Borough of Berlin in Germany
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//The Wire//2300Z May 23, 2025////ROUTINE////BLUF: MULTIPLE STABBING ATTACKS REPORTED IN GERMANY, ONE MASS STABBING AND TWO INCIDENTS INVOLVING SCHOOLCHILDREN. BRITISH AIRWAYS QUIETLY EXTENDS HALT OF FLIGHTS TO ISRAEL DUE TO SECURITY CONCERNS.// -----BEGIN TEARLINE------International Events-Germany: Yesterday two stabbing attacks occurred in primary schools throughout the nation, both of which appear to have started as arguments between students.The first stabbing incident occurred in Spandau and involved an 11-year-old being stabbed by a fellow classmate at Weinmeisterhorn Elementary School. The victim remains hospitalized in intensive care following the incident, which began as a schoolyard fight that ended with the other student stabbing the victim.The second stabbing incident occurred a few hours after the first, in the town of Remschied. In this case an 11-year-old stabbed a fellow classmate (aged 13-years-old), allegedly due to a dispute between the two.This morning a mass stabbing was reported at the central train station in Hamburg. 12x victims were wounded in the attack, with 3x remaining in critical condition. The assailant was arrested at the scene, but has not been identified as of this report.AC: Some reports conflict on the identity of the assailant. Some sources claim the attacker was female, while others state that it was male, or at minimum of questionable status.Middle East: This morning Israeli media reported that British Airways canceled all flights in and out of Israel until July 31, due to security concerns.AC: This is an interesting case as British Airways hasn't publicly acknowledged this development, at least not yet. As a reminder, British Airways (along with a few other smaller airlines) had halted all flights into and out of Israel's Ben Gurion airport due to successful Houthi missile strikes a few months ago. Overnight, it seems as though Israeli journalists went onto the British Airways website and discovered that tickets could not be booked for the airport until August. As such, what is being touted as a flight-ban is probably a quiet and non-publicized extension of a pre-existing flight ban for security reasons.-----END TEARLINE-----Analyst Comments: Right now details on both juvenile-linked stabbing incidents in Germany are sketchy at best; Quite literally zero mainstream media outlets have mentioned either incident...even Googling these stories turns up zero search results. However, the small handful of local German-language media sources have suggested that both assailants were German citizens of an immigrant origin. A few AfD politicians and figures have also made similar statements, but since the offenders are juveniles, very little investigation will be conducted due to Germany's procedures involving underage criminals.Similarly, the ax-attack that occurred two days ago in the parking lot of a grocery store in France has received little media attention and has subsequently been hard to find any details on. Most local French-language independent media that has mentioned the story seem to think this ax-murder was intra-cultural violence situation as both the victim and perpetrator were of Turkish ethnicity. In any case, though these brutal attacks and murders are very common throughout Europe, it's becoming increasingly difficult to find out that an attack occurs in the first place. In almost all cases, the only way the world knows of an attack is via individual citizens posting about the incident on social media in such a way that does not trigger algorithmic suppression of the information.Analyst: S2A1Research: https://publish.obsidian.md/s2underground//END REPORT//
Slapping the beanburger of news on the sizzling grill of scrutiny and served with relish by Alex Gold and Mark Ellen (David's in Spain with his bucket and spade). This week's specials include … … Springsteen's unprecedented speech onstage in Manchester about his nation's “corrupt, incompetent and treasonous administration” and the Dixie Chicks' career-popping anti-Trump manoeuvre of 2003. … John Niven's upcoming play ‘The Battle' and the Blur/Oasis soundclash it celebrates. … the 50th anniversary of the Stones' (I Can't Get No) Satisfaction: from motel bed to finished recording in six days. … “Lennon's all about the legs”: the art of playing the Beatles, Keith Richards and all four of the Small Faces onstage (involves “ducking, bobbing and dipping”). … brilliant songs written in seconds – by Lady Gaga, the Beastie Boys, James Brown and the White Stripes. … the tour circuit and the trouble at borders. … “the sound of dental floss being pinged by a squirrel”: Bill Bailey's impression of the Edge with a power failure. … Elvis v Cliff, Beatles v Stones, Hendrix v Clapton, Bowie v Bolan, Clash v Pistols, Duran v Spandau, Blur v Oasis: what was the last great rock rivalry? ... and Elvis Costello's inspired use of the Ansaphone.Fast Show clip ‘Mr Wells':https://www.youtube.com/watch?v=9FRAeFyBX1wHelp us to keep the conversation going by joining our worldwide Patreon community: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Slapping the beanburger of news on the sizzling grill of scrutiny and served with relish by Alex Gold and Mark Ellen (David's in Spain with his bucket and spade). This week's specials include … … Springsteen's unprecedented speech onstage in Manchester about his nation's “corrupt, incompetent and treasonous administration” and the Dixie Chicks' career-popping anti-Trump manoeuvre of 2003. … John Niven's upcoming play ‘The Battle' and the Blur/Oasis soundclash it celebrates. … the 50th anniversary of the Stones' (I Can't Get No) Satisfaction: from motel bed to finished recording in six days. … “Lennon's all about the legs”: the art of playing the Beatles, Keith Richards and all four of the Small Faces onstage (involves “ducking, bobbing and dipping”). … brilliant songs written in seconds – by Lady Gaga, the Beastie Boys, James Brown and the White Stripes. … the tour circuit and the trouble at borders. … “the sound of dental floss being pinged by a squirrel”: Bill Bailey's impression of the Edge with a power failure. … Elvis v Cliff, Beatles v Stones, Hendrix v Clapton, Bowie v Bolan, Clash v Pistols, Duran v Spandau, Blur v Oasis: what was the last great rock rivalry? ... and Elvis Costello's inspired use of the Ansaphone.Fast Show clip ‘Mr Wells':https://www.youtube.com/watch?v=9FRAeFyBX1wHelp us to keep the conversation going by joining our worldwide Patreon community: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
It's the last episode of the series and we have heard your cries. It is time. We put it to you to ask Martin all the things you wanted to know about Live Aid and you certainly delivered! Roman tests Martin's memory of the day and questions Spandau's set list, Martin talks about the special way the band arrived to Wembley AND Martin reveals who the real “divas” of the day were. Email us at ffs@insanity.com Listen by clicking 'Play' on Apple Podcasts, Spotify, or wherever it is you're listening now. Make sure to Subscribe or Follow, Rate and Review to help others find the podcast. FFS! My Dad Is Martin Kemp, this has been an Insanity Studios production.
Buy here: found.ee/spandau20-010 Spandau20, an imprint named after the Western Berlin district and focused on artists from the area, delivers techno in all diverse forms – from warehouse and electronic peak time beats to breaks and IDM, balancing the old and new school sounds flawlessly. With a focus on vinyl releases, for the collectors, Spandau20 has lately also focused on its label nights, with showcases at Fabric, Bassiani and many others. The label's 10th release features 10 tracks that epitomise the musical diversity of Spandau20 and the progressive musical mindset of its roster, calling on the label favourites and Spandau natives to deliver brand new and exciting music. This special release even features one track that all artists have worked on together: ‘Come Closer', a swarming, slithering beginning featured as the VA's opener. Its barely coherent female vocal echoing amidst a cacophony of demon-like effects. The chilling ambience captured at the offset transcends into the first full length track by Elli Acula, ‘Floating Eyes', a cur characterised by an authoritative, pounding bass featuring calculated percussive rolls and metallic overtones to make for a face-scrunching opener to this devilish collection of works. FJAAK follow for the first of twin cameo appearances, partnering up with fellow live supremo and hardware aficionado KiNK. On ‘Overbridge' the trio deliver a cavernous, rolling number driven by a deep thrumming bass in addition to a razor-edged lead synth, and pulsating technopattern. Dajusch is known for incorporating his years of classical study in with his immersive musical style – and with his VA effort the Berlin native neatly showcases this. Easing the energy slightly, ‘Move' escalates from its warm, melodic intro into rumbling goliath of a beat comprising a looping, slew of gassy harmonics. The momentum of the release shifts considerably with the introduction of acutely versatile producer, DJ and sound artist Claus. The artist from Spandau leans his track ‘Bloomscroll' towards sparse, dubby sonics in which he intricately ties together to form churning, burgeoning soundscape. FJAAK jolt proceedings back into the techno groove with their signature blend of arresting sub-bass and reverberating rhythms, which come thick, fast and heavy on ‘Jackfruit'. The abstract wonder of Anna Z's broken-beat like stylings is fully explored on ‘Icy Liq'. It's outlandish and amorphous in its execution, causing a clattering percussive chaos that's choicely pieced together by the modular-extraordinaire. Nikk stealthy moves into breaks territory with his track ‘Down In The Shadows', packing a trap-like snare with an acid-flecked melody and dawn-breaking, dream-like textures. The penultimate track on the VA is ‘Tufted'. J.Manuel expertly employs a chorus of robot-like sonics that course through a short-circuiting low-end to produce a pacy, inescapable journey via a whirling, merciless beat. He is joined by the legendary producer Tobi Neumann for their menacingly ambient number titled ‘Fennec.' In parts a nod to UK dubstep, the duo concocts a fierce admixture of styles bolstering tribal-like components with industrialised overtones and methodically crafted drum-fills.
Buy here: found.ee/spandau20-010 Spandau20, an imprint named after the Western Berlin district and focused on artists from the area, delivers techno in all diverse forms – from warehouse and electronic peak time beats to breaks and IDM, balancing the old and new school sounds flawlessly. With a focus on vinyl releases, for the collectors, Spandau20 has lately also focused on its label nights, with showcases at Fabric, Bassiani and many others. The label's 10th release features 10 tracks that epitomise the musical diversity of Spandau20 and the progressive musical mindset of its roster, calling on the label favourites and Spandau natives to deliver brand new and exciting music. This special release even features one track that all artists have worked on together: ‘Come Closer', a swarming, slithering beginning featured as the VA's opener. Its barely coherent female vocal echoing amidst a cacophony of demon-like effects. The chilling ambience captured at the offset transcends into the first full length track by Elli Acula, ‘Floating Eyes', a cur characterised by an authoritative, pounding bass featuring calculated percussive rolls and metallic overtones to make for a face-scrunching opener to this devilish collection of works. FJAAK follow for the first of twin cameo appearances, partnering up with fellow live supremo and hardware aficionado KiNK. On ‘Overbridge' the trio deliver a cavernous, rolling number driven by a deep thrumming bass in addition to a razor-edged lead synth, and pulsating technopattern. Dajusch is known for incorporating his years of classical study in with his immersive musical style – and with his VA effort the Berlin native neatly showcases this. Easing the energy slightly, ‘Move' escalates from its warm, melodic intro into rumbling goliath of a beat comprising a looping, slew of gassy harmonics. The momentum of the release shifts considerably with the introduction of acutely versatile producer, DJ and sound artist Claus. The artist from Spandau leans his track ‘Bloomscroll' towards sparse, dubby sonics in which he intricately ties together to form churning, burgeoning soundscape. FJAAK jolt proceedings back into the techno groove with their signature blend of arresting sub-bass and reverberating rhythms, which come thick, fast and heavy on ‘Jackfruit'. The abstract wonder of Anna Z's broken-beat like stylings is fully explored on ‘Icy Liq'. It's outlandish and amorphous in its execution, causing a clattering percussive chaos that's choicely pieced together by the modular-extraordinaire. Nikk stealthy moves into breaks territory with his track ‘Down In The Shadows', packing a trap-like snare with an acid-flecked melody and dawn-breaking, dream-like textures. The penultimate track on the VA is ‘Tufted'. J.Manuel expertly employs a chorus of robot-like sonics that course through a short-circuiting low-end to produce a pacy, inescapable journey via a whirling, merciless beat. He is joined by the legendary producer Tobi Neumann for their menacingly ambient number titled ‘Fennec.' In parts a nod to UK dubstep, the duo concocts a fierce admixture of styles bolstering tribal-like components with industrialised overtones and methodically crafted drum-fills.
Buy here: found.ee/spandau20-010 Spandau20, an imprint named after the Western Berlin district and focused on artists from the area, delivers techno in all diverse forms – from warehouse and electronic peak time beats to breaks and IDM, balancing the old and new school sounds flawlessly. With a focus on vinyl releases, for the collectors, Spandau20 has lately also focused on its label nights, with showcases at Fabric, Bassiani and many others. The label's 10th release features 10 tracks that epitomise the musical diversity of Spandau20 and the progressive musical mindset of its roster, calling on the label favourites and Spandau natives to deliver brand new and exciting music. This special release even features one track that all artists have worked on together: ‘Come Closer', a swarming, slithering beginning featured as the VA's opener. Its barely coherent female vocal echoing amidst a cacophony of demon-like effects. The chilling ambience captured at the offset transcends into the first full length track by Elli Acula, ‘Floating Eyes', a cur characterised by an authoritative, pounding bass featuring calculated percussive rolls and metallic overtones to make for a face-scrunching opener to this devilish collection of works. FJAAK follow for the first of twin cameo appearances, partnering up with fellow live supremo and hardware aficionado KiNK. On ‘Overbridge' the trio deliver a cavernous, rolling number driven by a deep thrumming bass in addition to a razor-edged lead synth, and pulsating technopattern. Dajusch is known for incorporating his years of classical study in with his immersive musical style – and with his VA effort the Berlin native neatly showcases this. Easing the energy slightly, ‘Move' escalates from its warm, melodic intro into rumbling goliath of a beat comprising a looping, slew of gassy harmonics. The momentum of the release shifts considerably with the introduction of acutely versatile producer, DJ and sound artist Claus. The artist from Spandau leans his track ‘Bloomscroll' towards sparse, dubby sonics in which he intricately ties together to form churning, burgeoning soundscape. FJAAK jolt proceedings back into the techno groove with their signature blend of arresting sub-bass and reverberating rhythms, which come thick, fast and heavy on ‘Jackfruit'. The abstract wonder of Anna Z's broken-beat like stylings is fully explored on ‘Icy Liq'. It's outlandish and amorphous in its execution, causing a clattering percussive chaos that's choicely pieced together by the modular-extraordinaire. Nikk stealthy moves into breaks territory with his track ‘Down In The Shadows', packing a trap-like snare with an acid-flecked melody and dawn-breaking, dream-like textures. The penultimate track on the VA is ‘Tufted'. J.Manuel expertly employs a chorus of robot-like sonics that course through a short-circuiting low-end to produce a pacy, inescapable journey via a whirling, merciless beat. He is joined by the legendary producer Tobi Neumann for their menacingly ambient number titled ‘Fennec.' In parts a nod to UK dubstep, the duo concocts a fierce admixture of styles bolstering tribal-like components with industrialised overtones and methodically crafted drum-fills.
Buy here: found.ee/spandau20-010 Spandau20, an imprint named after the Western Berlin district and focused on artists from the area, delivers techno in all diverse forms – from warehouse and electronic peak time beats to breaks and IDM, balancing the old and new school sounds flawlessly. With a focus on vinyl releases, for the collectors, Spandau20 has lately also focused on its label nights, with showcases at Fabric, Bassiani and many others. The label's 10th release features 10 tracks that epitomise the musical diversity of Spandau20 and the progressive musical mindset of its roster, calling on the label favourites and Spandau natives to deliver brand new and exciting music. This special release even features one track that all artists have worked on together: ‘Come Closer', a swarming, slithering beginning featured as the VA's opener. Its barely coherent female vocal echoing amidst a cacophony of demon-like effects. The chilling ambience captured at the offset transcends into the first full length track by Elli Acula, ‘Floating Eyes', a cur characterised by an authoritative, pounding bass featuring calculated percussive rolls and metallic overtones to make for a face-scrunching opener to this devilish collection of works. FJAAK follow for the first of twin cameo appearances, partnering up with fellow live supremo and hardware aficionado KiNK. On ‘Overbridge' the trio deliver a cavernous, rolling number driven by a deep thrumming bass in addition to a razor-edged lead synth, and pulsating technopattern. Dajusch is known for incorporating his years of classical study in with his immersive musical style – and with his VA effort the Berlin native neatly showcases this. Easing the energy slightly, ‘Move' escalates from its warm, melodic intro into rumbling goliath of a beat comprising a looping, slew of gassy harmonics. The momentum of the release shifts considerably with the introduction of acutely versatile producer, DJ and sound artist Claus. The artist from Spandau leans his track ‘Bloomscroll' towards sparse, dubby sonics in which he intricately ties together to form churning, burgeoning soundscape. FJAAK jolt proceedings back into the techno groove with their signature blend of arresting sub-bass and reverberating rhythms, which come thick, fast and heavy on ‘Jackfruit'. The abstract wonder of Anna Z's broken-beat like stylings is fully explored on ‘Icy Liq'. It's outlandish and amorphous in its execution, causing a clattering percussive chaos that's choicely pieced together by the modular-extraordinaire. Nikk stealthy moves into breaks territory with his track ‘Down In The Shadows', packing a trap-like snare with an acid-flecked melody and dawn-breaking, dream-like textures. The penultimate track on the VA is ‘Tufted'. J.Manuel expertly employs a chorus of robot-like sonics that course through a short-circuiting low-end to produce a pacy, inescapable journey via a whirling, merciless beat. He is joined by the legendary producer Tobi Neumann for their menacingly ambient number titled ‘Fennec.' In parts a nod to UK dubstep, the duo concocts a fierce admixture of styles bolstering tribal-like components with industrialised overtones and methodically crafted drum-fills.
Buy here: found.ee/spandau20-010 Spandau20, an imprint named after the Western Berlin district and focused on artists from the area, delivers techno in all diverse forms – from warehouse and electronic peak time beats to breaks and IDM, balancing the old and new school sounds flawlessly. With a focus on vinyl releases, for the collectors, Spandau20 has lately also focused on its label nights, with showcases at Fabric, Bassiani and many others. The label's 10th release features 10 tracks that epitomise the musical diversity of Spandau20 and the progressive musical mindset of its roster, calling on the label favourites and Spandau natives to deliver brand new and exciting music. This special release even features one track that all artists have worked on together: ‘Come Closer', a swarming, slithering beginning featured as the VA's opener. Its barely coherent female vocal echoing amidst a cacophony of demon-like effects. The chilling ambience captured at the offset transcends into the first full length track by Elli Acula, ‘Floating Eyes', a cur characterised by an authoritative, pounding bass featuring calculated percussive rolls and metallic overtones to make for a face-scrunching opener to this devilish collection of works. FJAAK follow for the first of twin cameo appearances, partnering up with fellow live supremo and hardware aficionado KiNK. On ‘Overbridge' the trio deliver a cavernous, rolling number driven by a deep thrumming bass in addition to a razor-edged lead synth, and pulsating technopattern. Dajusch is known for incorporating his years of classical study in with his immersive musical style – and with his VA effort the Berlin native neatly showcases this. Easing the energy slightly, ‘Move' escalates from its warm, melodic intro into rumbling goliath of a beat comprising a looping, slew of gassy harmonics. The momentum of the release shifts considerably with the introduction of acutely versatile producer, DJ and sound artist Claus. The artist from Spandau leans his track ‘Bloomscroll' towards sparse, dubby sonics in which he intricately ties together to form churning, burgeoning soundscape. FJAAK jolt proceedings back into the techno groove with their signature blend of arresting sub-bass and reverberating rhythms, which come thick, fast and heavy on ‘Jackfruit'. The abstract wonder of Anna Z's broken-beat like stylings is fully explored on ‘Icy Liq'. It's outlandish and amorphous in its execution, causing a clattering percussive chaos that's choicely pieced together by the modular-extraordinaire. Nikk stealthy moves into breaks territory with his track ‘Down In The Shadows', packing a trap-like snare with an acid-flecked melody and dawn-breaking, dream-like textures. The penultimate track on the VA is ‘Tufted'. J.Manuel expertly employs a chorus of robot-like sonics that course through a short-circuiting low-end to produce a pacy, inescapable journey via a whirling, merciless beat. He is joined by the legendary producer Tobi Neumann for their menacingly ambient number titled ‘Fennec.' In parts a nod to UK dubstep, the duo concocts a fierce admixture of styles bolstering tribal-like components with industrialised overtones and methodically crafted drum-fills.
Buy here: found.ee/spandau20-010 Spandau20, an imprint named after the Western Berlin district and focused on artists from the area, delivers techno in all diverse forms – from warehouse and electronic peak time beats to breaks and IDM, balancing the old and new school sounds flawlessly. With a focus on vinyl releases, for the collectors, Spandau20 has lately also focused on its label nights, with showcases at Fabric, Bassiani and many others. The label's 10th release features 10 tracks that epitomise the musical diversity of Spandau20 and the progressive musical mindset of its roster, calling on the label favourites and Spandau natives to deliver brand new and exciting music. This special release even features one track that all artists have worked on together: ‘Come Closer', a swarming, slithering beginning featured as the VA's opener. Its barely coherent female vocal echoing amidst a cacophony of demon-like effects. The chilling ambience captured at the offset transcends into the first full length track by Elli Acula, ‘Floating Eyes', a cur characterised by an authoritative, pounding bass featuring calculated percussive rolls and metallic overtones to make for a face-scrunching opener to this devilish collection of works. FJAAK follow for the first of twin cameo appearances, partnering up with fellow live supremo and hardware aficionado KiNK. On ‘Overbridge' the trio deliver a cavernous, rolling number driven by a deep thrumming bass in addition to a razor-edged lead synth, and pulsating technopattern. Dajusch is known for incorporating his years of classical study in with his immersive musical style – and with his VA effort the Berlin native neatly showcases this. Easing the energy slightly, ‘Move' escalates from its warm, melodic intro into rumbling goliath of a beat comprising a looping, slew of gassy harmonics. The momentum of the release shifts considerably with the introduction of acutely versatile producer, DJ and sound artist Claus. The artist from Spandau leans his track ‘Bloomscroll' towards sparse, dubby sonics in which he intricately ties together to form churning, burgeoning soundscape. FJAAK jolt proceedings back into the techno groove with their signature blend of arresting sub-bass and reverberating rhythms, which come thick, fast and heavy on ‘Jackfruit'. The abstract wonder of Anna Z's broken-beat like stylings is fully explored on ‘Icy Liq'. It's outlandish and amorphous in its execution, causing a clattering percussive chaos that's choicely pieced together by the modular-extraordinaire. Nikk stealthy moves into breaks territory with his track ‘Down In The Shadows', packing a trap-like snare with an acid-flecked melody and dawn-breaking, dream-like textures. The penultimate track on the VA is ‘Tufted'. J.Manuel expertly employs a chorus of robot-like sonics that course through a short-circuiting low-end to produce a pacy, inescapable journey via a whirling, merciless beat. He is joined by the legendary producer Tobi Neumann for their menacingly ambient number titled ‘Fennec.' In parts a nod to UK dubstep, the duo concocts a fierce admixture of styles bolstering tribal-like components with industrialised overtones and methodically crafted drum-fills.
Buy here: found.ee/spandau20-010 Spandau20, an imprint named after the Western Berlin district and focused on artists from the area, delivers techno in all diverse forms – from warehouse and electronic peak time beats to breaks and IDM, balancing the old and new school sounds flawlessly. With a focus on vinyl releases, for the collectors, Spandau20 has lately also focused on its label nights, with showcases at Fabric, Bassiani and many others. The label's 10th release features 10 tracks that epitomise the musical diversity of Spandau20 and the progressive musical mindset of its roster, calling on the label favourites and Spandau natives to deliver brand new and exciting music. This special release even features one track that all artists have worked on together: ‘Come Closer', a swarming, slithering beginning featured as the VA's opener. Its barely coherent female vocal echoing amidst a cacophony of demon-like effects. The chilling ambience captured at the offset transcends into the first full length track by Elli Acula, ‘Floating Eyes', a cur characterised by an authoritative, pounding bass featuring calculated percussive rolls and metallic overtones to make for a face-scrunching opener to this devilish collection of works. FJAAK follow for the first of twin cameo appearances, partnering up with fellow live supremo and hardware aficionado KiNK. On ‘Overbridge' the trio deliver a cavernous, rolling number driven by a deep thrumming bass in addition to a razor-edged lead synth, and pulsating technopattern. Dajusch is known for incorporating his years of classical study in with his immersive musical style – and with his VA effort the Berlin native neatly showcases this. Easing the energy slightly, ‘Move' escalates from its warm, melodic intro into rumbling goliath of a beat comprising a looping, slew of gassy harmonics. The momentum of the release shifts considerably with the introduction of acutely versatile producer, DJ and sound artist Claus. The artist from Spandau leans his track ‘Bloomscroll' towards sparse, dubby sonics in which he intricately ties together to form churning, burgeoning soundscape. FJAAK jolt proceedings back into the techno groove with their signature blend of arresting sub-bass and reverberating rhythms, which come thick, fast and heavy on ‘Jackfruit'. The abstract wonder of Anna Z's broken-beat like stylings is fully explored on ‘Icy Liq'. It's outlandish and amorphous in its execution, causing a clattering percussive chaos that's choicely pieced together by the modular-extraordinaire. Nikk stealthy moves into breaks territory with his track ‘Down In The Shadows', packing a trap-like snare with an acid-flecked melody and dawn-breaking, dream-like textures. The penultimate track on the VA is ‘Tufted'. J.Manuel expertly employs a chorus of robot-like sonics that course through a short-circuiting low-end to produce a pacy, inescapable journey via a whirling, merciless beat. He is joined by the legendary producer Tobi Neumann for their menacingly ambient number titled ‘Fennec.' In parts a nod to UK dubstep, the duo concocts a fierce admixture of styles bolstering tribal-like components with industrialised overtones and methodically crafted drum-fills.
Ric war in den letzten Wochen umtriebig. Zum Einen gab es viele Möglichkeiten, Freunden für Projekte unter die Arme zu greifen. Darunter zählen neue Designs für Streams, Videoschnitt, oder auch Hilfe bei Soundeinstellungen. Zum anderen ging es vom Außenseiterbezirk Spandau erstmals ins Außenseiterbundesland Bayern, um in Franken eine Hauseinweihung zu feiern. Was das ganze dann noch mit Sanitärunfällen und Geflügel zu tun hat, erfahrt ihr in dieser Episode!►Intro & Outro von Pascal►Cast 'Em auf Spotify for Podcasters,YouTube & Instagram►Cast 'Em auf SteadyHQ unterstützen►BäckchenBrothers auf Spotify for Podcasters►Rics Projekte und Socials►Zum Community Discord Server►Rics Equipment:Shure SM7B + Motu M2►Outdoor:Shure Beta 58A + Zoom H6 Essential►Aufnahme & Bearbeitung:Audacity, Adobe Audition CC
New SPND20 MIXTAPE by @clausschoening incoming!
Buy here: found.ee/spandau20-010 Spandau20, an imprint named after the Western Berlin district and focused on artists from the area, delivers techno in all diverse forms – from warehouse and electronic peak time beats to breaks and IDM, balancing the old and new school sounds flawlessly. With a focus on vinyl releases, for the collectors, Spandau20 has lately also focused on its label nights, with showcases at Fabric, Bassiani and many others. The label's 10th release features 10 tracks that epitomise the musical diversity of Spandau20 and the progressive musical mindset of its roster, calling on the label favourites and Spandau natives to deliver brand new and exciting music. This special release even features one track that all artists have worked on together: ‘Come Closer', a swarming, slithering beginning featured as the VA's opener. Its barely coherent female vocal echoing amidst a cacophony of demon-like effects. The chilling ambience captured at the offset transcends into the first full length track by Elli Acula, ‘Floating Eyes', a cur characterised by an authoritative, pounding bass featuring calculated percussive rolls and metallic overtones to make for a face-scrunching opener to this devilish collection of works. FJAAK follow for the first of twin cameo appearances, partnering up with fellow live supremo and hardware aficionado KiNK. On ‘Overbridge' the trio deliver a cavernous, rolling number driven by a deep thrumming bass in addition to a razor-edged lead synth, and pulsating technopattern. Dajusch is known for incorporating his years of classical study in with his immersive musical style – and with his VA effort the Berlin native neatly showcases this. Easing the energy slightly, ‘Move' escalates from its warm, melodic intro into rumbling goliath of a beat comprising a looping, slew of gassy harmonics. The momentum of the release shifts considerably with the introduction of acutely versatile producer, DJ and sound artist Claus. The artist from Spandau leans his track ‘Bloomscroll' towards sparse, dubby sonics in which he intricately ties together to form churning, burgeoning soundscape. FJAAK jolt proceedings back into the techno groove with their signature blend of arresting sub-bass and reverberating rhythms, which come thick, fast and heavy on ‘Jackfruit'. The abstract wonder of Anna Z's broken-beat like stylings is fully explored on ‘Icy Liq'. It's outlandish and amorphous in its execution, causing a clattering percussive chaos that's choicely pieced together by the modular-extraordinaire. Nikk stealthy moves into breaks territory with his track ‘Down In The Shadows', packing a trap-like snare with an acid-flecked melody and dawn-breaking, dream-like textures. The penultimate track on the VA is ‘Tufted'. J.Manuel expertly employs a chorus of robot-like sonics that course through a short-circuiting low-end to produce a pacy, inescapable journey via a whirling, merciless beat. He is joined by the legendary producer Tobi Neumann for their menacingly ambient number titled ‘Fennec.' In parts a nod to UK dubstep, the duo concocts a fierce admixture of styles bolstering tribal-like components with industrialised overtones and methodically crafted drum-fills.
Buy here: found.ee/spandau20-010 Spandau20, an imprint named after the Western Berlin district and focused on artists from the area, delivers techno in all diverse forms – from warehouse and electronic peak time beats to breaks and IDM, balancing the old and new school sounds flawlessly. With a focus on vinyl releases, for the collectors, Spandau20 has lately also focused on its label nights, with showcases at Fabric, Bassiani and many others. The label's 10th release features 10 tracks that epitomise the musical diversity of Spandau20 and the progressive musical mindset of its roster, calling on the label favourites and Spandau natives to deliver brand new and exciting music. This special release even features one track that all artists have worked on together: ‘Come Closer', a swarming, slithering beginning featured as the VA's opener. Its barely coherent female vocal echoing amidst a cacophony of demon-like effects. The chilling ambience captured at the offset transcends into the first full length track by Elli Acula, ‘Floating Eyes', a cur characterised by an authoritative, pounding bass featuring calculated percussive rolls and metallic overtones to make for a face-scrunching opener to this devilish collection of works. FJAAK follow for the first of twin cameo appearances, partnering up with fellow live supremo and hardware aficionado KiNK. On ‘Overbridge' the trio deliver a cavernous, rolling number driven by a deep thrumming bass in addition to a razor-edged lead synth, and pulsating technopattern. Dajusch is known for incorporating his years of classical study in with his immersive musical style – and with his VA effort the Berlin native neatly showcases this. Easing the energy slightly, ‘Move' escalates from its warm, melodic intro into rumbling goliath of a beat comprising a looping, slew of gassy harmonics. The momentum of the release shifts considerably with the introduction of acutely versatile producer, DJ and sound artist Claus. The artist from Spandau leans his track ‘Bloomscroll' towards sparse, dubby sonics in which he intricately ties together to form churning, burgeoning soundscape. FJAAK jolt proceedings back into the techno groove with their signature blend of arresting sub-bass and reverberating rhythms, which come thick, fast and heavy on ‘Jackfruit'. The abstract wonder of Anna Z's broken-beat like stylings is fully explored on ‘Icy Liq'. It's outlandish and amorphous in its execution, causing a clattering percussive chaos that's choicely pieced together by the modular-extraordinaire. Nikk stealthy moves into breaks territory with his track ‘Down In The Shadows', packing a trap-like snare with an acid-flecked melody and dawn-breaking, dream-like textures. The penultimate track on the VA is ‘Tufted'. J.Manuel expertly employs a chorus of robot-like sonics that course through a short-circuiting low-end to produce a pacy, inescapable journey via a whirling, merciless beat. He is joined by the legendary producer Tobi Neumann for their menacingly ambient number titled ‘Fennec.' In parts a nod to UK dubstep, the duo concocts a fierce admixture of styles bolstering tribal-like components with industrialised overtones and methodically crafted drum-fills.
Today's fascinating episode of Synthetic Dreams features legendary singer, Tony Hadley .Tony, is of course, best known as the lead singer of one of the biggest bands of the 1980s, Spandau Ballet. The band, who formed in Islington, London back in 1979, scored a number of hits. Spandau's debut single, ‘To Cut A Long Story Short', one of the greatest synth-pop anthems of all-time, reached number five in the UK charts and was the first of ten UK top-10 singles for the band, reaching global success with ‘Chant No 1, ‘True; 'Gold' and ‘Through the Barricades' to name a few.We discuss, amongst other things, his Christmas Big Band Tour 2025, the 40th anniversary of Live Aid and his memories from that special day. He also talks about electronic music and his love Kraftwerk and early Ultravox, plus his time hanging out at legendary new romantic club, The Blitz.
Boxen: Am 22. Februar 2025 siegte der Leverkusener Agat Kabayel durch K.o. in Runde 6 gegen Zhang Zhilei und wurde dadurch im Schwergewicht WBC-Interimsweltmeister. Sein großer Traum ist Weltmeister zu werden. Agit Kabayels Erfolg ist nicht nur das Resultat seiner eigenen Entschlossenheit und außergewöhnlichen Fähigkeiten, sondern auch das Werk seines Trainers, Sükrü Aksu. Aksu hat Kabayel zu einem der besten Schwergewichtler gemacht und zählt zu den am meisten unterschätzten Trainern in Deutschland. Aksu ist ein absoluter Geheimtipp im deutschen Boxsport – ein Trainer, der oft nicht die Anerkennung bekommt, die er verdient. Doch wer Kabayel in den letzten Jahren verfolgt hat, weiß, dass Aksu zu den besten Trainern des Landes gehört. Und genau dieser Trainer gab der „Sportstunde“ ein Interview über den Erfolg, über seinen Schützling und die zukünftigen Ziele. Wasserball: Wir gehen ins Wasser nehmen aber einen Ball mit. Premiere in der „Sportstunde“: Wasserball! Neue Wasserballpokalsieger wurden vor ein paar Wochen bei den Frauen die Spandauerinnen, bei den Männern gewann Waspo Hannover. Und eben dort spielt aktuell Denis Strelezkij! Er ist deutscher Nationalspieler und wechselte vor der Saison eben von Spandau nach Hannover. Es hat sich wohl gelohnt, denn er holte gleich mit den Hannoveranern einen Pokal. Aber im Interview beschreibt Denis Strelezkij, dass im Wasserball nicht alles Gold ist, was glänzt! Ein Interview zwischen Jubel, Leidenschaft und Enttäuschung. (www.sport-magazin.de) Hier gibt es die Interviews in voller Länge: Apple Podcasts: https://podcasts.apple.com/de/podcast/sportstunde-interviews-in-voller-l%C3%A4nge/id1705390264?uo=4 Spotify: https://open.spotify.com/show/00va1TW4YzTYDCGMpkNMOU Website. https://sportstunde-podcast.de/
Send us a textThis week we welcome Jahred Gamez Social Media Liaison for Spandau Arms a U.S. based Shotgun Manufacturer. Jahred shares the story of how Spandau came to be and how they designed their shotguns specifically with the hunter in mind. But first we talk local and national sports in the first segment.Missouri Hunting Heritage Federation:https://www.mhhf.us/To follow American Roots Outdoors Podcast:https://www.facebook.com/groups/448812356525413To learn more about American Roots Outdoors:https://americanrootsoutdoors.com/https://www.facebook.com/AmericanRootsOutdoors/To follow Alex Rutledge:https://www.facebook.com/americanrootsalex/To follow Wayne Lach:https://www.facebook.com/wayne.lach.5To follow Mike Crase:https://www.facebook.com/mike.crase
Buy here: found.ee/spandau20-010 Spandau20, an imprint named after the Western Berlin district and focused on artists from the area, delivers techno in all diverse forms – from warehouse and electronic peak time beats to breaks and IDM, balancing the old and new school sounds flawlessly. With a focus on vinyl releases, for the collectors, Spandau20 has lately also focused on its label nights, with showcases at Fabric, Bassiani and many others. The label's 10th release features 10 tracks that epitomise the musical diversity of Spandau20 and the progressive musical mindset of its roster, calling on the label favourites and Spandau natives to deliver brand new and exciting music. This special release even features one track that all artists have worked on together: ‘Come Closer', a swarming, slithering beginning featured as the VA's opener. Its barely coherent female vocal echoing amidst a cacophony of demon-like effects.
Geschichte trifft Musik in historischer Umgebung: In der Zitadelle Spandau in Berlin findet vom 21.02. bis zum 09.03. das SPAM-Festival statt - "Spandau macht alte Musik". Von Harald Asel
Wir schwärmten aus! Auf Anregung einer Hörerin haben wir bei unseren Kolleginnen und Kollegen aus den anderen Berliner Stadtbezirken angeklopft und sie eingeladen, uns von ihrer Arbeit zu erzählen. Wir gehören zwar alle zum Verbund der Öffentlichen Bibliotheken Berlins, aber trotzdem gibt es unterschiedliche Abläufe, Strukturen, Personalpolitik, Fokussierungen, Räumlichkeiten usw. 2024 reisten wir jeden Monat in einen anderen Stadtbezirk und stellten einem Mitglied aus dem dortigen Team Öffentlichkeitsarbeit jeweils dieselben Fragen. Diese Gespräche wurden immer am letzten Mittwoch des Monats in unserem Podcast gesendet. Den Abschluss bildet in dieser Folge die Zentral- und Landesbibliothek.Im Januar eröffneten wir den Reigen mit Tabea Bader aus der Heinrich-Schulz-Bibliothek in Charlottenburg-Wilmersdorf.Im Februar besuchten wir Thomas Gottschalk in der Pablo-Neruda-Bibliothek in Friedrichshain-Kreuzberg. Im März war unsere Lichtenberger Kollegin Helga Schneider zu Gast im Podcast. Sie ist zuständig für die Öffentlichkeitsarbeit der Bibliotheken im Stadtbezirk Lichtenberg.Im April hatten wir ein Heimspiel. Inés Bartel stellte sich den Fragen und gab Auskunft über ihre Arbeit in Marzahn-Hellersdorf.Im Mai sprachen wir mit Patricie Frehse aus der Heinrich-Böll-Bibliothek in Pankow. Im Juni besuchten wir Karolin Pasewald in der Helene-Nathan-Bibliothek in Neukölln.Im Juli waren wir bei Katrin Rosemann in der Philipp-Schaeffer-Bibliothek in Mitte zu Gast.Im August setzten wir die Reihe mit Petra Lölsberg aus der Humboldt-Bibliothek in Reinickendorf fort.Im September wäre Spandau an der Reihe gewesen, aber es gab dort personelle Engpässe.Im Oktober sprachen wir mit Ulrike Fürstenau und Lena Sophie Stein in der Ingeborg-Drewitz-Bibliothek in Steglitz-Zehlendorf. Im November stand Danny Böckmann aus der Bezirkszentralbibliothek im Eva-Maria-Buch-Haus in Tempelhof-Schöneberg Rede und Antwort.Im Dezember besuchten wir Beate Lenke in der Mittelpunktbibliothek Köpenick "Alter Markt" im Stadtbezirk Treptow-Köpenick.In dieser Folge schließen wir die Rundreise durch die Berliner Bibliotheken ab mit einem Besuch in der Zentral- und Landesbibliothek. Dort sprachen wir mit den Koordinatorinnen der Öffentlichkeitsarbeit in der ZLB und der VÖBB-Fachgruppe Öffentlichkeitsarbeit Anna Jacobi, Daniela Haberland und Nadja Gragert-Klier.WEBSEITE DER ZLBhttps://www.zlb.de/
von Weizsäcker, Johannes www.deutschlandfunkkultur.de, Echtzeit
Wir schwärmen aus! Auf Anregung einer Hörerin haben wir bei unseren Kolleginnen und Kollegen aus den anderen Berliner Stadtbezirken angeklopft und sie eingeladen, uns von ihrer Arbeit zu erzählen. Wir gehören zwar alle zum Verbund der Öffentlichen Bibliotheken Berlins, aber trotzdem gibt es unterschiedliche Abläufe, Strukturen, Personalpolitik, Fokussierungen, Räumlichkeiten usw. 2024 reisen wir jeden Monat in einen anderen Stadtbezirk und stellen einem Mitglied aus dem dortigen Team Öffentlichkeitsarbeit jeweils dieselben Fragen. Diese Gespräche werden immer am letzten Mittwoch des Monats in unserem Podcast gesendet. Den Abschluss wird die Zentral- und Landesbibliothek im Januar 2025 bilden.Im Januar eröffneten wir den Reigen mit Tabea Bader aus der Heinrich-Schulz-Bibliothek in Charlottenburg-Wilmersdorf.Im Februar besuchten wir Thomas Gottschalk in der Pablo-Neruda-Bibliothek in Friedrichshain-Kreuzberg. Im März war unsere Lichtenberger Kollegin Helga Schneider zu Gast im Podcast. Sie ist zuständig für die Öffentlichkeitsarbeit der Bibliotheken im Stadtbezirk Lichtenberg.Im April hatten wir ein Heimspiel. Inés Bartel stellte sich den Fragen und gab Auskunft über ihre Arbeit in Marzahn-Hellersdorf.Im Mai sprachen wir mit Patricie Frehse aus der Heinrich-Böll-Bibliothek in Pankow. Im Juni besuchten wir Karolin Pasewald in der Helene-Nathan-Bibliothek in Neukölln.Im Juli waren wir bei Katrin Rosemann in der Philipp-Schaeffer-Bibliothek in Mitte zu Gast.Im August setzten wir die Reihe mit Petra Lölsberg aus der Humboldt-Bibliothek in Reinickendorf fort.Im September wäre Spandau an der Reihe gewesen, aber es gab dort personelle Engpässe.Im Oktober sprachen wir mit Ulrike Fürstenau und Lena Sophie Stein in der Ingeborg-Drewitz-Bibliothek in Steglitz-Zehlendorf. Im November stand Danny Böckmann aus der Bezirkszentralbibliothek im Eva-Maria-Buch-Haus in Tempelhof-Schöneberg Rede und Antwort.In dieser Folge sprechen wir mit Beate Lenke. Sie arbeitet in der Mittelpunktbibliothek Köpenick "Alter Markt" und ist in punkto Öffentlichkeitsarbeit der Stadtbibliothek Treptow-Köpenick Alleinkämpferin.WEBSEITE DER STADTBIBLIOTHEK TREPTOW-KÖPENICKhttps://www.berlin.de/stadtbibliothek-treptow-koepenick/
Download Chris's FREE E-Book on “How To Find Ultra High Net Worth Clients" from https://UHNWC.com/ Amy Spandau (https://www.ablazefinancial.com/) is the founder of Ablaze, a company dedicated to bringing big business accounting and finance expertise to smaller, growing businesses and founders. With over 25 years of experience in public accounting and as an executive for large, international public companies and start-ups, Amy recognized the challenges that start-ups and small business owners face. She realized that they are often expected to have extensive knowledge across multiple areas, despite lacking the necessary training and specialization. This insight led her to establish Ablaze, where she leverages her deep expertise to support businesses in navigating the complexities of finance and accounting, empowering them to focus on growth and success. In this episode, Chris and Amy discuss: 1. Building Your Business Health Check Habit 2. Decoding Cash Flows 3. Why Enjoying Your Work Leads to Financial Prosperity 4. Beyond the Balance Sheet: Emotional Resilience in Finance LinkedIn: https://www.linkedin.com/in/amy-spandau-1b624a5/ Company LinkedIn: https://www.linkedin.com/company/ablaze-financial-inc/ Website: https://www.ablazefinancial.com/ Maximize your marketing, close more clients, and amplify your AUM by following us on: Instagram: https://instagram.com/ultrahighnetworthclients TikTok: https://tiktok.com/ultrahighnetworthclients YouTube: https://www.youtube.com/@uhnwc Facebook: https://www.facebook.com/UHNWCPodcast Twitter: https://twitter.com/uhnwcpodcast iTunes: https://podcasts.apple.com/au/podcast/ultra-high-net-worth-clients-with-chris-brodhead/id1569041400 Spotify: https://open.spotify.com/show/4Guqegm2CVqkcEfMSLPEDr Website: https://uhnwc.com Work with us: https://famousfounder.com/fa DISCLAIMER: This content is provided by Chris Brodhead for the general public and general information purposes only. This content is not considered to be an offer to buy or sell any securities or investments. Investing involves the risk of loss and an investor should be prepared to bear potential losses. Investment should only be made after thorough review with your investment advisor considering all factors including personal goals, needs and risk tolerance.
Wir schwärmen aus! Auf Anregung einer Hörerin haben wir bei unseren Kolleginnen und Kollegen aus den anderen Berliner Stadtbezirken angeklopft und sie eingeladen, uns von ihrer Arbeit zu erzählen. Wir gehören zwar alle zum Verbund der Öffentlichen Bibliotheken Berlins, aber trotzdem gibt es unterschiedliche Abläufe, Strukturen, Personalpolitik, Fokussierungen, Räumlichkeiten usw. 2024 reisen wir jeden Monat in einen anderen Stadtbezirk und stellen einem Mitglied aus dem dortigen Team Öffentlichkeitsarbeit jeweils dieselben Fragen. Diese Gespräche werden immer am letzten Mittwoch des Monats in unserem Podcast gesendet. Den Abschluss wird die Zentral- und Landesbibliothek im Januar 2025 bilden.Im Januar eröffneten wir den Reigen mit Tabea Bader aus der Heinrich-Schulz-Bibliothek in Charlottenburg-Wilmersdorf.Im Februar besuchten wir Thomas Gottschalk in der Pablo-Neruda-Bibliothek in Friedrichshain-Kreuzberg. Im März war unsere Lichtenberger Kollegin Helga Schneider zu Gast im Podcast. Sie ist zuständig für die Öffentlichkeitsarbeit der Bibliotheken im Stadtbezirk Lichtenberg.Im April hatten wir ein Heimspiel. Inés Bartel stellte sich den Fragen und gab Auskunft über ihre Arbeit in Marzahn-Hellersdorf.Im Mai sprachen wir mit Patricie Frehse aus der Heinrich-Böll-Bibliothek in Pankow. Im Juni besuchten wir Karolin Pasewald in der Helene-Nathan-Bibliothek in Neukölln.Im Juli waren wir bei Katrin Rosemann in der Philipp-Schaeffer-Bibliothek in Mitte zu Gast.Im August setzten wir die Reihe mit Petra Lölsberg aus der Humboldt-Bibliothek in Reinickendorf fort.Im September wäre Spandau an der Reihe gewesen, aber es gab dort personelle Engpässe.Im Oktober sprachen wir mit Ulrike Fürstenau und Lena Sophie Stein in der Ingeborg-Drewitz-Bibliothek in Steglitz-Zehlendorf. In dieser Folge gibt Danny Böckmann kluge Antworten auf die vielen Fragen. Er arbeitet in der Bezirkszentralbibliothek im Eva-Maria-Buch-Haus und ist dort mit einer Kollegin zuständig für die Öffentlichkeitsarbeit der Stadtbibliothek Tempelhof-Schöneberg.WEBSEITE DER STADTBIBLIOTHEK TEMPELHOF-SCHÖNEBERGhttps://www.berlin.de/stadtbibliothek-tempelhof-schoeneberg/
In dieser sensationellen Folge packen wir aus: Mathys Tel – das Wunderkind vom FC Bayern – wechselt natürlich NICHT zu Real, PSG oder Juve, sondern zu… Union Berlin! Weil klar, wohin sonst? Zwischen Currywurst und Köpenick haben wir recherchiert, wie er in seiner Villa in Spandau wohnt, warum die Club-Champions League plötzlich in der Kneipe "Zum Goldenen Adler" stattfindet und wie Urs Fischer ihn liebevoll mit den Worten empfängt: "Naja, Hauptsache er kann schießen." Wir klären drängende Fragen: Wird Mathys jetzt endlich Berliner? (Ja, er lernt gerade, wie man 'Ick steh uff Union' sagt.) Gibt's bald einen Vertrag mit der BVG für exklusive S-Bahn-Selfies? Und natürlich: Wann wird er beim Grillabend neben dem Alten Försterei endlich als Wurstmeister gekürt? Ob das ganze wirklich wahr ist? Keine Ahnung, aber wir sind sicher: Diese Episode bringt dich mindestens so zum Lachen wie Urs Fischer beim Versuch, Berlinerisch zu sprechen. Viel Spaß – und holt euch besser schon mal ein Union-Schal!
Auch lange nicht mehr gehabt: ein Talk mit einem Gast! Diesmal haben sich DCP den Head Coach der U16 / U19 der Spandau Bulldogs eingeladen: Coach Trabi! Klar, geht es darum was die Jugend der Spandauer so treibt und wo sie hinwollen. Es geht aber auch um den Jugendfootball in Berlin an sich. Wo liegen die Probleme, wie kann es weitergehen? Auch die U20 Regelung und ihre AUswirkungen werden nochmal thematisiert. Und ein Thema ist Coach Trabi besonders wichtig - der Umgang mit Abwerbungen im Jugendbereich und wie es anders laufen könnte. Viel SPaß mit dem neuesten Talk!
Wir schwärmen aus! Auf Anregung einer Hörerin haben wir bei unseren Kolleginnen und Kollegen aus den anderen Berliner Stadtbezirken angeklopft und sie eingeladen, uns von ihrer Arbeit zu erzählen. Wir gehören zwar alle zum Verbund der Öffentlichen Bibliotheken Berlins, aber trotzdem gibt es unterschiedliche Abläufe, Strukturen, Personalpolitik, Fokussierungen, Räumlichkeiten usw. 2024 reisen wir jeden Monat in einen anderen Stadtbezirk und stellen einem Mitglied aus dem dortigen Team Öffentlichkeitsarbeit jeweils dieselben Fragen. Diese Gespräche werden immer am letzten Mittwoch des Monats in unserem Podcast gesendet. Den Abschluss wird die Zentral- und Landesbibliothek im Januar 2025 bilden.Im Januar eröffneten wir den Reigen mit Tabea Bader aus der Heinrich-Schulz-Bibliothek in Charlottenburg-Wilmersdorf.Im Februar besuchten wir Thomas Gottschalk in der Pablo-Neruda-Bibliothek in Friedrichshain-Kreuzberg. Im März war unsere Lichtenberger Kollegin Helga Schneider zu Gast im Podcast. Sie ist zuständig für die Öffentlichkeitsarbeit der Bibliotheken im Stadtbezirk Lichtenberg.Im April hatten wir ein Heimspiel. Inés Bartel stellte sich den Fragen und gab Auskunft über ihre Arbeit in Marzahn-Hellersdorf.Im Mai sprachen wir mit Patricie Frehse aus der Heinrich-Böll-Bibliothek in Pankow. Im Juni besuchten wir Karolin Pasewald in der Helene-Nathan-Bibliothek in Neukölln.Im Juli waren wir bei Katrin Rosemann in der Philipp-Schaeffer-Bibliothek in Mitte zu Gast.Im August setzten wir die Reihe mit Petra Lölsberg aus der Humboldt-Bibliothek in Reinickendorf fort.Im September wäre Spandau an der Reihe gewesen, aber es gab dort personelle Engpässe.In dieser Folge sind Ulrike Fürstenau und Lena Sophie Stein unsere Gesprächspartnerinnen. Sie arbeiten beide in der Ingeborg-Drewitz-Bibliothek und sind zuständig für die Öffentlichkeitsarbeit der Stadtbibliothek Steglitz-ZehlendorfWEBSEITE DER STADTBIBLIOTHEK STEGLITZ-ZEHLENDORFhttps://www.berlin.de/stadtbibliothek-steglitz-zehlendorf/
Wie wird man professioneller Streamer? Sind gute Gamer:innen auch automatisch gute E-Sportler:innen? Warum ist Holzhacken erotisch? Und gibt es ein Mindestalter für das Saxophon? Hazel und Thomas sprechen mit HandOfBlood aus Spandau, einem der erfolgreichsten deutschsprachigen Content Creator und Streamer. Inhalt: 00:00 Firma HandOfBlood 04:39 toxische Eigenschaften 11:52 Streaming als Beruf 20:03 ungesunder Content 28:05 Attraktivität von Männern 31:54 Sogwirkung von Medien 44:30 Waldorfschule & erste Gaming-Erfahrung 51:22 Spielmusik & -verfilmungen 54:27 Kindererziehung & Lebenserfahrungen machen 1:00:05 Woke 1:08:02 Sexismus Gaming-Szene Zeitstempel können variieren. HandOfBlood bei Instagram https://www.instagram.com/handiofiblood/ Die narzisstische Persönlichkeitsstörung wird im ICD-10 nur unter der Rubrik Sonstige spezifische Persönlichkeitsstörungen (F 60.8) aufgeführt. Dort wird sie nicht weiter charakterisiert, obwohl sie in der Praxis als Persönlichkeitsdiagnose häufig gebraucht wird. Nico Semsrott https://www.instagram.com/nicosemsrott/ Tobi Katze - Morgen ist leider auch noch ein Tag https://www.thalia.de/shop/home/artikeldetails/A1034942446 Nikocado Avocado controversy https://theconversation.com/youtuber-nikocado-avocados-extreme-weight-loss-hoax-isnt-admirable-its-fatness-being-exploited-for-engagement-238562 Mike Tyson und Hasbulla https://www.rtl.de/cms/mike-tyson-beisst-tiktok-star-hasbulla-ins-ohr-5035818.html Hasbulla quält Katze https://nypost.com/2023/03/30/russian-influencer-hasbulla-slammed-for-cat-abuse-video-shame/ Cannabis erst ab 25 https://utopia.de/news/hirnforscher-wieso-cannabis-erst-ab-25-jahren-legal-sein-sollte_644521/ HandOfBlood im Kurt-Krömer-Podcast „Feelings“ https://open.spotify.com/episode/3ukSS9YdU2ss9fnw5j0Bcc?si=ToIamLDbToS1n9oyt165xg Mario Balotelli tanzt, liest und bügelt https://www.oe24.at/leute/international/mario-balotelli-buegelt-selbst/151961469 Helge Schneider bei HandOfBlood https://youtu.be/evr5TwrvfRo?si=j7NNnDgIEajDWPfs Lootbox https://de.wikipedia.org/wiki/Lootbox Lootbox-Verbot in Belgien https://www.bbc.com/news/technology-43906306 Werbeverbot für an Kinder gerichtete Süßigkeiten-Werbung https://www.deutschlandfunk.de/werbeverbot-lebensmittel-zucker-salz-fett-kinder-landesmedienanstalten-cem-oezdemir-100.html#:~:text=In%20Großbritannien%2C%20Irland%2C%20Schweden%2C,Cem%20Özdemir%20nicht%20gegriffen%20hat. „The Sims“ von Margot Robbie https://www.watson.ch/leben/filme-und-serien/446163483-the-sims-verfilmung-mit-margot-robbie-bestaetigt „Am I Racist?“ Trailer https://youtu.be/c7PA_kshZh0?si=-CTOGtjFsUx0JvVT Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/hoererlebnis Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio
Hurra, die Schumachers sind wieder da. Die frische Wochenschau aus den Berliner Hinterhofstudios mit Paul, Hajo und folgenden Themen: Wagenknecht statt Höcke und Zoff mit Ansage. Koalitionsgespräche in Erfurt und Dresden: Mit Nazis reden? SPD schafft 5%-Hürde. Clementine Wagenknecht regiert mit. Mietbetrug mit Airbnb-Wohnung. Tourette und soziale Ansteckung. Das Ferkel aus dem Sack lassen. Auf die Plätze, fertig, Floß. Runen und Schamanen in Spandau. Dynamische Preise. Drohnen als Haustier. Habils Peperoni und die feuchte Planke. Plus: Bildungshochburg Berlin. Folge 816.
Der Sommer neigt sich dem Ende und wir blicken zurück auf das Vainstream, Parkwaves und Metalhead Meeting Festival. War der Trip nach Spandau zu Korn auch erfolgreich oder konnte die DB hier ausnahmsweise unzuverlässig sein? Des Weiteren schauen wir auf einige der wichtigsten Releases des auslaufenden Jahres und klären nebenbei noch auf über den verlogenen Märchenstandort Deutschland!
Karl Dönitz est célèbre pour plusieurs raisons, principalement en raison de son rôle majeur dans la marine allemande pendant la Seconde Guerre mondiale et pour avoir brièvement succédé à Adolf Hitler comme chef d'État de l'Allemagne nazie.Commandant des sous-marins allemands (U-Boote)Dönitz est surtout connu pour son commandement de la force sous-marine allemande (U-Bootwaffe) pendant la Seconde Guerre mondiale. Il a été l'architecte de la stratégie de la guerre sous-marine totale, visant à couper les lignes de ravitaillement alliées en Atlantique. Cette stratégie a entraîné des pertes considérables pour les Alliés et a été un élément clé de la guerre navale. Dönitz a perfectionné la tactique des "meutes de loups", où les sous-marins allemands opéraient en groupes coordonnés pour attaquer les convois alliés.Commandant en chef de la KriegsmarineEn janvier 1943, Dönitz a été nommé commandant en chef de la Kriegsmarine (marine de guerre allemande), succédant à l'amiral Erich Raeder. Sous son commandement, la marine allemande a continué ses opérations contre les Alliés, bien que la supériorité navale alliée ait rendu ces efforts de plus en plus difficiles à mesure que la guerre progressait.Succession à HitlerAprès le suicide d'Adolf Hitler le 30 avril 1945, Dönitz a été désigné par le testament de Hitler comme son successeur à la tête de l'État allemand. Devenu président du Reich (Reichspräsident), Dönitz a formé un gouvernement provisoire basé à Flensbourg. Son gouvernement n'a duré que quelques semaines, pendant lesquelles il a tenté de négocier une reddition partielle aux Alliés occidentaux tout en continuant à combattre les Soviétiques. Finalement, il a supervisé la capitulation totale de l'Allemagne le 8 mai 1945, mettant fin à la Seconde Guerre mondiale en Europe.Procès et CondamnationAprès la guerre, Dönitz a été arrêté et jugé lors des procès de Nuremberg. Il a été accusé de crimes de guerre et de crimes contre la paix. Dönitz a été condamné à 10 ans de prison, qu'il a purgés à la prison de Spandau. Il a été libéré en 1956.HéritageDönitz reste une figure controversée. Il est reconnu pour ses compétences tactiques et son leadership dans la marine, mais aussi critiqué pour son rôle dans la guerre sous-marine et son association avec le régime nazi. Son nom est indissociable de l'histoire de la Seconde Guerre mondiale et des complexités de la guerre navale. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
"It's a dream to share a passion with your best friend." The German duo talk about life on the road and writing their first album in six years. Together, Felix Wagner and Aaron Röbig make up the dynamic duo FJAAK. As one of Germany's best-known nightlife exports, they've earned a reputation for being techno's "boy band," gracing the stages of festivals and clubs all over the world for the last ten-plus years. Wagner and Röbig met in Spandau, an area just outside of Berlin, when they were both still in school. Equally interested in music (especially hip-hop), they started working on beats together alongside two other friends. The four-person group turned into FJAAK, and when they all moved to the city centre together after finishing their studies, they started living collectively and touring the project, achieving traction quickly. FJAAK is now just a duo—the group dwindled from four people to three, and then, in 2019, to just Röbig and Wagner. They claim they're closer to soulmates than friends; they know everything about each other and seem so in tune as to be almost telepathic. "The super power we've evolved over the years is to live a harmonic life together," Wagner said. In this RA Exchange, Röbig and Wagner talk about navigating through life with someone by their side, their thoughts on equality and meritocracy in the music industry, how they work together in the studio, their record label and their new album, FJAAK THE SYSTEM, which came out in May. Listen to the episode in full. This episode was recorded and filmed at Pirate Studios.
The Ken Hudnall SHow, an investigationinto the strange and the unusual - Proof that the Hess in Spandau was a double.
If Paulo could go back in time - he'd go watch the Back to the Future stage show. Dori disagrees on Paulo's favourite 80s sitcom family but rather tells us about a family that were forced to live in the 80s in 2010. We discover how much Martin Kemp's clothes cost, explore the (Spandau) ballet of emotions around Shirley Kemp's marriage and count down the 10 cheesiest movies of the 80s.
Marco erzählte gestern drei Geschichten aus seinem Leben im Wohnwagen und jetzt bist du gefragt: Welche davon ist wahr? A: Marco hat eine mysteriöse Botschaft an seinem Wohnwagen gefunden. B: Marco hat zum ersten Mal in seinem Leben seinen Geldbeutel verloren. C: Marco hat einen wertvollen alten Ring gefunden. Schicke uns deine Antwort per WhatsApp an 015251796813 oder per E-Mail (ach ne) und gewinne mit etwas Glück die "einmalige"" Chance", die "exklusive" "Berlin Signature Tour" zu erleben! Von Kudamm bis Alexanderplatz, vom Bahnhof Zoo bis Kotti, von Spandau bis Weißensee – entdecke die Hauptstadt in all ihren Facetten :) Was das bedeutet hörst du in der Episode. Hör rein, rate mit und vielleicht siehst du bald mehr von Berlin – auf der ironischsten Tour, die die Stadt zu bieten hat. [Unterstützt den Podcast jetzt!](https://www.paypal.com/donate/?hosted_button_id=PJC64Y47GDJZA)
Marco erzählte gestern drei Geschichten aus seinem Leben im Wohnwagen und jetzt bist du gefragt: Welche davon ist wahr?A: Marco hat eine mysteriöse Botschaft an seinem Wohnwagen gefunden. B: Marco hat zum ersten Mal in seinem Leben seinen Geldbeutel verloren. C: Marco hat einen wertvollen alten Ring gefunden.Schicke uns deine Antwort per WhatsApp an 015251796813 oder per E-Mail (ach ne) und gewinne mit etwas Glück die "einmalige"" Chance", die "exklusive" "Berlin Signature Tour" zu erleben! Von Kudamm bis Alexanderplatz, vom Bahnhof Zoo bis Kotti, von Spandau bis Weißensee – entdecke die Hauptstadt in all ihren Facetten :) Was das bedeutet hörst du in der Episode.Hör rein, rate mit und vielleicht siehst du bald mehr von Berlin – auf der ironischsten Tour, die die Stadt zu bieten hat.
Rudolph Hess era la mano derecha del Führer, su más íntimo colaborador desde los primeros tiempos del movimiento nacionalsocialista. Sin embargo, en 1941 hizo lo impensable: a espaldas de Hitler, voló en secreto y en solitario a Inglaterra para intentar firmar la paz con los británicos. Repudiado por Hitler y tachado de traidor por el régimen nazi, Winston Churchill no vaciló en ordenar su encarcelamiento. Posteriormente, sería juzgado en los tristemente célebres juicios de Nuremberg y condenado a cadena perpetua. Hess cumplió su condena en la cárcel de Spandau, en Berlín, donde aparentemente se suicidó el 17 de agosto de 1987. No obstante, el enigma que rodea a Rudoph Hess sigue hoy tan vivo como en 1941. ¿Qué le impulso a volar a Gran Bretaña en plena guerra? ¿Realmente se suicidó, o fue asesinado en su celda?
We've applied our celebrated sheep/goats separation technique to the rock and roll pasture and shepherded the following into this week's pod … … Beyoncé and why it's hard to connect with songs written by committee. … are we too old for biopics? … Marvel films, the Arctic Monkeys and other things you either love or avoid. … reviewing Human Touch and Lucky Town in a high-security studio (and how you can only tell if an album's any good if you've lived with it for two months). … why Tony Blackburn is the greatest British DJ. … “Bing was no more Bing than Sinatra was Sinatra”. … hoary old tales that were the engine of the rock press - the Clash shooting pigeons, Kevin Rowland stealing his own master-tapes, Cliff v Elvis, Beatles v Stones, Hendrix v Clapton, Bowie v Bolan, Clash v the Pistols, Spandau v Duran, Oasis v Blur. … are Oasis songs mostly about being Oasis? … “fame is no longer enacted in the public space”. … indie cliches – escaping the drudgery of the Man and mundanity of Small Town life. … “the harder I practice, the luckier I get”. … Scots punk act get movie soundtrack windfall! … Alex is arranging a woke stag do - “you go to places where ladies put clothes ON”. … plus birthday guest Andrew Newbury wonders if Country is more than “the three Ds - driving, dogs and divorce”.Subscribe to Word In Your Ear on Patreon for early - and ad-free - access, plus a whole load more!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
We've applied our celebrated sheep/goats separation technique to the rock and roll pasture and shepherded the following into this week's pod … … Beyoncé and why it's hard to connect with songs written by committee. … are we too old for biopics? … Marvel films, the Arctic Monkeys and other things you either love or avoid. … reviewing Human Touch and Lucky Town in a high-security studio (and how you can only tell if an album's any good if you've lived with it for two months). … why Tony Blackburn is the greatest British DJ. … “Bing was no more Bing than Sinatra was Sinatra”. … hoary old tales that were the engine of the rock press - the Clash shooting pigeons, Kevin Rowland stealing his own master-tapes, Cliff v Elvis, Beatles v Stones, Hendrix v Clapton, Bowie v Bolan, Clash v the Pistols, Spandau v Duran, Oasis v Blur. … are Oasis songs mostly about being Oasis? … “fame is no longer enacted in the public space”. … indie cliches – escaping the drudgery of the Man and mundanity of Small Town life. … “the harder I practice, the luckier I get”. … Scots punk act get movie soundtrack windfall! … Alex is arranging a woke stag do - “you go to places where ladies put clothes ON”. … plus birthday guest Andrew Newbury wonders if Country is more than “the three Ds - driving, dogs and divorce”.Subscribe to Word In Your Ear on Patreon for early - and ad-free - access, plus a whole load more!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
We've applied our celebrated sheep/goats separation technique to the rock and roll pasture and shepherded the following into this week's pod … … Beyoncé and why it's hard to connect with songs written by committee. … are we too old for biopics? … Marvel films, the Arctic Monkeys and other things you either love or avoid. … reviewing Human Touch and Lucky Town in a high-security studio (and how you can only tell if an album's any good if you've lived with it for two months). … why Tony Blackburn is the greatest British DJ. … “Bing was no more Bing than Sinatra was Sinatra”. … hoary old tales that were the engine of the rock press - the Clash shooting pigeons, Kevin Rowland stealing his own master-tapes, Cliff v Elvis, Beatles v Stones, Hendrix v Clapton, Bowie v Bolan, Clash v the Pistols, Spandau v Duran, Oasis v Blur. … are Oasis songs mostly about being Oasis? … “fame is no longer enacted in the public space”. … indie cliches – escaping the drudgery of the Man and mundanity of Small Town life. … “the harder I practice, the luckier I get”. … Scots punk act get movie soundtrack windfall! … Alex is arranging a woke stag do - “you go to places where ladies put clothes ON”. … plus birthday guest Andrew Newbury wonders if Country is more than “the three Ds - driving, dogs and divorce”.Subscribe to Word In Your Ear on Patreon for early - and ad-free - access, plus a whole load more!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
The next guest for our Mixtape series is one of SPANDAU20's very own talents: @jmanuel-werkmusic!
Vattenfall plant den schrittweisen Ausstieg aus Erdgas und Kohle. Auf dem Gelände des Reuter-Kraftwerks in Spandau wurde heute Vormittag der Grundstein für ein neues Projekt gelegt, bei dem künftig Abwasser zu Heizwärme verwandelt werden soll. Von Karsten Zummack
Au printemps 1941, Rudolf Hess, un des principaux dignitaires nazis, qu'Hitler avait même désigné comme son dauphin, s'envole pour l'Angleterre. Il est seul aux commandes de son avion.On a beaucoup discuté pour savoir si cette curieuse initiative avait été prise avec l'accord du Führer. Certains soulignent qu'il se serait mis dans une violente colère à l'annonce de l'escapade de son subordonné.Pour d'autres, ce n'est qu'une comédie, Hitler ayant, en secret, approuvé la folle échappée de son second. Mais quel but pouvait-elle bien avoir?Rudolf Hess serait allé négocier une paix séparée avec l'Angleterre. Alors qu'Hitler s'apprête à envahir la Russie, elle lui aurait évité d'avoir à combattre sur deux fronts. Les Anglais laisseraient les mains libres aux nazis, en Europe, et pourraient conserver, en échange, toutes leurs possessions coloniales.Une très longue détentionLe 10 mai 1941, l'avion de Rudolf Hess, après avoir été pris en chasse par la Royal Air Force, s'écrase au-dessus de l'Écosse. Mais son pilote a eu le temps de s'éjecter et de sauter en parachute.Une fois au sol, Hess, qui est fait prisonnier, demande à voir le duc de Hamilton, aristocrate influent et propriétaire du domaine sur lequel il se trouve. Il ne s'est pas rendu en Écosse par hasard, car il attribue au duc des sentiments germanophiles.Aussi demande-t-il à parler, par son intermédiaire, au Roi ou au Premier ministre. Aucun des deux ne fera le déplacement. En tant qu'ennemi, Rudolf Hess sera incarcéré. Et il le sera jusqu'à sa mort.Le dignitaire nazi, qui ne sortira de sa prison que pour être jugé à Nuremberg, en 1945, restera enfermé jusqu'en 1987, date de sa mort. Après 46 ans de détention, il finira par se suicider, à l'âge de 93 ans, dans la prison de Spandau, où il était le seul prisonnier.L'équipée de Rudolf Hess a paru tellement folle que beaucoup ont pensé que l'homme enfermé à Spandau n'était en fait qu'un sosie du dignitaire nazi. On se demande, dans ce cas, comment il aurait pu abuser ses co-accusés à Nuremberg. De toute façon, des analyses ADN semblent prouver que le détenu était bien Rudolf Hess. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
Au printemps 1941, Rudolf Hess, un des principaux dignitaires nazis, qu'Hitler avait même désigné comme son dauphin, s'envole pour l'Angleterre. Il est seul aux commandes de son avion. On a beaucoup discuté pour savoir si cette curieuse initiative avait été prise avec l'accord du Führer. Certains soulignent qu'il se serait mis dans une violente colère à l'annonce de l'escapade de son subordonné. Pour d'autres, ce n'est qu'une comédie, Hitler ayant, en secret, approuvé la folle échappée de son second. Mais quel but pouvait-elle bien avoir? Rudolf Hess serait allé négocier une paix séparée avec l'Angleterre. Alors qu'Hitler s'apprête à envahir la Russie, elle lui aurait évité d'avoir à combattre sur deux fronts. Les Anglais laisseraient les mains libres aux nazis, en Europe, et pourraient conserver, en échange, toutes leurs possessions coloniales. Une très longue détention Le 10 mai 1941, l'avion de Rudolf Hess, après avoir été pris en chasse par la Royal Air Force, s'écrase au-dessus de l'Écosse. Mais son pilote a eu le temps de s'éjecter et de sauter en parachute. Une fois au sol, Hess, qui est fait prisonnier, demande à voir le duc de Hamilton, aristocrate influent et propriétaire du domaine sur lequel il se trouve. Il ne s'est pas rendu en Écosse par hasard, car il attribue au duc des sentiments germanophiles. Aussi demande-t-il à parler, par son intermédiaire, au Roi ou au Premier ministre. Aucun des deux ne fera le déplacement. En tant qu'ennemi, Rudolf Hess sera incarcéré. Et il le sera jusqu'à sa mort. Le dignitaire nazi, qui ne sortira de sa prison que pour être jugé à Nuremberg, en 1945, restera enfermé jusqu'en 1987, date de sa mort. Après 46 ans de détention, il finira par se suicider, à l'âge de 93 ans, dans la prison de Spandau, où il était le seul prisonnier. L'équipée de Rudolf Hess a paru tellement folle que beaucoup ont pensé que l'homme enfermé à Spandau n'était en fait qu'un sosie du dignitaire nazi. On se demande, dans ce cas, comment il aurait pu abuser ses co-accusés à Nuremberg. De toute façon, des analyses ADN semblent prouver que le détenu était bien Rudolf Hess. Learn more about your ad choices. Visit megaphone.fm/adchoices
Today's glamorous episode of Electronically Yours features an 80s icon from the massively successful Spandau Ballet, Steve Norman.Growing up as childhood mates in various bands with Gary Kemp, Tony Hadley and John Keble, his multi instrumental talents finally settled on Sax and percussion.After the Spandau split, during the 90's Steve played live at house music events, and collaborated with many artists on songwriting, and performs to this day all around the world.Ladies and gentlemen - this much is true, it's Steve Norman... If you can, please support the Electronically Yours podcast via my Patreon: https://www.patreon.com/electronicallyour
After World War II, Nazi leader Rudolph Hess was imprisoned in Germany's Spandau prison. Jimmy Akin and Dom Bettinelli discuss whether the man in Spandau was Hess or an impostor and whether he died by suicide or was murdered and who would have done it. The post Was Rudolf Hess Murdered? (Nazi Hess Conspiracies) appeared first on StarQuest Media.
After World War II, Nazi leader Rudolph Hess was imprisoned in Germany's Spandau prison. Jimmy Akin and Dom Bettinelli discuss whether the man in Spandau was Hess or an impostor and whether he died by suicide or was murdered and who would have done it.
Marie-Claude Hawkes continues her story with her return to Berlin in 1985 as a French teaching assistant at the Havel School RAF Gatow, teaching French and taking part in school activities in West and East Berlin.Between September 86 and August 87 Marie-Claude was employed as a cartoonist for the Berlin Bulletin, the weekly magazine for the British Forces in Berlin.Marie Claude describes her experiences as a French citizen working for the British Army as well as the challenges of being a French civilian in Berlin marrying a British citizen. In February 1988 Marie-Claude started work as the Director of Extra-Mural Studies at 46 AEC (Army Education Corps), Smuts Barracks in Spandau. While organising various classes for service men/women and their ‘dependents', she also provided interpreting and trips to East Berlin for various purposes, one illegal…It's a fascinating view of Cold War Berlin from a perspective not heard before. Episodes mentioned:The Defence of RAF Gatow https://coldwarconversations.com/episode257/Cold War history is disappearing; however, a simple monthly donation will keep this podcast on the air. You'll become part of our community and get a sought after CWC coaster as a thank you and you'll bask in the warm glow of knowing you are helping to preserve Cold War history. Just go to https://coldwarconversations.com/donate/If a monthly contribution is not your cup of tea, We also welcome one-off donations via the same link.Extra info including photos, and videos here https://coldwarconversations.com/episode272/ Find the ideal gift for the Cold War enthusiast in your life! Just go to https://coldwarconversations.com/store/Support the showSupport the project! https://coldwarconversations.com/donate/ Follow us on Twitter here https://twitter.com/ColdWarPodFacebook https://www.facebook.com/groups/coldwarpod/Instagram https://www.instagram.com/coldwarconversations/Youtube https://youtube.com/@ColdWarConversations
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