Podcasts about Moroder

Our season-long exploration of Daft Punk continues with their final album Random Access Memories. Turning away from the electronic mainstream they helped create, Daft Punk entered real studios with real musicians to rediscover the human “magic” inside recorded music. In this episode, we dissect “Give Life Back to Music,” “The Game of Love,” and “Giorgio by Moroder,” revealing how Daft Punk reframed music itself as life: a vessel for memory, history, innovation, and shared humanity. Follow @dissectpodcast on⁠⁠⁠ Instagram⁠⁠⁠,⁠⁠⁠ TikTok⁠⁠⁠, and⁠⁠⁠ Twitter⁠⁠⁠. Host/Writer/EP: Cole Cuchna Editors: Kevin Pooler & Iulia Ciobanu Theme Music: Birocratic Additional Production: Justin Sayles Connecting Changes Everything.⁠⁠⁠ https://www.att.com/connecttochange/⁠⁠⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hoy en Radio 3 (en 180 Grados y Turbo 3) estamos de estreno: te presentamos 'el aWard es para', segundo y salvaje avance del próximo disco de Aiko el Grupo. Además, escuchamos las últimas novedades de Aldous Harding, Arlo Parks, Young The Giant, Fito Páez y Los Invaders, entre otros.Playlist:LIME GARDEN - Cross My HeartDJANGO DJANGO - Glowing in the DarkROBYN - Blow My Mind (CA7RIEL & Paco Amoroso Version)MIDNIGHT GENERATION - Don't Wait UpDAFT PUNK - Giorgio by MoroderAIKO EL GRUPO - Modo sigiloAIKO EL GRUPO - el aWard es paraDEAR JOANNE - SabalenkaGO CACTUS - Medallas para todosMUJERES - AlucinanteMAYA HAWKE - Lioness [Disco Gourmet de la semana]ALDOUS HARDING - CoatsARLO PARKS - Blue DiscoFRIKO - Still AroundYOUNG THE GIANT - Bitter FruitLOS ENEMIGOS - Canciones chulasFITO PÁEZ - ShineTHE ROLLING STONES - In The StarsELASTICA - ConnectionLA LA LOVE YOU - Alguien ha boicoteado el poncheLOS INVADERS - SentimentaloidesLOS INVADERS - Viajeros nocturnosLOVE OF LESBIAN - Club de fans de John Boy (Remix)DORIAN - La tormenta de arenaLEVITANTS - Las cosas importantesDELABRUMA - La piel no mienteGYOZA - Y no hablarVIOLET GROHL - ThumEscuchar audio

The Sound Chaser Progressive Rock Podcast is on the air. The show this time is #3 in my series of progressive rock by artists not normally associated with progressive rock. We will see how in one way or another the influence of the progressive style for composition and performance has had a far-reaching influence, despite all the hatred from the music critics. So, sit back and take in sounds that are just a little bit different, both from the usual course of progressive rock and from the usual music these artists offer. In addition, I have an In Memoriam feature for keyboardist Christopher North. All that, plus news of tours and releases on Sound Chaser. Playlist1. Doc Severinsen & The Now Generation Brass - The Court of the Crimson King, from Doc Severinsen's ClosetIN MEMORIAM CHRISTOPHER NORTH2. Ambrosia - The Brunt, from Somewhere I've Never TravelledEND IN MEMORIAM3. Alice Cooper - Halo of Flies, from Killer4. BZN - The Man in the Wood, from The Bastard5. America - Donkey Jaw, from America6. Patrice Rushen - Before the Dawn, from Before the Dawn7. Joe Walsh - The Confessor, from The Confessor8. Bruce Springsteen - Jungleland, from Born to Run9. Daft Punk - Giorgio by Moroder, from Random Access Memories10. Muse - United States of Eurasia (+ Collateral Damage) / Guiding Light, from The Resistance11. Queens of the Stone Age - I Think I Lost My Headache, from Rated RTHE SYMPHONIC ZONE12. Coldplay - Coloratura, from Music of the Spheres13. Silverchair - Tuna in the Brine, from Diorama14. Dave Matthews Band - The Stone, from Before These Crowded Streets15. MGMT - Siberian Breaks, from Congratulations16. The Fire Theft - Sinatra, from The Fire Theft17. John Entwistle - Too Late the Hero, from Too Late the HeroLEAVING THE SYMPHONIC ZONE18. Daryl Hall - Babs and Babs / Urban Landscape / NYCNY, from Sacred Songs19. Toto - Hydra, from Hydra20. Ultravox - I Want to Be a Machine, from Ultravox!21. Sufjan Stevens - Come on! Feel the Illinoise!, from Illinois22. Ween - Alcan Road, from Quebec23. Ninja Sex Party - I Don't Know What We're Talking About, from The Prophecy24. Zwan - Jesus, I / Mary Star of the Sea, from Mary Star of the Sea25. Lil Yachty - the BLACK seminole, from Let's Start Here26. Angel - Tower, from Angel27. Dan Fogelberg - Tullamore Dew / Phoenix, from Phoenix

Jaume Segalés y su equipo comentan asuntos de la actualidad y traen las mejores recomendaciones culturales. Hoy en Km0, tras repasar la actualidad informativa y deportiva, profundizamos en los siguientes asuntos: Efectos del cambio horario en el sueño La suma de una hora en los relojes españoles, realizada la madrugada del sábado 28 al domingo 29 de marzo, nos mete de lleno en el horario de verano. Una cuestión controvertida que nos puede crear algunos desajustes. Algunos lo afrontan mejor que el cambio de hora que se hace en hace en octubre para el horario de invierno. Eso sí, ambas modificaciones aceleran el proceso natural de las propias estaciones. En este caso, la suma de una hora nos trae más tiempo de luz por la tarde, lo cual es algo positivo para la actividad diaria o para los planes fuera de casa, pero también puede retrasar la sensación natural de sueño. Cabe destacar que, según los expertos, la adaptación a estas medidas, que implican un cambio abrupto en el ciclo de las jornadas, depende en gran medida de nuestros hábitos. Por eso indagamos en algunas claves para afrontar este jet lag que sufrimos dos veces al año, especialmente las que tenemos que conocer para el que nos toca ahora. Entrevistamos a la especialista en patología del sueño y directora Clínica Craneosalud, la Dra. Sofía Rodríguez Moroder. "Somos química pura. Nuestro organismo funciona gracias al equilibrio entre hormonas como el cortisol y la melatonina. Durante el día predomina el cortisol, que nos mantiene activos, y por la noche aumenta la melatonina, que facilita el sueño. Cuando adelantamos el reloj, ese equilibrio necesita unos días para reajustarse", explica la especialista. Por eso, insiste, el descanso nocturno no depende sólo de la hora a la que nos acostamos, sino de cómo preparamos al cuerpo durante todo el día. "Si ayudamos al organismo a recibir las señales adecuadas —luz natural, horarios regulares, menos estímulos por la noche— la adaptación es mucho más sencilla." III Gala de los Exploradores Organizada por la plataforma de aventura Ruteon, se trata de un evento anual que tiene como objetivo reunir al talento del mundo de la exploración, la aventura y la creación de documentales para premiar sus logros más destacados. La tercera edición de la Gala de los Exploradores se ha celebrado el 21 de marzo en la Academia de Cine de Madrid. La Ruta Inti fue reconocida como Aventura del Año. Se trata de una expedición cultural y de aventura para jóvenes que fue valorada por su trayectoria de 12 años fomentando el aprendizaje y la convivencia en la naturaleza. El Premio Especial 2026 fue otorgado para Lethal Crysis, alias del creador de contenido y documentalista Rubén Díez, conocido por sus viajes a lugares remotos y de difícil acceso. La Gala de los Exploradores se consolida como un encuentro que ensalza la experiencia vivida, el viaje como herramienta de conocimiento y la exploración como forma de entender el mundo. Entrevistamos a Diego Cortijo, explorador, documentalista y creador de la plataforma de aventura y exploradores, Ruteon.

Clairement, quand en 1969 Serge Gainsbourg explose les séries de slows en boîte sur sonJe t'aime … moi non plus, on pense que jamais personne n'osera aller plus loin. C'est justement le genre de prédiction qu'il ne faut pas faire, surtout dans la pop musique, un domaine où la création et les résultats financiers font bon ménage. En fait, il suffit d'y aller franco, au premier degré.Et justement, une musique alors naissante va s'y prêter particulièrement. Au milieu des années 70, à Munich, deux producteurs d'origine anglo-italienne, Giorgio Moroder et Pete Bellotte, s'intéressent au succès gigantesque de titres comme Rock the Boat et Rock you Baby. Qu'est-ce qui peut bien plaire au public là-dedans ?Ils identifient dans le rythme un quatre temps joué par la grosse caisse et le charleston de la batterie. C'est ça ! Il n'y a plus qu'à faire pareil.Et justement, ils ont sous la main une artiste américaine vivant en Allemagne, une certaine Donna Summer, dont ils viennent de produire un premier album mais qui, mis à part en Belgique et en Hollande, n'a pas trouvé son public. Et comme le Je t'aime moi non plus de Gainsbourg et Birkin vient de ressortir avec succès chez Warner, Moroder dit à Donna Summer pourquoi on ferait pas un truc dans le genre ? Pourquoi pas, répond la chanteuse. Et pour éviter une comparaison en leur défaveur, ils décident de ne pas y aller avec le dos d'une cuillère.Mais voilà, une fois la chanson écrite et qu'il faut l'enregistrer, Donna éprouve beaucoup de mal à se lâcher : elle est horriblement gênée, ça ne donne rien !Alors Moroder et Bellotte virent du studio tout le personnel qui n'est pas nécessaire et font baisser les lumières au maximum. Donna, pour la prochaine prise, tu vas pousser tes gémissements couchée sur le dos, on va t'installer le micro.M'enfin, Giorgio, tu ne veux quand même pas …Mais nooon ! juste que comme ça, personne ne te verra et tu seras seule.L'enregistrement sulfureux terminé, Donna Summer a du mal à croire que c'est elle qu'elle entend en cabine de son. Moroder, par contre, n'a aucun mal à trouver des distributeurs. Aux Etats-Unis, c'est Neil Bogaert, l'éditeur du groupe Kiss qui est à la manœuvre. Comme il organise fréquemment des fêtes démentes dans sa propriété de Los Angeles, il passe le disque pour le tester. Sur la piste, c'est de la folie, les invités viennent sans arrêt lui demander de le rejouer.A 3 heures du matin, un téléphone sonne à Munich : Pete, c'est Neil ! Il faut que tu me fasses une version longue, mon vieux. Les gens adorent, c'est dingue.Avec ses 16 minutes 50, Love to Love You sort en version maxi qui, vendu à des millions d'exemplaires, va populariser définitivement ce format auprès des DJ.Gigantesque succès, Donna Summer arrêtera toutefois de le chanter sur scène, le jour où en Italie, elle devra quitter la scène en courant, poursuivie par des hommes survoltés. Se réfugiant dans la caravane qui lui sert de loge, elle est terrorisée par les coups que ceux-ci donnent dans la porte et les vitres jusqu'à ce que le service d'ordre vienne la libérer. Et oui, c'était une époque de dingues mais c'était tout simplement la nôtre.

Long time Dream Chimney contributor, DJ, Producer Dennis Kane is facing eviction and looking for support. https://gofund.me/7db0132b We are hosting the original Disques Town podcast episodes and making them available to stream/download. Please consider donating to help Dennis. At the moment Dennis finds himself in a serious financial jam, and we are raising funds to help he and Roan stay in their home of 31 years. -- Originally Recorded Nov 2012 Since his initial release on Balihu in 2004 Ilya Santana has been bringing the full frontal assault with extremely lush remixes and original productions. Raised on Vangelis, Moroder and Alan Parsons by his forward thinking dad, (yeah man !) Ilya starting playing the good business in 95 at any worthwhile spot in Gran Canaria. Shortly after he commenced production work in ernest and has amassed an impressive discography on labels like Permanent Vacation, Tirk, Gomma, and soon Disques Sinthomme. Ilya will release his first full length next month "A Western Tail" on Nang records..... for more on the prince of Las Palmas check : http://www.discogs.com/artist/Ilya+Santana or http://soundcloud.com/ilya-santana Alex Storrer aka Lexx is the biz, a former record dealer and b-boy/mc, (there are videos on youtube!) Lexx keeps it street and rare, his production work is subtle and exudes warmth, plus it always has depth, and an edge that the serious selector recognizes. Lexx has work out on Bearfunk, Compost, Tiny Sticks, and Permanent Vacation etc... He has also released work under the moniker Kawabata. His Originals compilation for our pal Mudd's Claremont 56 label is due soon. Lexx has been playing worldwide since the mid 90's and also held down residencies at Zurich's Club Dachkatine and Zukunft. Alex and I are joined for our brief chat by his houseboy "Brandon Clean" - soooo classy, For more on our man Alex check him here: http://www.discogs.com/artist/Lexx and here: http://soundcloud.com/lexx72

Channeling the imposing physicality of brutalist concrete monoliths into that thing we call dystopian techno. The UFO95 flew over Brussels one night, With Absence Has Shape tucked under its light, Through brutalist towers so starkly imposing, Where concrete dreams lay decomposing. “Oh MORD!” cried the vessel, “Oh MORD!” it did say, “I'm bound for the club on the sixth of Febru-ay! With radiophonics both retro and keen, And dystopian grooves never before seen!” The Tresor did rumble, the Berghain did shake, As techno Tardises whirled in its wake, With low-end saturation and thunderous throb, It zipped and it zingled, it wobbled, it bobbed! Brussels-based electronic musician Killian Vaissade – better known as UFO95 – constructs brutalist sonic architecture from the ruins of utopian dreams. On “Absence Has Shape,” the second track from his forthcoming album A Brutalist Dystopian Society Part 2, the Tresor resident channels the imposing physicality of concrete monoliths into that thing we call dystopian techno. Brutalist structures as monuments to failed promises, their stark minimalism now haunting reminders of what never came to pass. Vaissade translates this visual language into dark, dramatic, stripped back essential techno. “Absence Has Shape” throbs with hypnotic tension, interlocking grooves and low-end density. Drawing inspiration from Function, Jeff Mills, Surgeon, and Sandwell District, UFO95' approach is “Moroder-meets-Mills” – melding retro radiophonics that address brutality in its many forms: war, repression, corruption. A Brutalist Dystopian Society Part 2 drops on February 6th via MORD on vinyl, download, and streaming. The album follows acclaimed releases on Tresor, WSNWG, and TSSRCT (which he co-runs with Hadone), cementing Vaissade's reputation as a masterful producer whose tracks cut through the noise. Vaissade doesn't DJ, opting for improvised live sets, a practice that's earned him a residency at Berlin's legendary Tresor and slots at Berghain, Berlin Atonal, and Bassiani. Catch him on tour throughout January and February, including upcoming dates at Berghain (Jan 10), Razzmatazz Barcelona (Jan 17), and Fuse Brussels (Jan 24), with stops across Europe and the Americas.

This very special episode of Synthetic Dreams, features a conversation with legendary songwriter and producer Pete Bellotte. Pete's extraordinary journey began in the basement of Munich's Arabella Sheraton Hotel, home to Giorgio Moroder's groundbreaking Musicland Studios. There, as Moroder's right-hand man and a visionary in his own right, Pete helped shape a sound that would change music forever. Over the course of his career, he has co-written and produced more than 500 songs, earning two Grammy nominations for Donna Summer's Bad Girls album and single.From his early days touring with R&B band Linda Laine & The Sinners to his first major hit, Son of My Father, Pete quickly emerged as a hitmaker. Yet it was his pioneering work with Donna Summer that solidified his legacy—blending electronic innovation with bold, conceptual storytelling inspired by his lifelong love of literature. It's safe to say that I Feel Love stands as one of the greatest dance tracks ever—a legendary song whose influence on pop and dance music still resonates today. 'I Feel Love' Donna Summer Synthetic Dreams is presented and produced by Scott ZverblisFollow Synthetic Dreams on ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠Also, check out my monthly show Synthetic Sundays on Louder Than War Radio : ⁠⁠⁠⁠https://www.mixcloud.com/louderthanwar/synthetic-sundays-july-2025/⁠⁠

Nach einem Habla-Intro, wo es vor allem um Kilos und Massanzüge geht, geht es in dieser Folge um die eigenen Werte und welche Werte und Menschen in das eigene Leben passen. Oli meint ab 40 gibt's einen mentalen Change im Leben. Und er will Michi vorbereiten. «Alles was negativ ist blocke ich». Man wird kompromissloser – vielleicht auch eigensinniger. Und trotzdem ist man ja interaktiv und empathisch. Und man folgt irgendwelchen Konventionen. Am Ende, beim Song der Woche, lag Oli falsch. Axel F stammt nicht vom Moroder, sondern von Faltermeier. Tja, unfehlbar ist auch Oli nicht…

In this episode of 'Science of Slink,' Dr. Rosy Boa addresses common misconceptions about the role of the Latissimus Dorsi (lats) muscles in pole dancing. She explains the anatomy and function of the lats, debunks myths about their role in overhead movements, and offers tips on when and how to effectively train these muscles. Essential for pole dancers, the episode also covers related topics like muscle contraction, scapula stabilization, and potential causes of pain from tight lats. Dr. Boa recommends resources and exercises for better shoulder mechanics and performance in pole dancing.Are you a pole nerd interested in trying out online pole classes with Slink Through Strength? We'd love to have you! Use the code “podcast” for 10% off the Intro Pack and try out all of our unique online pole classes: https://app.acuityscheduling.com/catalog/25a67bd1/?productId=1828315&clearCart=true Chapters:00:00 Introduction and Episode Overview01:14 Common Misconceptions About Lats01:52 Understanding Muscle Function03:15 Anatomy of the Lats05:50 Lats in Pole Dancing07:36 Scapula Mechanics and Misconceptions11:03 Training and Flexibility Recommendations15:18 Conclusion and Further ReadingCitations: Bhatt CR, Prajapati B, Patil DS, Patel VD, Singh BG, Mehta CD. Variation in the insertion of the latissimus dorsi & its clinical importance. J Orthop. 2013 Mar 7;10(1):25-8. doi: 10.1016/j.jor.2013.01.002. PMID: 24403744; PMCID: PMC3768243.https://pmc.ncbi.nlm.nih.gov/articles/PMC3768243/ Miniato MA, Mudreac A, Borger J. Anatomy, Thorax, Scapula. [Updated 2023 Jul 24]. In: StatPearls [Internet]. Treasure Island (FL): StatPearls Publishing; 2025 Jan-. Available from: https://www.ncbi.nlm.nih.gov/books/NBK538319/Paksoy, A., Akgün, D., Gebauer, H., Karczewski, D., Lacheta, L., Tokish, J. M., ... & Moroder, P. (2024). The latissimus dorsi creates a dynamic track for the inferior angle of the scapula during arm abduction in humans. Journal of Orthopaedic Surgery and Research, 19(1), 193.Pouliart N, Gagey O. Significance of the latissimus dorsi for shoulder instability. I. Variations in its anatomy around the humerus and scapula. Clin Anat. 2005 Oct;18(7):493-9. doi: 10.1002/ca.20185. PMID: 16092134.Links:Learn more about join the Science of Slink membership www.scienceofslink.comJoin the Essentials of Slink waitlist! https://mailchi.mp/slinkthroughstrength.com/essentials-of-slinkUse the code “TURNINGTHREE” for 25% off any drop in class: https://www.slinkthroughstrength.com/online-pole-dancing-classes-sign-up

Shimmering summer vibes ahoy! TSOR 57 arrives tanned to perfection - think Ray Winstone in Sexy Beast and you're just about there. Joining him on the loungers around the pool this month are Steve Lawler, Luke Alessi, Krystal Klear, Ivory, Aera, Made By Pete, Kadosh, Andre Lodemann, John Monkman and more…Also placing a towel and reserving a prime slot in the mix come two of our own, namely Malandra Jr. and Vite & Miganova. Malandra goes full, Moroder factor 50 with ‘Our Soul Feel The Beat' (out now), whilst Vite & Miganova invite Colossio to beautifully rework their forthcoming ‘Another'. 1. ASKAR, Aluku Rebels, Miči, Mikalai Skrobat - Heaven's Gate (Original Cinematic Score) 00:00:002. John Monkman = Jungle 00:04:113. Louis Baker - Keep On (Andre Lodemann Dub) 00:07:534. Aera - Turn It Up 00:12:505. Made By Pete - The Voices (Kadosh Interpretation Extended) 00:18:076. Assayag - Make 'Em (Ivory Remix) 00:21:307. Malandra Jr. - Our Soul Feel The Beat 00:25:558. Casper Schulz - He Wanted To Fly 00:30:129. La Santa, Dancing on Lego - Play That Fact 00:36:0910. Vite & Miganova - Another (Colossio Remix) 00:40:4711. DJ Lion, REALMM - Kukubassi 00:45:5512. Steve Lawler - Pegasus 00:51:5613. House Of Love (Luke Alessi Remix) 00:57:0314. Krystal Klear - Deathlagg 01:00:44

Le musicien et compositeur de génie Giorgio Moroder, qui ressort de nos archives d'interview de 25 ans d'Happy Hour. Moroder qui travailla notamment avec les Daft Punk sur leur album Random Access Memories

¿Cómo afectan al descanso las noches tropicales? Se lo preguntamos a la doctora Sofría Rodríguez Moroder. Carlos Espatolero habla en un monográfico de ‘De puertas al campo' de las salidas profesionales y oportunidades laborales en el sector primario. Con el investigador José Viña abordamos los los retos del envejecimiento y la importancia de evitar una vejez no satisfactoria. Además, el antropólogo Benjamín Gaya analiza los beneficios sociales de seguir celebrando el Orgullo.

Cette semaine, Hugues Gonnot nous parle de la Cizeta-Moroder.Pour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

Episode 173 Chapter 32, Other Analog Synthesizers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 32, Other Analog Synthesizers from my book Electronic and Experimental music.   Playlist: OTHER EARLY SYNTHESIZER RECORDINGS (PRE-MIDI AND NOT MOOG)   Time Track Time Start Introduction –Thom Holmes 01:36 00:00 1.     Raymond Scott, “Space Mystery” (1963). Used Scott's Electronium, a custom-made analog synthesizer/sequencer. 05:08 01:42 2.     Pauline Oliveros, “Alien Bog” (1967). Used a prototype Buchla 100 modular synthesizer at Mills College. 33:13 06:53 3.     John Eaton, “Soliloquy For Syn-Ket” (1973) from Electro-Vibrations (The Music Of John Eaton). Used the Synket, an Italian-made modular synthesizer of which only six were ever made. 06:38 40:06 4.     John Keating, “Earthshine” (1975) from Space Experience 2. Featured the ARP 2600 and Pro- Soloist. 04:09 46:46 5.     Patrick Gleeson, “Saturn, The Bringer Of Old Age” (1976) from Beyond The Sun: An Electronic Portrait Of Holst's The Planets. Used Eµ Systems Polyphonic synthesizer. 09:31 51:02 6.     Jean Michel Jarre, “Oxygene, Part IV” (1976) from Oxygene. Used the ARP Odyssey, EMS Synthi AKS, EMS Synthi VCS3, and RMI Harmonic Synthesizer and Keyboard Computer. 03:07 01:00:34 7.     Bennie Maupin, “Crystals” (1978) from Moonscapes. Featured the E-mu Modular Synthesizer programmed by Patrick Gleeson, who owned Different Fur Studios in the San Francisco area and owned E-mu synthesizers (see previous track for an example of the E-mu Systems Polyphonic synthesizer). Here, we have a different treatment of the same instrument by jazz woodwind player Maupin, who played Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Flute, Marimba, Glockenspiel, E-mu Synthesizer, and Computone Synthesizer Winddriver on this album. I picked this track because this is most stripped-down arrangement featuring only Maupin playing the E-mu synthesizer and other instruments. 01:18 01:03:44 8.     Pere Ubu, “On the Surface” (1978) from Dub Housing. Allen Ravenstein used the EML Electrocomp 101 modular synthesizer as a member of this band. 02:37 01:05:02 9.     Sylvester, “You Make Me Feel (Mighty Real)” (1978) from Step II. One of the few albums to feature EML (Electronic Music Laboratories) Modular Synthesizer plus String synthesizer, Electro-comp 101 synthesizer and 200 expander unit, Oberheim DS-2 Sequencer, Effects, Pat Cowley; organ, Electric piano, Clavinet, Michael C. Finden; Percussion, David Frazier; Producer, Lead Vocals, Piano, Sylvester. EML was a Connecticut-based synth maker that was around from about 1970 to 1984. They were best-known for their Electro-comp modular synths. The 101 was a duophonic semi-modular 44-note synth and the model 200 was an expander unit that added ring modulation, spring reverb, and high and low filters to the setup. It was interesting to hear this Moroder-like pulsating synth sound coming from something other than a Moog. 06:34 01:07:40 10.   Isao Tomita, “The Sea Named Solaris” (1978) from Kosmos. Used the Roland System 700, Roland Strings RS- 202, Roland Revo 30, in addition to Moog Modular III, Moog System 55, and Polymoog synthesizers. 12:28 01:14:11 11.   Moebius, “Song For Lya” (1979) from Moebius. Serge, Oberheim, and Minimoog synthesizers, vocals, Bryce Robbley; Serge, Oberheim synthesizers, Doug Lynner; Violin, John Stubbs. Listen closely to tune-out the parts by the Odyssey and Minimoog and you will experience a lovely bed laid down by the Serge. Moebius had three members, one a violinist, heard in this tune blending with the Serge. Although the group used a Sennheiser vocoder on another track, the vocal distortion on this track may have actually been the voice processed with the Serge. 03:15 01:26:42 12.   Pascal Languirand, “O Nos Omnes” (1980) from De Harmonia Universalia. Features the Farfisa Synthorchestra, the famous Italian's company entry into the string synthesizer fray. The Syntorchestra was split into two keyboard sections, strings (polyphonic), and mono synth voices. It was a hybrid organ and synthesizer and used much by Klaus Schulze and other German electronic musicians for the short time that it was available from 1975 to 1978. Nine slider controls were positioned next to a 3-octave keyboard and provided some “chaotic” control episodes for this much beloved and rare keyboard. 07:15 01:29:56 13.   Henry Kucharzyk, “Play Dot Sam” (1981) from Walk The Line - Three New Works By Henry Kucharzyk. This work is performed at the Samson Box at the Center for Computer Research in Music and Acoustics (CCRMA), Stanford University, Palo Alto, California. This track is an escapee from the 1970s but nonetheless fills a void in that period when commercial synthesizers were moving to digital technology and were quite expensive. The Samson Box was a computer-based digital synthesizer created in 1977 by Peter Samson, who worked at the university. “Samson” was formally known as the “Systems Concepts Digital Synthesizer. It was a one-off special-purpose dedicated audio computer designed for use by student composers at Center for Computer Research in Musical and Acoustics (CCRMA) at Stanford University. 03:05 01:37:08 14.   Terry Riley, “The Ethereal Time Shadow” (1981-82) from Music from Mills. Used two Prophet V synthesizers, tuned to just intonation and employing sequencing. 08:51 01:40:12   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.  

When did the 60s symbolically end? Altamont? Kent State? No - when the organ stops playing towards the end of "Gimme Gimme Good Lovin'" by Crazy Elephant. It's bubblegum, but also super rockin'. Who'da thunk it? The first cover of the version was by ... Giorgio Moroder? It doesn't sound like his 70s stuff but it is wild. Third is a 80s Moroder-esque version from Roxy Perry, a blueswoman who didn't expect a Hi-NRG remix of her vocal. The fourth suitor is Canada's legendary hair metallers, Helix. For Canucks Erik and Weldon, this is manna from heavy metal heaven. Finally, a recent rendition from GospelbeacH, which is faithful - too faithful? Listen to this with some girls from Texarcan!!

Continua la saga dedicata all'elettronica che ci avete chiesto proprio voi!Nella puntata di oggi vedremo come questa musica si è evoluta fino a diventare ballabile entrando nella vera e propria sfera del Pop, e vedremo quale ruolo hanno avuto in tutto questo Giorgio Moroder e i Daft Punk.Ascolta la playlist dedicata alla puntata:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠1) Giorgio Moroder Playlist

Rejoignez-nous pour un épisode fascinant de 'La Note Secrète' où nous plongeons dans l'univers musical de Giorgio Moroder, un compositeur italien de légende qui a marqué l'histoire de la musique électronique. À l'aube de ses 85 ans, cet artiste prolifique nous offre un voyage captivant à travers ses plus grands succès.Animé par l'enthousiasme communicatif de Fabrice Lafitte, cet épisode vous fera découvrir les coulisses de la création de l'inoubliable 'I Feel Love', un titre phare de Donna Summer qui a révolutionné le paysage musical des années 70. Vous apprendrez comment l'inspiration de Moroder, puisée dans une scène culte de 'Star Wars', a donné naissance à cette mélodie électrisante, portée par la voix envoûtante de Donna Summer.Mais ce n'est pas tout ! Vous découvrirez également comment le duo Moroder-Billotte a contribué à l'américanisation du nom de la chanteuse, ainsi que les anecdotes savoureuses qui ont jalonné l'enregistrement de ce titre devenu un classique. Entre les gémissements 'chauds' de Donna Summer et les craintes des producteurs quant à la diffusion de la chanson, l'histoire de 'I Feel Love' regorge de moments savoureux qui vous captiveront.Au-delà de ce succès retentissant, cet épisode vous permettra d'explorer l'influence durable de Giorgio Moroder sur la musique populaire. De 'What a Feeling' pour 'Flashdance' à ses collaborations avec David Bowie et Blondie, vous découvrirez comment cet innovateur a façonné le paysage musical de plusieurs générations.Alors que vous vous laisserez emporter par les sonorités futuristes de Moroder, préparez-vous à redécouvrir vos tubes préférés sous un jour nouveau. Cet épisode de 'La Note Secrète' vous offrira un regard inédit sur l'un des artistes les plus influents de l'histoire de la musique électronique.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Support from Nick Warren, AFFKT, Anthony Pappa, Just Her, Audio Junkies, and of course form Dave Seaman and Steve Parry Jonathan Cowan is an OG of the scene Stateside, particularly in his native Florida, where he gave a certain Dave Seaman his first US residency back in 1998, and to this day remains a kingpin of that week in March when the dance music cognoscenti descend upon Miami. With these two transatlantic amigos and like-minded souls having been (ahem) brothers in rhythm for nigh on three decades now, it was only right & proper that some of JC's studio excursions would find their way to Selador. And so it was. The achingly beautiful ‘Alden's Groove' was first, debuting on our Sweet Sixteenth Showcase in 2022, and then followed by ‘Swaddles' which graced our Seventeenth Instalment in 2023. At the time we described it as “tip top electronic headfuckery”, and some two years on, we ain't changed our minds. So naturally we're pleased as proverbial punch to now unveil a brand-new double-header from JC. ‘Slater' is first up, as clever as it is insanely catchy. It wears several 90s influences proudly on its sleeve (think ‘French Kiss' meets Desert's seminal ‘Moods' and you're part way there), while wrapping everything up in a warm 2025 blanket of sound. Listen now, thank us slater ;) On the flipside, ‘Sawyer' kicks off with a pure 80s Chicago bassline riding that Windy City wave, before Moroder-esque wonktastic riffage joins the fray and takes hold of the dance floor. So high indeed. Tried and tested by both Messrs Seaman & Parry, these two meticulously crafted gems have been staples of their sets for the past few months but don't just take our word for it, judge for yourselves. Team Selador – Running in the family. x

Support from Nick Warren, AFFKT, Anthony Pappa, Just Her, Audio Junkies, and of course form Dave Seaman and Steve Parry Jonathan Cowan is an OG of the scene Stateside, particularly in his native Florida, where he gave a certain Dave Seaman his first US residency back in 1998, and to this day remains a kingpin of that week in March when the dance music cognoscenti descend upon Miami. With these two transatlantic amigos and like-minded souls having been (ahem) brothers in rhythm for nigh on three decades now, it was only right & proper that some of JC's studio excursions would find their way to Selador. And so it was. The achingly beautiful ‘Alden's Groove' was first, debuting on our Sweet Sixteenth Showcase in 2022, and then followed by ‘Swaddles' which graced our Seventeenth Instalment in 2023. At the time we described it as “tip top electronic headfuckery”, and some two years on, we ain't changed our minds. So naturally we're pleased as proverbial punch to now unveil a brand-new double-header from JC. ‘Slater' is first up, as clever as it is insanely catchy. It wears several 90s influences proudly on its sleeve (think ‘French Kiss' meets Desert's seminal ‘Moods' and you're part way there), while wrapping everything up in a warm 2025 blanket of sound. Listen now, thank us slater ;) On the flipside, ‘Sawyer' kicks off with a pure 80s Chicago bassline riding that Windy City wave, before Moroder-esque wonktastic riffage joins the fray and takes hold of the dance floor. So high indeed. Tried and tested by both Messrs Seaman & Parry, these two meticulously crafted gems have been staples of their sets for the past few months but don't just take our word for it, judge for yourselves. Team Selador – Running in the family. x

Un'altra puntata che ci avete richiesto proprio VOI!Ci avete chiesto: “sarebbe bella una puntata sull'elettronica, dalla colta al Pop, da Stokhoausen ai Kraftwerk, da Moroder ai Daft Punk”.Vista l'enorme quantità di contenuti collegati da trattare abbiamo scelto di dividere la richiesta in una miniserie di 3 puntate.In questo episodio affronteremo la Musica Elettronica Colta e l'evoluzione del genere da Stockhausen fino al Krautrock dei Kraftwerk. Scopriremo quindi come si è passati dalla Musica Elettronica Colta a quella Progressiva all'interno della Musica Popolare.Ascolta la playlist dedicata alla puntata:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠1) Karlheinz Stockhausen Playlist

The Cizeta-Moroder V16T was the world's first sixteen-cylinder supercar, beating Bugatti by more than a decade. From its Gandini-designed Lamborghini origins, to disco-backed financing via Giorgio Moroder, a star-studded launch party with MC Jay Leno, and a cavalcade of lawsuits that continued up until the death of company founder and creator Claudio Zampolli in 2021. Brian Wiklem's "16" book is available here: https://www.cizeta-v16t.com/ This is the true story of the Cizeta-Moroder V16T.  The Cizeta's mysterious engine has left many guessing when it comes to its origins. Turns out, it has 2 cross-plane crankshafts from a Lamborghini Urraco P300 V8, a block design taken right from Ferrari's 308 V8, and heads dissimilar to each — looking more like Cosworth's contemporary DOHC designs. We even learn – thanks to Iain Tyrrell's Classic Workshop – that there appears to have been a flat-plane crank version in the works too!  Lots of nerdy engineering talk in this one: the torsional forces acting on crankshafts that make V16s (and straight-8s) not work so well, and how Claudio solved for them with a central power takeoff unit in his transverse V16 with a longitudinal transaxle – as opposed to the McLaren F1 (which debuted not long after) which did the inverse with a longitudinal engine (albeit with 4 fewer cylinders) and transverse transaxle. There were only a handful of V16 engines in the early 1900s, early examples fitted to Cadillacs and Marmons, with the Cizeta and other esoteric oddballs filling the gaps until present day, but now we're getting a new one in the form of the Bugatti Tourbillon – whose predecessors used a much shorter “W” layout for their 16-cylinder powerplants. In any case, the cross-plane crank in the V16T elicits a raucous, lopey idle, and a Ford Mustang Shelby GT350R Chewbacca-grade WOT bellow accompanied by a cacophony of gear and induction noises. Build quality is exceptional throughout, and puts the Bugatti EB110 and Countach to shame.  Claudio would find himself in very public spats with Jay Leno, the author of the V16T book itself, Brian Wiklem, and countless others at car shows, on Ferrari forums, on Facebook – just about everywhere. He may have been paranoid and a little delusional, but he was an incredible engineer and mechanic, and we're grateful to have been able to experience the Cizeta-Moroder V16T! Huge shout-outs to owner Brendan Gallaher, Jay Leno, and Brian Wiklem. At the start of this episode, we'll also talk Golfs! Specifically MK7s, and the one Jason just bought for his niece. Believe it or not, despite decades of VW-dom, Jason has never owned a real GTI until this car. Now he's turning the youth into car people one relative at a time, starting with the purchase of a 2006 Infiniti G35 Coupe 6-speed for his nephew a few years ago, and then sending him to driving school with it. His niece got to attend the same driving school in Jason's E30, Beatrice. And, if Jason leaves the surprise 034Motorsport tune on this new GTI, his niece will inherit a car much quicker than her older brother's (and Derek may have to buy one too). But should we trust 18-year-olds (or Dereks) with 300 hp cars? Learn more about your ad choices. Visit megaphone.fm/adchoices

Whether you like it or not, in 1838 Charles Darwin revealed one of the great secrets of the natural world. He saw that this world is ever changing with all living things evolving and that's since life began on Earth. When we turn our backs on the laws of nature, we put ourselves at great risk. AI is not prosperity."Mystery of Mysteries-the appearance of new life on this Earth". MUSIC/T.Bates,C.Shorter, G.Moroder,P.Egelmann,D.Prigent/L.Gerrard,A.Silvestri

durée : 00:04:05 - L'ami.e du vendredi - par : Guillemette Odicino - Ce vendredi, Guillemette Odicino rend hommage à Giorgio Moroder, le pape de la boule à facettes, redevenu culte grâce au Random Access Memories des Daft Punk en 2013.

Tim and Jeremy are back on European soil for our second episode on Eurodisco. Examining their record boxes with a post-colonial lens they discuss the aesthetics and politics of race within the genre. We also here about homoeroticism, history-themed tracks, ‘the honky box', and the life and times of two of the key players in the scene: Jacques Morali and Richie Rome.And of course… Village People.Next time – Moroder!Tracklist:The Ritchie Family - Istanbul (Not Constantinople)The Ritchie Family - African QueensVillage People - San FranciscoBoney M - Ma BakerBoney M - New York City

Un episodio donde indagamos sobre Supernature, el tema de uno del productores de disco Francés de los 70s que ha influenciado a artistas como Erasure, Lene Lovich, Duran Duran y Daft Punk. Además indagamos el como este tema es parte de la película Climax de Gaspar Noe y nuestras ya conocidas anécdotas de vida que giraron alrededor de esta canción.Escucha a Giovanni y Paola y sigue tu podcast favorito "Discos Completos" en las plataformas para más análisis de canciones, discos, anécdotas y más. No olvides comentar, recomendarnos con tus amigos. Comparte tus anécdotas si quieres que las leamos en nuestros episodios. InstagramFacebook

#Fratellid'Italia ; #Meloni #GiorgiaMeloni #estremi . #America #Biden #Trump #sondaggi @AngeloPaura ; #Maltempo #ValdAosta ; #Strade @ClaudiaGuasco ; Un altro punto in favore di trump e uno in meno per #Biden #AngeloPaura @AngeloPaura ; #GiorgioMoroder #Musica @MattiaMarzi

It's JB's birthday pick and he has chosen the 1927 Fritz Lang classic Metropolis, restored and given a new soundtrack in the 80s by the King of 80s Soundtracks, Giorgio Moroder. Felt like homework to Kitt. This is Andy's superhero origin story: the literal zeitgeist of Weimar Germany and what this film was saying. Melissa hated this movie! What songs would we have picked to put in the movie? Studio notes for a remake version? --- Send in a voice message: https://podcasters.spotify.com/pod/show/kissyourfranchisegoodbye/message

In this episode Jeremy and Tim are joined by writer, historian, and friend of the show Simon Reynolds to discuss British musical trends of the 1970s and his life as a music journalist. Simon is arguably the most important music critic writing today, having penned seminal books on post-punk, electronic dance music, feminist rock and much more. In this interview he mostly talks about his most recent book, ‘Shock and Awe: Glam Rock and Its Legacy, from the Seventies to the Twenty-First Century', sharing stories from his childhood interest in the decadent world of Glam. The three discuss how so many artists came to aestheticise a rejection of suburbia, the purply gauze of Top of the Pops, and thinking the Situationists were a band. They unpick how Punk is imagined and historicised versus how it was experienced, how Simon came to reappraise the 60s against a hostile critical culture, and consider the role of the music press historically and today. For patrons, our extended edition also includes a discussion around Simon's 2011 book ‘Retromania: Pop Culture's Addiction to its Own Past'. Tim, Jeremy and Simon recount the particular conjuncture from which the book arose, tease out its key theses, and apply those to contemporary music culture. Simon Reynolds is the author of ‘Blissed Out: The Raptures of Rock', ‘The Sex Revolts: Gender, Rebellion and Rock 'N' Roll' with Joy Press, ‘Energy Flash: A Journey Through Rave Music and Dance Culture', ‘Rip It Up and Start Again: Postpunk 1978–1984', ‘Bring The Noise: 20 Years of Writing About Hip Rock and Hip-Hop', ‘Retromania: Pop Culture's Addiction to Its Own Past' and ‘Shock and Awe: Glam Rock and Its Legacy, from the Seventies to the Twenty-First Century'. His next book, ‘Futuromania: Electronic Dreams from Moroder to Migos' is forthcoming. Tracklist: Scott Joplin - The Entertainer Ian Dury & the Blockheads - Plaistow Patricia The Rezillos - Top Of The Pops The Specials - Ghost Town Led Zeppelin - Whole Lotta Love

It's a Mark birthday movie-- the very non-franchise-y Crazy Heart which won Jeff Bridges an Oscar. Unlike the Academy, the rest of us hated this movie to various degrees. Andy goes on a 25 minute rant about country music fans and the Fast Car remake. Mark says Andy needs to calm down. Melissa and Kitt still don't like the movie. Alcoholism. Schroedinger's Single Mom. The age difference thing. We do like the music though. JB appears just in time for studio notes. Can we separate art from artist? Next week is JB's birthday movie, the Moroder version of Metropolis, which you can see here. --- Send in a voice message: https://podcasters.spotify.com/pod/show/kissyourfranchisegoodbye/message

TITLE "MixTape085 Daft Punk vs Giorgio Moroder" 1. "Main Title (From The Motion Picture "Scarface")" - "Giorgio Moroder" 2. "Giorgio by Moroder" - "Daft Punk" 3. "Da Funk" - "Daft Punk" 4. "Get Lucky (Radio Edit) [feat. Pharrell Williams and Nile Rodgers]" - "Daft Punk, Pharrell Williams, Nile Rodgers" 5. "Giorgio's Theme" - "Giorgio Moroder" 6. "74 Is the New 24" - "Giorgio Moroder" 7. "What a Feeling - Hackatone Remix" - "Giorgio Moroder, Hackatone" 8. "Chase" - "Giorgio Moroder" 9. "La Disco" - "Giorgio Moroder" 10. "Right Here, Right Now (feat. Kylie Minogue)" - "Giorgio Moroder, Kylie Minogue" 11. "Never Ending Story - Giorgio 7" Mix" - "Limahl, Giorgio Moroder" 12. "E=Mc2 - Kniagna Remix" - "Giorgio Moroder, Kniagna" 13. "Lichtjahre" - "Schiller, Giorgio Moroder" 14. "Around the World" - "Daft Punk" 15. "Spring Affair - J.C Fous de la Mer Radio Instrumental Mix" - "Giorgio Moroder, J.C. Fous de la mer" 16. "One More Time" - "Daft Punk" 17. "Déjà vu (feat. Sia)" - "Giorgio Moroder, Sia" 18. "Tom's Diner (feat. Britney Spears)" - "Giorgio Moroder, Britney Spears" 19. "Lose Yourself to Dance (feat. Pharrell Williams)" - "Daft Punk, Pharrell Williams" 20. "Starboy" - "The Weeknd, Daft Punk" 21. "I Feel It Coming" - "The Weeknd, Daft Punk" 22. "The World Is Yours" - "Giorgio Moroder"

En este episodo de Discos Completos Edición Canción nuestro invitado Juan Carlos Flores nos compartió un tema de Donna Summer. Lucky del disco Bad Girls y nos pusimos a platicar cómo la sexualidad ha cambia desde aquella época del Studio 54 y tonos sensuales de Donna Summer a las letras explicitas que existen hoy en días así como el acceso a ellas y las repercusiones que pueden tener. Discos Completos es el podcast para escuchar discos, anécdotas e historias sobre tus discos favoritos con Paola Villa y Giovanni Escalera.Link a la canción completa AQUÍ NUESTRO GRUPO DE COMUNIDAD EN FACEBOOKInstagramFacebookTikTokYouTube

¡Bienvenidos a un nuevo episodio de Discos Completos!

Het futuristische geluid van Donna Summers I Feel Love is al sinds 1999 elk jaar te horen in de Top 2000. En het nummer blijft de afgelopen jaren maar klimmen in de lijst. De man achter het geluid van die plaat is songwriter en producer Giorgio Moroder. Leo Blokhuis duikt in de carrière van deze pionier binnen de elektronische muziek, tevens de man achter filmhits als Flashdance... What a Feeling en Take My Breath Away uit Top Gun. En Leo laat daarbij ook fragmenten horen uit eigen interviews met Moroder én Donna Summer. 

For the first time since The Killers, we're dedicating another episode to a group we've already covered! With Daft Punk's 2013 album of the summer containing the namesake of this season's final antagonist, it felt right! What didn't feel right is how nobody except for me Luke has good opinions about this album! I'll never respect Ty, Iris, or Crystal the same way again!!!RANDOM ACCESS MEMORIES RANKINGS ACCORDING TO US, THE ONLY MUSIC CRITICS WHO MATTER:ContactGet LuckyMotherboardTouchGiorgio by MoroderInstant CrushGive Life Back to MusicWithinLose Yourself to DanceDoin' it RightFragments of TimeBeyondThe Game of Love

In this episode, Joe speaks with Dr. David Geisler-Moroder from University of Innsbruck about advancements in research in the field of daylighting and energy modeling and what software tools are available to architects and researchers.

"Sense Of Danger" presents a captivating blend of House and Progressive House, crafted to take listeners on an unforgettable musical journey. This E.P. showcases the 4 Da People's skillful fusion of genres, combining the infectious rhythms of House with the melodic progressions of Progressive House. At the heart of "Sense Of Danger" lies a sexy and groovy Moroder-style bassline that sets the tone for the entire E.P. This pulsating bass creates a mesmerizing foundation for the tracks, immersing listeners in a dynamic and irresistible groove. Adding to the allure of "Sense Of Danger" is the inclusion of a sexy and catchy vocal performance. The vocals not only enhance the overall mood of the E.P. but also serve as a memorable and engaging element that draws listeners in. Prepare yourself for an immersive musical experience as "Sense Of Danger" is set to be released worldwide on May 24th, 2023. Fans and enthusiasts alike can look forward to finding this exceptional E.P. on all major digital music stores and streaming platforms. Don't miss the opportunity to indulge in the seductive rhythms, groovy basslines, and captivating vocals of "Sense Of Danger" by 4 Da People. Mark the release date on your calendar and get ready to immerse yourself in this enticing musical journey.

This is a rewind of an episode from 2021.Today's episode is all about my favourite subgenre of disco and dance music - Italo. What it is, where it came from and why it's so enduring.Italo disco is a European form of electronic disco that proliferated throughout Europe in the early '80s. It's a catch all term for 80s electronic pop of mostly Italian origin.Italo is what happens when disco starts getting made with drum machines and synthesizers - a loveable curio of romantic pop, a tasteless yet tasteful novelty item, A simple music born at a time when music was increasingly sophisticated.Italo is big fun electronic pop music that doesn't take itself too seriously. It is time capsule of a generally more innocent time of bad dancers, keytars, moustaches and chrome-shimmering fashion.From Vice's A Bullshitter's Guide To Italo-Disco by Angus HarrisonImagine, if you can, if somebody made a B-movie of the entire disco genre. Music so obviously emotional, it becomes inescapably affecting. This is Italo and its heartstring-pulling magic. It's not disco, in fact in most cases it's technically a lot worse, but there is untold charm in the chintz.Niall and Andrea take you deep into how US disco morphed into Italo, how Moroder and Hi-NRG fits in, the characteristics of Italo disco, the glitz, the glamour and the keytars. Plus, we talk about the Nialler9 Podcast theme song - Red Dragon Band's 'Let Me Be Your Radio...Patreon members get exclusive access to my 8 hour Italo Disco playlist featuring all of the songs played on this episode, which includes classics likeDoctor's Cat – Feel The DriveMr. Flagio – Take A ChanceLa Bionda – I Wanna Be Your LoverRAF – Self-ControlKen Laszlo – Hey Hey GuyRyan Paris – Dolce VitaSabrina – Boysand many more.Support Nialler9 on Patreon and join our Discord chat Hosted on Acast. See acast.com/privacy for more information.

Daft Punk nos trae su última obra musical que fusiona magistralmente elementos de la música disco, el funk y la electrónica, creando un sonido único y nostálgico.No necesitas ser un experto en música para disfrutar de este episodio. Te guiaremos por cada pista, desglosando los detalles más fascinantes e interesantes sobre la producción del álbum, cómo se gestó la colaboración con artistas legendarios como Giorgio Moroder, Pharrell Williams, Nile Rodgers, Julian Casablancas, o Panda Bear quienes aportaron su genialidad a este proyecto.Suscríbete a nuestro podcast y comparte este episodio con tus amigos para que el universo de la música sea aún más vibrante y emocionante.IG @discos.completos

"Random Access Memories" ist das erfolgreichste Album des französischen Elektro-Popduos Daft Punk. Auf dem Album ist auch der größte Hit der Band "Get Lucky". Für Daft Punk war ihr Album "Random Access Memories" ein unglaublich riesiges Projekt. Rund vier Jahre hat die Produktion des Albums gedauert. Auch finanziell war "Random Access Memories" ein großes Projekt. Mehr als eine Million Euro haben die beiden Bandmitglieder aus ihrem Privatvermögen in die Platte gesteckt. Geld und Zeit, die sich definitiv gelohnt haben. Das Album ist die meistverkaufte Platte der Band, für die die beiden Musiker viele Stars wie Pharell Williams, Chilly Gonzales und auch Nile Rodgers gewinnen konnten. Neben den Fans hat das Album auch die Fachpresse überzeugt und "Random Access Memories" wurde bei der Grammy-Verleihung 2014 mit fünf Trophäen belohnt. Unter anderem als bestes "Popduo" und auch für das "Album des Jahres". SWR1 Meilensteine Gast Sascha Simnovec ist Musiklehrer, Fan und Experte für elektronische Musik. Für ihn ist "Random Access Memories" das beste Album des vergangenen Jahrzehnts, erklärt er im SWR1 Meilensteine Podcast. Auf dem Album machen Daft Punk eine musikalische Reise durch die europäische und amerikanische Tanzmusik der 70er und 80er Jahre. Und die können sie dank Gästen wie Nile Rodgers auch sehr authentisch wiedergeben, aber auch weiterentwickeln. Ein Erkennungsmerkmal von Daft Punk waren sicherlich ihre glänzenden, futuristischen Helme, durch die die Musiker zumindest den Fokus von ihren eigentlichen Personen ablenken konnten. Trotzdem gibt es natürlich einiges, was man zur Hintergrundgeschichte der beiden französischen Musiker Thomas Bangalter und Guy-Manuel de Homem-Christo sagen kann. Die beiden kommen aus zwei gut betuchten, erfolgreichen Künstlerfamilien und sind schon früh mit dem Beruf des Musikers und des Produzenten in Berührung gekommen und musikalisch gefördert worden sind. Dass die beiden Musiker geworden sind war sozusagen unumgänglich. Bevor Guy-Manuel und Thomas sich der elektronischen Popmusik zugewendet haben und 1993 die Gruppe Daft Punk gründeten, waren sie beide Mitglieder der französischen Rockband Darlin'. Trotz oder gerade wegen des unglaublichen Erfolgs trennte sich das Duo 2021. In einem Interview mit der BBC erklärte Thomas Bangalter, dass sie alles erreicht hatten, was sie wollten und es dadurch keine kreative Notwendigkeit mehr gab, gemeinsam Musik zu machen. Eine Entscheidung die für viele Fans sehr enttäuschend gewesen sein muss. __________ Über diese Songs vom Album “Random Access Memories” wird im Podcast gesprochen 17:44 Mins – “Give Life Back to Music” 24:46 Mins – “Giorgio by Moroder” 35:14 Mins – “Within” 42:55 Mins – “Touch” 49:03 Mins – “Get Lucky” 54:26 Mins – “Fragments of Time” 58:05 Mins – “Contact” __________ Über diese Songs wird außerdem im Podcast gesprochen 05:19 Mins – “Happy” von Pharrell Williams 06:23 Mins – “Cuba” von den Gibson Brothers 17:29 Mins – “Le Freak” von Chic 22:31 Mins – “GLBTM” (Studio  Outtake) von Daft Punk 25:01 Mins – “Hot Stuff” von Donna Summer  25:10 Mins – “Call Me” von Blondie  25:17 Mins – “What a Feeling” von Irene Cara 25:23 Mins – “Take My Breath Away” von Berlin __________ Shownotes: Jetzt Abstimmen! Die SWR1 Meilensteine sind für den “Deutschen Podcastpreis” nominiert: https://www.deutscher-podcastpreis.de/podcasts/swr1-meilensteine-alben-die-geschichte-machten/ So entstand "Fragments of Time": https://www.youtube.com/watch?v=CYKekR6661o Daft Punk – GLBTM (Studio Outtakes): https://www.youtube.com/watch?v=YiZfLvLU5Jc Daft Punk Dokumentation: https://www.arte.tv/de/videos/098002-012-A/tape-daft-punk/ Einflüsse und Vermächtnis von Daft Punk: https://www.discogs.com/digs/music/daft-punk-random-access-memories-vinyl-influence __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Schreibt uns an: meilensteine@swr.de

What does it all mean? Props to Giorgio Moroder, Paramount and Universal Pictures et al.  #GetBung

Donna Summer is famous for her disco and pop career, but before she hit the big time she was already an accomplished singer who sang in musicals, folk opera and in the studio as a session musician. The Boston-born singer started out in a rock band before moving to central Europe to make a living. She was singing in the musical ‘Hair' in Munich when she came to the attention of Moroder's writing partner Pete Belotte. Like most of Summer's early disco hits, I Feel Love was written and produced by Giorgio Moroder and Pete Bellotte. Subscribe to the email list and get yourself some free goodies: https://producelikeapro.com  Want to create radio ready mixes from the comfort of your home? Go check out https://promixacademy.com/courses/  Check out all other services here: https://linktr.ee/producelikeapro

Donna Summer is famous for her disco and pop career, but before she hit the big time she was already an accomplished singer who sang in musicals, folk opera and in the studio as a session musician. The Boston-born singer started out in a rock band before moving to central Europe to make a living. She was singing in the musical ‘Hair' in Munich when she came to the attention of Moroder's writing partner Pete Belotte. Like most of Summer's early disco hits, I Feel Love was written and produced by Giorgio Moroder and Pete Bellotte. Subscribe to the email list and get yourself some free goodies: https://producelikeapro.com  Want to create radio ready mixes from the comfort of your home? Go check out https://promixacademy.com/courses/  Check out all other services here: https://linktr.ee/producelikeapro

Composer of the web series/podcast, DarkTyme: Stories From The Future, and business manager of the Black Corporation, Bob Rogue, chose the soundtrack to the 1978 film, Midnight Express, with it's Oscar winning Giorgio Moroder score. Bob became familiar with the soundtrack before even seeing the movie and he shares a fun story about hunting down “The Chase”. Ryan and Bob also chat about the legendary career of Giorgio Moroder in both pop music and the soundtrack world as well as Moroder's legacy as a synth pioneer. Ryan and Bob talk about watching live music in Japan and the cultural differences between living in Japan and living in the United States. For More Information about DarkTyme: Stories From the Future / Black Corporation: Website: https://www.youtube.com/channel/UCarDHHGIBKsuzN1hTzBiFRg (DarkTyme) https://podcasts.apple.com/ee/podcast/darktyme-stories-from-the-future/id1590856438 (DarkTyme) IG: https://www.instagram.com/blackcorporation_jp/?hl=en (Black Corporation) If you'd like to support Soundtrack Your Life, we have a Patreon, where you'll get bonus episodes and more! https://www.patreon.com/soundtrackyourlife Check out the Newsly app! For a free 1 month premium subscription, sign up with the promo code: SNDCAST https://www.newsly.me/ (https://www.newsly.me)

90s Rave Culture El origen de las Rave Parties se remonta a la celebración de fiestas clandestinas que surgen como respuesta a la restricción de horarios para espectáculos nocturnos en algunos países de Europa, como Inglaterra y Holanda, a finales de la década de los 80. Los aficionados a estas fiestas ilegales se daban cita en fábricas y locales abandonados situados a las afueras de la ciudad, para escuchar y bailar música Techno, House, etc. A pesar del carácter secreto de estas convocatorias, en muchas ocasiones la policía descubría el lugar, desalojaba al público y detenía a los organizadores. Con los años la aparición de géneros como el Trance, Garage, Jungle, Drum & Bass, Big Beat y otros estilos hace que estas celebraciones se empiecen a conocer por el nombre de Raves (en inglés significa delirar o desvariar), ahora si legales, donde se dan cita los principales DJ del mundo entero. En este podcast recordamos algunas de aquellas canciones que sonaron durante las largas horas de cualquier fiesta Rave de los 90s. Entre finales de los 80s y principios de los 90s en el Reino Unido el Acid House, el Techno de Detroit y el New Beat de Bélgica se encontraban en plena ebullición y cada fin de semana se concentraban miles de jóvenes en Raves ilegales por distintas zonas del extrarradio de Londres (fabricas abandonadas, Campos de Polo, etc) la mayoría con duración de 24 o incluso 48 horas. Rápidamente comenzaron a surgir nuevos géneros, sub géneros, productores, DJs y artistas procedentes de estas fiestas. En esta época nos encontramos con The Future Sound of London con su single “Papua New Guinea” una combinación de Acid House, Ambient y Techno. Los SL2 y su mega hit “On a Ragga Trip” un corte de breakbeat muy influenciado por los sonidos jamaicanos. Lanzado en 1992, llegando al número 2 y manteniéndose 11 semanas en los rankings de Reino Unido. Adamsky frecuentaba las Raves en sus orígenes y poco después era uno de los principales DJs de estas fiestas, publicando varios singles de éxito, aquí podemos escuchar “N-R-G” una pieza Techno con matices de Acid House (canción de sonido “RAVE”). Lo mismo ocurre con “Something Good” de Utah Saints, uno de sus mayores hits, sonido Techno influenciado por el Acid House. John Lydon (ex Sex Pistols) colaboro con Leftfield y publicaron el potente tema “Open Up” mitad de camino entre el Techno y el House. Daft Punk público su primer disco en 1996, sorprendiendo a todo el mundo con ese sonido tan fresco muy influenciado por la música disco y la electrónica de los 70s de artistas como Cerrone o Moroder, a este sonido se le llamo “French House”. De este disco nos quedamos con “Revolution 909”. En pleno boom del Britpop surgió con gran fuerza el Big Beat, genero derivado del Breakbeat con grandes influencias del Rock, Funk, Hip Hop e incluso el Punk. Sus máximos exponentes fueron los Chemical Brothers, Fatboy Slim y The Prodigy. Comencemos con los hermanos químicos, dos DJs que mezclaban Hip Hop, Techno y House en sus sesiones en Manchester y que pronto comenzaron a componer sus propias producciones y a realizar remezclas para gente como Primal Scream, Leftfield y Republica. Aquí podemos escucharlos con 2 temas: “Hey Boy Hey Girl” y “Dig Your Own Hole”. El ex bajista de The Housemartins Norman Cook más conocido como Fatboy Slim publico varios singles de éxito durante la década, aquí rescatamos “Gangsta Trippin'” y dos remixes, “I See You Baby” de los Groove Armada (otros exponentes de la escena electrónica británica de los 90s) y “Renegade Master” de WIldchild (canción muy influenciada por el Big Beat y el Jungle). Y por último The Prodigy, que a pesar de incluirlos dentro de la escena del Big Beat ellos ya venían publicando canciones de principios de década, muy influenciados por el Jungle, el Breakbeat y el Punk. Aquí podemos escuchar dos de sus principales canciones: “Firestarter” y “No Good”. No puedo dejar de mencionar dos auténticos himnos de la escena Rave y Dance de los 90s. Por un lado Underworld con su “Born Slippy”, una potente base Techno con la voz de su líder Karl Hyde. Y Faithless y su “Insomnia” (mezcla entre House y Rap) Curiosamente ambos fueron publicados en 1995. Nos queda Pianoman y su “Blured” publicado en 1995 y con el sampler reconocible de Blur y su “Boys & Girls” y Apollo 440 con “Stop The Rock”, corte puramente Big Beat. TRACKLIST: 01 - The Future Sound of London - Papua New Guinea 02 - Fatboy Slim - Gangster Trippin' 03 - SL2 - On A Ragga Tip (Edit) 04 - Adamski - N-R-G 05 - Utah Saints - Something Good (12" Mix) 06 - Leftfield Lydo - Open Up 07 - The Prodigy - Firestarter (Edit) 08 - Underworld - Born Slippy Nuxx 09 - The Chemical Brothers - Hey Boy Hey Girl 10 - Daft Punk - Revolution 909 (Radio Edit) 11 - Faithless - Insomnia (Monster Mix Radio Edit) 12 - Groove Armada - Superstylin' 13 - Groove Armada feat. Gram'ma Funk - I See You Baby (Fatboy Slim Edit) 14 - Apollo 440 - Stop the Rock (@440 Original) 15 - The Prodigy - No Good (Start The Dance) (Edit) 16 - The Chemical Brothers - Dig Your Own Hole 17 - Wildchild - Renegade Master (Fatboy Slim Old Skool edit) 18 - Pianoman - Blurred (Original Club Mix)

Host Nate Wilcox asks Dave to discuss the origins of "I Feel Love", the careers of Summer and Moroder before and after the song, and some of the other songs and artists whose work anticipated electronic dance music. Have a question or a suggestion for a topic or person for Nate to interview? Email letitrollpodcast@gmail.com Follow us on Twitter. Follow us on Facebook. Let It Roll is proud to be part of Pantheon Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Host Nate Wilcox asks Dave to discuss the origins of "I Feel Love", the careers of Summer and Moroder before and after the song, and some of the other songs and artists whose work anticipated electronic dance music.Have a question or a suggestion for a topic or person for Nate to interview? Email letitrollpodcast@gmail.comFollow us on Twitter.Follow us on Facebook.Let It Roll is proud to be part of Pantheon Podcasts.

Host Nate Wilcox asks Dave to discuss the origins of "I Feel Love", the careers of Summer and Moroder before and after the song, and some of the other songs and artists whose work anticipated electronic dance music. Have a question or a suggestion for a topic or person for Nate to interview? Email letitrollpodcast@gmail.com Follow us on Twitter. Follow us on Facebook. Let It Roll is proud to be part of Pantheon Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Host Nate Wilcox asks Dave to discuss the origins of "I Feel Love", the careers of Summer and Moroder before and after the song, and some of the other songs and artists whose work anticipated electronic dance music.Have a question or a suggestion for a topic or person for Nate to interview? Email letitrollpodcast@gmail.comFollow us on Twitter.Follow us on Facebook.Let It Roll is proud to be part of Pantheon Podcasts.