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Oudemuziekkenner Kees Koudstaal presenteert de mooiste en recentste CD’s met oude en klassieke muziek. Aandacht voor de nieuwe uitgaven van violiste Sophie De Bardonnèche, tenor Jonatan Alvarado, vocaal ensemble Graindelavoix en gambist François Joubert-Caillet. 1. Jacob Obrecht (ca. 1457-1505) – Salve Regina Uitvoerenden: Graindelavoix o.l.v. Björn Schmelzer (cd: ‘Ex nihilo', merk Glossa nr. GCD P […]
„Premiérovi želám vnútornú silu, aby sa zotavil a vedel prinášať spoločnosti zmierenie. Má totiž moc a s ňou prichádza aj zodpovednosť“, tvrdí analytik Hugo Gloss. V Dekk inštitúte pripravili analytickú správu o polarizácii, spoločenských náladách a populárnych naratívoch po pokuse o atentát na slovenského premiéra.Keď nezdravá polarizácia vedie k tragédiám. Dokonaným a aj tým v zárodku. Slovensko je už dvadsaťjeden dní zranené. V našich končinách doteraz bezprecedentným pokusom o atentát na predsedu vlády. Útočník krátko po svojom čine hovoril o „nesúhlase s politikou vlády“, hlavy štátu – dosluhujúca i zvolená – volali po zmierujúcom okrúhlom stole politických lídrov, tí koaliční však prstom ukazovali a stále ukazujú na médiá a opozíciu. A čaká sa na slovo obete – Roberta Fica, ktorý sa doliečuje v domácom prostredí. Existuje východisko zo zničujúcej polarizácie? Dekk inštitút prichádza so štúdiou, v ktorej hovorí že áno. A ukazuje na skúsenosti napríklad Nemcov, ktorí sa museli vysporiadať aj s tým, že ich vlastní organizovali masové vraždy; či skúsenosťou „odpúšťania“ na Balkáne či Severnom Írsku.Pozrieme sa na to so spoluautorom štúdie Hugom Glossom.„Aké Slovensko chceme nechať našim deťom? Lebo to nie je o tom, v akej krajine žijem ja tu a teraz. O dvadsať rokov tu budú dospelé aj moje deti a je v našom záujme a verím, že aj v záujme politických elít naprieč celým spektrom, aby tu naše deti nemuseli nosiť balistické vesty a samopal na pleci. Takéto Slovensko nechce nik z nás. Preto musíme pracovať na odstraňovaní nezdravej polarizácie“, tvdí analytik Hugo Gloss.Aj za vznikom Dekk inštitútu je podľa Glossa skúsenosť z rozdeleného Iraku. „Pôsobili sme v Iraku a Sýrii, kde polarizácia priviedla až k masovým hrobom“, tvrdí. „Tam už nie víťazov a porazených. Tam sú porazení všetci. To na Slovensku nechceme vidieť“, dodáva. „Je kľúčové, ako sa k atentátu postaví samotný Robert Fico“, tvrdí Gloss. „Prajem mu vnútornú silu, aby sa zotavil a vedel prinášať do spoločnosti zmierenie. Má totiž moc a s ňou prichádza aj zodpovednosť“, dodáva. Podcast pripravil Jaroslav Barborák.
„Premiérovi želám vnútornú silu, aby sa zotavil a vedel prinášať spoločnosti zmierenie. Má totiž moc a s ňou prichádza aj zodpovednosť“, tvrdí analytik Hugo Gloss. V Dekk inštitúte pripravili analytickú správu o polarizácii, spoločenských náladách a populárnych naratívoch po pokuse o atentát na slovenského premiéra.Keď nezdravá polarizácia vedie k tragédiám. Dokonaným a aj tým v zárodku. Slovensko je už dvadsaťjeden dní zranené. V našich končinách doteraz bezprecedentným pokusom o atentát na predsedu vlády. Útočník krátko po svojom čine hovoril o „nesúhlase s politikou vlády“, hlavy štátu – dosluhujúca i zvolená – volali po zmierujúcom okrúhlom stole politických lídrov, tí koaliční však prstom ukazovali a stále ukazujú na médiá a opozíciu. A čaká sa na slovo obete – Roberta Fica, ktorý sa doliečuje v domácom prostredí. Existuje východisko zo zničujúcej polarizácie? Dekk inštitút prichádza so štúdiou, v ktorej hovorí že áno. A ukazuje na skúsenosti napríklad Nemcov, ktorí sa museli vysporiadať aj s tým, že ich vlastní organizovali masové vraždy; či skúsenosťou „odpúšťania“ na Balkáne či Severnom Írsku.Pozrieme sa na to so spoluautorom štúdie Hugom Glossom.„Aké Slovensko chceme nechať našim deťom? Lebo to nie je o tom, v akej krajine žijem ja tu a teraz. O dvadsať rokov tu budú dospelé aj moje deti a je v našom záujme a verím, že aj v záujme politických elít naprieč celým spektrom, aby tu naše deti nemuseli nosiť balistické vesty a samopal na pleci. Takéto Slovensko nechce nik z nás. Preto musíme pracovať na odstraňovaní nezdravej polarizácie“, tvdí analytik Hugo Gloss.Aj za vznikom Dekk inštitútu je podľa Glossa skúsenosť z rozdeleného Iraku. „Pôsobili sme v Iraku a Sýrii, kde polarizácia priviedla až k masovým hrobom“, tvrdí. „Tam už nie víťazov a porazených. Tam sú porazení všetci. (…) To na Slovensku nechceme vidieť“, dodáva. „Je kľúčové, ako sa k atentátu postaví samotný Robert Fico“, tvrdí Gloss. „Prajem mu vnútornú silu, aby sa zotavil a vedel prinášať do spoločnosti zmierenie. Má totiž moc a s ňou prichádza aj zodpovednosť“, dodáva. Podcast pripravil Jaroslav Barborák.
Le tenor Marco Angioloni nous propose de voyager dans le temps et entre la France et l'Italie, à travers son nouvel album Dolce Vita, disponible chez Glossa. Un petit air rétro aujourd'hui dans VMDN. Des amoureux qui s'embrassent sous le ciel de Paris, se disent adieu sur le quai d'une gare dans les années 30 ou dans les fauteuils moelleux d'un cinéma italien des années 50…C'est un moment de Dolce Vita que nous offre notre invité, le ténor Marco Angioloni, accompagné de l'Ensemble Contraste et de quelques amis dont les voix s'accordent au répertoire lyrique, au jazz, au mambo ou à l'univers de la comédie musicale. Dolce Vita est disponible chez Glossa. Marco Angioloni est l'invité de VMDN.Café Polar : Catherine Fruchon-Toussaint a rencontré l'essayiste François Rivière, spécialiste de la littérature policière anglo-saxonne pour son récit De l'assassinat considéré comme une affaire de femmes (Calmann-Lévy), galerie de portraits des grandes reines du crime qu'il a connues, de Ruth Rendell à Patricia Highsmith, en passant par PD James.
Le tenor Marco Angioloni nous propose de voyager dans le temps et entre la France et l'Italie, à travers son nouvel album Dolce Vita, disponible chez Glossa. Un petit air rétro aujourd'hui dans VMDN. Des amoureux qui s'embrassent sous le ciel de Paris, se disent adieu sur le quai d'une gare dans les années 30 ou dans les fauteuils moelleux d'un cinéma italien des années 50…C'est un moment de Dolce Vita que nous offre notre invité, le ténor Marco Angioloni, accompagné de l'Ensemble Contraste et de quelques amis dont les voix s'accordent au répertoire lyrique, au jazz, au mambo ou à l'univers de la comédie musicale. Dolce Vita est disponible chez Glossa. Marco Angioloni est l'invité de VMDN.Café Polar : Catherine Fruchon-Toussaint a rencontré l'essayiste François Rivière, spécialiste de la littérature policière anglo-saxonne pour son récit De l'assassinat considéré comme une affaire de femmes (Calmann-Lévy), galerie de portraits des grandes reines du crime qu'il a connues, de Ruth Rendell à Patricia Highsmith, en passant par PD James.
durée : 00:13:44 - Le Disque classique du jour du mercredi 27 mars 2024 - La musique de Wolfgang Amadeus Mozart a toujours été l'une des raisons d'être de l'Orchestre du XVIIIe siècle de Frans Bruggen depuis sa création en 1981, le label Glossa publie tous leurs enregistrements dédiés au compositeur depuis 1997
Michael Lofton interviews Dr. Samuel Klumpenhouwer on his translation of the Glossa Ordinaria of the Book of Genesis!
El 1965 la discogràfica Columbia, establerta a Donostia i amb un catàleg extensissim de grans enregistraments tant de sarsuela com de música popular, tradicional i instrumental, edità en un single de 45 revolucions la 'Glossa de la Moixiganga', que el mestre Antoni Català, l'autor de 'La processó de Sant Bartomeu' composà l'any 1927 a partir de les músiques d'un dels balls fonamentals del nostre folklore tradicional. L'entrada Aquesta ‘glossa de la Moixiganga’ del 1965 no la trobareu a plataformes ha aparegut primer a Radio Maricel.
In this short "Glossa" episode, Dr. T. Michael W. Halcomb reads Mk 7:14-23 slowly in Koine Greek using the Koine Era Pronunciation (KEP). Listen in. | GlossaHouse.com #greek #ancientgreek #koine #koinegreek #gospelofmark #mark7 #pronunciation #reading #newtestament #bible #scripture #religion #Christianity greek, ancient greek, koine, koine greek, gospel of mark, mark 7, pronunication, reading, new testament, bible, scripture, religion, Christianity, --- Send in a voice message: https://podcasters.spotify.com/pod/show/glossahouse/message
In this short "Glossa" episode, Dr. T. Michael W. Halcomb reads Mark 7:6-13 slowly in Koine Greek using the Koine Era Pronunciation (KEP). Listen in. | GlossaHouse.com #gospel #gospelofmark #mark #newtestament #scripture #bible #mark7 gospel, gospel of mark, mark, new testament, scripture, bible, mark 7, --- Send in a voice message: https://podcasters.spotify.com/pod/show/glossahouse/message
In this short "Glossa" episode, Dr. T. Michael W. Halcomb reads from the Gospel of Mark, particularly Mk 7:1-5, slowly in Koine Greek using the Koine Era Pronunciation (KEP). Listen in. | GlossaHouse.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/glossahouse/message
In this short "Glossa" episode, Dr. T. Michael W. Halcomb reads Mk 6:7-11 slowly in Koine Greek using the Koine Era Pronunciation (KEP). Listen in. | GlossaHouse.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/glossahouse/message
In this short "Glossa" episode, Dr. T. Michael W. Halcomb reads Mark 6:1-6 slowly in Koine Greek using the Koine Era Pronunciation (KEP). Listen in. | GlossaHouse.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/glossahouse/message
In this short "Glossa" episode, Dr. T. Michael W. Halcomb reads Mk 5:35-43 slowly in Koine Greek using the Koine Era Pronunciation (KEP). Listen in. | GlossaHouse.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/glossahouse/message
In this short "Glossa" episode, Dr. T. Michael W. Halcomb reads Mk 5:25-34 slowly in Koine Greek using the Koine Era Pronunciation (KEP). Listen in. | GlossaHouse.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/glossahouse/message
In this short "Glossa" episode, Dr. T. Michael W. Halcomb reads Mk 5:21-24 slowly in Koine Greek using the Koine Era Pronunciation (KEP). Listen in. | GlossaHouse.com --- Send in a voice message: https://anchor.fm/glossahouse/message
In this short "Glossa" episode, Dr. T. Michael W. Halcomb reads Mk 5:15-20 slowly in Koine Greek using the Koine Era Pronunciation (KEP). Listen in. | GlossaHouse.com --- Send in a voice message: https://anchor.fm/glossahouse/message
In this short "Glossa" episode, Dr. T. Michael W. Halcomb reads Mk 5:10-14 slowly in Koine Greek using the Koine Era Pronunciation (KEP). Listen in. | GlossaHouse.com --- Send in a voice message: https://anchor.fm/glossahouse/message
In this short "Glossa" episode, Dr. T. Michael W. Halcomb reads Mk 5:6-9 slowly in Koine Greek using the Koine Era Pronunciation (KEP). Listen in. | GlossaHouse.com --- Send in a voice message: https://anchor.fm/glossahouse/message
In this short "Glossa" episode, Dr. T. Michael W. Halcomb reads Mk 5:1-5 slowly in Koine Greek using the Koine Era Pronunciation (KEP). Listen in. | GlossaHouse.com --- Send in a voice message: https://anchor.fm/glossahouse/message
In this short "Glossa" episode, Dr. T. Michael W. Halcomb reads Mk 4:35-41 slowly in Koine Greek using the Koine Era Pronunciation (KEP). Listen in. | GlossaHouse.com --- Send in a voice message: https://anchor.fm/glossahouse/message
In this short "Glossa" episode, Dr. T. Michael W. Halcomb reads Mk 4:30-34 slowly in Koine Greek using the Koine Era Pronunciation (KEP). Listen in. | GlossaHouse.com --- Send in a voice message: https://anchor.fm/glossahouse/message
In this short "Glossa" episode, Dr. T. Michael W. Halcomb reads Mk 4:26-29 slowly in Koine Greek using the Koine Era Pronunciation (KEP). Listen in. | GlossaHouse.com --- Send in a voice message: https://anchor.fm/glossahouse/message
In this short "Glossa" episode, Dr. T. Michael W. Halcomb reads Mk 4:21-25 slowly in Koine Greek using the Koine Era Pronunciation (KEP). Listen in. | GlossaHouse.com --- Send in a voice message: https://anchor.fm/glossahouse/message
In this short "Glossa" episode, Dr. T. Michael W. Halcomb reads Mk 4:10-20 slowly in Koine Greek using the Koine Era Pronunciation (KEP). Listen in. | GlossaHouse.com --- Send in a voice message: https://anchor.fm/glossahouse/message
In this short "Glossa" episode, Dr. T. Michael W. Halcomb reads Mk 4:1-9 slowly in Koine Greek using the Koine Era Pronunciation (KEP). Listen in. | GlossaHouse.com --- Send in a voice message: https://anchor.fm/glossahouse/message
In this short "Glossa" episode, Dr. T. Michael W. Halcomb reads Mk 3:19b-35 slowly in Koine Greek using the Koine Era Pronunciation (KEP). Listen in. | GlossaHouse.com --- Send in a voice message: https://anchor.fm/glossahouse/message
In this short "Glossa" episode, Dr. T. Michael W. Halcomb reads Mk 3:13-19a slowly in Koine Greek using the Koine Era Pronunciation (KEP). Listen in. | GlossaHouse.com --- Send in a voice message: https://anchor.fm/glossahouse/message
In this short "Glossa" episode, Dr. T. Michael W. Halcomb reads Mk 3:7-12 slowly in Koine Greek using the Koine Era Pronunciation (KEP). Listen in. | GlossaHouse.com --- Send in a voice message: https://anchor.fm/glossahouse/message
In this short "Glossa" episode, Dr. T. Michael W. Halcomb reads Mk 3:1-6 slowly in Koine Greek using the Koine Era Pronunciation (KEP). Listen in. | GlossaHouse.com --- Send in a voice message: https://anchor.fm/glossahouse/message
In this short "Glossa" episode, Dr. T. Michael W. Halcomb reads Mk 2:23-28 slowly in Koine Greek using the Koine Era Pronunciation (KEP). Listen in. | GlossaHouse.com --- Send in a voice message: https://anchor.fm/glossahouse/message
In this short "Glossa" episode, Dr. T. Michael W. Halcomb reads Mk 2:18-22 slowly in Koine Greek using the Koine Era Pronunciation (KEP). Listen in. | GlossaHouse.com --- Send in a voice message: https://anchor.fm/glossahouse/message
Per il testo, iscriviti a https://italianoconletteratura.substack.com
In this short "Glossa" episode, Dr. T. Michael W. Halcomb reads Mk 2:13-17 slowly in Koine Greek using the Koine Era Pronunciation (KEP). Listen in. | GlossaHouse.com --- Send in a voice message: https://anchor.fm/glossahouse/message
In this short "Glossa" episode, Dr. T. Michael W. Halcomb reads Mk 2:1-12 slowly in Koine Greek using the Koine Era Pronunciation (KEP). Listen in. | GlossaHouse.com --- Send in a voice message: https://anchor.fm/glossahouse/message
In this short "Glossa" episode, Dr. T. Michael W. Halcomb reads Mk 1:1-45 slowly in Koine Greek using the Koine Era Pronunciation (KEP). Listen in. | GlossaHouse.com --- Send in a voice message: https://anchor.fm/glossahouse/message
In this short "Glossa" episode, Dr. T. Michael W. Halcomb reads Mk 1:40-45 slowly in Koine Greek using the Koine Era Pronunciation (KEP). Listen in. | GlossaHouse.com --- Send in a voice message: https://anchor.fm/glossahouse/message
Glossa - In this short "Glossa" episode, Dr. T. Michael W. Halcomb reads Mk 1:35-39 slowly in Koine Greek using the Koine Era Pronunciation (KEP). Listen in. | GlossaHouse.com --- Send in a voice message: https://anchor.fm/glossahouse/message
In this short "Glossa" episode, Dr. T. Michael W. Halcomb reads Mk 1:28-34 slowly in Koine Greek using the Koine Era Pronunciation (KEP). Listen in. --- Send in a voice message: https://anchor.fm/glossahouse/message
In this short "Glossa" episode, Dr. T. Michael W. Halcomb reads Mk 1:21-27 slowly in Koine Greek using the Koine Era Pronunciation (KEP). Listen in. --- Send in a voice message: https://anchor.fm/glossahouse/message
In this short "Glossa" episode, Dr. T. Michael W. Halcomb reads Mk 1:17b-20 slowly in Koine Greek using the Koine Era Pronunciation (KEP). Listen in. --- Send in a voice message: https://anchor.fm/glossahouse/message
durée : 00:13:02 - Disques de légende du mardi 04 octobre 2022 - Frans Brüggen et son Orchestre du XVIIIEME siècle en 1986 nous font redécouvrir la musique de Rameau
In this short "Glossa" episode, Dr. T. Michael W. Halcomb reads Mk 1:12-17 slowly in Koine Greek using the Koine Era Pronunciation (KEP). Listen in. --- Send in a voice message: https://anchor.fm/glossahouse/message
In this short "Glossa" episode, Dr. T. Michael W. Halcomb reads Mk 1:8-11 slowly in Koine Greek using the Koine Era Pronunciation (KEP). Listen in.
In this new subseries of ProveText, which we're calling "Glossa" (the Greek word for "language"), we'll be offering readings of ancient texts, usually Scripture, aloud in ancient languages. You can expect to hear stuff read in Hebrew, Aramaic, Greek, and Latin. Want to hear something read? Let us know and we can try to give it a go. Also, please note that we are purposefully reading very slowly in these episodes for the purposes of pronunciation and helping listeners practice. The first episode is Mk 1:1-7 in Greek using the Koine Era Pronunciation (KEP). Enjoy!
A VOZ DO TRADUTOR - ano V - nº198 - Edição de 04 de junho de 2022* Vem aí o V Fórum de Revisão de Textos! * Translators101 promove evento presencial neste sábado em São Paulo * Dica especial da Glossa para quem está pensando em dar seus primeiros passos nainterpretação simultânea * "Quero ser tradutor, e agora?” em versão 2.0 repaginada e atualizada acontece agora em junho * A dica de leitura da semana da Tacet Books é “Essays – de Virginia Woolf” * Danilo Nogueira se inspira em uma fria tarde de junho e compartilha mais um horripilante capítulo da novelinha sobre as agências de tradução * A nossa Pausa para o Café é com a tradutora Carol Bruni! Conversamos neste bate-papo sobre a história do Barcamp do Vale do Paraíba: como surgiu a ideia de reunir os tradutores intérpretes da região, os primeiros encontros, as conquistas e desafios e como conseguiram se manter unidos e produtivos apesar da pandemia. Carol também conta as novidades do Barcamp para este ano e traz informações sobre o próximo encontro presencial, que acontece agora em julho.(Conheça a página da Carol Bruni na Amazon clicando aqui) -------Para conhecer a origem dos Barcamps, clique aqui------Você também pode nos ouvir pela Rádio Achei USA, Spotify, Deezer ou Apple PodcastsAPOIO: TraduSound; Editora Lexikos e Tacet Books
HARDCORE CHRISTIANITY - Pat Boone Glossa Wednesday Support the show: https://hardcorechristianity.com/donations/ See omnystudio.com/listener for privacy information.
Tongues - glossa - dialect - Acts 2:4 - Past John Shipman - 20 March 22 by Pastor. John Shipman
Nowy Tygodnik Kulturalny - nowe miejsce, znani goście, lubiani prowadzący, nowa energia i emocje!
Hoe komt het dat Kiki klinkt als iets wat puntig is en een scherpe smaak heeft, terwijl Bouba het idee oproept van iets wat rond en romig is? Komt dat door de klanken? Door de manier waarop we deze niet-bestaande woorden schrijven? Rolf en Anita bespreken recent onderzoek naar hoe klanken onze interpretatie van een taal kunnen beïnvloeden. En wat vertelt dit onderzoek ons over hoe een taal ontstaat en hoe wij een taal leren? In het boek Drang naar Samenhang: De Psychologie van het Begrijpen vind je meer informatie over welke factoren, naast klanken, invloed kunnen hebben op hoe wij taal begrijpen. Bronnen:Ćwiek, A., Fuchs, S., Draxler, C., Asu, E.L., Dediu, D., Hiovain, K., Kawahara, S., Koutalidis, S., Krifka, M., Lippus, P., Lupyan, G., Oh, G.E., Paul, J., Petrone, C., Ridouane, R., Reiter, S., Schümchen, N., Szalontai, Á, Ünal-Logacev, Ö., ...Winter, B. (2022). The bouba/kiki effect is robust across cultures and writing systems. Philosophical Transactions of the Royal Society B, 377(1841). http://doi.org/10/1098/rstb.2020.0390Spence, C. & Ngo, M.K. (2012). Assessing the shape symbolism of the taste, flavour, and texture of foods and beverages. Flavour, 1(12). https://doi.org/10.1186/2044-7248-1-12Winter, B. & Perlman, M., (2021) “Size sound symbolism in the English lexicon”, Glossa: a journal of general linguistics, 6(1), p.79. https://doi.org/10.5334/gjgl.1646Plaatjes Kiki/Bouba Hosted on Acast. See acast.com/privacy for more information.
Marius Peterson tutvustab ansambli Graindelavoix albumit, millele on salvestatud Josquin Desprez' šansoonid ja teda leinama jäänud Nicolas Gombert'i, Hieronymus Vindersi ja Benedictus Appenzelleri lamendid, samuti Josquini lament Ockeghemi surma puhul.
Marius Peterson tutvustab ansambli Graindelavoix albumit, millele on salvestatud Josquin Desprez' šansoonid ja teda leinama jäänud Nicolas Gombert'i, Hieronymus Vindersi ja Benedictus Appenzelleri lamendid, samuti Josquini lamendi Ockeghemi surma puhul.
Tongues were… Real languages Acts 1:6; 2:1-11 Acts 10:44-48 Glossa “tongue” (Acts 2:4, 11) vs. dialektos “language” (Acts 2:6,8) I…
My friend Tiber suggested that I make a recording of this poem as there seems to be no spoken English version of it to be found yet, so here it is. I hope you enjoy and that it is also useful given the poem's rich conveyed wisdom. Music: J.S. Bach - Concerto in D Minor BWV1043, Largo played by Daniel Estrem Time goes by, time comes along, All is old and all is new; What is right and what is wrong, You must think and ask of you; Have no hope and have no fear, Waves that rise can never hold; If they urge or if they cheer, You remain aloof and cold. To our sight a lot will glisten, Many sounds will reach our ear; Who could take the time to listen And remember all we hear? Keep aside from all that patter, Seek yourself, far from the throng When with loud and idle clatter Time goes by, time comes along. Nor forget the tongue of reason Or its even scales depress When the moment, changing season, Wears the mask of happiness - It is born of reason's slumber And may last a wink as true: For the one who knows its number All is old and all is new. Be as to a play, spectator, As the world unfolds before: You will know the heart of matter Should they act two parts or four; When they cry or tear asunder From your seat enjoy along And you'll learn from art to wonder What is right and what is wrong. Past and future, ever blending, Are the twin sides of same page: New start will begin with ending When you know to learn from age; All that was or be tomorrow We have in the present, too; But what's vain and futile sorrow You must think and ask of you; For the living cannot sever From the means we've always had: Now, as years ago, and ever, Men are happy or are sad: Other masks, same play repeated; Diff'rent tongues, same words to hear; Of your dreams so often cheated, Have no hope and have no fear. Hope not when the villains cluster By success and glory drawn: Fools with perfect lack of luster Will outshine Hyperion! Fear it not, they'll push each other To reach higher in the fold, Do not side with them as brother, Waves that rise can never hold. Sounds of siren songs call steady Toward golden nets, astray; Life attracts you into eddies To change actors in the play; Steal aside from crowd and bustle, Do not look, seem not to hear From your path, away from hustle, If they urge or if they cheer; If they reach for you, go faster, Hold your tongue when slanders yell; Your advice they cannot master, Don't you know their measure well? Let them talk and let them chatter, Let all go past, young and old; Unattached to man or matter, You remain aloof and cold. You remain aloof and cold If they urge or if they cheer; Waves that rise can never hold, Have no hope and have no fear; You must think and ask of you What is right and what is wrong; All is old and all is new, Time goes by, time comes along. "Glossa", by Mihai Eminescu (1883) --- Send in a voice message: https://anchor.fm/armunnrigh/message
"Avec « Lagrime d'amante », La Compagnia del Madrigale se tourne à nouveau vers la musique de Claudio Monteverdi. Cette nouvelle publication du label Glossa, enregistrée à Cumiana, non loin de Turin, traduit fidèlement la beauté des voix de l'ensemble, dans une sélection de compositions à cinq voix de Monteverdi, centrées sur cette pierre angulaire de son art, le Sixième Livre."
Chaque jour Nicolas Blanmont met en avant une nouveauté parmi les sorties discographiques classiques.
Chaque jour Nicolas Blanmont met en avant une nouveauté parmi les sorties discographiques classiques.
TITLE: The rebellious Anne Ford TRACK: Carl Friedrich Abel: Viola Da Gamba Suite in D minor, Arpeggiata ARTIST: Paola Pandolfo PUBLISHER: 2008 Glossa
TITLE: The rebellious Anne Ford TRACK: Carl Friedrich Abel: Viola Da Gamba Suite in D minor, Arpeggiata ARTIST: Paola Pandolfo PUBLISHER: 2008 Glossa
G's up! Ho's down! The letter "g" and its guttural nature tends to make words like "geegaw" and "gewgaw" infinitely more fun to say. We've got a great set of words for you and we hope you take away something on the boards of life.... | GABBAS | GABBRO | GABIES | | GACHER | GACHED/GATCHER | GAEING | | GAGAKU | | GAIJIN | | GALAGO | | GALIOT | LATIGO | GALLUS | | GALYAC | GALYAK | GAMBAS | | GAMAYS | | GAMBIR | GAMBIA/GAMBIER | GAZABO | | GUAIAC | | GARDAI | | GALEAE | GALEA | GATEAU | | GANJAH | GANJA | GHALAS | | GHAZAL | | GAVIAL | | GAYALS | | GAZARS | | GLEBAE | BEAGLE | GRABEN | BANGER | GOBANG | | GLACIS | | GAUNCH | | GLUCAN | | GLYCAN | | GASCON | | GIDDAP | | GODDAM | | GAOLED | GOALED | GAUMED | | GAWPED | | GARRED | | GASTED | | GRADUS | GUARDS | GOONDA | | GEEGAW | GEWGAW | GALERE | REGALE | GEMMAE | | GENERA | | GENEVA | | GANGUE | | GARGET | | GERAHS | GASHER | GLAIVE | | GAWSIE | | GALLET | | GAOLER | GALORE | GRAPLE | | GRAMME | GAMMER | GENOAS | AGONES | GYRASE | GREASY | GARVEY | | GUTTAE | | GAYETY | GAEITY | GALING | GINGAL | GHARRI | GHARRY | GHAZIS | | GHAUTS | AUGHTS | GARTHS | | GOORAL | GORAL | GLOSSA | | GULARS | | GAULTS | | GAMMON | GUMMAS | | GRANUM | | GAZUMP | | | | GNARRS | | GOSSAN | | GYOZAS | AZYGOS | GOBBET | | GLOBED | | GOBOES | | GIBING | | GYBING | | GHIBLI | | GOMBOS | GUMBOS | GOBONY | | GECKED | | GEODIC | | GESTIC | | GLUNCH | | GRUTCH | | GRIDED | GIRDED/RIDGED | GENNED | | GIRNED | | GODETS | | GOURDE | DROGUE | GUNDOG | DUGONG | GODWIT | | GODOWN | GELEES | | GEEING | | GLEETY | | GERMEN | | GEMOTE | GEMOT | GYRENE | GREENY | GRIFFE | | GOFFER | | GIGUES | | GLEGLY | | GOGLET | TOGGLE | GUGLET | | GUNGES | | GREGOS | GORGES/ | GILLIE | GHILLIE | GIMMIE | | GENTIL | | GOOLIE
TITLE: The first Don Giovanni TRACK: Crudel mi tradisti from Melani's opera L'empio punito ARTIST: Raffaella Milanesi & Raffaele Pe and Auser Musici conducted by Carlo Ipata, PUBLISHER: 2020 Glossa
TITLE: The first Don Giovanni TRACK: Crudel mi tradisti from Melani’s opera L’empio punito ARTIST: Raffaella Milanesi & Raffaele Pe and Auser Musici conducted by Carlo Ipata, PUBLISHER: 2020 Glossa
Nacida en Argentina y radicada en Houston Texas, Gisela Heffes (Buenos Aires, 26 nov 1971) se suma a la conversación literaria y crítica con diversos libros sobre ecocrítica, dislocamientos, y migración, así como con novela y relatos. Tiene una licenciatura en Letras en la Universidad de Buenos Aires y un doctorado en la universidad de Yale, con tesis dirigida por Josefina Ludmer, y es profesora de literatura latinoamericana en la universidad de Rice (Houston). Poseedora de una voz con una gran sensibilidad nos hace pensar en temas como la migración, el exilio, la maternidad, la representación de la naturaleza en la literatura, los límites impuestos por una visión hegemónica y egocéntrica para determinar qué es humano y qué no lo es. Es fundadora del repositorio digital Archiving the Future: The Recovery of a Heritage in the Making (Rice University), que procura reunir y archivar las voces de escritores hispanoamericanos que residen en Estados Unidos, y dirige, junto a Eduardo Gudynas, la nueva revista WAYRA saberes de otros modos sobre sociedad y naturaleza. Su obra de ficción es un placer de lectura en libros como: Cocodrilos en la noche (RIL Editores 2020), Glossa urbana (Alción Editora, 2012), Aldea Lounge (Literal Publishing, 2014), Sophie La Belle (edición bilingüe con imágenes de la autora, Literal Publishing 2016), El cero móvil de su boca (Katakana, 2020).
Claire Glossa is a listener who requested to be a guest to share a piece of her story with you. So I’m all for helping others uplift others. Claire is a 27-year-old girl living my best life in the little state of CT. She currently works as a pharmacy technician at CVS looking to advance… Read More Episode 204: Overcoming Life Challenges is Your Free Superpower with Claire Glossa
Chaque jour Nicolas Blanmont met en avant une nouveauté parmi les sorties discographiques classiques.
What was the most important book of the 12th century? On this episode of 5 Minutes in Church History, Dr. Stephen Nichols reveals his answer: a collection of annotations and commentaries that became the standard text in biblical studies for 600 years. Read the transcript: https://www.5minutesinchurchhistory.com/glossa-ordinaria/ A donor-supported outreach of Ligonier Ministries. Donate: https://www.5minutesinchurchhistory.com/donate/
durée : 00:09:13 - Le Disque classique du jour du mardi 25 août 2020 - Après seize albums sur Glossa, l’ensemble anversois dirigé par Björn Schmelzer s’empare de la monumentale "Tenebrae Responsoria", composé en 1611 par Carlo Gesualdo. Manifeste définitif du compositeur, Graindelavoix a enregistré le recueil de trois répons sur dix jours au cours de l’été 2019.
I had a great chat with my cousin Theo! He has 700+ hours of teacher training from Yoga town also known as Rishikesh.Our father's grew up together on the island of Skopelos, in the town of Glossa. Little known fact, the 2008 hit sensational movie Mama Mia was filmed on our home island! If you haven't seen it, click here to watch it and get ready to enjoy this fun loving musical featuring Abba and tons of breathtaking scenary.Check out Theo and support him on his journey to aid mental health!Follow Theo on his YouTubeFollow Theo on his InstagramThis podcast is NOT sponsored. Some product links are affiliate links which mean if you buy something we'll receive a small commission. These links were either used for, or mentioned in, this podcast.Support the show (https://www.patreon.com/mm365)
Michael Lofton interviews John Litteral on the Glossa Ordinaria.
Spécialistes de la musique du dix-huitième siècle, Fabio Biondi et son ensemble Europa Galante avaient fait une première incursion dans l'opéra romantique italien en 2001 avec la Norma de Vincenzo Bellini. Voici que paraît chez Glossa la version originale florentine du Macbeth de Verdi, avec nos mêmes protagonistes et – chose rare chez Verdi – Fabio Biondi dirigeant son ensemble depuis le violon. Dans ce podcast, nous évoquons avec le Maestro l'opportunité de diriger Verdi sur instruments d'époque, les réelles différences qui existent entre les instruments et entre les versions et, bien entendu, le langage de Verdi et les vers, parfois un peu gauches, de Francesco Maria Piave.
Spécialistes de la musique du dix-huitième siècle, Fabio Biondi et son ensemble Europa Galante avaient fait une première incursion dans l'opéra romantique italien en 2001 avec la Norma de Vincenzo Bellini. Voici que paraît chez Glossa la version originale florentine du Macbeth de Verdi, avec nos mêmes protagonistes et – chose rare chez Verdi – Fabio Biondi dirigeant son ensemble depuis le violon. Dans ce podcast, nous évoquons avec le Maestro l'opportunité de diriger Verdi sur instruments d'époque, les réelles différences qui existent entre les instruments et entre les versions et, bien entendu, le langage de Verdi et les vers, parfois un peu gauches, de Francesco Maria Piave.
3832 WN091918 The Gospel, Resurrection, Blood Baptism Is Being Preached In Dialektos And Glossa (Tongues, Not Gibberish) In Acts 2
3832 WN091918 The Gospel, Resurrection, Blood Baptism Is Being Preached In Dialektos And Glossa (Tongues, Not Gibberish) In Acts 2
3818 WN081518 Tongues: Pouring Out Of God's Spirit (Truth) On All Flesh (Gentiles – Red, Yellow, White, Black And Brown Flesh) As Opposed To One Flesh (Jewish) By Dialects And Glossa To The Spirits In Prison
3807 WN071818 Pentecostalism- Tongues, Faith Healing And Slain In The Spirit Are All “Lies”- Tongues Are Glossa (Foreign Languages) And Dialects (Of Greek)- Jews From Every Nation- The Truth About Acts 2
3804 WN071118 How To Study The Bible- Various Helps- “The Diaspora”- Tongues (Dialects And Glossa) Of Scattered Israel- The 3 Feasts Of Israel- All Males Required To Attend Either With A Lamb Or ½ Shekel- How Here We Every Man In Our Own “Dialect” Wherein We Were Born
3799 WN062718 Tongues Is Dialects And Glossa According To The Compendia And Samuel Angus- Jews Of The Diaspora (Part 1)
3799 WN062718 Tongues Is Dialects And Glossa According To The Compendia And Samuel Angus- Jews Of The Diaspora (Part 1)
HARDCORE CHRISTIANITY - Glossa WarsSupport the show: https://hardcorechristianity.com/donations/See omnystudio.com/listener for privacy information.
Kuulame muusikat ansambli Graindelavoix albumilt "Guillaume de Machaut. Messe de Nostre Dame" (Glossa 2016). Ansambli kunstiline juht on Björn Schmelzer. Stuudios kommenteerib ansambli liige Marius Peterson. Saate koostas Liina Vainumetsa.
Kuulame muusikat ansambli Graindelavoix albumilt "Guillaume de Machaut. Messe de Nostre Dame" (Glossa 2016). Ansambli kunstiline juht on Björn Schmelzer. Stuudios kommenteerib ansambli liige Marius Peterson. Saate koostas Liina Vainumetsa.
Kuulame varajase muusika ansambli Graindelavoix' uut albumit "Rubensi matus ja Antwerpeni barokk", mille keskmes on Orazio Vecchi (1550-1605) Reekviemi esmaplaadistus. Graindelavoix' kunstiline juht on Björn Schmelzer. Stuudios on külas ansambli liige Marius Peterson.
Kuulame varajase muusika ansambli Graindelavoix' uut albumit "Rubensi matus ja Antwerpeni barokk", mille keskmes on Orazio Vecchi (1550-1605) Reekviemi esmaplaadistus. Graindelavoix' kunstiline juht on Björn Schmelzer. Stuudios on külas ansambli liige Marius Peterson.
En junio de 2016 recibimos al dúo que conforman el contratenor Martín Oro y la laudista Dolores Costoyas. El programa comprendió obras vocales e instrumentales de compositores del Barroco temprano, entre los que se encuentran Claudio Monteverdi, Giulio Caccini y Benedetto Ferrari. Martín Oro, contratenor Antes de volcarse al canto, estudió viola y llegó a perfeccionarse junto a Yuri Bashmet en el Conservatorio Chaikovsky de Moscú. Su formación vocal la realizó en los conservatorios de Friburgo y Neuchâtel especializándose, luego, en la Schola Cantorum Basiliensis. Su repertorio está centrado en la música del Barroco, tanto la sacra como la secular y ha actuado junto a cantantes de la talla de Cecilia Bartoli, María Bayo, Jennifer Larmore, Emma Kirkby y Sara Mingardo. Además, ha sido dirigido por grandes referentes del movimiento historicista, como René Jabobs, Nikolaus Harnoncourt, Marc Minkowski, Gabriel Garrrido o Jordi Savall. En su haber se cuentan, también, numerosas grabaciones centradas, principalmente, en el repertorio barroco. Dolores Costoyas, laudista Se formó y obtuvo su grado como guitarrista en el Conservatorio Juan José Castro y se perfeccionó luego en la célebre Schola Cantorum Basiliensis, de Suiza. Interpretando laúd, tiorba, vihuela o guitarra barroca, se ha especializado en la música del Renacimiento y la del Barroco. Desarrolla una intensa actividad en la práctica del bajo continuo en óperas y oratorios y es invitada, frecuentemente, a participar en los más prestigiosos festivales americanos y europeos de música antigua. Ejerce la docencia y ha grabado junto a reconocidos artistas para los sellos discográficos Harmonia Mundi, Archiv, Sony, Astrèe y Glossa.
I programmet diskuteras bl. a. Franz Schmidts Das Buch mit sieben Siegeln, Händels Water Music med Akademin för tidig musik i Berlin samt ny Suk- Dvorak-skiva med Tetzlaff. Johan möter Yuja Wang. I panelen Bengt Forsberg, Camilla Lundberg och Niklas Lindblad som tillsammans med programledaren Johan Korssell betygsätter följande skivor:ALBERTO GINASTERA Modern Times Maria Isabel Segarra, sopran Tyska statsfilharmonin, Rheinland-Pfalz Karl-Heinz Steffens, dirigent Capriccio C 5244 FRANZ SCHMIDT Das Buch mit sieben Siegeln Klaus Florian Vogt m.fl. Hamburgs filharmoniker Simone Young, dirigent Oehms Classics OC 1840G F HÄNDEL Water Music Akademin för tidig musik, Berlin Harmonia Mundi HMC 902216 SUK - DVORÁK Fantasi g-moll Violinkonsert a-moll, Romans f-moll Christian Tetzlaff, violin Helsingfors filharmoniker John Storgårds, dirigent Ondine ODE-1279-5Johan möter Yuja Wang Johan Korssell träffade pianisten i samband med hennes framträdande tillsammans med Sveriges Radios Symfoniorkester och dirigenten Esa-Pekka Salonen i Berwaldhallen i Stockholm under Östersjöfestivalen. Wang var solist i Bartóks Pianokonsert samt i Messiaens Turangalila-symfonin.Andra i programmet nämnda eller rekommenderade inspelningar: Händels Water Music med orkestern Concert Spirituel ledd av Hervé Niquet på skivmärke Glossa. Ginasteras orkestermusik med Londons symfoniorkester dirigerad av Gisele Ben-Dor. Dvoráks Violinkonsert med Anne-Sophie Mutter och Berlins filharmoniker ledd av Manfred Honeck på DG; Isabelle Faust och Prags filharmoniker under Jirí Belohlávek på märket Harmonia Mundi; Itzhak Perlman och Londons filharmoniker ledda av Daniel Barenboim på Warner Classics samt med David Ojstrach och Ryska statliga symfoniorkestern dirigerad av Kirill Kondrasjin på Omega. Schmidts Das Buch mit sieben Siegeln med bl.a. Wiens filharmoniker ledd av Dimitri Mitropoulos på Sony; Bayerska radions symfoniorkester under ledning av Franz Welser-Möst på EMI; Wiens filharmoniker ledd av Nicolaus Harnoncourt på Teldec samt med bl.a. Tonkünstler-orchester dirigerad av Kristjan Järvi på Chandos. Svepet Johan sveper över en CD med titel Arias for Luigi Marchesi utgiven på Glossa. Mezzosopranen Ann Hallenberg sjunger arior som den italienske kastraten Luigi Marchesi sjöng. Hon ackompanjeras av Stile Galante, dirigent Stefano Aresi. Vi serveras ett smakprov ur Giuseppe Sartis opera Armida och Rinaldo.
This week on the podcast we’re sitting down with Tracy Wilson and Kenneth Close of Richmond, VA’s POSITIVE NO! Each longtime veterans of the indie music scene in their own rights, the couple joined forces in 2011 in the wake of a tragedy – Wilson was hit by a car crossing the street – and began work on the songs that would eventually become the 2013 EP Via Florum.Now they’re back with their debut full length entitled Glossa¸ years of experience, and a WHOLE lot to talk about. Tune in for a personal, insightful, and often hilarious conversation with two rock and roll survivors for whom the torch will never go out – it’s Episode 142 of ChunkyGlasses: The podcast with POSITIVE NO! See acast.com/privacy for privacy and opt-out information.
A new MP3 sermon from Trinity Bible Church is now available on SermonAudio with the following details: Title: Pentecost - Feast of Israel, New Church, Glossa - Tongues, Outpouring of HS Subtitle: Pentecost - Festival Shavuot Speaker: David Works Broadcaster: Trinity Bible Church Event: Sunday Service Date: 7/9/2023 Bible: Acts 2; 1 Corinthians 14 Length: min.
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