Camilla Tilling, Gabrieli Consort and Players, Paul McCreesh, stj.). Sinfónía nr. 36 í C-dúr (Linz) K. 425, 4. þáttur (The English Concert, Trevor Pinnock, stj.).

Meistaraverk Mozarts eru tíu systurþættir þáttaraðarinnar Mozart: Misskilinn snillingur sem er í umsjón Árna Heimis Ingólfssonar og má finna í þessari hlaðvarpsröð. Fimmti þáttur: Verk sem Mozart samdi á árunum 1779 og 1780, sem voru síðustu árin sem hann var búsettur í fæðingarbæ sínum, Salzburg: Sinfónía nr. 34, 1. kafli (The English Concert, Trevor Pinnock, stj.); Krýningarmessan, Agnus Dei (Barbara Bonney, Catherine Wyn Rogers, Jamie MacDougall og Stephen Gadd, The English Concert, Trevor Pinnock stj.,), Ruhe sanft, mein holdes Leben (Sandrine Piau, Barokkhljómsveit Freiburgar, Gottfried van der Goltz, stj.); Sinfonia concertante fyrir fiðlu og víólu (Rachel Podger, Pavlo Besnoziuk, Hljómsveit upplýsingaraldarinnar).

Meistaraverk Mozarts eru tíu systurþættir þáttaraðarinnar Mozart: Misskilinn snillingur sem er í umsjón Árna Heimis Ingólfssonar og má finna í þessari hlaðvarpsröð. Sjötti þáttur: Tónverk frá fyrstu árum Mozarts í Vínarborg: Sónata fyrir 2 píanó K. 448 (Martha Argerich og Alexandre Rabinovich, píanó). Messa í c-moll K. 427: Kyrie, Gratias agimus tibi og Qui tollis (Camilla Tilling, Gabrieli Consort and Players, Paul McCreesh, stj.). Sinfónía nr. 36 í C-dúr (Linz) K. 425, 4. þáttur (The English Concert, Trevor Pinnock, stj.).

Meistaraverk Mozarts eru tíu systurþættir þáttaraðarinnar Mozart: Misskilinn snillingur sem er í umsjón Árna Heimis Ingólfssonar og má finna í þessari hlaðvarpsröð. 1. þáttur: Leopold Mozart: Sinfonia da camera fyrir horn, fiðlu, strengi og fylgibassa, 1. þáttur (Stefán Jón Bernharðsson, Una Sveinbjarnardóttir, Kammersveit Reykjavíkur); Sónata fyrir píanó og fiðlu, K. 9 (Gary Cooper og Rachel Podger); Sjö tilbrigði í D-dúr K. 25 um hollenska lagið Willem af Nassau (Ronald Brautigam) Sinfónía nr. 6 (The English Concert, Trevor Pinnock stj.) Amoretti, aría úr La finta semplice (Barbara Hendricks, Carl Philipp Emanuel Bach kammersveitin, Peter Schreier stj.).

Gewoonweg mooi en onderhoudend, deze twee Sonates van Bach. En: dezelfde muziek, in een nogal verschillende instrumentatie, daar draaide Bach zijn hand niet voor om. Johann Sebastian Bach, Sonate, BWV.1027, Bruno Cocset (tenor violin 'alla bastarda') & Les Basses Reunies Johann Sebastian Bach, Sonate, BWV.1039, Emmanuel Pahud (fluit), Silvia Careddu (fluit), Trevor Pinnock (klavecimbel), Jonathan Manson (cello)

Fine Music Radio — TITLE: St Cecilia. TRACK: “Beauty thou Scene of Love” from Purcell’s “Welcome to all the Pleasures”. ARTIST: John Mark Ainsley with the English Concert conducted by Trevor Pinnock. PUBLISHER: Archiv 1989.

durée : 00:11:39 - Disques de légende du mercredi 30 octobre 2019 - Ce disque est paru en 2000, chez Channel Classics et met en valeur la musique instrumentale de Jean-Sébastien Bach jouée par les Anglais : la violoniste Rachel Podger et le claveciniste Trevor Pinnock.

I met Claudia at her beautiful renovated Victorian house where we talked about her early years in Devon and training, particularly in America, winning the Metropolitan Opera National Council Auditions. We discussed the opportunities being a contralto presents such as repertoire, and her role as the Omniscient Mussel in Strauss's Die Ägyptische Helena at La Scala next month. We also talked about performing on big and small stages, leading Claudia to recall her experiences of contemporary opera. Many thanks to Claudia for taking the time on her off day to talk to me and her hospitality, and the team at Maxine Robertson Management for putting me in touch with her! Interview published on 25th October 2019; recorded on 5th October 2019. British contralto Claudia Huckle studied at the Royal College of Music in London, the New England Conservatory and the Curtis Institute of Music. She was the 2004 Grand Final Winner of the Metropolitan Opera National Council Auditions and is a graduate of the prestigious Domingo-Cafritz Young Artist Program at Washington National Opera. She was the 2013 winner of the Birgit Nilsson Remembrance Award at Plácido Domingo’s Operalia competition at Verona - the first female, and first British recipient. She was a member of the ensemble at Leipzig Opera for four seasons from 2009. Plans this season and beyond include her début at Teatro alla Scala Milan singing Die allwissende Muschel in Strauss Die Ägyptische Helena, conducted by Franz Welser-Möst, and her début at Opéra National de Paris, singing Flosshilde in the Ring Cycle. Other concert plans include Schwertleite Die Walküre, with the LPO conducted by Vladimir Jurowski; Handel Messiah with the Freiburg Baroque Orchestra and Trevor Pinnock; Mahler Kindertotenlieder with the BBCSSO and Michael Sanderling; Mendelssohn Elijah with the BBCSO and Sakari Oramo; Mahler Symphony No 8 on tour with the Gustav Mahler Jugendorchester and Daniel Harding; Bach St Matthew Passion with the Orchestra dell’Accademia Nazionale di Santa Cecilia under Antonio Pappano; and Beethoven Symphony No 9 with the Orchestra of La Scala Milan under Riccardo Chailly. She will appear in recital with pianist Simon Lepper at Nottingham University. Opera roles include Erda Das Rheingold / Siegfried for Grand Théâtre de Genève, Opera North and Oper Leipzig; Flosshilde Das Rheingold for Teatro Real, Madrid; Suzuki Madam Butterfly for Zurich Opera and Glyndebourne on Tour, for whom she also sang the title role in Britten The Rape of Lucretia; Hippolyta in Britten A Midsummer Night’s Dream for Glyndebourne Festival Opera; Marfa in Mussorgsky Khovanshchina for Birmingham Opera Company; Mérope Oedipe, First Norn Götterdämmerung and Schwertleite Die Walküre at the Royal Opera House, where she also appeared as Third Lady Zauberflöte, a role she has sung at the Festival d’Aix en Provence and for Dresden Semperoper; Hänsel Hänsel und Gretel for Garsington Opera; Olga, Hänsel, Third Lady for Leipzig Opera; Smeton Anna Bolena for Washington National Opera; and Dalila in Saint-Saëns Samson et Dalila for the Chelsea Opera Group. In concert she has also sung Anna in Berlioz Les Troyens with Valery Gergiev and Maxwell Davies’ Hogboon under Sir Simon Rattle, both with the LSO. Recent concert highlights include Flosshilde Götterdämmerung with Sir Andrew Davis at the 2019 Edinburgh Festival, Brahms Alto Rhapsody with the Northern Sinfonia and Lars Vogt; Mahler Symphony No 2 at the Festival de Saint-Denis with the Orchestre Philharmonique de Radio France and Myung-Whun Chung; Schwertleite with the Bayerische Rundfunk Symphony Orchestra and Sir Simon Rattle; and Elgar Dream of Gerontius and Sea Pictures with Hallé Orchestra. Other past concerts include Schubert Mass in A flat and Beethoven Choral Fantasy with Kent Nagano and the Deutsches Symphonie Orchester; Mahler Symphony No 3 with Real Filharmonía de Galicia and Paul Daniel; and Missa Solemnis and Verdi Requiem at King’s College Cambridge.

Enlightenment monarch! Composer of hundreds of flute concertos. Emerged from the “sandbox of the Holy Roman Empire" to conquer vast swaths of Europe! Built a giant pink palace his wife wasn't allowed to visit. Worst dad in Bad Gays history? "Everything that speaks to eyes and touches hearts, Was found in the fond object that enflamed his parts."  ----more---- SOURCES: Blanning, Tim. Frederick the Great: King of Prussia. New York: Random House, 2016. Gaines, James. Evening in the Palace of Reason: Bach Meets Frederick the Great in the Age of Enlightenment. New York: Harper Collins, 2010. Hadley, Kathryn (with Vanessa de Senarclens). "Frederick the Great's Erotic Poem." HistoryToday, 21 September, 2011. https://www.historytoday.com/frederick-greats-erotic-poem The brief excerpt of Frederick the Great's Flute Concerto in C Major, No. 3, is performed by Emmanuel Pahud and the Kammerakademie Potsdam, led by Trevor Pinnock at the Harpsichord; we claim "fair use" for quotation and illustration purposes and encourage listeners who appreciate the extraordinary performance to purchase or legally stream it in full. Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.

durée : 01:59:16 - Le Bach du dimanche du dimanche 13 octobre 2019 - par : Corinne Schneider - Une programmation 100% british pour cette 94e émission : avec James Bowman, John Butt, Michael Chance, Charles Daniels, Alfred Deller, Richard Egarr, John Eliot Gardiner, Peter Harvey, Christopher Hogwood, Emma Kirby, Paul Mac Creesh, Andrew Manze, Trevor Pinnock, Rachel Podger, Carolyn Sampson … - réalisé par : Céline Parfenoff

Interview with Sarah Champion: https://talkingclassicalpodcast.wordpress.com/2019/09/30/ep-18-interview-with-canadian-mezzo-soprano-sarah-champion/ Canadian high mezzo-soprano Sarah Champion has been acclaimed for her ‘clarity and assurance’ (Opera Magazine) and heard both on the opera stage and the concert platform in Europe and North America in repertoire spanning four-centuries. Ms. Champion’s recent engagements have included The Lover in Tansy Davies’ BETWEEN WORLDS directed by Deborah Warner for English National Opera, Dorabella COSÌ FAN TUTTE on tour with Scottish Opera, Dorotea STIFFELIO for Chelsea Opera Group, the role of Naomi in the world premiere of Phillip Hagemann’s RUTH with Pegasus Opera, Zenobia RADAMISTO at the Palacio de Bellas Artes, Mexico and Daisy in the world premiere of Stuart McCrae’s ANTHROPOCENE for Scottish Opera. Upcoming engagements include Offred Before in Poul Ruders’ THE HANDMAID’S TALE with the Danish Royal Opera. Ms. Champion has performed as a soloist and recitalist throughout North America, the UK and Europe giving performances with Florilegium, the Britten-Pears Orchestra /Antonello Manacorda, Britten-Pears Baroque Orchestra/Richard Egarr, the San Francisco Early Music Society, at the London Handel Festival, the Tage Alte Musik Regensburg, the Boston Early Music Festival, Festival Montreal Baroque, the Banff Centre and the Aldeburgh Festival. Notable engagements include recitals with the National Arts Centre Orchestra of Canada under Trevor Pinnock, the Little Baroque Company under Laurence Cummings and a staging of Messiaen’s song cycle Harawi directed by Tim Nelson. Other recent engagements include Female Artist LULU for English National Opera; covering Isabella L’ITALIANA IN ALGERI for Garsington Opera, the title-role XERXES, Donna Elvira DON GIOVANNI and Rosina BARBER OF SEVILLE for ENO and Brahms Liebeslieder Walzer and Schumann Spanisches Liederspiel in Istanbul. Ms. Champion studied trumpet and voice at McGill University and trained in voice at the Royal College of Music. She now studies with Nelly Miricioiu in London and is a former Britten-Pears Young Artist and a Malcolm Martineau Crear Scholar. Listen to the previous interview with British concert pianist James Lisney: https://soundcloud.com/talkingclassicalpodcast/ep-17-interview-with-james-lisney World Mental Health Day takes place every year on the 10th October. Organised by the World Federation for Mental Health, World Health Organization, and member organizations of WFMH, the day aims to promote mental health awareness and good mental health practice around the world, with this year's theme being suicide prevention. To mark World Mental Health Day, listen to Episode 11, an interview with Lucy Thraves, Editor of Classical Music Magazine, in which we discuss the importance of mental health and well-being in the classical music sector, and Harmony in Mind, the magazine's year-long mental health awareness campaign. https://soundcloud.com/talkingclassicalpodcast/episode-11 Find out more about World Mental Health Day: https://www.who.int/mental_health/world-mental-health-day/en/ https://www.mentalhealth.org.uk/campaigns/world-mental-health-day Get involved! If you'd like to get in touch about the Talking Classical Podcast, please drop a message at talkingclassicalpodcast.wordpress.com/contact. Alternatively, do get in contact via social media. Listen to the Talking Classical Podcast on SoundCloud, iTunes and Spotify. Follow Talking Classical online. SoundCloud & Facebook - @talkingclassicalpodcast Twitter - @tc_podcasts YouTube - bit.ly/2WF4duy Blog - talkingclassicalpodcast.wordpress.com

CPE Bachi flöödikontserte mängivad Emmanuel Pahud ja Kammerakademie Potsdam (Warner Classics 2016) Carl Philipp Emanuel Bachi (1714-1788) flöödikontserte esitavad Emmanuel Pahud flöödil ja ansambel Kammerakademie Potsdam, dirigent ja klavessiinimängija on Trevor Pinnock.

CPE Bachi flöödikontserte mängivad Emmanuel Pahud ja Kammerakademie Potsdam (Warner Classics 2016) Carl Philipp Emanuel Bachi (1714-1788) flöödikontserte esitavad Emmanuel Pahud flöödil ja ansambel Kammerakademie Potsdam, dirigent ja klavessiinimängija on Trevor Pinnock.

Fine Music Radio — New Year with William Boyce. TRACK: William Boyce: Symphony 1, i. Allegro. ARTIST: English Concert under Trevor Pinnock. PUBLISHER: Archiv 1987.

Fine Music Radio — William Boyce. TRACK: William Boyce: Symphony 3, Allegro. ARTIST: The English Concert under Trevor Pinnock. PUBLISHER: Deutsche Grammophon 1987.

~The Simple Sophisticate, episode #197 ~Subscribe to The Simple Sophisticate: iTunes | Stitcher | iHeartRadio | YouTube As a young girl I took piano lessons, and I will admit, it was not the greatest joy of my life. A timer would have to be set for me to sit down for even 30 minutes to practice, and even then I would get up from time to time to check and see how much more time I had to play. So, no, I was not someone who found joy in playing; however, when my mom would sit down and play and let the notes ring melodically throughout our home, I thoroughly enjoyed listening. We still have that piano, and from time to time I will get the opportunity to hear her play and watch her fingers dance across the keys. There is a tranquility that is shared when such harmonious tunes without lyrics are played. To my ear, it is quite peaceful. Perhaps that is why as well, I am drawn to jazz, as I do prefer music without lyrics when I am working, relaxing and simply going about my day. I enjoy bringing my story to the notes, rather than hearing someone else's. Perhaps that is a lack of imagination on my part, but when there are no words, the rhythm is mine to dance with and let my mind wander. Having always loved jazz since I was a teenager, I have since begun to welcome more classical music into my life and regularly beginning this past fall as I shared in this post (episode #187). Many of my students over the years have been actively involved in the symphony and orchestra, and successfully so, so I do find myself learning from them as I am by no means savvy when it comes to music. 1. Reduce stress If you find listening to classical music relaxing, then it can reduce your stress levels. Upon listening to classical music, your body releases "pleasure-inducing dopamine and inhibits the release of stress hormones, all of which generates a pleasant mood". Now, the key is to understand what you find relaxing, make it a regular practice and observe your body and mind relax which will then enable you to think more clearly and thus make better decisions. 2. Increase your ability to think abstractly The Mozart Effect, as it was coined in 1993, was discovered by Dr. Gordon Shaw of the University of California-Irvine to cause a temporary spike in an individual's IQ after listening to Mozart. While the findings need to be clarified: no, listening to Mozart doesn't make you smarter, but it does, Shaw states, "warms up the brain's ability to think abstractly". 3. Heighten EQ (emotional intelligence) In 2001 Southern Methodist University shared their findings of their study revealing participants were more "expressive and effusive with their comments, [and] . . . more forthcoming as well." Perhaps when we choose to listen to classical music as we relax, our walls come down a bit more, we are more willing to be vulnerable and less quick to react. 4. Increase focus A study done in France published in Learning and Individual Differences revealed that students who listened to a one hour lecture with classical music playing in the background scored better on the corresponding quiz than those who did not listen to music. Why? The researchers proposed that "the music put students in a heightened emotional state, making
 them more receptive to information . . . It is possible that music, provoking a change in the learning
 environment, influenced the students’ motivation to remain focused during the lecture, which led to 
better performance on the multiple-choice quiz”. 5. Fall asleep more quickly The University of Toronto discovered that when classical music is played when you settle into bed, participants in the study were able to fall asleep more quickly and stay asleep longer. Why? The study found that the music by Bach, Brahms, Handel, Mozart,  and Strauss offered "rhythms and tonal patterns that create a meditative mood 
and slow brainwaves". The inclusion of listening to classical music in my everyday routine has become a form of simple self-care. Having a sound mind to navigate successfully through the day is an invaluable tool, but it is one that can easily deteriorate if we do not tend to it. Many readers shared their favorite classical radio station (many of which have free apps available), and I have listed them below. An unexpected benefit I am finding is listening to the hosts of each of the programs whether I am listening to KUSC.org or WRTI.org as they speak about each song, often share the history and other intriguing information. I may never pick up a flute, a violin or an obo, but I certainly am finding I appreciate even more those who do and those who have written the music creations. Classical music stations: KUSC (southern California) WRTI (Philadelphia - classical music and jazz) KMFA (Austin, TX) Radio Classique (French station) ClassicFM (London) I have compiled a Luxurious Classical Music playlist on Spotify (of which there are many others to find as well) that plays for one hour and 16 minutes 12+ hours with more than 157 tracks (updated as of November 2020) and includes some of my favorites as well as new music I am ever so gradually being introduced to. View the playlist here. The Playlist: Luxurious Classical Music (below are just a sampling of the tracks): Vivaldi: 12 Violin Concertos, Op.8 "Il cimento dell'armonia e dell' invenzione" / Concerto No. 1 In E Major For Solo Violin, RV 269 "La Primavera" - 1. Allegro Yo-Yo Ma - Unaccompanied Cello Suite No. 1 in G Major, BWV 1007: Unaccompanied Cello Suite No. 1 in G Major, BWV 1007: Unaccompanied Cello Suite No. 1 in G Major, BWV 1007: Unaccompanied Cello Suite No. 1 in G Major, BWV 1007: I. Prélude Vaughan Williams - The Lark Ascending 2 Cellos - Moon River Mozart : Serenade No.9 in D major K320, 'Posthorn' : IV Rondeau - Allegro, ma non troppo Giancarlo Andretti - Piano Sonata No. 5 in G Major, K. 283: I. Allegro Murray Perahia - Italian Concerto, BWV 971: I. (Allegro) Wolfgang Rübsam - Suite in A Major, BWV 824 Dubravka Tomsic - No. 1 in B Flat major, BWV 825: II. Allemande The English Concert and Trevor Pinnock - J.S. Bach: Brandenburg Concerto No.6 in B flat, BWV 1051 - 2. Adagio ma non tanto Alexis French - Waterfalls London Philharmonic Orchestra & David Parry - Brandenburg Concerto No. 3 in G Major, BWV 1048: Allegro Lara Downes - Wonderful Town: Story of My Life Petit Plaisir: ~Mozart in the Jungle, season 4 https://youtu.be/wiNDPi3mP6A Sponsors of this week’s episode: Casper Mattress Promo code: SS $50 toward your purchase Shaker & Spoon Cocktail Subscription Club Promo code: simple Save $20 on your first month Image: Katowice concert hall, Poland Sources of research: LiveStrong, USC News, WQXR.org Download the Episode

Carl Philipp Emanuel Bachi (1714-1788) flöödikontserte esitavad Emmanuel Pahud flöödil ja ansambel Kammerakademie Potsdam, dirigent ja klavessiinimängija on Trevor Pinnock.

Carl Philipp Emanuel Bachi (1714-1788) flöödikontserte esitavad Emmanuel Pahud flöödil ja ansambel Kammerakademie Potsdam, dirigent ja klavessiinimängija on Trevor Pinnock.

Sean Rafferty with guests from across the week on In Tune, including harpsichordist and director Trevor Pinnock, folk duo Hannah Sanders and Ben Savage, the Doric String Quartet, The King's Men (close harmony group of choral scholars from King's College Cambridge) with composer and Radio 3 presenter Michael Berkeley on his commission for Nine Lessons and Carols, and BLOCK4 the recorder quartet from BBC Classical Introducing.

Als Tastenspieler, Kammermusiker und Dirigent ist der Brite Trevor Pinnock der Inbegriff von Vielseitigkeit. Als Dirigent hat er sich intensiv für die Aufführung barocker und klassischer Musik auf Originalinstrumenten eingesetzt und zählt hier zu den Pionieren. Zudem genießt er einen außergewöhnlichen Ruf als Cembalist. Am 16. Dezember feiert Trevor Pinnock seinen 70. Geburtstag. Ein Porträt von Ana Tsotsoria.

I programmet diskuterar panelen bl. a. Tobias Berndts tolkning av 28 Fanny Hensel-sånger samt kammarmusik av engelsmannen Gerald Finzi. Dessutom möter vi den unge pianisten Daniil Trifonov. I panelen Aurélie Ferrier, Hanns Rodell och Magnus Lindman som tillsammans med programledaren Johan Korssell betygsätter följande skivor:  FANNY HENSEL Goethe-sånger Tobias Berndt, baryton Alexander Fleischer, piano Querstand VKJK 1509 JOHANN SEBASTIAN BACH Cembalokonserter BWV 1052 1057 Andreas Staier, cembalo Freiburgs barockorkester Harmonia Mundi HMC 902181-82 GERALD FINZI Fem bagateller, Elegi, Preludium och Fuga m.m. Kölns kammarsolister MDG 903 1894-6ALEXANDER SKRJABIN Symfonier nr 3 och 4 Oslo filharmoniker Vasily Petrenko, dirigent Lawo LWC 1088Sofia möter pianisten Daniil Trifonov Sofia Nyblom mötte den unge konsertpianisten i samband med Stockholms-besöket och Nobelkonserten i Stockholms konserthus den 8 december 2015, då Trifonov framträdde som solist i Rachmaninovs tredje pianokonsert tillsammans med Kungliga filharmonikerna och dirigenten Franz Welser-Möst. Andra nämnda eller rekommenderade inspelningarBachs klaverkonserter med Trevor Pinnock och The English Concert på Archiv och DG; Pierre Hantaï tillsammans med Le Concert Francais på skivmärket Astree samt med cembalisten Lars Ulrik Mortensen och Concerto Copenhagen på CPO. Nytt Finzi-album Introit med Aurora Orchestra under ledning av Nicholas Collon på Decca. Fanny Hensel-Mendelssohns sånger med sopranen Susan Gritton ackompanjerad av Eugene Asti på märke Hyperion (tidigare recenserad i CD-revyn). Felix och Fanny Mendelssohns stråkkvartetter med Ebène-kvartetten på Virgin Classics (tidigare recenserad i CD-revyn). Skrjabins symfonier med New Yorks filharmoniker under Giuseppe Sinopoli på DG samt Londons symfoniorkester dirigerad av Valerij Gergiev på egna märket LSO Live samt med Philadelphia-orkestern under Riccardo Mutis ledarskap på EMI. SvepetJohan sveper över Brahms Ein Deutsches Requiem i en inspelning med sopranen Lore Binon och barytonen Tassis Christoyannis tillsammans med Flamländska radions kör allt under ledning av Hervé Niquet på skivmärket Evil Penguin.

Englischer Cembalist und Dirigent, Pionier der historischen Aufführungspraxis

As a belated Valentine's present, The Diction Police is back with all new episodes for 2013! Miss Kitty Fantastico and I are all settled in our new apartment and I have quite a few episodes already recorded, so we should be able to stay on track for this spring! This week and next we'll be talking about some arias from Händel's Messiah. On this episode, tenor Charles Reid goes through the text of "Comfort Ye... Ev'ry Valley", and then we discuss some of the problematic traditional misuse of diction with Jan and Catherine McDaniel, from the faculty of the Bass School of Music at Oklahoma City University, focusing on the words COMFORT and SAITH (plus other words that tend to be mispronounced), rolling Rs in the combination CR and GR, the pronunciation of the letter X and a whole lot about schwas. The score for Händel's Messiah can be found as a free download at Petrucci Music Library (IMSLP) and you can find the libretto here ("Comfort Ye... Ev'ry Valley" begins the Messiah). We talk about the word COMFORT quite a bit on this episode and I promised to post YouTubes--I found one with Jerry Hadley singing, this one where tenor Howard Crook sings COMFORT correctly at least once :-) and a very interesting BBC TV show about Comfort Ye with Trevor Pinnock discussing it, Kurt Streit singing. There are, of course, a ton of YouTubes of this recit and aria, have fun listening to them and comparing the diction to what we talk about in the episode! Please feel free to contact me with questions, comments or suggestions here, at the Facebook page, on Twitter or directly at ellen@ellenrissinger.com

Guest host Charles "Chip" Hamann, NAC Orchestra Principal Oboe, in conversation with Maestro Trevor Pinnock, on the occasion of his latest visit to the National Arts Centre.

In this first of two interviews with Trevor Pinnock, writer and broadcaster Eric Friesen speaks with Maestro Pinnock about Handel's Messiah.

One of the world's finest period instrument orchestras comes to the Library with Alice Coote, a singer praised for her "commanding, sensual, and leonine presence" and "a voice of copper silk" in vocal and instrumental works by Dowland, Handel, Monteverdi, and Vivaldi. Speaker Biography: The English Concert, with artistic director Harry Bicket and distinguished guest artists, performs Baroque and Classical music with the passion, sophistication and technical mastery established by its founder, Trevor Pinnock.

Through much of the 1990's, the NAC Orchestra was led by the baroque and classical specialist from England, Trevor Pinnock. This was a time of continued financial challenges for the NAC, but Trevor Pinnock was not only a superb musician, but a man of great character and helped heal the ravages of the late 1980's. The NAC Orchestra also shows its flexibility as gifted and colourful Principal Guest Conductor Franz Paul Decker leads them into the territory of Richard Strauss, Paul Hindemith, Jean Sibelius and Johannes Brahms.

Lucie Skeaping looks in detail at one of Handel's most popular and enduring works: Acis & Galatea. With extracts from recordings by Trevor Pinnock, John Eliot Gardiner and Adrian Boult, among others.

In this podcast: 1. Trevor Pinnock, 2. Curandero, 3. Justin Bianco, 4. Antonio Meneses, 5. Jay Kishor

In this podcast: 1. Laurel Zucker and Sara Andon, 2. Trevor Pinnock, 3. Janine Johnson, 4. Laurel Zucker, 5. Ensemble Mirable, 6. DAC Crowell, 7. Jacob Heringman, 8. Daniel Ben Pienaar, 9. Justin Bianco, 10. Jag, 11. Shlomo Mintz