Podcasts about Spandau

No cartaz do Ensaio Geral desta semana: o novo livro do colombiano Juan Gabriel Vásquez, a Trienal de Arquitetura, as novas exposições do MAAT, o filme “Lavagante”, a peça de teatro “O Príncipe de Spandau”, as sugestões de Guilherme d'Oliveira Martins, o novo disco de Lina e Marco Mezquida.

London's Blitz club in 1980 had a huge impact on the way the decade looked and sounded, the launchpad for Boy George, Spandau Ballet, a new age of electro-pop and many writers, designers and photographers. The author and broadcaster Robert Elms was one of its cornerstones, “a place for people who'd outgrown the 20th Century”. We talk here about his book ‘Blitz: the Club That Created the ‘80s' with all of this on the dancefloor … … the Blitz Club rules, “unspoken until Steve Strange spoke them”. And the door policy: “Look at yourself, darling. Would YOU let yourself in?” … first nights “with a Space Cossack shirt and asymmetric wedge” and the origin of the term New Romantic … the rise of the “home-made Macaronis” (dictionary definition: “over-dressed popinjays of dubious sexuality”) … Bowie's Starman, Roxy, soul, disco, Weimar, Max Ernst, Otto Dix, Edith Piaf, Swinging London, Andy Warhol and other keys strands of Blitz DNA … its anti-rock stance and impact on the mid-‘80s American charts … the news-friendly night Mick Jagger was barred entry … “I was spat at by an old lady at a bus stop for wearing eyeliner and a kilt” … when Island offered Spandau a deal after just three numbers … the role of the Face, Smash Hits and the new full-colour media … the author's “dilettante” passage through skinhead, suedehead, soul boy and punk … and the night Bowie appeared, “like Jesus walking into your local church and sitting in a pew”. Order ‘Blitz: The Club That Created the 80s' here:https://uk.bookshop.org/p/books/blitz-the-club-that-created-the-eighties-robert-elms/e672041a84e0cde9?ean=9780571394180&next=t&next=tFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

London's Blitz club in 1980 had a huge impact on the way the decade looked and sounded, the launchpad for Boy George, Spandau Ballet, a new age of electro-pop and many writers, designers and photographers. The author and broadcaster Robert Elms was one of its cornerstones, “a place for people who'd outgrown the 20th Century”. We talk here about his book ‘Blitz: the Club That Created the ‘80s' with all of this on the dancefloor … … the Blitz Club rules, “unspoken until Steve Strange spoke them”. And the door policy: “Look at yourself, darling. Would YOU let yourself in?” … first nights “with a Space Cossack shirt and asymmetric wedge” and the origin of the term New Romantic … the rise of the “home-made Macaronis” (dictionary definition: “over-dressed popinjays of dubious sexuality”) … Bowie's Starman, Roxy, soul, disco, Weimar, Max Ernst, Otto Dix, Edith Piaf, Swinging London, Andy Warhol and other keys strands of Blitz DNA … its anti-rock stance and impact on the mid-‘80s American charts … the news-friendly night Mick Jagger was barred entry … “I was spat at by an old lady at a bus stop for wearing eyeliner and a kilt” … when Island offered Spandau a deal after just three numbers … the role of the Face, Smash Hits and the new full-colour media … the author's “dilettante” passage through skinhead, suedehead, soul boy and punk … and the night Bowie appeared, “like Jesus walking into your local church and sitting in a pew”. Order ‘Blitz: The Club That Created the 80s' here:https://uk.bookshop.org/p/books/blitz-the-club-that-created-the-eighties-robert-elms/e672041a84e0cde9?ean=9780571394180&next=t&next=tFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

London's Blitz club in 1980 had a huge impact on the way the decade looked and sounded, the launchpad for Boy George, Spandau Ballet, a new age of electro-pop and many writers, designers and photographers. The author and broadcaster Robert Elms was one of its cornerstones, “a place for people who'd outgrown the 20th Century”. We talk here about his book ‘Blitz: the Club That Created the ‘80s' with all of this on the dancefloor … … the Blitz Club rules, “unspoken until Steve Strange spoke them”. And the door policy: “Look at yourself, darling. Would YOU let yourself in?” … first nights “with a Space Cossack shirt and asymmetric wedge” and the origin of the term New Romantic … the rise of the “home-made Macaronis” (dictionary definition: “over-dressed popinjays of dubious sexuality”) … Bowie's Starman, Roxy, soul, disco, Weimar, Max Ernst, Otto Dix, Edith Piaf, Swinging London, Andy Warhol and other keys strands of Blitz DNA … its anti-rock stance and impact on the mid-‘80s American charts … the news-friendly night Mick Jagger was barred entry … “I was spat at by an old lady at a bus stop for wearing eyeliner and a kilt” … when Island offered Spandau a deal after just three numbers … the role of the Face, Smash Hits and the new full-colour media … the author's “dilettante” passage through skinhead, suedehead, soul boy and punk … and the night Bowie appeared, “like Jesus walking into your local church and sitting in a pew”. Order ‘Blitz: The Club That Created the 80s' here:https://uk.bookshop.org/p/books/blitz-the-club-that-created-the-eighties-robert-elms/e672041a84e0cde9?ean=9780571394180&next=t&next=tFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

My Story   Talk 27  More Activities in Europe Welcome to Talk 27 in our series where I'm reflecting on God's goodness to me throughout my life. Last time I was talking about our off-campus activities while we were at Mattersey. I began by talking about activities in Britain and concluded with our activities in Europe, particularly in connection with EPTA, the European Pentecostal Theological Association. Today we'll be saying more about Europe, first with regard to our activities in the Pentecostal European Fellowship, and then about my preaching in national leaders' conferences as well as in local churches. The Pentecostal European Fellowship As I have already explained, PEF was formed as a result of a merger between PEC and EPF. Little did I know when I accepted the invitation to preach at the PEC conference in 1978 that it would eventually lead not only to the founding of EPTA but also to a ministry within PEF itself, and ultimately to representing Europe on the Presidium of the Pentecostal World Conference. Because of my experience in Europe, I was first asked by the AoG Executive Council, as its chairman, to represent AoG on the PEF committee. Jakob Zopfi from Swtizerland had been its chairman for many years and, after Reinhold Ulonska retired as vice-chairman, the PEF Committee elected me to take his place. Major features of the work of PEF were the conferences it usually held once every three years. Thousands of people from all over Europe came to these conferences, though the majority on each occasion came from the country that was hosting it. Relatively few, however, came from the UK. This may have been because of the cost of crossing the channel, or even because the preaching was always done through an interpreter which English speaking people often find it hard to get used to. After preaching at the conference in The Hague in 1978, the next PEF conference we attended was in Böblingen near Stuttgart in 1984, but not in any official capacity. Eileen and I went on to attend conferences in Jönköping, (Sweden, 1991), Bordeaux (France, 1994), Fridek-Mistek (Czech Republic, 1997), Helsinki (Finland, 2000), and Berlin (Germany, 2003). There are many towns in Sweden with a name ending in -koping. It's connected with our English word shopping and is roughly equivalent to market. It was at Jönköping (pronounced yernsherping) that I was appointed to serve as Vice Chairman of PEF. We travelled there by car, which may seem surprising bearing in mind the distance, but it meant that Eileen could come with me, and the trip would cost no more than the price of one air ticket for me. And it turned out that, as most of the delegates had arrived by plane, there was little transport available between the hotel and the conference centre. This meant that we were able to transport Dr Ray Hughes, who was the chairman of the Pentecostal World Conference and the guest speaker from America, to and from the meetings. It gave him the opportunity to get to know us and may have been partly the reason why the following year I was appointed to serve on the PWC advisory committee, and eventually as a member of its presidium. We also travelled by car to the Bordeaux conference in 1994, combining it with a holiday exploring south-western France and visiting Castera Verduzan in Gascony, and Mauléon-Licharre and Eaux Bonnes in the Pyrenees. The conference was particularly significant for Eileen because she was the wife of the Vice-Chairman. This normally carried no specific responsibility, but Sylvia Zopfi, the wife of the Chairman, had broken her leg and was unable to attend. Consequently, it fell to Eileen to preside at a meal for ladies, most of whom were French speaking. Of course there was an interpreter, but Eileen never saw herself as an ‘up front' person and was understandably nervous. Because it was a meal for ladies, I was unable to attend, but I found out later that Herman von Ameron, the husband of the guest speaker, had crept in at the back. So I asked him privately how Eileen had got on, and he replied, She was magnificent. She was like the Queen! Following the political reforms known as perestroika introduced by Russian President Mikhail Gorbachov in the late 1980s, Czechoslovakia was divided into two separated nations, the Czech Republic (or Czechia) and Slovakia. Fridek-Mistek was the venue chosen for the 1997 PEF conference, because it lies on the border of these two countries and so provided delegates from both equal opportunities to attend. Once again, Eileen and I travelled by car, taking extra care in Czechia not to exceed the speed limit, as we'd heard that the Czech police were likely to impose heavy fines on foreigners for any minor infringement. We took the opportunity to visit Prague, a beautiful city, for a weekend before travelling on to the conference. It was now almost 20 years since I had first preached at the conference in The Hague, but for the next decade I was to become a regular speaker with the special responsibility of preaching on the Baptism in the Holy Spirit and praying for people to receive. Sadly there are still many people who attend Pentecostal churches who have not yet come into the experience and in a conference where thousands are in attendance the numbers coming forward for prayer were likely to be enormous. Pentecostal pastors often seem reluctant to teach on the subject, possibly because they are frightened that, when they lay hands on those they pray for, they will not begin to speak in tongues. So I felt the need to preach not only to the people, but also to the pastors. And at Fridek-Mistek I decided to pray for the pastors before I prayed for the people. I asked all the pastors who wanted the Lord to use them in laying hands on people to receive the baptism, to come forward first. I explained that I would pray for them first so that they could then join with me in praying for the people. Dozens of pastors came forward and after I had prayed for them I asked them to turn round and face the congregation. I then called the people to come forward. Hundreds came and each pastor had a queue of people to pray for. Of course, it's impossible to know how many spoke in tongues for the first time, especially in a meeting where so many different languages are spoken! And, even with the people I personally prayed for, there was no way of knowing if they were speaking in tongues or if they were just praying in their own native language. But one thing was particularly noteworthy. When teaching on the baptism I have always been careful to stress that the evidence we are expecting is tongues, not tingles – or shaking, or falling over, or anything else that has no clear biblical basis! However, when one of the people I prayed for did fall over, there was an immediate reaction in the queue next to mine. People started to move into my queue. Perhaps they felt that, despite all I had said, they would somehow get something extra if they fell over! There is still a desperate need for teaching on this throughout the Pentecostal movement and the charismatic renewal worldwide. After the conference we drove into Austria and stayed in an apartment in the church in Bad Ischl where Klaus Winter, the PEF treasurer, was the pastor. I preached in his church and we had a wonderful ten days there exploring Salzburg and the Salzkammergut, the wonderful area where The Sound of Music was filmed. The Helsinki conference was held in the summer of the year 2000 but was preceded by an EPTA conference held in Kaggeholme near Stockholm. We travelled by car as far as Kaggeholme but after EPTA we parked it at Arlanda airport and flew to Helsinki. As Jakob Zopfi was unable to attend because of an illness, it was my responsibility to chair the conference. I also preached on the baptism in the Holy Spirit and, as at Fridek-Mistek, had the privilege of praying for many who were seeking. Shortly after that Jakob Zopfi retired as the PEF chairman and I confess that I was rather relieved not to be appointed as his successor. I too was soon to retire from Mattersey and frankly I didn't want the responsibility. Ingolf Ellsel, a younger man who was the leader of the BFP in Germany, was appointed as chairman, and I was happy to continue to serve as vice chairman. In 2003 the conference was held in Berlin in June. En route we stopped at Liège preaching there over the weekend. We reached Berlin in good time for the conference travelling at times at almost 150 m.p.h. on the autobahns where there was no speed limit. We stayed in a hotel on the outskirts of Berlin in Spandau, famous for its ballet company, and travelled in by underground train to the conference meetings. As in previous years I preached and prayed for people to receive the baptism and hundreds came forward. When Ingolf Ellsel asked who had spoken in tongues for the first time it seemed like just about everybody who had been prayed for raised their hand. It was experiences like this that were undoubtedly the reason why I was asked to speak at so many churches and conferences for national leaders. Churches and National Leaders' Conferences During the years I was at Mattersey I spoke at several national leaders' conferences as well as ministering in local churches. Most of the teaching I did at national conferences centred on the baptism and gifts of the Holy Spirit and how to encourage them at local church level.  These included Germany and Hungary (1989), Iceland (1990), Austria (1999), Belgium (2003) and France (2004) where I was required to preach six times in French on a variety of topics.   The conference was held in Léognan, near Bordeaux, and close to the site of the ADD Bible College. (ADD Assemblées de Dieu i.e. AoG). I taught several sessions in the college in the week preceding the conference and then preached at a youth event held in a marquee in the college grounds. This was an occasion where I really needed the Lord to help me. Of course we always need his help, but this time even more so. I had completely forgotten that I was scheduled to be the speaker at this event, so I said to the principal of the college,             I don't really need to be at the youth meeting this afternoon, do I? To which he replied,             Mais si, vous êtes le prédicteur! (But yes, you are the preacher!) But I had nothing prepared, and I had never preached to young people in French before. Fortunately, several of my books have been translated into French including The Holy Spirit – an Introduction. I had little more than an hour before the meeting began and so, helped the French text of the section on the fruit of the Spirit, I hurriedly prepared a message on this, using examples from the life of Jesus. And the Lord really blessed it. Dozens of young people came forward responding to the appeal to seek to rededicate their lives to Christ. That really encouraged me as the I was preaching in the thousand strong assembly in Bordeaux where Daniel Hébert, whom I had met through PEF, was the pastor. But before leaving the subject of national conferences I need to mention that it was at that conference that David Cizéron gave me a book about his father's work in a part of France I had never heard of, something which will become relevant in a later talk. As far as preaching in local churches is concerned, there are of course far too many to mention them all. I have already talked about my trips to Sweden when I preached in local churches as well as teaching in Bible Colleges. One highlight of these trips was preaching in the Filadelfia church in Stockholm founded by the renowned Pentecostal pioneer, Lewi Pethrus (whose name, incidentally, features immediately before mine in the International Dictionary of Pentecostal and Charismatic Movements). Another highlight was travelling with Eileen to Kristinehamn at the northern end of Lake Vänern, the largest lake in Sweden, and preaching for a week for Paul Gren, one of our former Mattersey students. Germany was another country I also visited frequently. My contact with Germany came from three different though interrelated sources – EPTA which I have already mentioned, the national leaders of the Volksmission group of churches, and the local church in Heidenheim. Herbert Ros and Günter Kaupp were president and vice-president of Volksmission and had both been students at Kenley under the principalships of Donald Gee and John Carter respectively. They both had a great respect for what we were doing at Mattersey and over the years sent us a good number of excellent students who, after they had returned to Germany to take up pastorates there, invited us to minister for them whenever we were in Germany. It was also through my contacts with the leadership of Volksmission that I was invited on several occasions to travel round the churches for a couple of weeks often preaching for just one evening in each church. I was usually accompanied by Eileen, who loved travelling with me and enjoying the beautiful scenery of southern Germany and the warm hospitality we received in homes wherever we went. We undertook such trips in 1998, and 1999, when I was also the guest speaker at the BFP national leaders' conference. (BFP was the wider Pentecostal movement in Germany of which Volksmission had become a part). We made similar trips in 1994, '95, and '96. But it was the church at Heidenheim that we visited most frequently. The pastor there was Albert Bühler. In the early eighties his son-in-law Jürgen Single had heard about a youth camp we were holding at Mattersey during the summer vacation and asked if he could visit it with a coachload of young people from their church as they were arranging a tour of England. We were delighted to receive them and that was the beginning of a lovely relationship we enjoyed with the Bühler-Single family and the church in Heidenheim. We also visited Luxembourg on several occasions due to our relationship with John and Ann Leese who, as AoG missionaries, did an amazing job over many years planting a church there. John had been a student at Kenley when I first started teaching there. We first visited them for a weekend with William and Anthea Kay in 1990 and then again for a holiday in '92 with our daughter Debbie, her husband David, and their one-year-old daughter, Emily, who was our first grandchild. We have visited them many times since including 2001 when John asked me to take care of the preaching (in French, not Luxembourgish) while he and Ann were on holiday. It's also through our contact with Luxembourg that some of my books were translated into French. I will always be grateful to Caroline Hutin, a French schoolteacher who specialised in English, who spent many hours translating You'd Better Believe It, Body Builders, and Just a Taste of Heaven. Having these available was very helpful when I was preaching or teaching in French-speaking countries like France and Belgium. I am so grateful to the Lord that people have enjoyed my teaching and have usually wanted to know more. And my books, in whatever language, have made that possible. My ministry in Belgium was concentrated largely in and around Brussels, at the Continental Theological Seminary where I taught regularly for several years, and at the Christian Centre which held services in both English and French. Daniel Costanza, the pastor of the French speaking church, has used my books as a basis for teaching various courses of Bible study. Jacques Dernelle, who teaches regular courses at CTS, also pastors a great church in Tubize where I have also had the privilege of teaching and preaching. And on at least two occasions I visited Liège and gave a series of teaching which seemed to be well appreciated by the people there. In France where we frequently went on holiday we always sought to attend the nearest ADD church on Sunday mornings and I was often asked to preach. I remember preaching in Versailles, Pau, Mourrenx, Clermont-Ferrand, and Toulouse. However, in Embrun they didn't know who I was and anyway there was already a guest preacher, a French pastor, Samuel Foucart, from Pavilly near Rouen. I enjoyed his preaching and spoke with him afterwards. We exchanged contact details and as a result I was invited in the year 2000 to do a week's teaching on the Holy Spirit. Countries I visited only once or twice during this period were Austria, Denmark, Finland, Iceland, Ireland, and Italy. In 1982 at the invitation of Carl Pocklington we went to Austria for a week and I preached in Villach and Klagenfürt. And in 2000 I taught for a few days in the church in Linz where Eddie Griesfelder was the pastor. On two occasions I preached for a week in Messina in Sicily where Giuseppe Melusso was the pastor of large AoG church. In 1991 I preached in Reykjavik (Iceland), and in Nokia (Finland) where Teuvo Valkama, one of our former students was the pastor. And in 2002 I preached in Copenhagen (Denmark) and Limerick in Ireland. I look back on all these experiences with great joy and a profound sense of gratitude to the Lord for the privilege of declaring his word in so many places and to so many people. Next time we'll be talking about our service for the Lord beyond Europe.

Spandau am Stadtrand von Berlin, 1919. Ein junger Mann streift durch die Wälder - und macht Jagd auf Menschen. Niemand soll ihn in "seinem Revier" stören. Erst nach Monaten kann die Polizei ihn fassen. Doch warum dauerte das so lange? Und wie versuchte ein Staranwalt, den Mörder vor der Todesstrafe zu bewahren?

New SPND20 Mixtape just landed, welcome @olateks!

Poor old Johnnie Ray.Actually, I wonder what the heart wrenching vocal superstar of the fifties made of his starring role in the biggest selling single of 1982, thirty years after his own chart topping run? Did anyone ever ask how he felt watching the footage of his younger self in the video for Come On Eileen intertwined with Kevin's dungaree festooned Emerald Express on a London street corner. Perhaps, as he was famous for doing, he cried. I hope Mr Rowland at least sent him a thank you note.So, welcome back to 1982!Were you there in those now gone days of pop perfection? Did you dance in the ra-ra skirt to Duran Duran at the school disco? Did you shed a tear as The Jam called it a day on the new Channel Four pop weekly The Tube, even though Paul knew well(er) what the next chapter held for his newly formed council. Or perhaps the Smash Hits of over forty years ago exist for you in playlists and radio schedules discovered since. Either way, the NOW Yearbook (and Extra volume) welcomes you with a neon smile to bring together over 140 hits, memories, misses and otherwise that sum up a stellar twelve months of pop. And as 1981's steely electronic winter defrosted, a new pop was emerging. Duran, Spandau, Culture, Club, Wham!, Haircut 100 and a dazzling cast of many more were turning the colour back up on their (three channel) TV sets. Whilst the technology that gloriously gave us the new romantic sounds of 1981 was still driving the decade forward, suddenly we were taking ourselves, well, a bit less seriously. Pop was fun again as seen in the ever evolving, cheerleading extravaganza that was Top of The Pops. The charts were indeed alive to the possibilities of much more. Trevor Horn's hit production machine was digitising our delights with the sounds of ABC, Dollar and even the Appalachian hip-hop of Malcolm McLaren's Buffalo Gals. Seventies survivors such as Hot Chocolate, Roxy Music, ABBA, Marvin Gaye and others were upping their game and embracing - gasp - synthesisers! And you know what, it was sounding and looking (thanks to glossy videos) AMAZING.And across the pond in the US of A? Well, we were importing them our own brand of fabulous pop and they were sending us ROCK in the form of Steve Miller, Survivor and J Geils - but even that was, well, shiny and new. What was indeed going on?To quote Smash Hits (snip!) editor David Hepworth, there were, he said, “no patterns” to pop in 1982. Join chief editor of electrictyclub.co.uk Chi Ming Lai and author of 1984: The Year Pop Went Queer Ian Wade as we dive back into a fascinating twelve months of pop as chronicled in the NOW Yearbook 1982. Amongst many other things, discover which star(s) were upsetting the Musician's Union, find out more about the language of Smash Hits and how we need it more than ever, why old was the new New, learn about the NEXT BIG genre that you need in your life (Elegant Futurism!), why Germany was giving us EVERYTHING, and discover what Haysi Fantaysee were really up to on TOTP (if you dare!).The 1982 Yearbook - Hi Fidelity indeed! Hosted on Acast. See acast.com/privacy for more information.

17 sierpnia 1987 roku w więzieniu Spandau umiera Rudolf Hess - były zastępca Hitlera i ostatni osadzony w tym niesławnym zakładzie karnym. Oficjalnie popełnił samobójstwo, jednak okoliczności jego śmierci do dziś budzą kontrowersje i rodzą teorie spiskowe. Czy brytyjskie władze miały jakieś powody, by pozbyć się 93-letniego Hessa? I czy mogło to mieć związek z jego samotnym lotem do Szkocji w 1941 roku? W Misji specjalnej odkrywamy tajemnicę śmierci Rudolfa Hessa.

Ian SpandauI rescue dogs and salespeople!Ian Spandow is a seasoned Enablement Leader & Sales Trainer with extensive global and intercultural expertise and over 35 years of experience.He has a proven track record of upskilling Sales Teams to high-performance through his unique and somewhat radical sales training. Ian has held several leadership roles in the technology industry, including Director of Sales Training & Enablement at Riverbed, Senior Director of Sales Training & Enablement at Marin Software, and Director of Training & Development at MongoDB and Global Field Readiness Leader at WalkMe. Hosted on Acast. See acast.com/privacy for more information.

Spezial_Mische: Die Besitzer des Plattenladens "Musicland" in Spandau haben uns zu sich eingeladen und wir durften dort live und in Farbe auftreten. Wir sprechen dort natürlich ein bisschen über Brieselang und über das Kreis weite Problem der überquellenden Altkleidersammlungen, aber vielmehr geht es um - natürlich - Musik. Die Musicländer Tobi, Philipp und Uwe verraten uns, was auf ihrer Beisetzung laufen soll und welche Songs sie auf romantischer Ebene ansprechen. Die meisten der erwähnten Songs findet ihr auf unseren Playlisten bei Spotify oder Youtube. Spotify: https://open.spotify.com/playlist/4YZlOMg8LOIjBYcmeyL0aI?si=BWJwnyrVR-K0BHTZkcPmlQYoutube: https://music.youtube.com/playlist?list=PLCY2gUPOwp283MJ-ZT6Hig0w9zm6DViLO&si=Kxpsm9CzMlTQRDOUWir danken Musicland ganz herzlich für die Einladung und den wunderbaren Abend!Dieses Spezialfolge war seit Anfang Juni auf Patreon.com/Havel_Mische zu hören. Jetzt ist sie auch auf allen anderen Kanälen verfügbar. Das gewohnte Intro gibt es bei der nächsten normalen Folge wieder.Schreibt uns eure Ideen und Fragen!Support the showModeration: Antje Koch und Vivien TharunCover Art: Jens N. WinterhoffMusik: David BorensThemenvorschläge? Mailt sie uns gerne: vivien@wortgeschacher.comSocial Media: instagram.com/havel_mischeViviens Homepage: wortgeschacher.comIhr könnt unseren Podcast entweder mit einem Abo ab 3€ monatlich oder mit Einmalzahlungen für Sonderfolgen (je 3€) auf Patreon.com unterstützen.Im Gegenzug erhaltet ihr alle Folgen etwas früher und - je nach Abo - auch zusätzliche Inhalte. patreon.com/Havel_Mische

Alternative club night - 80-90s retro alternative/"modern" rock  United states of europe - cccp american soviets - cccp running - information society our house - madness chant No.1 - Spandau ballet lets go - wang chung world in my eyes - depeche kiss me - stephen duffy love action - human league if you were here - thompson twins room at the top - adam ant shy boy - bananarama boy - book of love emperors new clothes - sinead o'connor  devils haircut - beck you oughta know - alanis love is a stranger - eurythmics flexible - depeche  victim of love - erasure heartbreak beat - psychedelic furs  beg your pardon - kon kan a e i o u sometimes y - ebn-ozn amok - ledernacken dirty back road - b-52s dont stand so close to me - the police lets go to bed - the cure pop song - r.e.m. do ya wanna touch me there - joan jett 1979 - smashing pumpkins brimful of asha - cornershop new pollution - beck pleasure little treasure - depeche weird science - oingo boingo she blinded me with science - thomas dolby lies lies lies - thompson twins our lips are sealed - go-go's she sells sanctuary - the cult bad connection - yazoo walking down your street - the bangles never say never - romeo void kiss me deadly - lita ford concrete jungle - the specials little bitch - the specials rev up - the revellos wild sex - oingo boingo da da da - trio

Wie stellt man eigentlich einen Krahn auf? Und warum rauschen heutzutage immer noch Bandansagen? Auch in dieser Folge geht es wieder um die A 100!

//The Wire//2300Z May 23, 2025////ROUTINE////BLUF: MULTIPLE STABBING ATTACKS REPORTED IN GERMANY, ONE MASS STABBING AND TWO INCIDENTS INVOLVING SCHOOLCHILDREN. BRITISH AIRWAYS QUIETLY EXTENDS HALT OF FLIGHTS TO ISRAEL DUE TO SECURITY CONCERNS.// -----BEGIN TEARLINE------International Events-Germany: Yesterday two stabbing attacks occurred in primary schools throughout the nation, both of which appear to have started as arguments between students.The first stabbing incident occurred in Spandau and involved an 11-year-old being stabbed by a fellow classmate at Weinmeisterhorn Elementary School. The victim remains hospitalized in intensive care following the incident, which began as a schoolyard fight that ended with the other student stabbing the victim.The second stabbing incident occurred a few hours after the first, in the town of Remschied. In this case an 11-year-old stabbed a fellow classmate (aged 13-years-old), allegedly due to a dispute between the two.This morning a mass stabbing was reported at the central train station in Hamburg. 12x victims were wounded in the attack, with 3x remaining in critical condition. The assailant was arrested at the scene, but has not been identified as of this report.AC: Some reports conflict on the identity of the assailant. Some sources claim the attacker was female, while others state that it was male, or at minimum of questionable status.Middle East: This morning Israeli media reported that British Airways canceled all flights in and out of Israel until July 31, due to security concerns.AC: This is an interesting case as British Airways hasn't publicly acknowledged this development, at least not yet. As a reminder, British Airways (along with a few other smaller airlines) had halted all flights into and out of Israel's Ben Gurion airport due to successful Houthi missile strikes a few months ago. Overnight, it seems as though Israeli journalists went onto the British Airways website and discovered that tickets could not be booked for the airport until August. As such, what is being touted as a flight-ban is probably a quiet and non-publicized extension of a pre-existing flight ban for security reasons.-----END TEARLINE-----Analyst Comments: Right now details on both juvenile-linked stabbing incidents in Germany are sketchy at best; Quite literally zero mainstream media outlets have mentioned either incident...even Googling these stories turns up zero search results. However, the small handful of local German-language media sources have suggested that both assailants were German citizens of an immigrant origin. A few AfD politicians and figures have also made similar statements, but since the offenders are juveniles, very little investigation will be conducted due to Germany's procedures involving underage criminals.Similarly, the ax-attack that occurred two days ago in the parking lot of a grocery store in France has received little media attention and has subsequently been hard to find any details on. Most local French-language independent media that has mentioned the story seem to think this ax-murder was intra-cultural violence situation as both the victim and perpetrator were of Turkish ethnicity. In any case, though these brutal attacks and murders are very common throughout Europe, it's becoming increasingly difficult to find out that an attack occurs in the first place. In almost all cases, the only way the world knows of an attack is via individual citizens posting about the incident on social media in such a way that does not trigger algorithmic suppression of the information.Analyst: S2A1Research: https://publish.obsidian.md/s2underground//END REPORT//

Unser zweites Thema: Ist es heute noch sinnvoll, den Flugmodus im Flugzeug einzuschalten? Den meisten Rauchern fällt es extrem schwer vom Nikotin loszukommen. Zwar greifen junge Menschen heute weniger zur klassischen Zigarette, dafür sind E-Zigaretten und Vapes beliebt unter ihnen. Die Psychologin Karin Vitzthum vom Institut für Tabakentwöhnung und Rauchprävention am Berliner Klinikum Neukölln und Spandau des Vivantes Lungenkrebszentrum erklärt, welche Strategien vielversprechend sind. Produktion: Serdar Deniz Redaktion: Wiebke Bolle Noch mehr "Aha!"- Folgen gibt es bei WELTplus und Apple Podcasts. Alle zwei Wochen am Montag eine neue Folge. Hier bei WELT hören: https://www.welt.de/podcasts/aha-zehn-minuten-alltags-wissen/plus246844328/Noch-mehr-Alltagswissen-Aha-Bonus-Folgen-fuer-Abonnenten-Podcast.html. "Aha! Zehn Minuten Alltags-Wissen" ist der Wissenschafts-Podcast von WELT. Wir freuen uns über Feedback an wissen@welt.de. Impressum: https://www.welt.de/services/article7893735/Impressum.html Datenschutz: https://www.welt.de/services/article157550705/Datenschutzerklaerung-WELT-DIGITAL.html

Slapping the beanburger of news on the sizzling grill of scrutiny and served with relish by Alex Gold and Mark Ellen (David's in Spain with his bucket and spade). This week's specials include … … Springsteen's unprecedented speech onstage in Manchester about his nation's “corrupt, incompetent and treasonous administration” and the Dixie Chicks' career-popping anti-Trump manoeuvre of 2003. … John Niven's upcoming play ‘The Battle' and the Blur/Oasis soundclash it celebrates.   … the 50th anniversary of the Stones' (I Can't Get No) Satisfaction: from motel bed to finished recording in six days. … “Lennon's all about the legs”: the art of playing the Beatles, Keith Richards and all four of the Small Faces onstage (involves “ducking, bobbing and dipping”). … brilliant songs written in seconds – by Lady Gaga, the Beastie Boys, James Brown and the White Stripes.   … the tour circuit and the trouble at borders. … “the sound of dental floss being pinged by a squirrel”: Bill Bailey's impression of the Edge with a power failure. … Elvis v Cliff, Beatles v Stones, Hendrix v Clapton, Bowie v Bolan, Clash v Pistols, Duran v Spandau, Blur v Oasis: what was the last great rock rivalry? ... and Elvis Costello's inspired use of the Ansaphone.Fast Show clip ‘Mr Wells':https://www.youtube.com/watch?v=9FRAeFyBX1wHelp us to keep the conversation going by joining our worldwide Patreon community: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Slapping the beanburger of news on the sizzling grill of scrutiny and served with relish by Alex Gold and Mark Ellen (David's in Spain with his bucket and spade). This week's specials include … … Springsteen's unprecedented speech onstage in Manchester about his nation's “corrupt, incompetent and treasonous administration” and the Dixie Chicks' career-popping anti-Trump manoeuvre of 2003. … John Niven's upcoming play ‘The Battle' and the Blur/Oasis soundclash it celebrates.   … the 50th anniversary of the Stones' (I Can't Get No) Satisfaction: from motel bed to finished recording in six days. … “Lennon's all about the legs”: the art of playing the Beatles, Keith Richards and all four of the Small Faces onstage (involves “ducking, bobbing and dipping”). … brilliant songs written in seconds – by Lady Gaga, the Beastie Boys, James Brown and the White Stripes.   … the tour circuit and the trouble at borders. … “the sound of dental floss being pinged by a squirrel”: Bill Bailey's impression of the Edge with a power failure. … Elvis v Cliff, Beatles v Stones, Hendrix v Clapton, Bowie v Bolan, Clash v Pistols, Duran v Spandau, Blur v Oasis: what was the last great rock rivalry? ... and Elvis Costello's inspired use of the Ansaphone.Fast Show clip ‘Mr Wells':https://www.youtube.com/watch?v=9FRAeFyBX1wHelp us to keep the conversation going by joining our worldwide Patreon community: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Slapping the beanburger of news on the sizzling grill of scrutiny and served with relish by Alex Gold and Mark Ellen (David's in Spain with his bucket and spade). This week's specials include … … Springsteen's unprecedented speech onstage in Manchester about his nation's “corrupt, incompetent and treasonous administration” and the Dixie Chicks' career-popping anti-Trump manoeuvre of 2003. … John Niven's upcoming play ‘The Battle' and the Blur/Oasis soundclash it celebrates.   … the 50th anniversary of the Stones' (I Can't Get No) Satisfaction: from motel bed to finished recording in six days. … “Lennon's all about the legs”: the art of playing the Beatles, Keith Richards and all four of the Small Faces onstage (involves “ducking, bobbing and dipping”). … brilliant songs written in seconds – by Lady Gaga, the Beastie Boys, James Brown and the White Stripes.   … the tour circuit and the trouble at borders. … “the sound of dental floss being pinged by a squirrel”: Bill Bailey's impression of the Edge with a power failure. … Elvis v Cliff, Beatles v Stones, Hendrix v Clapton, Bowie v Bolan, Clash v Pistols, Duran v Spandau, Blur v Oasis: what was the last great rock rivalry? ... and Elvis Costello's inspired use of the Ansaphone.Fast Show clip ‘Mr Wells':https://www.youtube.com/watch?v=9FRAeFyBX1wHelp us to keep the conversation going by joining our worldwide Patreon community: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Die Situation im Jugendfootball spitzt sich zu. Ist die verpflichtende Jugendarbeit überhaupt man noch tragfähig? Was für Alternativen könnte es geben? Neben dem obligatorischen ELF-Bashing gibt es auch ein kleinen Urlaubsbericht von Carsten und Kelte erzählt was er in Spandau getrieben hat.

It's the last episode of the series and we have heard your cries. It is time. We put it to you to ask Martin all the things you wanted to know about Live Aid and you certainly delivered! Roman tests Martin's memory of the day and questions Spandau's set list, Martin talks about the special way the band arrived to Wembley AND Martin reveals who the real “divas” of the day were. Email us at ffs@insanity.com Listen by clicking 'Play' on Apple Podcasts, Spotify, or wherever it is you're listening now. Make sure to Subscribe or Follow, Rate and Review to help others find the podcast. FFS! My Dad Is Martin Kemp, this has been an Insanity Studios production.

Buy here: found.ee/spandau20-010 Spandau20, an imprint named after the Western Berlin district and focused on artists from the area, delivers techno in all diverse forms – from warehouse and electronic peak time beats to breaks and IDM, balancing the old and new school sounds flawlessly. With a focus on vinyl releases, for the collectors, Spandau20 has lately also focused on its label nights, with showcases at Fabric, Bassiani and many others. The label's 10th release features 10 tracks that epitomise the musical diversity of Spandau20 and the progressive musical mindset of its roster, calling on the label favourites and Spandau natives to deliver brand new and exciting music. This special release even features one track that all artists have worked on together: ‘Come Closer', a swarming, slithering beginning featured as the VA's opener. Its barely coherent female vocal echoing amidst a cacophony of demon-like effects. The chilling ambience captured at the offset transcends into the first full length track by Elli Acula, ‘Floating Eyes', a cur characterised by an authoritative, pounding bass featuring calculated percussive rolls and metallic overtones to make for a face-scrunching opener to this devilish collection of works. FJAAK follow for the first of twin cameo appearances, partnering up with fellow live supremo and hardware aficionado KiNK. On ‘Overbridge' the trio deliver a cavernous, rolling number driven by a deep thrumming bass in addition to a razor-edged lead synth, and pulsating technopattern. Dajusch is known for incorporating his years of classical study in with his immersive musical style – and with his VA effort the Berlin native neatly showcases this. Easing the energy slightly, ‘Move' escalates from its warm, melodic intro into rumbling goliath of a beat comprising a looping, slew of gassy harmonics. The momentum of the release shifts considerably with the introduction of acutely versatile producer, DJ and sound artist Claus. The artist from Spandau leans his track ‘Bloomscroll' towards sparse, dubby sonics in which he intricately ties together to form churning, burgeoning soundscape. FJAAK jolt proceedings back into the techno groove with their signature blend of arresting sub-bass and reverberating rhythms, which come thick, fast and heavy on ‘Jackfruit'. The abstract wonder of Anna Z's broken-beat like stylings is fully explored on ‘Icy Liq'. It's outlandish and amorphous in its execution, causing a clattering percussive chaos that's choicely pieced together by the modular-extraordinaire. Nikk stealthy moves into breaks territory with his track ‘Down In The Shadows', packing a trap-like snare with an acid-flecked melody and dawn-breaking, dream-like textures. The penultimate track on the VA is ‘Tufted'. J.Manuel expertly employs a chorus of robot-like sonics that course through a short-circuiting low-end to produce a pacy, inescapable journey via a whirling, merciless beat. He is joined by the legendary producer Tobi Neumann for their menacingly ambient number titled ‘Fennec.' In parts a nod to UK dubstep, the duo concocts a fierce admixture of styles bolstering tribal-like components with industrialised overtones and methodically crafted drum-fills.

Buy here: found.ee/spandau20-010 Spandau20, an imprint named after the Western Berlin district and focused on artists from the area, delivers techno in all diverse forms – from warehouse and electronic peak time beats to breaks and IDM, balancing the old and new school sounds flawlessly. With a focus on vinyl releases, for the collectors, Spandau20 has lately also focused on its label nights, with showcases at Fabric, Bassiani and many others. The label's 10th release features 10 tracks that epitomise the musical diversity of Spandau20 and the progressive musical mindset of its roster, calling on the label favourites and Spandau natives to deliver brand new and exciting music. This special release even features one track that all artists have worked on together: ‘Come Closer', a swarming, slithering beginning featured as the VA's opener. Its barely coherent female vocal echoing amidst a cacophony of demon-like effects. The chilling ambience captured at the offset transcends into the first full length track by Elli Acula, ‘Floating Eyes', a cur characterised by an authoritative, pounding bass featuring calculated percussive rolls and metallic overtones to make for a face-scrunching opener to this devilish collection of works. FJAAK follow for the first of twin cameo appearances, partnering up with fellow live supremo and hardware aficionado KiNK. On ‘Overbridge' the trio deliver a cavernous, rolling number driven by a deep thrumming bass in addition to a razor-edged lead synth, and pulsating technopattern. Dajusch is known for incorporating his years of classical study in with his immersive musical style – and with his VA effort the Berlin native neatly showcases this. Easing the energy slightly, ‘Move' escalates from its warm, melodic intro into rumbling goliath of a beat comprising a looping, slew of gassy harmonics. The momentum of the release shifts considerably with the introduction of acutely versatile producer, DJ and sound artist Claus. The artist from Spandau leans his track ‘Bloomscroll' towards sparse, dubby sonics in which he intricately ties together to form churning, burgeoning soundscape. FJAAK jolt proceedings back into the techno groove with their signature blend of arresting sub-bass and reverberating rhythms, which come thick, fast and heavy on ‘Jackfruit'. The abstract wonder of Anna Z's broken-beat like stylings is fully explored on ‘Icy Liq'. It's outlandish and amorphous in its execution, causing a clattering percussive chaos that's choicely pieced together by the modular-extraordinaire. Nikk stealthy moves into breaks territory with his track ‘Down In The Shadows', packing a trap-like snare with an acid-flecked melody and dawn-breaking, dream-like textures. The penultimate track on the VA is ‘Tufted'. J.Manuel expertly employs a chorus of robot-like sonics that course through a short-circuiting low-end to produce a pacy, inescapable journey via a whirling, merciless beat. He is joined by the legendary producer Tobi Neumann for their menacingly ambient number titled ‘Fennec.' In parts a nod to UK dubstep, the duo concocts a fierce admixture of styles bolstering tribal-like components with industrialised overtones and methodically crafted drum-fills.

Buy here: found.ee/spandau20-010 Spandau20, an imprint named after the Western Berlin district and focused on artists from the area, delivers techno in all diverse forms – from warehouse and electronic peak time beats to breaks and IDM, balancing the old and new school sounds flawlessly. With a focus on vinyl releases, for the collectors, Spandau20 has lately also focused on its label nights, with showcases at Fabric, Bassiani and many others. The label's 10th release features 10 tracks that epitomise the musical diversity of Spandau20 and the progressive musical mindset of its roster, calling on the label favourites and Spandau natives to deliver brand new and exciting music. This special release even features one track that all artists have worked on together: ‘Come Closer', a swarming, slithering beginning featured as the VA's opener. Its barely coherent female vocal echoing amidst a cacophony of demon-like effects. The chilling ambience captured at the offset transcends into the first full length track by Elli Acula, ‘Floating Eyes', a cur characterised by an authoritative, pounding bass featuring calculated percussive rolls and metallic overtones to make for a face-scrunching opener to this devilish collection of works. FJAAK follow for the first of twin cameo appearances, partnering up with fellow live supremo and hardware aficionado KiNK. On ‘Overbridge' the trio deliver a cavernous, rolling number driven by a deep thrumming bass in addition to a razor-edged lead synth, and pulsating technopattern. Dajusch is known for incorporating his years of classical study in with his immersive musical style – and with his VA effort the Berlin native neatly showcases this. Easing the energy slightly, ‘Move' escalates from its warm, melodic intro into rumbling goliath of a beat comprising a looping, slew of gassy harmonics. The momentum of the release shifts considerably with the introduction of acutely versatile producer, DJ and sound artist Claus. The artist from Spandau leans his track ‘Bloomscroll' towards sparse, dubby sonics in which he intricately ties together to form churning, burgeoning soundscape. FJAAK jolt proceedings back into the techno groove with their signature blend of arresting sub-bass and reverberating rhythms, which come thick, fast and heavy on ‘Jackfruit'. The abstract wonder of Anna Z's broken-beat like stylings is fully explored on ‘Icy Liq'. It's outlandish and amorphous in its execution, causing a clattering percussive chaos that's choicely pieced together by the modular-extraordinaire. Nikk stealthy moves into breaks territory with his track ‘Down In The Shadows', packing a trap-like snare with an acid-flecked melody and dawn-breaking, dream-like textures. The penultimate track on the VA is ‘Tufted'. J.Manuel expertly employs a chorus of robot-like sonics that course through a short-circuiting low-end to produce a pacy, inescapable journey via a whirling, merciless beat. He is joined by the legendary producer Tobi Neumann for their menacingly ambient number titled ‘Fennec.' In parts a nod to UK dubstep, the duo concocts a fierce admixture of styles bolstering tribal-like components with industrialised overtones and methodically crafted drum-fills.

Buy here: found.ee/spandau20-010 Spandau20, an imprint named after the Western Berlin district and focused on artists from the area, delivers techno in all diverse forms – from warehouse and electronic peak time beats to breaks and IDM, balancing the old and new school sounds flawlessly. With a focus on vinyl releases, for the collectors, Spandau20 has lately also focused on its label nights, with showcases at Fabric, Bassiani and many others. The label's 10th release features 10 tracks that epitomise the musical diversity of Spandau20 and the progressive musical mindset of its roster, calling on the label favourites and Spandau natives to deliver brand new and exciting music. This special release even features one track that all artists have worked on together: ‘Come Closer', a swarming, slithering beginning featured as the VA's opener. Its barely coherent female vocal echoing amidst a cacophony of demon-like effects. The chilling ambience captured at the offset transcends into the first full length track by Elli Acula, ‘Floating Eyes', a cur characterised by an authoritative, pounding bass featuring calculated percussive rolls and metallic overtones to make for a face-scrunching opener to this devilish collection of works. FJAAK follow for the first of twin cameo appearances, partnering up with fellow live supremo and hardware aficionado KiNK. On ‘Overbridge' the trio deliver a cavernous, rolling number driven by a deep thrumming bass in addition to a razor-edged lead synth, and pulsating technopattern. Dajusch is known for incorporating his years of classical study in with his immersive musical style – and with his VA effort the Berlin native neatly showcases this. Easing the energy slightly, ‘Move' escalates from its warm, melodic intro into rumbling goliath of a beat comprising a looping, slew of gassy harmonics. The momentum of the release shifts considerably with the introduction of acutely versatile producer, DJ and sound artist Claus. The artist from Spandau leans his track ‘Bloomscroll' towards sparse, dubby sonics in which he intricately ties together to form churning, burgeoning soundscape. FJAAK jolt proceedings back into the techno groove with their signature blend of arresting sub-bass and reverberating rhythms, which come thick, fast and heavy on ‘Jackfruit'. The abstract wonder of Anna Z's broken-beat like stylings is fully explored on ‘Icy Liq'. It's outlandish and amorphous in its execution, causing a clattering percussive chaos that's choicely pieced together by the modular-extraordinaire. Nikk stealthy moves into breaks territory with his track ‘Down In The Shadows', packing a trap-like snare with an acid-flecked melody and dawn-breaking, dream-like textures. The penultimate track on the VA is ‘Tufted'. J.Manuel expertly employs a chorus of robot-like sonics that course through a short-circuiting low-end to produce a pacy, inescapable journey via a whirling, merciless beat. He is joined by the legendary producer Tobi Neumann for their menacingly ambient number titled ‘Fennec.' In parts a nod to UK dubstep, the duo concocts a fierce admixture of styles bolstering tribal-like components with industrialised overtones and methodically crafted drum-fills.

Buy here: found.ee/spandau20-010 Spandau20, an imprint named after the Western Berlin district and focused on artists from the area, delivers techno in all diverse forms – from warehouse and electronic peak time beats to breaks and IDM, balancing the old and new school sounds flawlessly. With a focus on vinyl releases, for the collectors, Spandau20 has lately also focused on its label nights, with showcases at Fabric, Bassiani and many others. The label's 10th release features 10 tracks that epitomise the musical diversity of Spandau20 and the progressive musical mindset of its roster, calling on the label favourites and Spandau natives to deliver brand new and exciting music. This special release even features one track that all artists have worked on together: ‘Come Closer', a swarming, slithering beginning featured as the VA's opener. Its barely coherent female vocal echoing amidst a cacophony of demon-like effects. The chilling ambience captured at the offset transcends into the first full length track by Elli Acula, ‘Floating Eyes', a cur characterised by an authoritative, pounding bass featuring calculated percussive rolls and metallic overtones to make for a face-scrunching opener to this devilish collection of works. FJAAK follow for the first of twin cameo appearances, partnering up with fellow live supremo and hardware aficionado KiNK. On ‘Overbridge' the trio deliver a cavernous, rolling number driven by a deep thrumming bass in addition to a razor-edged lead synth, and pulsating technopattern. Dajusch is known for incorporating his years of classical study in with his immersive musical style – and with his VA effort the Berlin native neatly showcases this. Easing the energy slightly, ‘Move' escalates from its warm, melodic intro into rumbling goliath of a beat comprising a looping, slew of gassy harmonics. The momentum of the release shifts considerably with the introduction of acutely versatile producer, DJ and sound artist Claus. The artist from Spandau leans his track ‘Bloomscroll' towards sparse, dubby sonics in which he intricately ties together to form churning, burgeoning soundscape. FJAAK jolt proceedings back into the techno groove with their signature blend of arresting sub-bass and reverberating rhythms, which come thick, fast and heavy on ‘Jackfruit'. The abstract wonder of Anna Z's broken-beat like stylings is fully explored on ‘Icy Liq'. It's outlandish and amorphous in its execution, causing a clattering percussive chaos that's choicely pieced together by the modular-extraordinaire. Nikk stealthy moves into breaks territory with his track ‘Down In The Shadows', packing a trap-like snare with an acid-flecked melody and dawn-breaking, dream-like textures. The penultimate track on the VA is ‘Tufted'. J.Manuel expertly employs a chorus of robot-like sonics that course through a short-circuiting low-end to produce a pacy, inescapable journey via a whirling, merciless beat. He is joined by the legendary producer Tobi Neumann for their menacingly ambient number titled ‘Fennec.' In parts a nod to UK dubstep, the duo concocts a fierce admixture of styles bolstering tribal-like components with industrialised overtones and methodically crafted drum-fills.

Buy here: found.ee/spandau20-010 Spandau20, an imprint named after the Western Berlin district and focused on artists from the area, delivers techno in all diverse forms – from warehouse and electronic peak time beats to breaks and IDM, balancing the old and new school sounds flawlessly. With a focus on vinyl releases, for the collectors, Spandau20 has lately also focused on its label nights, with showcases at Fabric, Bassiani and many others. The label's 10th release features 10 tracks that epitomise the musical diversity of Spandau20 and the progressive musical mindset of its roster, calling on the label favourites and Spandau natives to deliver brand new and exciting music. This special release even features one track that all artists have worked on together: ‘Come Closer', a swarming, slithering beginning featured as the VA's opener. Its barely coherent female vocal echoing amidst a cacophony of demon-like effects. The chilling ambience captured at the offset transcends into the first full length track by Elli Acula, ‘Floating Eyes', a cur characterised by an authoritative, pounding bass featuring calculated percussive rolls and metallic overtones to make for a face-scrunching opener to this devilish collection of works. FJAAK follow for the first of twin cameo appearances, partnering up with fellow live supremo and hardware aficionado KiNK. On ‘Overbridge' the trio deliver a cavernous, rolling number driven by a deep thrumming bass in addition to a razor-edged lead synth, and pulsating technopattern. Dajusch is known for incorporating his years of classical study in with his immersive musical style – and with his VA effort the Berlin native neatly showcases this. Easing the energy slightly, ‘Move' escalates from its warm, melodic intro into rumbling goliath of a beat comprising a looping, slew of gassy harmonics. The momentum of the release shifts considerably with the introduction of acutely versatile producer, DJ and sound artist Claus. The artist from Spandau leans his track ‘Bloomscroll' towards sparse, dubby sonics in which he intricately ties together to form churning, burgeoning soundscape. FJAAK jolt proceedings back into the techno groove with their signature blend of arresting sub-bass and reverberating rhythms, which come thick, fast and heavy on ‘Jackfruit'. The abstract wonder of Anna Z's broken-beat like stylings is fully explored on ‘Icy Liq'. It's outlandish and amorphous in its execution, causing a clattering percussive chaos that's choicely pieced together by the modular-extraordinaire. Nikk stealthy moves into breaks territory with his track ‘Down In The Shadows', packing a trap-like snare with an acid-flecked melody and dawn-breaking, dream-like textures. The penultimate track on the VA is ‘Tufted'. J.Manuel expertly employs a chorus of robot-like sonics that course through a short-circuiting low-end to produce a pacy, inescapable journey via a whirling, merciless beat. He is joined by the legendary producer Tobi Neumann for their menacingly ambient number titled ‘Fennec.' In parts a nod to UK dubstep, the duo concocts a fierce admixture of styles bolstering tribal-like components with industrialised overtones and methodically crafted drum-fills.

Buy here: found.ee/spandau20-010 Spandau20, an imprint named after the Western Berlin district and focused on artists from the area, delivers techno in all diverse forms – from warehouse and electronic peak time beats to breaks and IDM, balancing the old and new school sounds flawlessly. With a focus on vinyl releases, for the collectors, Spandau20 has lately also focused on its label nights, with showcases at Fabric, Bassiani and many others. The label's 10th release features 10 tracks that epitomise the musical diversity of Spandau20 and the progressive musical mindset of its roster, calling on the label favourites and Spandau natives to deliver brand new and exciting music. This special release even features one track that all artists have worked on together: ‘Come Closer', a swarming, slithering beginning featured as the VA's opener. Its barely coherent female vocal echoing amidst a cacophony of demon-like effects. The chilling ambience captured at the offset transcends into the first full length track by Elli Acula, ‘Floating Eyes', a cur characterised by an authoritative, pounding bass featuring calculated percussive rolls and metallic overtones to make for a face-scrunching opener to this devilish collection of works. FJAAK follow for the first of twin cameo appearances, partnering up with fellow live supremo and hardware aficionado KiNK. On ‘Overbridge' the trio deliver a cavernous, rolling number driven by a deep thrumming bass in addition to a razor-edged lead synth, and pulsating technopattern. Dajusch is known for incorporating his years of classical study in with his immersive musical style – and with his VA effort the Berlin native neatly showcases this. Easing the energy slightly, ‘Move' escalates from its warm, melodic intro into rumbling goliath of a beat comprising a looping, slew of gassy harmonics. The momentum of the release shifts considerably with the introduction of acutely versatile producer, DJ and sound artist Claus. The artist from Spandau leans his track ‘Bloomscroll' towards sparse, dubby sonics in which he intricately ties together to form churning, burgeoning soundscape. FJAAK jolt proceedings back into the techno groove with their signature blend of arresting sub-bass and reverberating rhythms, which come thick, fast and heavy on ‘Jackfruit'. The abstract wonder of Anna Z's broken-beat like stylings is fully explored on ‘Icy Liq'. It's outlandish and amorphous in its execution, causing a clattering percussive chaos that's choicely pieced together by the modular-extraordinaire. Nikk stealthy moves into breaks territory with his track ‘Down In The Shadows', packing a trap-like snare with an acid-flecked melody and dawn-breaking, dream-like textures. The penultimate track on the VA is ‘Tufted'. J.Manuel expertly employs a chorus of robot-like sonics that course through a short-circuiting low-end to produce a pacy, inescapable journey via a whirling, merciless beat. He is joined by the legendary producer Tobi Neumann for their menacingly ambient number titled ‘Fennec.' In parts a nod to UK dubstep, the duo concocts a fierce admixture of styles bolstering tribal-like components with industrialised overtones and methodically crafted drum-fills.

Ric war in den letzten Wochen umtriebig. Zum Einen gab es viele Möglichkeiten, Freunden für Projekte unter die Arme zu greifen. Darunter zählen neue Designs für Streams, Videoschnitt, oder auch Hilfe bei Soundeinstellungen. Zum anderen ging es vom Außenseiterbezirk Spandau erstmals ins Außenseiterbundesland Bayern, um in Franken eine Hauseinweihung zu feiern. Was das ganze dann noch mit Sanitärunfällen und Geflügel zu tun hat, erfahrt ihr in dieser Episode!►Intro & Outro von ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pascal⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠►Cast 'Em auf ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify for Podcasters⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠►Cast 'Em auf ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SteadyHQ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ unterstützen►BäckchenBrothers auf ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify for Podcasters⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠►Rics ⁠⁠⁠Projekte und Socials⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠►Zum Community ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord Server⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠►Rics Equipment:Shure SM7B + Motu M2►Outdoor:Shure Beta 58A + Zoom H6 Essential►Aufnahme & Bearbeitung:Audacity, Adobe Audition CC

New SPND20 MIXTAPE by @clausschoening incoming!

Buy here: found.ee/spandau20-010 Spandau20, an imprint named after the Western Berlin district and focused on artists from the area, delivers techno in all diverse forms – from warehouse and electronic peak time beats to breaks and IDM, balancing the old and new school sounds flawlessly. With a focus on vinyl releases, for the collectors, Spandau20 has lately also focused on its label nights, with showcases at Fabric, Bassiani and many others. The label's 10th release features 10 tracks that epitomise the musical diversity of Spandau20 and the progressive musical mindset of its roster, calling on the label favourites and Spandau natives to deliver brand new and exciting music. This special release even features one track that all artists have worked on together: ‘Come Closer', a swarming, slithering beginning featured as the VA's opener. Its barely coherent female vocal echoing amidst a cacophony of demon-like effects. The chilling ambience captured at the offset transcends into the first full length track by Elli Acula, ‘Floating Eyes', a cur characterised by an authoritative, pounding bass featuring calculated percussive rolls and metallic overtones to make for a face-scrunching opener to this devilish collection of works. FJAAK follow for the first of twin cameo appearances, partnering up with fellow live supremo and hardware aficionado KiNK. On ‘Overbridge' the trio deliver a cavernous, rolling number driven by a deep thrumming bass in addition to a razor-edged lead synth, and pulsating technopattern. Dajusch is known for incorporating his years of classical study in with his immersive musical style – and with his VA effort the Berlin native neatly showcases this. Easing the energy slightly, ‘Move' escalates from its warm, melodic intro into rumbling goliath of a beat comprising a looping, slew of gassy harmonics. The momentum of the release shifts considerably with the introduction of acutely versatile producer, DJ and sound artist Claus. The artist from Spandau leans his track ‘Bloomscroll' towards sparse, dubby sonics in which he intricately ties together to form churning, burgeoning soundscape. FJAAK jolt proceedings back into the techno groove with their signature blend of arresting sub-bass and reverberating rhythms, which come thick, fast and heavy on ‘Jackfruit'. The abstract wonder of Anna Z's broken-beat like stylings is fully explored on ‘Icy Liq'. It's outlandish and amorphous in its execution, causing a clattering percussive chaos that's choicely pieced together by the modular-extraordinaire. Nikk stealthy moves into breaks territory with his track ‘Down In The Shadows', packing a trap-like snare with an acid-flecked melody and dawn-breaking, dream-like textures. The penultimate track on the VA is ‘Tufted'. J.Manuel expertly employs a chorus of robot-like sonics that course through a short-circuiting low-end to produce a pacy, inescapable journey via a whirling, merciless beat. He is joined by the legendary producer Tobi Neumann for their menacingly ambient number titled ‘Fennec.' In parts a nod to UK dubstep, the duo concocts a fierce admixture of styles bolstering tribal-like components with industrialised overtones and methodically crafted drum-fills.

Buy here: found.ee/spandau20-010 Spandau20, an imprint named after the Western Berlin district and focused on artists from the area, delivers techno in all diverse forms – from warehouse and electronic peak time beats to breaks and IDM, balancing the old and new school sounds flawlessly. With a focus on vinyl releases, for the collectors, Spandau20 has lately also focused on its label nights, with showcases at Fabric, Bassiani and many others. The label's 10th release features 10 tracks that epitomise the musical diversity of Spandau20 and the progressive musical mindset of its roster, calling on the label favourites and Spandau natives to deliver brand new and exciting music. This special release even features one track that all artists have worked on together: ‘Come Closer', a swarming, slithering beginning featured as the VA's opener. Its barely coherent female vocal echoing amidst a cacophony of demon-like effects. The chilling ambience captured at the offset transcends into the first full length track by Elli Acula, ‘Floating Eyes', a cur characterised by an authoritative, pounding bass featuring calculated percussive rolls and metallic overtones to make for a face-scrunching opener to this devilish collection of works. FJAAK follow for the first of twin cameo appearances, partnering up with fellow live supremo and hardware aficionado KiNK. On ‘Overbridge' the trio deliver a cavernous, rolling number driven by a deep thrumming bass in addition to a razor-edged lead synth, and pulsating technopattern. Dajusch is known for incorporating his years of classical study in with his immersive musical style – and with his VA effort the Berlin native neatly showcases this. Easing the energy slightly, ‘Move' escalates from its warm, melodic intro into rumbling goliath of a beat comprising a looping, slew of gassy harmonics. The momentum of the release shifts considerably with the introduction of acutely versatile producer, DJ and sound artist Claus. The artist from Spandau leans his track ‘Bloomscroll' towards sparse, dubby sonics in which he intricately ties together to form churning, burgeoning soundscape. FJAAK jolt proceedings back into the techno groove with their signature blend of arresting sub-bass and reverberating rhythms, which come thick, fast and heavy on ‘Jackfruit'. The abstract wonder of Anna Z's broken-beat like stylings is fully explored on ‘Icy Liq'. It's outlandish and amorphous in its execution, causing a clattering percussive chaos that's choicely pieced together by the modular-extraordinaire. Nikk stealthy moves into breaks territory with his track ‘Down In The Shadows', packing a trap-like snare with an acid-flecked melody and dawn-breaking, dream-like textures. The penultimate track on the VA is ‘Tufted'. J.Manuel expertly employs a chorus of robot-like sonics that course through a short-circuiting low-end to produce a pacy, inescapable journey via a whirling, merciless beat. He is joined by the legendary producer Tobi Neumann for their menacingly ambient number titled ‘Fennec.' In parts a nod to UK dubstep, the duo concocts a fierce admixture of styles bolstering tribal-like components with industrialised overtones and methodically crafted drum-fills.

Today's fascinating episode of Synthetic Dreams features legendary singer, Tony Hadley .Tony, is of course, best known as the lead singer of one of the biggest bands of the 1980s, Spandau Ballet. The band, who formed in Islington, London back in 1979, scored a number of hits. Spandau's debut single, ‘To Cut A Long Story Short', one of the greatest synth-pop anthems of all-time, reached number five in the UK charts and was the first of ten UK top-10 singles for the band, reaching global success with ‘Chant No 1, ‘True; 'Gold' and ‘Through the Barricades' to name a few.We discuss, amongst other things, his Christmas Big Band Tour 2025, the 40th anniversary of Live Aid and his memories from that special day. He also talks about electronic music and his love Kraftwerk and early Ultravox, plus his time hanging out at legendary new romantic club, The Blitz.

Boxen: Am 22. Februar 2025 siegte der Leverkusener Agat Kabayel durch K.o. in Runde 6 gegen Zhang Zhilei und wurde dadurch im Schwergewicht WBC-Interimsweltmeister. Sein großer Traum ist Weltmeister zu werden. Agit Kabayels Erfolg ist nicht nur das Resultat seiner eigenen Entschlossenheit und außergewöhnlichen Fähigkeiten, sondern auch das Werk seines Trainers, Sükrü Aksu. Aksu hat Kabayel zu einem der besten Schwergewichtler gemacht und zählt zu den am meisten unterschätzten Trainern in Deutschland. Aksu ist ein absoluter Geheimtipp im deutschen Boxsport – ein Trainer, der oft nicht die Anerkennung bekommt, die er verdient. Doch wer Kabayel in den letzten Jahren verfolgt hat, weiß, dass Aksu zu den besten Trainern des Landes gehört. Und genau dieser Trainer gab der „Sportstunde“ ein Interview über den Erfolg, über seinen Schützling und die zukünftigen Ziele. Wasserball: Wir gehen ins Wasser nehmen aber einen Ball mit. Premiere in der „Sportstunde“: Wasserball! Neue Wasserballpokalsieger wurden vor ein paar Wochen bei den Frauen die Spandauerinnen, bei den Männern gewann Waspo Hannover. Und eben dort spielt aktuell Denis Strelezkij! Er ist deutscher Nationalspieler und wechselte vor der Saison eben von Spandau nach Hannover. Es hat sich wohl gelohnt, denn er holte gleich mit den Hannoveranern einen Pokal. Aber im Interview beschreibt Denis Strelezkij, dass im Wasserball nicht alles Gold ist, was glänzt! Ein Interview zwischen Jubel, Leidenschaft und Enttäuschung. (www.sport-magazin.de) Hier gibt es die Interviews in voller Länge: Apple Podcasts: https://podcasts.apple.com/de/podcast/sportstunde-interviews-in-voller-l%C3%A4nge/id1705390264?uo=4 Spotify: https://open.spotify.com/show/00va1TW4YzTYDCGMpkNMOU Website. https://sportstunde-podcast.de/

Send us a textThis week we welcome Jahred Gamez Social Media Liaison for Spandau Arms a U.S. based Shotgun Manufacturer. Jahred shares the story of how Spandau came to be and how they designed their shotguns specifically with the hunter in mind. But first we talk local and national sports in the first segment.Missouri Hunting Heritage Federation:https://www.mhhf.us/To follow American Roots Outdoors Podcast:https://www.facebook.com/groups/448812356525413To learn more about American Roots Outdoors:https://americanrootsoutdoors.com/https://www.facebook.com/AmericanRootsOutdoors/To follow Alex Rutledge:https://www.facebook.com/americanrootsalex/To follow Wayne Lach:https://www.facebook.com/wayne.lach.5To follow Mike Crase:https://www.facebook.com/mike.crase

Buy here: found.ee/spandau20-010 Spandau20, an imprint named after the Western Berlin district and focused on artists from the area, delivers techno in all diverse forms – from warehouse and electronic peak time beats to breaks and IDM, balancing the old and new school sounds flawlessly. With a focus on vinyl releases, for the collectors, Spandau20 has lately also focused on its label nights, with showcases at Fabric, Bassiani and many others. The label's 10th release features 10 tracks that epitomise the musical diversity of Spandau20 and the progressive musical mindset of its roster, calling on the label favourites and Spandau natives to deliver brand new and exciting music. This special release even features one track that all artists have worked on together: ‘Come Closer', a swarming, slithering beginning featured as the VA's opener. Its barely coherent female vocal echoing amidst a cacophony of demon-like effects.

Geschichte trifft Musik in historischer Umgebung: In der Zitadelle Spandau in Berlin findet vom 21.02. bis zum 09.03. das SPAM-Festival statt - "Spandau macht alte Musik". Von Harald Asel

Download Chris's FREE E-Book on “How To Find Ultra High Net Worth Clients" from https://UHNWC.com/   Amy Spandau (https://www.ablazefinancial.com/) is the founder of Ablaze, a company dedicated to bringing big business accounting and finance expertise to smaller, growing businesses and founders. With over 25 years of experience in public accounting and as an executive for large, international public companies and start-ups, Amy recognized the challenges that start-ups and small business owners face. She realized that they are often expected to have extensive knowledge across multiple areas, despite lacking the necessary training and specialization. This insight led her to establish Ablaze, where she leverages her deep expertise to support businesses in navigating the complexities of finance and accounting, empowering them to focus on growth and success. In this episode, Chris and Amy discuss: 1. Building Your Business Health Check Habit 2. Decoding Cash Flows 3. Why Enjoying Your Work Leads to Financial Prosperity 4. Beyond the Balance Sheet: Emotional Resilience in Finance LinkedIn: https://www.linkedin.com/in/amy-spandau-1b624a5/  Company LinkedIn: https://www.linkedin.com/company/ablaze-financial-inc/  Website: https://www.ablazefinancial.com/  Maximize your marketing, close more clients, and amplify your AUM by following us on:  Instagram:  https://instagram.com/ultrahighnetworthclients  TikTok: https://tiktok.com/ultrahighnetworthclients  YouTube: https://www.youtube.com/@uhnwc Facebook: https://www.facebook.com/UHNWCPodcast  Twitter: https://twitter.com/uhnwcpodcast  iTunes:  https://podcasts.apple.com/au/podcast/ultra-high-net-worth-clients-with-chris-brodhead/id1569041400 Spotify: https://open.spotify.com/show/4Guqegm2CVqkcEfMSLPEDr Website: https://uhnwc.com  Work with us: https://famousfounder.com/fa  DISCLAIMER: This content is provided by Chris Brodhead for the general public and general information purposes only. This content is not considered to be an offer to buy or sell any securities or investments. Investing involves the risk of loss and an investor should be prepared to bear potential losses. Investment should only be made after thorough review with your investment advisor considering all factors including personal goals, needs and risk tolerance. 

Wie wird man professioneller Streamer? Sind gute Gamer:innen auch automatisch gute E-Sportler:innen? Warum ist Holzhacken erotisch? Und gibt es ein Mindestalter für das Saxophon? Hazel und Thomas sprechen mit HandOfBlood aus Spandau, einem der erfolgreichsten deutschsprachigen Content Creator und Streamer. Inhalt: 00:00 Firma HandOfBlood 04:39 toxische Eigenschaften 11:52 Streaming als Beruf 20:03 ungesunder Content 28:05 Attraktivität von Männern 31:54 Sogwirkung von Medien 44:30 Waldorfschule & erste Gaming-Erfahrung 51:22 Spielmusik & -verfilmungen 54:27 Kindererziehung & Lebenserfahrungen machen 1:00:05 Woke 1:08:02 Sexismus Gaming-Szene Zeitstempel können variieren. HandOfBlood bei Instagram https://www.instagram.com/handiofiblood/ Die narzisstische Persönlichkeitsstörung wird im ICD-10 nur unter der Rubrik Sonstige spezifische Persönlichkeitsstörungen (F 60.8) aufgeführt. Dort wird sie nicht weiter charakterisiert, obwohl sie in der Praxis als Persönlichkeitsdiagnose häufig gebraucht wird. Nico Semsrott https://www.instagram.com/nicosemsrott/ Tobi Katze - Morgen ist leider auch noch ein Tag https://www.thalia.de/shop/home/artikeldetails/A1034942446 Nikocado Avocado controversy https://theconversation.com/youtuber-nikocado-avocados-extreme-weight-loss-hoax-isnt-admirable-its-fatness-being-exploited-for-engagement-238562 Mike Tyson und Hasbulla https://www.rtl.de/cms/mike-tyson-beisst-tiktok-star-hasbulla-ins-ohr-5035818.html Hasbulla quält Katze https://nypost.com/2023/03/30/russian-influencer-hasbulla-slammed-for-cat-abuse-video-shame/ Cannabis erst ab 25 https://utopia.de/news/hirnforscher-wieso-cannabis-erst-ab-25-jahren-legal-sein-sollte_644521/ HandOfBlood im Kurt-Krömer-Podcast „Feelings“ https://open.spotify.com/episode/3ukSS9YdU2ss9fnw5j0Bcc?si=ToIamLDbToS1n9oyt165xg Mario Balotelli tanzt, liest und bügelt https://www.oe24.at/leute/international/mario-balotelli-buegelt-selbst/151961469 Helge Schneider bei HandOfBlood https://youtu.be/evr5TwrvfRo?si=j7NNnDgIEajDWPfs Lootbox https://de.wikipedia.org/wiki/Lootbox Lootbox-Verbot in Belgien https://www.bbc.com/news/technology-43906306 Werbeverbot für an Kinder gerichtete Süßigkeiten-Werbung https://www.deutschlandfunk.de/werbeverbot-lebensmittel-zucker-salz-fett-kinder-landesmedienanstalten-cem-oezdemir-100.html#:~:text=In%20Großbritannien%2C%20Irland%2C%20Schweden%2C,Cem%20Özdemir%20nicht%20gegriffen%20hat. „The Sims“ von Margot Robbie https://www.watson.ch/leben/filme-und-serien/446163483-the-sims-verfilmung-mit-margot-robbie-bestaetigt „Am I Racist?“ Trailer https://youtu.be/c7PA_kshZh0?si=-CTOGtjFsUx0JvVT Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/hoererlebnis Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

Hurra, die Schumachers sind wieder da. Die frische Wochenschau aus den Berliner Hinterhofstudios mit Paul, Hajo und folgenden Themen: Wagenknecht statt Höcke und Zoff mit Ansage. Koalitionsgespräche in Erfurt und Dresden: Mit Nazis reden? SPD schafft 5%-Hürde. Clementine Wagenknecht regiert mit. Mietbetrug mit Airbnb-Wohnung. Tourette und soziale Ansteckung. Das Ferkel aus dem Sack lassen. Auf die Plätze, fertig, Floß. Runen und Schamanen in Spandau. Dynamische Preise. Drohnen als Haustier. Habils Peperoni und die feuchte Planke. Plus: Bildungshochburg Berlin. Folge 816.

Der Sommer neigt sich dem Ende und wir blicken zurück auf das Vainstream, Parkwaves und Metalhead Meeting Festival. War der Trip nach Spandau zu Korn auch erfolgreich oder konnte die DB hier ausnahmsweise unzuverlässig sein? Des Weiteren schauen wir auf einige der wichtigsten Releases des auslaufenden Jahres und klären nebenbei noch auf über den verlogenen Märchenstandort Deutschland!

Karl Dönitz est célèbre pour plusieurs raisons, principalement en raison de son rôle majeur dans la marine allemande pendant la Seconde Guerre mondiale et pour avoir brièvement succédé à Adolf Hitler comme chef d'État de l'Allemagne nazie.Commandant des sous-marins allemands (U-Boote)Dönitz est surtout connu pour son commandement de la force sous-marine allemande (U-Bootwaffe) pendant la Seconde Guerre mondiale. Il a été l'architecte de la stratégie de la guerre sous-marine totale, visant à couper les lignes de ravitaillement alliées en Atlantique. Cette stratégie a entraîné des pertes considérables pour les Alliés et a été un élément clé de la guerre navale. Dönitz a perfectionné la tactique des "meutes de loups", où les sous-marins allemands opéraient en groupes coordonnés pour attaquer les convois alliés.Commandant en chef de la KriegsmarineEn janvier 1943, Dönitz a été nommé commandant en chef de la Kriegsmarine (marine de guerre allemande), succédant à l'amiral Erich Raeder. Sous son commandement, la marine allemande a continué ses opérations contre les Alliés, bien que la supériorité navale alliée ait rendu ces efforts de plus en plus difficiles à mesure que la guerre progressait.Succession à HitlerAprès le suicide d'Adolf Hitler le 30 avril 1945, Dönitz a été désigné par le testament de Hitler comme son successeur à la tête de l'État allemand. Devenu président du Reich (Reichspräsident), Dönitz a formé un gouvernement provisoire basé à Flensbourg. Son gouvernement n'a duré que quelques semaines, pendant lesquelles il a tenté de négocier une reddition partielle aux Alliés occidentaux tout en continuant à combattre les Soviétiques. Finalement, il a supervisé la capitulation totale de l'Allemagne le 8 mai 1945, mettant fin à la Seconde Guerre mondiale en Europe.Procès et CondamnationAprès la guerre, Dönitz a été arrêté et jugé lors des procès de Nuremberg. Il a été accusé de crimes de guerre et de crimes contre la paix. Dönitz a été condamné à 10 ans de prison, qu'il a purgés à la prison de Spandau. Il a été libéré en 1956.HéritageDönitz reste une figure controversée. Il est reconnu pour ses compétences tactiques et son leadership dans la marine, mais aussi critiqué pour son rôle dans la guerre sous-marine et son association avec le régime nazi. Son nom est indissociable de l'histoire de la Seconde Guerre mondiale et des complexités de la guerre navale. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

"It's a dream to share a passion with your best friend." The German duo talk about life on the road and writing their first album in six years. Together, Felix Wagner and Aaron Röbig make up the dynamic duo FJAAK. As one of Germany's best-known nightlife exports, they've earned a reputation for being techno's "boy band," gracing the stages of festivals and clubs all over the world for the last ten-plus years. Wagner and Röbig met in Spandau, an area just outside of Berlin, when they were both still in school. Equally interested in music (especially hip-hop), they started working on beats together alongside two other friends. The four-person group turned into FJAAK, and when they all moved to the city centre together after finishing their studies, they started living collectively and touring the project, achieving traction quickly. FJAAK is now just a duo—the group dwindled from four people to three, and then, in 2019, to just Röbig and Wagner. They claim they're closer to soulmates than friends; they know everything about each other and seem so in tune as to be almost telepathic. "The super power we've evolved over the years is to live a harmonic life together," Wagner said. In this RA Exchange, Röbig and Wagner talk about navigating through life with someone by their side, their thoughts on equality and meritocracy in the music industry, how they work together in the studio, their record label and their new album, FJAAK THE SYSTEM, which came out in May. Listen to the episode in full. This episode was recorded and filmed at Pirate Studios.

We've applied our celebrated sheep/goats separation technique to the rock and roll pasture and shepherded the following into this week's pod … … Beyoncé and why it's hard to connect with songs written by committee. … are we too old for biopics? … Marvel films, the Arctic Monkeys and other things you either love or avoid.   … reviewing Human Touch and Lucky Town in a high-security studio (and how you can only tell if an album's any good if you've lived with it for two months). … why Tony Blackburn is the greatest British DJ. … “Bing was no more Bing than Sinatra was Sinatra”. … hoary old tales that were the engine of the rock press - the Clash shooting pigeons, Kevin Rowland stealing his own master-tapes, Cliff v Elvis, Beatles v Stones, Hendrix v Clapton, Bowie v Bolan, Clash v the Pistols, Spandau v Duran, Oasis v Blur. … are Oasis songs mostly about being Oasis? … “fame is no longer enacted in the public space”. … indie cliches – escaping the drudgery of the Man and mundanity of Small Town life. … “the harder I practice, the luckier I get”. … Scots punk act get movie soundtrack windfall! … Alex is arranging a woke stag do - “you go to places where ladies put clothes ON”. … plus birthday guest Andrew Newbury wonders if Country is more than “the three Ds - driving, dogs and divorce”.Subscribe to Word In Your Ear on Patreon for early - and ad-free - access, plus a whole load more!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

We've applied our celebrated sheep/goats separation technique to the rock and roll pasture and shepherded the following into this week's pod … … Beyoncé and why it's hard to connect with songs written by committee. … are we too old for biopics? … Marvel films, the Arctic Monkeys and other things you either love or avoid.   … reviewing Human Touch and Lucky Town in a high-security studio (and how you can only tell if an album's any good if you've lived with it for two months). … why Tony Blackburn is the greatest British DJ. … “Bing was no more Bing than Sinatra was Sinatra”. … hoary old tales that were the engine of the rock press - the Clash shooting pigeons, Kevin Rowland stealing his own master-tapes, Cliff v Elvis, Beatles v Stones, Hendrix v Clapton, Bowie v Bolan, Clash v the Pistols, Spandau v Duran, Oasis v Blur. … are Oasis songs mostly about being Oasis? … “fame is no longer enacted in the public space”. … indie cliches – escaping the drudgery of the Man and mundanity of Small Town life. … “the harder I practice, the luckier I get”. … Scots punk act get movie soundtrack windfall! … Alex is arranging a woke stag do - “you go to places where ladies put clothes ON”. … plus birthday guest Andrew Newbury wonders if Country is more than “the three Ds - driving, dogs and divorce”.Subscribe to Word In Your Ear on Patreon for early - and ad-free - access, plus a whole load more!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

We've applied our celebrated sheep/goats separation technique to the rock and roll pasture and shepherded the following into this week's pod … … Beyoncé and why it's hard to connect with songs written by committee. … are we too old for biopics? … Marvel films, the Arctic Monkeys and other things you either love or avoid.   … reviewing Human Touch and Lucky Town in a high-security studio (and how you can only tell if an album's any good if you've lived with it for two months). … why Tony Blackburn is the greatest British DJ. … “Bing was no more Bing than Sinatra was Sinatra”. … hoary old tales that were the engine of the rock press - the Clash shooting pigeons, Kevin Rowland stealing his own master-tapes, Cliff v Elvis, Beatles v Stones, Hendrix v Clapton, Bowie v Bolan, Clash v the Pistols, Spandau v Duran, Oasis v Blur. … are Oasis songs mostly about being Oasis? … “fame is no longer enacted in the public space”. … indie cliches – escaping the drudgery of the Man and mundanity of Small Town life. … “the harder I practice, the luckier I get”. … Scots punk act get movie soundtrack windfall! … Alex is arranging a woke stag do - “you go to places where ladies put clothes ON”. … plus birthday guest Andrew Newbury wonders if Country is more than “the three Ds - driving, dogs and divorce”.Subscribe to Word In Your Ear on Patreon for early - and ad-free - access, plus a whole load more!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The next guest for our Mixtape series is one of SPANDAU20's very own talents: @jmanuel-werkmusic!

Au printemps 1941, Rudolf Hess, un des principaux dignitaires nazis, qu'Hitler avait même désigné comme son dauphin, s'envole pour l'Angleterre. Il est seul aux commandes de son avion. On a beaucoup discuté pour savoir si cette curieuse initiative avait été prise avec l'accord du Führer. Certains soulignent qu'il se serait mis dans une violente colère à l'annonce de l'escapade de son subordonné. Pour d'autres, ce n'est qu'une comédie, Hitler ayant, en secret, approuvé la folle échappée de son second. Mais quel but pouvait-elle bien avoir? Rudolf Hess serait allé négocier une paix séparée avec l'Angleterre. Alors qu'Hitler s'apprête à envahir la Russie, elle lui aurait évité d'avoir à combattre sur deux fronts. Les Anglais laisseraient les mains libres aux nazis, en Europe, et pourraient conserver, en échange, toutes leurs possessions coloniales. Une très longue détention Le 10 mai 1941, l'avion de Rudolf Hess, après avoir été pris en chasse par la Royal Air Force, s'écrase au-dessus de l'Écosse. Mais son pilote a eu le temps de s'éjecter et de sauter en parachute. Une fois au sol, Hess, qui est fait prisonnier, demande à voir le duc de Hamilton, aristocrate influent et propriétaire du domaine sur lequel il se trouve. Il ne s'est pas rendu en Écosse par hasard, car il attribue au duc des sentiments germanophiles. Aussi demande-t-il à parler, par son intermédiaire, au Roi ou au Premier ministre. Aucun des deux ne fera le déplacement. En tant qu'ennemi, Rudolf Hess sera incarcéré. Et il le sera jusqu'à sa mort. Le dignitaire nazi, qui ne sortira de sa prison que pour être jugé à Nuremberg, en 1945, restera enfermé jusqu'en 1987, date de sa mort. Après 46 ans de détention, il finira par se suicider, à l'âge de 93 ans, dans la prison de Spandau, où il était le seul prisonnier. L'équipée de Rudolf Hess a paru tellement folle que beaucoup ont pensé que l'homme enfermé à Spandau n'était en fait qu'un sosie du dignitaire nazi. On se demande, dans ce cas, comment il aurait pu abuser ses co-accusés à Nuremberg. De toute façon, des analyses ADN semblent prouver que le détenu était bien Rudolf Hess. Learn more about your ad choices. Visit megaphone.fm/adchoices

Au printemps 1941, Rudolf Hess, un des principaux dignitaires nazis, qu'Hitler avait même désigné comme son dauphin, s'envole pour l'Angleterre. Il est seul aux commandes de son avion.On a beaucoup discuté pour savoir si cette curieuse initiative avait été prise avec l'accord du Führer. Certains soulignent qu'il se serait mis dans une violente colère à l'annonce de l'escapade de son subordonné.Pour d'autres, ce n'est qu'une comédie, Hitler ayant, en secret, approuvé la folle échappée de son second. Mais quel but pouvait-elle bien avoir?Rudolf Hess serait allé négocier une paix séparée avec l'Angleterre. Alors qu'Hitler s'apprête à envahir la Russie, elle lui aurait évité d'avoir à combattre sur deux fronts. Les Anglais laisseraient les mains libres aux nazis, en Europe, et pourraient conserver, en échange, toutes leurs possessions coloniales.Une très longue détentionLe 10 mai 1941, l'avion de Rudolf Hess, après avoir été pris en chasse par la Royal Air Force, s'écrase au-dessus de l'Écosse. Mais son pilote a eu le temps de s'éjecter et de sauter en parachute.Une fois au sol, Hess, qui est fait prisonnier, demande à voir le duc de Hamilton, aristocrate influent et propriétaire du domaine sur lequel il se trouve. Il ne s'est pas rendu en Écosse par hasard, car il attribue au duc des sentiments germanophiles.Aussi demande-t-il à parler, par son intermédiaire, au Roi ou au Premier ministre. Aucun des deux ne fera le déplacement. En tant qu'ennemi, Rudolf Hess sera incarcéré. Et il le sera jusqu'à sa mort.Le dignitaire nazi, qui ne sortira de sa prison que pour être jugé à Nuremberg, en 1945, restera enfermé jusqu'en 1987, date de sa mort. Après 46 ans de détention, il finira par se suicider, à l'âge de 93 ans, dans la prison de Spandau, où il était le seul prisonnier.L'équipée de Rudolf Hess a paru tellement folle que beaucoup ont pensé que l'homme enfermé à Spandau n'était en fait qu'un sosie du dignitaire nazi. On se demande, dans ce cas, comment il aurait pu abuser ses co-accusés à Nuremberg. De toute façon, des analyses ADN semblent prouver que le détenu était bien Rudolf Hess. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

After World War II, Nazi leader Rudolph Hess was imprisoned in Germany's Spandau prison. Jimmy Akin and Dom Bettinelli discuss whether the man in Spandau was Hess or an impostor and whether he died by suicide or was murdered and who would have done it. The post Was Rudolf Hess Murdered? (Nazi Hess Conspiracies) appeared first on StarQuest Media.