Podcasts about Class reunion

On Kill By Kill, we try our darnedest to cover films that our audience can find and view with their eyeballs. This week, however, is a major exception. For Horror-CoMAYdy, we scoured the internet (and Patrick's blu-ray collection) to find a movie that just does not work - and the world has conspired to keep hidden: 1982's NATIONAL LAMPOON'S CLASS REUNION!! A motion picture filled with funny people, a screenplay by a renowned comedy writer, and the results are devoid of almost all humor. And we're unpacking it all: from the scrubbed history of the film's conception and filming, to the way it tacks on horror elements with zero desire to make them impactful, and the Bernie Wrightson-illustrated prequel strip that's better than anything in the final product!! Along the way, we talk paper bag masks, required Blutos, TV-ready incest, “Jokes That Wouldn't Work Today” Bingo, attempted karate, Terror Train connections, and much, much more!! So join us at Lizzie Borden for a get-together to die for!! List to Pretty in Podcast's excellent National Lampoon's Class Reunion episode. Read the David J. Moore interview with director Michael Miller at comingsoon.net  Part of the BLEAV Network.Get even more episodes exclusively on Patreon! Artwork by Josh Hollis: joshhollis.com Kill By Kill theme by Revenge Body. For the full-length version and more great music, head to revengebodymemphis.bandcamp.com today! Our linker.ee Click here to visit our Dashery/TeePublic shop for killer merch! Join the conversation about any episode on the Facebook Group! Follow us on IG @killbykillpodcast!! Join us on Threads or even Bluesky Check out Gena's Substack called Gena Watches Things!! Check out the films we've covered & what might come soon on Letterboxd!

Ron is confronted with his high school class reunion, which turns out to be oddly depressing.... Guest: Media and Nutrition Expert Kelly Jones about potatoes

What is peak horror comedy? One could make the argument that this week's film ascended near the top and became the finest genre spoof of the new century. That's right, we're taking a trip to little ol' place where we can get together… and die for the amusement of the Elder Gods - 2012's THE CABIN IN THE WOODS!! Along the way, we dig into the haunted basement of the film's origins, unpack how the movie explains bad horror movie character archetypes, make out with a moose, and celebrate Johnny Friday or whatever his name was! All this, plus we revisit Count Orlon's time management issues, bloody blowholes, phantom virgins, off brand Cenobites, and the most complicated edition of Choose Your Own Deathventure ever attempted!! So come on in, put up your feet, breathe in the pheromones and intoxicants, and stay awhile - won't you? Listen to Pretty in Podcast's excellent National Lampoon's Class Reunion episode. Read the David J. Moore interview with director Michael Miller at comingsoon.net  Part of the BLEAV Network.Get even more episodes exclusively on Patreon! Artwork by Josh Hollis: joshhollis.com Kill By Kill theme by Revenge Body. For the full-length version and more great music, head to revengebodymemphis.bandcamp.com today! Our linker.ee Click here to visit our Dashery/TeePublic shop for killer merch! Join the conversation about any episode on the Facebook Group! Follow us on IG @killbykillpodcast!! Join us on Threads or even Bluesky Check out Gena's Substack called Gena Watches Things!! Check out the films we've covered & what might come soon on Letterboxd!

Maggie shares details of the sights, sounds and eats from her High School Reunion on the island, including stops at Benny’s, Coast and More. Plus Jesse pays a visit to […]

BioSteve Neill is a special effects makeup artist, filmmaker, puppeteer, model maker and visual effects (VFX) artist in film and television with a career spanning over 35 years.Steve started in the Industry at American Zoetrope just after high school where he produced his first film, Arthur. He was mentored by Francis Coppola and became good friends.Moving to Hollywood, Steve met Joe Blasco where he apprenticed for a short while before becoming friends with Rick Baker who gave him his start in Hollywood. Later he met Bob Schieffer who was head of Disney make-up and then became friends with Fred B. Phillips as a result of being friends with Bob Schieffer.Steve Neill first worked for Fred B. Phillips on Star Trek: The Motion Picture. His first assignment was to make Spock's ears. Additionally he designed and made the appliances of the dome headed alien on the bridge that was applied by Ve Neill.After working on Star Trek Steve went to work for John Chambers making prosthetics and puppet heads for National Lampoon's Class Reunion.Steve Neill has also worked on Star Trek VI: The Undiscovered Country for Richard Snell as a sculptor and prosthetic maker of numerous Klingon forehead pieces. Additionally he worked on the Star Trek: The Next Generation pilot episode, "Encounter at Farpoint".Steve Neill was also one of the Famous Hollywood Gorilla Men. Over the course of many years he made three gorilla suits and performed in many commercials, tv shows and movies. Additionally he created the McDonald's “Mac Tonight” moon character puppeteering it for many years. The head was worn by Doug Jones and puppeteered by Steve Neill, Gillian Neill and Bob Burns.He worked on Crater Lake Monster (1977) and Laser Blast (1978). Steve created, wrote and produced The Day Time Ended (1978). He worked on Ghost Busters (1984), Fright Night (1985), and many other sci-fi and horror films.Steve Neill is the author of “But Something is there” and is currently in production at SNG Studio for “But Something is There” produced by Steve Neill, Paul Gentry, Whitley Strieber and Mary Cacciapaglia.Amazon link https://tinyurl.com/5bj93kfehttps://sngstudioventura.com/https://www.youtube.com/channel/UCam8F83Eqqes5K9QKwoi99Qhttps://breaking-the-silence-shop.fourthwall.com/en-gbp/https://breakingthesilence001.substack.com/ https://www.pastliveshypnosis.co.uk/https://www.patreon.com/alienufopodcastMy book 'Verified Near Death Exeriences' https://www.amazon.com/dp/B0DXKRGDFP

Send us a text#COL#50TH#CLASS#REUNION 

Former Secretary of Transportation and Congressman Ray Lahood joins The Greg and Dan Show to talk about the upcoming Academy of Our Lady/Spalding all classes reunion. See omnystudio.com/listener for privacy information.

But Something is There is Steve Neill's journey through a life time of dealing with the unknown. Some call the experience "The Visitors" some call it abduction by aliens. The truth is we don't know what it is, But Something is There.BioSteve Neill is a special effects makeup artist, filmmaker, puppeteer, model maker and visual effects (VFX) artist in film and television with a career spanning over 35 years.Steve started in the Industry at American Zoetrope just after high school where he produced his first film, Arthur. He was mentored by Francis Coppola and became good friends.Moving to Hollywood, Steve met Joe Blasco where he apprenticed for a short while before becoming friends with Rick Baker who gave him his start in Hollywood. Later he met Bob Schieffer who was head of Disney make-up and then became friends with Fred B. Phillips as a result of being friends with Bob Schieffer.Steve Neill first worked for Fred B. Phillips on Star Trek: The Motion Picture. His first assignment was to make Spock's ears. Additionally he designed and made the appliances of the dome headed alien on the bridge that was applied by Ve Neill.After working on Star Trek Steve went to work for John Chambers making prosthetics and puppet heads for National Lampoon's Class Reunion.Steve Neill has also worked on Star Trek VI: The Undiscovered Country for Richard Snell as a sculptor and prosthetic maker of numerous Klingon forehead pieces. Additionally he worked on the Star Trek: The Next Generation pilot episode, "Encounter at Farpoint".Steve Neill was also one of the Famous Hollywood Gorilla Men. Over the course of many years he made three gorilla suits and performed in many commercials, tv shows and movies. Additionally he created the McDonald's “Mac Tonight” moon character puppeteering it for many years. The head was worn by Doug Jones and puppeteered by Steve Neill, Gillian Neill and Bob Burns.He worked on Crater Lake Monster (1977) and Laser Blast (1978). Steve created, wrote and produced The Day Time Ended (1978). He worked on Ghost Busters (1984), Fright Night (1985), and many other sci-fi and horror films.Steve Neill is the author of “But Something is there” and is currently in production at SNG Studio for “But Something is There” produced by Steve Neill, Paul Gentry, Whitley Strieber and Mary Cacciapaglia.Amazon link https://tinyurl.com/5bj93kfehttps://sngstudioventura.com/https://www.youtube.com/channel/UCam8F83Eqqes5K9QKwoi99Qhttps://breaking-the-silence-shop.fourthwall.com/en-gbp/https://breakingthesilence001.substack.com/ https://www.pastliveshypnosis.co.uk/https://www.patreon.com/alienufopodcast

But Something is There is Steve Neill's journey through a life time of dealing with the unknown. Some call the experience "The Visitors" some call it abduction by aliens. The truth is we don't know what it is, But Something is There.BioSteve Neill is a special effects makeup artist, filmmaker, puppeteer, model maker and visual effects (VFX) artist in film and television with a career spanning over 35 years.Steve started in the Industry at American Zoetrope just after high school where he produced his first film, Arthur. He was mentored by Francis Coppola and became good friends.Moving to Hollywood, Steve met Joe Blasco where he apprenticed for a short while before becoming friends with Rick Baker who gave him his start in Hollywood. Later he met Bob Schieffer who was head of Disney make-up and then became friends with Fred B. Phillips as a result of being friends with Bob Schieffer.Steve Neill first worked for Fred B. Phillips on Star Trek: The Motion Picture. His first assignment was to make Spock's ears. Additionally he designed and made the appliances of the dome headed alien on the bridge that was applied by Ve Neill.After working on Star Trek Steve went to work for John Chambers making prosthetics and puppet heads for National Lampoon's Class Reunion.Steve Neill has also worked on Star Trek VI: The Undiscovered Country for Richard Snell as a sculptor and prosthetic maker of numerous Klingon forehead pieces. Additionally he worked on the Star Trek: The Next Generation pilot episode, "Encounter at Farpoint".Steve Neill was also one of the Famous Hollywood Gorilla Men. Over the course of many years he made three gorilla suits and performed in many commercials, tv shows and movies. Additionally he created the McDonald's “Mac Tonight” moon character puppeteering it for many years. The head was worn by Doug Jones and puppeteered by Steve Neill, Gillian Neill and Bob Burns.He worked on Crater Lake Monster (1977) and Laser Blast (1978). Steve created, wrote and produced The Day Time Ended (1978). He worked on Ghost Busters (1984), Fright Night (1985), and many other sci-fi and horror films.Steve Neill is the author of “But Something is there” and is currently in production at SNG Studio for “But Something is There” produced by Steve Neill, Paul Gentry, Whitley Strieber and Mary Cacciapaglia.Amazon link https://tinyurl.com/5bj93kfehttps://sngstudioventura.com/https://www.youtube.com/channel/UCam8F83Eqqes5K9QKwoi99Qhttps://breaking-the-silence-shop.fourthwall.com/en-gbp/https://breakingthesilence001.substack.com/ https://www.pastliveshypnosis.co.uk/https://www.patreon.com/alienufopodcast

Send us a textThe time we thought our wives would meet our ex-girlfriends at our 20th Class Reunion. Merry Merry Christmas!Special thanks to artist Chris Blue for allowing us to use music from his "One Light" Christmas album on this episode. This album is available on all major music platforms. For more information, follow him on IG @chrisblive and Twitter @chrisbluelive.

This episode, one of the last ones of the year, before the Christmas episode, covers some territory. In the first half, you'll find a discussion with John, Karen, Gina and Steve  about the upcoming 50th Class Reunion for the Class of '75, and some details about what's happening, what's coming and how to stay in the loop. If you're a class of 75 member and never listened before, tune in. The second half finds me playing some of my favorite cuts from this year.  Next week, the Christmas show.  Enjoy   Kip

Mark from Summer School Electronics joins the show today to not only chat about his newest pedal the CLASS REUNION, but he also shares tips as a gigging musician about mixing his stage volume with live amps. Enjoy the show! He as give THE FAN CLUB a tour of his board.If want to JOIN THE FAN CLUB and support the show, make sure to become a Patreon.http://patreon.com/effectspedalfanclub

Ep 321- This week, our hosts Barry and Adam share stories from their recently attended High School Class 30th reunion! (Well, it's Barry's 30th and Adam's 10th, if you follow the pod's own mythology.) It was a fun weekend for both and they brought some souvenir stories of their travels, home town history and memories. … Continue reading "Ep 320- Our Class Reunion Special"

Did she end up running into that guy she doesn't like? Monday 09/30/24

Hello Students! We're going back to school with Slaughter High, another classic Class Reunion turned murderfest. We also discuss lawn darts, chronic flatulence, and British slang. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

This week is a special one as the OG's - original hosts/creators of Clone Army Radio get together to talk a little Star Wars! Lito and Mike join Jon this week to present their teams for the Star Wars Draft! We talk the Star Wars Draft, AND we talk a bit about things we like and dislike about Star Wars. Join us and laugh with (or at) us! clonearmyradio@gmail.com @clonearmyradio Twitter/X and Instagram @jonsolosebastian Instagram and Facebook Mike and Lito - @superearthpodcast Instagram and Twitter/x

Today I am taking a walk down memory lane to the Echoes of 1989 and my 35th Class Reunion. While...

Find more about Summer School Electronics on:Internet: https://www.summerschoolelectronics.com/Instagram: https://www.instagram.com/summerschoolelectronics/YouTube: https://www.youtube.com/channel/UCtUyF-gc4W2H7ieeQsNGqTQSponsorsGrez Guitars: https://www.grezguitars.com/Grez Guitars Instagram: https://www.instagram.com/grezguitars/Affiliate LinksTourGear Designs: https://www.tourgeardesigns.com/discount/40WATTGet 10% off with code 40WATT at checkout!Rattlesnake Cables: https://www.rattlesnakecables.com/40watt/Get 20% off by using the link!TrueFire (affiliate link): https://shorturl.at/bfjGXGet 40% off your first lesson purchase (including the annual pass!) with code 40WATTReverb (affiliate link): https://tidd.ly/3zLI32NPatreon: https://www.patreon.com/40wattpodcast/​Find all of the podcast links at:https://www.linktr.ee/40wattpodcasthttps://www.40wattpodcast.com/Subscribe to the channel and give a like – also find us in audio format wherever you listen to podcasts and leave us a review and share us with your friends. Support the Show.

7 friends.  1 is killed senior year of college.  1 is accused of killing her.  Now the rest are back at the college reunion to figure out the truth.  Everything is made even more complicated when you find that each friend has a secret that they're hiding.  Are all of them going to get out of reunion weekend alive? Or are the past 10 years finally going to catch up with them?  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This week we are talking about the first 7 days of our 14 day working road trip to Florida.  This episode is recorded live in our Hotel Room in Key Largo the night before we head to Miami for Exxxotica.  Give us a listen as we talk the class reunion, be honest about what we do and all the fun that can only happen on the road.  https://mycupcondom.com/discount/KASBH10    My cup condomhttp://www.motorbunny.comhttp://www.asnlifestylemagazine.comhttp://www.fullswapshop.comhttp://www.smokinmeatsbbqtreats.comhttps://www.onlyfans.com/msamandakasbh: http://www.krazykasbh.com:  http:// www.youtube.com/kasbhemails krazy.kasbh@gmail.comTwitter:  @TruthKrazySupport the Show.

A new study suggests elephants call each other by name. Weird Wednesday features a 97-year-old high school graduate, a longstanding class reunion, and a 'sugar glider' on a plane. On This Day in History, Harry Houdini performs one of his iconic tricks. African elephants call each other by unique names, new study shows 97-year-old woman earns high school diploma in Utah Oregon high school class holds its 80th annual reunion Flight delayed after sugar glider escapes aboard plane David Rush creates new world record category on balance board TDIH: Harry Houdini freed himself from a straight jacket while hung by his ankles  Houdini's Idol and Professional Namesake: Jean Eugène Robert-Houdin Contact the show - coolstuffcommute@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Jonathan and Dustin discuss offensive production being down around MLB and Dustin's upcoming trip for a class reunion. 

See omnystudio.com/listener for privacy information.

This week I'm reading from Steve Neill's book 'But Something is There'.But Something is There is Steve Neill's journey through a life time of dealing with the unknown. Some call the experience "The Visitors" some call it abduction by aliens. The truth is we don't know what it is, But Something is There.BioSteve Neill is a special effects makeup artist, filmmaker, puppeteer, model maker and visual effects (VFX) artist in film and television with a career spanning over 35 years. Steve started in the Industry at American Zoetrope just after high school where he produced his first film, Arthur. He was mentored by Francis Coppola and became good friends. Moving to Hollywood, Steve met Joe Blasco where he apprenticed for a short while before becoming friends with Rick Baker who gave him his start in Hollywood. Later he met Bob Schieffer who was head of Disney make-up and then became friends with Fred B. Phillips as a result of being friends with Bob Schieffer.Steve Neill first worked for Fred B. Phillips on Star Trek: The Motion Picture. His first assignment was to make Spock's ears. Additionally he designed and made the appliances of the dome headed alien on the bridge that was applied by Ve Neill.After working on Star Trek Steve went to work for John Chambers making prosthetics and puppet heads for National Lampoon's Class Reunion.Steve Neill has also worked on Star Trek VI: The Undiscovered Country for Richard Snell as a sculptor and prosthetic maker of numerous Klingon forehead pieces. Additionally he worked on the Star Trek: The Next Generation pilot episode, "Encounter at Farpoint".Steve Neill was also one of the Famous Hollywood Gorilla Men. Over the course of many years he made three gorilla suits and performed in many commercials, tv shows and movies. Additionally he created the McDonald's “Mac Tonight” moon character puppeteering it for many years. The head was worn by Doug Jones and puppeteered by Steve Neill, Gillian Neill and Bob Burns.He worked on Crater Lake Monster (1977) and Laser Blast (1978). Steve created, wrote and produced The Day Time Ended (1978). He worked on Ghost Busters (1984), Fright Night (1985), and many other sci-fi and horror films. Steve Neill is the author of “But Something is there” and is currently in production at SNG Studio for “But Something is There” produced by Steve Neill, , Paul Gentry, Whitley Strieber and Mary Cacciapaglia.Amazon link https://tinyurl.com/5bj93kfehttps://sngstudioventura.com/https://www.youtube.com/channel/UCam8F83Eqqes5K9QKwoi99Qhttps://breaking-the-silence-shop.fourthwall.com/en-gbp/https://breakingthesilence001.substack.com/https://www.pastliveshypnosis.co.uk/https://www.patreon.com/alienufopodcastBecome a supporter of this podcast: https://www.spreaker.com/podcast/alien-ufo-podcast--5270801/support.

GREG HAD HIS CLASS REUNION OVER THE WEEKEND.

This week I'm talking to Steve Neill about his book 'But Something is There'.But Something is There is Steve Neill's journey through a life time of dealing with the unknown. Some call the experience "The Visitors" some call it abduction by aliens. The truth is we don't know what it is, But Something is There.BioSteve Neill is a special effects makeup artist, filmmaker, puppeteer, model maker and visual effects (VFX) artist in film and television with a career spanning over 35 years. Steve started in the Industry at American Zoetrope just after high school where he produced his first film, Arthur. He was mentored by Francis Coppola and became good friends. Moving to Hollywood, Steve met Joe Blasco where he apprenticed for a short while before becoming friends with Rick Baker who gave him his start in Hollywood. Later he met Bob Schieffer who was head of Disney make-up and then became friends with Fred B. Phillips as a result of being friends with Bob Schieffer.Steve Neill first worked for Fred B. Phillips on Star Trek: The Motion Picture. His first assignment was to make Spock's ears. Additionally he designed and made the appliances of the dome headed alien on the bridge that was applied by Ve Neill.After working on Star Trek Steve went to work for John Chambers making prosthetics and puppet heads for National Lampoon's Class Reunion.Steve Neill has also worked on Star Trek VI: The Undiscovered Country for Richard Snell as a sculptor and prosthetic maker of numerous Klingon forehead pieces. Additionally he worked on the Star Trek: The Next Generation pilot episode, "Encounter at Farpoint".Steve Neill was also one of the Famous Hollywood Gorilla Men. Over the course of many years he made three gorilla suits and performed in many commercials, tv shows and movies. Additionally he created the McDonald's “Mac Tonight” moon character puppeteering it for many years. The head was worn by Doug Jones and puppeteered by Steve Neill, Gillian Neill and Bob Burns.He worked on Crater Lake Monster (1977) and Laser Blast (1978). Steve created, wrote and produced The Day Time Ended (1978). He worked on Ghost Busters (1984), Fright Night (1985), and many other sci-fi and horror films. Steve Neill is the author of “But Something is there” and is currently in production at SNG Studio for “But Something is There” produced by Steve Neill, , Paul Gentry, Whitley Strieber and Mary Cacciapaglia.Amazon link https://tinyurl.com/5bj93kfehttps://sngstudioventura.com/https://www.youtube.com/channel/UCam8F83Eqqes5K9QKwoi99Qhttps://breaking-the-silence-shop.fourthwall.com/en-gbp/https://breakingthesilence001.substack.com/https://www.pastliveshypnosis.co.uk/https://www.patreon.com/alienufopodcastBecome a supporter of this podcast: https://www.spreaker.com/podcast/alien-ufo-podcast--5270801/support.

The JAD & Shaggy Trio is a Rock/Pop band based out of Wood Dale IL since 2022. Formerly known as Class Reunion since 2009. Ray and Mike had sort of a reunion with the trio and found out who Shaggy's stylist is, among other things.

The F.O.X.E.S. face what may be their most deadly challenge – A CLASS REUNION! Things come full circle, walls get punched and many people will not be available for sequels – BUT REMEMBER – IT’S NOT OVER UNTIL MR WHISTLER DANCES!

Episode 296: I will discuss my grade school class reunion this past weekend and my tributes to actor Bill Hayes and actress Joyce Randolph. --- Send in a voice message: https://podcasters.spotify.com/pod/show/pete-kastanes/message

Episode 296: I will discuss my grade school class reunion this past weekend and my tributes to actor Bill Hayes and actress Joyce Randolph. --- Send in a voice message: https://podcasters.spotify.com/pod/show/pete-kastanes/message

In Episode 31 of Around The Ozarks Rewind with Woody and Janet, tune in as they talk about how 1996 & 2024 have the SAME EXACT CALENDAR, albums turning 50 this year, Janets' upcoming class reunion, what makes a person instantly UNATTRACTIVE, listener letters about infidelity in a relationship AND the struggle of hanging out with people that have never had children, and more! Thanks to our sponsor Kaleidoscope, at the corner of Fremont and Sunshine! See omnystudio.com/listener for privacy information.

From the controversial call against the Lions to a possible reunion with familiar faces in Dallas, there's a whole lot to unpack ahead of an all-important Week 18 versus the Commanders.See omnystudio.com/listener for privacy information.

From the controversial call against the Lions to a possible reunion with familiar faces in Dallas, there's a whole lot to unpack ahead of an all-important Week 18 versus the Commanders. Learn more about your ad choices. Visit megaphone.fm/adchoices

From the controversial call against the Lions to a possible reunion with familiar faces in Dallas, there's a whole lot to unpack ahead of an all-important Week 18 versus the Commanders. Learn more about your ad choices. Visit megaphone.fm/adchoices

From the controversial call against the Lions to a possible reunion with familiar faces in Dallas, there's a whole lot to unpack ahead of an all-important Week 18 versus the Commanders.See omnystudio.com/listener for privacy information.

You can listen to the episode by clicking: Episode 150 Can you believe we made it to 150 episodes! Nope...neither can I...or we....or us....Whatever. Anyway, since this issue is called Class Reunion, I thought we should revisit some of the things we have said in the past. Recently, we covered FF#1, The Club on episode 125, and we said this: And new colleges and friends and places to go. It must be pretty cool to get to go to such wonderful locations and kick booty with new peeps….especially when one of the coworkers wears size rocky gravel kickers. Going back a bit further, we covered Runaways V2 #2 for episode 100, and we made this statement: I would like to be able to create a big hand with a bunch of metal. I think that it would be a great party trick. Something like, "nothing up this sleeve, nothing under my hat, now watch this!" And then, BAM! Salsa time! Now we are getting back to our roots. Episode 75, we covered Power Pack #57: And this Underoos championing space beast can only be defeated by The Stimulator!! Just to make sure you heard me: The Stimulator has to be used on the bikini briefs beast before bedtime…boy, what a bother! Remember when we were in the heart of covering Power Pack, like back in Episode 50 with Power Pack #38: What do you mean false advertising?! How do you know that I wasn't going to follow through on this?….They don't know! What do you mean I just told them? Just look at this shiny thing, OK! Why would we cover X-Men on our podcast, check out Episode 25 to listen to our coverage of issue #205 of Uncanny X-Men: There are many lessons to take from this book. Lessons like don't sell your soul, keep your fluids inside your body, always bring a sparkler to a knife fight, and always bring a buddy when you head out into the snow! And of course, our first episode, number one, where we met this family of kids and their crazy adventers in Power Pack #1: Our inaugural episode! Jeff and Rick begin their podcasting journey by playing around with some recording gear, drinking some beer, and talking about the first issue of Power Pack. And that brings us to this issue....where a bunch of people fight each other. ENJOY! We also have some merchandise over at Redbubble. We have a couple of nifty shirts for sale. https://www.redbubble.com/people/jeffrickpresent/?asc=u   You can check out the artwork at this link: https://jeffandrickpresent.wordpress.com/2023/12/31/avengers-academy-25-class-reunion/   You can also subscribe and listen to us on YouTube!  Our show supports the Hero Initiative, Helping Comic Creators in Need.  http://www.heroinitiative.org/ Eighties Action by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3703-eighties-action License: http://creativecommons.org/licenses/by/4.0/ Music: Mighty Like Us by Kevin MacLeod Free download: https://filmmusic.io/song/4050-mighty-like-us Licensed under CC BY 4.0: https://filmmusic.io/standard-license  

Thanks for checking out the little podcast. And it is little. Piddly little. I mean, three little things that left behind tracks of happiness and gratitude when the news is what it is? Come on, I sometimes answer myself. But, other times, there is a quieter voice that says, keep going, don't be blind, but take a few minutes to put some stuff on the other side of the scale, too. This week's other things, then:  1. Weather map – watching all the cable TV this week provided a welcome perspective on local weather 2. Shelagh in Italy – that's it: Shelagh in Italy. Shelagh in Italy! 3. Class reunion – it wasn't the best of times, but we got through high school.  The original podcast music is from Edmonton composer and pianist Brendan McGrath. The end bells are courtesy of Edmonton humanitarian and metal artist, Slavo Cech. 

Here's more of what I think about the Jay-Z Tea and my class reunion!GaryWithDaTea.com#ExtraTea

Greetings and Salutations Bougie Babes!  So, you remember when we talked about our upcoming 20-year High School Class reunions and other reunions past back on episode 94?  Well this week, we continued the conversation but we've got another fresh perspective. Benita keeps it candid with us about how she was able to attend both of the separate events back at the 10-year reunion, and how she feels about it happening again this year at the 20-year.  She spoke her peace, and as usual, we ventured into all territories reminiscing about our school days.  Some of us have since attended our reunions or are even attending them this weekend and we decided to chat with an integral part of the story that Miss Erica, and classmates relayed about the shocking discovery of another reunion for the white members of their class of '03.     Sit back, sip some cognac, and relax as you get into this one.  Its pure entertainment!Your Bougie Bartender~Kev

Bougie Babes!!! Baby the whole cast is celebrating 20 years! We graduated from high school in 2003 and it's time to celebrate… right?! Chile we brought my homegirls Shauna & Atrina to the Bougie Den to chat about the struggles of planning and hosting class reunions while the cast was so not excited about participating in their own! Despite the feelings and frustrations, we had a time!!! Grab your brown likka and snacks because you will need it! Xoxo, Erica Patrice 

00:00 - black feet, white sand.05:14 - afro beats yacht party.07:14 - king reunion.12:00 - MAGA SZN15:30 - are millennials the only generation that cares about relationships?18:00 - Niggas for Trump.23:00 - Steve Harvey apologizes.25:00 - comedians we don't like.28:00 - black women comedians.36:00 - did majorie harvey cheat on steve with his own staff?40:00 - lori harvey = industry plant.45:00 - pinky doll not pink at all50:00 - glizzy overdrive??55:30 - Burna Boy attacks black americans1:03:00 - KFC lost they top.1:12:00 - BS High.1:25:00 - Miguel the Vampire 

It's about that time of year when Dick Jungers, my childhood friend and classmate, comes on the pod for his annual appearance, but then Dick had a great idea; why not invite on a couple of classmates? So, that's what we did! Along with Coach Jungers, we have Jay Huff, the former wrestling coach at Burlington (IA) and Ben Haugen, the baseball coach for the 2023 state champion Esko (MN) program. We had a blast taping this, discussing our great influences growing up, our careers, our goals and aspirations and then we delve into some childhood memories of growing up together. This was alot of fun for us to do, so I hope you enjoy it!

Hey Friends!  *QUE THE AIR HORNS!* We made it! We're here! This is our 100th episode of UNestablished Podcast and there were no better guests to join us this week than our very own Squad of Podcasting!  This week the ladies, along with Irmari Ortiz, Jarratt Damn, and Alvin Dean, discuss how we all got into this business, the things we love about it, things we hope for in the future, and, of course, the woes of podcasting. You can connect with Irmari on Instagram and TikTok. Her link.tre information is here. Follow Jarratt on Instagram. Follow Alvin on Instagram. You can connect with the ladies of UNestablished on TikTok, Instagram, and Facebook. You can also email any questions and/ or comments to unestablishedpodcast@gmail.com. If you would like to give a donation or support UNestablished as a podcast, you can head over to Buy Me a Coffee. There you can give a donation to help the podcast! Don't forget to leave us a five star rating and review on Apple Podcast, Spotify, and Audible. Thanks for listening and we hope you enjoy...Cheers! 

#217. It's Kory's birthday week! If you ask Dillon, it's more like Kory's birthday century but it's fine. Seriously, one of the world's newest 39 year-olds is a wonderful guy and worth celebrating. Why not do so with a “donut cake” and potentially getting together with everyone you went to high school with? A class reunion is due, may or may not happen, and we ponder the question of in the social media age, are class reunions antiquated? Speaking of antiquated, Teenage Mutant Ninja Turtles: Mutant Mayhem is out and Kory enjoyed it with his kids. Does it do the job of reviving a nostalgic story or is it drawing in a new crowd? Similarly, Kendall saw Spider-Man: Across the Spider-Verse with his kids and we share some takes that are artsier than a hipster typing away on an Apple product in a new local coffee shop. The back half is filled with one of our favorite things in the world: food. Do you eat in the bathroom? How about in bed? Do crumbs in sheets bother you or is that a space reserved only for your fancy-fizzy-princess water? Finally, have you ever low-key celebrated after eating? Follow the LinkTree below and find a place to drop your food opinions and whatever else is on your mind! Until next time, be kind to each other.Main Landing Page - https://linktr.ee/fromthemidpod​​​​​​VOICE MAIL! Comment, ask a question, suggest topics - (614) 383-8412Artius Man - https://artiusman.com​​​​​​​​​​​​​​ use discount code "themiddle"This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4771230/advertisement

Have you attended your class reunion? What made you decide to go or not to go? Are you worried about how you look? Have you changed so much that no one will recognize you? Are you the asshole that everyone will not be happy to see? Think about it.

Miguel's Class Reunion Recap Tuesday 6/20/23

On this episode, we continue our informal miniseries on the 1980s movies of director Martha Coolidge with a look back at her 1985 under appreciated classic, Real Genius. ----more---- TRANSCRIPT   From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today.   Before we hop in to today's episode, I want to thank every person listening, from whatever part of the planet you're at. Over the nearly four years I've been doing this podcast, we've had listeners from 171 of the 197 countries, and occasionally it's very surreal for this California kid who didn't amount to much of anything growing to think there are people in Myanmar and the Ukraine and other countries dealing with war within their borders who still find time to listen to new episodes of a podcast about 33 plus year old mostly American movies when they're released. I don't take your listenership lightly, and I just want you to know that I truly appreciate it. Thank you.   Okay, with that, I would like to welcome you all to Part Three of our informal miniseries on the 1980s movies of director Martha Coolidge.   When we left Ms. Coolidge on our previous episode, her movie Joy of Sex had bombed, miserably. But, lucky for her, she had already been hired to work on Real Genius before Joy of Sex had been released.   The script for Real Genius, co-written by Neal Israel and Pat Proft, the writers of Bachelor Party, had been floating around Hollywood for a few years. It would tell the story of a highly intelligent high school kid named Mitch who would be recruited to attend a prestigious CalTech-like college called Pacific Tech, where he would be teamed with another genius, Chris, to build a special laser with their professor, not knowing the laser is to be used as a weapon to take out enemy combatants from a drone-like plane 30,000 feet above the Earth.   ABC Motion Pictures, a theatrical subsidy of the American television network geared towards creating movies that could be successful in theatres before playing on television, would acquire the screenplay in the early 1980s, but after the relative failure of a number of their initial projects, including National Lampoon's Class Reunion and Young Doctors in Love, would sell the project off to Columbia Pictures, who would make the film one of the first slate of films to be produced by their sister company Tri-Star Pictures, a joint venture between Columbia, the cable network Home Box Office, and, ironically, the CBS television network, which was also created towards creating movies that could be successful in theatres before playing on television. Tri-Star would assign Brian Grazer, a television producer at Paramount who had segued to movies after meeting with Ron Howard during the actor's last years on Happy Days, producing Howard's 1982 film Night Shift and 1984 film Splash, to develop the film.   One of Grazer's first moves would be to hire Lowell Ganz and Babaloo Mandel, writers on Happy Days who helped to create Laverne and Shirley and Joanie Loves Chachi, to rewrite the script to attract a director. Ganz and Mandel had also written Night Shift and rewrote the script for Splash, and Grazer considered them his lucky charm. After trying to convince Ron Howard to board the project instead of Cocoon, Grazer would create a list of up and coming filmmakers he would want to work with. And toward the top of that list was Martha Coolidge.   Coolidge would naturally gravitate towards Real Genius, and she would have an advantage that no other filmmaker on Grazer's list would have: her fiancee, Michael Backes, was himself an egghead, a genius in physics and biochemistry who in the years to come would become good friends with the writer and filmmaker Michael Crichton, working as a graphics supervisor on the movie version of Chricton's book Jurassic Park, a co-writer of the screenplay based on Chricton's book Rising Sun, and an associate producer on the movie version of Chricton's book Congo.   Once Coolidge was signed on to direct Real Genius in the spring of 1984, she and Backes would work with former SCTV writer and performer PJ Torokvei as they would spend time talking to dozens of science students at CalTech and USC, researching laser technology, and the policies of the CIA. They would shape the project to something closer to what Grazer said he loved most about its possibility, the possibility of genius. "To me,” Grazer would tell an interviewer around the time of the film's release, “a genius is someone who can do something magical, like solve a complex problem in his head while I'm still trying to figure out the question. I don't pretend to understand it, but the results are everywhere around us. We work, travel, amuse ourselves and enhance the quality of life through technology, all of which traces back to what was once an abstract idea in the mind of some genius.”   When their revised screenplay got the green light from the studio with an $8m budget, Grazer and Coolidge got to the task of casting the film. While the young genius Mitch was ostensibly the lead character in the film, his roommate Chris would need a star to balance out the relative obscurity of his co-star. A number of young actors in Hollywood would be seen, but their choice would be 25 year old Val Kilmer, whose first movie, Top Secret!, had not yet opened in theatres but had hot buzz going for it as the followup film for the Airplane! writing/directing team of Zucker, Abrahams and Zucker.   Fourteen year old Gabe Jarret, whose only previous film work had been in a minor role in the 1981 Tony Danza/Danny DeVito comedy Going Ape!, would land the coveted role of Mitch, while supporting roles would go to Coolidge's former costars Michelle Meyrink, Deborah Foreman and Robert Prescott, as well as William Atherton, who at the time was on movie screens as Walter Peck, the main human antagonist to the Ghostbusters, as Chris and Mitch's duplicitous professor, Jerry Hathaway, and Patti D'Arbanville, who had made a splash on screens in 1981 as Chevy Chase's long-suffering girlfriend in Modern Problems.   Shooting would begin on Real Genius in Southern California on November 12th, 1984. Most of the film would be shot on sets built at the Hollywood Center Studios, just a few blocks west of the Paramount Studios lot, while several major set pieces, including the memorable finale involving Professor Hathaway's house, a space laser and 190,000 pounds of popcorn, were shot in the then quiet suburban area of Sand Canyon, a few miles east of Magic Mountain, a popular theme park and filming area about 45mins north of Hollywood Center Studios. Outdoor scenes standing in for the Pacific Tech campus would be filmed at Occidental College in Eagle Rock and Pomona College in Claremont, while some scenes would be filmed at General Atomics outside San Diego, standing in for an Air Force base in the film's climax. Shooting on the film would finish after the first of the year, giving Coolidge and her editor, Richard Chew, about seven months to get the film in shape for a planned August 7th, 1985, release.   Going in to the Summer 1985 movie season, Real Genius was positioned to be one of the hit films of the summer. They had a hot up and coming star in Val Kilmer, a hot director in Martha Coolidge, and a fairly solid release date in early August. But then, there ended up being an unusual glut of science fiction and sci-fi comedy movies in the marketplace at the same time. In March, Disney released the dinosaur-themed Baby: Secret of the Lost Legend, which was not a good film and bombed pretty bad. In June, there was the artificial intelligence film D.A.R.Y.L., which was not a good film and bombed pretty bad. In July, there was Back to the Future, which was a very good film and became one of the biggest successes of the year, and there was Explorers, Joe Dante's followup to Gremlins, which featured Ethan Hawke and River Phoenix as teenage boys who build their own spacecraft to explore outer space, and although it was one of the best movies released in the summer of 1985, it too bombed pretty bad.    But then, in a seven day period in early August, we had Weird Science, which was not very good and not very successful, Real Genius, and My Science Project, another Disney movie about a glowing orb thing from outer space that causes a lot of problems for a lazy high school student looking for something to use for his science class final, which is one of the worst movies of the year, and bombed worse than any of the other movies mentioned.   Weird Science, John Hughes' followup to his surprise hit The Breakfast Club, released only six months earlier, would open on August 1st, and come in fourth place with $4.9m from 1158 theatres. In its second weekend of release, Weird Science would lose 40% of its opening weekend audience, coming in fifth with $2.97m. But that would still be better than Real Genius, which opened on Wednesday, August 5th, which would come in sixth in its opening weekend, with $2.56m from 990 locations. My Science Project, opening on August 7th, could only manage to open in 13th place with $1.5m from 1003 theatres. That would be worse than a reissue of E.T. in its fourth weekend of release.   In its second weekend, Real Genius would only drop 14% of its opening weekend audience, coming in with $2.2m from 956 locations, but after a third weekend, losing a third of its screens and 46% of its second week audience, Real Genius would be shuttled off to the dollar houses, where it would spend another seventeen weeks before exiting theatres with only $12.95m worth of tickets sold.   However, it is my personal opinion is that the film failed to find an audience because it was perceived as being too smart for a simple audience. Real Genius celebrates intelligence. It doesn't pander to its audience. In many ways, it belittles stupidity, especially Mitch's moronic parents. Revenge is dished out in the most ingenious ways, especially at the end with Professor Hathaway's house, to the point where the science behind how Chris and Mitch did what the did is still actively debated thirty-eight years later. Caltech students served as consultants on the film, and played students in the background, while Dr. Martha Gunderson, a physics professor at USC whose vast knowledge about lasers informed the writers during the development stage, played a math professor on screen. Finally, to help promote the film, Martha Coolidge and producer Brian Grazer held the first-ever online press conference through the CompuServe online service, even though there were less than 125,000 on the entire planet who had CompuServe access in August 1985.   Today, the film is rightfully regardless as a classic, but it wouldn't make Val Kilmer a star quite yet. That, of course, would happen in 1986, when he co-starred as Tom Cruise's frenemy in Tony Scott's Top Gun. Gabe Jarret would eventually become Gabriel Jarret, appearing in such movies as Karate Kid 3, Apollo 13 and The American President, and he continues to work in movies and on television to this day. Sadly, the same cannot be said for Michelle Meyrink, who would quit acting three years after making Real Genius, but we'll talk about that on our next episode. And, of course, William Atherton would cement his reputation as the chucklenut Gen Xers love to hate when he played the cocky television reporter Dick Thornburg in the first two Die Hard movies.   And with that, we come to the end of this episode. Thank you for joining us.    We'll talk again next week, when Episode 111, on Coolidge's 1988 comedy Plain Clothes, is released.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about the movies we covered this episode.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

This week, we continue with the Martha Coolidge lovefest with her one truly awful movie, Joy of Sex. ----more---- TRANSCRIPT   From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today. Last week, we talked about Martha Coolidge and her 1983 comedy Valley Girl, which celebrated the fortieth anniversary of its release this past Saturday. Today, we're going to continue talking about Martha Coolidge's 1980s movies with her follow up effort, Joy of Sex. And, as always, before we get to the main story, there's some back story to the story we need to visit first. In 1972, British scientist Alex Comfort published the titillatingly titled The Joy of Sex. If you know the book, you know it's just a bunch of artful drawings of a man and a woman performing various sexual acts, a “how to” manual for the curious and adventurous. Set up to mimic cooking books like Joy of Cooking, Joy of Sex covered the gamut of sexual acts, and would spend more than a year on the New York Times bestseller list, including three months at the top of the list. It wasn't the kind of book anyone could possibly conceive a major Hollywood studio might ever be interested in making into a movie.  And you'd be right. Sort of.  When a producer named Tom Moore bought the movie rights to the book in 1975, for $100,000 and 20% of the film's profit, Moore really only wanted the title, because he thought a movie called “Joy of Sex” would be a highly commercial prospect to the millions of people who had purchased the book over the years, especially since porn chic was still kind of “in” at the time. In 1976, Moore would team with Paramount Pictures to further develop the project. They would hire British comedian, actor and writer Dudley Moore to structure the movie as a series of short vignettes not unlike Woody Allen's Everything You Wanted to Know About Sex But We're Afraid to Ask. Moore was more interested in writing a single story, about someone not unlike himself in his early 40s coming to grips with being sexually hung up during the era of free love. Moore and the studio could not come to an agreement over the direction of the story, and Moore would, maybe not so ironically, sign on the play a character not unlike himself, in his early 40s, coming to grips with being sexually hung up during the era of free love, in Blake Edwards' 10. Still wanting to pursue the idea of the movie as a series of short vignettes not unlike Woody Allen's Everything You Wanted to Know About Sex But We're Afraid to Ask, Paramount next approached the British comedy troupe Monty Python to work on it, since that's basically what they did for 45 episodes of their BBC show between 1969 and 1974. But since they had just found success with their first movie, Monty Python and the Holy Grail, they decided to concentrate their efforts on their next movie project. In 1978, Paramount hired actor and comedian Charles Grodin to write the script, telling him it could literally be about anything. Grodin, one of the stealthiest funny people to ever walk the Earth, had written a movie before, an adaptation of the Gerald A. Browne novel 11 Harrowhouse, but he found himself unable to think of anything, finding the ability to write anything he wanted as long as it could somehow be tied to the title to be an albatross around his neck. When Grodin finally turned in a script a few months later, Paramount was horrified to discover he had written a movie about a screenwriter who was having trouble writing a Hollywood movie based on a sex manual. The studio passed and released Grodin from his contract. In 1985, Grodin was able to get that screenplay made into a movie called Movers and Shakers, but despite having a cast that included Grodin, Walter Matthew, Gilda Radner, Bill Macy, and Vincent Gardenia, as well as cameos from Steve Martin and Penny Marshall, the film bombed badly. After the success of The Blues Brothers, John Belushi was hired to star in Joy of Sex, to be directed by Penny Marshall in what was supposed to be her directing debut, produced by Matty Simmons, the publisher of National Lampoon who was looking for another potential hit film to put its name on after their success with Animal House, from a script written by National Lampoon writer John Hughes, which would have been his first produced screenplay. Hughes' screenplay still would be structured as a series of short vignettes not unlike Woody Allen's Everything You Wanted to Know About Sex But We're Afraid to Ask, but Belushi would pass away before filming could begin. Penny Marshall would make her directing debut four years later with the Whoopi Goldberg movie Jumpin' Jack Flash, while Hughes' first produced screenplay, National Lampoon's Class Reunion, would actually begin production four weeks before Belushi died. Belushi kept getting the production start date for Joy of Sex pushed back because of he was working on a screenplay for a movie he really wanted to make, a diamond smuggling caper called Noble Rot, which Paramount had agreed to make if Belushi would make Joy of Sex first. After that, Paramount would hire the unlikely team of screenwriting teacher Syd Field and shock jock Don Imus to try their hand at it, before going back to Hughes, who at one point turned in a draft that was 148 pages long. After the success of Porky's around this time, Paramount would have the script rewritten again, this time by The Outsiders' screenwriter Kathleen Rowell, trying to make it into a raunchy comedy. Amy Heckerling, the director of Fast Times, was approached to direct, but she would turn it down because she didn't want to get pigeonholed as a raunchy sex comedy director. The studio needed to get the film in production by the end of May 1983, or the rights to the book and the title would revert back to its author. After Valley Girl started to get some good buzz just before release, Paramount would approach Coolidge to direct. Although the budget for the film would only be around $5m, Coolidge would earn far more than the $5,000 she made for Valley Girl. So even if she wasn't too thrilled with the script, it was good money. Maybe she should have waited. The film would begin production in Los Angeles and Santa Monica beginning on May 31st, 1983, literally the day before the movie rights would have reverted back to the author, and Coolidge would only be given twenty-six days to film it. It also didn't help that the production was working under Paramount's television division, and the producer, Frank Konigsberg, had never produced a feature film before. This final version of the script she would be working with, credited to Kathleen Rowell and first-time screenwriter, J.J. Salter, would be the nineteenth draft written over the course of eight years, and wouldn't quite be the raunchfest Paramount was hoping for, but they were literally out of time. To try and make things as comfortable for herself as possible, Coolidge would hire a number of actors and crew members from Valley Girl, and tried to shoot the film, as straight as possible, even with the studio's request for lots of gratuitous nudity. Michelle Meyrink, one of Julie's valley girl friends in Coolidge's previous film, would star as Leslie, a high school senior who tries to lose her virginity when she mistakenly believes she only has six weeks to live, alongside her Valley Girl co-stars Cameron Dye, Colleen Camp and Heidi Holicker. Also on board would be Ernie Hudson, who would go straight from making this film into making Ghostbusters, and Christopher Lloyd, who was still a couple years away from starring as Doc Brown, as Leslie's dad, a coach at her school. Coolidge's saving grace was that, despite the pressure to have scenes of nubile young co-eds running naked down the school halls for no good reason, the core of the story was about two teenagers who, while trying to learn about sex, would discover and fall in love with each other. Paramount would set the film for an April 13th, 1984 release, even before Coolidge turned in her first cut of the film. But when she did, that's when the proverbial poop hit the proverbial fan. Coolidge made the movie she wanted to make, a sweet love story, even with some scenes of gratuitous and unnecessary nudity. Which is not the movie Paramount wanted, even if it was the script they approved. Her relationship with the studio further soured when the first test screening of the film turned out to be a disaster, especially with teenage girls and women, who loved the love story at the center of the film but hated the completely gratuitous and unnecessary nudity. Coolidge would be fired off the film, the television and film departments at Paramount would get into vicious finger pointing arguments about who was to blame for this mess and how they were going to fix it, and Matty Simmons would pay Paramount $250,000 to have National Lampoon's name removed from the film, claiming the film did not represent what the magazine had originally signed up for. Paramount would cancel the April 1984 release date, while hiring two new editors to try and salvage the mess they felt they were given. The Directors Guild offered to allow Coolidge to take her name off the film and have it credited to Alan Smithee, but she would decide to leave her name on it. Even if the film bombed, it was another directing credit to her name, which could still help her get future jobs. When the new editors finished their work on the film, they had whittled down Coolidge's original version that ran 115 minutes into a barely cohesive 93 minute mess, and the studio decided to release the film on August 3rd. In the 80s, the entire month of August was pretty much considered a dumping ground for movies, as families were often eschewing going to the movies for their last moments of summer fun before the kids had to go back to school. Opening on 804 screens, Joy of Sex would open in ninth place, grossing an anemic $1.9m in its first three days. Ghostbusters, in its ninth week of release, was still in first place with $6.5m, and it would also get outgrossed by Gremlins, Indiana Jones and the Temple of Doom and The Karate Kid, all three having been released in May or June. After a second weekend where the film would lose nearly 20% of its theatres and 55% of its first week audience, Paramount would stop tracking the film. It's final reported ticket sales total would be just $3.69m. Because I am cursed with the ability to remember the most mundane things from nearly forty years ago while being unable to remember where I left a screwdriver yesterday, I still remember seeing Joy of Sex. It was on the #1 screen at the Skyview Drive-in in Santa Cruz. It was the A-title, playing a double bill with Cheech and Chong Still Smokin', which had not done very well when it had been released the previous May. My friends and I would head out to the theatre, Dick and some friends piled in his Impala, me and some friends in my AMC Pacer, with lawn chairs and frosty beverages in the trunks, ready to completely rip apart this film we heard was really bad. And rip it apart we did. I think there were maybe ten cars on our side of the drive-in, plenty of room for a bunch of drunken teenagers to be far away from everyone else and be obnoxious jerks. In 1984, we didn't have the internet. We didn't have easy access to the industry newspapers where we may have heard about all the troubles with the production. We just knew the film stunk something foul, and we had one of our most fun evenings at the movies destroying it in our own inimitable way. Not that I was going to give the movie another chance. It stunk. There's just no two ways about it, but I am now more forgiving of Martha Coolidge now that I know just how impossible a situation she was put in. Ironically, the debacle that was Joy of Sex would be part of the reason I so enjoyed Coolidge's next film, 1985's Real Genius so much, because Joy of Sex was still fresher in my mind than Valley Girl. But we'll talk more about Real Genius on our next episode. Thank you for joining us. Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about Joy of Sex. The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment. Thank you again. Good night.

It's tea-time, y'all! How cursed is this class? Let's find out as the boys review Christmas Class Reunion!