Podcasts about Bad Boy Records

In this New Year episode of Let's Be Clear, Mark Curry speaks on his time as a ghostwriter at Bad Boy Records and his appearance in the Netflix documentary, The Reckoning of Sean Puffy Combs.Mark shares the spiritual cost of fame, the truth behind his book Dancing with the Devil, and how faith, loss, and forgiveness shaped his journey through the music industry.This New Year conversation explores truth, accountability, and what it means to walk away from power when purpose matters more.#LetsBeClearPodcast #MarkCurry #BadBoyRecords #DiddyDocumentary #TheReckoningThe Jamal Bryant Podcast "Let's Be Clear" is a conversation that rips off the bandaid to serious relevant issues in the community and around the country. It assesses the wounds and offers prescriptions of insight, understanding and direction. No punches are pulled, but jabs are thrown to hit right between the eyes of every listener. New Episode Drops every Thursday at 12pm est. at jamalbryant.orgJoin our Membership or Support our Channel to get access to perks:https://www.youtube.com/channel/UC1yEY95beOqcUz5TUqxqVgQ/joinFollow or Subscribe on our socials ~https://www.facebook.com/jamalbryantpodcasthttps://www.instagram.com/jamalbryantpodcast/https://www.tiktok.com/@jamalbryantpodcast https://twitter.com/jamalbryantpod

In this episode we break down episodes 1 and 2 of the 50 Cent produced docuseries. Episode 1: How did a kid from New York transform himself into a powerful hip-hop mogul?  The origins of Bad Boy Records reveal how Sean Combs became Puff Daddy. Episode 2: As Puffy embraces the celebrity lifestyle, he fuels a dangerous rivalry with Death Row Records.  Questions linger about the shooting of Tupac Shakur.  Want access to our first 45 episodes? Grab em here! We've made them available for free to anyone who signs up! Remember, these episodes were recorded when we had no idea what we were doing, so just keep that in mind. The audio isn't the quality we would want to put out now, but the cases are on point! Visit killerqueens.link/og to download and binge all the archived episodes today! Hang with us: Follow Us on Instagram Like Us on Facebook Join our Case Discussion Group on Facebook Get Killer Queens Merch Bonus Episodes © 2026 Killer Queens Podcast. All Rights ReservedAudio Production by Wayfare Recording Music provided by Steven Tobi Logo designed by Sloane Williams of The Sophisticated Crayon Learn more about your ad choices. Visit podcastchoices.com/adchoices

Sean “Diddy” Combs, also known as Puff Daddy and P Diddy, remains at the center of one of the most consequential celebrity legal sagas in modern music history. According to Access Hollywood, the disgraced music mogul was arrested in September 2024 and later tried on five federal counts, including sex trafficking, transportation for prostitution, and racketeering. After an eight‑week trial that featured 34 witnesses, including former girlfriend Cassie Ventura, a jury convicted Combs on two of the five counts, and in October 2025 he was sentenced to 50 months in federal prison, with a projected release in mid‑2028. Access Hollywood reports that he has already filed an appeal challenging that outcome.That appeal has now become the latest headline. The Associated Press, via The Hollywood Reporter and the New York Post, reports that Combs' legal team has asked the 2nd U.S. Circuit Court of Appeals in New York to order his immediate release or send the case back for a lighter sentence. His lawyers argue the trial judge improperly let evidence from charges on which he was acquitted influence the punishment, and contend that the four‑plus‑year term under the Mann Act is excessively harsh. Rolling Stone likewise notes that the filing portrays Combs as unfairly sentenced and pushes for resentencing on a fast track.Meanwhile, the story around Combs has expanded far beyond a single courtroom. The Hollywood Reporter details how he is serving his time at a low‑security federal facility in New Jersey, while Deadline and TV Insider chronicle the continuing fallout from a wave of civil lawsuits and a surge of media projects dissecting his past. Netflix's documentary “Sean Combs: The Reckoning,” executive produced by Curtis “50 Cent” Jackson, digs into years of allegations against the Bad Boy Records founder, while a spokesperson for Combs has issued statements insisting he has “never sexually assaulted anyone” and categorically denies the accusations highlighted in the film, as noted by CBS News.The reverberations reach his family and former artists. AllHipHop reports that streaming platform Zeus has ordered a 2026 docuseries giving Justin Combs and Christian “King” Combs their own space to address life in the shadow of their father's trial and its impact on their careers and identity. CBS News recently featured former Danity Kane member Aubrey O'Day, who discussed learning of an affidavit alleging a sexual assault involving Combs, claims he firmly rejects through his representatives.As appeals play out, dozens of civil claims and a growing catalog of documentaries, interviews, and podcasts are reshaping how the public understands Sean Combs' legacy: from hit‑making icon and business mogul to a central figure in a broader reckoning over power, abuse, and accountability in entertainment.Thank you for tuning in, and come back next week for more. This has been a Quiet Please production and, for me, check out QuietPlease dot A I.Some great Deals https://amzn.to/49SJ3QsFor more check out http://www.quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

Sean “Diddy” Combs wants out — urgently. After barely a year behind bars, he's demanding the appeals court speed up his case, framing the delays as an injustice rather than a natural consequence of the crimes he admitted to. But this episode of Hidden Killers reveals what's really driving his desperation: narcissistic collapse, loss of control, and a man who has never learned to live without power. Tony Brueski breaks down how Diddy's “fast-track appeal” isn't just legal strategy — it's psychological exposure. Joined by former prosecutor Eric Faddis, we analyze how Combs' behavior follows the exact trajectory experts associate with collapsing narcissists: denial, grandiosity, entitlement, and frantic attempts to reclaim narrative dominance. From his courtroom “spiritual reset” to blaming layoffs at Bad Boy Records on his own arrest, the pattern is unmistakable. But the story gets darker. A disturbing Florida police report now details a grotesque new allegation — one tied to a producer, preserved clothing belonging to Biggie Smalls, and an assault that weaponized legacy and trauma. This case isn't expanding at the edges — it's ripping open decades of alleged coercion, violence, and humiliation. And just as his legal world unravels, reports emerge that Diddy was caught with homemade alcohol inside Fort Dix. Prison hooch — “pruno” — a fermented trash-bag brew made from rotting fruit and sugar packets. The man who once marketed premium vodka is now allegedly drinking the lowest form of liquor behind bars. No entourage. No glamour. Just the smell of citrus rot and ego decay. More than 50 civil claims now orbit Diddy's name. Each new allegation chips away at the empire he built on fear and illusion — and exposes the man who believed he would always outrun consequences. This is the downfall — unfiltered. #Diddy #SeanCombs #HiddenKillers #TrueCrime #TonyBrueski #CelebrityAccountability #NarcissisticCollapse #PrisonLife #CassieVentura #JusticeForSurvivors Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

Sean “Diddy” Combs wants out — urgently. After barely a year behind bars, he's demanding the appeals court speed up his case, framing the delays as an injustice rather than a natural consequence of the crimes he admitted to. But this episode of Hidden Killers reveals what's really driving his desperation: narcissistic collapse, loss of control, and a man who has never learned to live without power. Tony Brueski breaks down how Diddy's “fast-track appeal” isn't just legal strategy — it's psychological exposure. Joined by former prosecutor Eric Faddis, we analyze how Combs' behavior follows the exact trajectory experts associate with collapsing narcissists: denial, grandiosity, entitlement, and frantic attempts to reclaim narrative dominance. From his courtroom “spiritual reset” to blaming layoffs at Bad Boy Records on his own arrest, the pattern is unmistakable. But the story gets darker. A disturbing Florida police report now details a grotesque new allegation — one tied to a producer, preserved clothing belonging to Biggie Smalls, and an assault that weaponized legacy and trauma. This case isn't expanding at the edges — it's ripping open decades of alleged coercion, violence, and humiliation. And just as his legal world unravels, reports emerge that Diddy was caught with homemade alcohol inside Fort Dix. Prison hooch — “pruno” — a fermented trash-bag brew made from rotting fruit and sugar packets. The man who once marketed premium vodka is now allegedly drinking the lowest form of liquor behind bars. No entourage. No glamour. Just the smell of citrus rot and ego decay. More than 50 civil claims now orbit Diddy's name. Each new allegation chips away at the empire he built on fear and illusion — and exposes the man who believed he would always outrun consequences. This is the downfall — unfiltered. #Diddy #SeanCombs #HiddenKillers #TrueCrime #TonyBrueski #CelebrityAccountability #NarcissisticCollapse #PrisonLife #CassieVentura #JusticeForSurvivors Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

Sean “Diddy” Combs wants out — urgently. After barely a year behind bars, he's demanding the appeals court speed up his case, framing the delays as an injustice rather than a natural consequence of the crimes he admitted to. But this episode of Hidden Killers reveals what's really driving his desperation: narcissistic collapse, loss of control, and a man who has never learned to live without power. Tony Brueski breaks down how Diddy's “fast-track appeal” isn't just legal strategy — it's psychological exposure. Joined by former prosecutor Eric Faddis, we analyze how Combs' behavior follows the exact trajectory experts associate with collapsing narcissists: denial, grandiosity, entitlement, and frantic attempts to reclaim narrative dominance. From his courtroom “spiritual reset” to blaming layoffs at Bad Boy Records on his own arrest, the pattern is unmistakable. But the story gets darker. A disturbing Florida police report now details a grotesque new allegation — one tied to a producer, preserved clothing belonging to Biggie Smalls, and an assault that weaponized legacy and trauma. This case isn't expanding at the edges — it's ripping open decades of alleged coercion, violence, and humiliation. And just as his legal world unravels, reports emerge that Diddy was caught with homemade alcohol inside Fort Dix. Prison hooch — “pruno” — a fermented trash-bag brew made from rotting fruit and sugar packets. The man who once marketed premium vodka is now allegedly drinking the lowest form of liquor behind bars. No entourage. No glamour. Just the smell of citrus rot and ego decay. More than 50 civil claims now orbit Diddy's name. Each new allegation chips away at the empire he built on fear and illusion — and exposes the man who believed he would always outrun consequences. This is the downfall — unfiltered. #Diddy #SeanCombs #HiddenKillers #TrueCrime #TonyBrueski #CelebrityAccountability #NarcissisticCollapse #PrisonLife #CassieVentura #JusticeForSurvivors Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

The Second Amended Complaint filed by Clayton Howard in the U.S. District Court for the Central District of California lays out a sweeping civil case against Sean Combs, Cassandra Ventura, Bad Boy Records, Combs Enterprises, and the Beverly Hills Hotel Corporation. Howard alleges a pattern of abuse, coercion, intimidation, and exploitation tied to Combs' business empire, asserting that the defendants either directly participated in or knowingly enabled unlawful conduct. The complaint expands on earlier filings by adding detail, refining claims, and asserting that the alleged misconduct was not isolated but systemic, facilitated through corporate structures, private residences, hotels, and entertainment-industry power dynamics. Howard demands a jury trial and seeks damages, framing the case as one rooted in abuse of power, retaliation, and institutional complicity.The amended filing also emphasizes the role of corporate defendants and venues, particularly the Beverly Hills Hotel, arguing that they failed in their duty to protect individuals from foreseeable harm and instead allowed their premises to be used in furtherance of alleged misconduct. By naming both individuals and corporate entities, the complaint aims to pierce the separation between Combs' personal actions and his business operations, asserting joint liability across the enterprise. The Second Amended Complaint positions the case not merely as a dispute between private parties, but as a broader reckoning with how celebrity, money, and corporate shielding can be used to suppress accountability, with Howard seeking both financial relief and public adjudication of the claims before a jury.to contact me:bobbycapucci@protonmail.comsource:Second Amended Complaint Howard v Combs Ventura.pdf

The Second Amended Complaint filed by Clayton Howard in the U.S. District Court for the Central District of California lays out a sweeping civil case against Sean Combs, Cassandra Ventura, Bad Boy Records, Combs Enterprises, and the Beverly Hills Hotel Corporation. Howard alleges a pattern of abuse, coercion, intimidation, and exploitation tied to Combs' business empire, asserting that the defendants either directly participated in or knowingly enabled unlawful conduct. The complaint expands on earlier filings by adding detail, refining claims, and asserting that the alleged misconduct was not isolated but systemic, facilitated through corporate structures, private residences, hotels, and entertainment-industry power dynamics. Howard demands a jury trial and seeks damages, framing the case as one rooted in abuse of power, retaliation, and institutional complicity.The amended filing also emphasizes the role of corporate defendants and venues, particularly the Beverly Hills Hotel, arguing that they failed in their duty to protect individuals from foreseeable harm and instead allowed their premises to be used in furtherance of alleged misconduct. By naming both individuals and corporate entities, the complaint aims to pierce the separation between Combs' personal actions and his business operations, asserting joint liability across the enterprise. The Second Amended Complaint positions the case not merely as a dispute between private parties, but as a broader reckoning with how celebrity, money, and corporate shielding can be used to suppress accountability, with Howard seeking both financial relief and public adjudication of the claims before a jury.to contact me:bobbycapucci@protonmail.comsource:Second Amended Complaint Howard v Combs Ventura.pdf

In September 2024, Thalia Graves filed a lawsuit against Sean "Diddy" Combs, accusing him and his former head of security, Joseph Sherman, of raping her in the summer of 2001. The lawsuit claims that Graves, then 25, was lured to a meeting at Combs' Bad Boy Records studio, where she was allegedly drugged, bound, and raped by both men. The lawsuit also alleges that the assault was recorded on video without her consent, and that the footage was later distributed as pornography.Graves has spoken publicly about the severe emotional trauma she has suffered since the alleged incident, including PTSD, flashbacks, and suicidal thoughts. The lawsuit, filed under the New York City Victims of Gender-Motivated Violence Protection Act, seeks compensatory and punitive damages, as well as the removal of all copies of the video.This lawsuit is one of several against Combs, who was recently arrested on separate federal charges related to sex trafficking and racketeering. He has pleaded not guilty to those charges and remains jailed without bail.to contact me:bobbycapucci@protonmail.comsource:Sean "Diddy" Combs accused of rape, recording alleged attack in newly filed lawsuit - CBS Los Angeles (cbsnews.com)

Sean Combs, known to listeners as Puffy, Puff Daddy, P. Diddy, Diddy, and Love, remains at the center of a storm of legal fallout, prison life revelations, and pop‑culture reckoning, even as he serves a federal sentence. According to LAist, a Manhattan federal jury found Combs guilty on two counts of transportation to engage in prostitution, while acquitting him of racketeering conspiracy and sex trafficking charges that could have carried a possible life sentence. Each of the two counts carries a maximum of 10 years, and outside the criminal case he still faces a wave of civil lawsuits from former employees and associates, including claims of sexual abuse and violence.CBS News New York reports that Combs was sentenced to just over four years in federal prison and is currently incarcerated with an expected release date in May 2028. Internal prison records obtained by CBS indicate he was disciplined within days of arriving, even as his legal team pushed for placement at a facility with a residential drug treatment program and broader access to family visits.While his physical world has shrunk, his financial and cultural footprint remains under intense scrutiny. A deep dive on his fortunes from AOL describes how the onetime hip‑hop billionaire—who built an empire spanning Bad Boy Records, Sean John fashion, liquor deals, and media ventures—has seen his net worth deflate after walking away from major partnerships and relinquishing control of his Revolt media stake amid mounting allegations. Yet PopRant from the India Times reports that his money machine has not fully stopped: his $60 million Gulfstream G550 private jet is now being chartered while he remains behind bars, logging more than 120 trips and generating millions in revenue even as he sits in a cell.The culture war over his legacy has only intensified on screen. RadarOnline, via an exclusive report carried by AOL, says Combs is fighting to shut down the Netflix docuseries Sean Combs: The Reckoning, directed by Alexandria Stapleton, which lays out decades of allegations of rape, sex trafficking, false imprisonment, and physical abuse, anchored in part by the now‑infamous hotel surveillance footage of his assault on Cassie Ventura. Sources told the outlet that Combs sees the series as a “permanent cancel card” that could seal the door on any comeback, and his lawyers have fired off a cease‑and‑desist letter to Netflix alleging use of private legal conversations and copyrighted material. A separate report from PopRant notes that 50 Cent's involvement with Sean Combs: The Reckoning has supercharged global viewership, reigniting public debate over Combs' rise, his alleged “freak‑off” parties, and whether redemption is even possible.Rolling Out adds another twist, covering how 50 Cent has continued to needle Combs in public while insisting there is no personal beef, using the docuseries and the larger scandal as fuel for his own brand of trolling commentary. All of it leaves Sean Combs in a rare position: a once‑dominant architect of modern hip‑hop, simultaneously imprisoned, monetized, and dissected in real time by courts, corporations, and cameras.Thanks for tuning in, and come back next week for more. This has been a Quiet Please production, and for more from me check out QuietPlease dot A I.Some great Deals https://amzn.to/49SJ3QsFor more check out http://www.quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

Get 41% OFF | Promo Code: WATCHER https://cozyearth.com/discount/WATCHERToday we'll analyze the Netflix Diddy documentary by 50 Cent called "Sean Combs: The Reckoning"! We'll talk about the occult symbol on Diddy's necklace, fake nerd gods, Bad Boy's gatekeeping, the propaganda of Diddy being "good" and Suge Knight being "evil", and TONS of Diddy conspiracies! We'll talk Al B Sure, Flavor Camps, Melvin Combs, Tupac, BIG, Epstein, shady jurors and how ALL of this is fake justice to appease the normies! LINKS:Occult Symbolism and Pop Culture's 6/24 episode: Diddy 3 Hour Deep Dive- Gangsters, Illuminati Wealth, Blood Sacrifices, Satanism & Synchromysticism https://illuminatiwatcher.com/bonus-diddy-3-hour-deep-dive-gangsters-illuminati-wealth-blood-sacrifices-satanism-synchromysticism/Breaking Social Norms 5/19/25 Diddy Trial: Cassie Drops Bombshells on Parties, Drugs & Elite Conspiracies! Cozy Earth - Luxurious bamboo sheets, pajamas, & more! Get 41% OFF | Promo Code: WATCHER https://cozyearth.com/discount/WATCHERYou can now sign up for our commercial-free version of the show with a Patreon exclusive bonus show called “Morning Coffee w/ the Weishaupts” at Patreon.com/BreakingSocialNorms  OR subscribe on the Apple Podcasts app to get all the same bonus “Morning Coffee” episodes AD-FREE with early access! (*Patreon is also NOW enabled to connect with Spotify! https://rb.gy/r34zj)Want more?…Index of all previous episodes on free feed: https://breakingsocialnorms.com/2021/03/22/index-of-archived-episodes/Leave a review or rating wherever you listen and we'll see what you've got to say!Follow us on the socials:instagram.com/theweishaupts2/Check out Isaac's conspiracy podcasts, merch, etc:AllMyLinks.com/IsaacWOccult Symbolism and Pop Culture (on all podcast platforms or IlluminatiWatcher.com)Isaac Weishaupt's book are all on Amazon and Audible; *author narrated audiobooks*STATEMENT: This show is full of Isaac's and Josie's useless opinions and presented for entertainment purposes. Audio clips used in Fair Use and taken from YouTube videos.

The Second Amended Complaint filed by Clayton Howard in the U.S. District Court for the Central District of California lays out a sweeping civil case against Sean Combs, Cassandra Ventura, Bad Boy Records, Combs Enterprises, and the Beverly Hills Hotel Corporation. Howard alleges a pattern of abuse, coercion, intimidation, and exploitation tied to Combs' business empire, asserting that the defendants either directly participated in or knowingly enabled unlawful conduct. The complaint expands on earlier filings by adding detail, refining claims, and asserting that the alleged misconduct was not isolated but systemic, facilitated through corporate structures, private residences, hotels, and entertainment-industry power dynamics. Howard demands a jury trial and seeks damages, framing the case as one rooted in abuse of power, retaliation, and institutional complicity.The amended filing also emphasizes the role of corporate defendants and venues, particularly the Beverly Hills Hotel, arguing that they failed in their duty to protect individuals from foreseeable harm and instead allowed their premises to be used in furtherance of alleged misconduct. By naming both individuals and corporate entities, the complaint aims to pierce the separation between Combs' personal actions and his business operations, asserting joint liability across the enterprise. The Second Amended Complaint positions the case not merely as a dispute between private parties, but as a broader reckoning with how celebrity, money, and corporate shielding can be used to suppress accountability, with Howard seeking both financial relief and public adjudication of the claims before a jury.to contact me:bobbycapucci@protonmail.comsource:Second Amended Complaint Howard v Combs Ventura.pdfBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-moscow-murders-and-more--5852883/support.

The Second Amended Complaint filed by Clayton Howard in the U.S. District Court for the Central District of California lays out a sweeping civil case against Sean Combs, Cassandra Ventura, Bad Boy Records, Combs Enterprises, and the Beverly Hills Hotel Corporation. Howard alleges a pattern of abuse, coercion, intimidation, and exploitation tied to Combs' business empire, asserting that the defendants either directly participated in or knowingly enabled unlawful conduct. The complaint expands on earlier filings by adding detail, refining claims, and asserting that the alleged misconduct was not isolated but systemic, facilitated through corporate structures, private residences, hotels, and entertainment-industry power dynamics. Howard demands a jury trial and seeks damages, framing the case as one rooted in abuse of power, retaliation, and institutional complicity.The amended filing also emphasizes the role of corporate defendants and venues, particularly the Beverly Hills Hotel, arguing that they failed in their duty to protect individuals from foreseeable harm and instead allowed their premises to be used in furtherance of alleged misconduct. By naming both individuals and corporate entities, the complaint aims to pierce the separation between Combs' personal actions and his business operations, asserting joint liability across the enterprise. The Second Amended Complaint positions the case not merely as a dispute between private parties, but as a broader reckoning with how celebrity, money, and corporate shielding can be used to suppress accountability, with Howard seeking both financial relief and public adjudication of the claims before a jury.to contact me:bobbycapucci@protonmail.comsource:Second Amended Complaint Howard v Combs Ventura.pdfBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-moscow-murders-and-more--5852883/support.

**Discussion begins at 2:35 **To mark the release of 50 Cent's new Netflix documentary on Sean “Puff Daddy” Combs, we're dropping a special super-episode stitched together from five of our most talked-about segments from the past two seasons.  In this extended deep dive, we revisit the rumors and allegations that have followed Puff Daddy for decades.  We explore everything from the early industry whispers that shaped his rise, to the darker stories that have surfaced in tabloids, civil filings, and jailhouse lore.  Of note, these episodes were all recorded prior to the criminal trial, in which he was acquitted of almost all charges and sentenced to 50 months in jail with time served for two counts of transportation for the purpose of prostitution.  He continues to face civil charges, with over 100 lawsuits filed and 77 still pending at the time of this release.  Send us a textSupport the showTheme song by INDA

The Second Amended Complaint filed by Clayton Howard in the U.S. District Court for the Central District of California lays out a sweeping civil case against Sean Combs, Cassandra Ventura, Bad Boy Records, Combs Enterprises, and the Beverly Hills Hotel Corporation. Howard alleges a pattern of abuse, coercion, intimidation, and exploitation tied to Combs' business empire, asserting that the defendants either directly participated in or knowingly enabled unlawful conduct. The complaint expands on earlier filings by adding detail, refining claims, and asserting that the alleged misconduct was not isolated but systemic, facilitated through corporate structures, private residences, hotels, and entertainment-industry power dynamics. Howard demands a jury trial and seeks damages, framing the case as one rooted in abuse of power, retaliation, and institutional complicity.The amended filing also emphasizes the role of corporate defendants and venues, particularly the Beverly Hills Hotel, arguing that they failed in their duty to protect individuals from foreseeable harm and instead allowed their premises to be used in furtherance of alleged misconduct. By naming both individuals and corporate entities, the complaint aims to pierce the separation between Combs' personal actions and his business operations, asserting joint liability across the enterprise. The Second Amended Complaint positions the case not merely as a dispute between private parties, but as a broader reckoning with how celebrity, money, and corporate shielding can be used to suppress accountability, with Howard seeking both financial relief and public adjudication of the claims before a jury.to contact me:bobbycapucci@protonmail.comsource:Second Amended Complaint Howard v Combs Ventura.pdfBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-moscow-murders-and-more--5852883/support.

The Second Amended Complaint filed by Clayton Howard in the U.S. District Court for the Central District of California lays out a sweeping civil case against Sean Combs, Cassandra Ventura, Bad Boy Records, Combs Enterprises, and the Beverly Hills Hotel Corporation. Howard alleges a pattern of abuse, coercion, intimidation, and exploitation tied to Combs' business empire, asserting that the defendants either directly participated in or knowingly enabled unlawful conduct. The complaint expands on earlier filings by adding detail, refining claims, and asserting that the alleged misconduct was not isolated but systemic, facilitated through corporate structures, private residences, hotels, and entertainment-industry power dynamics. Howard demands a jury trial and seeks damages, framing the case as one rooted in abuse of power, retaliation, and institutional complicity.The amended filing also emphasizes the role of corporate defendants and venues, particularly the Beverly Hills Hotel, arguing that they failed in their duty to protect individuals from foreseeable harm and instead allowed their premises to be used in furtherance of alleged misconduct. By naming both individuals and corporate entities, the complaint aims to pierce the separation between Combs' personal actions and his business operations, asserting joint liability across the enterprise. The Second Amended Complaint positions the case not merely as a dispute between private parties, but as a broader reckoning with how celebrity, money, and corporate shielding can be used to suppress accountability, with Howard seeking both financial relief and public adjudication of the claims before a jury.to contact me:bobbycapucci@protonmail.comsource:Second Amended Complaint Howard v Combs Ventura.pdfBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-moscow-murders-and-more--5852883/support.

Sean “Diddy” Combs, also known as Puff Daddy and Puffy, is facing the most serious legal and reputational crisis of his career, as multiple criminal proceedings, civil suits, and media projects converge to reshape his legacy in real time. LAist reports that a federal jury in Manhattan recently found Combs guilty on two counts of transportation to engage in prostitution, while acquitting him on the most serious charges of racketeering conspiracy and sex trafficking involving his ex-girlfriend Casandra “Cassie” Ventura and another woman who testified under the name “Jane.” According to LAist, jurors rejected prosecutors' attempt to tie Combs to a broader criminal enterprise, but accepted evidence that he organized and paid for interstate travel connected to what he called “freak offs” and “hotel nights,” which the government said involved paid sex with male sex workers. Each of the two counts he was convicted on carries a potential sentence of up to 10 years in prison, leaving Combs still facing a substantial possible prison term at sentencing. AOL reports that the trial judge in the racketeering and sex trafficking case has offered Combs a narrow path to reduce any eventual sentence, indicating he could potentially cut up to a year off by participating in certain prison programs if incarcerated, a detail that underscores how seriously the court is treating the convictions even after the acquittals on the heaviest charges. Outside the criminal courtroom, LAist also notes that Combs remains entangled in dozens of civil lawsuits from former employees and associates, adding to an already sprawling legal battle that began in late 2023 when Cassie's high-profile civil suit was rapidly settled for $20 million with no admission of wrongdoing. At the same time, the cultural narrative around Combs is shifting. Ground News, summarizing coverage from outlets including the Sydney Morning Herald, highlights a new four-part Netflix documentary produced by Curtis “50 Cent” Jackson that revisits long-circulating allegations and industry rumors about Combs, including claims connected to the 1990s East Coast–West Coast feud and a purported $1 million hit on Tupac Shakur. According to that reporting, the series is explicitly designed to dismantle Combs' public image as a visionary mogul and recast his rise as being intertwined with intimidation, exploitation, and violence, reflecting how far his reputation has fallen from his Bad Boy Records and Sean John fashion heyday. FarrahGray.com further reports that Combs is also under investigation by the Los Angeles County Sheriff's Department for alleged sexual battery in California, adding yet another active law-enforcement probe to his mounting troubles. Combined with his split from major corporate partners in spirits, fashion, and media, these developments have left Combs' once-massive commercial empire in disarray as the legal system and the court of public opinion both bear down on him. Thanks for tuning in, and come back next week for more. This has been a Quiet Please production, and for more from me check out QuietPlease dot A I.Some great Deals https://amzn.to/49SJ3QsFor more check out http://www.quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

The new Netflix documentary about Diddy delivers a sprawling, unvarnished look at the rise and unraveling of one of hip-hop's most powerful figures. It traces his ascent from intern to mogul, laying out how he built Bad Boy Records into a cultural empire while cultivating an image of relentless ambition and glamorous excess. But the documentary undercuts that mythology at every turn, threading in testimonies from former friends, employees, artists, and alleged victims who describe a much darker reality beneath the polished brand — a world defined by manipulation, intimidation, and a pattern of abuses that went unchecked for decades. The filmmakers lean heavily into the contrast between the public persona and the private behavior, using archival footage and newly surfaced recordings to illustrate how the cracks in Diddy's carefully curated image were present long before the recent legal firestorm.The second half of the documentary shifts into a more damning, investigative mode, examining the legal battles, allegations, and cultural enabling that allowed Diddy to operate without meaningful accountability. It highlights how fame, wealth, and industry loyalty created a protective shell around him, one that shielded him from scrutiny even as accusations mounted. Interviews with insiders depict a music ecosystem that looked the other way because the money was flowing and the myth of Diddy as a generational talent was too profitable to challenge. By the time the series reaches the present — with Diddy fighting for his reputation under the weight of federal charges and a long trail of accusers — the documentary frames his downfall not as a sudden collapse but as the inevitable consequence of years of unchecked power.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

Bomani Jones is joined by Alexandra Stapleton, director of "Sean Combs: The Reckoning." First, they discuss 50 Cent's involvement in the documentary and how he helped bring this story to life. Later, they break down the rise of Diddy and Bad Boy Records and how that helped to mold the "Diddy" persona. Finally, Bomani reacts to the possibility that Diddy was involved in Tupac's tragic shooting and breaks down what the documentary tells us about hip-hops place in society. Learn more about your ad choices. Visit megaphone.fm/adchoices

Examinamos las revelaciones más inquietantes alrededor de Sean “Diddy” Combs tras el nuevo documental que expone secretos, acusaciones y silencios que la industria mantuvo enterrados durante años. Analizamos cómo su poder se construyó entre negocios, manipulación y una narrativa cuidadosamente protegida, así como el papel de figuras como Biggie, 2Pac y el ecosistema que impulsó el ascenso de Bad Boy Records. Un recorrido por las sombras detrás del mito y por las verdades que, tarde o temprano, siempre buscan salir a la luz.

The new Netflix documentary about Diddy delivers a sprawling, unvarnished look at the rise and unraveling of one of hip-hop's most powerful figures. It traces his ascent from intern to mogul, laying out how he built Bad Boy Records into a cultural empire while cultivating an image of relentless ambition and glamorous excess. But the documentary undercuts that mythology at every turn, threading in testimonies from former friends, employees, artists, and alleged victims who describe a much darker reality beneath the polished brand — a world defined by manipulation, intimidation, and a pattern of abuses that went unchecked for decades. The filmmakers lean heavily into the contrast between the public persona and the private behavior, using archival footage and newly surfaced recordings to illustrate how the cracks in Diddy's carefully curated image were present long before the recent legal firestorm.The second half of the documentary shifts into a more damning, investigative mode, examining the legal battles, allegations, and cultural enabling that allowed Diddy to operate without meaningful accountability. It highlights how fame, wealth, and industry loyalty created a protective shell around him, one that shielded him from scrutiny even as accusations mounted. Interviews with insiders depict a music ecosystem that looked the other way because the money was flowing and the myth of Diddy as a generational talent was too profitable to challenge. By the time the series reaches the present — with Diddy fighting for his reputation under the weight of federal charges and a long trail of accusers — the documentary frames his downfall not as a sudden collapse but as the inevitable consequence of years of unchecked power.to contact me:bobbycapucci@protonmail.com

The Reckoning is een langverwachte nieuwe documentaire over de inmiddels veroordeelde platenbaas en hiphopkeizer Sean Combs, beter bekend als Puff Daddy of P. Diddy. Deze documentaire is zo ontluisterend, zo angstaanjagend, maar ook zo informatiedicht dat je in volledige desoriëntatie achterblijft, met de vraag: wat heb ik in godsnaam gezien en gehoord. Nazorg is nodig en die gaan we geven. Heb je hem niet gezien, maar wil je wel weten welke oude en nieuwe beschuldigingen er worden gedaan in The Reckoning, luister dan ook. Esma Linnemann bespreekt het met columnist Emma Curvers en Sylvana Simons, de vrouw die op het hoogtepunt van Bad Boy Records bij muziekzender TMF werkte en P. Diddy van dichtbij meemaakte.Presentatie: Esma LinnemannRedactie en montage: Julia van AlemEindredactie: Corinne van DuinSee omnystudio.com/listener for privacy information.

Diddy's mother is firing back at Netflix — and the accusations are personal. The documentary "Sean Combs: The Reckoning" doesn't just cover Diddy's trial and conviction. It makes a bigger argument: that the behavior that landed him in federal prison started in childhood. That it was learned. Normalized. That before there was Puff Daddy or Bad Boy Records, there was a kid in Mount Vernon — and whatever happened to that kid matters. Two witnesses make the case against Janice Combs. Tim Patterson, a childhood friend, says he watched Janice physically abuse Sean for years. He describes parties at the family home with pimps, drug dealers, and adults having sex in rooms kids could walk into. Kirk Burrowes, who co-founded Bad Boy Entertainment, says he witnessed Sean slap his mother during an argument after the 1991 City College stampede that killed nine people. Janice is calling it all lies. She says she raised Sean with love and hard work as a single mother. She says Patterson's claims are "salacious" and designed to promote the documentary. She says Burrowes has been trying to steal Bad Boy Records for thirty years and this is just his latest play. But here's what she doesn't address: There's footage of Janice herself joking about giving Sean "a lot of beatings" on national television. And Burrowes kept handwritten journals from his time inside Bad Boy. Today we break down the allegations, the evidence, the rebuttals, and the credibility problems on both sides — including the fact that this documentary was executive produced by 50 Cent, Diddy's longtime rival. Sean Combs was convicted on two counts of transportation to engage in prostitution. He was acquitted on racketeering and sex trafficking charges. Janice Combs denies all allegations. All parties are entitled to the presumption of innocence on unproven claims. #Diddy #SeanCombs #JaniceCombs #Netflix #TheReckoning #TrueCrime #CrimeWeekly #BadBoyRecords #50Cent #DiddyDocumentary Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

Diddy's mother is firing back at Netflix — and the accusations are personal. The documentary "Sean Combs: The Reckoning" doesn't just cover Diddy's trial and conviction. It makes a bigger argument: that the behavior that landed him in federal prison started in childhood. That it was learned. Normalized. That before there was Puff Daddy or Bad Boy Records, there was a kid in Mount Vernon — and whatever happened to that kid matters. Two witnesses make the case against Janice Combs. Tim Patterson, a childhood friend, says he watched Janice physically abuse Sean for years. He describes parties at the family home with pimps, drug dealers, and adults having sex in rooms kids could walk into. Kirk Burrowes, who co-founded Bad Boy Entertainment, says he witnessed Sean slap his mother during an argument after the 1991 City College stampede that killed nine people. Janice is calling it all lies. She says she raised Sean with love and hard work as a single mother. She says Patterson's claims are "salacious" and designed to promote the documentary. She says Burrowes has been trying to steal Bad Boy Records for thirty years and this is just his latest play. But here's what she doesn't address: There's footage of Janice herself joking about giving Sean "a lot of beatings" on national television. And Burrowes kept handwritten journals from his time inside Bad Boy. Today we break down the allegations, the evidence, the rebuttals, and the credibility problems on both sides — including the fact that this documentary was executive produced by 50 Cent, Diddy's longtime rival. Sean Combs was convicted on two counts of transportation to engage in prostitution. He was acquitted on racketeering and sex trafficking charges. Janice Combs denies all allegations. All parties are entitled to the presumption of innocence on unproven claims. #Diddy #SeanCombs #JaniceCombs #Netflix #TheReckoning #TrueCrime #CrimeWeekly #BadBoyRecords #50Cent #DiddyDocumentary Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

The new Netflix documentary about Diddy delivers a sprawling, unvarnished look at the rise and unraveling of one of hip-hop's most powerful figures. It traces his ascent from intern to mogul, laying out how he built Bad Boy Records into a cultural empire while cultivating an image of relentless ambition and glamorous excess. But the documentary undercuts that mythology at every turn, threading in testimonies from former friends, employees, artists, and alleged victims who describe a much darker reality beneath the polished brand — a world defined by manipulation, intimidation, and a pattern of abuses that went unchecked for decades. The filmmakers lean heavily into the contrast between the public persona and the private behavior, using archival footage and newly surfaced recordings to illustrate how the cracks in Diddy's carefully curated image were present long before the recent legal firestorm.The second half of the documentary shifts into a more damning, investigative mode, examining the legal battles, allegations, and cultural enabling that allowed Diddy to operate without meaningful accountability. It highlights how fame, wealth, and industry loyalty created a protective shell around him, one that shielded him from scrutiny even as accusations mounted. Interviews with insiders depict a music ecosystem that looked the other way because the money was flowing and the myth of Diddy as a generational talent was too profitable to challenge. By the time the series reaches the present — with Diddy fighting for his reputation under the weight of federal charges and a long trail of accusers — the documentary frames his downfall not as a sudden collapse but as the inevitable consequence of years of unchecked power.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-moscow-murders-and-more--5852883/support.

Diddy's mother is firing back at Netflix — and the accusations are personal. The documentary "Sean Combs: The Reckoning" doesn't just cover Diddy's trial and conviction. It makes a bigger argument: that the behavior that landed him in federal prison started in childhood. That it was learned. Normalized. That before there was Puff Daddy or Bad Boy Records, there was a kid in Mount Vernon — and whatever happened to that kid matters. Two witnesses make the case against Janice Combs. Tim Patterson, a childhood friend, says he watched Janice physically abuse Sean for years. He describes parties at the family home with pimps, drug dealers, and adults having sex in rooms kids could walk into. Kirk Burrowes, who co-founded Bad Boy Entertainment, says he witnessed Sean slap his mother during an argument after the 1991 City College stampede that killed nine people. Janice is calling it all lies. She says she raised Sean with love and hard work as a single mother. She says Patterson's claims are "salacious" and designed to promote the documentary. She says Burrowes has been trying to steal Bad Boy Records for thirty years and this is just his latest play. But here's what she doesn't address: There's footage of Janice herself joking about giving Sean "a lot of beatings" on national television. And Burrowes kept handwritten journals from his time inside Bad Boy. Today we break down the allegations, the evidence, the rebuttals, and the credibility problems on both sides — including the fact that this documentary was executive produced by 50 Cent, Diddy's longtime rival. Sean Combs was convicted on two counts of transportation to engage in prostitution. He was acquitted on racketeering and sex trafficking charges. Janice Combs denies all allegations. All parties are entitled to the presumption of innocence on unproven claims. #Diddy #SeanCombs #JaniceCombs #Netflix #TheReckoning #TrueCrime #CrimeWeekly #BadBoyRecords #50Cent #DiddyDocumentary Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

pWotD Episode 3142: Sean Combs Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 168,530 views on Monday, 8 December 2025 our article of the day is Sean Combs.Sean John Combs (born November 4, 1969), known professionally as Diddy (formerly Puff Daddy and P. Diddy), is an American former rapper, record producer, and record executive. Born in Harlem, Combs worked as a talent director at Uptown Records before founding his own record label, Bad Boy Records, in 1993. He is credited with the discovery and development of musical artists such as the Notorious B. I. G., Mary J. Blige, and Usher, among others.Combs's debut studio album, No Way Out (1997), peaked atop the Billboard 200 and sold over 7 million copies in the US. Two of its singles, "Can't Nobody Hold Me Down" and "I'll Be Missing You", topped the Billboard Hot 100—the latter was the first hip-hop song to debut atop the chart. With his guest appearance on "Mo Money Mo Problems", Combs became the first solo artist to replace himself atop the chart. His second and third albums, Forever (1999) and The Saga Continues... (2001), both peaked at number two in the US. Collaborative singles "Bump, Bump, Bump" (2002) and "Shake Ya Tailfeather" (2003) made him the first rapper with five US number-one singles. Following the release of his US chart-topping fourth album Press Play (2006), Combs formed the musical trio Diddy – Dirty Money with R&B singers Kalenna Harper and Dawn Richard to release the collaborative album Last Train to Paris (2010). He independently released his fifth album, The Love Album: Off the Grid, in 2023.One of the world's wealthiest musical artists, Combs topped Forbes annual hip-hop rich list in 2014 and 2017. His accolades include three Grammy Awards, three BET Awards and two MTV Video Music Awards. He has worked as a producer for other media, including the reality television series Making the Band, and he starred in the films Made, Monster's Ball (both 2001) and Get Him to the Greek (2010). Combs launched the clothing retailer Sean John in 1998, for which he won Menswear Designer of the Year from the Council of Fashion Designers of America in 2004, having previously been nominated in 2000. He served as brand ambassador for the liquor brand Cîroc from 2007 to 2023, and co-founded the digital television network Revolt in 2013. In 2008, Combs became the first male rapper to get a star on the Hollywood Walk of Fame.In late 2023, Combs settled a high-profile sexual assault and abuse lawsuit filed by his former partner Cassie Ventura. Numerous lawsuits regarding sexual misconduct were filed in the following months, with several claimants alleging sexual assault and abuse by Combs between 1991 and 2009. In March 2024, several of Combs's properties were raided by the Department of Homeland Security, and that September he was charged with federal sex trafficking, transportation to engage in prostitution, and racketeering. He pled not guilty and was denied bail three times. His trial began on May 5, 2025; on July 2, he was found guilty of transportation to engage in prostitution, but not guilty on racketeering and sex trafficking charges. As of October 2025, he is incarcerated at the Federal Correctional Institution, Fort Dix. On October 3, 2025, Combs was sentenced to 50 months in prison with credit for 12 months time served.This recording reflects the Wikipedia text as of 02:34 UTC on Tuesday, 9 December 2025.For the full current version of the article, see Sean Combs on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Kimberly.

We break down the new Diddy documentary that is creating headlines nationwide. This episode explores new allegations, multiple new victims, and evidence described in recent investigative reporting. The hosts analyze what the documentary claims, how attorneys are reacting, and what this could mean for future lawsuits against Sean “Diddy” Combs.The conversation examines the timeline of allegations, statements from legal experts, and the impact this story may have on Bad Boy Records' legacy. They discuss past settlements, possible NDAs that suppressed stories, and how documentary filmmakers are pushing new information into the public record. With media outlets continuing to release updates daily, this episode explains what the new testimony could mean for ongoing civil and federal investigations.Tom and Kato also give context by comparing this to other music industry abuse cases, how victims decide to come forward in documentary films, and what evidence may still be unreleased. If you want a clear breakdown of Sean Combs' lawsuit updates, new victim statements, and how this documentary reshapes public perception, this episode delivers a comprehensive, up-to-date analysis of one of the most trending true crime stories right now.YouTube: Tom Zenner Scandal@tomzennerBecome a supporter of this podcast: https://www.spreaker.com/podcast/one-degree-of-scandalous-with-tom-zenner-and-kato-kaelin--6258576/support.

Sean Combs, also known as Puff Daddy, Puffy, and P Diddy, remains at the center of one of the most consequential falls from grace in modern pop culture, as legal setbacks, prison time, and a new wave of scrutiny collide with his once‑towering legacy.According to LAist and NPR, a federal jury in Manhattan found Combs guilty on two counts of transportation to engage in prostitution, while acquitting him of the more serious racketeering conspiracy and sex‑trafficking charges after a high‑profile trial that featured graphic testimony about drug‑fueled “freak‑offs” involving his ex‑girlfriends and male sex workers. The guilty counts each carry a potential sentence of up to ten years in prison, and they capped years of mounting civil suits and allegations that had already shaken his reputation and business empire.Aol.com reports that a judge recently denied Combs' latest attempt to secure bail while he awaits final sentencing, rejecting a $50 million bond package that included house arrest, electronic monitoring, and private security. In that ruling, the court emphasized evidence of violence, coercion, and subjugation in connection with the prostitution offenses and concluded that Combs still posed both a danger and a flight risk, keeping the Bad Boy Records founder behind bars as lawyers argue over complex federal sentencing guidelines.The reckoning is not limited to the courtroom. Hindustan Times reports that a new Netflix docuseries, Sean Combs: The Reckoning, executive‑produced by 50 Cent, has intensified public scrutiny of Combs' inner circle, drawing his family into the storm. The series revisits long‑simmering accusations while examining how those closest to him navigated his rise and alleged abuses. After its release, Combs' son Justin and his mother, Misa Hylton, said they faced online harassment and renewed speculation about their private lives, with Hylton publicly warning that rumor and agenda were driving much of the conversation before later deleting her statement.Times Now notes that Combs has been sentenced to 50 months in prison on the prostitution‑transportation convictions, a stunning endpoint for a mogul whose brand once symbolized aspirational excess, from chart‑topping hits and Grammy wins to fashion, reality TV, and billion‑dollar liquor deals. Even as his past achievements continue to echo through music and culture, the current headlines focus squarely on accountability, power, and the long shadow of alleged abuse.Thanks for tuning in, and come back next week for more. This has been a Quiet Please production, and for me, check out QuietPlease dot A I.Some great Deals https://amzn.to/49SJ3QsFor more check out http://www.quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

Send us a textIn this episode of the Concrete Genius Podcast, host Big Sauce delves into the controversial life and career of Puffy Combs, exploring his rise in the hip hop industry, the exploitation of artists like Craig Mack, and the impact of his actions on the genre. The conversation highlights the complexities of Puffy's character, his relationships with other artists, and the consequences of envy and manipulation in the music industry. The episode calls for accountability within the hip hop community and challenges listeners to reflect on the legacy of figures like Puffy Combs.TakeawaysPuffy Combs is often seen as a controversial figure in hip hop.Craig Mack's contributions to Bad Boy Records were overshadowed by Puffy's actions.Kurt Burrows played a crucial role in the success of Bad Boy Records.Tupac's influence on Biggie and Puffy was significant and complex.Puffy's manipulation of artists raises questions about exploitation in the music industry.The rivalry between East Coast and West Coast hip hop was fueled by jealousy and envy.Puffy's relationships with women reflect narcissistic tendencies.The making of the band showcased the exploitation of artists by Puffy.Puffy's legacy in hip hop is marred by controversy and exploitation.The hip hop community must hold its members accountable for their actions.Support the show

Sean Combs, also known as Puff Daddy, Puffy, and P. Diddy, remains at the center of a storm of legal drama, documentary exposés, and family backlash, as his fall from music mogul to convicted felon continues to unfold in the headlines.USA Today reports that Combs is currently serving a federal prison sentence of just over four years after his conviction on charges of transportation to engage in prostitution, part of a wider federal case that publicly aired allegations of sex trafficking, drugs, and violent “freak-off” parties tied to his inner circle. According to the Federal Bureau of Prisons data cited by USA Today, his projected release date is in 2028, though that may shift with time served and any successful appeals.The most explosive new chapter is Netflix's multi-part docuseries Sean Combs: The Reckoning, executive produced by his longtime rival Curtis “50 Cent” Jackson. USA Today explains that the series traces Combs' rise from Bad Boy Records architect and hitmaker to a symbol of celebrity excess and alleged abuse, featuring never-before-seen footage and interviews with former insiders who describe how “something darker” began to color his ambitions. Director Alexandria Stapleton has said the project was in part inspired by Combs' ex-girlfriend Cassie Ventura and her 2023 sexual assault lawsuit, and she frames the series as a mirror held up to a culture that puts stars on pedestals they may not deserve.The Netflix release has reignited the decades-long feud between Combs and 50 Cent. LadBible breaks down how their rivalry, once mostly about business competition and trolling, has now escalated into a high-stakes battle over narrative and reputation, with 50 Cent positioning himself as a truth-teller exposing industry secrets while capitalizing on Combs' downfall.Inside the Combs family itself, the pushback is fierce. RadarOnline reports that Sean Combs' mother, Janice Combs, has publicly blasted Netflix and the docuseries as “lies” and “outrageous and past offensive.” In a statement, she specifically denies a claim in the series that her son once slapped her after the tragic 1991 City College event, calling that allegation “patently false” and accusing former Bad Boy executive Kirk Burrows of exploiting a tragedy for personal gain. She argues the series was intentionally designed to be salacious, and Combs' legal team has sent Netflix a cease-and-desist letter, labeling the project a corporate “hit piece.” Netflix, for its part, denies any retaliation and insists no one was paid to participate and that 50 Cent does not have creative control over the final cut.Through it all, Combs sits behind bars, appealing his conviction while the public continues to reassess his legacy: visionary hitmaker, ruthless mogul, alleged abuser—or all of the above. The story of Sean Combs is no longer just about chart-topping hits, but about power, accountability, and what happens when a cultural icon faces the full weight of the legal system and the court of public opinion at the same time.Thanks for tuning in, and come back next week for more. This has been a Quiet Please production, and for me, check out QuietPlease dot A I.Some great Deals https://amzn.to/49SJ3QsFor more check out http://www.quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

Sean Combs, the music mogul better known as Diddy or Puff Daddy, is facing a new wave of public reckoning following the release of a Netflix documentary series just yesterday. The four-part series titled "Sean Combs: The Reckoning" dropped on December second and has already sparked significant legal controversy.The documentary, executive produced by longtime rival Curtis Jackson known as 50 Cent, contains never-before-seen footage showing Combs strategizing with his legal team in the weeks before his arrest last year. The series also features interviews with individuals making serious allegations against the music producer, including claims of sexual exploitation, abuse, and coercion spanning decades.According to representatives for Combs, the documentation amounts to what they call a shameful hit piece. His lawyers have demanded that Netflix pull the series immediately, threatening legal action and claiming the platform used stolen footage that was never authorized for release. Combs denies virtually all allegations in the documentary except for domestic violence claims from his ex-partner Cassie Ventura, which he acknowledges but disputes key details of.The documentary includes testimonies from multiple individuals who worked closely with Combs throughout his career. Kirk Burrowes, a Bad Boy Records co-founder, made explosive claims about Combs' behavior toward staff and associates. Other witnesses described disturbing accounts of what Combs allegedly called freak offs, which were described as elaborate sex parties sometimes lasting days.One particularly notable segment features Combs interacting with fans in his native Harlem neighborhood shortly before his arrest. After greeting supporters warmly, privately recorded footage shows him making disparaging comments about the encounter and expressing concerns about his public image.Combs is currently serving more than four years in prison following his conviction on prostitution-related charges. The director of the Netflix series, Alex Stapleton, has stated that all footage was obtained legally and that the production team possesses the necessary rights to use the material.The documentary represents the latest development in what has become an increasingly public reckoning for the entertainment industry figure as legal proceedings continue.Thank you for tuning in to this news update. Be sure to come back next week for more breaking stories and developments. This has been a Quiet Please production. For more information, check out Quiet Please dot A I.Some great Deals https://amzn.to/49SJ3QsFor more check out http://www.quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

Drake vs. Ja Rule

Sean Combs, known to many as Puffy or P Diddy, continues to face major headlines as his legal saga unfolds in 2025. Right now, Combs is in the midst of serving a 50-month prison sentence at Fort Dix Federal Correctional Institute in New Jersey. He was convicted in July 2025 on two counts of transportation to engage in prostitution, following a highly publicized trial that led the court to hand down a sentence of just over four years, with a hefty $500,000 fine according to CBS News and AOL. His expected release date is set for June 4, 2028.Life behind bars has not been easy for the music mogul. Recently, FandomWire and IMDb reported that Combs' safety has been put at risk—he was reportedly attacked in his cell by an inmate wielding a makeshift blade. Diddy's longtime friend, Charlucci Finney, told the Daily Mail that the attack happened while Diddy was sleeping; although he survived, the incident underscored new concerns about his wellbeing as he serves out his sentence. Sources inside the prison also mention that on Halloween, Diddy missed out on the usual treats, trading candy for baked fish and turkey roast, as described by AOL.The legal battles keep stacking up outside his prison walls as well. Diddy has launched a $100 million defamation lawsuit against NBCUniversal, challenging their documentary 'Diddy: The Making Of A Bad Boy' on Peacock. NBC's attorneys have pointed to Combs' own words in court, where he admitted to losing his freedom, career, and reputation because of his decisions, arguing these admissions weaken his defamation case. The documentary's portrayal of accusations—ranging from sexual assault to conspiracy theories concerning the deaths of Kim Porter, Biggie Smalls, and Heavy D—has enraged both Combs' legal team and his supporters. His lawyers contend that the network rushed to publish damaging allegations, but NBCUniversal insists their reporting only referenced widely covered stories from other media.Meanwhile, Combs remains a figure of controversy and intrigue far beyond the studio. Despite no longer heading the empire he built with Bad Boy Records or his business ventures under Combs Global, allegations of witness tampering and influence peddling continue to swirl, further complicating his prospects for any return to the spotlight.Thanks for tuning in for this week's headline update on Sean Combs. Come back next week for more, and remember—this has been a Quiet Please production. For more, check out Quiet Please Dot A I.Some great Deals https://amzn.to/49SJ3QsFor more check out http://www.quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

Sean “Diddy” Combs has only been at his new, lower security prison for less than two weeks, and already there have been non-stop headlines surrounding the former rap mogul’s behavior inside the new facility. Among them, Diddy has been admitted to a highly coveted drug rehab program that may get him released from prison a full year ahead of schedule! We’ve also learned what his work assignment is and that Diddy is already facing disciplinary action for an unauthorized phone call. And yes, we address the ongoing rumors that he was caught with “prison moonshine” and tell you what his legal and PR team have to say about it all. See omnystudio.com/listener for privacy information.

Sean “Diddy” Combs has only been at his new, lower security prison for less than two weeks, and already there have been non-stop headlines surrounding the former rap mogul’s behavior inside the new facility. Among them, Diddy has been admitted to a highly coveted drug rehab program that may get him released from prison a full year ahead of schedule! We’ve also learned what his work assignment is and that Diddy is already facing disciplinary action for an unauthorized phone call. And yes, we address the ongoing rumors that he was caught with “prison moonshine” and tell you what his legal and PR team have to say about it all. See omnystudio.com/listener for privacy information.

Sean “Diddy” Combs has only been at his new, lower security prison for less than two weeks, and already there have been non-stop headlines surrounding the former rap mogul’s behavior inside the new facility. Among them, Diddy has been admitted to a highly coveted drug rehab program that may get him released from prison a full year ahead of schedule! We’ve also learned what his work assignment is and that Diddy is already facing disciplinary action for an unauthorized phone call. And yes, we address the ongoing rumors that he was caught with “prison moonshine” and tell you what his legal and PR team have to say about it all. See omnystudio.com/listener for privacy information.

Sean “Diddy” Combs has only been at his new, lower security prison for less than two weeks, and already there have been non-stop headlines surrounding the former rap mogul’s behavior inside the new facility. Among them, Diddy has been admitted to a highly coveted drug rehab program that may get him released from prison a full year ahead of schedule! We’ve also learned what his work assignment is and that Diddy is already facing disciplinary action for an unauthorized phone call. And yes, we address the ongoing rumors that he was caught with “prison moonshine” and tell you what his legal and PR team have to say about it all. See omnystudio.com/listener for privacy information.

“We came up in the 90s where people were so blessed and grateful to be living their dreams” ~ Keisha (Total)  R&B icons Keisha and Kima of Total sit down for an exclusive Skipping Class interview with host Lalaa Shepard of The Progress Report to talk about the golden era of Bad Boy Records, the legacy of 90s R&B, and how it feels seeing Megan Thee Stallion sample their classic hit “Kissin You.”  Keisha and Kima open up about:  Meeting each other before joining Bad Boy  Recording background vocals for Biggie's “Juicy” The experience of being the first ladies of Bad Boy  Navigating motherhood, social media, and longevity in today's industry  Keisha's reaction to her husband Omar Epps' viral meme  Upcoming shows with 112, Case, and more 

The East Coast-West Coast hip-hop feud of the 1990s, primarily involving Tupac Shakur, Sean "Diddy" Combs, and The Notorious B.I.G., remains one of the most infamous sagas in music history. What began as a personal falling-out between former friends Tupac and Biggie after a 1994 shooting at Quad Studios in New York escalated into a deadly rivalry. Tupac believed Diddy and Biggie were involved in the ambush, fueling his anger and intensifying the conflict. After being bailed out of prison by Death Row Records' CEO Suge Knight, Tupac fully aligned himself with the West Coast and released the infamous diss track "Hit 'Em Up," publicly attacking Biggie and Bad Boy Records. As the feud gained national attention, gang affiliations on both sides deepened the animosity. Suge Knight's provocations and media sensationalism only fueled the escalating tension between Death Row and Bad Boy.The rivalry ultimately culminated in the tragic murders of both Tupac and Biggie. Tupac was shot in Las Vegas on September 7, 1996, after a violent altercation with Orlando Anderson, a known gang member, and died six days later. Less than six months later, on March 9, 1997, Biggie was gunned down in Los Angeles after attending a party. Both murders remain officially unsolved, although recent developments, including the indictment of Duane "Keefe D" Davis in connection with Tupac's death, have revived hope of uncovering the truth. The legacies of Tupac and Biggie continue to influence hip-hop, serving as stark reminders of the violent cost of fame and the dangerous intersection of music, street life, and power.(commercial at 11:54)to contact me:bobbycapucci@protonmail.com

Diddy scored a significant partial win in April Lampros's civil suit after a judge dismissed most of her claims—covering alleged rape, battery, and emotional distress from the 1990s—as time-barred by New York's statute of limitations and lacking sufficient factual detail. Additionally, any claims against Bad Boy Records and Sony Music were dropped, narrowing the legal firestorm to focus almost exclusively on Combs himself.What's left is a single active allegation under New York's Gender‑Motivated Violence Protection Law. Lampros claims that in late 2000 or early 2001, Combs physically grabbed her and tried to force himself on her—a moment she says she resisted. With that as the only surviving allegation, both parties are now entering discovery. Diddy's legal team sees the much narrower case as a major strategic win, while Lampros's attorney emphasizes that the remaining claim keeps her pursuit of accountability alive.to contact me:bobbycapucci@protonmail.comsource:Diddy team claims legal win in April Lampros' sexual assault lawsuit

Gongu Roach is a forensic publishing expert responsible with the representation of many hip-hop stars past and present when it comes to contract authentication and recovery of publishing revenue, he sits down with Gully Tv to discuss how he was able to uncover manipulation and wrongdoing by Fat Joe in relation to Big Pun's estate being shorted millions of dollars, representing "The Lox" during they're break up with Sean Diddy Combs & Bad Boy Records. He also speaks on how he was able to assist Max B's defense team in reducing Max's 75 year prison sentence

Listen on your favorite podcast service: https://pods.to/wesoundcrazy Join our We Sound Crazy email list: https://ffm.link/wsc-signup Stream songs from the episode on our official We Sound Crazy playlists: https://lnkfi.re/8I8Drkfz In this episode of We Sound Crazy, we sit down with the multi-hyphenate actor-singer-songwriter, Terrell Carter!  While his name may not be a household one, you've definitely heard his work, from his film debut in Tyler Perry's Diary of a Mad Black Woman performing the song "Father Can You Hear Me," to his roles in the hit TV series Beauty in Black and FOX's EMPIRE. You also might know him from Perry-produced plays like Think Like a Man Too, Madea's Class Reunion, and Meet the Browns. In a candid conversation, Terrell shares his journey from touring with gospel great Fred Hammond's Radical for Christ to signing a GREAT music publishing deal with Quincy Jones and working with legends like Pattie LaBelle, Beyonce, Celine Dion, Mariah Carey, and Christina Aguilera. He also reveals how reconnecting with childhood friend Stevie J led to him working with P. Diddy and the iconic Bad Boy Records. Terrell shares a story of an East Coast vs West Coast beef encounter between hip-hop group Outlawz and Bad Boy Records associated Stevie J while working in a Los Angeles recording studio that happened to have Brandy, Tamia, and Grant Hill in adjacent studio rooms!  But that's not all, Terrell gets up close and personal as he shares the story of his new book, Problem Child, opening up about overcoming the significant childhood adversities that shaped him into the resilient artist he is today. This episode is a must-listen and watch for anyone who appreciates a raw, honest story and an inside look at the journey of a true creative powerhouse.  With that said, press play ASAP! We Sound Crazy is your backstage pass to all things music and culture. Special thanks to our We Sound Crazy team! Director: John Dierre Camera Op: James Hart, Josh Sowemimo, John Dierre Editing: Lamont Baldwin Show Producer/Sound Mixer: Michael "Roux" Johnson Producer: Aaron Walton Assistant: Brittany Guydon Talent Producer: Isaac Hamm III Photography: Ah'meer Holt   PA: Kaye Brasley, Tony Cole   Thank you to all of our listeners, as well as our partners at Visit Music City.   Special thanks to Terrell Carter! Subscribe to We Sound Crazy on Spotify, Apple Podcasts, and anywhere you get your favorite podcast.  Follow We Sound Crazy on Social Media: ~ Facebook: https://wesoundcrazy.ffm.to/wscfacebook ~ Instagram: https://wesoundcrazy.ffm.to/wscinstagram ~ Twitter: https://wesoundcrazy.ffm.to/wsctwitter ~ TikTok: https://wesoundcrazy.ffm.to/wsctiktok Subscribe to We Sound Crazy on YouTube: https://wesoundcrazy.ffm.to/wscyoutube-subscribe Visit the official We Sound Crazy website: https://wesoundcrazy.ffm.to/officialwebsite #WeSoundCrazy #TerrellCarter Learn more about your ad choices. Visit megaphone.fm/adchoices

In this recent interview on The Ash Said It Show, rising R&B artist Bria Cheri offered a deep dive into the creative process and powerful message behind her latest single, "Boy Toy." The conversation captivated listeners as Bria explained the song's bold title and its relevance to contemporary relationships. Challenging Norms with a Provocative Title Bria Cheri revealed that the title "Boy Toy" was a deliberate choice, designed to be provocative and challenge traditional gender roles within relationships. She shared that the song's narrative is a powerful blend of personal experience and broader observations, serving as an anthem for reclaiming power and agency. The song redefines the "boy toy" label, transforming it from a term of subservience into a symbol of strength and self-possession. Musicality and Emotional Authenticity Beyond the lyrics, Bria discussed the meticulous crafting of the song's musicality. She highlighted how the instrumentation was carefully chosen to evoke a sense of confidence and empowerment, complementing the single's powerful message. The interview also touched on the vulnerability required to write such authentic lyrics, a challenge Bria embraced to ensure her storytelling remained raw and genuine. What's Next for Bria Cheri Concluding the interview, Bria Cheri hinted that "Boy Toy" is just a glimpse of a larger, upcoming project. Fans can anticipate more music that delves into complex relationship themes, all delivered with her signature blend of soulful R&B and raw emotional honesty. This interview provides a look into Bria Cheri's artistry, cementing her as an artist who uses her music to spark important conversations about modern love, empowerment, and authenticity. Web: https://www.briacheri.com/ Bio: Bria Cheri is a graduate from Long Island University Post with a degree in Broadcast Journalism/Public Relations. She is a member of Delta Sigma Theta Sorority, Inc. She is a singer-songwriter, aspiring actress, dancer, and pianist from Jamaica Queens, NY, who currently resides in Long Island, NY. Bria has spent over a decade perfecting her craft in music professionally for over ten years.   As time progressed, she explored acting in a few independent films as an extra and managed/hosted her own radio show FLAVA at Long Island University. After graduation, Bria Cheri volunteered her time online with several radio stations such as KFSM radio, FreedomKRadio, WRDR radio, Rebel 107.9 and Radiomga.com to support independent artists. She wanted to help promote their music on the networks and interview them to inform a broader audience about their talent. Music has always been a part of Bria Cheri's heart & soul. Her musical influences range from rock, jazz, house music and hip-hop. So, no matter what genre of music the artist had, she always welcomed them to her show in addition to recommending them to the affiliated stations. Today, Bria has been very tenacious with her career.  When she is not performing, she will either write music on her own based on some elements of her experiences, observations, or collaborate with songwriters. Very often she will play the keyboard to create a beat to stimulate her song writing ideas. When she needs additional creative ideas, Bria Cheri notifies her mentor Donnie Klang or songwriter Kyle Davidson. Donnie Klang who is a singer, songwriter, and producer was formerly signed to Bad Boy Records after winning MTV's reality show, “Making the Band 4.” Donnie owns and operates his recording studio with business partner Matthew LaPorter, known as The Loft Sound Studio, LLC in Syosset, NY. He has produced Bria's debut EP titled, "Before the Music" as well as her second EP, “Silent Siren Vol 1, inclusive of other projects. Bria Cheri released her third EP, titled “Phoenix” in 2023, which was produced by Raphael Gibbs from Become Elite Media, LLC. The project encapsulates her growth as an artist and as a woman. This project inspired her to release another video on YouTube, “Don't Worry.' As of April 2023, Bria Cheri's musical journey enabled her the honor of meeting and opening for the legendary Styles P from the Hip-Hop group, The Lox, at Bullet Proof Studios in New Jersey. In 2024, Bria Cheri performed at the “So Fly So Fabulous Fashion Show” in New York City and was interviewed by Sway at SiriusXM on the Sway In The Morning radio show. The So Fly So Fabulous event was the first performance at a fashion show, but the energy from the audience, featuring artists and the DJ made it worthwhile in combination with the phenomenal and unique fashion designs by Sara Louis. Bria Cheri's interview with Sway expressed who she is as an artist and was very appreciative for the opportunity to showcase her talent to a national audience. The interview can be found on YouTube entitled, “Sway's Universe” at https://youtu.be/rKVkfZgWgVw. Currently, a new song “Boy Toy” produced by Donnie Klang with songwriting collaborator Kyle Davidson will be released on Tuesday, September 9, 2025. The song delves into playful roles in dating. It is an upbeat song you can dance to. More music can be found at https://briacheri.bandcamp.com. Ash Brown: Your Ultimate Guide to Inspiration, Empowerment, and Action Are you searching for a dynamic motivational speaker, an authentic podcaster, or an influential media personality who can ignite your passion for personal growth? Look no further than Ash Brown. This American multi-talented powerhouse is a captivating event host, an insightful blogger, and a dedicated advocate for helping people unlock their full potential. With her infectious optimism and genuine desire to empower others, Ash Brown has become a leading voice in the personal development and motivation space. Discover the World of Ash Brown: AshSaidit.com & The Ash Said It Show AshSaidit.com: A vibrant lifestyle blog and event platform, AshSaidit.com is your gateway to Ash's world. Here you'll find exclusive event invitations, honest product reviews, and a wealth of engaging content designed to inform and inspire. It's the perfect online destination to stay connected and get your daily dose of Ash's unique personality and insights. The Ash Said It Show: With over 2,100 episodes and over half a million global listens, "The Ash Said It Show" is a powerful and popular podcast. Ash engages in meaningful conversations with inspiring guests, diving into topics that truly matter. Listeners gain valuable life lessons, encouragement, and practical advice to help them navigate their own journeys. Why Ash Brown is a Leading Voice in Personal Development What truly distinguishes Ash Brown is her authentic and relatable approach to personal growth. She builds a genuine connection with her audience, offering practical advice and encouragement that feels like a conversation with a trusted friend. Ash doesn't shy away from life's challenges; instead, she provides the tools to tackle them head-on with confidence. Authentic Optimism: Ash's positive energy is contagious, empowering her audience to embrace new challenges with a more capable and hopeful mindset. Relatable Advice: Ash offers unfiltered, real-world guidance that resonates with people from all backgrounds. Her understanding that life can be tough makes her advice both honest and deeply encouraging. Actionable Strategies: Beyond just feeling good, Ash provides practical tips and strategies designed to help you turn your aspirations into tangible results. For a consistent source of inspiration, genuine encouragement, and actionable advice, Ash Brown is your ultimate resource. Her incredible positivity and unwavering dedication to helping others make her the ideal guide for maximizing your life's potential. Connect with Ash Brown: Goli Gummy Discounts: https://go.goli.com/1loveash5 Luxury Handbag Discounts: https://www.theofficialathena.... Review Us: https://itunes.apple.com/us/po... Subscribe on YouTube: http://www.youtube.com/c/AshSa... Instagram: https://www.instagram.com/1lov... Facebook: https://www.facebook.com/ashsa... Blog: http://www.ashsaidit.com/blog #atlanta #ashsaidit #theashsaiditshow #ashblogsit #ashsaidit®Become a supporter of this podcast: https://www.spreaker.com/podcast/the-ash-said-it-show--1213325/support.

In this solo episode, Ern from the Ern & Iso Podcast breaks down one of the most iconic and tragic chapters in music: the East Coast vs. West Coast beef of the 90s. From Tupac and Biggie to Death Row vs. Bad Boy, Ern dives deep into how this rivalry shaped the culture, the artists, and the business of hip-hop forever.But… what if it never happened?

The founder of Bad Boy Records, who faced two counts of prostitution but was acquitted of sex trafficking and racketeering charges in July, is focused on re-entering the rap scene, according to insights from his attorney.See omnystudio.com/listener for privacy information.

Episode 362: RASHAD SMITH (Pt.2): "Bad Boy's First Hitman & His Fallout With Biggie" In Part 2 of our deep dive with legendary producer @Rashad_Ringo_Smith, the @RoadPodcast crew uncovers even more behind-the-scenes stories that shaped the sound of hip-hop and R&B.Rashad kicks things off by breaking down the making of the iconic “One More Chance” and its different versions (00:01), before opening up about the intense, high-stakes creative process at Bad Boy Records under the direction of @Diddy (09:01). He reveals how the classic “Bad Boy” sound came together — especially the blend of vocal powerhouses @theRealFaithEvans and @theRealMaryJBlige, which helped redefine R&B (20:03).He shares the wild backstory behind LL Cool J's “Doin It” — a track originally made for Biggie — and the behind-the-scenes fallout with Puff and B.I.G. when it landed elsewhere (27:21). The crew dives into LL's catalog and legacy (50:34), before Rashad reflects on his creative connection with @QTipTheAbstract and his work with A Tribe Called Quest (54:22).Wrapping things up, Rashad talks about collaborating with @Nas and @50cent, and reflects on the moment that stands out most in his legendary career (1:30:01). This episode is sponsored by @SoundCollectiveNYC, an industry-leading music school, musical space and community located in downtown Manhattan for aspiring DJ's, Producers, Musicians and more. Take private Ableton lessons, practice DJ routines, experiment with different audio equipment and reserve studio spaces for just the day, maybe a week or sign up for their monthly membership. Check www.soundcollective.com for more info and try their Online Classes free for a month by entering the code “ROAD”. If you're in the New York area, visit them at 28 Broadway, New York, NY 10004 and tell them the Road Podcast sent you!! Try Beatsource for free: btsrc.dj/4jCkT1p Join DJcity for only $10: bit.ly/3EeCjAX

Episode 362: RASHAD SMITH (Pt.1): The Mystery Beatmaker for Rakim, Uptown Records & Busta Rhymes This week on @RoadPodcast, the crew sits down for Part 1 of an epic two-part conversation with legendary producer @Rashad_Ringo_Smith — the mastermind behind tracks for @TheNotoriousBIG, @BustaRhymes, @JayZ, @Beyonce, @TheGodRakim, and more. You may not know his name, but you definitely know his sound. Rashad kicks things off by reflecting on his early days as a DJ, his childhood nicknames, and the powerful influence his mother had on his musical journey (00:11). He shares his deep love for jazz and reveals how he flipped the same sample two different ways for Busta Rhymes' “Woo Hah” and its remix featuring @OlDirtyBastardLegacy (08:55). He breaks down the art of crate digging with iconic producers, the origins of the “pause tape,” and how it became the foundation for early production before DAWs (18:01). Rashad dives deep into the making of “Woo Hah,” seeing the Hype Williams-directed video for the first time, and Spike Lee's unexpected interest in using the track for Clockers (38:01). From crafting “Don't Sweat the Technique” to the murky politics of credit in the industry (58:10), Rashad opens up about why he calls himself “The Muted Drum” — a nod to his role as one of the most “unknown, known” producers in hip-hop (1:11:04). He also shares stories from his time at Uptown Records, working with a young @Diddy, and the moment he invented the producer tag (1:31:01), before diving into the rise of Bad Boy Records and the complicated dynamics behind the scenes (1:55:01). The episode wraps with Rashad reflecting on the making of the classic Notorious B.I.G. track “One More Time” (2:10:33). Don't miss Part 2, where Rashad speaks on more of his iconic tracks and tells unforgettable stories. This episode is sponsored by @SoundCollectiveNYC, an industry-leading music school, musical space and community located in downtown Manhattan for aspiring DJ's, Producers, Musicians and more. Take private Ableton lessons, practice DJ routines, experiment with different audio equipment and reserve studio spaces for just the day, maybe a week or sign up for their monthly membership. Check www.soundcollective.com for more info and try their Online Classes free for a month by entering the code “ROAD”. If you're in the New York area, visit them at 28 Broadway, New York, NY 10004 and tell them the Road Podcast sent you!! Try Beatsource for free: btsrc.dj/4jCkT1p Join DJcity for only $10: bit.ly/3EeCjAX

Episode 090 taps in with renowned hip-hop culture journalist SHAWN SETARO who recently spent 2 WILD Manhattan months courtside at the Sean "DIDDY" Combs trial reporting daily for COMPLEX. Definitely some different topical topography juxtaposed to the norm for this program. Please rest assured, this is a serious conversation; an insightful, illuminating, sobering look into the lengthy legal proceedings & celebrity circus surrounding this salacious sordid saga, and a sad, scary, depraved drug-addled cuck at the center of the chaos he created. 0:00 - episode 090 preview 3:15- Sponsor: AARON SCHWARTZ ART- LETT US PLAY 6:30 - The Upful Update 11:00 - introducing SHAWN SETARO 15:15 - Trigger Warning - SA/DV 16:45 - INTERVIEW - Shawn Talks DIDDY Trial [85 min] 1:42:15 - Afterglow x ViBE Junkie JAMZ Sean "Diddy" Combs fka "Puff Daddy" - founder of Bad Boy Records, Sean John clothing, and resident pop-culture megalomaniac - was involved in a high-profile federal criminal case where he faced charges of racketeering conspiracy, sex trafficking by force, fraud or coercion, and transportation to engage in prostitution. His former partner Cassie Ventura, once an artist on his label, was the star witness for the prosecution. After a seven-week trial, a jury found him guilty of two counts of transportation to engage in prostitution but acquitted him of the sex trafficking and racketeering conspiracy charges.    BIO: Currently a freelance journalist after many years on staff with Complex, Shawn Setaro has written for The Atlantic, Vibe, GQ, and Forbes, and is the writer and reporter on the Spotify/Complex podcasts 'Infamous' and 'Complex Subject.' Prior to Complex, Setaro worked for Genius.com and hosted The Cipher, a podcast featuring interviews with 250 legendary figures in hip-hop. Dummy Boy: Tekashi 6ix9ine and The Nine Trey Gangsta Bloods was his first book. Shawn first appeared on The Upful LIFE Podcast episode 052, in Dec. 2021.   Shawn Setaro - author page COMPLEX German article Shawn references/gets quoted THE CIPHER SHOW pod archives! Complex Subject: Pop Smoke [Shawn Setaro hosted pod series] Dummy Boy: Tekashi 6ix9ine and The Nine Trey Gangsta Bloods by Shawn Setaro [Complex Presents] Shawn Setaro on Grammy.com Shawn Setaro IG   Vibe Junkie JAMZ "24 Hrs. to Live" Mase ft. The Lox, Black Rob & DMX “The Last Huzzah (Remix)”  Mr. Muthafuckin eXquire ft. Despot, Das Racist, Danny Brown, EL-P    VENMO B.Getz a few dollas 4 makin U holla! Upful LIFE Patreon EMAIL the SHOW PLEASE LEAVE A REVIEW on Apple Podcasts Listen/Comment on Spotify Theme Song: "Mazel Tov"- CALVIN VALENTINE

If you're a certain age, Sean' Diddy' Combs was inescapable during some really formative years of your music-listening habits. The entertainment mogul and producer showed up in music videos, hosted a reality show, and had a clothing line. His label Bad Boy Records helped launch the careers of iconic names in Hip-Hop and R&B, like Mary J. Blige, Usher and Notorious B.I.G. Now, he's standing trial on federal sex trafficking and racketeering charges, and faces the possibility of spending the rest of his life in prison, if convicted. Anne Branigin, a staff writer for The Washington Post has been covering the trial from the Manhattan courthouse. She joins us to talk about the latest developments in the case and what's still to come.And in headlines: The U.S. government officially accepted a $400 million Boeing 747 from Qatar, President Donald Trump lectured the president of South Africa about a 'white genocide' in his country that's not happening, and Virginia Democratic Rep. Gerry Connolly passed away at 75 after a battle with esophageal cancer.Show Notes:Follow Anne for more coverage of the trial – www.washingtonpost.com/people/anne-branigin/Subscribe to the What A Day Newsletter – https://tinyurl.com/3kk4nyz8What A Day – YouTube – https://www.youtube.com/@whatadaypodcastFollow us on Instagram – https://www.instagram.com/crookedmedia/For a transcript of this episode, please visit crooked.com/whataday