Podcasts about Bassiani

Kancheli is a Georgian producer and a resident DJ at Bassiani who has been crucial in shaping the country's club culture, going on to become one of the most popular DJs in his hometown Tbilisi, headlining many major festivals in Georgia and performing at the industry's most respected venues such as Berghain, Robert Johnson, Shelter, Dimensions and CTM Festival. Behind the decks, Kancheli is capable of conjuring up the kind of magic that can only come from a 10+ year residency at one of electronic music's finest institutions, with this exceptional mix another fine example of his intricate sonic sorcery and mind-controlling incantations. Follow: https://soundcloud.com/kancheli https://www.instagram.com/dj_kancheli/ https://www.facebook.com/djkancheli Monument x Carbon Carbon is a new music platform designed by and for fans of electronic music. Carbon's goal is to provide a more convenient platform to discover new and relevant content while improving revenues artists and labels can earn from streaming. Visit: urlr.me/mNtbwu

Hailing from Goiânia, Brazil, Marcal is a rare bright light who swiftly ascended to prominence in the electronic music scene. With an instantly recognisable signature sound, Marcal's dancefloor destroyers have very quickly become some of the most played tracks in contemporary electronic music. Drawing influence from the vibrant rhythms and shamanistic traditions of his Brazilian heritage, he merges his futuristic sound-design with a powerful low-end and psychedelic atmospheres to create the perfect alchemy of some seriously mind-blowing tribalistic grooves. Equally commanding behind the decks, Marcal delivers legendary sets at institutions across the globe like Bassiani, Berghain, Gare, LoFi and more. Tune in now for a trip deep into a jungle of primal grooves and dense psychedelia. Follow https://soundcloud.com/laertemarcal https://www.instagram.com/marcal_____ https://www.facebook.com/marcallaerte Monument x Carbon Carbon is a new music platform designed by and for fans of electronic music. Carbon's goal is to provide a more convenient platform to discover new and relevant content while improving revenues artists and labels can earn from streaming. Visit: urlr.me/mNtbwu

BLNDFLD is part of a new wave of artists giving deep techno a more textured, introspective edge. Hailing from Tbilisi and co-running Spira Records, he's been quietly building a reputation through releases on labels like Bahn, Circular Limited, and Indefinite Pitch. His sound is patient and immersive, built on subtle shifts, rich atmospheres, and grooves that pull you in rather than push. Whether he's behind the decks at Bassiani or Laut in Barcelona, there's a consistent thread: a focus on flow, mood, and storytelling that runs deeper than just the tracklist. His mix for "Delayed with…" fits that ethos perfectly. It's smooth, layered, and full of movement, balancing broken tribal rhythms with dubby textures and just enough melody to keep things bright. There's a kind of quiet confidence in how it unfolds, like it knows exactly where it's going without rushing to get there. It feels made for those first warm days of spring - windows down, sun out, maybe a rooftop gathering in full swing. If you're looking for a mix that hits that sweet spot between deep listening and casual vibe, this one's got you covered. https://soundcloud.com/blndfld https://www.instagram.com/blindfold_____/ https://blindfld.bandcamp.com Follow us on social media: https://soundcloud.com/itsdelayed https://linktr.ee/delayed https://www.delayed.nyc https://www.facebook.com/itsdelayed https://www.instagram.com/_____delayed https://www.youtube.com/@_____delayed Contact us: info@delayed.nyc

Argentinian-born and Milan-based, Yamila's personality was moulded by South American tribal rhythms, progressive rock synths, and dreamy sounds from alternative and electronic music. Shifting her choir experience into her sets, vocals and chorus became a core feature of her musical identity: a proper voice in the flow designed for the dancefloor. After 5 years of delving deep into Berlin's techno culture, she brought back in Italy her emotional approach to music, slowly paving her way into the electronic music scene both as an organiser and a DJ. In 2021 she became resident DJ and active member of Closer, an authentic institution for inclusive and immersive party seekers: playing at Masada and Amelia, collaborating with high-calibre crews such as Bassiani, Tresor, Fuse, Vault Sessions and Meat Free, and sharing the booth with exquisite international DJs allowed her to develop a tight bond and an extraordinary sensitivity towards the dancefloor and its fluctuating moods. A mélange of evocative descriptors encapsulates Yamila's auditory signature: passionate beats, uplifting grooves, peak-hour frequencies, drum-fuelled rhythms. But most of all, the essence of her sound cross-pollinates a wide spectrum of feelings and emotions, framed in an ethereal atmosphere and directed to touch your soul like a loving caress. Tracklist via -Spotify: bit.ly/SRonSpotify -Reddit: www.reddit.com/r/Slam_Radio/ -Facebook: bit.ly/SlamRadioGroup Archive on Mixcloud: www.mixcloud.com/slam/   Subscribe to our podcast on -iTunes: apple.co/2RQ1xdh -Amazon Music: amzn.to/2RPYnX3 -Google Podcasts: bit.ly/SRGooglePodcasts -Deezer: bit.ly/SlamRadioDeezer   Keep up with SLAM: https://fanlink.tv/Slam  Keep up with Soma Records: https://linktr.ee/somarecords    For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk Slam Radio is produced at www.glowcast.co.uk

Buy here: found.ee/spandau20-010 Spandau20, an imprint named after the Western Berlin district and focused on artists from the area, delivers techno in all diverse forms – from warehouse and electronic peak time beats to breaks and IDM, balancing the old and new school sounds flawlessly. With a focus on vinyl releases, for the collectors, Spandau20 has lately also focused on its label nights, with showcases at Fabric, Bassiani and many others. The label's 10th release features 10 tracks that epitomise the musical diversity of Spandau20 and the progressive musical mindset of its roster, calling on the label favourites and Spandau natives to deliver brand new and exciting music. This special release even features one track that all artists have worked on together: ‘Come Closer', a swarming, slithering beginning featured as the VA's opener. Its barely coherent female vocal echoing amidst a cacophony of demon-like effects. The chilling ambience captured at the offset transcends into the first full length track by Elli Acula, ‘Floating Eyes', a cur characterised by an authoritative, pounding bass featuring calculated percussive rolls and metallic overtones to make for a face-scrunching opener to this devilish collection of works. FJAAK follow for the first of twin cameo appearances, partnering up with fellow live supremo and hardware aficionado KiNK. On ‘Overbridge' the trio deliver a cavernous, rolling number driven by a deep thrumming bass in addition to a razor-edged lead synth, and pulsating technopattern. Dajusch is known for incorporating his years of classical study in with his immersive musical style – and with his VA effort the Berlin native neatly showcases this. Easing the energy slightly, ‘Move' escalates from its warm, melodic intro into rumbling goliath of a beat comprising a looping, slew of gassy harmonics. The momentum of the release shifts considerably with the introduction of acutely versatile producer, DJ and sound artist Claus. The artist from Spandau leans his track ‘Bloomscroll' towards sparse, dubby sonics in which he intricately ties together to form churning, burgeoning soundscape. FJAAK jolt proceedings back into the techno groove with their signature blend of arresting sub-bass and reverberating rhythms, which come thick, fast and heavy on ‘Jackfruit'. The abstract wonder of Anna Z's broken-beat like stylings is fully explored on ‘Icy Liq'. It's outlandish and amorphous in its execution, causing a clattering percussive chaos that's choicely pieced together by the modular-extraordinaire. Nikk stealthy moves into breaks territory with his track ‘Down In The Shadows', packing a trap-like snare with an acid-flecked melody and dawn-breaking, dream-like textures. The penultimate track on the VA is ‘Tufted'. J.Manuel expertly employs a chorus of robot-like sonics that course through a short-circuiting low-end to produce a pacy, inescapable journey via a whirling, merciless beat. He is joined by the legendary producer Tobi Neumann for their menacingly ambient number titled ‘Fennec.' In parts a nod to UK dubstep, the duo concocts a fierce admixture of styles bolstering tribal-like components with industrialised overtones and methodically crafted drum-fills.

Buy here: found.ee/spandau20-010 Spandau20, an imprint named after the Western Berlin district and focused on artists from the area, delivers techno in all diverse forms – from warehouse and electronic peak time beats to breaks and IDM, balancing the old and new school sounds flawlessly. With a focus on vinyl releases, for the collectors, Spandau20 has lately also focused on its label nights, with showcases at Fabric, Bassiani and many others. The label's 10th release features 10 tracks that epitomise the musical diversity of Spandau20 and the progressive musical mindset of its roster, calling on the label favourites and Spandau natives to deliver brand new and exciting music. This special release even features one track that all artists have worked on together: ‘Come Closer', a swarming, slithering beginning featured as the VA's opener. Its barely coherent female vocal echoing amidst a cacophony of demon-like effects. The chilling ambience captured at the offset transcends into the first full length track by Elli Acula, ‘Floating Eyes', a cur characterised by an authoritative, pounding bass featuring calculated percussive rolls and metallic overtones to make for a face-scrunching opener to this devilish collection of works. FJAAK follow for the first of twin cameo appearances, partnering up with fellow live supremo and hardware aficionado KiNK. On ‘Overbridge' the trio deliver a cavernous, rolling number driven by a deep thrumming bass in addition to a razor-edged lead synth, and pulsating technopattern. Dajusch is known for incorporating his years of classical study in with his immersive musical style – and with his VA effort the Berlin native neatly showcases this. Easing the energy slightly, ‘Move' escalates from its warm, melodic intro into rumbling goliath of a beat comprising a looping, slew of gassy harmonics. The momentum of the release shifts considerably with the introduction of acutely versatile producer, DJ and sound artist Claus. The artist from Spandau leans his track ‘Bloomscroll' towards sparse, dubby sonics in which he intricately ties together to form churning, burgeoning soundscape. FJAAK jolt proceedings back into the techno groove with their signature blend of arresting sub-bass and reverberating rhythms, which come thick, fast and heavy on ‘Jackfruit'. The abstract wonder of Anna Z's broken-beat like stylings is fully explored on ‘Icy Liq'. It's outlandish and amorphous in its execution, causing a clattering percussive chaos that's choicely pieced together by the modular-extraordinaire. Nikk stealthy moves into breaks territory with his track ‘Down In The Shadows', packing a trap-like snare with an acid-flecked melody and dawn-breaking, dream-like textures. The penultimate track on the VA is ‘Tufted'. J.Manuel expertly employs a chorus of robot-like sonics that course through a short-circuiting low-end to produce a pacy, inescapable journey via a whirling, merciless beat. He is joined by the legendary producer Tobi Neumann for their menacingly ambient number titled ‘Fennec.' In parts a nod to UK dubstep, the duo concocts a fierce admixture of styles bolstering tribal-like components with industrialised overtones and methodically crafted drum-fills.

Buy here: found.ee/spandau20-010 Spandau20, an imprint named after the Western Berlin district and focused on artists from the area, delivers techno in all diverse forms – from warehouse and electronic peak time beats to breaks and IDM, balancing the old and new school sounds flawlessly. With a focus on vinyl releases, for the collectors, Spandau20 has lately also focused on its label nights, with showcases at Fabric, Bassiani and many others. The label's 10th release features 10 tracks that epitomise the musical diversity of Spandau20 and the progressive musical mindset of its roster, calling on the label favourites and Spandau natives to deliver brand new and exciting music. This special release even features one track that all artists have worked on together: ‘Come Closer', a swarming, slithering beginning featured as the VA's opener. Its barely coherent female vocal echoing amidst a cacophony of demon-like effects. The chilling ambience captured at the offset transcends into the first full length track by Elli Acula, ‘Floating Eyes', a cur characterised by an authoritative, pounding bass featuring calculated percussive rolls and metallic overtones to make for a face-scrunching opener to this devilish collection of works. FJAAK follow for the first of twin cameo appearances, partnering up with fellow live supremo and hardware aficionado KiNK. On ‘Overbridge' the trio deliver a cavernous, rolling number driven by a deep thrumming bass in addition to a razor-edged lead synth, and pulsating technopattern. Dajusch is known for incorporating his years of classical study in with his immersive musical style – and with his VA effort the Berlin native neatly showcases this. Easing the energy slightly, ‘Move' escalates from its warm, melodic intro into rumbling goliath of a beat comprising a looping, slew of gassy harmonics. The momentum of the release shifts considerably with the introduction of acutely versatile producer, DJ and sound artist Claus. The artist from Spandau leans his track ‘Bloomscroll' towards sparse, dubby sonics in which he intricately ties together to form churning, burgeoning soundscape. FJAAK jolt proceedings back into the techno groove with their signature blend of arresting sub-bass and reverberating rhythms, which come thick, fast and heavy on ‘Jackfruit'. The abstract wonder of Anna Z's broken-beat like stylings is fully explored on ‘Icy Liq'. It's outlandish and amorphous in its execution, causing a clattering percussive chaos that's choicely pieced together by the modular-extraordinaire. Nikk stealthy moves into breaks territory with his track ‘Down In The Shadows', packing a trap-like snare with an acid-flecked melody and dawn-breaking, dream-like textures. The penultimate track on the VA is ‘Tufted'. J.Manuel expertly employs a chorus of robot-like sonics that course through a short-circuiting low-end to produce a pacy, inescapable journey via a whirling, merciless beat. He is joined by the legendary producer Tobi Neumann for their menacingly ambient number titled ‘Fennec.' In parts a nod to UK dubstep, the duo concocts a fierce admixture of styles bolstering tribal-like components with industrialised overtones and methodically crafted drum-fills.

Buy here: found.ee/spandau20-010 Spandau20, an imprint named after the Western Berlin district and focused on artists from the area, delivers techno in all diverse forms – from warehouse and electronic peak time beats to breaks and IDM, balancing the old and new school sounds flawlessly. With a focus on vinyl releases, for the collectors, Spandau20 has lately also focused on its label nights, with showcases at Fabric, Bassiani and many others. The label's 10th release features 10 tracks that epitomise the musical diversity of Spandau20 and the progressive musical mindset of its roster, calling on the label favourites and Spandau natives to deliver brand new and exciting music. This special release even features one track that all artists have worked on together: ‘Come Closer', a swarming, slithering beginning featured as the VA's opener. Its barely coherent female vocal echoing amidst a cacophony of demon-like effects. The chilling ambience captured at the offset transcends into the first full length track by Elli Acula, ‘Floating Eyes', a cur characterised by an authoritative, pounding bass featuring calculated percussive rolls and metallic overtones to make for a face-scrunching opener to this devilish collection of works. FJAAK follow for the first of twin cameo appearances, partnering up with fellow live supremo and hardware aficionado KiNK. On ‘Overbridge' the trio deliver a cavernous, rolling number driven by a deep thrumming bass in addition to a razor-edged lead synth, and pulsating technopattern. Dajusch is known for incorporating his years of classical study in with his immersive musical style – and with his VA effort the Berlin native neatly showcases this. Easing the energy slightly, ‘Move' escalates from its warm, melodic intro into rumbling goliath of a beat comprising a looping, slew of gassy harmonics. The momentum of the release shifts considerably with the introduction of acutely versatile producer, DJ and sound artist Claus. The artist from Spandau leans his track ‘Bloomscroll' towards sparse, dubby sonics in which he intricately ties together to form churning, burgeoning soundscape. FJAAK jolt proceedings back into the techno groove with their signature blend of arresting sub-bass and reverberating rhythms, which come thick, fast and heavy on ‘Jackfruit'. The abstract wonder of Anna Z's broken-beat like stylings is fully explored on ‘Icy Liq'. It's outlandish and amorphous in its execution, causing a clattering percussive chaos that's choicely pieced together by the modular-extraordinaire. Nikk stealthy moves into breaks territory with his track ‘Down In The Shadows', packing a trap-like snare with an acid-flecked melody and dawn-breaking, dream-like textures. The penultimate track on the VA is ‘Tufted'. J.Manuel expertly employs a chorus of robot-like sonics that course through a short-circuiting low-end to produce a pacy, inescapable journey via a whirling, merciless beat. He is joined by the legendary producer Tobi Neumann for their menacingly ambient number titled ‘Fennec.' In parts a nod to UK dubstep, the duo concocts a fierce admixture of styles bolstering tribal-like components with industrialised overtones and methodically crafted drum-fills.

Buy here: found.ee/spandau20-010 Spandau20, an imprint named after the Western Berlin district and focused on artists from the area, delivers techno in all diverse forms – from warehouse and electronic peak time beats to breaks and IDM, balancing the old and new school sounds flawlessly. With a focus on vinyl releases, for the collectors, Spandau20 has lately also focused on its label nights, with showcases at Fabric, Bassiani and many others. The label's 10th release features 10 tracks that epitomise the musical diversity of Spandau20 and the progressive musical mindset of its roster, calling on the label favourites and Spandau natives to deliver brand new and exciting music. This special release even features one track that all artists have worked on together: ‘Come Closer', a swarming, slithering beginning featured as the VA's opener. Its barely coherent female vocal echoing amidst a cacophony of demon-like effects. The chilling ambience captured at the offset transcends into the first full length track by Elli Acula, ‘Floating Eyes', a cur characterised by an authoritative, pounding bass featuring calculated percussive rolls and metallic overtones to make for a face-scrunching opener to this devilish collection of works. FJAAK follow for the first of twin cameo appearances, partnering up with fellow live supremo and hardware aficionado KiNK. On ‘Overbridge' the trio deliver a cavernous, rolling number driven by a deep thrumming bass in addition to a razor-edged lead synth, and pulsating technopattern. Dajusch is known for incorporating his years of classical study in with his immersive musical style – and with his VA effort the Berlin native neatly showcases this. Easing the energy slightly, ‘Move' escalates from its warm, melodic intro into rumbling goliath of a beat comprising a looping, slew of gassy harmonics. The momentum of the release shifts considerably with the introduction of acutely versatile producer, DJ and sound artist Claus. The artist from Spandau leans his track ‘Bloomscroll' towards sparse, dubby sonics in which he intricately ties together to form churning, burgeoning soundscape. FJAAK jolt proceedings back into the techno groove with their signature blend of arresting sub-bass and reverberating rhythms, which come thick, fast and heavy on ‘Jackfruit'. The abstract wonder of Anna Z's broken-beat like stylings is fully explored on ‘Icy Liq'. It's outlandish and amorphous in its execution, causing a clattering percussive chaos that's choicely pieced together by the modular-extraordinaire. Nikk stealthy moves into breaks territory with his track ‘Down In The Shadows', packing a trap-like snare with an acid-flecked melody and dawn-breaking, dream-like textures. The penultimate track on the VA is ‘Tufted'. J.Manuel expertly employs a chorus of robot-like sonics that course through a short-circuiting low-end to produce a pacy, inescapable journey via a whirling, merciless beat. He is joined by the legendary producer Tobi Neumann for their menacingly ambient number titled ‘Fennec.' In parts a nod to UK dubstep, the duo concocts a fierce admixture of styles bolstering tribal-like components with industrialised overtones and methodically crafted drum-fills.

Buy here: found.ee/spandau20-010 Spandau20, an imprint named after the Western Berlin district and focused on artists from the area, delivers techno in all diverse forms – from warehouse and electronic peak time beats to breaks and IDM, balancing the old and new school sounds flawlessly. With a focus on vinyl releases, for the collectors, Spandau20 has lately also focused on its label nights, with showcases at Fabric, Bassiani and many others. The label's 10th release features 10 tracks that epitomise the musical diversity of Spandau20 and the progressive musical mindset of its roster, calling on the label favourites and Spandau natives to deliver brand new and exciting music. This special release even features one track that all artists have worked on together: ‘Come Closer', a swarming, slithering beginning featured as the VA's opener. Its barely coherent female vocal echoing amidst a cacophony of demon-like effects. The chilling ambience captured at the offset transcends into the first full length track by Elli Acula, ‘Floating Eyes', a cur characterised by an authoritative, pounding bass featuring calculated percussive rolls and metallic overtones to make for a face-scrunching opener to this devilish collection of works. FJAAK follow for the first of twin cameo appearances, partnering up with fellow live supremo and hardware aficionado KiNK. On ‘Overbridge' the trio deliver a cavernous, rolling number driven by a deep thrumming bass in addition to a razor-edged lead synth, and pulsating technopattern. Dajusch is known for incorporating his years of classical study in with his immersive musical style – and with his VA effort the Berlin native neatly showcases this. Easing the energy slightly, ‘Move' escalates from its warm, melodic intro into rumbling goliath of a beat comprising a looping, slew of gassy harmonics. The momentum of the release shifts considerably with the introduction of acutely versatile producer, DJ and sound artist Claus. The artist from Spandau leans his track ‘Bloomscroll' towards sparse, dubby sonics in which he intricately ties together to form churning, burgeoning soundscape. FJAAK jolt proceedings back into the techno groove with their signature blend of arresting sub-bass and reverberating rhythms, which come thick, fast and heavy on ‘Jackfruit'. The abstract wonder of Anna Z's broken-beat like stylings is fully explored on ‘Icy Liq'. It's outlandish and amorphous in its execution, causing a clattering percussive chaos that's choicely pieced together by the modular-extraordinaire. Nikk stealthy moves into breaks territory with his track ‘Down In The Shadows', packing a trap-like snare with an acid-flecked melody and dawn-breaking, dream-like textures. The penultimate track on the VA is ‘Tufted'. J.Manuel expertly employs a chorus of robot-like sonics that course through a short-circuiting low-end to produce a pacy, inescapable journey via a whirling, merciless beat. He is joined by the legendary producer Tobi Neumann for their menacingly ambient number titled ‘Fennec.' In parts a nod to UK dubstep, the duo concocts a fierce admixture of styles bolstering tribal-like components with industrialised overtones and methodically crafted drum-fills.

Buy here: found.ee/spandau20-010 Spandau20, an imprint named after the Western Berlin district and focused on artists from the area, delivers techno in all diverse forms – from warehouse and electronic peak time beats to breaks and IDM, balancing the old and new school sounds flawlessly. With a focus on vinyl releases, for the collectors, Spandau20 has lately also focused on its label nights, with showcases at Fabric, Bassiani and many others. The label's 10th release features 10 tracks that epitomise the musical diversity of Spandau20 and the progressive musical mindset of its roster, calling on the label favourites and Spandau natives to deliver brand new and exciting music. This special release even features one track that all artists have worked on together: ‘Come Closer', a swarming, slithering beginning featured as the VA's opener. Its barely coherent female vocal echoing amidst a cacophony of demon-like effects. The chilling ambience captured at the offset transcends into the first full length track by Elli Acula, ‘Floating Eyes', a cur characterised by an authoritative, pounding bass featuring calculated percussive rolls and metallic overtones to make for a face-scrunching opener to this devilish collection of works. FJAAK follow for the first of twin cameo appearances, partnering up with fellow live supremo and hardware aficionado KiNK. On ‘Overbridge' the trio deliver a cavernous, rolling number driven by a deep thrumming bass in addition to a razor-edged lead synth, and pulsating technopattern. Dajusch is known for incorporating his years of classical study in with his immersive musical style – and with his VA effort the Berlin native neatly showcases this. Easing the energy slightly, ‘Move' escalates from its warm, melodic intro into rumbling goliath of a beat comprising a looping, slew of gassy harmonics. The momentum of the release shifts considerably with the introduction of acutely versatile producer, DJ and sound artist Claus. The artist from Spandau leans his track ‘Bloomscroll' towards sparse, dubby sonics in which he intricately ties together to form churning, burgeoning soundscape. FJAAK jolt proceedings back into the techno groove with their signature blend of arresting sub-bass and reverberating rhythms, which come thick, fast and heavy on ‘Jackfruit'. The abstract wonder of Anna Z's broken-beat like stylings is fully explored on ‘Icy Liq'. It's outlandish and amorphous in its execution, causing a clattering percussive chaos that's choicely pieced together by the modular-extraordinaire. Nikk stealthy moves into breaks territory with his track ‘Down In The Shadows', packing a trap-like snare with an acid-flecked melody and dawn-breaking, dream-like textures. The penultimate track on the VA is ‘Tufted'. J.Manuel expertly employs a chorus of robot-like sonics that course through a short-circuiting low-end to produce a pacy, inescapable journey via a whirling, merciless beat. He is joined by the legendary producer Tobi Neumann for their menacingly ambient number titled ‘Fennec.' In parts a nod to UK dubstep, the duo concocts a fierce admixture of styles bolstering tribal-like components with industrialised overtones and methodically crafted drum-fills.

Buy here: found.ee/spandau20-010 Spandau20, an imprint named after the Western Berlin district and focused on artists from the area, delivers techno in all diverse forms – from warehouse and electronic peak time beats to breaks and IDM, balancing the old and new school sounds flawlessly. With a focus on vinyl releases, for the collectors, Spandau20 has lately also focused on its label nights, with showcases at Fabric, Bassiani and many others. The label's 10th release features 10 tracks that epitomise the musical diversity of Spandau20 and the progressive musical mindset of its roster, calling on the label favourites and Spandau natives to deliver brand new and exciting music. This special release even features one track that all artists have worked on together: ‘Come Closer', a swarming, slithering beginning featured as the VA's opener. Its barely coherent female vocal echoing amidst a cacophony of demon-like effects. The chilling ambience captured at the offset transcends into the first full length track by Elli Acula, ‘Floating Eyes', a cur characterised by an authoritative, pounding bass featuring calculated percussive rolls and metallic overtones to make for a face-scrunching opener to this devilish collection of works. FJAAK follow for the first of twin cameo appearances, partnering up with fellow live supremo and hardware aficionado KiNK. On ‘Overbridge' the trio deliver a cavernous, rolling number driven by a deep thrumming bass in addition to a razor-edged lead synth, and pulsating technopattern. Dajusch is known for incorporating his years of classical study in with his immersive musical style – and with his VA effort the Berlin native neatly showcases this. Easing the energy slightly, ‘Move' escalates from its warm, melodic intro into rumbling goliath of a beat comprising a looping, slew of gassy harmonics. The momentum of the release shifts considerably with the introduction of acutely versatile producer, DJ and sound artist Claus. The artist from Spandau leans his track ‘Bloomscroll' towards sparse, dubby sonics in which he intricately ties together to form churning, burgeoning soundscape. FJAAK jolt proceedings back into the techno groove with their signature blend of arresting sub-bass and reverberating rhythms, which come thick, fast and heavy on ‘Jackfruit'. The abstract wonder of Anna Z's broken-beat like stylings is fully explored on ‘Icy Liq'. It's outlandish and amorphous in its execution, causing a clattering percussive chaos that's choicely pieced together by the modular-extraordinaire. Nikk stealthy moves into breaks territory with his track ‘Down In The Shadows', packing a trap-like snare with an acid-flecked melody and dawn-breaking, dream-like textures. The penultimate track on the VA is ‘Tufted'. J.Manuel expertly employs a chorus of robot-like sonics that course through a short-circuiting low-end to produce a pacy, inescapable journey via a whirling, merciless beat. He is joined by the legendary producer Tobi Neumann for their menacingly ambient number titled ‘Fennec.' In parts a nod to UK dubstep, the duo concocts a fierce admixture of styles bolstering tribal-like components with industrialised overtones and methodically crafted drum-fills.

Buy here: found.ee/spandau20-010 Spandau20, an imprint named after the Western Berlin district and focused on artists from the area, delivers techno in all diverse forms – from warehouse and electronic peak time beats to breaks and IDM, balancing the old and new school sounds flawlessly. With a focus on vinyl releases, for the collectors, Spandau20 has lately also focused on its label nights, with showcases at Fabric, Bassiani and many others. The label's 10th release features 10 tracks that epitomise the musical diversity of Spandau20 and the progressive musical mindset of its roster, calling on the label favourites and Spandau natives to deliver brand new and exciting music. This special release even features one track that all artists have worked on together: ‘Come Closer', a swarming, slithering beginning featured as the VA's opener. Its barely coherent female vocal echoing amidst a cacophony of demon-like effects. The chilling ambience captured at the offset transcends into the first full length track by Elli Acula, ‘Floating Eyes', a cur characterised by an authoritative, pounding bass featuring calculated percussive rolls and metallic overtones to make for a face-scrunching opener to this devilish collection of works. FJAAK follow for the first of twin cameo appearances, partnering up with fellow live supremo and hardware aficionado KiNK. On ‘Overbridge' the trio deliver a cavernous, rolling number driven by a deep thrumming bass in addition to a razor-edged lead synth, and pulsating technopattern. Dajusch is known for incorporating his years of classical study in with his immersive musical style – and with his VA effort the Berlin native neatly showcases this. Easing the energy slightly, ‘Move' escalates from its warm, melodic intro into rumbling goliath of a beat comprising a looping, slew of gassy harmonics. The momentum of the release shifts considerably with the introduction of acutely versatile producer, DJ and sound artist Claus. The artist from Spandau leans his track ‘Bloomscroll' towards sparse, dubby sonics in which he intricately ties together to form churning, burgeoning soundscape. FJAAK jolt proceedings back into the techno groove with their signature blend of arresting sub-bass and reverberating rhythms, which come thick, fast and heavy on ‘Jackfruit'. The abstract wonder of Anna Z's broken-beat like stylings is fully explored on ‘Icy Liq'. It's outlandish and amorphous in its execution, causing a clattering percussive chaos that's choicely pieced together by the modular-extraordinaire. Nikk stealthy moves into breaks territory with his track ‘Down In The Shadows', packing a trap-like snare with an acid-flecked melody and dawn-breaking, dream-like textures. The penultimate track on the VA is ‘Tufted'. J.Manuel expertly employs a chorus of robot-like sonics that course through a short-circuiting low-end to produce a pacy, inescapable journey via a whirling, merciless beat. He is joined by the legendary producer Tobi Neumann for their menacingly ambient number titled ‘Fennec.' In parts a nod to UK dubstep, the duo concocts a fierce admixture of styles bolstering tribal-like components with industrialised overtones and methodically crafted drum-fills.

Jessie Granqvist är tillbaka i podden! Vi snackar bland annat om hennes starka koppling till (och arbete med) etiketten Northern Electronics och om den 8-timmarsspelning hon nyligen gjorde på den omtalade klubben Bassiani i Tbilisi, Georgien. Dessutom snackar vi om att hon proddat mycket musik sedan senast, som snart kommer att se dagens ljus. Och så hintar Mats och Özze om en liten poddnyhet.➢ Följ Jessie Granqvist: Instagram: https://www.instagram.com/jessiegranqvist/Soundcloud: https://soundcloud.com/jessiegranqvist ➢ Tack till ljudproduktionsbyrån Flickorna Larsson för att vi får spela in i era lokaler ➢ Supporta Dansmusikpodden via Patreon ➢ Snacka loss i vår Facebook-grupp ➢ Hitta oss på övriga plattformar via vår Linktree ➢ Mejla oss: dansmusikpodden@gmail.com

Buy here: found.ee/spandau20-010 Spandau20, an imprint named after the Western Berlin district and focused on artists from the area, delivers techno in all diverse forms – from warehouse and electronic peak time beats to breaks and IDM, balancing the old and new school sounds flawlessly. With a focus on vinyl releases, for the collectors, Spandau20 has lately also focused on its label nights, with showcases at Fabric, Bassiani and many others. The label's 10th release features 10 tracks that epitomise the musical diversity of Spandau20 and the progressive musical mindset of its roster, calling on the label favourites and Spandau natives to deliver brand new and exciting music. This special release even features one track that all artists have worked on together: ‘Come Closer', a swarming, slithering beginning featured as the VA's opener. Its barely coherent female vocal echoing amidst a cacophony of demon-like effects.

Modern hypnotics from a new techno star. It's a tale as old as time: techno DJ moves to Berlin to chase a dream. Philippa Pacho is part of the latest wave of talent to tread that familiar path. But don't let that fool you. She's one of the classiest artists around—no TikTok gimmicks here. Pacho's formative years were spent in her native Stockholm, navigating a vibrant DIY party scene that included warehouse raves and illegal parties. She eventually took up a long-standing residency at beloved local club Under Bron and the experience, as she details in this week's Q&A, sharpened her technical skills, teaching her to handle every type of set—whether opening with patience, supporting a headliner or closing with finesse. She also played with countless touring DJs, from Answer Code Request to Antony Parasole, which ultimately inspired her move to Berlin. That relocation has firmly paid off. It's a testament to Pacho's talent that you'll find her playing pretty much every big club and festival across Europe, from Berghain and Dekmantel to FOLD and Monument (we were exhausted just looking at her upcoming listings on RA). Other recent highlights include closing out Bassiani's tenth birthday, and back-to-backs with Fadi Mohem and Sandrien. Pacho's RA Podcast showcases her preference for classy, hypnotic techno, striking a balance between muscle and subtle groove. Her aptitude for what makes dance floors tick is also evident on her two labels—Phorum Records and positivesource (co-run with Blue Hour)—both of which mirror her DJ style, blending intensity with delicate textures. positivesource has released several standout records, including this year's "Psycho" by BLANKA and Phil Berg's "Psyckik" (which you'll hear on this mix). Spanning 70 minutes, RA.980 is a window into Pacho's thoroughly modern sound (the oldest track is from 2018). And yet it retains a refined, sweeping quality. Give it a spin and you'll soon twig why she's in demand on dance floors worldwide. @philippapacho Read the interview and find the tracklist at ra.co/podcast/980

Enter the wormhole with one of the techno artists we're most excited about in 2025. Born in Osaka and now based in Tokyo, DJ MARIA. joins a decorated lineage of Japan's psychedelic elite, cut from a similarly explorative cloth as Wata Igarashi, Haruka and esoteric icons ¥ØU$UK€ ¥UK1MAT$U and DJ Nobu. This nerdy sanctum of deep techno is a notoriously hard world to break into: only the very best make the grade. DJ MARIA.'s head-spinning sets emphasise why she's already part of the club firmament at home, and is now in the midst of a global breakthrough. Her trademark is tapestries of acid, trance and techno that strike a perfect balance between vibrancy, impact and restraint. She bit the bug through a teenage discovery of DVDs showing legendary psytrance raves like Solstice and Vision Quest, yet it wasn't until 2014 that she started DJing, balancing gigs with shifts at Tokyo's Face Records and, as of late, motherhood. Today, as well as producing and touring venues such as FOLD and Bassiani, she helps run two boutique forest festivals—Moment and Transcendence—both of which play a big part in upholding Japan's storied techno tradition. DJ MARIA. has reached these heights principally because of her exceptional talent as a DJ, which is on full display on this week's RA Podcast. The two-hour mix is pure manna for psychedelic techno heads, though we're confident the depth of feeling, subtle pacing and seamless stitching will lure in fans from across the electronic spectrum. RA.971 is a total treasure—the latest wow moment from an artist destined to have a career littered with them. @djmaria-jp Read more at ra.co/podcast/971

Hailing from Tokyo, Japanese DJ and producer Haruka has made a name for himself through his finely curated selections and seamless mixing technique, making him a regular of acclaimed clubs around the world, including that of our beloved friends from Tbilisi, Bassiani's. Haruka's polymathic sound - a blend of off-kilter techno and bouncy, genre-unbound electronics, attests to the man's widescreen vision and engaging versatility, never settling for the obvious but looking to find new paths of expression with every set. His RYC offering doesn't differ and delves into a wealth of rhythms and tropes, pushing back the boundaries of techno as we know it, or better, redefining it entirely. 

A warm welcome to our new SPND20 guest @salome

New SPND20 Mixtape just dropped!

Back to Georgia and Tbilisi this week with the one and only Hamatsuki, resident DJ at the infamous Bassiani. Exponent of a versatile DJing style that runs the gamut from rugged techno wares to propulsive acid, via liquid electro, techno, house and everything in between, Hamatsuki treats us to a wild and effusive two hours of radical obliqueness, steering us constantly into murky waters, where life swarms and the metamorphic magic happens. Stacking crazy frantic wares one after the other in a Fantasia-like symphony of broken grooves, raging uptempo and hair-raising buildups, here comes one of Tbilisi's key figures with a massive, uncompromising blast-off of a set. Sonic boom inbound. 

We're beyond hyped to have the legendary @sunilsharpe stepping in for the latest SPND20 Mixtape!

Frank McWeeny heads to Georgia's capital Tbilisi, to meet the underground music community leading protests against government clampdown on freedom of expression and civil society groups. How vital is dancing in a country going through the biggest political and social crisis of its generation? We hear from the city most important techno club Bassiani, militant radio station and event space Mutant Radio, and members of the nightlife scene.

Frank McWeeny heads to Georgia's capital Tbilisi, to meet the underground music community leading protests against government clampdown on freedom of expression and civil society groups. How vital is dancing in a country going through the biggest political and social crisis of its generation? We hear from the city most important techno club Bassiani, militant radio station and event space Mutant Radio, and members of the nightlife scene.Photo of Bassiani club main room, taken in 2019. Credit: Bassiani.

Occa is a DJ and promoter from the northernmost region of Japan, Hokkaido. Occa has been organizing his own party ARCHIV at the sacred club, Precious Hall for over 10 years. Musically he combines the spiritualism of Psychedelic Music, the storytelling nature of House Music, the sci-fi dystopian feel of Detroit Techno and the trance of Minimal Music in a three-dimensional way through his deft mixing. He has been invited to play at institutions such as DJ NOBU's Future Terror, Mindgames' The Labyrinth/Balance, Spekki Webu's Mirror Zone 5 Years Tour in EU, System Revival and Georgia's legendary Bassiani. This mix is inspired by his Sci-Fi Shamanism set recorded at the Transcendence 2024 ceremony, held deep in the forests of Japan. Expect an absolutely mind altering journey of pounding tribal drums, haunted drones and ethereal melodies delicately sprinkled throughout. Quite the trip if we say so ourselves. Mastering by Chris Scholz/ Spekki Webu Follow: https://soundcloud.com/oooccaaa https://www.instagram.com/occa_occa_occa

What does great techno sound like in 2024? Enter LYDO. This week's RA Podcast captures @lydole in full flow, combining the old-school vernacular of European and North American techno—reduced rhythms, hi-hats and punchy 909s—with tracks from the new guard (Sev Dah, GiGi FM, D.Dan) sprinkled throughout. After moving to NYC in 2015, the Vietnamese-American sound artist and X-XTRA.SERVICES founder became one of BASEMENT's first residents; the scene built around the revered Queens club has helped nurture their adventurous sound. Lately they've been making waves beyond North America, playing with the MARICAS crew in Barcelona and locking down slots at De School, Bassiani and Draaimolen. RA.947 is the sound of artful hypnosis: it's techno with elegance, depth and just the right amount of thump. Rig this up on a proper system, turn off the lights and any worries—about the genre's direction of travel, or otherwise—might melt away. Read more at https://ra.co/podcast/947

BashTech Radio 65 with Matthieu Benjamin www.bashtechrecords.com Bio: With a thirst for rare and unconventional sounds, Matthieu Benjamin emerges as a visionary artist, delivering a unique blend of dark, and atmospheric techno that captivates listeners. Honing his auditory sensibilities in the city of Berlin, Matthieu Benjamin's journey took a decisive turn in 2019 when he began entrancing audiences across Swiss clubs and started creating his label, Temporal Variation. Behind the decks, Matthieu Benjamin has meticulously etched his name in the sonic echelons, treating his audiences to a transcendental and refined auditory odyssey. His sets and sounds have graced venues including D! Club, Folklor Club, Le Zoo, La Gravière and Nordstern. Notably, his talent caught the discerning ears at the Zurich-based label Adroit, welcoming him into their audible family as a resident. In the realm of music production, Matthieu Benjamin's artistry has been rigorously honed and refined. His productions have found their home on labels such as Olympian, Newrhythmic, Illegal Alien, Anaøh, Immaterial.Archives, and Eclectic Limited. With an astounding output of nearly 50 tracks in a single year, his compositions reverberate globally, finding resonance in esteemed venues including Awakenings, Berghain, Fabric, and Bassiani. These productions have received accolades from luminaries in the electronic music sphere, including Richie Hawtin, DVS1, Rødhåd, Adriana Lopez and Kr!z. Follow Matthieu Benjamin: https://soundcloud.com/matthieubenjamin https://www.instagram.com/matthieubenjamin_/ https://linktr.ee/matthieubenjamin Tracklist: Sciahri - Purity [Warm Up Recordings] NWHR - Virtus [Warm Up Recordings] Ribé - Ad Infinitum (Oscar Mulero Remix) [Warm Up Recordings] Moddullar - Randomness (Lars Huismann Remix) [INNSIGNN] PWCCA - Surgical Procedure [MORD] Tensal - MTRFV [Metro Black Series] Flaws - Clarity (Kwartz Remix) [Kvalia Records] Lakej - Withdrawal [Solitär Records] Drop-E - Multilateral Approval [Modularz] Roll Dan - In Spain [Mord] Matthieu Benjamin - Lost Sheep [Olympian] Milo Raad - The Hornet [Soma Records] Oscar Mulero - Iris Malicioso [Pole Group] Magna Pia - Mysteria [Temporal Variation] Milo Raad - Solaris [Soma Records] Kike Pravda - Rotational [Mord] Patrick Carrera - Water Overhead [Mord] Joton - United Hearts [Temporal Variation]

Born in Sweden but operating out of Berlin, Philippa Pacho has been making waves in the scene as of late, notably amassing a stream of incendiary performances at some of the world's finest (and most demanding) clubs, including Bassiani and Fuse. Herald of a fast-paced, no-surrender type of DJing, all eyes set on bringing crowds to a simmer thru and thru, Philippa muscles her way across various techno sub-genres and rhythms with conviction and poise, alternatively pushing classic Detroit-influenced material, Nordic minimalism and more Continental European-informed expressions, as she harnesses the very best of these through uncompromising selections with a pristine mixing technique. Shockwave incoming. 

Dutch DJ and producer Lobster is another example of Amsterdam's visionary & fertile underground scene. Emerging from the notorious rave community through his former residency at Orphic, where he perfected the craft of playing dancefloor & storyline inspired techno, this current Vault Sessions resident knows how to adapt to any crowd. Combined with his unconditional passion for electronic music, it is certain Lobster is a force to be reckoned with. With a musical library spanning multiple sub-genres, tempos, and decades, Lobster always has the fitting track ready to be played out, scouting the dancefloor for the perfect moment. His strong work ethic and keen sense of the crowd have led him to play sets for hungry audiences in venues all across the globe like Bassiani, Awakenings, Lehmann, RSO, RADION, Gotec and many more.  After focussing on playing music rather than making it, he started to write his own music in his home studio. Until now he has successfully released his stellar creations on solid labels like Format, Frenzy, Room Trax, Warok, Syxt, PRX and Oecus. Tracklist via -Spotify: http://bit.ly/SRonSpotify -Reddit: www.reddit.com/r/Slam_Radio/ -Facebook: bit.ly/SlamRadioGroup Archive on Mixcloud: www.mixcloud.com/slam/ Subscribe to our podcast on -iTunes: apple.co/2RQ1xdh -Amazon Music: amzn.to/2RPYnX3 -Google Podcasts: bit.ly/SRGooglePodcasts -Deezer: bit.ly/SlamRadioDeezer Keep up with SLAM: fanlink.to/Slam Keep up with Soma Records: fanlink.to/SomaRecords For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk Slam Radio is produced at www.glowcast.co.uk

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Her style, entirely focused on the dance floor, takes on a progressive sound with deep, hypnotic, groovy and powerful perspectives, featuring serious kicks and distinctive atmospheres. Her passion and overall dedication to the cause allow her to broaden her vision and explore new sounds with each step. Her career is flourishing, thanks to performances that have gained significant recognition from the audience. Julieta maintains a strong presence at the legendary Under Club in Buenos Aires and has successfully played in well-known venues such as Bassiani, Lanna, Club Gordo, Gare, among others, and at the ADE festival .
In her role as a producer, she has released tracks on labels like Dynamic Reflection and Illegal Alien Tracklist via -Spotify: http://bit.ly/SRonSpotify -Reddit: www.reddit.com/r/Slam_Radio/ -Facebook: bit.ly/SlamRadioGroup Archive on Mixcloud: www.mixcloud.com/slam/ Subscribe to our podcast on -iTunes: apple.co/2RQ1xdh -Amazon Music: amzn.to/2RPYnX3 -Google Podcasts: bit.ly/SRGooglePodcasts -Deezer: bit.ly/SlamRadioDeezer Keep up with SLAM: fanlink.to/Slam Keep up with Soma Records: fanlink.to/SomaRecords For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk Slam Radio is produced at www.glowcast.co.uk

Ndrx is a Georgian DJ and resident of Bassiani since 2016, where he is infamous for his legendary sets that often span 10+ hours. Beyond Georgia, Ndrx stands as an embraced guest of some of the most celebrated dancefloors worldwide: Berghain, ADE, De School, Exit Festival Serbia; Sonar Barcelona; Basement NYC and more. He is currently on his debut tour of Asia. For MNMT 403 Ndrx takes us straight to the dance floor. Grooves rolling, melodies delicately shimmering and tension brewing like a storm in the night. A trip for both mind and body. FOLLOW: https://soundcloud.com/nod-rex https://www.facebook.com/NNdrx/ https://www.instagram.com/nodrex_ndrx/

For MNMT 401 we are very happy to present Haruka with an incredible 2.5 hour journey recorded live at Otsukimi Festival in Japan (@technotribeotsukimi). Taking place in the stunning Hakuba Alps, Haruka delivered deeply mind-altering grooves into the night sky, with layers of psychedelia delicately teasing over intricate loops, all mixed with the precision of a veteran selector. Haruka is a longtime resident and co-organizer of the legendary Future Terror party, with regular bookings across Asia and beyond, including legendary venues such as Bassiani, Berghain, Basement NY & De School to list just a few. Mix mastering @erikluebs Follow: https://soundcloud.com/haruka_ptc https://www.instagram.com/haruka_ptc/

Undoubtedly one of today's most gifted visionaries of the electronic scene, Bassiani's beloved resident HVL has to be one of the best-kept secrets. But for how long? His sound sculptures, spanning everything ranging from kosmische-indebted downtempo to ethereal dub techno to murky, post-industrial ambient conjure up that dusty grain of Rephlex-era masterpieces and nu-age serenity, reeling off their soothing lineage across newly pollinated grounds. One for the ages, infused with that widescreen, cinematic grandiosity, HVL's RYC mix is everything you could have wished for: the very definition of walking the surface of the moon on your own, floating away from a crater to the other with weightless agility, as the earth reveals its blue silhouette in the distance. A taste of infinity. Yes, we're talking that kind of beautiful.

A true staple of the Dutch scene and beyond for the past fifteen years, Darko Esser alias Tripeo has constantly been at the forefront of what techno can bring to the table in terms of both innovation and raw power. Responsible for memorable platters on the likes of Clone Records, Cultivated Electronics, Rekids, Bassiani and his own imprint, Wolfskuil, amongst many others, Darko has always been ahead of the curve, not just in being an absolute technical beast or through his extensive knowledge of music - which reaches way out the niche realm of techno/electronics, but in beckoning techno onto uncharted routes just like the Detroit sound paved the way for a bolder, time-transcending approach. It's with great honour that we welcome him in the series, this time under the Tripeo moniker, for two hours of absolute batshit 4x4 frenzy. A no-miss. 

For MNMT 390 we present Dutch artist Julie with her deep, hypnotic, percussion-driven take on techno. With standout performances at legendary venues and events like Bassiani, De School Tresor & Draaimolen plus b2b sets with techno veterans James Ruskin, Sandrien and Claire Morgan, Julie is an artist not to miss. The outstanding 3 hour journey she has crafted is a perfect example of why she should not be missed; a deeply hypnotic voyage gradually unveiling layers of tension, psychedelia & textured frequencies, delivered with the perfect pacing & finesse of truly skilled selector. Start your week off right with a 3 hour trip down the rabbit hole. Follow: SC: https://soundcloud.com/juliemuzik FB: https://www.facebook.com/juliemuzik IG: https://www.instagram.com/juliemuzik

"Dancing is never just dancing." The Tbilisi-based DJ talks about nightlife politics, the Left Bank collective and Eastern European club culture live from ICKPA Festival. Tbilisi has been experiencing a club music renaissance over the last few years, with clubs like Bassiani and Khidi opening their doors to top tier DJs from around the world and simultaneously heralding an era of world class nightlife. While techno has reigned supreme at these venues, they left a gap that the relatively new space, Left Bank, has aimed to fill. Opening in 2021, it's provided a platform for what it calls "wildly diverse electronic sounds" beyond four-to-the-floor, and it's kicking off its new record label with a thirteen-track V/A, "Stop What You're Doing," this week. Ash Scholem has been a member of the Left Bank collective and social space since its inception, and in this episode of the RA Exchange recorded live at ICKPA Festival—an event co-run by contingents from the Georgian and Ukrainian dance music communities—he speaks with the Exchange's senior producer, Chloe Lula, about his involvement with the venue. He also brings his background in political science and sociology to bear, shedding light on how Eastern European socioeconomics affect nightlife; the ways in which revolutionary ideals have become ingrained into Georgian nightlife culture and how people party; the fight for queer rights and drug policy reform in Tbilisi and broader thoughts on the role dance music plays in politics and legislative change during times of crisis. Listen to the episode in full, and grab a copy of "Stop What You're Doing" on Friday, October 20th.

@hvl is a Georgian producer, DJ and resident of Bassiani. This mix is recorded live from a recent club gig featuring mercurial club grooves and hazy techno moods. Follow: SC www.soundcloud.com/hvl BC https://kiyadama.bandcamp.com/ FB https://www.facebook.com/hvlspace

Er ist 27 Jahre alt, mit bürgerlichem Namen heißt er Artur Aigner, als Künstler nennt er sich mit den Anfangsbuchstaben seines Vor- und Nachnamens: ARAI. Gerade hat der Wiener Multiinstrumentalist sein Debütalbum vorgelegt: "Drama Pop". Ein Portrait / Georgiens Berghain: Zu Gast im Techno-Club "Bassiani" in Tiflis, einem der größten Techno-Clubs weltweit / Das ist doch kein Jazz, mon Dieu: Das 57. Montreux Jazz Festival hat begonnen - und es bildet weltweit Ableger / "Displaced Persons" - Ausstellungen im Jüdischen Museum und im Münchner Stadtmuseum erinnern an den "Rest der Geretteten": an jene Menschen, die 1945 knapp dem Terror des Nationalsozialismus entronnen und heimatlos geworden waren. Allein in der bayerischen Landeshauptstadt suchten etwa 100.000 Menschen eine neue Heimat. Ein Besuch in der größten erhalten gebliebenen bayerischen Siedlung für DPs: Ludwigsfeld am Stadtrand München.

"Punk is more an attitude than a style of music. And I think that techno is way more punk than punk." The Spanish DJ discusses the ethos of the underground, vinyl DJing and more on this week's Exchange from AVA Festival. Héctor Oaks relocated from his hometown of Madrid to study at "Berlin University"—the clubs, record stores and underground parties that would shape his career as an artist. After once famously saying he could "live in peace" if he could play Berghain just once, the techno DJ has since graced the institution's dance floor multiple times and earned residencies at Herrensauna and Bassiani. Now one of a handful of in-demand, vinyl-only DJs, he's also a prolific artist and the head of two labels, KAOS and OAKS. What makes Oaks especially interesting as an interview subject, though, isn't his newfound popularity, but the underlying ethos that drives his music career. A self-described "techno punk," he reflects on what happens to the punk ethos around the underground once the underground becomes mainstream. "When you see that you've worked for the underground and then the underground becomes pop, do you want to fight against it, or do you want to be part of it?" he asks. "We're not only carrying the music, but we're carrying the values." In this interview, Oaks also talks about the art of playing vinyl, his new hip-hop project, working for the now-defunct Record Loft and his forthcoming album and live show. Listen to the episode in full.

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Aöcram brings something enchanting. Beyond all trends and staying true to its own nature where music matters all and everything else nothing, the hidden artist operates on the hypnotic side of techno. Its music is regularly played on dancefloors such as Berlin's Berghain and Tresor, Tbilisi's Bassiani or London's Fabric.  Aöcram's deep sound offers atemporal experiences; from hyper-conceptualised records released via its self-titled label with exceptional contributions for some of the finest labels around such as MORD, 30D or Illegal Alien; to live performances in places such as Berlin, New York, Barcelona, Mexico City, Madrid or Bogotá. Its opus promises a prospering legacy of expression. Tracklist via -Spotify: http://bit.ly/SRonSpotify -Reddit: www.reddit.com/r/Slam_Radio/ -Facebook: bit.ly/SlamRadioGroup Archive on Mixcloud: www.mixcloud.com/slam/ Subscribe to our podcast on -iTunes: apple.co/2RQ1xdh -Amazon Music: amzn.to/2RPYnX3 -Google Podcasts: bit.ly/SRGooglePodcasts -Deezer: bit.ly/SlamRadioDeezer Keep up with SLAM: fanlink.to/Slam Keep up with Soma Records: fanlink.to/SomaRecords For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk Slam Radio is produced at www.glowcast.co.uk

Irish-born, Manchester-based Kerrie is a multi-disciplinary artist, incorporating live sets, DJing, producing and running her label Dark Machine Funk across her repertoire of work. Having garnered a rich musical education through working at and holding a DJ residency for one of the UK's most respected record shops Eastern Bloc, Kerrie's in-depth knowledge and unwavering dedication to music shines through her notable back catalogue and bolshy, unforgiving DJ and Live sets. Honing her craft for over a decade, Kerrie has played worldwide in celebrated venues such as Tresor, Berghain, fabric, FOLD, Elsewhere NYC and festivals including Freedom Medellin, Freerotation, Drift and Basilar. First learning to mix via her brother's turntables in the early 2000s, it wasn't until 2009 that Kerrie invested in her own set-up and built an extensive record collection, covering everything from ambient, electronic, house, EBM, acid, electro, and her go-to genre, techno. Kerrie delivers tough moods from the turntables, as conveyed in her mixes for Reclaim Your City, Bassiani, SLAM and Crack, where she carefully blended high-energy styles of UK, Detroit, and European techno, many of which stem from the 90s and the 00s. It's frequent to hear Kerrie weave broken elements into her mixes too, chopping up the 4/4 groove at just the right moment to keep things propulsive. Kerrie's Live sets are fast becoming renowned for their trippy motifs and high impact on the dancefloor, applauded by Berlin's long-running club Tresor, where she made several appearances with her Elektron machines. Kerrie's Live set at Freerotation in 2019 was one of the festival's most talked-about debuts, and this year, Kerrie will return to and debut at multiple festivals and clubs across Europe and the Americas. Following well-received releases on labels such as Don't Be Afraid, Cultivated Electronics, I Love Acid and Symbolism, Kerrie launched her imprint Dark Machine Funk [DMF] in 2020. The label homes her distinctly raw aesthetic and honours her love for dark, gritty, metallic and industrial sounds melded with elements of funk, heavily influenced by second-wave Detroit artists, UK techno and music by some of her favourite artists; James Ruskin, Blawan and Surgeon. Kerrie's first release on DMF, "Inner Space PT1", was praised by Resident Advisor, who credited her ability to make "lean, fierce techno that knows how to groove." 2022 was a watershed year for Kerrie's productions. She debuted on the monumental UK techno label Blueprint with her EP "Raw Regimen", which landed acclaimed reviews. Truly welcomed to the Blueprint family, Kerrie will share her second EP on the label in May 2023 and join the crew at Blueprint showcases around the globe. This year marks the release of Kerrie's 10th EP on vinyl, and considering her consistent output on DMF, Blueprint and many more labels, the producer shows no sign of slowing down. Coming to international prominence in more recent years, regardless of her decade-long tenure in Manchester's vibrant scene, Kerrie is deeply invested in the culture of electronic music, starting from her teenage era as a raver in Ireland up to her innovative projects today. In 2017, she founded Eastern Bloc's in-house event space to nurture local talent, which remains at the heart of Manchester's music community. Kerrie is forging a long-lasting path fuelled by drive, passion, authenticity and a community-first way of thinking. Tracklist via -Spotify: http://bit.ly/SRonSpotify -Reddit: www.reddit.com/r/Slam_Radio/ -Facebook: bit.ly/SlamRadioGroup Archive on Mixcloud: www.mixcloud.com/slam/ Subscribe to our podcast on -iTunes: apple.co/2RQ1xdh -Amazon Music: amzn.to/2RPYnX3 -Google Podcasts: bit.ly/SRGooglePodcasts -Deezer: bit.ly/SlamRadioDeezer Keep up with SLAM: fanlink.to/Slam Keep up with Soma Records: fanlink.to/SomaRecords For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk Slam Radio is produced at www.glowcast.co.uk

NDRX is an Georgian electronic music activist and resident Dj at the club Bassiani. He has become inseparable part of this scene for more than 15 years. During the last couple of years, Ndrx took part and played at festivals and clubs like Exit Festival in Serbia, Sonar festival in Barcelona, CTM festival in Berlin, Robert Johnson in Frankfurt , Berghain, Basement in NY, Queer space Kremwerk in Seattle, ODD in Brazil, Fastforward – Copenhagen, the queer night of Spielraum and Herrrensauna in Amsterdam and Berlin. Tracklist via -Spotify: http://bit.ly/SRonSpotify -Reddit: www.reddit.com/r/Slam_Radio/ -Facebook: bit.ly/SlamRadioGroup Archive on Mixcloud: www.mixcloud.com/slam/ Subscribe to our podcast on -iTunes: apple.co/2RQ1xdh -Amazon Music: amzn.to/2RPYnX3 -Google Podcasts: bit.ly/SRGooglePodcasts -Deezer: bit.ly/SlamRadioDeezer Keep up with SLAM: fanlink.to/Slam Keep up with Soma Records: fanlink.to/SomaRecords For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk Slam Radio is produced at www.glowcast.co.uk

Europe & Sentiment part à la rencontre de celles et ceux qui vivent à la frontière de l'Europe et la Russie et dont l'identité a été nourrie de l'Union Soviétique, l'OTAN, l'Union Européenne, de la chute du mur de Berlin. Dans un pays encore très divisé, influencé par la Russie d'un côté et l'Europe de l'autre, coincée dans des valeurs figées de l'orthodoxie, une nouvelle génération est en train d'éclore loin de ces querelles de territoires dont ils ne se sentent pas concernés. Ce qui compte pour eux, c'est vivre leur vie, leur amitié, leur relation amoureuse et leur sexualité comme ils l'entendent.   Lela fait partie de cette jeune génération qui sort dans les clubs branchés de Tbilissi comme un moyen de lutter contre cette société corrompue et conservatrice. Le 11 mai 2018 à minuit, la police fait irruption, armes aux poings, au Bassiani, une institution dans le monde de la nuit où des jeunes géorgiens, gay et hétéro, dansent au rythme de la techno dans cette ancienne piscine désaffectée. C'est l'étincelle. Des manifestations d'ampleur se forment à Tbilissi devant le parlement, au son des basses de la techno. Une Rave-o-lution comme ils l'appellent, où danser devient un acte politique.     Vous écoutez le portrait de Lela partie 6, Nouvelle génération et révolution techno.  Pour écouter la partie 1 de cette série consacrée à Lela, une enfance en Abkhazie, cliquez ici.  Pour écouter la partie 2 de cette série consacrée à Lela, Une identité géorgienne à construire, cliquez ici.    Pour écouter la partie 3 de cette série consacrée à Lela, sur la nostalgie de l'Union Soviétique, cliquez ici.  Pour écouter la partie 4 de cette série consacrée à Lela, sur l'Eglise orthodoxe et influence, cliquez ici.  Pour écouter la partie 5 de cette série consacrée à Lela, Russie ou Union Européenne ?, cliquez ici.  Pour l'écouter, c'est par ici si vous utilisez Spotify, ici sur Google Podcast ou encore ici si vous utilisez Apple Podcasts.   Vous pouvez aussi suivre la sortie des prochains épisodes en suivant la page Facebook et Linkedin du podcast. Crédits : Ce podcast a été écrit, réalisé et monté par Laetitia Chabannes. Doublage : Galla Vallée. Musique : Arnaud Paszkiewicz. Mixage : Anais Cab. Identité graphique : Aristote Truffaut (Oiseaux rares).